Podcasts about next festival

Nachrichten, Tagesthema, Magazin - Zwischen Computermusik und Akkordeonklängen: Das 25. Next Festival. Unterwegs durchs geheimnisvolle Gemer: Rybník und seine gotische Kirche.

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Sponsored by Spotify for Podcasters, Lyrically Correct, also in partnership with Pandora. Ray Ray's Podcast is back from the 9th floor of Hello Studios. On this episode, we have the founder of “Up Next Festival” (@upnextfestival) Tee-C (@teecgroovechild). We talked with Tee-C about his journey putting “Up Next Festival” together, and we also talked with the amazing 16yr old music artist Vex (@vextheartist) about performing at the festival and his new single that just released. As always, Big thanks to Tite (@Tite1205) for our Intro from his single "Get'n Paid" ft Chalie Boy. Visit our Website www.RayRaysPodcast.com for all of our amazing content. Continue to follow us on all social media IG @rayrays_podcast Facebook.com/RayRaysPodcast and TikTok @rayrayspodcast. Follow us on youtube. Like and Subscribe on Youtube Please. --- Send in a voice message: https://podcasters.spotify.com/pod/show/rayrays/message

PS21 is an arts center located in Chatham, New York. Founded in 2018, the sprawling property encompasses a state-of-the-art black-box and open-air theaters; 100 acres of fields, meadows, woodland trails, and orchards.In June, PS21 launched its 2023 season with the 10th anniversary edition of The NEXT Festival of Emerging Artists. The season continues with more than fifty unique events, featuring a constellation of celebrated and emerging dancers and choreographers, musicians and singers, actors, directors, and international street artists.To tell us more, we welcome Elena Siyanko - Executive and Artistic Director of PS21.

This episode is also available as a blog post: https://thecitylife.org/2023/05/05/next-festival-partners-with-american-composers-orchestra-and-guitarist-yvette-young-for-10th-anniversary-season/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Nachrichten, Tagesthema, Magazin - Radikale Klänge als Ohrenschmaus: Das Next Festival in Bratislava. Been There Together: Über ein Kartenspiel auf der Spur der Stadt und ihrer Menschen.

Nachrichten, Tagesthema, Magazin - Kinderstadt Trenčín: Perle der Moderne wartet auf neue Nutzung. Radikale Klänge in Bratislava: Ausblick auf das Next Festival.

Celebrating our 10th anniversary in 2022, The Next Festival of Emerging Artists provides young performers and composers (ages 20-30) with an immersion into 21st century music. Designed to cultivate the next generation of 360° artists, the Festival focuses on contemporary music, entrepreneurship, interdisciplinary collaboration, and developing artist citizens. At the forefront of supporting artists since the early days of the pandemic, the Next Festival has presented more than 75 free virtual workshops, talks and collaborations, creating a worldwide community of like-minded artists. The 2022 Festival returns to in-person activities for its 10th season. Friday, June 3, 2022 — 6 PM Chamber Music The Stissing Center 2950 Church Street Pine Plains, NY 12567 The Next Festival presents a program of chamber music curated and performed by the 2022 Next Fest Fellows. A great opportunity to see the artists of tomorrow in a beautiful and intimate setting. Tickets are pay as you wish DETAILS & TICKETS Saturday, June 4, 2022 — 6 PM The Next Festival of Emerging Artists' Orchestra featuring Pamela Z Music Mountain, Gordon Hall 225 Music Mountain Road Falls Village, CT 06031 Performance Fellows collaborate and perform alongside guest artist composer/vocalist Pamela Z, and perform world premieres by composer/violist Jessica Meyer, composer/hornist Jeff Scott (Imani Winds), composer/pianist Liliya Ugay and Peter Askim (The Next Festival's Artistic Director), plus a world premiere string orchestra arrangement of Carbon Song Cycle – music by Pamela Z and video by Christina McPhee. The Festival is a multi-week experience comprised of performances, individual lessons, coachings, workshops and masterclasses for 20 participating string players. With residencies and performances in Connecticut and New York, Fellows create their own programs of study, participate in workshops and recording sessions of new works, and explore multi-disciplinary collaboration and improvisation with composers, choreographers and dancers. Our 2022 Festival features renowned guest artists, masterclasses, workshops and in-person and virtual collaborations. String players collaborate and perform alongside Guest Artist composer/vocalist Pamela Z, and perform world premieres by composer/violist and Resident Entrepreneurial Artist Jessica Meyer, hornist Jeff Scott (Imani Winds, Oberlin Conservatory), composer/pianist Liliya Ugay and Peter Askim (The Next Festival's Artistic Director). Other activities include collaborative sessions led by dancer/choreographer Darshan Singh Bhuller, career workshops with Alecia Lawyer (ROCO, oboist), a composer workshop, mentorship with social media/marketing consultant Jamie Benson, and more!

Celebrating our 10th anniversary in 2022, The Next Festival of Emerging Artists provides young performers and composers (ages 20-30) with an immersion into 21st century music. Designed to cultivate the next generation of 360° artists, the Festival focuses on contemporary music, entrepreneurship,... Read More ›

In deze aflevering praat Co met gitarist Gijs Idema over zijn nieuwe album Shaping Time. In deze uitzending ook veel aandacht voor het So What's Next Festival dat volgend weekend zal plaatsvinden in Eindhoven. En natuurlijk weer veel nieuwe muziek en vinyl.

In deze aflevering praat Co met gitarist Gijs Idema over zijn nieuwe album Shaping Time. In deze uitzending ook veel aandacht voor het So What's Next Festival dat volgend weekend zal plaatsvinden in Eindhoven. En natuurlijk weer veel nieuwe muziek en vinyl.

Composer Peter Askim does it all. Active as a performing bassist, Conductor of the Raleigh Civic Symphony and Chamber Orchestra, Director of Orchestral Studies at North Carolina State University, he is also founder and Artistic Director of The Next Festival of Emerging Artists, fostering and mentoring young composers and performers.  A few months ago,  Peter Askim added ‘Dad' to his distinguished list of titles. It wasn't easy for us to get this interview, but it was well worth the wait.  Peter is not only a master of his Art, he is a warm and delightful human being. 

V treťom diele podcastu sme sa rozprávali s Matsom Gustafssonom a Christofom Kurzmannom o súčasnej hudbe a živote hudobníka počas pandémie, s Ferom Királym o jeho sete, algoritmoch, číslach a hľadaní, s kapelou KIN o jazze a ich tvorbe, a s hercami divadla SkRAT o ich novom autorskom predstavení - Šľachtici : Pŕibehy z lepšej spoločnosti. Zvuková zložka vychádza z útržkov vystúpení z festivalu Next: Mats Gustafsson a Christoph Kurzmann, Fero Király, Dorian concept a Zanshin, Renick Bell, Penumbra Vortex a Suchý Zajačik. Podcast vzniká v rámci projektu medzinárodnej spolupráce Re-Imagine Europe, spolufinancovaného z programu EU Kreatívna Európa a z verejných zdrojov Fondu na podporu umenia a Nadácia mesta Bratislava.

V druhej epizóde podcastu sme sa rozprávali so Slavom Krekovičom o aktuálnom ročníku festivalu Next, ktorý začína už tento týždeň, s Júliusom Fujakom o jeho kompozičnom prístupe a poslednom albume kaleidoSONICope!, s lektorom série videí o práci v softvéri VCV rack, ktorý simuluje prostredie modulárnych syntetizátorov, Ondřejom Spiritzom, a nazreli sme aj do pozadia divadelnej dramaturgie A4 v diskusii s divadelnou kritičkou, redaktorkou a pedagogičkou Martinou Mašlárovou a Ľubom Burgrom. Zvuková paleta v tomto diele vychádza z live setu Ondřeja Spiritzu odohraného vo VCV racku, a z útržkov koncertu Júliusa Fujaka, ktorý sa odohral v A4 18. novembra, za čo im ďakujeme. Podcast vzniká v rámci projektu medzinárodnej spolupráce Re-Imagine Europe, spolufinancovaného z programu EU Kreatívna Európa a z verejných zdrojov Fondu na podporu umenia a Nadácia mesta Bratislava.

Ross Baum is a lot of things. He's a composer, arranger, producer, vocal coach, and a performer and does ALL of those incredibly well. The reason why I wanted to sit down with him NOW is because the new musical Gun+Powder, which he wrote the music for, began rehearsals this week for the world premiere production that will open at the Signature Theater in DC this January. I felt like capturing how he's feeling right now and hearing where he's at as an artist and in his life, would make for not only great conversation, but an incredible time capsule for this moment before his first step into what he refers to as, “The Big Leagues.” In our conversation we hit on things like collaboration, community, success, momentum, the starving artist mentality, and the difference between writing pop and theater music. Ross and I, before this recording, had only spent one-on-one time together, once. I'm extremely happy to say that since we sat down for this, he's become much more integrated in my life and listening back made me feel deep gratitude for the opportunity that this podcast has afforded me in a short amount of time. I'm excited to continue on in 2020 and I couldn't have asked for a better guest to close out the decade with. + + + Ross Baum is a composer, performer, and music arranger. He received the 2018 Richard Rodgers Award for his original musical GUN & POWDER (book & lyrics by Angelica Chéri), which was also selected for the 2018 NAMT Festival, Theatre Latté Da's 2018 NEXT Festival, and Signature Theatre's 2017 Sigworks Lab, with presentations in Lincoln Center's Broadway's Future Songbook Series and the Drama League's 2018 DirectorFest. Ross composed original scores to ANNE FRANK: MY SECRET LIFE and A LETTER TO AUNTIE ROSA, which were commissioned by Diverging Elements Theatre Company. Also with Chéri, he was commissioned to write the official anthem for the National Children's Theatre of South Africa and the score for her play, Crowndation: I Will Not Lie To David, at the National Black Theatre. He has had residencies at Goodspeed Opera House and Two River Theater, and was selected as winner of NY City Center's Sondheim Remix contest and Disney/NMI's 2018 New Voices Project. Ross is the founder and music director of RANGE a cappella, through which he has provided vocal arrangements for Nickelodeon, Sesame Street, Playbill, Billboard, the E! Network's 2015 Oscars Live Red Carpet coverage, and performed with Kelly Clarkson at Radio City Music Hall. RANGE music videos have been viewed over 30 million times on YouTube, with Ross's arrangement of Hamilton [in 7 minutes] at 6 million views and counting. Their debut studio album, RANGE volume one, is now available on iTunes and Spotify. Ross holds a BFA in Musical Theatre from Syracuse University, MFA in Musical Theatre Writing from New York University, and is a member of the BMI Lehman Engel Musical Theatre Workshop. For more, visit www.rossbaum.net / @bossraum + + + The Come Up is a podcast that holds space for honest conversations about the reality of being a growing artist in the entertainment industry today. The myth of "making it" tells us that our happiness and fulfillment is dependent on a specific outcome when the truth is that there is no moment of arrival - the journey is never ending. This podcast will serve as an archive of individual perspectives and a source of inspiration for anyone navigating their own creative path. It's an opportunity to reflect on where we've been, where we're at, and where we're going. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nachrichten, Tagesthema, Magazin - Der Eiserne Vorhang im Blickfeld: Ausstellung von Amateurfotos. Vorschau auf das Next Festival: 20 Jahre Radikale Klänge.

The Next Festival at Music Mountain Saturday, June 1, 7 PMMusic Mountain225 Music Mountain Road, Falls Village, CT Peter Askim, conductorMiranda Cuckson, violinOrchestra of The Next Festival of Emerging Artists Toshio Hosokawa  Hika for violin and string orchestra (2015 – U.S. premiere performance)Toru... Read More ›

This week, more Brexit uncertainty – what are the bishops saying? Adam Becket has been hearing from them. And we hear from the Revd Christine Smith, publishing director of Hymns Ancient & Modern, about the second Festival of Preaching, which is being organised by Canterbury Press Norwich and the Church Times

Influenced by Stevie Wonder’s groove to Burt Bacharach's relaxed, jazzy yet poppy sensibilities, mix in contemporary artists such as John Legend, Flying Lotus, James Blake, Janelle Monae and Thundercat, then you get an idea of Gabriel Royal’s trademark sound-- the result being an easy listening modern chamber pop over the cello. Gabriel released his self titled album in 2016 - along with his single and music video for “Say It’s Right”, directed by Blake Farber, who has worked with Beyoncé and other Top 40 artists. In the last 6 months Gabriel has performed at Austin’s SXSW Festival, Soho House, Ludlow House, and Sofar Sounds. Gabriel most recently supported Bad Bad Not Good at their sold-out show in Brazil (1500 cap). Gabriel is on his way to Europe for the first time this Fall where is set to play in Eindhoven and the So What’s Next Festival in Amsterdam. •••• The B-Side Podcast is produced by Charlie Hoxie, Kecia Cole, Ro Johnson and Sachar Mathias; recorded by Onel Mulet; and edited by Khyriel Palmer and Emily Boghossian. For more information on B-Side and all BRIC RADIO podcasts, visit www.bricartsmedia.org/radio

On this episode I had Peter Askim, bass player, composer, and conductor. I had him on the show to hear all about the festival for string players that he created, which he calls The “anti-festival”. On the show he explains all about what makes his festival unique. We talked about his mission and reason for creating the festival, and we talked about money. What it’s like to make money as a musician who composes, performs, and conducts, and his approach with musicians and the fees associated with attending this festival. The Next Festival is definitely a festival that considers musicians in that time when they're JUST finishing school and heading out into the real world... that time when you just need time to process the stuff you've learned in school and have some time to figure out what you'll do next. I really think that this festival is so supportive for that time in a musicians' life.   To find out more about the festival to attend or donate, go to: http://next-fest.org/   Thank you to Crushing Classical's sponsor Ficks Music for providing the hosting for the show! If you're looking for a great selection of quality sheet music at affordable prices, check out https://www.ficksmusic.com/ For 10% off use the code CRUSH  

Called a “Modern Master” by The Strad, Dr. Peter Askim is a composer, conductor, bassist, and educator. He is the Artistic Director of the Next Festival of Emerging Artists, the conductor of the Raleigh Civic Symphony and Chamber Orchestra, as well as the Director of Orchestral Activities at North Carolina State University. Previously Music Director and Composer-in-Residence of the Idyllwild Arts Academy Orchestra, he has had commissions and performances from the Tokyo Symphony Orchestra, the Honolulu Symphony, and the International Society of Bassists, just to name a few.

Called a “Modern Master” by The Strad, Dr. Peter Askim is a composer, conductor, bassist, and educator. He is the Artistic Director of the Next Festival of Emerging Artists, the conductor of the Raleigh Civic Symphony and Chamber Orchestra, as well as the Director of Orchestral Activities at North Carolina State University. Previously Music Director and Composer-in-Residence of the Idyllwild Arts Academy Orchestra, he has had commissions and performances from the Tokyo Symphony Orchestra, the Honolulu Symphony, and the International Society of Bassists, just to name a few.

Called a “Modern Master” by The Strad, Dr. Peter Askim is a composer, conductor, bassist, and educator. He is the Artistic Director of the Next Festival of Emerging Artists, the conductor of the Raleigh Civic Symphony and Chamber Orchestra, as well as the Director of Orchestral Activities at North Carolina State University. Previously Music Director and Composer-in-Residence of the Idyllwild Arts Academy Orchestra, he has had commissions and performances from the Tokyo Symphony Orchestra, the Honolulu Symphony, and the International Society of Bassists, just to name a few.

Called a “Modern Master” by The Strad, Dr. Peter Askim is a composer, conductor, bassist, and educator. He is the Artistic Director of the Next Festival of Emerging Artists, the conductor of the Raleigh Civic Symphony and Chamber Orchestra, as well as the Director of Orchestral Activities at North Carolina State University. Previously Music Director and Composer-in-Residence of the Idyllwild Arts Academy Orchestra, he has had commissions and performances from the Tokyo Symphony Orchestra, the Honolulu Symphony, and the International Society of Bassists, just to name a few.

NEXT Festival 2015: Two days full of inspiration and experiences!