Podcasts about Edward Albee

Today, I'm thrilled to announce my interview with Tony nominee Michael Hayden. Tune in to hear some of the stories of his legendary career, including the real questions asked by CAROUSEL, finding his singing voice for the role, why he decided to leave CABARET, getting advice from Edward Albee during THE LADY FROM DUBUQUE, playing two roles in ALL MY SONS, what Stephen Sondheim told him during MERRILY WE ROLL ALONG, working at Trader Joe's during the pandemic, why he had trouble memorizing his lines for THE LIGHT IN THE PIAZZA, the lessons he learned at Juilliard, acting opposite Maximilian Schell in JUDGMENT AT NUREMBERG, joining HENRY IV during rehearsals, the intensity of performing in FESTEN, playing Roy Cohn in the first production of ANGELS IN AMERICA, and so much more. Don't miss this in-depth conversation with a veteran actor.

The Martin Beck Theatre quickly became more than just a venue—it became a proving ground for some of the most important artists in American theater. In this episode, we explore a wide range of productions that played its stage, from groundbreaking works by legendary playwrights to star-making performances by actors who would go on to define film and theater alike. Along the way, the episode highlights figures like Eugene O'Neill, Edward Albee, Katharine Hepburn, and Meryl Streep, offering a glimpse into how their time at the Beck fit into their larger careers. But not every story is a success. This episode also dives into some of Broadway's most fascinating failures—productions that closed quickly, missed their moment, or struggled to find an audience despite strong talent behind them. These flops reveal just as much about the industry as the hits do. Together, these stories create a snapshot of the Beck Theatre's legacy as a place where risk, ambition, and artistry collided—setting the stage for the deeper dives to come later this season. Click ⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠ for a transcript and list of all resources used. Produced by Patrick Oliver Jones and WINMI Media with Dan Delgado as co-producer. Theme music created by Blake Stadnik. Learn more about your ad choices. Visit megaphone.fm/adchoices

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight, host Isabel Li speaks with actresses Amielynn Abellera and Kristin Villanueva, who respectively play Nurse Perlah and Nurse Princess on the HBO Max medical drama, The Pitt. Abellera and Villanueva talk about their Filipino heritage and backgrounds and how they represent Filipina healthcare professionals on the show. See also: Filipinos on the Frontline Amielynn Abellera: Instagram Kristin Villanueva: Instagram Transcript [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.  00:00:52 Isabel Li  Thank you for tuning in to Apex Express. Last Thursday, season 2 of the HBO Max medical drama The Pitt released its season 2 finale, including a hectic season following medical professionals in the emergency room and giving a realistic depiction of real-world issues in hospitals. I'm Isabel Li, one of the hosts here on APEX Express, and I'm so honored to be joined by two members of that cast tonight who play the two Filipina nurses on The Pitt. They were recently awarded the Actor Award for Outstanding Performance by an Ensemble in a Drama Series.  00:01:28 Isabel Li  First, let's hear from actress Amielynn Abellera, who plays Nurse Perla, a Muslim Filipina nurse on the show.  00:01:36 Isabel Li  Hi Amielynn, what an honor it is to be speaking to you today. Welcome to Apex Express.  00:01:41 Amielynn Abellera  Thank you. Thank you for having me. I'm excited to be speaking with you, too.  00:01:45 Isabel Li  So many of our listeners might know you from the HBO Max show, The Pitt, which I have so very much enjoyed. This is actually the first medical show that I have watched, and I really, really admire, like, all of the ensemble casts and, you know, everything coming to life. And you play the Muslim Filipina nurse, Perlah Alawi. We'll talk more about your performance and your character in a little bit, but first, this is a question that I ask all my guests: Can you tell us, how do you identify? And is there a story that you think really encapsulates your identity?  00:02:17 Amielynn Abellera  Gosh, I identify as Amielynn Dumac Abellera. She, her, hers. I'm a Filipino American, daughter of two immigrants. And I'm so thrilled and happy to be talking to you and to sharing my experience of my life.  00:02:42 Isabel Li  Absolutely. Of course, The Pitt is a medical show. And is it true that you come from a medical background yourself? Like I heard that you were a psychobiology major in undergrad.  00:02:51 Amielynn Abellera  Yeah, I was pursuing medicine for a long time. I studied pre-med in undergrad at Santa Clara University, majoring in psychobiology, which is psychology with basically a minor in biology. I really wanted to get into neuroscience and or be an oncologist. And I was pursuing that all the way till I graduated and applying to medical school and getting interviews. But ever since I was a kid, for as long as I can remember, I was really also passionate about acting and theater and film and television and being on stage. But it was really just seen as a hobby in my mind and in sort of my environment's mind. I never really prioritized it as a career, and it was never seen as a possible career. Um, so I just had it on the back burner. And, you know, I was getting, getting closer and closer to medical school and getting more and more anxious that I would regret not pursuing acting. And so sort of after waffling for many years, I decided to audition for a master's in fine arts and acting. And that was because I didn't really have any formal training in acting. I didn't study it in undergrad or, you know, in my younger years. It was just all through life experience and being in plays and art and everything like that. And so I thought if I get into one of these programs, maybe that means I have something to offer. And I was going to take that as the sign that I needed to give myself a chance. And so I got into two programs, and I was thrilled. And I moved to LA to attend the University of Southern California's MFA program. And the rest is history. Here I am.  00:04:47 Isabel Li  Wow. How does being a former pre-med influence your current role as a nurse on the show? Do you remember any like terms from science classes that you're like, oh, wow, I remember that in those lines.  00:05:00 Amielynn Abellera  Yeah, yeah, totally. And you know, I spent a lot of time in hospitals and clinics and my dad is a former family practitioner. He had his own medical practice and my mom is a nurse practitioner and she worked in the CCU in the hospital for many years. So I was really familiar with how nurses interacted with patients and hearing the terminology and the medical language a lot.  So it is a cool throwback and always a really, I love how it's so familiar to me 'cause it's, I still have to work at it quite a bit when, you know, when it's all coming at me and I have to have it down for when we're filming, but I'm not as, as intimidated by it as I probably would be if I didn't have a background.  00:05:50 Isabel Li  And out of curiosity, when you got the audition for the pit, did you have to sort of immerse yourself back into that realm of science and that medical background in order to bring out that character when you were  first being introduced to Nurse Perlah?  00:06:04 Amielynn Abellera  Yeah, a little bit. And I feel that with any role, you kind of, before you go in for the audition or even when you're now filming or you have a part, you just have to kind of get into that world, obviously and really put yourself in the actual experience of what this person's going through. And it did help me to be able to use my imagination so vividly from my previous experience of being in an OR and being in a hospital.  I remember when I was doing an internship when I was sort of in the break between graduating undergrad and pursuing medical school, I remember watching a C-section. And I remember — I remember the doctors talking, the surgeons talking, the anesthetic going in, the blood everywhere, the scalpels, the blood pressures, the oxymeter dropping. So, it really — I think back to the real-life fear that I had in all of those those procedures and I just, you know, bring it to Nurse Perlah.  00:07:16 Isabel Li  It's incredible. I want to start off by talking about, for Nurse Perlah specifically, that Perlah's identity is a Filipina and a Muslim nurse.  What did you do to prepare for a role that is so specific in terms of these cultural representations?  00:07:33 Amielynn Abellera  Sure. Thank you for asking that. I am thrilled that Perlah is on television. She is a Filipino American Muslim woman nurse. And I have never seen that. And it's just rarely ever seen on mainstream media. So, in preparing for it, I mean, truly, I had two weeks before we started filming by the time I got the role. And it was go time already. So I didn't have a ton of time, but I did my best to sort of deep dive into learning about the Muslim faith, trying to reach out to different Filipino American Muslims in my community to kind of just hear their experience. And, you know, I quickly learned that it would be impossible for me to sort of understand the full experience completely. And so I just kind of, I realized that the only question that I needed to answer for myself going into filming as Perlah was, is there anything about the Muslim way of life that would influence or adjust or be a part of their nursing or would it shift it at all? And or how would it affect their job?  And, you know, after talking to several Filipino American Muslim nurses, there, there wasn't anything that it would do to either to shift or do anything to get in the way of their patient care. They are, it's still their priority just to care relentlessly for this patient and have as much empathy as possible. And to be honest, I'm still learning as I go along with playing Perlah and as scripts come in and I still ask a lot of questions of how would Perlah specifically understand this procedure or understand this text or understand what she's doing and just keep asking questions.  00:09:30 Isabel Li  And the majority of The Pitt itself takes place on a hospital set. I'm wondering if you had a vision of what Perlah does outside of the hospital?  00:09:39 Amielynn Abellera  Well, I think Perlah is, she's been at this hospital, PTMC, pretty much, this was her first job, she really wanted to work there in this urban setting.  And she's been there probably for over eight years or something, like through COVID. I think she is a single mom and she has two children who are both under the age of 10. So I think she's exhausted, but she loves nursing. She loves her kids. And she is just, she knows how to compartmentalize and work hard and like protect herself. She knows how to leave, at least she thinks she knows how to leave the job at the door in order to go home and be with her children.  00:10:24 Isabel Li  Uh-huh. And is this something, also, I'm just curious, like, is this something that you had to imagine yourself or did some of the writers sort of drop some hints during production?  00:10:35 Amielynn Abellera  I mean, a little bit of both, I think. There are only some hints in the script in the pilot and the first season where it's dropping like, oh, she has some kids and she's exhausted and kind of eye-rolling — Yeah, and pets — And sort of eye-rolling exhausted by what's happening at home. And it's, I am a mother of a five and a half year old. She's almost six right now. So I sort of understand that exhaustion, but like deep love for my child. But it's like, I'm happy to go to work and have them at school, but I'm also missing them. It's just this like journey of a mother. So it was a bit of me sort of creating that backstory, but also just from the hints of the writers.  00:11:23 Isabel Li  Definitely. I think something that's so special about The Pitt as a medical show is its accuracy in depicting the very hectic lives of healthcare professionals, especially in an emergency room setting. So Nurse Perlah is often mediating like some sort of communication and really emphasizing medical jargon or reading off data. What was it like memorizing all of these different lines and delivering it in a way that felt authentic to the way that healthcare professionals might?  00:11:50 Amielynn Abellera  Sure. Oh my gosh. It's really challenging. I think as soon as I get the scripts, and again, thank goodness I have a sort of familiarity with having a little bit of a medical background, but you know, that was years ago. So anytime I get a script, I immediately go to the hard stuff and get that in my brain as soon as possible. And a trick that I do is, as soon as I have it memorized, I'm just saying it all day and doing things with my hands. Like I do it when I'm folding laundry. I do it when I'm washing dishes. I do it when I'm cooking. I'm doing it when I'm driving, just because as soon as it's second nature, and that's the thing about healthcare professionals, they're constantly, like they're not thinking about what they're saying. They're, it's so awesomely competent in their brain, that is not difficult. That's actually like them just having a conversation.  So I love trying to get to that point and showing how Perlah is just so competent in all of that stuff and doesn't even have to think about it while putting in an IV.  00:13:00 Isabel Li  Absolutely. Oh my gosh. And I think like a lot of our listeners, maybe if they watch The Pitt and a lot of audience members really enjoy the lighthearted moments that you share with Princess, also another Filipina nurse played by Kristin Villanueva, especially that Nurse Perlah code-switches with her using Tagalog as a language.  Can you tell our listeners what that code-switching feels like to you and how you relate to Tagalog as a language?  00:13:25 Amielynn Abellera  Yeah, totally. Thank you for asking. I, as Amielynn Abellera, the actor, I grew up, I was born and raised in Stockton, California, and my parents spoke Tagalog and Ilocano at home all the time. And unfortunately, they didn't teach me. So I'm actually not fluent in Tagalog at home.  I'm that Filipino American who later in life got voracious about wanting to embrace her heritage and learn it like in her adult life. And I think that translates with Perlah. I do, I think that Perlah is also, was also born and raised in the United States to two Filipinos who came from Mindanao. And even though she had the ear for it, I think that she's learning it later in life. And I think she absolutely is so happy to have, Princess as her buddy because she can practice.  Um, because I think like the only way to learn is to constantly be talking every day. And I think Perlah does that. I think she finds any opportunity to celebrate joyfully her heritage by speaking the language with Princess. I think they both do. So it's really close to, to my own personal experience with Tagalog because right now I am learning Tagalog on my own, taking lessons and things like that in order to teach my daughter as well, just to have it in our life more. But I think that is also what Perlah is doing.  00:14:58 Isabel Li  Yeah. And for you specifically, how and when did you start learning Tagalog?  00:15:03 Amielynn Abellera  Yeah, I think it really is. Like I said, my parents came in the '70s to Stockton, California, as a doctor and a nurse. And, you know, that generation, at that time, their priority was assimilation, so they didn't really teach me. And our Filipino-ness was a little bit second place, in terms of, not in a negative way, but it just was, it took a little bit of second priority as opposed to assimilating to our environment in Stockton, California. And so, however, whatever seeds were planted in there to not really pursue Tagalog or pursue, to learn and be curious about my Filipino heritage, that was sort of the majority of my childhood and into my college years. And it wasn't until, I think, college and beyond when I started to Honestly, I think it was when I was exposed to Filipino cultural night in university, at Santa Clara University, where, all of a sudden, I was with all these other Filipino-Americans who had such a voracious sort of celebration and wanting to learn like the dances, the language, the style, the textiles, the clothing, the music, and they would study it and we would, they would just be so passionate about it.  And that really was an experience for me of, oh my gosh, I didn't, it wasn't like I was neglecting it on purpose. It's just, that wasn't in my life. So when that was happening for me, I slowly, slowly really wanted to start learning the language and started taking lessons probably in my twenties. And then, you know, but again, it's a lifelong process to learn another language. It's challenging. Um, and I wish, I wish I was, I wish I was at the level of Perlah where she has a buddy all the time to practice, practice, practice. But I don't have that in my home or in my workplace right now, except with Princess at the hospital.  00:17:28 Isabel Li  Gotcha, gotcha. And currently, at the time of this interview, season two of The Pitt is in progress, and you had some really emotionally nuanced moments in the 12 o'clock episode. I'm not going to spoil it too much, but when Perlah reacts to losing a long-term patient, I'm wondering for you, as an actress, can you tell us about how you're able to switch from some, you know, more lighthearted scenes to moments that really emphasize the darker, heavier aspects of being in medicine, like death and disease.  How do you portray and balance that?  00:18:02 Amielynn Abellera  Sure. Yeah. Thank you for asking. I think nurses are amazing in that way where I don't know if it's a blessing or a curse to be able to compartmentalize such extremes of feeling and experiences of loss of patients on the hour, every hour, and being able to move on to sort of uplift and help other patients on the hour, every hour. But I think Perlah, as such an experienced, competent nurse, has learned how to switch it on, switch it off, but I do feel that something that episode 206 was trying to shine a light on is what of that armor has cracks or what of that armor isn't as strong for certain patients or she or what of that armor is, uh, what if that punch… I'm not able to recover as easily as I usually am? So, um, and I think that must happen all the time with healthcare professionals of what they have to do. I think they have to experience losing loved ones and patients and friends who are patients all the time. And how is it that they get back up to be there for the next one?  So I was– it was ultimately challenging, but I'm so glad that that episode showed that dynamic.  00:19:34 Isabel Li  Speaking of a hospital setting, I imagine it's quite a unique set to be one, and The Pitt definitely emphasizes the realism of being in a hospital. Like, we see lots of different types of medical equipment, hand sanitizer, very relevant, pressing things that make us feel like we're almost, like, engaging with the show in a sense. How do you describe that set?  00:19:56 Amielynn Abellera  To me, I really feel like it's a real hospital. Everything pretty much works almost like the real thing, but it doesn't, right? So like the water fountain looks, smells, feels like a real water fountain and it is until it just doesn't shoot out water, right? Like everything is so amazing.  And I think that's what Nina Ruscio, our set designer wanted to build and working with all the executives was they wanted to build this entire whole hospital to really immerse us in the reality of it. And there, a lot of times there are real needles that we have to close up on, but then when we do something actually, we switch it out for a dull needle. So it is, it's really very, this balance and like a real scalpel that needs to look so sharp, but then as soon as it's, actually near the skin, it is a dull scalpel, and then that's also a prosthetic. So sometimes I can't tell what's real and not real. I just kind of…I just have to jump in and kind of engage with it. And then if it's the real thing, not be freaked out. So yeah, but it's, it's, it's a part of the…It's so, it's so incredibly fun.   I'm so fascinated by this hospital that I basically go to work to like a real nurse at 5:00 in the morning every day for a 12-hour shift. And I put on the scrubs, and then I take off the scrubs. So I kind of feel like so much like a real nurse, but also not.  00:21:42 Isabel Li  How do you think The Pitt has influenced you as an actress? After being on this show, have your goals as an actress changed? What do you see yourself doing in the future?  00:21:52 Amielynn Abellera  Yeah, So, I mean, I am really in a dream right now. It feels…like I probably had this dream of, you know, really being invited on a show from its initial season, initial episode, and being a part of a team from the very beginning, originating a role that is representing so many different cultural dimensions, like across the board. And also the show being so successful and having an impact globally, not only for healthcare workers, but, you know, the diversity that is the reality of the world.  So it's hard to think ahead. I kind of just want this to last as long as possible for Nurse Perlah and for Amielynn. And, you know, I've learned to be in my acting career just putting one foot in front of the other and trusting that where it's going will lead to the next piece in my universe. And I– the moment I try to plan something or want something to happen, it will not happen. I think I just have to trust the journey and how the universe will put what's meant to be in front of me.  00:23:17 Isabel Li  And as an actress, what are you the most passionate about doing in any role that you play?  00:23:23 Amielynn Abellera  Well, I love the human experience. I love what that did to me as a young artist and as a young kid and what that ignited in me watching like an actor go through it and it'd be so real and me be so moved. And I love being that vehicle for other audience members. And as the actor, I can feel if I'm hitting a stride with it. And it's a really exhilarating process. And it just reignites why I love being an actor.  00:24:06 Isabel Li  For all the listeners who have watched The Pitt, or for those of our listeners who have yet to watch The Pitt, and they definitely will after hearing this episode — what do you want the listeners or the audience members to take away from watching The Pitt, from seeing you as Nurse Perlah in it?  00:24:23 Amielynn Abellera  Yeah, well, first off, I hope you go home and turn on your HBO Max and watch The Pitt to all of you who haven't seen it yet. And I hope you enjoy it. And I just hope that you watch it and are entertained, but also you walk away with learning something about humanity and our healthcare workers and also laughing and crying and being fascinated as much as we are behind the scenes. We're really having such an excellent time creating this show. And we're so thrilled that audience members love it as much as we love making it.  So I hope you have that same exhilaration and elation as we all do here.  00:25:10 Isabel Li  I'll put a link to your social media on kpfa.org so our listeners can follow you there. And thank you so much, Amielynn, for joining me on Apex Express today.  00:25:20 Amielynn Abellera  Well, thank you for having me. I'm excited to talk to you and to share my story. And thank you for listening.  00:25:27 Isabel Li  That was actress Amielynn Abellera, who plays Nurse Perlah, one of the Filipina nurses on The Pitt. And we're about to hear from one more actress from the show. But before that, here's a music break with 7000 Miles by Ruby Ibarra.  00:25:59 [MUSIC: 7000 Miles by Ruby Ibarra]  00:30:07 Isabel Li  And that was the song 7,000 Miles by Ruby Avara here on KPFA.  00:30:11 Isabel Li  Thanks for tuning in to Apex Express tonight, where our next guest is the actress Kristin Villanueva, who plays Nurse Princess De La Cruz, another Filipina nurse on the HBO Max medical show, The Pitt. Hi Kristin, welcome to APEX Express.  00:30:29 Kristin Villanueva  Hi Isabel, thanks for having me.  00:30:32 Isabel Li  Absolutely. My first question for you is, how do you identify and what's your story?  00:30:37 Kristin Villanueva  I am Filipino American. I was born and raised in Manila, Philippines, and I moved to the Washington DC area when I was 15.  00:30:47 Isabel Li  How did you get into becoming an actress?  00:30:50 Kristin Villanueva  Kind of by accident. When I moved to the States and I was at my new high school. I joined the drama program just because we didn't have that in my school in the Philippines and that was something I've always been interested in. So yeah, I auditioned and I didn't know that the drama teacher was a very serious one. Like, you either join the drama club or you play softball, you can't have both. So yeah, that's how I got introduced.  00:31:27 Isabel Li  And at a young age, what kinds of films or movies really inspired you to pursue drama?  00:31:33 Kristin Villanueva  I don't think it inspired me to pursue drama, but my choice of movies, my favorite movies when I was younger is, I would say, is a little bit peculiar for an eight-year-old, for a 10-year-old. But I remember watching Kramer vs. Kramer with Dustin Hoffman and Meryl Streep and it having such an effect in my little eight-year-old self. I was so moved by it. And also Legends of the Fall with Anthony Hopkins, Aidan Quinn and Brad Pitt.  And like, what does a 10-year-old Filipino girl have anything in common with these turn of the century, 19th century, you know, Montana cowboys? You know, it's just so random, but for some reason I just fell in love with it. Maybe I just fell in love with Brad Pitt, but, yeah, those heavy dramas had an impact in me, even though I didn't know exactly what it was.  00:32:35 Isabel Li  So you play Nurse Princess on the HBO Max medical show The Pitt, and which, at the time of this interview, we're, you know, getting towards the finale of season two very, very quickly. I've really been enjoying season two. And first of all, congratulations on winning Outstanding Performance by an ensemble in a drama series. That's so incredible.  00:32:54 Kristin Villanueva  Thank you so much. Yeah, it's been a wild ride.  00:32:57 Isabel Li  Yeah. Can I just say, Princess is such an energetic and confident character, and it's really fun watching you play a healthcare professional in such a hectic setting of an emergency room. What do you do to get in character of Princess?  00:33:11 Kristin Villanueva  Ooh, that's a great question. She has such a vibrant energy when she's at the ED, and I don't need a lot to prep myself to get to that level because I'm just excited to be at the Warner Brothers lot, and being on set and being with very kind people. So it doesn't take a lot to get in that mindset. Maybe if it's a 5.30am call, maybe I need a little bit more coffee to get there. But in terms of my emotion and excitement and energy, I don't need to do that much because, yeah, it kind of, it's parallel in my real life and in Princess's life of just doing what they both want to do. But in terms of, I would say, the difference is, I wish I had Princess's confidence in my life more. You know, she's very confident in everything that she does. You know, she knows she's good, and she isn't shy to show it. Because I think when she shows it, it's not to show. It's just to do, you know? Um, so I wish I have more and more of that in my life.  00:34:35 Isabel Li  For you, what's the most challenging part of playing Princess?  00:34:39 Kristin Villanueva  I would say, well, first, the lines, the medical jargon and the technicality of things. So, thankfully, we have amazing med techs that are always right next to us, correcting us, you know, making us feel more confident, guiding us, answering all our questions. So, yeah, making sure that I look like I know what I'm doing. So that would be, I would say, the hardest part.  00:35:08 Isabel Li  Yeah, and on that note, like in many of her moments, Princess is so often mediating communication for medical information in so many different ways. How do you prepare for a role like that where you have to, I mean, you mentioned some things about needing to like look and act the part and you have some people helping you, but what are some other things that you do to really have you, you know, help practice sounding like a healthcare professional?  00:35:35 Kristin Villanueva  First, I Google everything. And then I make sure I'm able to explain it in my own words, so whatever the procedure is. Don't ask me anything now, because once I'm done filming, it leaves my brain. So yes, I research everything. And then when it comes to memorization, if it's, the nurses have a lot of numbers. We may not have a lot of the long words, Latin words, medicine words that the doctors do, but we have to say a lot of different numbers, you know, BP 160 over 20 and all of that. So what I do is I would record the other people's lines, make leave a space for my lines and just play it all day, every day. When I'm walking the dog, when I'm doing dishes, when I'm folding laundry. So I can get it in my body while I'm doing different things. Because I notice that if I'm just sitting down and memorizing my lines, and then I get to set the next day, and all of a sudden, you know, I'm given all these choreography and I'm moving, or they change the choreography in the middle, that gets really tricky. So doing my lines while moving helps a lot. And then of course, the things that I can Google as much as I can, but then I take advantage of having, like I said, the med techs on set. Then I ask them about their emotional experiences behind procedures. So things I start with, okay, is this procedure an everyday thing? How often do you see it? How often do you deal with it? And then from there, I ask if it's something interesting that it's like they've only heard of but never actually seen in practice. What would you do? They say, if you're not busy, you run to that room and watch it, that kind of thing. And if it's an emotional scene, then I ask them, how do you deal with these things? Then I get to hear their experiences and how they cope with it after the shift.  00:37:53 Isabel Li  Did you know anything about medicine or the emergency room before this role?  00:37:59 Kristin Villanueva  No, I think I'm one of those very rare Filipinos that don't really have a lot of healthcare professionals in their families. I do have a cousin who's a radiologist and my husband's side of family. There are a lot of nurses and that's my mother-in-law included, but no, I have zero.  00:38:20 Isabel Li  Oh, wow. So I watched some of your other interviews and I found it really interesting that you had talked about like telling your agent not to submit you to roles on nurses, on projects, unless it was specifically featured.  Can you tell us more about that and how you navigate like the Filipino representation in medical shows, especially in The Pitt as an actress yourself?  00:38:41 Kristin Villanueva  Sure. I was getting a lot of, I wouldn't say a lot, but I would often get auditions for nurses in medical shows or non-medical shows. And I've played them before and I've been very grateful for those experiences. One of them was a movie opposite Susan Sarandon.  So Susan Sarandon was also playing a nurse. So all of my scenes was with her. So those are very cool experiences. But because I've played them a number of times, then I told my agents at one point, hey, unless, like you said, the nurse part is more featured or has more lines other than yes, doctor, then sure, I would audition because I've done it.  And I also didn't want to perpetuate that sad practice of, you know, okay, let's have one Filipino or one Asian nurse and check that box off.  Because it does feel that way. And it's just not the real world. So when The Pitt came and I saw the breakdown, it's a heftier breakdown for the part of Nurse Princess. I mean, and just looking at her name, Princess de la Cruz, I was like, somebody did the research. I'm like, all right, okay, I'll put myself on tape for this.  00:39:59 Isabel Li  Yeah, and I love how Princess as a character is written to be such a crucial part of the team. Very competent, very quick on her feet. Are there any ways where you, yourself, got to influence how Princess was portrayed, maybe beyond the scripts or, you know, in any ways that you could add to that character?  00:40:19 Kristin Villanueva  I think so? I'm not sure, but I have noticed that in season two, on the scripts, Princess's, looks, eye rolls, stares were now written. Whereas before, I was just doing it. So yes, I think so. Because I didn't have a lot of lines. I still don't have a lot of lines, but that doesn't mean she doesn't have an opinion. And yeah, I was just being truthful in all those moments. So if I feel like something's off or, you know, I don't think Princess has a good poker face. So that made its way into the script recently.  00:41:05 Isabel Li  Oh, I see. Well, the show primarily takes place in a hospital setting. But for you, when you're playing Princess, do you imagine what she does, like, outside of the hospital? Like, who is she outside of work?  00:41:16 Kristin Villanueva  I think when there is an after party or somebody's birthday, someone's baptism, or, I think she's the same. I think she's a work hard, party harder kind of girl. But I can also see her turning everything off and having a lot of deep, quiet solo time that she doesn't talk about much often.  00:41:44 Isabel Li  Yeah, something so cool about Princess is the fact that she can apparently speak six languages. But I wanted to talk about the fact that you, as Princess, code-switched to Tagalog in many scenes, especially with Amielynn Abellera, who plays Nurse Perlah. For you, can you tell our listeners how it feels for you switching from English to Tagalog?  00:42:05 Kristin Villanueva  Well, first off, the first word that comes to mind is it's fun. You know, you get to use that skill or use that — used to be a very familiar part of myself again. But I also feel extremely vulnerable because I don't get to do that often. I don't think I've, maybe I've acted once in Tagalog, but I can't remember any other significant roles where I was able to do that. So to do that on The Pitt is, yeah, it's pretty vulnerable just in terms of sharing that part of myself that I haven't shared really acting-wise.  But it's also fun. Because it comes naturally. And I get to there's so many nuances that I would think only Filipinos would get, but it's also so gratifying to hear from from other folks who are not Filipinos that get it. You know, even though they don't understand, um, the Filipino jokes, but they have their own — they have their own version in their own culture. So it's — it's really fun to hear that.  00:43:18 Isabel Li  Just out of curiosity for you, how do you relate to Tagalog as a language? Do you speak it often?  00:43:24 Kristin Villanueva  I don't speak it often, unfortunately. I do still speak it with my family, and we Zoom once, twice a week. But other than that, no, I don't speak it often.  And it's kind of sad, because I feel like some words are leaving my memory. But yeah.  00:43:45 Isabel Li  Yeah, wow. So when they're written in the script, do you translate, or are they already words in Tagalog that you already know?  00:43:54 Kristin Villanueva  When they're written in the script, they're written in English. And season one, I used to translate it for myself. And then season two, we have a coach who gave us a lot more options. But what's wonderful about working with the writers is they're not precious with their own phrases.  They defer to us to translate it as close to the gist of, let's say it's a joke, but if I were to translate it in Tagalog, word per word, it's not going to land the same way as it would in American, in English. Do you know what I mean? So they much rather have us say it in whatever's parallel in Tagalog. So yeah. And I applaud the writers for doing that, 'cause that's one of my pet peeves sometimes when I'm, you know, watching other shows, translation of, it's not quite that, you know, or it's too literal. If it's too literal, then it's, that's not how we talk.  00:44:59 Isabel Li  Right. And putting that in the context of Princess as a character, who is a polyglot, there are some moments where she speaks French and does sign language.  00:45:08 Isabel Li  How did you navigate these multilingual exchanges communicating in different languages, essentially. Oh, I look forward to it. I look forward to them so badly. It's one of the things I got really excited about auditioning for the part, 'cause it was written in her breakdown that she speaks six languages. Um, I personally don't, but I am so enamored by polyglots. Like if I were to meet someone who can speak three languages plus, I'm just, I follow them like a puppy. I don't know, I just find it so sexy and intriguing. And it's like something that I aspire to be, but just haven't had the time to do it. So yes, I look forward to them.  00:45:52 Isabel Li  Yeah, and how do you practice? Like, did you have to practice some French and some ASL?  00:45:57 Kristin Villanueva  Oh, um, for the French, since there's only one line, we didn't hire a coach, but we did hire, um, coaches for ASL. Oh, yeah, I just practiced the hell out of them. Um, but there's also that nuance of, um, how fluent or how good is your pronunciation for someone who doesn't speak it all the time, you know? You got to, like, factor that in as well. But, yes, I just practice it all the time.  00:46:24 Isabel Li  Gotcha. And speaking of that, I love how Princess and Perlah add some lighthearted humor and back and forths and gossip throughout the series. How do you switch from humorous moments to more serious ones?  00:46:36 Kristin Villanueva  I mean, you don't really think about it in life, right? Like one minute you're crying and then something happens and then you find it hilarious. You just go with the flow on set. You don't really ever plan, okay, this beat is a funny beat, and this one is a dramatic beat. You don't. As long as you keep it honest, those colors would come out naturally.  00:47:02 Isabel Li  The Pitt is very current. Like there are so many current events and everyday sort of issues mirrored in the series. What is your experience working with a set and a story that feels like it is very much set in the everyday?  00:47:21 Kristin Villanueva  It hasn't been an issue. It's never– if anything, sometimes it's tougher because you can't escape the real world, right? It's not like when I get to do a Shakespeare comedy, there's a reprieve from, you know, the sad current events that are happening. So yeah, that's– I would say that's the only downside, but there's a lot more upside to that, which is you get to present and work through real life situations. You know, that I'm happy that a TV show like The Pitt, you know, something that's made for entertainment can actually dive into these really serious topics. And what I love about The Pitt is that I don't think it's preachy. I don't think it tackles headlines of the day in a way that it makes you want to turn the TV off. If anything, it shows how, it shows the repercussions on the everyday people. And hopefully audiences that don't have anything to do, like I'll give you an example, like for nurses strikes, right? If you see that on the headline and you don't work, you're not a healthcare worker, you'll probably just, you know, skip that video or not read that article because you think it doesn't affect you.  But hopefully by watching The Pitt, you'll see, oh no, it will affect me if God forbid I have to go to the hospital, if my loved one has to go to the hospital and you don't get seen for 10 hours, or there were mistakes in, the medicine, or it's just not top care that you think you deserve. It's not because the nurses or the doctors or the staff are bad. They're understaffed, period. Right? They haven't had a day off in 12 days. So no, it's a privilege to be able to do a show, have a job that actually reflects what's happening in real life.  00:49:40 Isabel Li  Yeah, thank you for sharing about that. And finally, I want to touch upon your work in general. As an actress, would you say there's something that you're most passionate about doing?  00:49:50 Kristin Villanueva  Ooh. Are we talking about material or medium? Because I would say everything. I do miss doing plays. I haven't done a play since, my gosh, I think pre-COVID. So it's been a while. So I really love doing plays. I have more experience in theater than TV and film combined. A really good material is so inspiring to do, whether it be a classic like Chekhov or any new contemporary plays. You know, there's so many playwrights, those plays I want to do so badly. There's something electric about working on a brand new play when the playwright is in the room. But also, it's also really amazing to work on juicy Shakespearean tragedies. You know, when I get to play Shakespeare ingenues, in those three hours, you've lived a lifetime. You know, usually in a Shakespearean comedy, you meet the ingenue before they fall in love. And then they fall in love, and then they get their hearts broken. And then by the end, they're kind of this new person who's a little bit more learned, but not the same 16-year-old that you met three hours ago. So getting to do those parts are a complete joy.  00:51:29 Isabel Li  I'm wondering, do you have a dream role that you'd like to play in the future? Like either in theater or in film? Who would it be and who would you like to work with?  00:51:37 Kristin Villanueva  I love this question. My imagination just starts going everywhere. Yes. My dream role for the theater would be Martha from Edward Albee's Who's Afraid of Virginia Woolf? I got to do that play a few years ago, but as Honey, as one of the other characters. But I would love to play Martha someday. Another theater role would be Arkadina from The Seagull or Nina, but I think I've aged out of Nina. And in terms for like TV, gosh, I'm obsessed with Narcos, obsessed. And I've always, I've written a part from, if Narcos was ever to do a season about the Philippines, I have a role that I wrote for myself. Cause I don't, you know, you look at my face, like, my face is too round and I'm too short and I smile too much for a show like Narcos or The Wire, which are, like, one of my top, top favorite TV shows.  And I don't have a part for them 'cause I don't look the part, but I found a way to write myself in Narcos season, I don't know, season five Philippines.  00:53:09 Isabel Li  One last question for you. These are such incredible answers. Thank you so much for sharing. One last question for you. Out of your entire acting career right now, what has been the most rewarding moment for you?  00:53:22 Kristin Villanueva  I mean, besides The Pitt, mainly because of the reach and mainly because a lot of Filipino nurses have become so happy just to be seen and represented. And that means so, so much, another role that I am most proud of is this play — I wouldn't even say play — it's more of a performance art piece called The Courtroom. The theater company called Waterwell produced it in New York. And The Courtroom is about a Filipino immigrant to the US who accidentally voted when she was still only on a green card. So she wasn't supposed to vote, but she did not do it maliciously. So the play is about her filing appeal after appeal to stay in the U.S. and not be deported. So I was pretty proud of that. We used, the lines were straight out of the court transcripts. And yeah, I wish we could do it again, especially with, you know, the current climate.  00:54:38 Isabel Li  Yeah, definitely. Well, thank you so much, Kristin, for sharing her story and all of your various experiences. Do you have anything else you'd like to share with our listeners?  00:54:47 Kristin Villanueva  Oh, just thank you so much for watching The Pitt and, you know, for all the nice words about the show. And I hope you keep watching.  00:55:00 Isabel Li  And that was Kristin Villanueva, who plays Nurse Princess De La Cruz on The Pitt, which just released its season 2 finale last week at this time.  Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our two guests tonight, Kristin and Amielynn. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.  00:55:31 Isabel Li  Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala-Shekar and Swati Rayasam. Tonight's show is produced and edited by me, Isabel Li. Have a great evening and thanks so much for listening.  The post APEX Express – 4.23.26 – Nurses of The Pitt appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Tracy Kidder (1945-2026):  Pulitzer Winning Non-Fiction Author Tracy Kidder (1945-2026), Pulitzer Prize winning author of literary non-fiction, in conversation with Richard Wolinsky, recorded in the KPFA studios during the book tour for “Strength in What Remains: A Journey of Remembrance and Forgiveness, ” which focuses on the extraordinary true story of Deo, a young man who arrives in America from Burundi in search of a new life. Tracy Kidder, who died of lung cancer on March 24, 2026 at the age of eighty, was best known for his literary journalism, for turning non-fiction narratives into literary masterpieces. The author of eleven books, he won the Pulitzer Prize for General Nonfiction and the National Book Award for Nonfiction in 1982 for The Soul of A New Machine, which looked at the tech environment during the birth of the modern computer. His 1990 book, Among Schoolchildren, a close look at American education, focusing on twenty students in a Massachusetts elementary school, won several literary awards. In the years after the interview, Tracy Kidder went on to write three more non-fiction books. His final book to date, Rough Sleepers: Dr. Jim O'Connell's Urgent Mission to Bring Healing to Homeless People was published in 2023. Paul Farmer, the subject of Tracy Kidder's 2003 book “Mountains Beyond Mountains”, died in February, 2022.   Joseph Kanon: Spy Thriller Novelist Joseph Kanon, in conversation with Richard Wolinsky, recorded June 17, 2017 during the book tour for the spy thriller “Defectors.” Over the course of the last thirty years, Joseph Kanon has established himself as one of the best spy novelists around, in the vein of John Le Carre, Alan Furst, Graham Greene and Eric Ambler. His latest novel, “Defectors,” is about what happens after a Soviet mole defects to Russia. What is their life like? What happens then? Set in the early 1960s, “Defectors,” through copious research, sets up what life must have been like for people like Kim Philby and other Russian spies forced to leave the West to survive. Joseph Kanon's most recent novel, “Shanghai” was published in 2024.   Review of “The Goat or Who Is Sylvia”” at Shotgun Players Ashby Stage through April 28, 2026.     Book Interview/Events and Theatre Links updated April 14, 2026 Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  ||: Girls :||: Chance :||: Music :||. through April 19, Strand Theatre. Hamnet, adapted by Lolita Chakrabarti, April 22 – May 24, Toni Rembe (Geary).  Awesome Theatre Company. See website for information. BATS Improv Improvised theatre. See website for schedule. BATS Bayfront Theatre, Fort Mason Center, San Francisco. Berkeley Playhouse. Cats, May 22 – June 21.  Berkeley Rep. The Monsters by Ngozi Anyanwu, March 27 – May 3, Peets Theatre. The Lunchbox, World Premiere Musical, May 17 – June 28, Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: Hadestown, April 21 -26,  Orpheum.  Hells Kitchen, May 6 – 24, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. note: BroadwaySF is now ATG Tickets. Broadway San Jose:  Les Miserables, April 29 – May 3. Back to the Future, June 2 – 7. The Sound of Music, July 21-26, Center REP: Lost in Yonkers by Neil Simon, March 29 – April 19. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works The Prince, Parts I & 2 by Gary Graves, July 18 – Sept. 26. Rotating. See website for schedule. Cinnabar Theatre. The Christians by Lucas Hnath, April 10-26, The Secret Garden, June 12 – 28. Club Fugazi. Dear San Francisco, ongoing. Closed Monday and Tuesday. Contra Costa Civic Theatre A Chorus Line, June 6 – 21, 2026. See website for other events and concerts. Golden Thread  Festival of Palestinian Art, April 9-19, Potrero Stage..See website for details and specifics. Hillbarn Theatre: The Play That Goes Wrong by Henry Lewis, Jonathan Sayer & Henry Shields, April 23 – May 17. Lorraine Hansberry Theatre. 2026 season: Sistahfriend by Phaedra Tillery-Boughton, Magic Theatre, May 15-17; African Stew by Dr. Lisa B. Thompson, Sept. 10-27. Magic Theatre; Soulful Christmas, December, Magic Theatre. Los Altos Stage Company. The Cherry Orchard by Anton Chekhov, adapted by Tom Stoppard, April 16 – May 10. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. A Back with Two Beasts Productions presents Shades and Shadows, a world premiere play by William Brasse, April 30 – May 3. Marin Shakespeare Company: La Comedia of Errors, April 17 – May 10, As You Like It, June 19 – July 19, Julius Caesar, August 14 – Setpember 13, See website for schedule. Marin Theatre:  60th Anniversary Gala, April 19. Pictures from Home by Sharr White, May 7-31. Masquers Playhouse, Point Richmond. The Gods of Comedy by Ken Ludwig, April 24 – May 17. Mission Cultural Center for Latino Arts Closed. SF Chronicle gift article. New Conservatory Theatre Center (NCTC) how to make an American Son By Christopher Oscar Peña, Walker Theatre, April 3 – May 10. Silent Movie written & directed by Stephanie Temple, April 24 – May 3, Tucker Theatre. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Assassins, March 29 – extended to April 19. The House of Bernarda Alba by by Federico Garcia Lorca, adapted by Chay Yew, May 22 – June 7. The Fre by Taylor Mac, June 18-28. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Anon(ymous) an adaptation of the Odyssey, by Naomi Iizuka, April 18 – May 3, God of Carnage by Yazmina Reza, June 12 – 28. See website for staged readings and other events. Playful People Productions. See website for classes and upcoming events. . Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Mean Girls The Musical. May 1 – 30. Urinetown, July 31 – August 29. New Venue: The Barbary Stage (formerly The Gateway), Jackson Square, SF. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Flex by Candrice Jones. March 26 – May 7.. SFBATCO.  See website for streaming and in- theater shows. San Francisco Shakespeare Festival. Shakespeare on Tour: Julius Caesar, through May. See website for more information. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  The Goat, or Who Is Sylvia by Edward Albee, extended to May 3, and cannot extend further. South Bay Musical Theatre:  On The Twentieth Century, April 19-20. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  La Cage aux Folles, May 7 – June 7. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Come from Away,  April 15 – May 10, Mountain View Center for the Performing Arts.The Employee Dharma Handbook by Geetha Ready, world premiere, July 8 – Aug 2, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. League of Livestream Theatre: See website for streaming plays. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . y. The post Bookwaves/Artwaves – April 2, 2026 – Tracy Kidder – Joseph Kanon appeared first on KPFA.

KPFA Theatre Critic Richard Wolinsky reviews :”The Goat, or Who is Sylvia?” by Edward Albee at Shotgun Players Ashby Stage through April 28, 2026.                 TEXT OF REVIEW: (some wording is different in the recording) Edward Albee's reputation beyond theatre junkies mostly rests on one play, his masterpiece, Who's Afraid of Virginia Woolf.  While that play shows off his caustic wit to great effect, it's perhaps one of the least absurdist of his plays. And Edward Albee, over all, is one of the greatest of absurdist playwrights, in plays ranging from his early masterpiece, The Zoo Story, to Tiny Alice and Seascape. The Goat, or Who Is Sylvia? , which won the Tony Award for Best New Play in 2002, excels in both strains. Absurdist and deeply weird, it also contains some of Albee's most cutting wit, all elements in full display in Shotgun Players current production, which runs through April 28th at the Ashby Stage. In this production, directed by Kevin Clarke, the play opens on a bare stage. Later we will learn where we are. That separation from reality, while likely guided by financial concerns, also separates us somewhat from the reality the characters are facing, in a way accentuating the strange events to follow. A happily married couple with a gay teen aged son they adore, Martin and his wife Stevie  are preparing themselves for a TV interview, conducted by Martin's best friend.  Martin, though, is having memory issues. It's his fiftieth birthday, and no, he doesn't have early onset alzheimers. We will learn soon enough that he is severely distracted by something, and we will also learn, soon enough, why.  

Albee himself stated that The play is about love, and loss, the limits of our tolerance and who, indeed, we really are.”  As with so many of Albee's plays, It's hard to put a finger on what this play is: comedy, tragedy, an experiment in believability? Is it Albee's response to the homophobia he experienced throughout his life? On another level, all that hardly matters in a production that is utterly riveting from start to finish. Erin Mei-Ling Stuart is pitch perfect as Stevie. Granted, she's the one with the best lines, but she takes it to the max. It's hard to imagine a better performance in the role, on Broadway or elsewhere. William Giammona, as Martin has a tougher task, onstage at almost every moment, he must make every comment real, every response real, and happily he's up to the task. The two other members of the cast, Joel Ochoa as their son Billy and Kevin Singer as Martin's friend Ross, help make every scene compelling. All in all, it's an exhilarating night in the theatre. The Goat, or Where Is Sylvia plays at Shotgun Players Ashby Stage through April 28th . For more information you can go to shotgunplayers.org. I'm Richard Wolinsky on Bay Area theatre for KPFA. The post Review: “The Goat, or Who is Sylvia?” at Shotgun Players Ashby Stage appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   From the Probabilities Archive: E. Hoffman Price, Fantasy & Science Fiction Pulp Writer E. Hoffman Price (1898-1988), fantasy and science fiction author who published in various pulp magazines from the 1920s into the 1950s, in conversation with Probabiliaties hosts Richard Wolinsky, Richard A. Lupoff and Lawrence Davidson, recorded in early 1979 at Price's home in Redwood City, California. E. Hoffman Price, who was born 1898 and died shortly before his 90th birthday in 1988, wrote fantasy and science fiction stories for the pulp magazines of the first half of the twentieth century, along with some non-fiction. Mostly forgotten today, though several of his stories are available in small press editions, his claim to fame is a single collaboration with the great horror writer H.P. Lovecraft, titled “Through the Gates of the Silver Key,” a sequel to Lovecraft's story, “The Silver Key.” A contributor to Weird Tales, he was also friends with two other writers from the magazine, Seabury Quinn and Clark Ashton Smith, as well as with the longtime editor of Weird Tales, Farnsworth Wright. He also knew Otis Adelbert Kline, famous in his day for writing imitations of Edgar Rice Burroughs. In the interview, Price talks about his writing career, his friendships with H.P. Lovecraft, horror writer Seabury Quinn, adventure writer Otis Adelbert Kline, and horror master Clark Ashton Smith. The Probabilities radio show first went on the air on KPFA in 1977. Within a year, my co-host Lawrence Davidson was on the trail for old pulp writers and editors, egged on by science fiction and fantasy author Richard A. Lupoff, who officially joined the show a couple of years later. This interview, following on the heels of interviews with pulp science fiction author Stanton A. Coblentz and editor Charles Hornig, was conducted at Price's house in Redwood City, California, most likely in the spring of 1979. Accompanying Dick, Lawrence and myself were Dick's wife Pat Lupoff and science fiction fanzine editor Jim Purviance. Over two hours were recorded on multiple tapes, and parts of the transcription can be found in the book Space Ships Ray Guns Martian Octopods: Interviews with Science Fiction Legends. The interview was digitized and then remastered using AI technology first, and then edited for clarity and coherence. Some outtakes exist which I can forward by email via richard@kpfa.org. The unpublished memoir Price discusses in the interview, Book of the Dead: Friends of Yesteryear, Fictioneers and Others was eventually published posthumously, in 2001. The interview opens with a question by Richard A. Lupoff. Several collections of stories by E. Hoffman Price were published in 2017 by Wildside Press, and are available both digitally and in print. The interview was digitized, remastered and edited in March 2026. This interview was first heard in a very truncated version in 1979 and has not been aired until now. The complete 68-minute interview can be heard here.   Rob Nillson: Award-Winning Independent Film-maker Rob Nillson is a Bay Area based maverick filmmaker. The winner of the Camera d'Or at Cannes in 1979 for Northern Lights and the Grand Prize at Sundance for Heat and Sunlight in 1988, he continues to make independently distributed films. A documentary about the life and work of Rob Nillson, titled The Way Things Seem to Be, introduced by Rob Nillson and the documentary's director, Zahn Petrov, gets its world premiere at the Christopher Smith San Rafael Film Center this coming sunday, March 29th at 12 noon, and for more information you can go to cafilm.org. This interview was part of a larger interview about the life and work of filmmaker David Schickele.     Review of “Assassins” at Oakland Theatre Project through April 5, 2026.e     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  ||: Girls :||: Chance :||: Music :||. through April 19, Strand Theatre. Hamnet, adapted by Lolita Chakrabarti, April 22 – May 24.  Awesome Theatre Company. See website for information. BATS Improv Improvised theatre. See website for schedule. BATS Bayfront Theatre, Fort Mason Center, San Francisco. Berkeley Playhouse. Once, February 20 – March 29.  Berkeley Rep. All My Sons by Arthur Miller, Feb. 20 – March 29, Roda Theatre. The Monsters by Ngozi Anyanwu, March 27 – May 3, Peets Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: MJ The Musical, March 24 – April 5, Orpheum. Hadestown, April 21 -26,  Orpheum.  Hells Kitchen, May 6 – 24, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. note: BroadwaySF is now ATG Tickets. Broadway San Jose:  Beetlejuice, March 31 – April 5. Les Miserables, April 29 – May 3. Back to the Future, June 2 – 7. The Sound of Music, July 21-26, Center REP: Lost in Yonkers by Neil Simon, March 29 – April 19. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works After Happy by Patricia Milton, Feb. 28 – March 29. Cinnabar Theatre. The Christians by Lucas Hnath, April 10-26, The Secret Garden, June 12 – 28. Club Fugazi. Dear San Francisco, ongoing. Closed Monday and Tuesday. Contra Costa Civic Theatre A Chorus Line, June 6 – 21, 2026. See website for other events and concerts. Golden Thread  Festival of Palestinian Art, April 9-19, Potrero Stage..See website for details and specifics. Hillbarn Theatre: The Play That Goes Wrong by Henry Lewis, Jonathan Sayer & Henry Shields, April 23 – May 17. Lorraine Hansberry Theatre. 2026 season: Sistahfriend by Phaedra Tillery-Boughton, Magic Theatre, May 15-17; African Stew by Dr. Lisa B. Thompson, Sept. 10-27. Magic Theatre; Soulful Christmas, December, Magic Theatre. Los Altos Stage Company. The Cherry Orchard by Anton Chekhov, adapted by Tom Stoppard, April 16 – May 10. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Macbeth, translated and adapted by Migdalia Cruz. Extended through April 12. Marin Shakespeare Company: La Comedia of Errors, April 17 – May 10, As You Like It, June 19 – July 19, Julius Caesar, August 14 – Setpember 13, See website for schedule. Marin Theatre:  60th Anniversary Gala, April 19. Pictures from Home by Sharr White, May 7-31. Masquers Playhouse, Point Richmond. The Gods of Comedy by Ken Ludwig, April 24 – May 17. Mission Cultural Center for Latino Arts Closed. SF Chronicle gift article. New Conservatory Theatre Center (NCTC)  Gods and Monsters based on the novel by Christopher Bram, written and adapted by Tom Mullen, March 6 – April 5. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Assassins, March 29 – April 5. The House of Bernarda Alba by by Federico Garcia Lorca, adapted by Chay Yew, May 22 – June 7. The Fre by Taylor Mac, June 18-28. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Anon(ymous) an adaptation of the Odyssey, by Naomi Iizuka, April 18 – May 3, God of Carnage by Yazmina Reza, June 12 – 28. See website for staged readings and other events. Playful People Productions. See website for classes and upcoming events. . Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Mean Girls The Musical. May 1 – 30. Urinetown, July 31 – August 29. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Flex by Candrice Jones. March 26 – May 7.. SFBATCO.  See website for streaming and in- theater shows. San Francisco Shakespeare Festival. Shakespeare on Tour: Julius Caesar, through May. See website for more information. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  The Goat, or Who Is Sylvia by Edward Albee, March 21 – April 19. South Bay Musical Theatre:  On The Twentieth Century, April 19-20. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Primary Trust by Eboni Booth, March 4 – 29, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar.Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. League of Livestream Theatre: See website for streaming plays. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . y. The post Bookwaves/Artwaves – March 26, 2026: Pulp Magazine Author E. Hoffman Price (1898-1988) appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Terry McMillan: Best-Selling Author, “Waiting to Exhale,” 2001 Terry McMillan, best-selling novelist in conversation with host Richard Wolinsky, recorded February 13, 2001 while on tour for her novel, A Day Late and a Dollar Short. Terry McMillan's novels focus on the lives, aspirations and journeys of discovery of African American women and their families. She hit the ground running with her first novel, Mama, in 1987, which she helped turn into a best-seller. She followed that with a series of novels that helped create a large fan base for her work. Among her best known novels are Waiting to Exhale and How Stella Got Her Groove Back, along with Disappearing Acts, all of which were adapted for film. A Day Late and a Dollar Short is a long novel that focuses on several family members going through a variety of crises and revelations. It was adapted into a television film in 2014 starring Whoopi Goldberg and Ving Rhames, which is now available streaming on Kanopy, the free library app, as well as on other streaming services. This interview leans hard into that novel, with side trips into discussions about black families and black culture in America. As of 2026, she has published ten novels and two works of nonfiction, and according to IMDb is working as a producer for a series of television films under the title Terry McMillan presents. Her most recent novel, It's Not All Downhill from Here, was published in 2020. This interview was digitized, remastered and edited in March 2026 and has not been heard in over twenty years.     Poul Anderson (1926-2001): Science Fiction and Fantasy Legend, recorded 1978 Poul Anderson (1926-2001), noted science fiction and fantasy author, winner of seven Hugo Awards and three Nebula Awards, in conversation with the late Lawrence Davidson, recorded for the Probabilities radio program on KPFA on June 10, 1978. The late Poul Anderson, who died on July 31, 2001 at the age of 74, is considered one of the greatest science fiction and fantasy authors of the twentieth century. He even has an asteroid named in his honor. Known for his hard science writing, in particular his Polysotechnic League series as well as his Landry series and his Time Patrol series, he was also a master of fantasy. There were also historical novels and mysteries. His career began in 1947 at the age of 21 with stories in Astounding Science Fiction, and he became a professional writer a year later. One of his novels became a film, the Hugo nominated novel, The High Crusade, in 1994 about an alien spaceship landing in medieval England. It is currently not streaming in the United States though if you search, you can find a DVD copy. As with many of the writers of the pulp and paperback era, Poul Anderson is ripe for rediscovery. After Probabilities got its start in 1977, it was natural that the Orinda-based writer would become a guest on the show, This short conversation with co-host Lawrence Davidson, recorded June 10, 1978, was likely Davidson's very first solo interview and came before the show's focus turned to the history of modern science fiction. The interview was digitized, remastered and edited on February 22, 2026, using the Adobe Podcast app to remove noise and echo. This interview has not been heard on the radio since its initial airing. Poul Anderson Wikipedia page     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  ||: Girls :||: Chance :||: Music :||. through April 19, Strand Theatre. Hamnet, adapted by Lolita Chakrabarti, April 22 – May 24.  Awesome Theatre Company. See website for information. BATS Improv Improvised theatre. See website for schedule. BATS Bayfront Theatre, Fort Mason Center, San Francisco. Berkeley Playhouse. Once, February 20 – March 29.  Berkeley Rep. All My Sons by Arthur Miller, Feb. 20 – March 29, Roda Theatre. The Monsters by Ngozi Anyanwu, March 27 – May 3, Peets Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: MJ The Musical, March 24 – April 5, Orpheum. Hadestown, April 21 -26,  Orpheum.  Hells Kitchen, May 6 – 24, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. note: BroadwaySF is now ATG Tickets. Broadway San Jose:  Beetlejuice, March 31 – April 5. Les Miserables, April 29 – May 3. Back to the Future, June 2 – 7. The Sound of Music, July 21-26, Center REP: Lost in Yonkers by Neil Simon, March 29 – April 19. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works After Happy by Patricia Milton, Feb. 28 – March 29. Cinnabar Theatre. The Christians by Lucas Hnath, April 10-26, The Secret Garden, June 12 – 28. Club Fugazi. Dear San Francisco, ongoing. Closed Monday and Tuesday. Contra Costa Civic Theatre A Chorus Line, June 6 – 21, 2026. See website for other events and concerts. Golden Thread  See website for upcoming events and productions. Hillbarn Theatre: The Play That Goes Wrong by Henry Lewis, Jonathan Sayer & Henry Shields, April 23 – May 17. Lorraine Hansberry Theatre. 2026 season: Sistahfriend by Phaedra Tillery-Boughton, Magic Theatre, May 15-17; African Stew by Dr. Lisa B. Thompson, Sept. 10-27. Magic Theatre; Soulful Christmas, December, Magic Theatre. Los Altos Stage Company. The Cherry Orchard by Anton Chekhov, adapted by Tom Stoppard, April 16 – May 10. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Macbeth, translated and adapted by Migdalia Cruz. March 18 – April 5. Marin Shakespeare Company: La Comedia of Errors, April 17 – May 10, As You Like It, June 19 – July 19, Julius Caesar, August 14 – Setpember 13, See website for schedule. Marin Theatre:  60th Anniversary Gala, April 19. Pictures from Home by Sharr White, May 7-31. Masquers Playhouse, Point Richmond. The Gods of Comedy by Ken Ludwig, April 24 – May 17. Mission Cultural Center for Latino Arts Closed. SF Chronicle gift article. New Conservatory Theatre Center (NCTC)  Gods and Monsters based on the novel by Christopher Bram, written and adapted by Tom Mullen, March 6 – April 5. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Assassins, March 29 – April 5. The House of Bernarda Alba by by Federico Garcia Lorca, adapted by Chay Yew, May 22 – June 7. The Fre by Taylor Mac, June 18-28. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Anon(ymous) an adaptation of the Odyssey, by Naomi Iizuka, April 18 – May 3, God of Carnage by Yazmina Reza, June 12 – 28. See website for staged readings and other events. Playful People Productions. See website for classes and upcoming events. . Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Mean Girls The Musical. May 1 – 30. Urinetown, July 31 – August 29. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. Flex by Candrice Jones. March 26 – May 7.. SFBATCO.  See website for streaming and in- theater shows. San Francisco Shakespeare Festival. Shakespeare on Tour: Julius Caesar, through May. See website for more information. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  The Goat, or Who Is Sylvia by Edward Albee, March 21 – April 19. South Bay Musical Theatre:  On The Twentieth Century, April 19-20. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Primary Trust by Eboni Booth, March 4 – 29, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar.Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. League of Livestream Theatre: See website for streaming plays. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . The post Bookwaves/Artwaves – March 19, 2026: Best-Selling author Terry McMillan, recorded in 2001 (newly digitized) appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Migdalia Cruz: Award-Winning Playwright Migdalia Cruz, an award-winning playwright and the translator/adaptor of Shakespeare's “Macbeth” at the Magic Theatre, in conversation with host Richard Wolinsky, discussing her play, her career, and her ideas about the nature of theatre. Migdalia Cruz is best known for her plays “Featherless Angels” and “Miriam's Flowers” studied playwrighting with the legendary Irene Fornes before embarking on her own career. With fifty plays under her belt, she has been produced in numerous venues around the United States. She has also translated plays from Spanish. Growing up in the South Bronx, to Puerto Rican parents, she originally planned to study math but found that theatre was her real calling. Her focus is on social justice, and presenting voices of those who rarely have voices in the American arts. “Macbeth,” the Scottish play, has been reset in New York in the 1970s, and in Brooklyn for this production. The three witches become a major element of the play, and here both Macbeth and Lady Macbeth are played by women. The interview was recorded by computer on March 3, 2026.   Review of “Paranormal Activity” at ACT Toni Rember (Geary) Theatre through March 22, 2026.   Review of “All My Sons” by Arthur Miller at Berkeley Rep Roda Theatre through March 22, 2026.     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others for shorter periods each week. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 110th Annual Bay Area Book Festival, May 31 – June 1, 2025. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  See website for readings and events. Actor's Reading Collective (ARC).  See website for upcoming productions. African American Art & Culture Complex. See website for calendar. American Conservatory Theatre  Paranormal Activity, Feb. 19 – March 15, Toni Rembe. Awesome Theatre Company. See website for information. BATS Improv Improvised theatre. See website for schedule. BATS Bayfront Theatre, Fort Mason Center, San Francisco. Berkeley Playhouse. Once, February 20 – March 22.  Berkeley Rep. How Shakespeare Saved My Life written and performed by Jacob Ming-Trent .January 23 – March 1, Peets Theatre. All My Sons by Arthur Miller, Feb. 20 – March 29, Roda Theatre. Berkeley Shakespeare Company See website for upcoming productions. Brava Theatre Center: See calendar for events listings. BroadwaySF: The Notebook, February 10 – March 1, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. note: BroadwaySF is now ATG Tickets. Broadway San Jose:  The Book of Mormon, March 6-8. Beetlejuice, March 31 – April 5. Les Miserables, April 29 – May 3. Back to the Future, June 2 – 7. The Sound of Music, July 21-26, Center REP: Lost in Yonkers by Neil Simon, March 29 – April 19. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works After Happy by Patricia Milton, Feb. 28 – March 29. Cinnabar Theatre. The Christians by Lucas Hnath, April 10-26, The Secret Garden, June 12 – 28. Club Fugazi. Dear San Francisco, ongoing. Closed Monday and Tuesday. Contra Costa Civic Theatre A Chorus Line, June 6 – 21, 2026. See website for other events and concerts. Golden Thread  See website for upcoming events and productions. Hillbarn Theatre: Songs for a New World, music and lyrics by Jason Robert Brown, March 5 -22. Lorraine Hansberry Theatre. 2026 season: Sistahfriend by Phaedra Tillery-Boughton, Magic Theatre, May 15-17; African Stew by Dr. Lisa B. Thompson, Sept. 10-27. Magic Theatre; Soulful Christmas, December, Magic Theatre. Los Altos Stage Company. Treasure Island, A New Adventure by By A.J. Allegra, James Bartelle and Alex Martinez Wallace, March 13-22.. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. Macbeth, a new version by Migdalia Cruz. March 18 – April 5. Marin Shakespeare Company: One for All Solo Festival, hosted and curated by Josh Kornbluth, March 6-22. See website for schedule. Marin Theatre:  60th Anniversary Gala, April 19. Pictures from Home by Sharr White, May 7-31. Masquers Playhouse, Point Richmond. Improbable Fiction by Alan Aykbourn, Feb. 6 – March 1. Mission Cultural Center for Latino Arts Closed. SF Chronicle gift article. New Conservatory Theatre Center (NCTC)  Gods and Monsters based on the novel by Christopher Bram, written and adapted by Tom Mullen, March 6 – April 5. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project. Assassins, March 29 – April 5. The House of Bernarda Alba by by Federico Garcia Lorca, adapted by Chay Yew, May 22 – June 7. The Fre by Taylor Mac, June 18-28. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. My Fair Lady, Feb 20 – March 8. See website for staged readings and other events. Playful People Productions. The One-Act Play That Goes Wrong, March 6 – 22. Presidio Theatre. See website for complete schedule of events and performances. The Children's Theatre Association of San Francisco (CTA) presents Once Upon a Mattress, January 24 – February 28. Ray of Light: Mean Girls. May 2026. Ross Valley Players: See website for New Works Sunday night readings and other events. San Francisco Playhouse. M. Butterfly by David Henry Hwang. February 6 – March 14.. SFBATCO.  See website for streaming and in- theater shows. San Francisco Shakespeare Festival. Shakespeare on Tour: Julius Caesar, through May. See website for more information. San Jose Stage Company: See website for events and upcoming season Shotgun Players.  The Goat, or Who Is Sylvia by Edward Albee, March 21 – April 19. South Bay Musical Theatre:  On The Twentieth Century, April 19-20. SPARC: See website for upcoming events. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions.. Theatre Rhino  Left Field, written and directed by John Fisher, February 19 – March 15. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley Primary Trust by Eboni Booth, March 4 – 29, Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAMPFA: On View calendar for Berkeley Art Museum and Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar.Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. League of Livestream Theatre: See website for streaming plays. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org   . The post Bookwaves/Artwaves – March 12, 2026: Playwright Migdalia Cruz, Adaptation/Translation, “Macbeth” appeared first on KPFA.

Send a text- On-Demand Programme Link - https://mailchi.mp/bb2a7b851246/kairos-centreUnconscious Couples Collusive fit - of attraction to each other. Identify with any of these dynamics in your partnered relationship - now or in the past?Henry Dicks suggested that there are three areas involved in a couple fit: A public fit of social class, ethnicity and education between couples.Each partner will have had different experiences from childhood. Both of the partners may have had attachment issues from childhood and have separation anxiety, but they may have different coping styles. One might be compulsive anxious attachment, one might have compulsive fearful avoidant attachment and both may struggle trusting an attachment figure.Babes in the Wood: Cling together in the face of impossible odds. Unconscious rejection - repressed anger within relationship - expressed anger at people outside the relationship by partner one. Unconscious rejection - repressed against anger within relationship - expressed anger at people outside the relationship by partner two.They often look the same and will behave in a likeable, affable manner. A couple such as this see all the bad things in the world as belonging in the outside world and not part of themselves. They keep anything bad out of their relationship. The world literally is a “big bad wolf” to them.Net and Sword: The ‘net' shows all the love & tries to encompass, control or placate the sword. Conscious rejection - deny need or yearning for other by partner one. Conscious yearning by partner two. The relationship works well until one partner owns up to their denied feelings & decides they will not be responsible for the others unexpressed feelings. There is Conscious rejection deny need or yearning for other the by partner two.One partner shows all the love in the relationship and the other all the rejection. One partner expresses all the denied emotions that the other cannot or will not express. This relationship works well until one partner owns up to their denied feelings and decides they will not be responsible for the others unexpressed feelings, often plunging the other into confusion or profound feelings of loss. (One of them has moved the goalposts).Cat and Dog: Characterised by anger, rejection & other destructive emotions. Both are only conscious of the bad in each other. Conscious rejection - deny need or yearning for other by partner one. Conscious rejection deny need or yearning for other by partner two. They often will not separate because they fear they cannot or will not be able to find a relationship with anybody better.Yet they fight. (Like Tom & Jerry cartoon). It is portrayed in Edward Albee's play "Who's Afraid of Virginia Woolf", and is characterised by anger, rejection and a host of other destructive emotions. Both are only conscious of the bad in each other and their lives seem like a war zone. (Very similar to the relationship which Richard Burton and Elizabeth Taylor lived out). Intimacy is regulated by conflict and they often will not part because they fear they cannot or will not be able to find a relationship with anybody better.In these relationship 'fits', the couple relationship is marked by parts of themselves that they are denying; counselling can help the couple “re-fit” their relationship.Get some help from The Kairos Centre. See what you cannot see. Begin to change that which you begin to better understand.Help is here for you: bit.ly/pornaddictionhelpKey words: sex addiction, addicted, partner, porn addiction, Support the show

Today, I'm thrilled to announce my interview with veteran actress Elizabeth Marvel, who is currently starring in THE DINOSAURS at Playwrights Horizons. Tune in to hear some of the stories of her legendary career, including her unlikely beginnings, how Michael Langham gave her her Broadway debut in THE SEAGULL, performing the controversial revival of JULIUS CAESAR in the Park, why she wants to form a new National Actors Theater, being an American actor at Stratford, working with Glenda Jackson on KING LEAR, her collaboration with Ivo Van Hove, finding a new take on A STREETCAR NAMED DESIRE, researching THE LITTLE FOXES, starring in TOP GIRLS as a new mother, the drawings Edward Albee made during SEASCAPE, acting opposite Frances Sternhagen, why PICNIC was an exorcism for her, approaching Shakespeare like music theory, what draws her to new work, and so much more. Don't miss this candid conversation with one of Broadway's best.

Where have WE been? Where have YOU been!? This week, we sipped another Winc wine as we discussed Season 2 Episode 6: “Who's Afraid of Cory Wolf?” A red blend called “Illusion” paired perfectly with an episode we…sort of wish was just an illusion. If you don't want this one to go right over your head, we recommend watching the 1941 black-and-white film, “The Wolf Man”. Having seen Edward Albee's 1962 play, “Who's Afraid of Virginia Woolf?” won't help—and neither will having read William Golding's 1954 novel, The Lord of the Flies, though both are superficially referenced in this bewildering episode in which Cory believes he's turning into a werewolf. While it's obvious to viewers that it's all an allegory for puberty, no one in the BMW-universe seems to pick up on that… Grab the remote and get ready to be…a little confused!

Why would two actors,  who are married in real life, pretend to eviscerate each other night after night in the emotionally brutal play Who's Afraid of Virginia Wolf? Kat Stewart and David Whitely first performed this Edward Albee classic on the small, indy stage of Melbourne's Red Stitch Theatre and it was a hit. Now it's being remounted by Sydney Theatre Company.Composer, musician and director Lamine  Sonko is a guewel, a traditional custodian of cultural knowledge in West Africa. Over seven years, Lamine has travelled to remote and sacred places in Senegal to better understand how ancient cosmology and metaphysical knowledge influence guewel traditions. The result is a show called Guewel, at Melbourne's Arts House and made in collaboration with the National Theatre of Senegal.Smallpox was eradicated from the planet in 1980 -- the only human disease which has been totally wiped out! But for centuries before this, an inoculation against smallpox was already in existence in different parts of the world and it was practised mostly by women. Playwright Melanie Tait has used this medical history for the basis of her latest play The Royal Experiment, performed on stage by third year NIDA students.

Can you improvise a musical? Sure, you can. But isn't it hard to do? Absolutely. That's why hardly anyone does it. I mean, who wants to do hard things? Well, Jessica McKenna and Zach Reino do. They're the hosts and creators of Off Book, a podcast where they improvise a whole new musical with each episode. They've also appeared on shows like Crazy Ex-Girlfriend, The Goldbergs, and Comedy Bang! Bang! (forgive our use of exclamation points, Sleepyheads). Jessica and Zach travel a lot and they sure do love tiki bars. You know with the pineapples and the garish decor and all that. They join John Moe to talk about the forgotten (and perhaps made up) oyster musical Oyster Ranch, the role of the “Edward Albee” in a theater, and all the things, like airplanes, that should be made tiki.Hey Sleepy Heads, is there anyone whose voice you'd like to drift off to, or do you have suggestions on things we could do to aid your slumber? Email us at:  sleepwithcelebs@maximumfun.org.Follow the Show on:Instagram @sleepwcelebsTwitter @SleepWithCelebsTikTok @SleepWithCelebsJohn is on Twitter @johnmoe.John's acclaimed, best-selling memoir, The Hilarious World of Depression, is now available in paperback.Join | Maximum FunIf you like one or more shows on MaxFun, and you value independent artists being able to do their thing, you're the perfect person to become a MaxFun monthly member. 

Cathy Tyson stars in the Leicester Curve Theatre production of Who's Afraid of Virginia Woolf? by Edward Albee. She talks about the demanding, drunken role of Martha.Jewellery expert Joanna Hardy discusses the robbery of France's Crown Jewels from the Louvre Museum in Paris. As AI becomes an increasingly powerful tool, we speak to two artists who are experimenting with technology in music production, Todd Rundgren and Holly Herndon. And Samira talks to the Booker shortisted author David Szalay about his novel, Flesh. Presenter: Samira Ahmed Producer: Harry Graham

SNAP! Productions at the Ghost Light Theatre proudly presents "Who's Afraid of Virginia Woolf?" — opening September 12th! We sat down with cast members Connie Lee (Martha) and Adam Bassing (Nick) to talk about the suspense, wit, and emotional rollercoaster of this iconic play. Also starring Cork Ramer as George and Nina Washington as Honey, and directed by the talented Kimberly Faith Hickman, this powerful four-person drama is one you won't want to miss. Save the Date for "Industry Night" (pay what you can) on September 15th PLUS we discuss the new program that SNAP! is launching called "Artists Applause", this is an endowment fund that supports SNAP! Creatives. Learn more about this tax-deductible opportunity to invest in the arts and make a lasting impact. Edward Albee's "Who's Afraid of Virginia Woolf?" is a Tony Award and New York Drama Critics Circle Award-winning classic that still stuns audiences over 60 years later. Join us at the Ghost Light Theatre — let the games begin. SNAP! PRODUCTIONS CONACT INFO: Tickets and Website:  https://www.snapproductions.com/  2221 Thurston Cir, Bellevue, NE 68005   HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.    

The lads throw back some drinks and bray the night away as they cover Edward Albee's 1962 nightcap from hell: Who's Afraid of Virignia Woolf? Topics include Albee's traumatizing childhood, the music of his dialogue, and the boomer mentality of being afraid of Virginia Woolf.   Want more TWOAPW? Get access to our full back catalogue of premium/bonus episodes by subscribing for $5/month at Patreon.com/worstofall!   Media Referenced in this Episode: Who's Afraid of Virginia Woolf? By Edward Albee. 1962. “Edward Albee, The Art of Theater No. 4” Interviewed by William Flanagan. The Paris Review. Issue 39. Fall 1966. Edward Albee: A Singular Journey by Mel Gussow. Applause Books. 2000. Who's Afraid of Virginia Woolf? The Original Cast Recording. Columbia Records. 1963. Who's Afraid of Virginia Woolf? Dir. Mike Nichols. 1966.   TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com   Interstitial: “The Autograph Theatre Company's Season Announcement: The Unproduced Plays of Edward Albee” // Written by A.J. Ditty // Feat. Josh Boerman as “Daddy/Albee”, Anne Huston as “Mommy”, David Armstrong as “Irish Priest”, Eleanor Philips as “Mrs. Wife/Sea Monster”, and A.J. Ditty as “Announcer/Tiniest Alice/Mr. Husband”

We're all family in this week's improvised musical - this time with charming guest Ross Taylor (Missed Call, TMI, The Second City)! Ross takes us back to his time on stage in Edward Albee's "Zoo Story," so naturally we have to do the sequel. Journeying giraffes, faraway families, and New York nonsense abound in "2 Zoo 2 Story." Just as Albee intended. Cast: Lily Ludwig, Austin Packard, Ross Taylor Music Director: Sam Scheidler Drums: Chris Ditton Follow us @CharmScenePod on Instagram, TikTok, and YouTube, or shoot us a message at CharmScenePod@gmail.com!

Today, I'm thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don't miss this honest conversation with one of Broadway's greatest stars.

Africa Melane, we’re joined by actor Michael MacKenzie, who stars as Jerry in The Zoo Story, Edward Albee’s piercing one-act play now on stage at Theatre Arts. Directed by Chris Weare and produced by Mpact Productions, this stripped-down yet emotionally explosive work dives deep into themes of isolation, communication, and the fractured state of the human condition.See omnystudio.com/listener for privacy information.

In the second episode of our new Mike Nichols Marathon, we are following up our last month's conversation with a chat about a movie Mike Nichols was planning to direct as his debut before Edward Albee's adaptation came across his lap, which is The Graduate. Over the course of our conversation you will hear us talk about Nichols "graduating" from stage directing into bona fide movie work, the many ways in which The Graduate upsets the 1960s status quo and how it is subtly cinematic in contrast to the studio fare of the time. We also talk about what we think about Ben Braddock's alleged listlessness, Mrs Robinson's grooming behavior and how the movie as a whole struck a chord with young audiences who also felt like locking their parents in a church and taking a bus to nowhere. Tune in and enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to this show in full in addition to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons! Hosts: Jakub Flasz & Randy Burrows ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

They are two of our country's best and best-known actors, but they're also known for rarely acting in the same project. Happily, they have made an exception to that rule in "Who's Afraid of Virginia Woolf?" currently on stage at the Bluma Appel Theatre in the provincial capital. Find out more about why this married couple in real life wanted to play one of the most dysfunctional, unhappy couples on stage. Martha Burns and Paul Gross join Steve Paikin to discuss.See omnystudio.com/listener for privacy information.

After nearly 40 years of marriage, the Canadian actors Paul Gross and Martha Burns say they're still learning new things about each other. Currently, they're co-starring as one of theatre's most dysfunctional married couples, George and Martha, in a new production of Edward Albee's “Who's Afraid of Virginia Woolf?” at Canadian Stage. Paul and Martha sit down with Tom Power to tell us what it's like playing this famously toxic couple, and what they're still learning about each other after all these decades.

Katie checks in with actor, playwright, teacher, and the author of the upcoming Off-Broadway play, Nina, directed by Katie and produced by Katie and Francesca Carpanini. Nina runs at Theaterlab January 23-February 9.

We are officially launching our brand new comprehensive director marathon where each month we will discuss one movie directed by Mike Nichols. As we all know, a journey of a thousand miles begins with one step and the step we take today is a conversation about Nichols's feature debut, the 1967 adaptation of the Edward Albee's play Who's Afraid of Virginia Woolf? starring Elizabeth Taylor and Richard Burton. Over the course of our great chat you will hear us talk about how a young and unassuming Nichols became a Broadway sensation even before stepping behind the camera, how his adaptation of Albee's play was an example of his unique ability to find the heart in the material he was working with and how the decision to cast a real high-profile power couple in the lead roles only added extra depth to the story. We also talk about the many ways in which this movie shifted the culture of the late 60s, how Hollywood had no other choice but to evolve after its premiere and how this simple play scratches at a whole host of problems viewers could easily identify as familiar. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to this show in full in addition to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons! Hosts: Jakub Flasz & Randy Burrows ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

In the grand finale of Marriage Month, Jackson and Jacob take on one of the most fractious, combative marriages in the American library... George and Martha in Edward Albee's famous Who's Afraid of Virginia Woolf. Listen in!  ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

When Lee Daniels was eight years old, he came across a copy Edward Albee's Who's Afraid of Virginia Woolf that featured a photograph of Elizabeth Taylor and Richard Burton on its cover. Flipping through the pages, Daniels realized that his purpose in life was to direct characters like those in the Albee's play. After years managing actors, Daniels had his directorial breakout in 2001 with Monster's Ball, for which Halle Berry became the first Black woman to win the Academy Award for Best Actress. As a producer, director, and screenwriter, Daniels has since turned out celebrated movies and television shows such as from Precious and Empire, and, most recently, the haunting thriller The Deliverance. On this week's episode of Table for Two, Daniels joins host Bruce Bozzi to discuss how his experience as a gay man influences his work, how his adopted children saved his life, and the motivation behind a new cop procedural he's currently writing.See omnystudio.com/listener for privacy information.

Today, I am thrilled to announce my interview with 2024 Tony award winning playwright David Adjmi, whose play Stereophonic has quickly become Broadway's newest sensation. Tune in today for a deep dive into the making of that play, including its Reagan-focused political undercurrent, the plane trip that gave him inspiration, why he views his plays like jigsaw puzzles, the reason why some audiences don't respond to the play, the site-specific production he originally imagined, how the pandemic foiled the initial plans for a Broadway production, how band practice created chemistry among the cast, the process of securing Playwrights Horizons, how he ensured his vision for the timing of the play was maintained, and so much more. You can also hear other stories from his great career, including why Marian Seldes made a great collaborator, how an unpleasant experience at Juilliard influenced his subsequent work, his interactions with Stephen Sondheim, why he looks up to Edward Albee, what he looks for in a director, why he wants to tackle musical theater next, and so much more. You won't want to miss this interview with a true genius in the American theater.

FIRST TO LEAVE THE PARTY is a marvelous and compulsively readable collection of stories from the life of Salah Bachir—a philanthropist, art collector, and movie industry insider. His sheer joy of life, art, giving back, and human interaction has endeared him to some of the most famous and creative people in recent times. Salah's activism is evident even on the cover of his memoir, where he sought to normalize discussions around gender identity by including his pronouns.Salah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood's biggest stars, it is Salah's personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it's true that Katharine Hepburn once turned him down, very nicely. FIRST TO LEAVE THE PARTY is a collection of personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn't already exist. Salah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood's biggest stars, it is Salah's personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it's true that Katharine Hepburn once turned him down, very nicely.Collected here in this wonderful book are personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn't already exist. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

FIRST TO LEAVE THE PARTY is a marvelous and compulsively readable collection of stories from the life of Salah Bachir—a philanthropist, art collector, and movie industry insider. His sheer joy of life, art, giving back, and human interaction has endeared him to some of the most famous and creative people in recent times. Salah's activism is evident even on the cover of his memoir, where he sought to normalize discussions around gender identity by including his pronouns.Salah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood's biggest stars, it is Salah's personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it's true that Katharine Hepburn once turned him down, very nicely. FIRST TO LEAVE THE PARTY is a collection of personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn't already exist. Salah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood's biggest stars, it is Salah's personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it's true that Katharine Hepburn once turned him down, very nicely.Collected here in this wonderful book are personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn't already exist.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

At the end of the show a question from Neil. Recommendations: Stuart The Richard Burton Diaries - Book Chris Williams (editor), Richard Burton (author) Irresistibly magnetic on stage, mesmerizing in movies, seven times an Academy Award nominee, Richard Burton rose from humble beginnings in Wales to become Hollywood's most highly paid actor and one of England's most admired Shakespearean performers. His epic romance with Elizabeth Taylor, his legendary drinking and story-telling, his dazzling purchases (enormous diamonds, a jet, homes on several continents), and his enormous talent kept him constantly in the public eye. Yet the man behind the celebrity façade carried a surprising burden of insecurity and struggled with the peculiar challenges of a life lived largely in the spotlight. This volume publishes Burton's extensive personal diaries in their entirety for the first time. His writings encompass many years—from 1939, when he was still a teenager, to 1983, the year before his death—and they reveal him in his most private moments, pondering his triumphs and demons, his loves and his heartbreaks. The diary entries appear in their original sequence, with annotations to clarify people, places, books, and events Burton mentions. From these hand-written pages emerges a multi-dimensional man, no mere flashy celebrity. While Burton touched shoulders with shining lights—among them Olivia de Havilland, John Gielgud, Claire Bloom, Laurence Olivier, John Huston, Dylan Thomas, and Edward Albee—he also played the real-life roles of supportive family man, father, husband, and highly intelligent observer. His diaries offer a rare and fresh perspective on his own life and career, and on the glamorous decades of the mid-twentieth century. Eamonn Less: Stop Buying So Much Rubbish: How Having Fewer, Better Things Can Make Us Happier - Book Patrick Grant We used to care a lot about our clothes. We didn't have many but those we had were important to us. We'd cherish them, repair them and pass them on. And making them provided fulfilling work for millions of skilled people locally. Today the average person has nearly five times as many clothes as they did just 50 years ago. Last year, 100 billion garments were produced worldwide, most made from oil, 30% of which were not even sold, and the equivalent of one bin lorry full of clothing is dumped in landfill or burned every single second. Our wardrobes are full to bursting with clothes we never wear so why do we keep buying more? In this passionate and revealing book about loving clothes but despairing of a broken global system Patrick Grant considers the crisis of consumption and quality in fashion, and how we might make ourselves happier by rediscovering the joy of living with fewer, better-quality things. David Watch Koudelka: Shooting Holy Land - Documentary Josef Koudelka Josef Koudelka is a fiercely independent artist. Branded an exile, stateless for many years after the end of the Prague Spring, photography is for him a powerful act that shows both humanity and its unsettling strangeness. His images are imbued with bohemian freedom and a dull, inhospitable promise. So when he was asked to go and photograph in Israel, the fear of being politically exploited, the fact of having to accept his designated young guide (to control him? he wondered)... mistrust almost won out. It was overcome by a mixture of rejection of "the wall" and attraction for this symbolic land. He simply insisted on paying for his own plane ticket, so as not to owe anything to anyone. What happened next, between him and his young guide Gilad Baram, is a truly romantic story. A friendship was born between the old photographer and the young filmmaker. Gilad Baram had the intelligence to turn these moments into a magnificent film, adopting the right distance and documenting the work of this demanding photographer.

Break out all the alcohol you have and get ready for some games because the 1001 by 1 crew is joined by Myke from Cinemusts this week to discuss Mike Nichol's adaptation of the award-winning Edward Albee play “Who's Afraid of Virginia Woolf?” Technical snafus aside, come along for this journey of psychological torture as we discuss all things theatre, who would be in the 2024 remake of this film, the world of academia, and why do people drink so late. Also, Britt's gives us who quick “Rushmore” thoughts. Plus, this week Adam recommends “Working Girl” (available to rend on most major platforms), Britt recommends “Perfect Days” (available to rend on most major platforms), Joey recommends “Blue Valentine” (available on Max), and Myke recommends “It Happened One Night” (free on Tubi).   You can listen to us on Apple Podcast, Stitcher, Spotify, & Google Play. You can find us on Letterboxd - https://letterboxd.com/1001by1/ You can find us on Twitter, Instagram, & Facebook at facebook.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann.

Gordon Greenberg has directed on Broadway, Off-Broadway, in London's West End, written for television and stage, and developed, directed and produced new works for arts institutions across America. Current Directing/Writing projects include The Heart of Rock and Roll , which opens on Broadway at the James Earl Jones Theatre in April, 2024, following its record breaking run at The Old Globe, the hit Off-Broadway show Dracula, A Comedy of Terrors (Director & Co-Writer, with Steve Rosen, New World Stages & podcast starring John Stamos, Laura Benanti, & Annaleigh Ashford), a new musical about Picasso (directing & co-writing with Stephen Schwartz & Caridad Svich), the NBC television series Most Talkative (Co-Executive Producer/Writer, NBC, Blumhouse, Andy Cohen), Crime and Punishment, A Comedy (directing & co-writing with Steve Rosen) for the Old Globe, a London revival of The Baker's Wife (Menier Choclate Factory, 2024), Single White Female (A.T.G.), The Wedding Banquet (Ang Lee, Hua Musicals, Taiwan), Ghost Tour, The Play, and the new comedy podcast series Rolling Calls starring Julie Halston & Richard Kind (co-writer, Steve Rosen). His acclaimed revival of Who's Afraid of Virgina Woolf starring Calista Flockhart and Zachary Quinto at the Geffen Playhouse won the Los Angeles Drama Critics Award for Best Revival. Variety called it “Inspired”, the L.A. Times called it “Unerringly good…Qunto & Flockhart expose something infinitely fragile in Edward Albee's shatterproof play”, Entertainment Weekly called it “A riveting production…brilliantly staged by Gordon Greenberg”, and the Wall Street Journal called it “Intriguing…Here, unusually, there is the suggestion that the oncoming dawn may truly presage a fragile new beginning.”  Other directing work includes the revisal of Working (Drama Desk Award, adapted with Stephen Schwartz and Lin-Manuel Miranda), Jacques Brel…(Drama Desk, Drama League, Outer Critics Award noms), Terms of Endearment with Alfred Molina & Calista Flockhart (Geffen Playhouse for Greg Berlanti), the stage adaptation of Tangled (Disney), Johnny Baseball (Williamstown), Stars of David by Jeanine Tesori, Tom Kitt, Tony Kushner (Daryl Roth), Pirates! (created with Nell Benjamin, Huntington, Paper Mill, Goodspeed, MUNY), Band Geeks! (also co-writer, Goodspeed, NEA grant), The Baker's Wife (Paper Mill, Goodspeed), 1776 (Paper Mill), Floyd Collins (Signature), the Klezmer-Rock reimagining of Isaac Bashevis Singer's Yentl (Asolo Rep), Blue Sky Boys by Deborah Breevort (Capital Rep.), the professional premiere of Edges The Musical (Capital Rep.), the acclaimed reimagining of Jesus Christ, Superstar starring Billy Porter (Helen Hayes, St. Louis MUNY), the U.S. national tour of Guys & Dolls, Disney's Believe, the Disney Fantasy Christening (with Neil Patrick Harris & Jerry Seinfeld), West Side Story (MUNY, Circle Award nom), Happy Days, A New Musical (Paper Mill, Goodspeed, U.S. National Tour), Vanities, A New Musical (Theatreworks Palo Alto - San Francisco Bay Area Theatre Critics Award), We The People (Lucille Lortel Theatre & Paper Mill Playhouse), Rags (Roundabout, workshop), and the all-female workshop of Man of La Mancha (Mirvish, Toronto), Other writing work includes, for television, Herbie Rebooted for Disney, Emerald City Music Hall, an original movie musical for Nickelodeon Television and Scramble Band, an original movie musical for the Disney Channel, The Single Girls Guide (co-writer Tommy Newman) for Dallas Theatre Center, Ars Nova, Capital Rep, the podcast Theatre Camp (with Jonathan Marc Sherman) for Sirius XM, Killing Time (with Steve Rosen), an At Home Play Commission from The Old Globe, and the new book of Meet Me In St. Louis for the St. Louis MUNY's 100th Anniversary. Learn more about your ad choices. Visit podcastchoices.com/adchoices

One Night Only Month burns the midnight oil with Mike Nichols' directorial debut - Who's Afraid of Virginia Woolf? Ben, Greg, Lindsey, Marshall, and Ray discuss the ups and downs of the Elizabeth Taylor and Richard Burton-starring 1966 classic. Directed by Mike Nichols, adaptated from Edward Albee's 1962 play of the same name. Starring Elizabeth Taylor, Richard Burton, George Segal, and Sandy Dennis.

First broadcast on December 31, 1967. Every play is political and art isn't easy, according to Edward Albee. People need to realize that going to the theatre is an arena of engagement rather than one of escapism, says Albee. Due to people's lack of knowledge and self-awareness, we in society, we deserve everything bad that we get, are also part of Albee's views.

The Triplex Cinema will present author and cultural critic Philip Gefter along with a screening of “Who's Afraid of Virginia Woolf?” — Mike Nichol's award-winning film based on Edward Albee's play. Gefter will discuss his new book “Cocktails with George and Martha,” recently published to great acclaim by Bloomsbury Press, followed by a book-signing. Joining Gefter for conversation will be Lisa Schwarzbaum, former film critic of Entertainment Weekly Magazine.The event will take place at the Triplex at 3:00 pm on March 16.

What happens when the doctor becomes the patient? Abe Burrows, the greatest script doctor of the Golden Age, had agreed to direct and write the musical adaptation of Breakfast at Tiffany's. Only problem is no one told him what they wanted...or expected... Soon, it was a troubled musical with different titles, different book-writers (including Edward Albee), America's cutest TV stars floundering without cameras, the Abominable Showman himself, David Merrick, and.....well, why have us tell you when ten time Emmy Award winning director James Burrows (Cheers, Friends) looks back on his father's work and his own experience as the assistant stage manager of Holly Golightly/Breakfast At Tiffany's: The Musical BROADWAY BOUND PLAYERS Caleb Funk as Edward Albee Andrew Leggieri as Jeff Alaina Mills as Holly Brody Redman as Abe's friend CJ Schneider as New York Times critic Jake Urban as Angel, Policeman, and Howard Cole Winston as Stage Directions If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use.

In this episode, I spoke with author Phillip Gefter about the book "Cocktails with George and Martha: Movies, Marriage, and the Making of Who's Afraid of Virginia Wolf?" From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. 

Renowned playwright Edward Albee talks about life, sex and the theater (interviewed in 2009 by Dixie Treichel and John Townsend of KFAI-Minneapolis/St. Paul's Fresh Fruit). Irish drag queen Panti Bliss (a.k.a. Rory O'Neill) responded brilliantly when calling out homophobic journalists and religionists drew criticism from both sides (a 2014 speech at Dublin's Abbey Theatre). And in NewsWrap: Greece becomes the 37th country where same-gender couples can get married, Nepal's Anju Devi Shrestha and Suprita Gurung become the first officially registered married lesbian couple in South Asia, a St. Vincent and the Grenadines High Court justice rejects two challenges to the nation's sodomy laws, a Japanese trans man can change the gender marker on his official documents without undergoing surgical sterilization, a top host on state-run Polish television apologizes for years of anti-queer rhetoric, a sexy Seville Jesus riles Spanish traditionalists, and more international LGBTQ news reported this week by Marcos Najera and Brian DeShazor (produced by Brian DeShazor).  All this on the February 19, 2024 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/

While MILLER'S GIRL, in theaters now, is Jade Halley Bartlett's debut feature, she's been a working screenwriter, playwright, and actor for many years. In this conversation, Jade and Jordan discuss the multi-faceted awakening that was Elizabeth Taylor as the witty-but-acerbic, strong-but-broken Martha in Mike Nichols' debut feature, WHO'S AFRAID OF VIRGINIA WOOLF?, adapted from Edward Albee's play. And they'll get into the complicated victims and villains of MILLER'S GIRL (which stars Jenna Ortega and Martin Freeman), and the lessons Jade learned and unlearned through the process of getting her own work from stage to screen.***With Jordan Crucchiola and Jade Halley BartlettFollow us on Instagram!

Carrie Coon joins host Jessica Kantor on Raising Cinephiles to discuss her introduction to cinema at her grandparent's house and a discovery of how her introduction to cinema may have an influence on bringing Bertha Russell to life in The Gilded Age. Season two is now streaming on Max. Originally from Copley, OH, Carrie Coon is a Chicago-based theatre, television and film actress. She received a BA in English and Spanish from the University of Mount Union and her MFA in Acting at the University of Wisconsin, Madison. Coon was nominated for a Tony Award in the Best Featured Actress category for her Broadway debut as Honey in the transfer of Steppenwolf Theatre's production of "Edward Albee's Who's Afraid of Virginia Woolf?", directed by Pam MacKinnon. Although Coon did not win in 2013, the production was awarded Best Revival, Best Director (MacKinnon) and Best Actor (Tracy Letts).  New Episodes Every Wednesday!EPISODE CREDITS:Host, Producer, Editor: Jessica KantorBooker: Noelia MurphyBe sure to follow and tag Raising Cinephiles on Instagram

Tom Vaughan has been writing professionally for over twenty years. He studied at the University of Houston with Broadway legend Jose Quintero and three-time Pulitzer Prize winner Edward Albee. It was his work as a writer and director in Houston theatre that got him recognized by Hollywood. He was soon writing screenplays for, among others, Phoenix Pictures, TNT, MTV Films, Castle Rock Entertainment, ABC, NBC, CBS, Warner Brothers, Sony Pictures and Disney. He has developed screenplays for Matthew McConaughey, Nicolas Cage, Barry Sonnenfeld, Chow-Yun Fat and many others. WINCHESTER, the film he co-wrote starring Helen Mirren and Jason Clarke, about the infamous Winchester Mystery House, opened nationwide in 2018. His eighth film, THE QUEEN MARY will release in August 2023 and DADDY'S GIRL for XYZ Films will shoot later this year (WGA strike willing.) Tom recently set up MOST WANTED at Miramax with director Ruben Fleischer (ZOMBIELAND, VENOM) attached.  His feature film debut was the action film UNSTOPPABLE, starring Wesley Snipes. In 2011, he completed his directorial debut, PLAYING HOUSE, based on a script written with Kristy Dobkin. His past productions include BLACKOUT with Jane Seymour for CBS, and CRITICAL ASSEMBLY with Katherine Heigl for NBC. He served as writer as well as Co-Producer on ATOMIC TWISTER with Sharon Lawrence and DEAD IN A HEARTBEAT with Penelope Anne Miller and Judge Reinhold, both for TBS.  He is currently the screenwriting instructor at his beloved alma mater, The University of Houston. https://storyandplot.com/WOLFPACK https://twitter.com/storyandplot Connect with your host Kaia Alexander: https://entertainmentbusinessleague.com/ https://twitter.com/thisiskaia  Produced by Stuart W. Volkow P.G.A. Get career training and a free ebook “How to Pitch Anything in 1Min.” at www.EntertainmentBusinessLeague.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I'm so happy to announce my episode with Tony nominee Mary Beth Peil. Tune in today to hear some of the stories of her legendary career, including the challenges of her opera background, falling in love with Yul Brynner, the type of feedback Stephen Sondheim always gave her, the show that came to Broadway too quickly, why she had been practicing for many years for Anastasia, being directed by Edward Albee, working with Roger Rees on The Visit, how she ended up in a starring role on Dawson's Creek, taking on the role of King Duncan in Macbeth, and so much more. You won't want to miss this insightful conversation with a legend of the stage.

Mark and Kenny - long time New Yorkers - trade city origin stories, adventures, and favorite love (and lust) songs about New York while celebrating Madonna's ultimate ode to her creative home. Topics include Liza Minnelli, Oberlin College, Salt 'n' Pepa, St. Vincent, Frank Sinatra, Edward Albee, Chita Rivera, Harry Nilsson, Andrew WK, Rufus Wainwight, Debbie Harry, Moby, and the beloved bitches of Miami. Let's hit those streets and start strutting!

Tom Vaughan has been writing professionally for nearly thirty years. He studied at the University of Houston with Broadway legend Jose Quintero and three-time Pulitzer Prize winner Edward Albee. It was his work as a writer and director in Houston theatre that got him recognized by Hollywood. WINCHESTER, the film he co-wrote starring Helen Mirren and Jason Clarke, about the infamous Winchester Mystery House, opened nationwide in 2018. His eighth film, THE QUEEN MARY will release in August 2023 and DADDY'S GIRL for XYZ Films will shoot later this year (WGA strike willing.) Tom recently set up MOST WANTED at Miramax with director Ruben Fleischer (ZOMBIELAND, VENOM) attached. He teaches privately at storyandplot.com and is currently the screenwriting instructor at his beloved alma mater, The University of Houston.Tom created a link just for our listeners, with a 10% discounthttps://storyandplot.com/creativity/Here are six questions we asked Tom Vaughan, focusing on creativity, screenwriting, and his experiences in the film industry:1. Can you share with us how your background as an actor and improviser has influenced your approach to screenwriting? How does your experience in theater contribute to your creative process in writing for the screen?2. You've had the opportunity to work with renowned actors and directors throughout your career. How does collaboration play a role in fueling creativity and bringing out the best in a screenplay?3. From writing for television networks like ABC and NBC to major film studios like Warner Brothers and Disney, you've had an impressive range of projects. How do you adapt your creative storytelling to different platforms and audiences?4. The film industry is constantly evolving, with new trends and technologies shaping storytelling. How do you stay creatively inspired and relevant in such a dynamic environment?5. Your film "Winchester" brought to life the mysterious Winchester Mystery House, and "Queen Mary" explores the famously haunted cruise liner. How do you approach writing stories based on real-life events while maintaining a balance between creative freedom and historical accuracy?6. As a seasoned screenwriting teacher, what advice would you give aspiring writers looking to tap into their creativity and make their mark in the industry?Tom's Website Tom on YouTube @storyandplotclasses on Instagram Tom's Facebook page Copyright 2023 Mark Stinson Thanks to the folks at HEADFONE for their support. On HEADFONE, you can listen to Premium Audio dramas - like Romance, Thriller, and Horror. For a 10% discount, use coupon code - MARKCREATIVITY10Go to - https://headfone.page.link/MARKCREATIVITY10

Creativity through the lens of a playwrite and artistic director of New Normal Rep,"It's a question of feeling an impulse to do something."John Lawrence "Jack" Canfora is an Award-Winning American playwright, actor, musician and teacher. After receiving his dramatic training at the London Academy of Music and Dramatic Art, he began his career as an actor in regional theater, working mostly in Shakespearean roles such as Mercutio and Macbeth. He's been hailed by the Associated Press as “White-hot Entertainment” for his off-Broadway plays including Poetic License, Place Setting, and Jericho, a New York Times “Critics Pick.” He was nominated along with Edward Albee, Elaine May, and Teresa Rebeck for The Newark Star Ledger's Best Play, 2007. Jack is the recipient of two Edgerton Playwriting Awards, for Jericho (2010) and The Source (2018). He won the 2016 Webby Award for Best Writing in a Web Series. Jack is also the Artistic Director of New Normal Rep.Website:  https://www.newnormalrep.org/ & https://www.jackcanforawriter.com/Twitter - https://twitter.com/NormalRepFacebook - https://www.facebook.com/profile.php?id=100063494893622 https://www.facebook.com/NewNormalRepInstagram - https://www.instagram.com/jackcanfora/?hl=en https://www.instagram.com/newnormalrep/?hl=enYouTube - https://www.youtube.com/channel/UCODsy6KqG1hDk8LMcB-nL_A

Becca joins the show in-person for possibly the last time before her big move to Calgary, and her Block Tale is a doozy, as we travel all the way back to the MySpace era as Becca notices that she starts to fall down the ranks of her boyfriend's Top 8...and then it gets pretty weird. How weird? You'll have to listen as we discuss that and burping, BlueSky, the Gollum game and their German-ass developers, The Idol, we ponder going to Hedonism II as a joke, and we celebrate Dan's birthday with a McCain Deep 'n' Delicious cake. Plus, Becca discovers an insane game show on TikTok, John unearths a great Nikola Jokic soundbite, and Stefan forgets to do a social media update so he calls Demi and Jesse on WhatsApp. If you want to discover more great soundbites of your own, head on over to patreon.com/blockedparty, where $5/month gets you access to THREE bonus episodes every single month. Last week, Stefan and John did their own one-man play, as Ryan Beil led them in a reading of Edward Albee's "Zoo Story", and this week, Ryan Lambert joins the fellas to talk puck, as Stefan and John get blocked by the same Vancouver sports radio guy. You also get merch discounts, live show discounts, access to the Discord and MORE! So head on over there and check it out! Becca is a beloved guest of the program and an artist whose work you can follow on Instagram at @coldhandshake. You can follow her on Twitter at @BeckTheGirl and on Instagram at @not_that_beck. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the second episode in a row we have a guest returning after a long layoff, as Randee Neumeyer (comedian) returns to the show and folks...it's an all-timer. Randee has a very strange interaction on Facebook Marketplace where she gets blocked by a potential customer, so she does what anyone else would do in this situation: she takes it to Instagram. It's a great Block Tale buoyed by a great episode as we go ALL the way off the rails discussing flipping TV channels as a kid, potentially entering our Chris Gaines' eras, solving religion, getting standing ovations, and Randee introduces us to a site we were not at all prepared for as we officially enter our "Sketchy Sex" era. Plus, Randee introduces us to the world of Hinge and the concept of "rose jail", we check in on some guys who think the algorithm is against them, and a PGA Tour executive gives an insanely baffling interview. If you want some more insanely baffling content, head on over to patreon.com/blockedparty, where $5/month gets you access to THREE bonus episodes every damn month! Last week, our good friend Libby Watson joined us to answer your questions in our Blocked Bag, and this week, Ryan Beil returns to the show to complete what we threatened to do on his most recent episode: Stefan and John perform Edward Albee's one-act play Zoo Story. Video was also made, and it was...well, it was insane. Plus: merch discounts, access to our Discord, and MORE! Randee Neumeyer is a comedian whose debut album, Bad Baby, is available wherever you get your comedy albums. You can follow her on Twitter and Instagram at @randeenoodle. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join our conversation on how live theater can be “modernized” and used to challenge the negative contemporary cultural side effects like extremism and alienation with Award-Winning Playwright, Jack Canfora. For centuries people have found inspiration, beauty, and expression in live theater. The Ancient Greeks were the first to wade into the waters of this novel art form, using dance, song, and choral chants to play out their mythic past. Today, many see live theater as a dying art as multimedia storytelling modalities, like streaming TV, film, and the internet, hold a monopoly on our attention. In the face of this threatening final nail in the coffin, Jack is dedicated to presenting both new and underproduced plays via the internet, in ways that maintain the essential dramatic spirit while using the theatrical experience to explore the historical, cultural, and psychological forces shaping life in America and beyond in the 21st Century. He shares on Unlocking Your World of Creativity how to reshape our storytelling imagination to better understand the beauty and potential this ancient art form still holds. Topics Jack Discusses:Re-Lighting The Storytelling Campfire: Why Sharing Stories Is The Glue That Holds Cultures & Communities Together Live Theater Is NOT Dead (It Just Needs Some Reimagining): How To Make Theater More Available, Affordable, & Widely Attended “Democratizing” The Theatrical Experience: Bringing Theater Home To Underprivileged, Underserved, & Ignored Audiences How This Ancient Art Form Can Evolve To Keep Up With The Era Of Netflix & ChillBreaking Down The Barriers That Are Preventing Underproduced, Lesser Known Playwrights From Making On-StageUsing The Theatrical Experience To Change The Culture Of Modern Alienation To One Of Belonging, Empathy & Human ConnectionMore About Jack:John Lawrence "Jack" Canfora is an Award-Winning American playwright, actor, musician, and teacher. After receiving his dramatic training at the London Academy of Music and Dramatic Art, he began his career as an actor in regional theater, working mostly in Shakespearean roles such as Mercutio and Macbeth. He's been hailed by the Associated Press as “White-hot Entertainment” for his off-Broadway plays including Poetic License, Place Setting, and Jericho, a New York Times “Critics Pick.” He was nominated along with Edward Albee, Elaine May, and Teresa Rebeck for The Newark Star Ledger's Best Play, 2007. Jack is the recipient of two Edgerton Playwriting Awards, for Jericho (2010) and The Source (2018). He won the 2016 Webby Award for Best Writing in a Web Series. Jack is also the Artistic Director of New Normal Rep.Jack's Website @newnormalrep on Instagram Jack on YouTube Jack's Facebook page Jack's Facebook group Copyright 2023 Mark Stinson

Etiquette, manners, and beyond! In this episode, Nick and Leah answer listener questions about harvesting cilantro at the office, returning dirty aprons, painting nails on airplanes, and much more. Please follow us! (We'd send you a hand-written thank you note if we could.)Have a question for us? Call or text (267) CALL-RBW or visit ask.wyrbw.comQUESTIONS FROM THE WILDERNESS: What do I do about a coworker who picked all the cilantro in our office garden? How do I decline to say hello on speakerphone to one of my parents' guests? Should borrowed aprons be washed before returning? How do you get rid of a neighbor who overstayed their visit? Is it OK to paint your nails on an airplane? What do I do about married coworkers who speak to each other as if they were at home? THINGS MENTIONED DURING THE SHOW Why does cilantro taste like soap to some people? Edward Albee's "Who's Afraid of Virginia Woolf?" YOU ARE CORDIALLY INVITED TO... Support our show through Patreon Subscribe and rate us 5 stars on Apple Podcasts Call, text, or email us your questions Follow us on Instagram, Facebook, and Twitter Visit our official website Sign up for our newsletter Buy some fabulous official merchandise CREDITSHosts: Nick Leighton & Leah BonnemaProducer & Editor: Nick LeightonTheme Music: Rob ParavonianADVERTISE ON OUR SHOWClick here for detailsTRANSCRIPTEpisode 151See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Etiquette, manners, and beyond! In this episode, Nick and Leah answer listener questions about harvesting cilantro at the office, returning dirty aprons, painting nails on airplanes, and much more. Please follow us! (We'd send you a hand-written thank you note if we could.) Have a question for us? Call or text (267) CALL-RBW or visit ask.wyrbw.com QUESTIONS FROM THE WILDERNESS: What do I do about a coworker who picked all the cilantro in our office garden? How do I decline to say hello on speakerphone to one of my parents' guests? Should borrowed aprons be washed before returning? How do you get rid of a neighbor who overstayed their visit? Is it OK to paint your nails on an airplane? What do I do about married coworkers who speak to each other as if they were at home? THINGS MENTIONED DURING THE SHOW Why does cilantro taste like soap to some people? Edward Albee's "Who's Afraid of Virginia Woolf?" YOU ARE CORDIALLY INVITED TO... Support our show through Patreon Subscribe and rate us 5 stars on Apple Podcasts Call, text, or email us your questions Follow us on Instagram, Facebook, and Twitter Visit our official website Sign up for our newsletter Buy some fabulous official merchandise CREDITS Hosts: Nick Leighton & Leah Bonnema Producer & Editor: Nick Leighton Theme Music: Rob Paravonian ADVERTISE ON OUR SHOW Click here for details TRANSCRIPT Episode 151 Learn more about your ad choices. Visit megaphone.fm/adchoices