American playwright (1928-2016)
POPULARITY
3 episodes with Edward Albee
8 episodes with Edward Albee
7 episodes with Edward Albee
4 episodes with Edward Albee
2 episodes with Edward Albee
3 episodes with Edward Albee
3 episodes with Edward Albee
4 episodes with Edward Albee
2 episodes with Edward Albee
Today, I'm thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don't miss this honest conversation with one of Broadway's greatest stars.
Africa Melane, we’re joined by actor Michael MacKenzie, who stars as Jerry in The Zoo Story, Edward Albee’s piercing one-act play now on stage at Theatre Arts. Directed by Chris Weare and produced by Mpact Productions, this stripped-down yet emotionally explosive work dives deep into themes of isolation, communication, and the fractured state of the human condition.See omnystudio.com/listener for privacy information.
In the second episode of our new Mike Nichols Marathon, we are following up our last month's conversation with a chat about a movie Mike Nichols was planning to direct as his debut before Edward Albee's adaptation came across his lap, which is The Graduate. Over the course of our conversation you will hear us talk about Nichols "graduating" from stage directing into bona fide movie work, the many ways in which The Graduate upsets the 1960s status quo and how it is subtly cinematic in contrast to the studio fare of the time. We also talk about what we think about Ben Braddock's alleged listlessness, Mrs Robinson's grooming behavior and how the movie as a whole struck a chord with young audiences who also felt like locking their parents in a church and taking a bus to nowhere. Tune in and enjoy! Subscribe to our patreon at patreon.com/uncutgemspod (3$/month) and support us by gaining access to this show in full in addition to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons! Hosts: Jakub Flasz & Randy Burrows Head over to our website to find out more! (uncutgemspodcast.com) Follow us on Twitter (@UncutGemsPod) and IG (@UncutGemsPod) Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod) Subscribe to our Patreon (patreon.com/uncutgemspod)
They are two of our country's best and best-known actors, but they're also known for rarely acting in the same project. Happily, they have made an exception to that rule in "Who's Afraid of Virginia Woolf?" currently on stage at the Bluma Appel Theatre in the provincial capital. Find out more about why this married couple in real life wanted to play one of the most dysfunctional, unhappy couples on stage. Martha Burns and Paul Gross join Steve Paikin to discuss.See omnystudio.com/listener for privacy information.
After nearly 40 years of marriage, the Canadian actors Paul Gross and Martha Burns say they're still learning new things about each other. Currently, they're co-starring as one of theatre's most dysfunctional married couples, George and Martha, in a new production of Edward Albee's “Who's Afraid of Virginia Woolf?” at Canadian Stage. Paul and Martha sit down with Tom Power to tell us what it's like playing this famously toxic couple, and what they're still learning about each other after all these decades.
Katie checks in with actor, playwright, teacher, and the author of the upcoming Off-Broadway play, Nina, directed by Katie and produced by Katie and Francesca Carpanini. Nina runs at Theaterlab January 23-February 9.
We are officially launching our brand new comprehensive director marathon where each month we will discuss one movie directed by Mike Nichols. As we all know, a journey of a thousand miles begins with one step and the step we take today is a conversation about Nichols's feature debut, the 1967 adaptation of the Edward Albee's play Who's Afraid of Virginia Woolf? starring Elizabeth Taylor and Richard Burton. Over the course of our great chat you will hear us talk about how a young and unassuming Nichols became a Broadway sensation even before stepping behind the camera, how his adaptation of Albee's play was an example of his unique ability to find the heart in the material he was working with and how the decision to cast a real high-profile power couple in the lead roles only added extra depth to the story. We also talk about the many ways in which this movie shifted the culture of the late 60s, how Hollywood had no other choice but to evolve after its premiere and how this simple play scratches at a whole host of problems viewers could easily identify as familiar. Subscribe to our patreon at patreon.com/uncutgemspod (3$/month) and support us by gaining access to this show in full in addition to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons! Hosts: Jakub Flasz & Randy Burrows Head over to our website to find out more! (uncutgemspodcast.com) Follow us on Twitter (@UncutGemsPod) and IG (@UncutGemsPod) Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod) Subscribe to our Patreon (patreon.com/uncutgemspod)
In the grand finale of Marriage Month, Jackson and Jacob take on one of the most fractious, combative marriages in the American library... George and Martha in Edward Albee's famous Who's Afraid of Virginia Woolf. Listen in! ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue. https://www.patreon.com/noscriptpodcast ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at: Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.
Hi! My name is Terry J. Aman, marking my 96th episode of VideoFuzzy, reporting the progress I've made in cataloging thousands of VHS transfers and digital recordings. While this set covers discs 1651 to 1675 in my Classic Collection, my Fuzzy Feature is again a bit of a departure, exploring my recent local theater production of Edward Albee's "Who's Afraid of Virginia Woolf?" I talk about my role as George, my thoughts about taking a second run at this character, and my goal of getting a deeper exploration of him in this TruNorthTheatre.org production. I also added the classic 1966 Liz Taylor/Richard Burton movie to my current collection, and encountered a couple of interesting references to the show in my cataloging efforts for this set, entries at https://www.instagram.com/videofuzzy In my Classic Collection, I celebrate breaking into my ninth binder of DVD transfers with a look back at highlights from Binder No. 8. I also explore a couple episodes of "Human Target" that turned up in this set. In my Current Collection, I chat about "Only Murders in the Building," "Agatha All Along" and the series finale of "The Umbrella Academy." Finally, in What I've Been Watching, I share my reaction to "The Joker: Folie a Deux." Spoiler alert: It is not positive. Currently I'm rehearsing Scrooge in a hilarious farce production "A Dickens' Christmas Carol" with Dakota Stage Ltd., coming up selected dates Dec. 5-15. Tickets and information at https://dakotastage.org/ -- come check us out! TOP TWELVE: Here's a "Top Twelve" episode guide for people looking for a quick read-in on this blog and podcast effort: https://videofuzzy.libsyn.com/about. Enjoy!
When Lee Daniels was eight years old, he came across a copy Edward Albee's Who's Afraid of Virginia Woolf that featured a photograph of Elizabeth Taylor and Richard Burton on its cover. Flipping through the pages, Daniels realized that his purpose in life was to direct characters like those in the Albee's play. After years managing actors, Daniels had his directorial breakout in 2001 with Monster's Ball, for which Halle Berry became the first Black woman to win the Academy Award for Best Actress. As a producer, director, and screenwriter, Daniels has since turned out celebrated movies and television shows such as from Precious and Empire, and, most recently, the haunting thriller The Deliverance. On this week's episode of Table for Two, Daniels joins host Bruce Bozzi to discuss how his experience as a gay man influences his work, how his adopted children saved his life, and the motivation behind a new cop procedural he's currently writing.See omnystudio.com/listener for privacy information.
Today, I am thrilled to announce my interview with 2024 Tony award winning playwright David Adjmi, whose play Stereophonic has quickly become Broadway's newest sensation. Tune in today for a deep dive into the making of that play, including its Reagan-focused political undercurrent, the plane trip that gave him inspiration, why he views his plays like jigsaw puzzles, the reason why some audiences don't respond to the play, the site-specific production he originally imagined, how the pandemic foiled the initial plans for a Broadway production, how band practice created chemistry among the cast, the process of securing Playwrights Horizons, how he ensured his vision for the timing of the play was maintained, and so much more. You can also hear other stories from his great career, including why Marian Seldes made a great collaborator, how an unpleasant experience at Juilliard influenced his subsequent work, his interactions with Stephen Sondheim, why he looks up to Edward Albee, what he looks for in a director, why he wants to tackle musical theater next, and so much more. You won't want to miss this interview with a true genius in the American theater.
FIRST TO LEAVE THE PARTY is a marvelous and compulsively readable collection of stories from the life of Salah Bachir—a philanthropist, art collector, and movie industry insider. His sheer joy of life, art, giving back, and human interaction has endeared him to some of the most famous and creative people in recent times. Salah's activism is evident even on the cover of his memoir, where he sought to normalize discussions around gender identity by including his pronouns.Salah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood's biggest stars, it is Salah's personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it's true that Katharine Hepburn once turned him down, very nicely. FIRST TO LEAVE THE PARTY is a collection of personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn't already exist. Salah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood's biggest stars, it is Salah's personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it's true that Katharine Hepburn once turned him down, very nicely.Collected here in this wonderful book are personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn't already exist. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
Pam MacKinnon, Artistic Director of American Conservatory Theatre (ACT) in San Francisco, in conversation with host Richard Wolinsky. Pam McKinnon, has been Artistic Director of ACT — American Conservatory Theatre, since January 2018. A leading interpreter of the works of Edward Albee, she won the Tony Award for Best Direction of a play for a Revival of Who's Afraid of Virginia Woolf in 2013. She was also nominated for a Tony for her direction of Clybourne Park in 2012, as well as winning an Obie for an earlier off-broadway production of that play in 2011. In this interview, she discusses, in depth, the upcoming season, as well as issues involving the area around the Strand Theatre, how the pandemic impacted ACT, and the differences between working in San Francisco and London as a director. The post Pam MacKinnon, Artistic Director, American Conservatory Theatre (A.C.T.), 2024 appeared first on KPFA.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Pam MacKinnon, Artistic Director of American Conservatory Theatre (ACT) in San Francisco, in conversation with host Richard Wolinsky. Pam McKinnon, has been Artistic Director of ACT — American Conservatory Theatre, since January 2018. A leading interpreter of the works of Edward Albee, she won the Tony Award for Best Direction of a play for a Revival of Who's Afraid of Virginia Woolf in 2013. She was also nominated for a Tony for her direction of Clybourne Park in 2012, as well as winning an Obie for an earlier off-broadway production of that play in 2011. In this interview, she discusses, in depth, the upcoming season, as well as issues involving the area around the Strand Theatre, how the pandemic impacted ACT, and the differences between working in San Francisco and London as a director. Richard Wolinsky, David Sedaris, Hugh (David's partner), 2018. Pride Month Special Interview: David Sedaris, noted humorist, essayist, and diarist, in conversation with host Richard Wolinsky, recorded in the KPFA studios, June 28, 2008 while he was on tour for his collection of essays, “When You Are Engulfed in Flames.” In this first of four interviews, he talks about his entry into the world of radio and as a print essayist, along with a deep dive into the fact checking expertise of the folks at The New Yorker magazine. Complete Interview. Review of “Mother Road” by Octavio Solis, at Berkeley Rep Peets Theatre through July 21, 2024. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC). Calendar of upcoming readings. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Carrie, The Musical, The Reuff at The Strand, August 1-11. Noel Coward's Private Lives, September 12 – October 6, Toni Rembe Theatre. Aurora Theatre The Lifespan of a Fact by Jeremy Kareken & David Murrell and Gordon Farrell, June 21-July 21. Streaming: July 16-21. Awesome Theatre Company. Por La Noche (By Night), October 11 – 26, 2024. See website for information. Berkeley Rep. Mother Road by Octavio Solis, June 14-July 21, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. The Speakeasy. Must close June 29, 2024 Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Mrs. Doubtfire, July 2-28. Girl from the North Country, July 30-Aug 18, Golden Gate. See website for events at the Orpheum, Curran and Golden Gate. Broadway San Jose: Peter Pan, June 25-30. California Shakespeare Theatre (Cal Shakes). As You Like it, September 12 – 29. Center Rep: Arsenic and Old Lace by Joseph Kesselring September 8 -29. Lesher Center for the Arts. Central Works Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. La Boheme June 21 – July 5. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: The Cher Show, June 19-23. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming shows. 42nd Street Moon. Bright Star postponed. Golden Thread 11 Reflections: San Francisco, October 4-5 Brava Theatre Center. See website for other events. Hillbarn Theatre: Always…Patsy Cline, August 22 – September 15. Lorraine Hansberry Theatre. See website for upcoming productions. Lower Bottom Playaz Pac and Biggie Are Dead by Biko Eisen-Martin, June 6 – 30, 2024, BAM House, Oakland. Magic Theatre. Magic Gala, August 8, 2024. Richard II by William Shakespeare, August 21 – September 8. See website for other events. Marin Theatre Company Yaga by by Kurt Sondler, October 10 – November 3, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Ride the Cyclone by Jacob Richmond & Brooke Maxwell, September 20 – October 20. Oakland Theater Project. Teatro Jornalero, June 28-29, 7:30 pm. Angels in America, Parts I & II, September 27 – October 26, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. Chaplin and Keaton on the Set of Limelight by Greg Lam, June 28 – July 21, 2024. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Legally Blonde, September 7-29, 2024, Victoria Theatre. See website for Spotlight Cabaret Series at Feinstein's at the Nikko (It's Britney, Bitch, July 24). San Francisco Playhouse. Evita, June 27-September 7. 2024. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: Dirty Rotten Scoundrels. June 5 – 30. Shotgun Players. Collective Rage by Jen Silverman. July 20 – August 18. South Bay Musical Theatre: No, No Nanette, Sept 28 – Oct. 19. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions. Theatre Rhino Four Play by Jake Brunger, June 13 – July 7, 2024. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Being Alive: A Sondheim Celebration June 5-30, Mountain View Center for the Performing Arts.. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post June 27, 2024: Pam MacKinnon – David Sedaris appeared first on KPFA.
FIRST TO LEAVE THE PARTY is a marvelous and compulsively readable collection of stories from the life of Salah Bachir—a philanthropist, art collector, and movie industry insider. His sheer joy of life, art, giving back, and human interaction has endeared him to some of the most famous and creative people in recent times. Salah's activism is evident even on the cover of his memoir, where he sought to normalize discussions around gender identity by including his pronouns.Salah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood's biggest stars, it is Salah's personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it's true that Katharine Hepburn once turned him down, very nicely. FIRST TO LEAVE THE PARTY is a collection of personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn't already exist. Salah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood's biggest stars, it is Salah's personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it's true that Katharine Hepburn once turned him down, very nicely.Collected here in this wonderful book are personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn't already exist.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
At the end of the show a question from Neil. Recommendations: Stuart The Richard Burton Diaries - Book Chris Williams (editor), Richard Burton (author) Irresistibly magnetic on stage, mesmerizing in movies, seven times an Academy Award nominee, Richard Burton rose from humble beginnings in Wales to become Hollywood's most highly paid actor and one of England's most admired Shakespearean performers. His epic romance with Elizabeth Taylor, his legendary drinking and story-telling, his dazzling purchases (enormous diamonds, a jet, homes on several continents), and his enormous talent kept him constantly in the public eye. Yet the man behind the celebrity façade carried a surprising burden of insecurity and struggled with the peculiar challenges of a life lived largely in the spotlight. This volume publishes Burton's extensive personal diaries in their entirety for the first time. His writings encompass many years—from 1939, when he was still a teenager, to 1983, the year before his death—and they reveal him in his most private moments, pondering his triumphs and demons, his loves and his heartbreaks. The diary entries appear in their original sequence, with annotations to clarify people, places, books, and events Burton mentions. From these hand-written pages emerges a multi-dimensional man, no mere flashy celebrity. While Burton touched shoulders with shining lights—among them Olivia de Havilland, John Gielgud, Claire Bloom, Laurence Olivier, John Huston, Dylan Thomas, and Edward Albee—he also played the real-life roles of supportive family man, father, husband, and highly intelligent observer. His diaries offer a rare and fresh perspective on his own life and career, and on the glamorous decades of the mid-twentieth century. Eamonn Less: Stop Buying So Much Rubbish: How Having Fewer, Better Things Can Make Us Happier - Book Patrick Grant We used to care a lot about our clothes. We didn't have many but those we had were important to us. We'd cherish them, repair them and pass them on. And making them provided fulfilling work for millions of skilled people locally. Today the average person has nearly five times as many clothes as they did just 50 years ago. Last year, 100 billion garments were produced worldwide, most made from oil, 30% of which were not even sold, and the equivalent of one bin lorry full of clothing is dumped in landfill or burned every single second. Our wardrobes are full to bursting with clothes we never wear so why do we keep buying more? In this passionate and revealing book about loving clothes but despairing of a broken global system Patrick Grant considers the crisis of consumption and quality in fashion, and how we might make ourselves happier by rediscovering the joy of living with fewer, better-quality things. David Watch Koudelka: Shooting Holy Land - Documentary Josef Koudelka Josef Koudelka is a fiercely independent artist. Branded an exile, stateless for many years after the end of the Prague Spring, photography is for him a powerful act that shows both humanity and its unsettling strangeness. His images are imbued with bohemian freedom and a dull, inhospitable promise. So when he was asked to go and photograph in Israel, the fear of being politically exploited, the fact of having to accept his designated young guide (to control him? he wondered)... mistrust almost won out. It was overcome by a mixture of rejection of "the wall" and attraction for this symbolic land. He simply insisted on paying for his own plane ticket, so as not to owe anything to anyone. What happened next, between him and his young guide Gilad Baram, is a truly romantic story. A friendship was born between the old photographer and the young filmmaker. Gilad Baram had the intelligence to turn these moments into a magnificent film, adopting the right distance and documenting the work of this demanding photographer.
Break out all the alcohol you have and get ready for some games because the 1001 by 1 crew is joined by Myke from Cinemusts this week to discuss Mike Nichol's adaptation of the award-winning Edward Albee play “Who's Afraid of Virginia Woolf?” Technical snafus aside, come along for this journey of psychological torture as we discuss all things theatre, who would be in the 2024 remake of this film, the world of academia, and why do people drink so late. Also, Britt's gives us who quick “Rushmore” thoughts. Plus, this week Adam recommends “Working Girl” (available to rend on most major platforms), Britt recommends “Perfect Days” (available to rend on most major platforms), Joey recommends “Blue Valentine” (available on Max), and Myke recommends “It Happened One Night” (free on Tubi). You can listen to us on Apple Podcast, Stitcher, Spotify, & Google Play. You can find us on Letterboxd - https://letterboxd.com/1001by1/ You can find us on Twitter, Instagram, & Facebook at facebook.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann.
Gordon Greenberg has directed on Broadway, Off-Broadway, in London's West End, written for television and stage, and developed, directed and produced new works for arts institutions across America. Current Directing/Writing projects include The Heart of Rock and Roll , which opens on Broadway at the James Earl Jones Theatre in April, 2024, following its record breaking run at The Old Globe, the hit Off-Broadway show Dracula, A Comedy of Terrors (Director & Co-Writer, with Steve Rosen, New World Stages & podcast starring John Stamos, Laura Benanti, & Annaleigh Ashford), a new musical about Picasso (directing & co-writing with Stephen Schwartz & Caridad Svich), the NBC television series Most Talkative (Co-Executive Producer/Writer, NBC, Blumhouse, Andy Cohen), Crime and Punishment, A Comedy (directing & co-writing with Steve Rosen) for the Old Globe, a London revival of The Baker's Wife (Menier Choclate Factory, 2024), Single White Female (A.T.G.), The Wedding Banquet (Ang Lee, Hua Musicals, Taiwan), Ghost Tour, The Play, and the new comedy podcast series Rolling Calls starring Julie Halston & Richard Kind (co-writer, Steve Rosen). His acclaimed revival of Who's Afraid of Virgina Woolf starring Calista Flockhart and Zachary Quinto at the Geffen Playhouse won the Los Angeles Drama Critics Award for Best Revival. Variety called it “Inspired”, the L.A. Times called it “Unerringly good…Qunto & Flockhart expose something infinitely fragile in Edward Albee's shatterproof play”, Entertainment Weekly called it “A riveting production…brilliantly staged by Gordon Greenberg”, and the Wall Street Journal called it “Intriguing…Here, unusually, there is the suggestion that the oncoming dawn may truly presage a fragile new beginning.” Other directing work includes the revisal of Working (Drama Desk Award, adapted with Stephen Schwartz and Lin-Manuel Miranda), Jacques Brel…(Drama Desk, Drama League, Outer Critics Award noms), Terms of Endearment with Alfred Molina & Calista Flockhart (Geffen Playhouse for Greg Berlanti), the stage adaptation of Tangled (Disney), Johnny Baseball (Williamstown), Stars of David by Jeanine Tesori, Tom Kitt, Tony Kushner (Daryl Roth), Pirates! (created with Nell Benjamin, Huntington, Paper Mill, Goodspeed, MUNY), Band Geeks! (also co-writer, Goodspeed, NEA grant), The Baker's Wife (Paper Mill, Goodspeed), 1776 (Paper Mill), Floyd Collins (Signature), the Klezmer-Rock reimagining of Isaac Bashevis Singer's Yentl (Asolo Rep), Blue Sky Boys by Deborah Breevort (Capital Rep.), the professional premiere of Edges The Musical (Capital Rep.), the acclaimed reimagining of Jesus Christ, Superstar starring Billy Porter (Helen Hayes, St. Louis MUNY), the U.S. national tour of Guys & Dolls, Disney's Believe, the Disney Fantasy Christening (with Neil Patrick Harris & Jerry Seinfeld), West Side Story (MUNY, Circle Award nom), Happy Days, A New Musical (Paper Mill, Goodspeed, U.S. National Tour), Vanities, A New Musical (Theatreworks Palo Alto - San Francisco Bay Area Theatre Critics Award), We The People (Lucille Lortel Theatre & Paper Mill Playhouse), Rags (Roundabout, workshop), and the all-female workshop of Man of La Mancha (Mirvish, Toronto), Other writing work includes, for television, Herbie Rebooted for Disney, Emerald City Music Hall, an original movie musical for Nickelodeon Television and Scramble Band, an original movie musical for the Disney Channel, The Single Girls Guide (co-writer Tommy Newman) for Dallas Theatre Center, Ars Nova, Capital Rep, the podcast Theatre Camp (with Jonathan Marc Sherman) for Sirius XM, Killing Time (with Steve Rosen), an At Home Play Commission from The Old Globe, and the new book of Meet Me In St. Louis for the St. Louis MUNY's 100th Anniversary. Learn more about your ad choices. Visit podcastchoices.com/adchoices
One Night Only Month burns the midnight oil with Mike Nichols' directorial debut - Who's Afraid of Virginia Woolf? Ben, Greg, Lindsey, Marshall, and Ray discuss the ups and downs of the Elizabeth Taylor and Richard Burton-starring 1966 classic. Directed by Mike Nichols, adaptated from Edward Albee's 1962 play of the same name. Starring Elizabeth Taylor, Richard Burton, George Segal, and Sandy Dennis.
La actriz vuelve a los escenarios. 'Un delicado equilibrio' se representará hasta el 28 de abril en el Teatro Fernán GómezHay personas capaces de transformarse en otros seres y convencer de ello a los demás. Son los actores. Por Fin de Semana ha pasado una que lleva el arte de la actuación en las venas. Desde muy pequeña se colaba en camerinos acompañada por su tía. Y cuando tenía día libre en el colegio, su único pensamiento era ir al teatro. Manuela Velasco estará en el Fernán Gómez de Madrid actuando en 'Un delicado equilibrio', donde comparte escena con Alicia Borrachero, Ben Temple, Joan Bentallé, Cristina de Inza, Anna Moliner. La obra está basada en el montaje escrito en 1966 por Edward Albee (autor, entte otros, de 'Quién teme a Virginia Woolf'). En Fin de Semana, la intérprete, sobrina de una grande de la talla de Concha Velasco, habla de su nuevo proyecto mientras repasamos su carrera. Licenciada en Historia del Arte, debutó ante las cámaras de la mano de Pedro Almodóvar con solo 12 años en 'La ley del deseo'. Su rostro se hizo mundialmente conocido en 2007, cuando dio vida a la reportera Ángela Molina en la saga de terror REC. Su interpretación, a la orden de Paco Plaza y Jaume Balagueró, le valió el premio Goya a...
First broadcast on December 31, 1967. Every play is political and art isn't easy, according to Edward Albee. People need to realize that going to the theatre is an arena of engagement rather than one of escapism, says Albee. Due to people's lack of knowledge and self-awareness, we in society, we deserve everything bad that we get, are also part of Albee's views.
The Triplex Cinema will present author and cultural critic Philip Gefter along with a screening of “Who's Afraid of Virginia Woolf?” — Mike Nichol's award-winning film based on Edward Albee's play. Gefter will discuss his new book “Cocktails with George and Martha,” recently published to great acclaim by Bloomsbury Press, followed by a book-signing. Joining Gefter for conversation will be Lisa Schwarzbaum, former film critic of Entertainment Weekly Magazine.The event will take place at the Triplex at 3:00 pm on March 16.
What happens when the doctor becomes the patient? Abe Burrows, the greatest script doctor of the Golden Age, had agreed to direct and write the musical adaptation of Breakfast at Tiffany's. Only problem is no one told him what they wanted...or expected... Soon, it was a troubled musical with different titles, different book-writers (including Edward Albee), America's cutest TV stars floundering without cameras, the Abominable Showman himself, David Merrick, and.....well, why have us tell you when ten time Emmy Award winning director James Burrows (Cheers, Friends) looks back on his father's work and his own experience as the assistant stage manager of Holly Golightly/Breakfast At Tiffany's: The Musical BROADWAY BOUND PLAYERS Caleb Funk as Edward Albee Andrew Leggieri as Jeff Alaina Mills as Holly Brody Redman as Abe's friend CJ Schneider as New York Times critic Jake Urban as Angel, Policeman, and Howard Cole Winston as Stage Directions If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use.
In this episode, I spoke with author Phillip Gefter about the book "Cocktails with George and Martha: Movies, Marriage, and the Making of Who's Afraid of Virginia Wolf?" From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage.
Renowned playwright Edward Albee talks about life, sex and the theater (interviewed in 2009 by Dixie Treichel and John Townsend of KFAI-Minneapolis/St. Paul's Fresh Fruit). Irish drag queen Panti Bliss (a.k.a. Rory O'Neill) responded brilliantly when calling out homophobic journalists and religionists drew criticism from both sides (a 2014 speech at Dublin's Abbey Theatre). And in NewsWrap: Greece becomes the 37th country where same-gender couples can get married, Nepal's Anju Devi Shrestha and Suprita Gurung become the first officially registered married lesbian couple in South Asia, a St. Vincent and the Grenadines High Court justice rejects two challenges to the nation's sodomy laws, a Japanese trans man can change the gender marker on his official documents without undergoing surgical sterilization, a top host on state-run Polish television apologizes for years of anti-queer rhetoric, a sexy Seville Jesus riles Spanish traditionalists, and more international LGBTQ news reported this week by Marcos Najera and Brian DeShazor (produced by Brian DeShazor). All this on the February 19, 2024 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/
While MILLER'S GIRL, in theaters now, is Jade Halley Bartlett's debut feature, she's been a working screenwriter, playwright, and actor for many years. In this conversation, Jade and Jordan discuss the multi-faceted awakening that was Elizabeth Taylor as the witty-but-acerbic, strong-but-broken Martha in Mike Nichols' debut feature, WHO'S AFRAID OF VIRGINIA WOOLF?, adapted from Edward Albee's play. And they'll get into the complicated victims and villains of MILLER'S GIRL (which stars Jenna Ortega and Martin Freeman), and the lessons Jade learned and unlearned through the process of getting her own work from stage to screen.***With Jordan Crucchiola and Jade Halley BartlettFollow us on Instagram!
Toneelspeler, -schrijver en regisseur Bo Tarenskeen is bij ons te gast om te praten over Who's Afraid of Virginia Woolf? van de Amerikaanse toneelschrijver Edward Albee (de vertaling die we gebruiken is van Gerard Reve uit 1964). Door de hoeveelheid seks en scheldwoorden in het script werd het spraakmakende stuk na verschijning in 1962 als extreem schandalig ervaren. Who's Afraid of Virginia Woolf? gaat over het kinderloze echtpaar Martha en George, beiden van middelbare leeftijd, die na afloop van een feestje bezoek krijgen van het jongere, getrouwde stel Nick en Honey. Er wordt flink gedronken en sluiperderwijs ontstaan allerlei psychologische spelletjes waar je als lezer / publiek in mee wordt genomen.In zijn vertaling wijkt Gerard Reve best af van wat Albee geschreven heeft. Met veel vrijheid heeft hij er zelfs dingen bij verzonnen. Wat was de reactie daarop? Het panel praat met Bo over alcohol drinken op scène als deel van de performance, over de definitie van een acteursstuk, en wat precies het verschil is tussen het schrijven van proza en toneel.--PRIJSVRAAG ‘Tussen longlist en shortlist'We geven twee kaartjes weg voor het Libris Literatuurprijsprogramma ‘Tussen longlist en shortlist'15 februari in De Nieuwe Liefde, AmsterdamKlik hier voor meer info en ticketsNa vrijwel elke uitreiking van de Libris Literatuurprijs zijn er steevast de reacties van: ‘o, maar díé had hem moeten winnen!'Dus: wie van alle eerdere genomineerden had de Libris Literatuurprijs wél moeten winnen?Stuur je antwoord met een eventueel kort betoog (van een paar zinnen) naar boekenfm@dasmag.nl of via Instagram DM naar @boekenfm. Zend uiterlijk 11 februari in, de winnaars krijgen snel bericht.Bo's voorstelling - Wittgenstein 2: Aan de taal ligt het nietOp 3 en 4 mei in Frascati 1, AmsterdamKlik hier voor meer info en ticketsKobra theaterproducties - Wie is er bang voor Virginia Woolf? Klik hier voor de speellijst en ticketsZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
The Gamm's latest production is Edward Albee's iconic play: a tragic story of a middle-aged couple, George and Martha, in a marriage that is held up by emotional torture and humiliation. The show opened on Broadway in 1962, won the Tony for best play in 1963, and became a film in 1966 starring Richard Burton and Elizabeth Taylor. The play opened last week at the Gamm Theatre. Morning Host Luis Hernandez and Artscape Producer James Baumgartner have a review of the production. The post ‘Who's Afraid of Virginia Woolf' at the Gamm is a thrilling experience appeared first on TPR: The Public's Radio.
Carrie Coon joins host Jessica Kantor on Raising Cinephiles to discuss her introduction to cinema at her grandparent's house and a discovery of how her introduction to cinema may have an influence on bringing Bertha Russell to life in The Gilded Age. Season two is now streaming on Max. Originally from Copley, OH, Carrie Coon is a Chicago-based theatre, television and film actress. She received a BA in English and Spanish from the University of Mount Union and her MFA in Acting at the University of Wisconsin, Madison. Coon was nominated for a Tony Award in the Best Featured Actress category for her Broadway debut as Honey in the transfer of Steppenwolf Theatre's production of "Edward Albee's Who's Afraid of Virginia Woolf?", directed by Pam MacKinnon. Although Coon did not win in 2013, the production was awarded Best Revival, Best Director (MacKinnon) and Best Actor (Tracy Letts). New Episodes Every Wednesday!EPISODE CREDITS:Host, Producer, Editor: Jessica KantorBooker: Noelia MurphyBe sure to follow and tag Raising Cinephiles on Instagram
Tom Vaughan has been writing professionally for over twenty years. He studied at the University of Houston with Broadway legend Jose Quintero and three-time Pulitzer Prize winner Edward Albee. It was his work as a writer and director in Houston theatre that got him recognized by Hollywood. He was soon writing screenplays for, among others, Phoenix Pictures, TNT, MTV Films, Castle Rock Entertainment, ABC, NBC, CBS, Warner Brothers, Sony Pictures and Disney. He has developed screenplays for Matthew McConaughey, Nicolas Cage, Barry Sonnenfeld, Chow-Yun Fat and many others. WINCHESTER, the film he co-wrote starring Helen Mirren and Jason Clarke, about the infamous Winchester Mystery House, opened nationwide in 2018. His eighth film, THE QUEEN MARY will release in August 2023 and DADDY'S GIRL for XYZ Films will shoot later this year (WGA strike willing.) Tom recently set up MOST WANTED at Miramax with director Ruben Fleischer (ZOMBIELAND, VENOM) attached. His feature film debut was the action film UNSTOPPABLE, starring Wesley Snipes. In 2011, he completed his directorial debut, PLAYING HOUSE, based on a script written with Kristy Dobkin. His past productions include BLACKOUT with Jane Seymour for CBS, and CRITICAL ASSEMBLY with Katherine Heigl for NBC. He served as writer as well as Co-Producer on ATOMIC TWISTER with Sharon Lawrence and DEAD IN A HEARTBEAT with Penelope Anne Miller and Judge Reinhold, both for TBS. He is currently the screenwriting instructor at his beloved alma mater, The University of Houston. https://storyandplot.com/WOLFPACK https://twitter.com/storyandplot Connect with your host Kaia Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, I'm so happy to announce my episode with Tony nominee Mary Beth Peil. Tune in today to hear some of the stories of her legendary career, including the challenges of her opera background, falling in love with Yul Brynner, the type of feedback Stephen Sondheim always gave her, the show that came to Broadway too quickly, why she had been practicing for many years for Anastasia, being directed by Edward Albee, working with Roger Rees on The Visit, how she ended up in a starring role on Dawson's Creek, taking on the role of King Duncan in Macbeth, and so much more. You won't want to miss this insightful conversation with a legend of the stage.
Mark and Kenny - long time New Yorkers - trade city origin stories, adventures, and favorite love (and lust) songs about New York while celebrating Madonna's ultimate ode to her creative home. Topics include Liza Minnelli, Oberlin College, Salt 'n' Pepa, St. Vincent, Frank Sinatra, Edward Albee, Chita Rivera, Harry Nilsson, Andrew WK, Rufus Wainwight, Debbie Harry, Moby, and the beloved bitches of Miami. Let's hit those streets and start strutting!
Tom Vaughan has been writing professionally for nearly thirty years. He studied at the University of Houston with Broadway legend Jose Quintero and three-time Pulitzer Prize winner Edward Albee. It was his work as a writer and director in Houston theatre that got him recognized by Hollywood. WINCHESTER, the film he co-wrote starring Helen Mirren and Jason Clarke, about the infamous Winchester Mystery House, opened nationwide in 2018. His eighth film, THE QUEEN MARY will release in August 2023 and DADDY'S GIRL for XYZ Films will shoot later this year (WGA strike willing.) Tom recently set up MOST WANTED at Miramax with director Ruben Fleischer (ZOMBIELAND, VENOM) attached. He teaches privately at storyandplot.com and is currently the screenwriting instructor at his beloved alma mater, The University of Houston.Tom created a link just for our listeners, with a 10% discounthttps://storyandplot.com/creativity/Here are six questions we asked Tom Vaughan, focusing on creativity, screenwriting, and his experiences in the film industry:1. Can you share with us how your background as an actor and improviser has influenced your approach to screenwriting? How does your experience in theater contribute to your creative process in writing for the screen?2. You've had the opportunity to work with renowned actors and directors throughout your career. How does collaboration play a role in fueling creativity and bringing out the best in a screenplay?3. From writing for television networks like ABC and NBC to major film studios like Warner Brothers and Disney, you've had an impressive range of projects. How do you adapt your creative storytelling to different platforms and audiences?4. The film industry is constantly evolving, with new trends and technologies shaping storytelling. How do you stay creatively inspired and relevant in such a dynamic environment?5. Your film "Winchester" brought to life the mysterious Winchester Mystery House, and "Queen Mary" explores the famously haunted cruise liner. How do you approach writing stories based on real-life events while maintaining a balance between creative freedom and historical accuracy?6. As a seasoned screenwriting teacher, what advice would you give aspiring writers looking to tap into their creativity and make their mark in the industry?Tom's Website Tom on YouTube @storyandplotclasses on Instagram Tom's Facebook page Copyright 2023 Mark Stinson Thanks to the folks at HEADFONE for their support. On HEADFONE, you can listen to Premium Audio dramas - like Romance, Thriller, and Horror. For a 10% discount, use coupon code - MARKCREATIVITY10Go to - https://headfone.page.link/MARKCREATIVITY10
Creativity through the lens of a playwrite and artistic director of New Normal Rep,"It's a question of feeling an impulse to do something."John Lawrence "Jack" Canfora is an Award-Winning American playwright, actor, musician and teacher. After receiving his dramatic training at the London Academy of Music and Dramatic Art, he began his career as an actor in regional theater, working mostly in Shakespearean roles such as Mercutio and Macbeth. He's been hailed by the Associated Press as “White-hot Entertainment” for his off-Broadway plays including Poetic License, Place Setting, and Jericho, a New York Times “Critics Pick.” He was nominated along with Edward Albee, Elaine May, and Teresa Rebeck for The Newark Star Ledger's Best Play, 2007. Jack is the recipient of two Edgerton Playwriting Awards, for Jericho (2010) and The Source (2018). He won the 2016 Webby Award for Best Writing in a Web Series. Jack is also the Artistic Director of New Normal Rep.Website: https://www.newnormalrep.org/ & https://www.jackcanforawriter.com/Twitter - https://twitter.com/NormalRepFacebook - https://www.facebook.com/profile.php?id=100063494893622 https://www.facebook.com/NewNormalRepInstagram - https://www.instagram.com/jackcanfora/?hl=en https://www.instagram.com/newnormalrep/?hl=enYouTube - https://www.youtube.com/channel/UCODsy6KqG1hDk8LMcB-nL_A
Filmsuck co-hosts Eileen and Dolores agree that the relentless affect and unusual staying power of the FX/Hulu series The Bear makes it a rare example of popular art in the tradition of the family-torment plays of Eugene O'Neill and Edward Albee. A belated tribute!
Chatting With Sherri welcomes actor, singer, director, writer and artistic director of the State Theatre Company of South Australia; Mitchell Butel! Mitchell holds four Helpmann Awards, four Sydney Theatre Awards and two Victorian Green Room Awards for his work as a director, actor and writer in Australian theatre over three decades. He has also worked in New York, London, Hong Kong and New Zealand. He has worked extensively for Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre, State Theatre Company South Australia, Belvoir, Bell Shakespeare, Griffin, Malthouse, Opera Australia, Sydney Chamber Opera, Pinchgut Opera, Most recently, Mitchell directed Giovanni Busenello's The Loves of Apollo and Dafne for Pinchgut Opera and the sold-out season of Dennis Kelly's Girls & Boys for State Theatre Company South Australia during the Adelaide Festival (and its tour to Sydney Festival and Theatre Royal, Hobart). For the Company, Mitchell has also directed Edward Albee's The Goat or, Who is Sylvia?, David Lindsay-Abaire's Ripcord, His performing highlights in theatre, music theatre and opera include A Gentleman's Guide to Love and Murder, The Resistible Rise of Arturo Ui, The Merchant of Venice (as Shylock for which he won the Sydney Theatre Award for Best Actor), Mr Burns (Helpmann Award Best Supporting Actor), South Pacific,Angels in America. His film and TV highlights include A Sunburnt Christmas, Stateless, Dance Academy, Holding the Man, Gettin' Square (AFI nomination), The Bank, Strange Fits of Passion (AFI nomination),
Becca joins the show in-person for possibly the last time before her big move to Calgary, and her Block Tale is a doozy, as we travel all the way back to the MySpace era as Becca notices that she starts to fall down the ranks of her boyfriend's Top 8...and then it gets pretty weird. How weird? You'll have to listen as we discuss that and burping, BlueSky, the Gollum game and their German-ass developers, The Idol, we ponder going to Hedonism II as a joke, and we celebrate Dan's birthday with a McCain Deep 'n' Delicious cake. Plus, Becca discovers an insane game show on TikTok, John unearths a great Nikola Jokic soundbite, and Stefan forgets to do a social media update so he calls Demi and Jesse on WhatsApp. If you want to discover more great soundbites of your own, head on over to patreon.com/blockedparty, where $5/month gets you access to THREE bonus episodes every single month. Last week, Stefan and John did their own one-man play, as Ryan Beil led them in a reading of Edward Albee's "Zoo Story", and this week, Ryan Lambert joins the fellas to talk puck, as Stefan and John get blocked by the same Vancouver sports radio guy. You also get merch discounts, live show discounts, access to the Discord and MORE! So head on over there and check it out! Becca is a beloved guest of the program and an artist whose work you can follow on Instagram at @coldhandshake. You can follow her on Twitter at @BeckTheGirl and on Instagram at @not_that_beck. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's the second episode in a row we have a guest returning after a long layoff, as Randee Neumeyer (comedian) returns to the show and folks...it's an all-timer. Randee has a very strange interaction on Facebook Marketplace where she gets blocked by a potential customer, so she does what anyone else would do in this situation: she takes it to Instagram. It's a great Block Tale buoyed by a great episode as we go ALL the way off the rails discussing flipping TV channels as a kid, potentially entering our Chris Gaines' eras, solving religion, getting standing ovations, and Randee introduces us to a site we were not at all prepared for as we officially enter our "Sketchy Sex" era. Plus, Randee introduces us to the world of Hinge and the concept of "rose jail", we check in on some guys who think the algorithm is against them, and a PGA Tour executive gives an insanely baffling interview. If you want some more insanely baffling content, head on over to patreon.com/blockedparty, where $5/month gets you access to THREE bonus episodes every damn month! Last week, our good friend Libby Watson joined us to answer your questions in our Blocked Bag, and this week, Ryan Beil returns to the show to complete what we threatened to do on his most recent episode: Stefan and John perform Edward Albee's one-act play Zoo Story. Video was also made, and it was...well, it was insane. Plus: merch discounts, access to our Discord, and MORE! Randee Neumeyer is a comedian whose debut album, Bad Baby, is available wherever you get your comedy albums. You can follow her on Twitter and Instagram at @randeenoodle. Learn more about your ad choices. Visit megaphone.fm/adchoices
When Albert Poland was a teenager, he wrote to Judy Garland requesting that he create The Judy Garland fan club and she accepted. Tune in to hear this amazing story! Legendary Producer and General Manager Albert Poland's work has spanned the dawn of Off Broadway to the Broadway blockbusters of the 1980s and 1990s and beyond. He worked with them all, from an unknown Sam Shepard and David Mamet to Edward Albee and Arthur Miller. He was also the founder of the Judy Garland Fan Club as a young teen. STAGES-a theater memoir is more than an insider's view of his many major productions, although there is plenty of that, from The Fantasticks and Little Shop of Horrors to Long Day's Journey into Night and from The Grapes of Wrath to The Boy from Oz. Witty, colorful, unconventional, and wickedly insightful, Poland has had a career that comprises a fascinating portrait of the social and cultural landscape of New York, from the '60s to the present, seen through the lens of a life in the theater (and yes, he managed the play with that title). You will get intimate and personal views of such stars as Judy Garland, Bette Davis, Hugh Jackman, Vanessa Redgrave, Truman Capote, and Liza Minnelli, as well as such theatrical titans as Cameron Mackintosh, Bernard B. Jacobs, Gerald Schoenfeld, and Ellen Stewart. Poland is the co-author/editor of The Off Off Broadway Book, and is a principal player in Michael Riedel's best-seller Razzle Dazzle: The Battle for Broadway. In June of 2019, The Off Broadway Alliance presented Albert Poland with a Legend of Off Broadway Award.
When Albert Poland was a teenager, he wrote to Judy Garland requesting that he create The Judy Garland fan club and she accepted. Tune in to hear this amazing story! Legendary Producer and General Manager Albert Poland's work has spanned the dawn of Off Broadway to the Broadway blockbusters of the 1980s and 1990s and beyond. He worked with them all, from an unknown Sam Shepard and David Mamet to Edward Albee and Arthur Miller. He was also the founder of the Judy Garland Fan Club as a young teen. STAGES-a theater memoir is more than an insider's view of his many major productions, although there is plenty of that, from The Fantasticks and Little Shop of Horrors to Long Day's Journey into Night and from The Grapes of Wrath to The Boy from Oz. Witty, colorful, unconventional, and wickedly insightful, Poland has had a career that comprises a fascinating portrait of the social and cultural landscape of New York, from the '60s to the present, seen through the lens of a life in the theater (and yes, he managed the play with that title). You will get intimate and personal views of such stars as Judy Garland, Bette Davis, Hugh Jackman, Vanessa Redgrave, Truman Capote, and Liza Minnelli, as well as such theatrical titans as Cameron Mackintosh, Bernard B. Jacobs, Gerald Schoenfeld, and Ellen Stewart. Poland is the co-author/editor of The Off Off Broadway Book, and is a principal player in Michael Riedel's best-seller Razzle Dazzle: The Battle for Broadway. In June of 2019, The Off Broadway Alliance presented Albert Poland with a Legend of Off Broadway Award.
Join our conversation on how live theater can be “modernized” and used to challenge the negative contemporary cultural side effects like extremism and alienation with Award-Winning Playwright, Jack Canfora. For centuries people have found inspiration, beauty, and expression in live theater. The Ancient Greeks were the first to wade into the waters of this novel art form, using dance, song, and choral chants to play out their mythic past. Today, many see live theater as a dying art as multimedia storytelling modalities, like streaming TV, film, and the internet, hold a monopoly on our attention. In the face of this threatening final nail in the coffin, Jack is dedicated to presenting both new and underproduced plays via the internet, in ways that maintain the essential dramatic spirit while using the theatrical experience to explore the historical, cultural, and psychological forces shaping life in America and beyond in the 21st Century. He shares on Unlocking Your World of Creativity how to reshape our storytelling imagination to better understand the beauty and potential this ancient art form still holds. Topics Jack Discusses:Re-Lighting The Storytelling Campfire: Why Sharing Stories Is The Glue That Holds Cultures & Communities Together Live Theater Is NOT Dead (It Just Needs Some Reimagining): How To Make Theater More Available, Affordable, & Widely Attended “Democratizing” The Theatrical Experience: Bringing Theater Home To Underprivileged, Underserved, & Ignored Audiences How This Ancient Art Form Can Evolve To Keep Up With The Era Of Netflix & ChillBreaking Down The Barriers That Are Preventing Underproduced, Lesser Known Playwrights From Making On-StageUsing The Theatrical Experience To Change The Culture Of Modern Alienation To One Of Belonging, Empathy & Human ConnectionMore About Jack:John Lawrence "Jack" Canfora is an Award-Winning American playwright, actor, musician, and teacher. After receiving his dramatic training at the London Academy of Music and Dramatic Art, he began his career as an actor in regional theater, working mostly in Shakespearean roles such as Mercutio and Macbeth. He's been hailed by the Associated Press as “White-hot Entertainment” for his off-Broadway plays including Poetic License, Place Setting, and Jericho, a New York Times “Critics Pick.” He was nominated along with Edward Albee, Elaine May, and Teresa Rebeck for The Newark Star Ledger's Best Play, 2007. Jack is the recipient of two Edgerton Playwriting Awards, for Jericho (2010) and The Source (2018). He won the 2016 Webby Award for Best Writing in a Web Series. Jack is also the Artistic Director of New Normal Rep.Jack's Website @newnormalrep on Instagram Jack on YouTube Jack's Facebook page Jack's Facebook group Copyright 2023 Mark Stinson
John Lawrence "Jack" Canfora is an Award-Winning American playwright, actor, musician and teacher. After receiving his dramatic training at the London Academy of Music and Dramatic Art, he began his career as an actor in regional theater, working mostly in Shakespearean roles such as Mercutio and Macbeth. He's been hailed by the Associated Press as “White-hot Entertainment” for his off-Broadway plays including Poetic License, Place Setting, and Jericho, a New York Times “Critics Pick.” He was nominated along with Edward Albee, Elaine May, and Teresa Rebeck for The Newark Star Ledger's Best Play, 2007. Jack is the recipient of two Edgerton Playwriting Awards, for Jericho (2010) and The Source (2018). He won the 2016 Webby Award for Best Writing in a Web Series. Jack is also the Artistic Director of New Normal Rep.Find out more about Jack and New Normal Rep at the following linksWebsite: https://www.newnormalrep.org/ & https://www.jackcanforawriter.com/Social Media:Twitter - https://twitter.com/NormalRepFacebook - https://www.facebook.com/profile.php?id=100063494893622 https://www.facebook.com/NewNormalRepInstagram - https://www.instagram.com/jackcanfora/?hl=en https://www.instagram.com/newnormalrep/?hl=enYouTube - https://www.youtube.com/channel/UCODsy6KqG1hDk8LMcB-nL_A So grateful for all the listeners! Check the links below from charities, subscriptions, merch, reading list, and more. Love the show?You can now support the show with a subscription! Click here for all the details.**Want to write a review? Click here for details.** Donate Dachshund Rescue of Houston hereBlog https://tstakaishi.wixsite.com/musicInsta @creative_peacemeal_podcastFB @creativepeacemealpodBonfire Merch https://www.bonfire.com/store/creative-peacemeal/Redbubble Merch CPPodcast.redbubble.comCreative Peacemeal READING list hereInterested in Corrie Legge's content planner? Click here to order!
Episode Summary - Theater artists who are open to new experiences and collaborative opportunities can be highly successful in the craft. By networking with others who share the same goals, they can cultivate valuable connections which can provide support and guidance throughout their journey. Collaboration also offers an opportunity to gain insights into the world of theatre that could prove invaluable to their development.When it comes to finding success as a theatre artist, it is also important to have realistic expectations. Knowing your personal benchmark of success is key and should not be judged solely on fame and fortune. Instead, focus on honing your artistic skills and setting goals that are achievable for you. This way, each milestone achieved is a reflection of your hard work and dedication in reaching them.In this episode, we are joined by John Lawrence "Jack" Canfora - an Award-Winning American Playwright, Actor, Musician and Teacher. Learn more about his extraordinary journey and the invaluable lessons he has learned along the way. Get tips on how you can use your college education to develop your skills, succeed in the performing arts industry, and get ready for your next performance.Snapshot of the Key Points from the Episode:[02:20] Learn more about Jack and how he got into what he does today.[06:47] How an online theatre experience is similar to a live one.[08:00] One of Jack's most memorable performances.[09:33] The top skillsets that have helped Jack succeed in his theatre journey.[13:28] Where to start collaborating with other artists.[16:24] Jack's strategies for building an audience through social media.[20:41] Navigating to the business side of the arts.[25:11] What does working from a happy place mean to Jack?[29:13] What do upcoming artists need to know and do to get the most out of their college education? Transitioning from college to the world of work.About Jack Canfora: - John Lawrence "Jack" Canfora is an Award-Winning American playwright, actor, musician, and teacher. After receiving his dramatic training at the London Academy of Music and Dramatic Art, he began his career as an actor in regional theater, working mostly in Shakespearean roles such as Mercutio and Macbeth. He's been hailed by the Associated Press as “White-hot Entertainment” for his off-Broadway plays, including Poetic License, Place Setting, and Jericho, a New York Times “Critics Pick.” He was nominated along with Edward Albee, Elaine May, and Teresa Rebeck for The Newark Star Ledger's Best Play, 2007. Jack is the recipient of two Edgerton Playwriting Awards, for Jericho (2010) and The Source (2018). He won the 2016 Webby Award for Best Writing in a Web Series. Jack is also the Artistic Director of New Normal Rep.How to connect with Jack Canfora:Websites: https://www.jackcanforawriter.com/ www.thewritingonthepaddedwall.com / www.wiseandshinezine.com Instagram: https://www.instagram.com/jackcanfora/Facebook: https://www.facebook.com/jack.canfora/LinkedIn: https://www.linkedin.com/in/jack-canfora-6bb98672/Twitter: https://mobile.twitter.com/jackcanforaAbout the Host -Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and PodcasterShe has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality. How to Connect with Belinda:Facebook -https://www.facebook.com/workfromyourhappyplaceLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram -https://www.instagram.com/workfromyourhappyplace/Website - www.workfromyourhappyplace.comQuotes:“Working on the aspirations worth pursuing can be your happy place.”“You'll know your happy place when you still wake up wanting to do the same thing despite the bumps on the road.”
Edward Norton joins the show to talk about his role as the tech billionaire Miles Bron in Rian Johnson's thrilling whodunit, Glass Onion: A Knives Out Mystery. As a longtime admirer of Johnson's work, Norton traces the many times their paths crossed over the years, finally leading to their first collaboration on Glass Onion. He also explains how they developed Bron's character together, and recounts a hilarious moment improvising on set with Daniel Craig. Norton also reflects on his early career, shares how he began working with the playwright and director Edward Albee, and recounts a recent experience seeing the Red Hot Chili Peppers in concert with his kids.
Elizabeth McGovern was Oscar nominated for her portrayal of Evelyn Nesbit in Ragtime and, by the age of 21, had played leading roles in Once Upon A Time In America followed by The Handmaid's Tale and The Wings of the Dove. She is probably best known though for playing Cora Crawley, Countess of Grantham in Downton Abbey. She is now on stage starring in Edward Albee's Who's Afraid of Virginia Woolf? The actress and musician joins Jessica to discuss her varied career so far and what drew her to the role of Martha. A misconduct hearing today will formally dismiss David Carrick from the Metropolitan Police, after he admitted twenty-four counts of rape and multiple sexual assaults. Carrick was finally stopped when one woman reported him in October 2021. Sir Mark Rowley, the Met Commissioner, has apologised to Carrick's victims, and says the force is currently also investigating 1,000 sexual and domestic abuse claims involving about 800 of its officers. Jessica is joined to discuss by Shabnam Chaudhri, who served as an officer in the Met for 30 years. Tomorrow will see the start of a second round of strikes by the Royal College of Nursing. The RCN says that this will be the biggest walkout so far, affecting 55 trusts in England - that's 11 more than last month. They are calling for a pay rise of 5% above inflation, with inflation currently sitting at 14%. The government says the demands are unaffordable and pay rises were decided by independent pay review bodies. NHS staff in England and Wales - including nurses - have already received an average increase of 4.75%. The union says that there will be a further two strikes in February in England and Wales, unless there is movement on pay by the end of this month. Pat Cullen is the General Secretary and Chief Executive of the Royal College of Nursing, and joins Jessica. Today marks the 250th anniversary of the UK in the Antarctic following the first voyage of James Cook in 1773. In contrast to Cook's all-male crew in the 18th century, the UK's current polar leadership includes several women. What is it like to be a female leader in this field? Jessica Creighton is joined by Jane Rumble, the Head of Polar Regions Department at the UK Foreign Office, Professor Dame Jane Francis, the Director of the British Antarctic Survey and Captain Milly Ingham, the Captain of HMS Protector, The Royal Navy's ice patrol ship to find out. One of literary history's favourite characters – Alison the Wife of Bath – from Chaucer's Canterbury Tales is re-examined in a new book by Professor Marion Turner from Oxford University. Marion tells Jessica how the lusty life story of the medieval Alison who married five times has inspired other writers from Shakespeare to Zadie Smith.
It's a play full of contradictions, secrets, lies, and unspoken rules. It's a play decidedly for adults, but about a child—an imaginary one, no less. It takes place on a college campus, but it is absent of students. And it's about “fun and games” and “playing pretend,” but its games are harsh and shocking, and playing pretend involves vengeance and even murder. Wes & Erin discuss Mike Nichols's 1966 film "Who's Afraid of Virginia Woolf?", adapted from Edward Albee's 1962 play, and ask what it has to say about the nature of game and play itself, as well as what might be generative on the one hand or contraceptive and inhibiting on the other about our relationships with our spouses, our parents, our children, and our work.
Book Vs. Movie: Who's Afraid of Virginia Wolf The Edward Albee 1962 Play Vs. the 1966 Mike Nichols FilmThe three-hour anger fest that is Who's Afraid of Virginia Wolf is one of the most celebrated and controversial of the 1960s. Edward Albee's 1961 play is about middle-aged couple George & Martha, who have been drinking and battling for years, and one unfortunate evening they have with new friends Nick & Honey. It caused a stir at the time for its “racy” language, the three-hour runtime, and its intense performances by Uta Hagen, Arthur Hill, Ben Piazza, and Melinda Dillon. The play was a sensation and broke box office records. So much, so that afternoon performances were added to meet the demand. It won the Tony Award and the New York Drama Critics Circle in 1963. The same year, it was up for a Pultizer Prize for Drama but lost due to its “profanity and sexual themes.” (There was no prize given that year.)Mike Nichols directed the 1966 film with Elizabeth Taylor and Richard Burton, who ate up each scene with their unique partnership of love, hate, and movie-star charisma. (Their real-life love story is another whirlwind of multiple marriages, addiction, and pain.) George Segal and Sandy Dennis play Nick and Honey, and the entire cast and most of the production received Academy Award nominations. (Taylor and Dennis won) Jack Valenti of the Motion Picture Association of America (MPAA) said this was his first controversial film under his reign. Words like “screw” and “hump” were considered scandalous and had to be deleted from the script. The story of George and Martha is one of the significant cultural landmarks of the 20th Century, with several productions over the past 60 years and several parodies, from The Carol Burnett Show to The Simpsons. In this episode, the Margos discuss the original play and the 1966 adaptation and try to decide which we like better. In this ep the Margos discuss:The work of Edward AlbeeThe legend behind the title of the playThe significant differences between the play and the movieThe 1966 cast: Elizabeth Taylor (Martha,) Richard Burton (George,) George Segal (Nick,) and Sandy Dennis as HoneyClips used:Opening ClipWho's Afraid of Virginia Wolf? 1966 trailerMartha degrades GeorgeGeorge “shoots” MarthaMartha and Nick danceNick talks about boxing“I swear if you existed, I would divorce you!”One day it snaps…Music by Alex NorthBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Hey! Don't forget to stop by Ink48 Hotel in Hell's Kitchen this holiday season to donate your gently used books, so that Book Fairies can help redistribute them to underserved communities in NYC & Long Island. Also, join Emily in the New Year to discuss her (last!!!) book club pick, The Violin Conspiracy by Brendan Slocumb. After these announcements, we're chatting (for too long) about our Spotify Wrapped, including plenty of conspiracy theories. And after all that: the books :) today, it's a buzzy pop culture novel, a play, historical fiction, and a weird but great kind of fantasy situation. Thank youuu for listening! You can get your BATC merch (perfect stocking stuffers!) here: https://www.booksandthecitypod.com/merch. Browse and shop all the books we've discussed on this episode and past episodes at https://www.bookshop.org/shop/booksandthecity. Check out our website for more information about the fan club, any anything else at https://www.booksandthecitypod.com. You can also subscribe to our newsletter there, and send us a note at booksandthecitypod@gmail.com-------------> Kayla's pick: Anon Pls. by Deuxmoi (20:52-33:00) https://www.harpercollins.com/products/anon-pls-deuxmoi?variant=40169936257058 On Kayla's TBR: Angels of the Pacific by Elise Hopper Emily's pick: Who's Afraid of Virginia Woolf? by Edward Albee (33:01-42:28) https://www.penguinrandomhouse.com/books/295009/whos-afraid-of-virginia-woolf-by-edward-albee/ On Emily's TBR: Winter in Sokcho by Elisa Shua Dusapin Becky's pick: The Wilder Women by Ruth Emmie Lang (42:38-50:21) https://www.penguinrandomhouse.com/books/609878/skin-of-the-sea-by-natasha-bowen/ On Becky's TBR: The Three Lives of Alix St. Pierre by Natasha Lester Libby's pick: Hamnet by Maggie O'Farrell (50:22-1:04:28) https://www.penguinrandomhouse.com/books/612385/hamnet-by-maggie-ofarrell/ On Libby's TBR: The Lesser Bohemians by Eimear McBride Music by EpidemicSound, logo art by @niczollos, all opinions are our own.
Etiquette, manners, and beyond! In this episode, Nick and Leah answer listener questions about harvesting cilantro at the office, returning dirty aprons, painting nails on airplanes, and much more. Please follow us! (We'd send you a hand-written thank you note if we could.) Have a question for us? Call or text (267) CALL-RBW or visit ask.wyrbw.com QUESTIONS FROM THE WILDERNESS: What do I do about a coworker who picked all the cilantro in our office garden? How do I decline to say hello on speakerphone to one of my parents' guests? Should borrowed aprons be washed before returning? How do you get rid of a neighbor who overstayed their visit? Is it OK to paint your nails on an airplane? What do I do about married coworkers who speak to each other as if they were at home? THINGS MENTIONED DURING THE SHOW Why does cilantro taste like soap to some people? Edward Albee's "Who's Afraid of Virginia Woolf?" YOU ARE CORDIALLY INVITED TO... Support our show through Patreon Subscribe and rate us 5 stars on Apple Podcasts Call, text, or email us your questions Follow us on Instagram, Facebook, and Twitter Visit our official website Sign up for our newsletter Buy some fabulous official merchandise CREDITS Hosts: Nick Leighton & Leah Bonnema Producer & Editor: Nick Leighton Theme Music: Rob Paravonian ADVERTISE ON OUR SHOW Click here for details TRANSCRIPT Episode 151 Learn more about your ad choices. Visit megaphone.fm/adchoices
© 2020-2025 Ivy Podcast Discovery LLC
