Podcast appearances and mentions of Anton Corbijn

Le nouveau disque de Julien Clerc a pour titre "Une vie". Lʹoccasion était donc trop belle pour ne pas revenir sur ses rapports avec la Suisse, sa terreur de perdre lʹinspiration derrière un piano, son amour des Beatles et de McCartney ou ses rapports avec les paroliers, sans oublier cette sublime photo de pochette signée Anton Corbijn.

KIW015. Er hatte David Bowie, Depeche Mode, U2 und andere vor der Kamera – und prägte wie kein Zweiter die Ästhetik der Popkultur. Anton Corbijn hat einige der ikonischsten Musiker- und Künstlerporträts geschossen. Das Kunstforum zeigt die erste Retrospektive und wir reden darüber!*wegen einer Urheberrechtsverletzung mussten wir die Folge gekürzt nochmals hochladen.

Thomas hat sie alle gehabt ... Wir sprechen mit dem Kölner Musik- und Celebrity-Fotografen Thomas Rabsch über kuriose Begebenheiten und spannende Begegnungen aus seinem ereignisreichen Arbeitsleben. Warum es für den Karrierestart gut sein kann, eine Einwegkamera in der Tasche zu haben, wie man Starfotografen zum Bildertausch bringt, was Helmut Kohl allein mit einem Blick bewirken konnte, warum Gavin Rossdale einen bittet, seine Hochzeit mit Gwen Stefani zu fotografieren – und viele, viele Stories mehr von Nick Cave, Blixa Bargeld, Dave Grohl und Co.Wenn Ihr mögt, folgt Thomas gerne hier auf Instagram.UNSERE RUBRIK: Die HausaufgabeUnd als wäre alles Gelaber allein noch nicht genug, gibt es unsere beliebte Rubrik: Die Hausaufgabe!Lars und Markus schlagen sich gegenseitig ein Album vor, das dann subjektiv auseinandergenommen wird. Wir vergeben Punkte zwischen 1 (mies) und 10 (genial). Also gibt es jede Menge Gesprächsstoff!Heute geht es um:ISIS "Panopticon" (2004)JR Ewing "Maelstrom" (2005)Wir sind auch gespannt auf Eure Wertung:Das beste ist: Ihr könnt jederzeit mitvoten. Jedes besprochene Album führen wir hier https://www.tunefish-podcast.de/hausaufgabe/ mit der Wertung auf. Ihr könnt uns Eure Punktzahl als Mail an tunefish@derherrgott.de, über das Formular auf der Seite oder via Social Media schicken.>>> EUER SENF DAZU:Unsere Folgen leben immer mehr auch von Eurem Input, daher scheut Euch bitte nicht zu kommentieren, zu kritisieren oder gerne auch zu loben. Sei es als Text oder Sprachnachricht. Wir senden unglaublich gerne Eure Meinungen. Alle Kontaktmöglichkeiten, Shownotes und Infos zu unseren Gästen (und natürlich auch alle Episoden selbst) findet Ihr auf unserer Website: https://www.tunefish-podcast.de/>>> EUER SUPPORT:Da wir den Podcast dauerhaft werbefrei halten wollen, Euch aber gleichzeitig mehr Musik im Podcast bieten wollen, haben wir uns auf Anregung einer Hörerin überlegt, wie Ihr – die Hörenden – uns hier vielleicht etwas unterstützen könntet. Wählt selbst: • Patreon• PayPal• BitcoinAlle Support-Infos:https://www.tunefish-podcast.de/support/Unsere begleitende Spotify Playlist (diese Episode: Song 699 - ...)hier könnt Ihr die von uns erwähnten Künstler, Songs oder Alben nachhören, die wir in den einzelnen Episoden besprechen:TuneFish-Spotify-PlaylistWenn Euch gefällt, was wir tun ...... helft Ihr uns unglaublich damit, wenn Ihr uns eine positive Bewertung gebt, wo auch immer Ihr uns hört.5 Sterne, Abos und Likes bei den einzelnen Folgen sind unser schönster Applaus. Stay tunefished, Lars & Markus .....RSS-Feed zum Podcast:https://letscast.fm/podcasts/tunefish-862dcd8d/feed.....Endlich der Link zum Song von Willsagen:"I won`t cry when Robert Z passes away".....Wir haben große Lust auf Euer Feedback. Also feedbackt uns bitte ;-)Schreibt uns eine Mail oder kommentiert auf unserer nagelneuen Website:https://www.tunefish-podcast.de/TuneFish aufInstagramBlueskyFacebookMastodon

A Joy Divisionről mindig lehet adást csinálni, rocktörténelmi jelentőségű együttes, sokak – sokunk – életének egyik meghatározó zenekara, ahogyan az utódegyüttes, a New Order is. A mostani adásnak különleges apropót ad, hogy a brit filmnapokon március 21-én vetítik Anton Corbijn a Joy Division történetét feldolgozó Control című filmjét, valamint a manchesteri zenei színtér bő egy évtizedét bemutató Non-stop party arcok című mozit. Továbbá idén májusban lesz Ian Curtis Joy Division-énekes halálnak negyvenötödik évfordulója. Vendégünk – sőt: visszatérő vendégünk – a mostani adásban Nagy István Steve kulturális újságíró.Műsorvezető: Németh RóbertA Wanted podcast adása az NKA Hangfoglaló program támogatásával készült.

On 19 March 1990, Depeche Mode released what is still considered their finest album - 'Violator'. Anton Corbijn created its sleeve with assistance from graphic designer Richard Smith of Area. The two would go on to collaborate on dozens of sleeves for a wide range of artists, but to celebrate this seminal album's 35th birthday, I spoke to Richard about his creative involvement. Richard has worked with dozens of artists and bands in his career, including Depeche Mode, ABC, OMD, Tears For Fears and many others. We talk about many of these commissions in this episode, and more recently, he's launched his own podcast - Destroy! about how the punk movement of 1976 spawned a revolution still being felt today. There's lots of information about this at the end of the podcast. Sleeve art discussed in this episode: So - Peter Gabriel (1986) Boomerang - The Creatures (1989) Violator - Depeche Mode (1990) Sugar Tax - OMD (1991) Abracadabra - ABC (1991) The Girl With The Loneliest Eyes - The House of Love (1991) Songs of Faith and Devotion - Depeche Mode (1993) Liberator - OMD (1993) Songs of Faith and Devotion Live - Depeche Mode (1993) Elemental - Tears For Fears (1993) This I Swear - Kim Wilde (1995) Universal - OMD (1996) Barrel of a Gun - Depeche Mode (1997) Ultra - Depeche Mode (1997) If you enjoyed this episode, please subscribe to Art on your sleeve at Apple Podcasts HERE or wherever you listen to your favourite shows, and if you're very nice, you could give us some stars or a positive review. Art on your sleeve is also available on most popular podcast platforms, including Spotify,  Soundcloud, and Google Podcasts. Art on your sleeve has an active Facebook group where additional content is shared, and you're welcome to join. See you online… https://www.facebook.com/groups/442664446671424

Commes des Garçons Eau de Parfum by Comme des Garçons (1994) + The Directors Label DVDs by Palm Pictures: The Work of Directors Spike Jonze, Chris Cunningham, and Michel Gondry (2003) + The Work of Directors Mark Romanek, Jonathan Glazer, Anton Corbijn, and Stéphane Sednaoui (2005) with Zane 3/16/25 S7E17 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Zanger (van de Compact Disk Dummies) en radiostem Lennert Coorevits vertelt waarom het nummer 'The suburbs' van Arcade Fire hem overhaalden om toch vader te worden, wat hij zo inspirerend vindt aan de documentaire "Squaring the circle" van Anton Corbijn, en hoe het absurdisme uit het boek "The hitchhiker's guide to the galaxy" van Douglas Adams hem helpt het leven te relativeren. See omnystudio.com/listener for privacy information.

Zanger (van de Compact Disk Dummies) en radiostem Lennert Coorevits vertelt waarom het nummer 'The suburbs' van Arcade Fire hem overhaalden om toch vader te worden, wat hij zo inspirerend vindt aan de documentaire "Squaring the circle" van Anton Corbijn, en hoe het absurdisme uit het boek "The hitchhiker's guide to the galaxy" van Douglas Adams hem helpt het leven te relativeren. See omnystudio.com/listener for privacy information.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review!In this episode, we dive into the gripping world of espionage with A Most Wanted Man (2014), a tense and thought-provoking thriller based on the novel by John le Carré. Featuring a powerhouse performance by Philip Seymour Hoffman in one of his final roles, the film explores the murky moral territory of counterterrorism and intelligence work in a post-9/11 world.Directed by Anton Corbijn, A Most Wanted Man takes us into the shadowy world of international espionage, set in the bustling port city of Hamburg, Germany—a crucial location in the intelligence community, especially after the 9/11 attacks.The film follows Günther Bachmann (Philip Seymour Hoffman), a weary but brilliant German intelligence officer leading a covert team tasked with tracking down potential terrorist threats. His latest target is Issa Karpov (Grigoriy Dobrygin), a Chechen refugee with possible extremist ties, who seeks asylum and access to a significant inheritance.As various players—including a determined human rights lawyer (Rachel McAdams), a wary banker (Willem Dafoe), and interfering American intelligence operatives—become entangled in the case, Bachmann is forced to navigate a treacherous web of political manoeuvring and ethical dilemmas.This isn't your typical spy thriller—it's a thinking person's espionage film, perfect for fans of John le Carré's work or anyone who enjoys intricate, morally ambiguous storytelling. While it may be too slow-paced for younger audiences, it's a gripping watch for those who appreciate substance over spectacle.With its intelligent script, stellar performances, and unsettlingly realistic take on modern espionage, A Most Wanted Man is a must-watch for fans of tense, character-driven thrillers. So grab a stiff drink, light a cigarette (if you must), and join us as we unravel the shadowy world of international intelligence.

KIW015. Anton Corbijn hat einige der ikonischsten Musiker- und Künstlerporträts geschossen. Aus seiner Linse stammen auch die Bilder einiger der bekanntesten Albencover. Das Kunstforum Wien widmet dem niederländischen Fotografen eine Soloschau mit vielen einprägsamen Schwarz-Weiß-Fotografien von David Bowie, Depeche Mode, Nirvana über Naomi Campbell bis zu Miles Davis. Wir haben Sie für dich angesehen. Die Bilder findet ihr auf Instagram unter: ⁠kunstinwien_podcast

People were disappointed in director Anton Corbijn's film 'The American', starring George Clooney. We're here to tell you why it's worth a lot of love. We do the same for Taika Waititi's 'Boy', but everyone who sees it likes it; we just don't think you've seen it.Connect with us:Never Did It on Letterboxd: https://letterboxd.com/bradgaroon/list/never-did-it-podcast/Brad on Letterboxd: https://letterboxd.com/bradgaroon/Jake on Letterboxd: https://letterboxd.com/jake_ziegler/Never Did It on Facebook: https://www.facebook.com/NeverDidItPodcastHosted by Brad Garoon & Jake Ziegler, with guest Michael Tanzillo

Eddie Murphy is set to star in the two-hander action comedy “Blue Falcon" while Anton Corbijn's thriller Switzerland starring Helen Mirren as crime novelist Patricia Highsmith gets underway in Rome.

Die schwarz-weiß-Ästhetik von Anton Corbijn hat den Stil und das Image unzähliger Musikstars wesentlich mitgeprägt. Nick Cave, PJ Harvey, Johnny Cash, U2 und Depeche Mode. Um nur ein paar zu nennen, die der niederländische Fotograf mit seiner Kamera über die Jahre begleitet hat. Mit seinen grobkörnigen Musikvideos, die wie aus dem Jenseits schienen, hat Anton Corbijn in den 1990er Jahren der bunten glatten MTV-Ästhetik Parole geboten. Auch Spielfilme, u.a. mit George Clooney oder auch Philip Seymour Hoffman in seiner letzten großen Rolle, hat Corbijn inszeniert. Ab 15. Februar zeigt das Kunstforum Wien Anton Corbijns Werk in einer großen Ausstellung – unter dem programmatischen Titel „Favourite Darkness“. Petra Erdmann hat ihn zu einem Gespräch getroffen.

Angélique nous partage les avis des auditeur.ices sur l'album Songs of Faith and Devotion de Depeche Mode.---Crédits :Couverture épisode : Enardan (crédit couverture originale : Anton Corbijn)Musiques originales : YohanMontage : MJ et Enardan---Sources et liens externes :Conception et enregistrement :- Documentary (restored version)- Fanmade documentary (1 hour)- https://gonzai.com/lhistoire-chaotique-du-songs-of-faith-and-devotion-de-depeche-mode/- https://fr.wikipedia.org/wiki/Songs_of_Faith_and_Devotion- Magazine Classic Pop, “Music For The Masses”.- https://depechemodebiographie.de/einterviewslyon.php - Jonathan Miller. Stripped- Extraits de Making Depeche Mode - Songs Of Faith And Devotion Par Rik Flynn | 31 janvier 2022.- Keyboard Magazine- Pop Magazine- Musician Magazine- Rolling Stone Magazine- https://dmlive.wiki/wiki/Main_Page - DM-AC : Depeche Mode by Anton Corbijn : 81-18, Anton Corbijn, 2018, TASCHENAccueil de la Presse :- Sébastien Michaud, Ethique synthétique, éditions Camion Blanc- Sylvain Fanet, Depeche Mode, éditions le mot et le reste- Collection Rock an Folk en collaboration avec Uncut – Depeche Mode #6 – article du 22 mars 1993 de Stephen Dalton- Hors série Collection Rock & Folk-Depeche Mode, l'histoire complète-juin 2018Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L'Équipe de Depeche Pod donne son avis sur les Faces B de l'album Songs Of Faith And Devotion de Depeche Mode.---Crédits :Couverture épisode : Enardan (crédit couverture originale : Anton Corbijn)Musiques originales : YohanMontage : MJ et Enardan---Sources et liens externes :Conception et enregistrement :- Documentary (restored version)- Fanmade documentary (1 hour)- https://gonzai.com/lhistoire-chaotique-du-songs-of-faith-and-devotion-de-depeche-mode/- https://fr.wikipedia.org/wiki/Songs_of_Faith_and_Devotion- Magazine Classic Pop, “Music For The Masses”.- https://depechemodebiographie.de/einterviewslyon.php - Jonathan Miller. Stripped- Extraits de Making Depeche Mode - Songs Of Faith And Devotion Par Rik Flynn | 31 janvier 2022.- Keyboard Magazine- Pop Magazine- Musician Magazine- Rolling Stone Magazine- https://dmlive.wiki/wiki/Main_Page - DM-AC : Depeche Mode by Anton Corbijn : 81-18, Anton Corbijn, 2018, TASCHENAccueil de la Presse :- Sébastien Michaud, Ethique synthétique, éditions Camion Blanc- Sylvain Fanet, Depeche Mode, éditions le mot et le reste- Collection Rock an Folk en collaboration avec Uncut – Depeche Mode #6 – article du 22 mars 1993 de Stephen Dalton- Hors série Collection Rock & Folk-Depeche Mode, l'histoire complète-juin 2018Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L'Équipe de Depeche Pod analyse une à une les chansons de l'album Songs Of Faith And Devotion de Depeche Mode.---Crédits :Couverture épisode : Enardan (crédit couverture originale : Anton Corbijn)Musiques originales : YohanMontage : MJ et Enardan---Sources et liens externes :Conception et enregistrement :- Documentary (restored version)- Fanmade documentary (1 hour)- https://gonzai.com/lhistoire-chaotique-du-songs-of-faith-and-devotion-de-depeche-mode/- https://fr.wikipedia.org/wiki/Songs_of_Faith_and_Devotion- Magazine Classic Pop, “Music For The Masses”.- https://depechemodebiographie.de/einterviewslyon.php - Jonathan Miller. Stripped- Extraits de Making Depeche Mode - Songs Of Faith And Devotion Par Rik Flynn | 31 janvier 2022.- Keyboard Magazine- Pop Magazine- Musician Magazine- Rolling Stone Magazine- https://dmlive.wiki/wiki/Main_Page - DM-AC : Depeche Mode by Anton Corbijn : 81-18, Anton Corbijn, 2018, TASCHENAccueil de la Presse :- Sébastien Michaud, Ethique synthétique, éditions Camion Blanc- Sylvain Fanet, Depeche Mode, éditions le mot et le reste- Collection Rock an Folk en collaboration avec Uncut – Depeche Mode #6 – article du 22 mars 1993 de Stephen Dalton- Hors série Collection Rock & Folk-Depeche Mode, l'histoire complète-juin 2018Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Toute l'Équipe de Depeche Pod donne son avis sur l'album Songs of Faith and Devotion de Depeche Mode.---Crédits :Couverture épisode : Enardan (crédit couverture originale : Anton Corbijn)Musiques originales : YohanMontage : MJ et Enardan---Sources et liens externes :Conception et enregistrement :- Documentary (restored version)- Fanmade documentary (1 hour)- https://gonzai.com/lhistoire-chaotique-du-songs-of-faith-and-devotion-de-depeche-mode/- https://fr.wikipedia.org/wiki/Songs_of_Faith_and_Devotion- Magazine Classic Pop, “Music For The Masses”.- https://depechemodebiographie.de/einterviewslyon.php - Jonathan Miller. Stripped- Extraits de Making Depeche Mode - Songs Of Faith And Devotion Par Rik Flynn | 31 janvier 2022.- Keyboard Magazine- Pop Magazine- Musician Magazine- Rolling Stone Magazine- https://dmlive.wiki/wiki/Main_Page - DM-AC : Depeche Mode by Anton Corbijn : 81-18, Anton Corbijn, 2018, TASCHENAccueil de la Presse :- Sébastien Michaud, Ethique synthétique, éditions Camion Blanc- Sylvain Fanet, Depeche Mode, éditions le mot et le reste- Collection Rock an Folk en collaboration avec Uncut – Depeche Mode #6 – article du 22 mars 1993 de Stephen Dalton- Hors série Collection Rock & Folk-Depeche Mode, l'histoire complète-juin 2018Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Philomena et MJ nous parlent de l'accueil de l'album Songs Of Faith And Devotion de Depeche Mode par la Presse de l'époque.---Crédits :Couverture épisode : Enardan (crédit couverture originale : Anton Corbijn)Musiques originales : YohanMontage : MJ et Enardan---Sources et liens externes :Conception et enregistrement :- Documentary (restored version)- Fanmade documentary (1 hour)- https://gonzai.com/lhistoire-chaotique-du-songs-of-faith-and-devotion-de-depeche-mode/- https://fr.wikipedia.org/wiki/Songs_of_Faith_and_Devotion- Magazine Classic Pop, “Music For The Masses”.- https://depechemodebiographie.de/einterviewslyon.php - Jonathan Miller. Stripped- Extraits de Making Depeche Mode - Songs Of Faith And Devotion Par Rik Flynn | 31 janvier 2022.- Keyboard Magazine- Pop Magazine- Musician Magazine- Rolling Stone Magazine- https://dmlive.wiki/wiki/Main_Page - DM-AC : Depeche Mode by Anton Corbijn : 81-18, Anton Corbijn, 2018, TASCHENAccueil de la Presse :- Sébastien Michaud, Ethique synthétique, éditions Camion Blanc- Sylvain Fanet, Depeche Mode, éditions le mot et le reste- Collection Rock an Folk en collaboration avec Uncut – Depeche Mode #6 – article du 22 mars 1993 de Stephen Dalton- Hors série Collection Rock & Folk-Depeche Mode, l'histoire complète-juin 2018Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Angélique et Yohan reviennent sur la sortie de l'album Songs of Faith and Devotion de Depeche Mode en 1993.---Crédits :Couverture épisode : Enardan (crédit couverture originale : Anton Corbijn)Musiques originales : YohanMontage : MJ et Enardan---Sources et liens externes :Conception et enregistrement :- Documentary (restored version)- Fanmade documentary (1 hour)- https://gonzai.com/lhistoire-chaotique-du-songs-of-faith-and-devotion-de-depeche-mode/- https://fr.wikipedia.org/wiki/Songs_of_Faith_and_Devotion- Magazine Classic Pop, “Music For The Masses”.- https://depechemodebiographie.de/einterviewslyon.php - Jonathan Miller. Stripped- Extraits de Making Depeche Mode - Songs Of Faith And Devotion Par Rik Flynn | 31 janvier 2022.- Keyboard Magazine- Pop Magazine- Musician Magazine- Rolling Stone Magazine- https://dmlive.wiki/wiki/Main_Page - DM-AC : Depeche Mode by Anton Corbijn : 81-18, Anton Corbijn, 2018, TASCHENAccueil de la Presse :- Sébastien Michaud, Ethique synthétique, éditions Camion Blanc- Sylvain Fanet, Depeche Mode, éditions le mot et le reste- Collection Rock an Folk en collaboration avec Uncut – Depeche Mode #6 – article du 22 mars 1993 de Stephen Dalton- Hors série Collection Rock & Folk-Depeche Mode, l'histoire complète-juin 2018Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Enardan avec Vincent nous parlent de la conception et de l'enregistrement chaotiques de l'album Songs of Faith and Devotion de Depeche Mode.---Crédits :Couverture épisode : Enardan (crédit couverture originale : Anton Corbijn)Musiques originales : YohanMontage : MJ et Enardan---Sources et liens externes :Conception et enregistrement :- Documentary (restored version)- Fanmade documentary (1 hour)- https://gonzai.com/lhistoire-chaotique-du-songs-of-faith-and-devotion-de-depeche-mode/- https://fr.wikipedia.org/wiki/Songs_of_Faith_and_Devotion- Magazine Classic Pop, “Music For The Masses”.- https://depechemodebiographie.de/einterviewslyon.php - Jonathan Miller. Stripped- Extraits de Making Depeche Mode - Songs Of Faith And Devotion Par Rik Flynn | 31 janvier 2022.- Keyboard Magazine- Pop Magazine- Musician Magazine- Rolling Stone Magazine- https://dmlive.wiki/wiki/Main_Page - DM-AC : Depeche Mode by Anton Corbijn : 81-18, Anton Corbijn, 2018, TASCHENAccueil de la Presse :- Sébastien Michaud, Ethique synthétique, éditions Camion Blanc- Sylvain Fanet, Depeche Mode, éditions le mot et le reste- Collection Rock an Folk en collaboration avec Uncut – Depeche Mode #6 – article du 22 mars 1993 de Stephen Dalton- Hors série Collection Rock & Folk-Depeche Mode, l'histoire complète-juin 2018Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Album résolument le plus “Rock” dans la discographie de Depeche Mode, Songs of Faith and Devotion a été l'un des albums les plus complexes à produire dû entre autre à une mésentente très forte au sein groupe. Plongez avec nous dans l'une des phases les plus sombres de l'histoire de Depeche Mode…Au sommaire :Sommaire de l'émission (00:02:22)Conception et enregistrement (00:04:00)Publication (00:17:51)Accueil de la presse (00:26:44)Avis sur l'album (00:29:47)Chanson par chanson (00:42:10)Les extras (01:30:12)Les avis des auditeur.ices (01:38:47)Conclusion (01:45:36)---Crédits :Couverture épisode : Enardan (crédit couverture originale : Anton Corbijn)Musiques originales : YohanMontage : MJ et Enardan---Sources et liens externes :Conception et enregistrement :- Documentary (restored version)- Fanmade documentary (1 hour)- https://gonzai.com/lhistoire-chaotique-du-songs-of-faith-and-devotion-de-depeche-mode/- https://fr.wikipedia.org/wiki/Songs_of_Faith_and_Devotion- Magazine Classic Pop, “Music For The Masses”.- https://depechemodebiographie.de/einterviewslyon.php - Jonathan Miller. Stripped- Extraits de Making Depeche Mode - Songs Of Faith And Devotion Par Rik Flynn | 31 janvier 2022.- Keyboard Magazine- Pop Magazine- Musician Magazine- Rolling Stone Magazine- https://dmlive.wiki/wiki/Main_Page - DM-AC : Depeche Mode by Anton Corbijn : 81-18, Anton Corbijn, 2018, TASCHENAccueil de la Presse :- Sébastien Michaud, Ethique synthétique, éditions Camion Blanc- Sylvain Fanet, Depeche Mode, éditions le mot et le reste- Collection Rock an Folk en collaboration avec Uncut – Depeche Mode #6 – article du 22 mars 1993 de Stephen Dalton- Hors série Collection Rock & Folk-Depeche Mode, l'histoire complète-juin 2018Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: 0:00 Introducción 2:39 «Sound of freedom” (2023) de Alejandro Monteverde - https://amzn.to/3Scvy6A 14:12 "Hipgnosis: el arte de las portadas de rock" (2022) [Documental] de Anton Corbijn - https://amzn.to/3WdOiUI 30:01 «Dopesick» (2021) [Serie] de Danny Strong - https://www.disneyplus.com/es-es/series/dopesick-historia-de-una-adiccion/vaEHfF8OZHUP 38:04 "Barbie" (2023) de Greta Gerwig - https://amzn.to/3LvAxvz Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #soundoffreedom #hipgnosis Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In Part 2 of our episode, we look at A Most Wanted Man, a 2014 film directed by Anton Corbijn and starring Philip Seymour Hoffman, Rachel McAdams, Willem Dafoe, Robin Wright, and a host of others. Again, a powerful cast of actors. Hoffman stars as the head of a covert German team that's trying to root out Islamic terrorist cells. While it's not a Cold War story specifically, there is some Russian involvement and Hoffman is at odds with German and American security officials regarding the ultimate goal. In addition to being a tremendous film, it's also notable for being the last film that Philip Seymour Hoffman starred in before his untimely death. (He'd completed work for the last two Hunger Games films but we're not counting those as starring vehicles for him.) COMING ATTRACTIONS: In our next episode, we explore the wages of greed, starting with The Treasure of the Sierra Madre, and finishing with There Will Be Blood. They're a pair of films that feature a couple of famous lines that have been endlessly parodied, and we'd bet few people know the original source. Join us, won't you? --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

This week's items slapped on the rock and roll barbecue and lightly grilled include … … why Eurovision will never avoid political controversy. … when AI does David Hepworth! … what's the secret of NTS radio? … “there are two types of wedding disco, ones that start with Abba's Dancing Queen and terrible ones.” … Tony Hall's prophetic preview of Revolver in May '66 – “they shatter convention and may well have a far-reaching effect on the whole future of music”. … when listening to the radio was a group activity. … Daniel Kramer, Dezo Hoffman, Robert Freeman, Anton Corbijn and other photographers who shaped the way music looked. ... the rogue punctuation of "Paint It, Black". … songs that start with the chorus.  … Elvis's unrepeatable train journey from New York to Memphis in 1956. … “there's glass in the back of my head and my toenails don't fit properly” – Dylan's '66 London press conference. …. and hurry hurry hurry to Lot 71 in Danny Baker's record auction, a snip at only £70! Danny Baker's record auction …https://bid.omegaauctions.co.uk/auction/details/a230a-the-danny-baker-collection/?au=162&g=1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week's items slapped on the rock and roll barbecue and lightly grilled include … … why Eurovision will never avoid political controversy. … when AI does David Hepworth! … what's the secret of NTS radio? … “there are two types of wedding disco, ones that start with Abba's Dancing Queen and terrible ones.” … Tony Hall's prophetic preview of Revolver in May '66 – “they shatter convention and may well have a far-reaching effect on the whole future of music”. … when listening to the radio was a group activity. … Daniel Kramer, Dezo Hoffman, Robert Freeman, Anton Corbijn and other photographers who shaped the way music looked. ... the rogue punctuation of "Paint It, Black". … songs that start with the chorus.  … Elvis's unrepeatable train journey from New York to Memphis in 1956. … “there's glass in the back of my head and my toenails don't fit properly” – Dylan's '66 London press conference. …. and hurry hurry hurry to Lot 71 in Danny Baker's record auction, a snip at only £70! Danny Baker's record auction …https://bid.omegaauctions.co.uk/auction/details/a230a-the-danny-baker-collection/?au=162&g=1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week's items slapped on the rock and roll barbecue and lightly grilled include … … why Eurovision will never avoid political controversy. … when AI does David Hepworth! … what's the secret of NTS radio? … “there are two types of wedding disco, ones that start with Abba's Dancing Queen and terrible ones.” … Tony Hall's prophetic preview of Revolver in May '66 – “they shatter convention and may well have a far-reaching effect on the whole future of music”. … when listening to the radio was a group activity. … Daniel Kramer, Dezo Hoffman, Robert Freeman, Anton Corbijn and other photographers who shaped the way music looked. ... the rogue punctuation of "Paint It, Black". … songs that start with the chorus.  … Elvis's unrepeatable train journey from New York to Memphis in 1956. … “there's glass in the back of my head and my toenails don't fit properly” – Dylan's '66 London press conference. …. and hurry hurry hurry to Lot 71 in Danny Baker's record auction, a snip at only £70! Danny Baker's record auction …https://bid.omegaauctions.co.uk/auction/details/a230a-the-danny-baker-collection/?au=162&g=1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In het Cobra Museum voor Moderne Kunst in Amstelveen is momenteel de tentoonstelling ‘MOØDE' van fotograaf Anton Corbijn te zien. In de tentoonstelling presenteert de fotograaf foto's uit zijn omvangrijke oeuvre, waarin hij de cross-over van de portretfotografie en modewereld verkent. Corbijn is internationaal bekend als popfotograaf en is onder andere huisfotograaf van U2 en Depeche Mode. Als filmregisseur is hij bekend van de films ‘Control' en ‘The American' Presentatie: Willemijn Veenhoven

Legendary Dutch music photographer and filmmaker Anton Corbijn is the man who's made black and white photography his own since 1979, while shooting everyone from Joy Division to Depeche Mode to Bowie to The Rolling Stones. He became the visual creative director of Depeche Mode and U2 around the time he started directing some of the most iconic music videos of our time, from 'Enjoy The Silence' to Nirvana's 'Heart Shaped Box'.  In 2007, Anton directed the Ian Curtis biopic Control starring Sam Riley, followed by Hollywood studio picture The American, starting George Clooney, in 2010.  We talk about all of this and Corbijn's latest documentary Squaring The Circle in this week's podcast.  Give the show a follow on Instagram and TikTok at @midnightchatspod. This episode was recored in July 2023. Further links: One of Anton's icon Joy Division tube station photos Nirvana's 'Heart Shaped Box' Depeche Mode's 'Enjoy The Silence' Control trailer The American trailer Squaring The Triangle trailer Credits: Interview and editing by Stuart Stubbs Mixing and Mastering by Flo Lines Artwork by Kate Prior  See omnystudio.com/listener for privacy information.

Elsäßer, Fabian www.deutschlandfunk.de, Corso

The Douche Caravan returns with Jon Lamoreaux (The Hustle), Patrick Dupuis (The EETF Podcast) and Michael Bagford coming on to discuss Anton Corbijn's documentary Squaring the Circle: The Story of Hipgnosis (2022). The film tells the story of Hipgnosis who designed some of the most iconic album covers in rock and roll history. They worked legendary artists including Paul McCartney, Led Zeppelin, Pink Floyd, Peter Gabriel, AC/DC and so many others.

After a bit of a break, Midnight Chats from Loud And Quiet is back, with a huge series that starts 12 March 2024.  Here's a quick bit of info about what Stu and Greg have coming up over the next weeks and months, including new interviews with Weyes Blood, IDLES, Future Islands, Waxahatchee, Anton Corbijn and many more artists for your late-night listening pleasure.  For the first time, we also have some new social channels on Instagram and TikTok, where we'll be sharing some video clips from our interviews and much more. Find us @midnightchatspod. Give us a follow on Instagram and TikTok. See omnystudio.com/listener for privacy information.

When word got out in 1982 that Wax Trax Records was looking for a house photographer, Bobby Talamine stepped up to answer the call. And he's never looked back. Still out there photographing and championing bands he loves, you can spot Bobby in the pit for just about any show in Chicago (large or small) looking to get the shot. On this episode we talk to Mr. Talamine about Gary Numan, sneaking a camera into Led Zeppelin, Skinny Puppy, Depeche Mode, Anton Corbijn, Roger Waters and David Gilmour, Peter Gabriel, Riot Fest with Corey Feldman, Peter Hook and New Order, Gene Ambo, JBTV, Pixel Grip, Sisters Of Mercy, Idles at Lollapalooza, and Gabe vs. Bez.

He's worked with the greatest names in music and the arts – now legendary photographer Anton Corbijn turns the Lamborghini Revuelto into a rock star. His portfolio boasts iconic images of David Bowie, Miles Davis, Joy Division, Bruce Springsteen, Tom Waits, PJ Harvey, Anselm Kiefer… and the list goes on.  Beyond portraiture, he's played a pivotal role in shaping the visual and creative identity of Depeche Mode and U2.  During a shoot spread over two days in the Dolomite mountains, Corbijn channelled 50 years of experience and vision into a subject he's less well-known for: an automobile.

Free Masterclass About Maribeth Fox: Maribeth Fox has worked with Laura Rosenthal Casting for fifteen years and has had the privilege of working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo. Favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. How did you become a casting director? I learned how to work with actors, what they need you to tell them, and what they don't need you to tell them about ego. And I just decided to spend five to seven minutes with actors instead of a career with them. So I switched to casting, and I worked for CBS primetime casting for two and a half years, which was a really good learning experience, but corporate wasn't for me. I wanted to do more film, and I wanted to be freelance so my eight-week job with Laura turned into 16 years. How does a casting director get a film job? So oftentimes, we are one of the first people hired and production companies hire us, producers that know us, that know what The material is that we're drawn to. Sometimes we're hired by our directors who you hope to get repeat business if you've worked with them before. The first thing we'll do is read a script to make sure we're creatively aligned and feel like we strategically know how to cast the job. And then we're offered one of two situations. The first situation is. Attach names to this to green-light the rest of the financing. So we do that side, and then sometimes people come attached to a film, which is wonderful news. And they're like, “We just want you to cast this movie if you like it. And this is who's doing it.” So we're normally found by producers and directors, and we're one of the first hires. So, just a question I have: if you are asked to attach a name talent, and let's say it's one part, let's make this real simple, Sure. How long does it generally take to cast a film, would you say, to attach that kind of name talent if it's a good script? It's a long time. It's a long time, so much so that Laura has received producorial credit on quite a few of her features because of the time, attention, and effort it takes to get those attachments in place. You think about somebody, let's say you're offering something to somebody like Julianne Moore. It could take a month for her to read it. Not because she doesn't read quickly but she's got a lot going on. And somebody of that ilk, their whole team, has to read it. She has to read it. Everybody has to have an opinion. They have to have a discussion about it. And so we try our best to set respectful boundaries with agents and managers to say, “We really need this to be read by this time.” But if a creative team is invested in a certain person, oftentimes, that deadline will stretch. So you could be with one actor for a month or more. We try to get them sometimes to line up like their top three for each part if we're doing more than one part so that if there is a pass, it's not an utterly crushing situation. The producers knew that a writer strike was imminent, and I was a little shocked to hear what you said, that you stopped getting calls about six months before. Can you talk about that and what that was like? It's helpful to know just in terms of our similarity to what actors go through that a lot of our business is independent film and that really continued. That was not a problem. We were still getting calls. We were still getting pings for that, but in terms of the book of business that would streamers and network, which is a lot of people's businesses, they anticipated the strike. And normally, we have no shortage of things to read, think about, sign on to, or not sign on to. And I think all casting directors experienced a similar shut-off. That was very different than the strike in 2008 where we were out of work for a little while, but no big deal. But yes, like the work has been. It's been different this time around. How has it been different, do you feel? So I think a lot of people feel, there's a lot of feelings this time around. Where, as there should be, right? I obviously heartily support the actors and what they're going through, and it's, it's time, right? It's time to do this and ensure everybody gets what they're owed fairly. And also, I think there is, within the SAG interim agreement, there's some stuff where I think we all need to work together in community to understand what everybody does and what everybody is going through and maybe have a little bit of empathy and open conversation and understanding because right now, it has felt a little bit of an angrier time and I understand it. Also, It's hard to think about what life will be like after the strike ends, and I don't know. I think a backlog of projects stopped right before the strike or started to shoot, not believing the strike would fully happen. And those are the things that are going to start to go first. And those things are already crewed up. So, from my perspective, could it be an influx of new work? Maybe. I sure hope so. But also, we have to think about all the stuff that got interim agreements is stuff that mostly was already staffed. And so I wonder how much the huge influx, or if it's just going to be figuring out what's actually going to shoot now and what's going to be put to the side. The great news is that I think you're right about the flood. And actors will feel it. And start to work and self-tape again. And hopefully, it'll get back to business as usual. And I think what's very important for actors to understand is it's not only you who is on strike, it's everybody. I'm so proud to stand with the actors that I love and support in my day to day. And absolutely, we are with you a thousand percent. And also, it's real, right? Many people have turned to survival jobs that they haven't had since they were 22. Everybody's done. Employment is out. And you live in an industry town, so every business is thoroughly affected by the lack of availability of income for people. The actors are the ones who are fighting and are going to get the benefits but do remember when you get on the set, there were a bunch of other people who were fighting right along with you, who are not going to get necessarily, the benefits that you were fighting for. They were supporting you, but the hairdressers aren't going to get any more pay, or hair stylists, the grips aren't going to get anything. I think that AI is an existential crisis for actors, and I don't think that is something I cannot give up my voice and my likeness and have you pay me once and that be okay, so I do think it's a worthy fight and as you said, it's a definite fight. I also think it's in the forefront of what humanity will be dealing with. Bartenders will be dealing with it, taxi drivers will be dealing with it, it just has come. Not here first, but here. We don't do any background casting, and I don't know what that life is. But I do think about that entire loss of an industry. That will go first, right? And it already has started to go. They take your picture; they can pump you in if they need an arena full of people. I've had many family and friends during this time try to like talk in a fun way about chat GPT and those types of services. And they're like, have you played around with it? I'm like, no, I don't want to help it get smarter. And I think it will have real ramifications, and it already is having ramifications for our industry. No, I'm not going to hang out on that service, but thank you so much for asking. What do you want actors to know [00:18:00] about self-tapes? So many things. The first thing is it's a grocery store sample. If you're at Costco, yep, that's exactly right. If you're at Costco and the old woman is serving you pizza, you're not going to steal the whole pizza. You're going to take your sample of a square. We do not expect a fully baked moment for a self-tape. I think artists are artists, and folks are getting bored. And so there's a lot of Heavy wardrobe, heavy movement choice the ability and the time to make almost like a short film. It's not the job. A self-tape should look different than how you would behave if you're on a set with a DP. I think the other thing that I've noticed that I've started to see as self-taping goes on and on, as a public service announcement for actors, is... You're getting too good at them, and I'm going to explain more. I think actors are really great at self-taping now, and it can almost feel robotic at times. Because they've gotten so good at knowing and thinking about, their mentality has shifted from what I want to put forward as an artist that's unique to how can I get this job by thinking about what they might want. And so then they know what pace to do. They know what tone it is. They've done their research and all of those brave, bold choices start to get ironed out and it's safe acting work. It's still beautiful work, but it's safe because they're so good at it. They know exactly what they might want instead of infusing their own artistic uniqueness in the mix. And I think casting directors hear the plight of actors, and I think something great that's going to come out of the strike is, I think there's going to be more options offered. So some actors love the self-tape process and bless, please, if that's how you feel comfortable, wonderful. I will still take time to adjust you via Zoom. If you need an adjustment, if I get your self-tape and there's something close to there, I will still take time for you on Zoom and say, hey, and we'll workshop it together. But then there's, we really do hear actors that they want more of us again. I do think that in-person chem reads and callbacks will start to come back. In the meantime, I think casting directors are far more open to reopening Zoom rooms, to make sure that we're available in some tech-helpful live way so that we can make better connections with actors. I still get lovely, vibrant self-tapes on everything that I do. But generally, I think, there's a mindset that I've been thinking a lot about that actors carry that is, I think trained into a lot of people that it's just a scarcity mindset. And so you come out of school and you're told that your job is so hard. There are so many people competing. You're in constant competition. There's not a ton to go around. SAG releases their statistics that only 3 percent of actors are working. And it creates this mindset that can be helpfully hungry and eager. And it can also really destroy the artistic spirit of what an artist has to offer. I think within that scarcity mindset, the goal of this is how I feed my family. This is how I gain health insurance, pension, and welfare. And I can't make that brave, bold choice because we don't have a casting director anymore. You don't have us in the room to be like, “Okay, let's just do that a little bit faster here. I know the director wants this. Let's just clip it up.” Or give you a simple redirect that could really change your performance. Now, a lot of us are doing that. We are adjusting people who give great self-tapes. Actors feel like I've got one shot at this. I'm sending it off into the void. It better be exactly what I think they want. The one thing that I have always stood by is that it's one audition in a lifetime of auditions. I am going to get the opportunity to audition again, and there is enough work for everyone. What's important for me is what's going on in the work. People ask me, “what do you look for in an actor?” And I'm like I'm looking for the actor who shows up a bit early, not too early. Knows they are, knows themselves. They are good at their job and I'm also looking for someone who when the work starts, they're focused on the work and not what I think of their work. Actors do have it tough in the sense that, it's the only art form where you have nothing to stand behind. You're not painting a picture to show me. You're not singing a song, which is separate from your acting. You're not doing a dance, which is your body and your emotions. But it's just you; it's just your subjective raw emotion. And I think what a lot of actors specifically, I love my New York actors in our market, they've all been to school. They're all crafty, great actors. And I think that a lot of actors think, “Gosh, I must be doing something wrong.” And so much of film and television is just subjective look-based. If you're in an audition with me, you're probably a well-trained, good actor. And so it's not about someone being such a better actor than you are. It's about the dinner party atmosphere we're trying to create. And somebody was a better fit. So we invited that person to the dinner party and not you this time. And that's hard. You can be the most talented actor in the world. You get the opportunity, but ultimately it does come down to who doesn't blink at the end. And I also feel that it's the person who knows they are good at their job. And what I want to give actors the perspective of is, you know what? Maybe you're doing everything right. Maybe you're doing everything right. And you just need to keep doing that. Because a lot of times, it's about what's being written. Are there roles for you right now that really fit your marketing package and your type? Do you fit the world? With our eyeballs. And so that has nothing to do with your craft a lot of the time. You do have to think about this as a business. And so you think about putting somebody on set, and when we get to cast somebody and it's their first job on a set like that's a great day. There is like buoyancy and adaptability that we're looking for in people to be able in that callback setting to turn something on their head if needed, to be able to take direction quickly. And if they're not understanding what we mean or what the director means, ask a question. Nobody's going to think you're stupid. Nobody's going to think you can't hear it well, or like that you don't agree. It's okay. We all have days when we're not that great at our jobs. If I give an actor a direction that's not clear, I don't want them to yes to me and nod their head. I want them to ask me a question and follow it up. If you're not understanding, then the two takes are going to look exactly the same. Read the directions out loud. I think it's really important that when you get a breakdown and, they say, submit it this way and, specifically, do your slate at the end. One of the things that I encourage the actors I work with is to really, read the directions out loud, then you know you've heard it, and highlight anything that's specific. Speaking of breakdowns, I think. A lot of times, people's focus on the breakdown will be the small adjective-filled description that we write instead of knowing that if you've got the audition, the breakdown has already done its job, that part of your job has already been done, your agent or manager or you submitted yourself based on the breakdown. I saw your headshot. I selected you. Now it's done. So you briefly look at the breakdown and ensure you're in the realm, but actors often get old breakdowns. And it's not because we're lazy. It's because we don't want to resubmit a breakdown with a subtle change to hundreds of agents and managers. So if an actor gets a breakdown and they're 55, the breakdown says 30 to 40, they freak out or they think their manager or agent isn't doing a good job. It's you just got an old breakdown; you don't have to worry about that anymore. Focus on the work.

Joe and Adam delve into The American, Anton Corbijn's low-key thriller from 2011. Never mind George, the film is gorgeous to look at, but Joe has all kinds of nitpicks, spanning such trivialities as the star-power of 'Clooney', to the very tone of the flick. Such downbeatery doesn't keep Adam down though, oh no, he loved it, and ponders who's the modern-day Clooney. Send us your emails to moviesyouforgotyouforgot@gmail.com, ideally around what cheese is which director/actor, but suggestions for Movies We Forgot We Forgot are welcome. Also, follow Adam on Letterboxd @errorofways, if that's your tempo.

We celebrate the 30th anniversary of Nirvana's In Utero: Cello player Kera Schaley tells her story for the first time, and director Anton Corbijn reveals behind-the-scenes secrets of the "Heart-Shaped Box" video. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comment Denzel remet-il le couvert dans « Equalizer 3 » ? Et comment Idriss s'impose-t-il en négociateur dans la série « Hijack » ? Que va proposer le producteur canadien Casey M.Q. dans son concert intimiste au Botanique ? Vu dans la série « Euphoria », comment Dominic Fike veut-il s'imposer sur scène ? Avec quelle chanteuse iconique vient de collaborer le musicien de jazz Jon Baptiste, le compositeur de « Soul » de Pixar ? Pourquoi le film « Reality » donne-t-il froid dans le dos en montrant les techniques du FBI ? Dans quelle ville wallonne Anton Corbijn est-il allé photographier le groupe américain « The Killers » ? Toutes ces questions trouvent leurs réponses dans « La semaine des 5 heures » de ce jeudi 31 août

Over the weekend, Adrianne and I watched a fantastic new documentary by Anton Corbijn called Squaring the Circle. It's about Hipgnosis, the legendary design agency in London formed in the late 1960s by Storm Thorgerson and Aubrey Powell, or “Po” to his friends. I knew I was going to love it before I even saw the trailer because so much of their work has been etched into my brain over the past four decades of my life. The work they did for Pink Floyd alone would have made them industry icons, but they also worked with Led Zeppelin, Paul McCartney, T Rex, Yes, Genesis, 10cc, and a ton of other bands over the course of their 15-year run.LINKSSquaring the Circle (The Story of Hipgnosis) | Official Red Band Trailer | UtopiaAnton Corbijn on Squaring the Circle, Hipgnosis, Album Covers & Kurt CobainCategory:Album covers by HipgnosisStorm Thorgerson | Designing The ImpossibleStorm Thorgerson, Pt. 1Storm Thorgerson, Pt. 2CONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

Over the weekend, Adrianne and I watched a fantastic new documentary by Anton Corbijn called Squaring the Circle. It's about Hipgnosis, the legendary design agency in London formed in the late 1960s by Storm Thorgerson and Aubrey Powell, or “Po” to his friends. I knew I was going to love it before I even saw the trailer because so much of their work has been etched into my brain over the past four decades of my life. The work they did for Pink Floyd alone would have made them industry icons, but they also worked with Led Zeppelin, Paul McCartney, T Rex, Yes, Genesis, 10cc, and a ton of other bands over the course of their 15-year run.LINKSSquaring the Circle (The Story of Hipgnosis) | Official Red Band Trailer | UtopiaAnton Corbijn on Squaring the Circle, Hipgnosis, Album Covers & Kurt CobainCategory:Album covers by HipgnosisStorm Thorgerson | Designing The ImpossibleStorm Thorgerson, Pt. 1Storm Thorgerson, Pt. 2CONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

Over the weekend, Adrianne and I watched a fantastic new documentary by Anton Corbijn called Squaring the Circle. It's about Hipgnosis, the legendary design agency in London formed in the late 1960s by Storm Thorgerson and Aubrey Powell, or “Po” to his friends. I knew I was going to love it before I even saw the trailer because so much of their work has been etched into my brain over the past four decades of my life. The work they did for Pink Floyd alone would have made them industry icons, but they also worked with Led Zeppelin, Paul McCartney, T Rex, Yes, Genesis, 10cc, and a ton of other bands over the course of their 15-year run.LINKSSquaring the Circle (The Story of Hipgnosis) | Official Red Band Trailer | UtopiaAnton Corbijn on Squaring the Circle, Hipgnosis, Album Covers & Kurt CobainCategory:Album covers by HipgnosisStorm Thorgerson | Designing The ImpossibleStorm Thorgerson, Pt. 1Storm Thorgerson, Pt. 2CONNECT WITH MEWebsite: https://jefferysaddoris.com  Twitter: @jefferysaddoris  Instagram: @jefferysaddorisSUBSCRIBESubscribe to Jeffery Saddoris: Almost Everything in your favorite podcast app to get more conversations like this. You can find the full written version of this Iteration on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

Welcome to Season 4 of What's My Frame!! We have an extra special conversation to kick off the season; today I'm joined by New York Casting Director, Maribeth Fox.  Maribeth has been a part of the Laura Rosenthal Casting office for over fifteen years; working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo.   Some of Maribeth's favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. When I say today's conversation fed my soul as an actor, I'm not exaggerating! It was pure joy to listen to Maribeth's stories, experiences casting and compassionate understanding of actor's work... Now let's get to the conversation!! Additional links: Millicent Simmonds, Wonderstruck's interview Millicent Simmonds shares the role that changed her life Bottom's Trailer // premiering August '23 -- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠ ⁠⁠⁠⁠IMDb⁠⁠⁠⁠ ⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠ ⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠ What's My Frame? merch; Coming soon!! --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

This week we ask: how do you design an album cover? We meet Anton Corbijn, the photographer and director of ‘Squaring the Circle', a new documentary that tells the story of legendary design studio Hipgnosis. We also hear from photographer Markus Klinko, who is responsible for a defining album cover of the early 2000s, and ask an art director about the artwork design process in the age of streaming.See omnystudio.com/listener for privacy information.

On Truth & Movies this week, another Mission proves Impossible in the franchise's 7th instalment, Dead Reckoning: Part 1. Squaring The Circle tells the story of the creative geniuses behind some of the most iconic album art of all time and we spoke to its director Anton Corbijn. And for Film Club we'll be taking a look at an earlier entry in the Tom Cruise oeuvre, The Colour Of Money.Joining host Leila Latif are film critics Elena Lazic and Al Horner.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO London. Hosted on Acast. See acast.com/privacy for more information.

Topfotograaf en filmmaker Anton Corbijn groeide op in een familie van dominees. Muziek was het middel om aan de donkere sfeer van Strijen te ontsnappen. De camera hielp hem over zijn verlegenheid heen. Mick Jagger, Bono, Nick Cave, David Bowie: ze poseren maar wat graag voor de lens van de innemende en integere fotograaf. Friedl' Lesage sprak met hem naar aanleiding van zijn zestigste verjaardag.

Directed by Anton Corbijn, the new documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) follows the relationship of Storm Thorgerson and Aubrey ‘Po' Powell, the two men who formed Hipgnosis, one of the most influential album art companies in history. Working together during the Rock n' Roll Revolution of the 60s and 70s, Powell and Storm worked with some of the biggest bands in the world to create images that have stood the test of time, ranging from Wings to Pink Floyd to Led Zeppelin. In this 1on1, we speak to Powell about the definition of great art, the energy of the era and our changing view of images.

Bart, Justina, and John talk about 2 new documentaries centering on Pink Floyd. The first is "Squaring the Circle (the story of hipgnosis)," a film by Anton Corbijn about the legendary company that made some of the most iconic album covers but started by working with Pink Floyd. The second, "Have you Got it Yet? The Story of Syd Barett and Pink Floyd," was made by one of the founders of Hipgnosis, Storm Thorgerson and Rody Bogawa. Storm started the film years ago and passed away in 2013. Bogawa picked it up and finished it.  

From Rolling Stone Magazine to the latest instagram feed, celebrity has always meant being seen and hopefully in the coolest way.  Icons are built on innate talent, personality and a well crafted image of who they are and want to be believed to be. Musicians in particular rely heavily on photographers to capture their essence and persona to become known legends. So when my dear, wildly creative, friend since the third grade, Brian Lima grew up to be an insanely talented and successful music photographer, I had to share him and his all access pass with you. Hang out with us as we shoot the s%#t like the old friends we are about our shared love/hate relationship with photography,  the trajectory of his creative career in the music scene, Joni Mitchell at Newport Folk last year and so much more. Join us as we explore: How photography can shape how you look at life.What it means to be a seer in the world and its many lessons.How to fuel your creativity and stay in relationship with your art.The ways being present allows you to experience more of the momentThe unexpected way listening informs how you see and beyond. Connect with Robyn Ivy here: Website:: https://www.brianlima.com/Instagram:: https://www.instagram.com/limaphoto/ Quick note, I just want to say thank you for listening to this episode. I know it means a lot to myself and my guests.  If you enjoyed this episode, you will also like: Episode #46: Mary Jo Hoffman: Everyday Stillness Episode #42: Onne van der Wal: Live Your Adventure Episode #6o: Fred Poisson: Illuminating Creativity and Process   MORE ABOUT BRIAN LIMA: I remember getting my first couple of vinyl LP's as a kid and falling in love with the album art and the photography that told the visual story of the music I loved listening to.   Anton Corbijn black & white images for The Joshua Tree by U2 blew my mind.  Dennis Morris's candids and portraits of Bob Marley are magic, Henry Diltz's Laurel Canyon work just so dreamy.  To this day I'm constantly inspired by so many other photographers work.   ​ I'm constantly in search of new projects and ideas.  2023 will mark 13 years of being one of the principal photographers for the historic Newport Folk Festival & Newport Jazz Festival.  I'm proud of the images I'm creating with this amazingly talented team of creatives. ​ I'm also part of the creative team for Coachella Music Festival.  2020 is Coachella's 20th anniversary.  It has been fun to watch this idea blossom into what it has become.   Staff Photographer :  Coachella Music Festival | Newport Folk Festival | Newport Jazz Festival | Stage Coach Music Festival | Day In Vegas Music Festival ​ Clients: ​Golden Voice Entertainment | AEG World Wide | TuneIn Radio | Rolling Stone Magazine | Billboard Magazine | New York Times

Anton Corbijn is fotograaf en filmmaker. In zijn nieuwe expositie in Antwerpen toont hij nog niet vertoonde foto's die zijn opgedeeld in drie thema's: Cemeteries, a. somebody en Lenin USSR. Corbijn wordt gezien als een van de invloedrijkste fotografen van onze tijd, zowel in de muziekwereld als in de portretfotografie. Femke van der Laan gaat met Anton Corbijn in gesprek.

Met vandaag: Prinsjesdagplannen komen naar buiten | Monument voor Poolse bevrijder van Nederland, Stanislaw Maczek | Het succesverhaal van de ozonlaag | De telefoonfoto's van Anton Corbijn. Presentatie: Lucella Carasso.