Podcast appearances and mentions of remy bumppo

Long term friendships can be complicated and messy. Honesty can be dangerous and revealing.  A fourteen-year friendship between three friends explodes over the purchase of an expensive modernist painting in ART, presented by Remy Bumppo at Wit Theatre in Chicago.Theater review podcast by Reno Lovison

This week, playwright, poet, and author Pearl Cleage discusses her life and career with Remy Bumppo Theatre Artistic Director Marti Lyons. Remy Bumppo staged Cleage’s Blues for an Alabama Sky in the fall of 2023. This conversation originally took place September 26, 2023 and was recorded live via Zoom. AWM PODCAST NETWORK HOME More about [...]

This week, playwright, poet, and author Pearl Cleage discusses her life and career with Remy Bumppo Theatre Artistic Director Marti Lyons. Remy Bumppo staged Cleage's Blues for an Alabama Sky in the fall of 2023. This conversation originally took place September 26, 2023 and was recorded live via Zoom. AWM PODCAST NETWORK HOME More about the speakers: Pearl Cleage (she/her/hers) is an Atlanta-based writer whose plays include POINTING AT THE MOON, WHAT I LEARNED IN PARIS, FLYIN' WEST, BLUES FOR AN ALABAMA SKY, and BOURBON AT THE BORDER, commissioned and directed by Kenny Leon at the Alliance Theatre. She is also the author of A SONG FOR CORETTA, written in 2007 during Cleage's time as Cosby Professor in Women's Studies at Spelman College. Her play, THE NACIREMA SOCIETY REQUESTS THE HONOR OF YOUR PRESENCE AT A CELEBRATION OF THEIR FIRST ONE HUNDRED YEARS, was commissioned by the Alabama Shakespeare Festival and premiered in 2010, in a joint production by the ASF and Atlanta's Alliance Theatre, directed by Susan Booth. Her plays have also been performed at Arena Stage, Hartford Stage, the Oregon Shakespeare Festival, the Huntington Theatre, the Alabama Shakespeare Festival, the Long Wharf Theatre, Just US Theatre, True Colors Theatre, Bushfire Theatre, the Intiman Theatre, St. Louis Black Repertory Company, and Seven Stages. She is also an accomplished performance artist, often working in collaboration with her husband, writer Zaron W. Burnett, Jr. They have performed at the National Black Arts Festival, the National Black Theatre Festival, and colleges and universities across the country. Cleage and Burnett also collaborated with performance artists Idris Ackamoor and Rhodessa Jones on the script for THE LOVE PROJECT, which premiered at the National Black Theatre Festival in 2008, and is currently touring the country. Cleage is also an accomplished novelist. Her novels include “What Looks Like Crazy on an Ordinary Day,” a New York Times bestseller and an Oprah Book Club selection, “I Wish I Had a Red Dress,” “Some Things I Never Thought I'd Do,” “Babylon Sisters,” “Baby Brother's Blues,” “Seen It All and Done the Rest,” and “Till You Hear from Me.” She is also the author of “Mad at Miles: A Blackwoman's Guide to Truth,” a groundbreaking work of race and gender, and “We Speak Your Names,” a praise poem commissioned by Oprah Winfrey for her 2005 celebration of legendary African American women and written in collaboration with Zaron Burnett. Cleage has also written for magazines, including “Essence,” “Vibe,” “Rap Pages,” and “Ms.” In addition to her work as the founding editor of “Catalyst” magazine, a literary journal, she was a regular columnist for the Atlanta Tribune for ten years, winning many awards for her thought-provoking columns. She has also written for TheDefendersOnLine.com. Cleage has been awarded grants in support of her work from the National Endowment for the Arts, the Fulton County Arts Council, the Georgia Council on the Arts, the Atlanta Bureau of Cultural Affairs, and the Coca-Cola Foundation. Her work has earned her many awards and honors, including an NAACP Image Award for fiction in 2008. Pearl Cleage is represented by Ron Gwiazda at Abrams Artists Agency in New York City. Her website is www.PearlCleage.net. She also maintains a Facebook fan page. www.pearlcleage.net. Marti Lyons (she/her/hers) most recently directed the world-premiere of Galileo's Daughter by Jessica Dickey at Remy Bumppo, Georgiana and Kitty: Christmas at Pemberly at Northlight Theatre, Wife of a Salesman by Eleanor Burgess at Milwaukee Rep, Sense and Sensibility adapted by Jessica Swale at American Players Theatre and the world-premiere of John Proctor is the Villain by Kimberly Belflower at Studio Theatre in D.C. Marti's other productions include The Niceties by Eleanor Burgess at Writers Theatre; Cymbeline at American Players Theatre; The Wolves by Sarah DeLappe and both the stage and audio productions of Kings by Sarah Burgess at Studio Theatre; the world-premiere of How to Defend Yourself by liliana padilla, a Victory Gardens and Actors Theatre of Louisville co-production; Cambodian Rock Band by Lauren Yee at Victory Gardens and City Theatre; Witch by Jen Silverman at Geffen Playhouse and Writers Theatre (LA Drama Critics Circle Award for Best Direction); Native Gardens by Karen Zacarías at Victory Gardens; Botticelli in the Fire by Jordan Tannahill at Woolly Mammoth Theatre Company; I, Banquo at Chicago Shakespeare Theater; Title and Deed by Will Eno at Lookingglass Theatre Company; Laura Marks' Bethany and Mine at The Gift Theatre. Marti is also an ensemble member at The Gift Theatre, and a member of Stage Directors and Choreographers Society. martilyons.com

In this throwback, If This Is True would like to introduce you to the Sohns! Rich and Rebecca Sohn are improvisers/actors/directors living in Los Angeles. They are both veterans of the Second City and Annoyance Theatre. Rebecca has also performed with Steppenwolf, Remy Bumppo and About Face Theatres. She is also an ensemble member of the No Stakes Theater Project. Rich is teaching at the Pack Theater and at Second City, We talked about being married improvisers, working with each other and their teaching styles. Give it a listen!

Tina El Gamal is an artist, educator, and arts administrator in Chicago. She believes in the power of a good story, and a good cup of coffee.Tina El Gamal (she/they) is a Chicago-based actor, director, educator, and arts administrator. They hold a BFA in Acting from the University of Illinois at Chicago.Recent acting credits include: Measure for Measure (u/s) (Chicago Shakespeare Theatre); the U.S. premiere of Light Falls (u/s, perf.) (Steep Theatre); Passage (u/s, perf.) (Remy Bumppo); Young Playwrights Festival (Pegasus Theater); Twice, Thrice, Frice... u/s (Silk Road Rising); Much Ado About Nothing (Oak Park Festival Theatre); the Chicago premiere of I Call My Brothers (Interrobang Theatre Project), and the world premiere of Through the Elevated Line (u/s) (Silk Road Rising). Tina was featured in Newcity Mag's Players 50 2022. When she isn't performing and directing for stages across Chicago, Tina serves as the Managing Director of Jackalope Theatre Company. She is represented by Big Mouth Talent. You can find her on insta @streetlightcleopatra."

If This Is True would like to introduce you to the Sohns! Rich and Rebecca Sohn are improvisers/actors/directors living in Los Angeles. They are both veterans of the Second City and Annoyance Theatre. Rebecca has also performed with Steppenwolf, Remy Bumppo and About Face Theatres. She is also an ensemble member of the No Stakes Theater Project. Rich is teaching at the Pack Theater and at Second City, We talked about being married improvisers, working with each other and their teaching styles. Give it a listen! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/christopher-hall7/message Support this podcast: https://anchor.fm/christopher-hall7/support

The Whole Artist with Courtney Rioux: Conversations with artists about acting, purpose, and the journey to finding wholeness. You are so much more than the last job you booked. Today Courtney sits down with performer and positive psychology practitioner, Erica Elam, to discuss how principles from improv and positive psychology can change an actor's (or anyone's) sense of well-being. Erica Elam is an actor, improviser, director, and positive psychology practitioner based in Chicago. She has performed at The Goodman (in the world premiere of Sarah Ruhl's Stage Kiss), Steppenwolf, Northlight, Court, Remy Bumppo, Peninsula Players, Chicago Shakespeare, and with The Second City at The KennedyCenter in Washington, D.C. She is an ensemble member with the critically acclaimed improv troupes BabyWants Candy and The Improvised Shakespeare Company (with whom she was the first woman ever to perform). Erica earned her Masters in Applied Positive Psychology at The University of Pennsylvania, and graduated from The University of Georgia, The Second City Conservatory, and The School at Steppenwolf. Find Erica on Social Media Instagram: instagram.com/ericaelam Follow Courtney Rioux online: Sign up for V.I.P. updates and free gifts at www.courtneyrioux.com instagram.com/courtneyrioux twitter.com/courtneyrioux facebook.com/CourtneyRiouxOfficial/ Other links: Character Strengths: https://www.viacharacter.org/survey/account/register Shared History Pod: https://arcadeaudio.net/shared-history/2020/10/7/037-happy-healthy-history-feat-courtney-rioux Zoom Fatigue: https://www.nytimes.com/2020/04/29/sunday-review/zoom-video-conference.html ### Special thanks to: Tommy Martin for editing and mixing this episode. Mandy Work Wetzel for all of your hard work. Photography by Joe Mazza, Brave Lux. For more information, go to http://bravelux.com/ Music by Blythe Martin Productions. For more info, please contact Jamie and Erik at erik@SoundAnswer.com Co-Edited by Courtney Rioux --- Send in a voice message: https://anchor.fm/courtneyrioux/message Support this podcast: https://anchor.fm/courtneyrioux/support

Acclaimed actor, casting director, and founder of the Chicago Inclusion Project, Emjoy Gavino, joins Caroline Neff on the podcast to discuss the history of her vital work advocating for inclusion in the city’s theatre scene, as well as how she approaches her craft. Learn how Gavino begins to cast a production, what is on her pre-show playlist, and why she can relate to an image of a dachshund in a lobster costume.Interview begins at 4:04Emjoy Gavino is an actor, casting director, teaching artist, producer and food enthusiast based in Chicago. Her acting credits include A Red Orchid Theatre, Steppenwolf Theatre Company, Court Theater, About Face Theatre, The Hypocrites, The Second City, House Theatre, Northlight, Remy Bumppo, Victory Gardens Theatre, Paramount, The Broadway Playhouse, Lookingglass, The Neo-Futurists, The Goodman Theatre, Studio Theatre, The Village Theatre, Repertory Actors Theatre, 5th Avenue Theatre, Book-It Repertory and The Gift Theatre, where she is the casting director and an associate artistic director. She is a 2017 3Arts Make a Wave grantee and the founder and training series producer of The Chicago Inclusion Project, through which she has cast for American Theater Company, The Hypocrites, Circle Up (Jackalope Theatre), and In the Works (Theater on the Lake). She is represented by Stewart Talent.The Chicago Inclusion Project is a non-profit organization currently made up by business manager Elana Elyce, founder/training series director Emjoy Gavino, Grant Writer Stephanie Diaz, Community Organizer/Literary Manager Abhi Shrestha and facilitators Arti Ishak and Jessica Vann. CIP is a collective of artists, committed to creating inclusive theater experiences by bringing together Chicago artists and audiences normally separated by ethnic background, economic status, gender identity, physical ability and countless other barriers. By emphasizing inclusive hiring practices and season curation, cultivating a diverse audience by bringing new combinations of artists to as many communities in Chicago (and its surrounding suburbs) as possible, choosing facilities for the multiple projects that are handicap-accessible and keeping price of tickets and classes affordable, The Chicago Inclusion Project programming aims to unite diverse collections of Chicagoans. More at thechicagoinclusionproject.org. A transcript of this episode can be found here: https://www.steppenwolf.org/globalassets/half-hour-podcast/half-hour-ep11-transcript.pdfLearn more at steppenwolf.orgWant to get in touch? Email halfhour@steppenwolf.org

Show-Score is branching out of NYC. I got a discounted ticket to see The Gods of Comedy at McCarter Theatre in Princeton for tomorrow and I can't wait. In today's news: Season Announcements: 2 summer theatres announced Adirondack Theatre Festival & Berkshire Theatre Group. Who's In & Who's Out: there's a lot happening in Chicago at Remy Bumppo, Chicago Dramatists & Steppenwolf Theatre Company. Articles & Interviews: an interview with Oregon Shakespeare Festival's incoming artistic director and There's Something I Had to Share With You. TO JOIN THE MAILING LIST, TEXT TREADINGTHEBOARD TO 22828 SEASON ANNOUNCEMENTS Adirondack Theatre Festival (NY) Berkshire Theatre Group (MA) WHO'S IN & WHO'S OUT Remy Bumpoo welcomes Ian Frank as the new Associate Artistic Director Chicago Dramatists names Carson Grace Becker as the new Artistic Director Steppenwolf Theatre Company has a new Associate Artistic Director, Leelai Demoz ARTICLES & INTERVIEWS American Theatre Magazine interviews Nataki Garrett about her new position as Artistic Director of Oregon Shakespeare Festival SOMETHING I HAD TO SHARE WITH YOU... THEATER: All the Moving Parts   To buy your own copy of Treading the Boards, click here THANKS FOR LISTENING & HAVE A CREATIVE DAY

In this episode we discuss everything from Jose's experience as a gay Mexican American actor/writer working with Remy Bumppo, Red Orchid Theater, Adventure Stage Theater, as well as filming a show with Kelsey Grammar. The OA, Paranormal Activity, The Hiccups, The Skeleton Key, male nudity against female nudity in Horror, Van Halen, Trump's wall, and Machismo culture. Jose also talks about the amazing subculture of Mexico City and it's ties to their indigenous people. We also knock hard on Pitchfork's recent fest at The Art Institute! This one is packed with amazing, it was very nice to talk to this incredibly sweet human being.

SOUND WARNING!!!! Seems one of the mics at BENDER Studios was haunted so Chad's gonna sound like he's in a well, be warned....Actor Michael Turrentine joins Chad and Clark for a lightning round of Halloween Do's and Don'ts so you don't look like a jag this season. Turn the lights down low, get your candy on and absolutely DO NOT PLAY MONSTER MASH.Shout-out to FRANKENSTEIN at Remy Bumppo come get your freak-o-ween on with Michael and an incredible cast!Featuring the song "Promises" by the Barrerracudas, who are always on their Hallo-Game.Recorded LIVE at the Historic Green Mill Lounge in Chicago and from the depths of the cursed dungeon known as BENDER Studios.Please rate and review and have a happy Halloweeeeeen.

Nick Sandys is the artistic director of Chicago's Remy Bumppo Theatre and is currently playing both Victor Frankenstein and the Creature in the Nick Dear adaptation of Mary Shelley's classic novel, which opens this week and runs through November 17, 2018, now also celebrating its 200th anniversary (he alternates roles with Greg Matthew Anderson). Nick talks about the power of this tale of monstrousness and how it fits into Remy Bumppo's mission of great language driving great ideas. Featuring ways in which Shelley's novel continues ideas expressed by Shakespeare in The Tempest, early modern analogues to rap battles, how one can highlight (and quite possibly confuse) certain issues, the precision with which one handles cultural negotiation, how the use of language — even in Shakespeare — tells you how a scene must be staged, how literature can also be a verb, how monsters are not born but made, and how one addresses the ultimate question: Who, really, is the monster? A star is shorn! (Length 22:42)

Kelly and Jonathan wax presidential and debate Capitalism vs. Communism over "The President" at Oracle Productions in Lakeview. Kelly also recommends "The Dance of Death" at Writers Theatre and "Our Class" at Remy Bumppo.

This week on the Talk Theatre In Chicago podcast Tom Williams talks with Nick Sandys -- the artistic director at Remy Bumppos think theatre. Nick talks about their new show You Never Can Tell as well as Remy Bumppo and the mission of the theatre company.

Why is Edward Albee's writing like Shakespeare? Why is an Albee script like a musical score? Why are Albee lines so hard to learn? On this week's podcast, Anne Nicholson Weber is joined by actors Patrick Clear and Annabel Armour and director Nick Sandys to talk about Remy Bumppo's current production of Seascape and the lessons they've learned about how to perform Albee's work.

On this week's episode of the Talk Theatre In Chicago podcast, Tom Williams talks with James Bohnen, the outgoing artistic director of Remy Bumppo Theatre and the director of The Goat or, Who is Sylvia?. Bohnen talks about how he started Remy Bumppo and its history and his philosophy of directing.

On this week's episode of the Talk Theatre In Chicago podcast, Tom Williams talks with Annabel Armour. She talks about her performance as Stevie in Remy Bumppo Theatre's The Goat or, Who is Sylvia? and what is is like to be a longtime ensemble member at Remy Bumppo.

Our guests on this week's podcast are Director James Bohnen, and actors Greg Matthew Anderson and Ernest Perry, who join Anne Nicholson Weber to discuss Remy Bumppo's production of Tom Stoppard's Night and Day and the challenges of putting Stoppard's ideas and language on the stage.

Tom Amandes, Remy Bumppo, and more. Chicago's Theatre News is hosted by Dustin Mote