Podcast appearances and mentions of Harry Brown

In this landmark 400th episode of the Libertarian Christian Podcast, hosts Doug Stuart and Cody Cook welcome back Jim Babka for a reflective conversation on the state of the libertarian movement today. Babka, a significant figure in the libertarian movement, shares his journey to libertarianism dating back to 1996 and recounts his transformative experiences working with liberty icon Harry Brown. As they celebrate this podcast milestone, the discussion delves into the evolving landscape of libertarianism, from the consistent core values to the shifts influenced by cultural and political changes like the escalation of the culture war.Additional Resources:Liberty from A-Z, by Harry BrowneHarry Browne's 9/12 article, “When Will We Learn?”Harry Browne's 1996 acceptance speech (video)Audio Production by Podsworth Media - https://podsworth.com ★ Support this podcast ★

In this episode of Sermon Notes, Jay Strother, senior pastor at Brentwood Baptist Church, engages in a compelling conversation with Harry Brown, the president of New Generations Ministry. Together, they delve into the transformative power of prayer and its pivotal role in disciple-making movements worldwide. Harry shares profound insights and personal experiences from his ministry, emphasizing the importance of persistent, strategic prayer in overcoming spiritual warfare and catalyzing church growth. He also provides practical advice on how everyday believers can enhance their prayer life and take ownership of their spheres of influence to bring about Kingdom transformation. Tune in to discover how prayer undergirds effective ministry and witness the remarkable global impact achieved through New Generations' commitment to intercession.

Action Film Face-Off Episode 72: Kidnapped (1971) vs. Harry Brown (2009) Welcome to the 72nd episode!  Our randomizer - set to pick years in the range of 1970-Current Year - selected 1971 & 2009, so here are our contestants: Kidnapped (1971) vs. Harry Brown (2009) Who will win - Michael Caine or Michael Caine?  Find out as they battle for 6 rounds in our videodome! Be sure to check out all the other Longbox Crusade shows at: www.LongboxCrusade.com Let us know what you think! Leave a comment by sending an email to: contact@longboxcrusade.com This podcast is a member of the Longbox Crusade Network: LINKTREE: https://linktr.ee/longboxcrusade Follow on TWITTER: https://twitter.com/LongboxCrusade Follow on INSTAGRAM: https://www.instagram.com/longboxcrusade Like the FACEBOOK page: https://www.facebook.com/LongboxCrusade Subscribe to the YouTube Channel: https://goo.gl/4Lkhov Subscribe on Apple Podcast at: https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2 Thank you for listening and we hope you have enjoyed this episode of Action Film Face-Off.

Action Film Face-Off Episode 72: Kidnapped (1971) vs. Harry Brown (2009) Welcome to the 72nd episode!  Our randomizer - set to pick years in the range of 1970-Current Year - selected 1971 & 2009, so here are our contestants: Kidnapped (1971) vs. Harry Brown (2009) Who will win - Michael Caine or Michael Caine?  Find out as they battle for 6 rounds in our videodome! Be sure to check out all the other Longbox Crusade shows at: www.LongboxCrusade.com Let us know what you think! Leave a comment by sending an email to: contact@longboxcrusade.com This podcast is a member of the Longbox Crusade Network: LINKTREE: https://linktr.ee/longboxcrusade Follow on TWITTER: https://twitter.com/LongboxCrusade Follow on INSTAGRAM: https://www.instagram.com/longboxcrusade Like the FACEBOOK page: https://www.facebook.com/LongboxCrusade Subscribe to the YouTube Channel: https://goo.gl/4Lkhov Subscribe on Apple Podcast at: https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2 Thank you for listening and we hope you have enjoyed this episode of Action Film Face-Off.

In this episode of Insight is Capital, Pierre Daillie chats with Jason Buck, Chief Investment Officer at Mutiny Fund, to discuss defensive and offensive strategies in portfolio management - with equity valuations of the "Magnificent 7" it's now particularly essential for advisors and investors alike to consider defense ahead of any potential reversals. Buck points out that from a business perspective, advisors are leveraged to the equity market by 3-4x, when their business AUM is exposed to drawdown risks. Jason shares his journey from a real estate developer affected by the 2008 financial crisis to a consultant on risk management and bespoke long volatility strategies. He highlights the 'cockroach investment strategy' and the necessity of combining offensive assets like stocks and bonds with defensive assets like long volatility and commodity trend advisors. The importance of rebalancing, the concept of convexity, and the practical application of strategies like the Harry Brown portfolio model are discussed in detail. Using the memorable Herschel Walker analogy, Jason underscores the importance of a well-diversified portfolio. This episode is essential for investors and advisors looking to understand the implementation and benefits of a balanced approach to portfolio construction.Timestamped Highlights00:00 Introduction - Guest - Jason Buck, Mutiny Fund00:14 Jason Buck's Background and Investment Philosophy00:49 The Cockroach Investment Strategy01:20 Podcast Disclaimer and Welcome Back01:49 Discussing the Cockroach Strategy03:08 Importance of Diversification and Defense Strategy04:44 Launching the Defense Strategy06:47 The Great Financial Crisis and Its Lessons07:40 Combining Offensive and Defensive Assets08:53 Harry Brown's Four Quadrant Model09:33 Modern Portfolio Techniques and Convexity12:33 Commodity Trend Advisors (CTAs) Explained14:12 The Role of CTAs in Inflationary Environments15:01 Ensemble of CTAs for Robust Returns24:04 Challenges in Explaining Trend Following30:43 Understanding the Buy Button Mentality31:05 The Case for Commodity Trend Following31:38 Challenges in Portfolio Allocation32:42 Financial Advisors and Client Resistance34:37 The Importance of Defensive Assets36:37 Cash and Capital Efficiency39:19 Long Volatility and Tail Risk Explained41:02 Convexity and Portfolio Insurance48:51 Rebalancing for Effective Compounding55:45 The Herschel Walker Trade Analogy58:57 Conclusion and Final ThoughtsCopyright © AdvisorAnalyst

In this episode of the Effective Giving Podcast, host Lane Kipp interviews Harry Brown, president of New Generations, on the impactful work his organization is undertaking in creating disciple-making movements across 93 countries, involving over 129,000 new churches and 2.6 million new followers of Jesus. They discuss the strategy behind their approach, focusing on the principle of creating self-sustaining movements that multiply without external intervention, impacting even the most resistant and closed societies. The conversation highlights the importance of obedience-based discipleship, the role of indigenous leaders, and redefining the measure of 'unreached people groups' in the modern, interconnected world. Harry shares insights into the simplicity and replicability of their model, emphasizing the vital role each believer plays in the Great Commission.

Panamá, 14  de marzo de 2024 El politólogo, Harry Brown, coincide con la población panameña en que la equivocación de multiplicación que tuvo el candidato del Partido Revolucionario Democrático (PRD) José Gabriel Carrizo durante el segundo debate presidencial, debió haber sido lamentada por su equipo de campaña, no obstante, el candidato defendió que es humano y se equivoca todos los días."Creo que en el marco de las propuestas para la juventud, todos estaban proponiendo más o menos lo mismo, pero desde ese marco José Gabriel Carrizo, estaba haciendo algunas de las propuestas más interesantes y tuvo ese traspiés  y le reconozco que él está defendiendo su Gobierno y no está tratando de hacer de candidato de oposición porque eso siempre ocurre".Brown explicó además que un debate de este tipo no solamente se usa para presentar propuesta sino que también es de rendición de cuentas y el único que  más rinde cuentas es el candidato de Gobierno.Ausencia de Mulino en debateLa ausencia de José Raúl Mulino podría ser parte de una estrategia, Harry Brown, recordó que la legislación panameña no obliga a los candidatos presidenciales a ir a los debates, aunque para la sociedad panameña es importante que ellos debatan y se presenten a la ciudadanía.No es nada extraño que algunos candidatos decidan no debatir porque se tiene mucho que perder y nada que ganar pero sí la situación desmejora posiblemente los candidatos se verían obligados a asistir.Inquietudes de los jóvenesDurante el segundo debate presidencial, los candidatos presidenciales trataron de satisfacer las inquietudes de los jóvenes, no obstante, tal vez usar zapatillas fue un intento de conectar con la juventud, pero eso podría ser un error o trampa ya que es un debate que ve todo el país.

Welcome to a new series that highlights pre-1980 films in sort of a Book club format that's available on a streaming service.For Episode 3, Paul Escarcega is joined by Drew Stewart as they review John Howard Hawk's "El Dorado (1966)".WHERE CAN WE WATCH: Amazon Prime and Paramount Plus.DIRECTED BY: Howard Hawks (Scarface ((1932), Bringing Up Baby, Rio Bravo)WRITTEN BY: Leigh Brackett (The Big Sleep, Rio Bravo, Empire Strikes Back) & Harry Brown (Ocean's Eleven, Sands of Iwo Jima, Places in the Sun)STARS: John Wayne, Robert Mitchum, James CaanEl Dorado is a 1966 American Western film directed and produced by Howard Hawks and starring John Wayne and Robert Mitchum. Written by Leigh Brackett and loosely based on the novel The Stars in Their Courses by Harry Brown, the film is about a gunfighter who comes to the aid of an old friend who is a drunken sheriff struggling to defend a rancher and his family against another rancher trying to steal their water. The supporting cast features James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, Michele Carey, R. G. Armstrong, Ed Asner, Christopher George, Adam Roarke and Jim Davis.Cole Thornton, a gunfighter for hire, joins forces with old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher who's trying to steal their water.The film was first released in Japan on December 17, 1966 and then in the United States on June 7, 1967. The film received critical praise and was commercially successful, generating North American rentals of $5,950,000 on box-office receipts of $12 million.[4]Roger Ebert awarded the film three and a half stars, stating: "El Dorado is a tightly directed, humorous, altogether successful Western, turned out almost effortlessly, it would seem, by three old pros: John Wayne, Robert Mitchum and director Howard Hawks."[10]The film has a 96% approval rating on review compiler Rotten Tomatoes based on 25 reviews, with a weighted average of 7.7/10.[11]To Watch on YouTube:https://youtu.be/0ADyIopi_SU#aaactionpodcast #film #moviereview #moviepodcast #movie #classicmovies #movieclub #filmhistory #eldorado #western #paramountplus #amazonprime #howardhawks #johnwayne

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. MARTIN PHIPPS Coming from a musical background (he is Benjamin Britten's godson), Martin read drama at Manchester University and fortunately for the acting profession, he decided to concentrate his energies on writing music. Since scoring his first TV drama, Eureka Street in 2002, he has won 2 BAFTAs, 5 Ivor Novello Awards and received multiple Emmy nominations for writing music to many of the most interesting series of recent years. These include the BBC's War and Peace, Hugo Blick's The Honourable Woman, Peaky Blinders, Black Mirror and season 3 through 6 of the acclaimed Netflix series The Crown. ANTHONY WILLIS Anthony Willis is a BAFTA-nominated composer, known for his evocative scores for Emerald Fennel's Oscar's Winning Promising Young Woman Blumhouse's Ai hit M3gan, and Fennell's latest psychological thriller Saltburn from MGM/Amazon starring Barry Keoghan & Jacob Elordi. He was named one of Variety's Top 10 Artisans to Watch in 2023 at the SCAD Savannah Film Festival. His recent projects also include Dreamworks' Animation's Annie award-winning How To Train Your Dragon: Homecoming, Seasons 6-8 of Epic's video game sensation Fortnite, and Michelle Morgan's comedy It Happened in L.A. As a protege of Oscar-nominated composer John Powell and Henry Jackman, Anthony has also contributed additional music to many of Hollywood's most beloved franchises including: How to Train your Dragon, Jumanji, Wreck it Ralph, Solo: A Star Wars Story, Pirates of the Caribbean and Rio. Originally from London England, Anthony trained as a chorister of St. George's chapel, Windsor Castle, UK before earning a First class honors degree in Music from the University of Bristol and a later graduate degree in Film Scoring from University of Southern California. Recently Martin has scored Sir Ridley Scott's Napoleon, Ed Perkins' The Princess, and Amazon Studios' series Solos starring Morgan Freeman. Other film credits include Woman In Gold (scored with Hans Zimmer), starring Ryan Reynolds and Helen Mirren, Fox Searchlight's The Aftermath, starring Keira Knightley, Alexander Skarsgård, Harry Brown and Brighton Rock. Studio Soundtracks is made possible in part by the generous support of Spitfire Audio, makers of inspiring sounds and scoring tools for film, in collaboration with the world's best composers, musicians and engineers. More details available at spitfireaudio.com.

William co-founded Framestore in 1986 after studying Business and Law at Trinity College. He has been part of Framestore's successful rise from an award winning commercials house to world renowned film VFX company based in London, New York, LA and Montreal. During William's time at Framestore the company has worked on Steven Spielberg's War Horse, Joe Johnston's Captain America: The First Avenger, Guy Ritchie's Sherlock Holmes: A Game of Shadows, David Yates' Harry Potter and the Deathly Hallows, Spike Jonze's Where The Wild Things Are and Alfonso Cuaron's Gravity to name just a few. He has Partnered and Executive Produced The Tale of Despereaux, Harry Brown, Heartless, Me and Orson Welles and UTZ, as well as Spitting Imageand The Florentine Intermedi. Equally at home in Hollywood and government, he was Permanent Secretary, Regulatory Reform, at the Cabinet Office, Board Director of HM Treasury and a fellow of the Royal Society for the Arts. He was knighted by the Queen in 2008. His numerous interests include: football, cricket, rugby, architecture, wine, world travel and modern art. Find out more about William in interviews with the Financial Times, Little Black Book and from the film above, which is part of The Beak Street Bugle's profiles series --- Send in a voice message: https://podcasters.spotify.com/pod/show/portraitsofclongowes/message

Anton Savage was joined by Daniel McConnell, Editor of the Business Post, Harry Brown, Senior Lecturer in the school of media at TU Dublin, and Seamus Dooley, Irish Secretary at the National Union of Journalists to discuss what now for RTE as they deal with the payment crisis.

With the duo out conquering Parenthood and the Kentucky Derby this week

Gary Young is a British screenwriter best known for writing Harry Brown starring Michael Caine.

Jason Buck is the co-founder and CIO of Mutiny Funds and maybe one of the most interesting people I know. Jason made, and subsequently lost, a fortune in commercial real estate in the 2008 crash.  This “ego destroying event” was the catalyst for him to completely rethink the idea of resiliency, both in business and investments. Jason spent the better part of the 2010s developing the Cockroach portfolio, a modern take on Harry Brown's permanent portfolio.  A quarter stocks, a quarter bonds, a quarter CTA, and a quarter long volatility, Jason has designed the portfolio to provide all weather returns, with the possibility of serving as an entrepreneurial hedge. We discuss the value of tail hedging, tail hedges versus long volatility trades, the limits of manager diversification, and managed futures/CTAs versus static commodity positions. As a final note, this episode was recorded live at the Exchange ETF event in Miami. Enjoy.

Harry has been in the middle of New Generation's movement activity for 27 years.  He is President of New Generations.Watch the interview here: https://youtu.be/dTWghiMH9Hk

Another session with Harry Brown and the senior church leaders going through the DMM Playbook experience.Watch Interview Here: https://youtu.be/BVbPc9B8ZOU

Harry Brown share why our current system of gospeling will never reach the Great Commission.  Harry is President of New Generations.  He and his wife Audrey served over 40 years at CityTeam in San Jose CA before CityTeam birthed New Generations to its own organization.View YouTube conversation here: https://youtu.be/UCf4gJllKY4

The first chapter can make or break a reader's engagement with a story. We as writers must craft brilliant opening pages in order to hook those picky readers, so let's study the stories of others to see how they do it! Deanna Raybourn's Killers of a Certain Age certainly needs no prologue to hook readers! Instead, her opening chapter starts with the protagonists preparing for their first mission--not only as stewardesses, but as assassins, too. I mean, when the third and fourth sentences of the novel are "It's not murder," Helen corrects. "It's an assassination, and you can make an effort to look nice.", you as a reader know you're in for a fun time. The opening scene introduces us to a group of women new to this "life of lies" as they prepare for their first mission under their supervisors posing as airline pilots. The dialogue drags a smidge on the fourth page, but there's enough personality in the exchange that we as readers are okay with the slow preparation, as we are learning to differentiate the character traits of the team. Plus, a brief reflection by one of the women helps remind readers just how much is at stake: not just the mission, but the lives of everyone on the mission, too. The use of movie lines during the exchange also helps emphasize the timeframe we are dealing with, as this first chapter is, essentially, a flashback to the protagonists' first mission in 1979. The majority of the story is to take place in the present day when all these female assassins are older. For one who loved the movies Red, Harry Brown, Sea Wolves, and yes, Arsenic and Old Lace, I'm really excited to see what time does to these ladies--and what happens to those foolish enough to underestimate them. What will you make of these first five pages? Let's find out!

On today's show Claudio Grass discusses gold, silver and Christmas! GUEST OVERVIEW: Claudio Grass is an independent precious metals adviser based in Switzerland. A proponent of sound money and the Austrian School of Economics, Claudio shares his convictions on why human liberty and sound money are inextricably linked. Over the past decade, Claudio plunged into a study of geopolitics, history, different monetary, economic and political systems and philosophies. The writers who impressed and influenced him the most, where those who promoted individualism over collectivism, freedom over slavery, non-aggression over using force as a legitimate way to solve problems. Among them were Ludwig von Mises, Murray Rothbard, Harry Brown, Hans-Hermann Hoppe, Aristoteles and Thomas Aquinas to name just a few.

GUEST OVERVIEW: Claudio Grass is an independent precious metals adviser based in Switzerland. A proponent of sound money and the Austrian School of Economics, Claudio shares his convictions on why human liberty and sound money are inextricably linked. Over the past decade, Claudio plunged into a study of geopolitics, history, different monetary, economic and political systems and philosophies. The writers who impressed and influenced him the most, where those who promoted individualism over collectivism, freedom over slavery, non-aggression over using force as a legitimate way to solve problems. Among them were Ludwig von Mises, Murray Rothbard, Harry Brown, Hans-Hermann Hoppe, Aristoteles and Thomas Aquinas to name just a few.

This week take a closer look at the highly interesting commercial side of the British Livestock world by profiling the shortlist contenders for the Agriscot Beef Farmer of the Year Awards. Firstly we take a look at James Young's large scale beef operation in Ayrshire, then Harry Brown's diversification scheme in Aberdeenshire and finally Ian Richardson's suckled calf outfit in the Borders.

The political and socio-economical world is changing rapidly. What's happening isn't just a part of the normal cycle. So how do we adapt in these changing times? In this episode of UpThinking Finance™, Rodrigo Gordillo shares why low inflation isn't normal, talks about the Fed's over-reliance on fiscal spending, and his company's concept of return stacking (and how it works).  Rodrigo Gordillo is the Co-Founder, Managing Partner, and Portfolio Manager of ReSolve Asset Management. They launched ReSolve in 2015 using a quantitatively focused investment methodology that they began developing when they worked as portfolio managers at private wealth management firms. Learn more about his unique investing strategies in this episode! You will want to hear this episode if you are interested in...[2:40] Learn more about Rodrigo Gordillo  [7:33] How Rodrigo got into quantitative analysis [11:13] How Rodrigo connected with his co-founders [14:23] Why 40 years of low inflation isn't normal [18:55] The Fed's over-reliance on fiscal spending [23:56] Rodrigo's concept of return stacking [46:00] Some of Rodrigo's favorite resources How Rodrigo's formative years impacted his investment strategiesRodrigo was born and raised in Lima, Peru. He was lucky to be the son of a math professor and naval officer. His father made it far in the information technology space so he was sent to Monterrey, CA for further training. He used to joke that his job was to answer a question poorly that would otherwise be answered worse. When he left the Navy, he started a software development company. Because of this, Rodrigo was always surrounded by computers and information. In 1989, the President of Peru decided to default on IMF loans. Inflation soared 7,200% in six months. Whatever anyone had in savings went to zero—including his grandfather's savings. The big winners were the debtors and the big losers were the savers. It was an impactful moment in Rodrigo's life. It's also why he makes sure any investments he works on account for periods of high inflation.  How Rodrigo got into quantitative analysisRodrigo notes that quantitative analysis can be made simple. It's a set of rules he and his team have coded to make sure they're disciplined and executing religiously on their investment philosophy. He emphasizes that the philosophy is what's important.  In the late 80s, Harry Brown recommended that you have 25% of your money in cash, 25% in gold, 25% in equities for growth, and 25% in treasuries for bear markets. It's an early version of how people think about portfolio balance today. You have to decide what balance means for each segment. Ultimately, Rodrigo seeks to create balance with diversity (global equities, bonds, and commodities in the portfolio) within regimes. You update the risk rather than dollar weights. It's far better than a 60/40 portfolio. Markets are complex, and Rodrigo notes that you can't conflate your lived experience with expertise. The experience has been 40 years of a low inflation market, persistent positive growth, and abundant liquidity. It is not common and it's not the norm. You have to have the expertise to look at history and understand it. That's how he and his team landed on return stacking. Rodrigo's concept of return stackingWhen you have a diversified strategy, advisors are asking you to give space in the portfolio to zig when others zag. It creates a better risk-adjusted return. For every unit of risk you take, you're given more units of return because they added diversity. It lowers volatility and smooths out the return streams over long periods. But from an absolute basis, your returns will be lower.  In the last couple of years, a few innovative funds use derivatives to get additional exposure for every dollar you give them. PIMCO has a fund that invests in an active bond portfolio and uses the collateral to buy an S&P Futures contract that is 100%. So when you buy...

Corey Gorechrist heads out on the road and welcomes Harry Brown, vocalist of the Florida Death Metal outfit BODYBOX, to FANTASM. Harry talks about their current tour with The Acacia Strain, their rapid and growing success, plans for new material, fun on the road, and much more.

You may think the fact that Harry Brown has traveled to 70 countries is remarkable. But that's nothing compared to the fact that it's all been for the organization he leads, New Generations, which has catalyzed the planting of more than 92,000 churches. That's 92,000 churches. More than two million new believers. Harry has worked for New Generations (formerly Cityteam International) for 48 years and says the approach of supporting disciples making disciples results in compounding the increase in believers. “All around the world we're seeing growth in God's Kingdom,” he says, “but it's not addition we're seeing … it's multiplication.” To learn more about New Generations, click here: https://newgenerations.org/ Original air date: September 22, 2022See omnystudio.com/listener for privacy information.

Director Daniel Barber, producer Kris Thykier, and actor Michael Caine

En Panamá, las organizaciones sociales rompieron este 18 de julio un acuerdo firmado con el Gobierno que suponía el desbloqueo de las principales vías del país a cambio de una rebaja del precio de los combustibles, y anunciaron que seguirán manifestándose. “El país está totalmente detenido”, afirma Luis Sánchez, dirigente de la Asociación de Educadores Veragüenses (AEVE). El gremio, que lideró las manifestaciones desde el 23 de mayo pasado, volvió a las calles tras romper el acuerdo firmado el domingo con el gobierno de Panamá.  “Volvemos en cero” “La verdad, las bases no estaban de acuerdo con esa acta de compromiso que se firmó. Yo lo había advertido, que eso tenía que llevarse a las bases, a los maestros que están en las calles, al pueblo que está en las calles, y lamentablemente dijeron que no”, lamenta Sánchez. “Otra cosa es que en ese documento había un compromiso de las mesas instaladas de discusión de la canasta básica. No se presentaron hoy y nos dejaron sentados. Nosotros volvemos en cero nuevamente. ¡Y me están acusando de que yo tengo una agenda oculta! Luis Sánchez, la única agenda que tiene, es la justicia para el pueblo panameño, con todo el movimiento popular que ha conformado la ANADEPO [Alianza Nacional por los Derechos del Pueblo Organizado]”, denuncia el líder sindicalista. En el acuerdo se había establecido la reapertura de los tramos obstruidos en la carretera Panamericana que conecta al país con Centroamérica, así como un precio fijo para la gasolina. Con esta decisión se reanuda entonces la huelga de más de dos semanas y las movilizaciones callejeras que han causado desabastecimiento en todo el país. “La gobernabilidad está en entredicho” “El acuerdo se ha roto por haber sido muy limitado. Hay un número importante de organizaciones protestando, hay distintos niveles de aspiraciones. Por ejemplo, hay un documento que firmaron varias de esas organizaciones, que tiene 32 reivindicaciones y medidas que tiene que tomar el Gobierno, y lo que ha sucedido, que creo que es lo más importante, es que la dirigencia de AEVE, que era la que estaba encabezando toda la movilización, y más o menos articulándola, ha sido rebasada por el sindicato de obreros en la construcción, que tiene una mirada política quizás un poco utópica pero más de largo plazo y más radical”, explica Harry Brown, director del Centro Internacional de Estudios Políticos y Sociales de Panamá. Para el politólogo, Panamá en este momento se encamina a ser un país ingobernable: “No hemos llegado al punto de Chile en 2019, o a las escenas de hace algunos días en Sri Lanka, pero la gobernabilidad está en entredicho”, subraya. A pesar de las altas cifras de crecimiento económico e ingresos por más de 2.000 millones de dólares anuales por el Canal de Panamá, este país centroamericano tiene uno de los mayores índices de desigualdad del mundo.

This audio was taken from Discipleship.org's fifth track session at the 2022 Exponential World Conference. Bobby, Harry, Dan, Jim and Paul discussed together the meaning of attractional churches and how to use them as a catalyst for a disciple making movement breaking out in North America. ___________________________________ To see the notes from all 5 Exponential sessions go to discipleship.org/dmm Go to discipleship.org or renew.org to purchase your discounted combo ticket to both the National Disciple Making Forum and the Renew Gathering.

This audio was taken from Discipleship.org's fourth track session at the 2022 Exponential World Conference. Harry Brown shared with us some of the things he's seeing happening in North America that are NOT happening in other countries where disciple making movements are exploding. ___________________________________ To see the notes from all 5 Exponential sessions go to discipleship.org/dmm Go to discipleship.org or renew.org to purchase your discounted combo ticket to both the National Disciple Making Forum and the Renew Gathering.

This audio was taken from Discipleship.org's first track session at the 2022 Exponential World Conference. Harry Brown gave us an in-depth view into the disciple making movement in Sierra Leone and how we need to pray and make disciples to begin that shift in the churches in North America. ___________________________________ To see the notes from all 5 Exponential sessions go to discipleship.org/dmm Go to discipleship.org or renew.org to purchase your discounted combo ticket to both the National Disciple Making Forum and the Renew Gathering.

On the Wings of Eagles...David Greer, Brian McZeal, Daniel Miguez, and Kevin Simien were players on Port Arthur Stephen F. Austin's 1983 Co-Semifinalist football team.Hear them talk with Buck (who was a coach on the team) about:Their experiences attending school at Stephen F. Austin;Their remembrances of Texas Hall of Fame Head Coach Richard Marler;The SFA Eagles' coaching staff;The 1982 off season and regular season;The 1983 regular season and playoff run;Highlights of games, players, and opponents;and much, much, more!!The podcast brings up a wide range of names from Southeast Texas, including Dr. Chester Levy, Butch Kareem Evans, Greg Green, Tom Kroutter, Boyd Edwards, Sylvester Smith, June Dickson, Kay Foley, Linda Hodges, Dorothea Vaughan, Claudine Patterson, George Rose, Jo Ellen Green, Richard Marler, Jimmy Wyble, George Thompson, Larry "Doc" Southard, Joe Washington Jr, Ranzy Levias, Joe Smith, Larry Reece, Jim Yarberry, Danny Knowles, Kedrick Williams, Johnny Comeaux, Sammy Boullion, Gerald Broussard, Kurt England, Carlton Hatch, Steve Judice, Jimmy Oats, Darren Rose, Daniel Frederick, Harry Brown, Kacy Lewis, Marvin Ned, Marshall Simon, Jason Miles, Royce Hearne, Tony Evans, Ed Peveto, Tony Allen, Jim Everfield, Harold Green, Phil Danaher, Burton Murchison, Paul Jenkins, Kelvin Broussard, Todd Higginbotham, Carlie Hallmark, David Payne, Mike Hebert, Troy DeRouen, Gary Miguez, Ed Cockrell, Steve Coulter, Kip Texada, Darrell Montgomery, William Ray Anderson, Chris Peltier, Kevin Anderson, John Miguez, Keith Thomas, Lance Polk, Frederick Rhine, Mike Ramsey, Jimmy Johnson, and many more! Other names mentioned in the podcast who aren't from Southeast Texas are Navasota quarterback Lynn James, Oklahoma State Coach Bill Shimek, and New York Jets defensive end Mark Gastineau!"Your Dreams we Cherish in our Hearts,We're Loyal and True, though we Depart,Our Love for you shall Never Die,Dear Alma Mater, Austin High!"It's a 1983 throwback...Right here on Down Trails of Victory podcast!

Sean is joined by SaVon from the ‘Coffee and Comments' YouTube Channel. After the host refuses to go through the plot of Inception, SaVon gives it a good go. Stick around for Savon's theory about the film's reality. Sean introduces SaVon to Michael Caine's ‘Taken' aka Harry Brown, followed by another tangent about Michael Caine's earlier films. Thanks for listening!

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

“The Midnight Sky is a film with big scopes. We have big vistas, we're in space, we are on the moon, in the Arctic. Also, it's a very intimate film because it's a lot about connection, so we when we see people we get close to them and we feel intimate with them because we are literally with the camera quite close to them and looking into their faces. In this film, it helped that we went on 65mm. We shot on a large format. First of all we started that for the big landscapes, but I think it's great also for faces because the face also becomes like a landscape.”Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Jim Babka was the Press Secretary for Harry Brown and is an American writer, activist, former radio talk-show host, and president of the Downsize DC Foundation.Support this podcast at — https://redcircle.com/the-mike-paulcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

“The Midnight Sky is a film with big scopes. We have big vistas, we're in space, we are on the moon, in the Arctic. Also, it's a very intimate film because it's a lot about connection, so we when we see people we get close to them and we feel intimate with them because we are literally with the camera quite close to them and looking into their faces. In this film, it helped that we went on 65mm. We shot on a large format. First of all we started that for the big landscapes, but I think it's great also for faces because the face also becomes like a landscape.”Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Cory and his brother, Harry, discuss the challenges of accepting life's hardships and strategies on how to cope. For more insight into Harry's professional background and coping strategies, please visit www.mercerislandschools.org/Page/9277 or reach out to Harry directly at harry@harrybrowntherapy.com. DISCLAIMER: THIS PODCAST DOES NOT PROVIDE MEDICAL ADVICE The information, including but not limited to, text, graphics, images and other material contained on this podcast are for informational purposes only. No material on this podcast is intended to be a substitute for professional medical advice, diagnosis or treatment. Always seek the advice of your physician or other qualified health care provider with any questions you may have regarding a medical condition or treatment and before undertaking a new health care regimen, and never disregard professional medical advice or delay in seeking it because of something you have heard or read on this podcast and/or website.

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.· www.ruhe.net· www.creativeprocess.info

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe's meticulously arranged shots helped to build the tone of The American, while reviews applauded the film's beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009's Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel. · www.ruhe.net· www.creativeprocess.info

I would hope that the American people would look past my gender and just look at the ideas. I want to see freedom in my lifetime. I want to see people be able to make their own decisions. -Jo Jorgensen Meet Dr. Jo Jorgensen, Libertarian candidate for President of the United States. In Boston as part of her whirlwind tour across America, Jo agreed to an exclusive interview with me. Born in Libertyville, Illinois, and raised in a nearby town with only one stop light, Jo had a libertarian mindset before she knew anything about the Libertarian Party. A graduate of Baylor University, Jo went on to Southern Methodist University for her MBA and earned her PhD in Industrial and Organizational Psychology from Clemson University in 2002 where she is now a senior lecturer. The VP running mate for Harry Brown in the 1996 presidential campaign, Jo believes that “our government is too big, too bossy, too nosy and too intrusive. It's time to put the decision making power back into the hands of the people.” In this interview, she explains what it means to be Libertarian, and answers my questions about key issues like: how to heal unrest in our country, what she would have done if she were president during the Coronavirus outbreak, her views on our criminal justice system, the police, her stance on decriminalizing drugs, healthcare, our military, prayer in schools, the IRS, the FDA, no-knock raids, and whether to send teachers and children back into the classroom. But it is Jo's heartfelt answers about gender, motherhood, how she gets around obstacles, and her view on what success really means that give the listener a clear view of the contents of her character. With her supporters repurposing #imwithher Jo's hope is that as a third party candidate, she will be able to debate President Trump and former Vice President Biden on a national stage so that voters can understand what she truly stands for. #letherspeak #letherdebate #JoJorgensen2020

In this week’s episode of The Ministry Growth Show the President of New Generations, Harry Brown, walks us through how their ministry is using DMM to change lives for Christ all over the world. DMM is an acronym for Disciple-Making Movements and Harry shares how these movements are sweeping across the nations and transforming lives […] The post Harry Brown from New Generations – Disciple Making Movements aka “DMM” appeared first on Reliant Creative.

Hollywood legend Sir Michael Caine returns to the big screen in King of Thieves, the second cinematic adaptation of the infamous Hatton Garden burglary in 2015. The south London born actor looks back at his varied career, which he has seen him act alongside Sean Connery, Sylvester Stallone and even the Muppets and also become synonymous darker criminal roles, in films such as Get Carter, Harry Brown and the Italian Job.When Israel Public Radio recently broadcast part of Wagnar's Gotterdammerung or the Twilight of the Gods, it caused a furore leading the station issued an apology. This is because since 1938 there has been an understanding that, because for his anti-Semitism, Wagner's music is neither performed nor broadcast in Israel. Stig talks to Jonathan Livni, founder of Wagner in Israel, who is in favour of lifting the ban, and Yael Cherniavsky, the conductor and soprano, who used to run the offending radio network, who disagrees. Scotland's first design museum, the £80 million Victorian & Albert Dundee, opens this weekend on the city's waterfront. It will have a permanent collection which promises to tell the story of Scotland's design heritage. Art critic Moira Jeffrey has visited Dundee and lets us know if the museum lives up to its grand design.