Podcasts about Chicago Shakespeare Theater

Kemi-Bo Jacobs, starring as Agnes in ‘Hamnet' at Chicago Shakespeare Theater on Navy Pier, joins John Williams to talk about the production, how the Chicago Shakespeare Theater is a magical place to perform, what you can expect when you see this production, what is so wonderful about this play, the influence of the source material […]

Kemi-Bo Jacobs, starring as Agnes in ‘Hamnet' at Chicago Shakespeare Theater on Navy Pier, joins John Williams to talk about the production, how the Chicago Shakespeare Theater is a magical place to perform, what you can expect when you see this production, what is so wonderful about this play, the influence of the source material […]

Kemi-Bo Jacobs, starring as Agnes in ‘Hamnet' at Chicago Shakespeare Theater on Navy Pier, joins John Williams to talk about the production, how the Chicago Shakespeare Theater is a magical place to perform, what you can expect when you see this production, what is so wonderful about this play, the influence of the source material […]

Nick catches up with Monica Eng from Axios to talk through the stories she's been covering lately. They get into Governor J. B. Pritzker's push for new nuclear power facilities in Illinois, ways to celebrate the Lunar New Year, and the annual joy of Paczki Day. Monica also shares thoughts on the new production of “Hamnet” at Chicago Shakespeare Theater, her first experience trying a Dirty Soda, and highlights from a recent trip to Puerto Rico. Later, Esmeralda Leon joins Nick for a loose, funny catch-up that turns into a debate about traditions that might be past their expiration date. The handshake gets questioned, and class reunions get a full breakdown, complete with stories and strong opinions. It's news, food, travel, and a little social commentary, all rolled into one easy conversation. [Ep 431]

On this edition of The Arts Section, we start to get into the Halloween spirit, host Gary Zidek talks to the celebrated playwright behind a new horror play opening at Chicago Shakespeare Theater. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to review a new play that imagines a dystopian future with a 26-year old queen. Later in the show, Gary previews Chicago's 11th annual Arts In the Dark Halloween parade. And we'll check out some fall color and animal sculptures at the Morton Arboretum.

On this week's show: - David Levine, professor at UC Law San Francisco (https://www.uclawsf.edu/people/david-levine) - Lauren Gunderson, playwright, screenwriter, feminist Her play "Billie Jean" just completed a run at Chicago Shakespeare Theater. Visit her website: https://www.laurengunderson.com - Belle Starr, co-founder and Seed Ambassador for The Great American Seed Up Catch "The Turi Ryder Show" Sunday mornings at 8:00 a.m. Central on WCPT.

The clock is running out for Chicago Public Schools to solve its $734 million problem, as the district has until Aug. 13 to release a public budget proposal. Axios Chicago's Carrie Shepherd and The Triibe's Corli Jay are here discussing the available, yet not so popular, finance options CPS is mulling over. Plus, investment in the Pullman community is seeing real returns, Uptown's Weiss Memorial Hospital could shut down this weekend, and the Bears preseason kicks off Sunday. Good News:  Chicago Palestine Film Festival's “Art Under Occupation”, Dorian Sylvain's “Raised In It”, Chicago Shakespeare Theater's “Billie Jean”  Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Aug. 8 episode: Paramount Theatre Overlook Maps Window Nation Chicago Association of Realtors Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

When Mickey-Jo was in the US last month, he saw two new musicals making their North American regional premiere - both of which started life in the UK.These shows were Two Strangers (Carry a Cake Across New York) at the American Repertory Theatre in Massachusetts and 42 Balloons at the Chicago Shakespeare Theater in Illinois.As well as reviewing both productions, Mickey-Jo is pondering the possibility that either might make it to Broadway and whether the next hit musical will be a British-written one.•00:00 | introduction02:22 | Two Strangers09:25 | more on Two Strangers16:23 | 42 Balloons24:44 | more on 42 balloonsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Chilina Kennedy, star of the world premiere play Billie Jean at Chicago Shakespeare Theater, joins Lisa Dent to share how she transforms into tennis legend and LGBTQ+ icon Billie Jean King. The play highlights King’s groundbreaking activism on and off the court.

Nick kicks things off with Jack Godfrey, the creative force behind 42 Balloons—a musical inspired by the true story of Larry Walters, the guy who floated into the sky strapped to weather balloons. Now playing at Chicago Shakespeare Theater, the show has been drawing buzz, and Jack shares how this wild tale took shape on stage. Then Monica Eng from Axios Chicago swings by with her usual eclectic mix of stories. From citywide protests to the red carpet at the James Beard Awards, she's been everywhere lately—even on those weird three-hour cruises where fans can awkwardly corner celebs. She also dishes on her latest run-ins riding the Red Line and weighs in on Jim's new take on the Chicken Polish. Later, Esmeralda Leon joins Nick to unpack summer's greatest discomforts. They cover the mysterious vanishing of windshield sunshades, patio furniture that brands your thighs, and the persistent agony of a hot butt. It's a warm-weather rant session, complete with laughs and just a hint of sweat. [EP 358]

Jack Godfrey, musical theatre composer, lyricist and writer, joins John Williams to talk about the musical, ‘42 Balloons,’ now showing at the Chicago Shakespeare Theater. Jack tells John about his career path and what led him to musical theater, when he became interested in the story of Lawnchair Larry, what made him want to write […]

Jack Godfrey, musical theatre composer, lyricist and writer, joins John Williams to talk about the musical, ‘42 Balloons,’ now showing at the Chicago Shakespeare Theater. Jack tells John about his career path and what led him to musical theater, when he became interested in the story of Lawnchair Larry, what made him want to write […]

Jack Godfrey, musical theatre composer, lyricist and writer, joins John Williams to talk about the musical, ‘42 Balloons,’ now showing at the Chicago Shakespeare Theater. Jack tells John about his career path and what led him to musical theater, when he became interested in the story of Lawnchair Larry, what made him want to write […]

Benny is a loner whose identity revolves around his wife and children. Gil is a free spirit who longs to fulfill his potential. When the two strangers meet, they form an instant, deep bond. But slowly cracks start to form and their fresh bromance begins to crumble. A new Chicago Shakespeare Theater play called “Hymn” is an entertaining journey with some good old school music and elements of Black male friendship woven throughout the narrative. Reset sits down with the play's director Ron OJ Parson to learn more. For a full archive of Reset interviews, head over to wbez.org/reset.

Evelyn Hoskins speaks exclusively to West End Frame about reprising her performance as Carol in the North American premiere of 42 Balloons at the Chicago Shakespeare Theater.Evelyn co-hosted last week's episode of The West End Frame Show and whilst she was in the podcast booth she spoke about taking 42 Balloons' to the US. We couldn't include that bit of the conversation in last week's episode as the casting news hadn't been revealed... but now that it's all announced, in this mini episode we bring you the clip of Evelyn discussing how she feels about returning to 42 Balloons for its North American premiere alongside Charlie McCullagh as Larry.Last year Evelyn starred as Carol in the fully staged premiere of 42 Balloons at The Lowry in Salford, having played the role for the concert performances at the Vaudeville Theatre. The show is written by Jack Godfrey and directed by Ellie Coote.42 Balloons runs at Chicago Shakespeare Theatre 24th May – 29th June 2025. Visit www.chicagoshakes.com for info and tickets. Follow Evelyn on Instagram: @evelynhoskins This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Tyrone Phillips is the founding artistic director of Chicago's Definition Theatre and directing Definition's co-production of James Ijames's Pulitzer Prize-winning play Fat Ham at the Goodman Theatre through February 23, 2025. Phillips discusses the many Shakespearean connections of this “hilarious yet profound tragedy, smothered in comedy” (New York Times); his instinct to always look at plays as music; his realization that he gives every one of his productions “injections of joy;” how he brings a modern energy to classics (like his Twelfth Night at Chicago Shakespeare Theater), and vice-versa; how our past informs our future; how "coming of age" stories can happen to characters of any age; how Ijames “plays the changes” on Shakespeare's Hamlet; and the challenge of always surprising the audience. PLUS! A special appearance by the newest member of the Reduced Shakespeare Company, Geoffrey Warren Barnes II! (Length 17:44) The post Devouring ‘Fat Ham' appeared first on Reduced Shakespeare Company.

Fresh off its successful run at Chicago Shakespeare Theater, The Lord of the Rings – A Musical Tale opens this week in Auckland, New Zealand, and Rick Hall discusses the challenges and pleasures of playing J.R.R. Tolkien's hobbit hero. Rick reveals the education he's received in Middle-earth and the pride he feels in no longer being a bit of an idiot; the struggle of getting your high school trombone lip back; the fun of jumping through traps and making eight-second costume changes; getting real-time notes from the audience; lengthy discussions about hobbit feet; and the emotional power of a small(ish) ensemble telling an epic tale. (Length 20:59) (PICTURED: Spencer Davis Milford (l) as Frodo and Rick Hall (r) as Bilbo in rehearsal for The Lord of the Rings – A Musical Tale, directed by Paul Hart. Photo by Liz Lauren, courtesy of Chicago Shakespeare Theater.) The post Playing Bilbo Baggins appeared first on Reduced Shakespeare Company.

Tamara Harvey, the new co-artistic director of the "other" RSC – the Royal Shakespeare Company – discusses her exquisite production of Pericles, and how it came to the Chicago Shakespeare Theater and speaks to our current moment on both side of the Atlantic. Tamara reveals how Shakespeare's characters navigate different kinds of leadership; how she and her co-artistic director Daniel Evans hope to reach across borders and collaborate with international artists; how the challenges of the play felts like a gift; her genius solution to the narrator; how she feels in collaboration with Shakespeare, and how his Pericles weaves a unique spell; and the vital importance of giving audiences badly-needed hope and joy. (Length 18:23) The post The RSC's ‘Pericles' appeared first on Reduced Shakespeare Company.

Artistic director Edward Hall's production of Henry V at Chicago Shakespeare Theater includes the frequently cut "Salic law speech" ("the best speech in Shakespeare" – Mya Gosling, GoodTickleBrain), and friend of the pod Gregory Linington explains how he speaks the speech as the Archbishop of Canterbury, and how its inclusion is emblematic of the production as a whole. Gregory, who is a verse and dialect coach in addition to being an actor, shares how the speeches in this production are broken down surgically; how the historical Henry prized wisdom and experience over youth and moxie (as does this production); how director Hall fills the stage with a powerful ensemble of veteran character actors; how the famous "band of brothers" becomes a literal band; and how this powerful production balances contemporary flourishes with a traditional reading of the text. (Length 21:11) (PICTURED: The cast of Chicago Shakespeare Theater's Henry V, directed by Edward Hall. Photo by Liz Lauren.) The post Salic Law Speech appeared first on Reduced Shakespeare Company.

Anatasha Blakely boasts a diverse skill set that spans acting, filmmaking, and improvisation. With a wealth of experience as an improviser, she hosts The Stormchaser Improv Podcast, showcasing her ability to break down the artform and make interdisciplinary connections. Beyond her podcasting prowess, Anatasha is an award-winning actor and filmmaker, with a portfolio that reflects her immense talent and dedication to her craft. Her achievements include captivating audiences on the stage of the esteemed Chicago Shakespeare Theater and the Utah Shakespeare Festival, winning best actress at Filmquest, Houston Horror Film Festival, Horror Haus and the Haunted Fear Fest, as well as performing as an improviser all over the country.  Check out her short: Inch Thick, Knee Deep ▬▬▬▬▬▬▬▬ ANATASHA BLAKELY ⌲ IMDb: https://www.imdb.com/name/nm7564396/ ⌲ IG: https://www.instagram.com/anatashablakely/ ▬▬▬▬▬▬▬▬ The Moving Spotlight Podcast ⌲ iTunes: https://podcasts.apple.com/us/podcast/the-moving-spotlight/id1597207264 ⌲ Spotify: https://open.spotify.com/show/7cjqYAWSFXz2hgCHiAjy27 ⌲ Patreon: https://www.patreon.com/themovingspotlight ⌲ ALL: https://linktr.ee/themovingspotlight ▬▬▬▬▬▬▬▬ #Improv #IOWest #TheStormchaserPodcast #TheStormchasers #RiseTheater #Filmmaker #Shakespeare #DenverActor #Utah #Emmys #TVTime #iTunes #Actor #ActorsLife #Believe #Success #Inspiration #Netflix #Hulu #Amazon #HBO #AppleTV #Showtime #Acting #Artist #Theatre #Film #YourBestBadActing #Content #CorbinCoyle #JohnRuby #RealFIREacting #TMS_Pod --- Support this podcast: https://podcasters.spotify.com/pod/show/the-moving-spotlight/support

Edward Hall, Executive Director of Lord Of The Rings The Musical, joins John Landecker to discuss his vision for the show, how he plans to turn this film into a musical, and more! For tickets and more visit chicagoshakes.com/productions/the-lord-of-the-rings.

Dorian Harewood Broadway: The Mighty Gents, Streamers, Don' f Call Back, Two Gentlemen of Verona, Jesus Christ Superstar. National Tour: Kiss of the Spider Woman, Madame Lily, Miss Moffat. Regional: Purley (Kennedy Center). Film: Gothika, Levity, Pacific Heights, Full Metal Jacket, The Falcon and the Snowman, Against All Odds. TV: "Big Sky, " "Bel-Air," "9-1-1," "Criminal Minds," "Private Practice," " 7th Heaven," "The Practice," "12 Angry Men," "PlI Fly Away," "The Jesse Owens Story," "Roots: The Next Generations." Awards: NAACP Image Awards for Lead Actor in a Drama Series for "I* Il Fly Away" and Best Actor in a Television Mini-Series for "The Jesse Owens Story;* Theatre World Award for Best New Actor for Don't Call Back. Maryann Plunkett Originated the role of Older Allie at Chicago Shakespeare Theater in Fall 2022. Other Broadway includes: Agnes of God, Sunday in the Park with George, Me and My Girl (Tony Award®), The Crucible, St. Joan, A Man for All Seasons, The Seagull. Off-Broadway: Deep Blue Sound, The Sean O' Casey Dublin Trilogy at Irish Rep, The Lucky Ones, Aristocrats, Richard Nelson 's 12-play Rhinebeck Panorama (seen over a span of 11 years, onstage in NYC, on tour around the world, and live on Zoom during the pandemic). Films: Showing Up, A Beautiful Day in the Neighborhood, Little Women, MAD, Blue Valentine, The Family Fang, The Rhinebeck Panorama. TV: recurring roles on both "Manifest" and "Dr. Death" ; others include "New Amsterdam, " "The Knick," "Chicago Med," "Law and Order" franchise, "Star Trek: The Next Generation." Plunkett is a founding member of Portland Stage Company and is a coach and mentor. She has performed in Shakespeare, Chekhov, and as narrator with the Britten Sinfonia. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mike Markoff talks his new film "Hit Man", how traveling the world helped him find his voice, and the time he auditioned for Tommy Wiseau! About Mike: Mike Markoff is a classically trained actor that began his career in the Chicago theater scene as a child- where he studied at Second City and The Chicago Shakespeare Theater. He later took to New York where he trained under legendary acting coach Anthony Abeson- shortly thereafter, his career took off in Los Angeles on the large and small screen with over 50 film and television credits. Mike is known for his wide range as well as his intense preparation and commitment to character roles both dramatic and comedic, with a particular prowess for emotionally complex roles and antihero characters. Most recently, he was handpicked by Richard Linklater for the 2023 film Hitman - in which he plays opposite Glen Powell. He also stars in the highly anticipated drama When Jack Came Back, playing the titular role of Jack opposite legendary actors Lindsay Wagner and Lance Henrikson. Follow the show on social media!          Instagram: https://instagram.com/thanksforcominginpodcast/          Twitter: https://twitter.com/tfci_podcast          Facebook: http://facebook.com/thanksforcominginpodcast/           Patreon: patreon.com/thanksforcomingin YouTube: https://www.youtube.com/channel/UCXj8Rb1bEmhufSBFSCyp4JQ Theme Music by Andrew Skrabutenas Producers: Jillian Clare & Susan Bernhardt Channel: Realm For more information, go to thanksforcominginpodcast.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Breaker (Billions, Girls5eva) is appearing in Judgment Day in its world premiere at Chicago Shakespeare Theater in a production starring Jason Alexander. Daniel (above left, opposite Alexander) talks about discovering the fun and function of the role in the room, and how he loves experimenting in the science lab of comedy; then shares his love for the next great American play; his surprising inspiration for Donkey, the role he originated in Shrek The Musical; the important distinction of being raised Baptist rather than Catholic; how and why he found so much humor playing Aaron Burr in Hamilton on tour and Broadway; and the relaxed pleasure of sitting in “the Adirondack chair of acting”. (Length 17:54) (Photos by Liz Lauren)

Podcast theater review by Reno Lovison of Judgment Day - written by Rob Ulin, directed Moritz von Stuelpnagel, starring Jason Alexander at Chicago Shakespeare Theater through May 26, 2024.  Includes review of Offshore Rooftop Bar at Navy Pier.Bonus content: Rikki Lee Travolta interviews the creators of "Little Orphan Boy - The Musical at the annoyance theatre in Chicago. 

Jason Alexander, who is best known for playing George Costanza on Seinfeld, joins Lisa Dent to talk about returning to stage acting, his love for Chicago, and how he prepared himself to play corrupt lawyer Sammy Champo in the new play Judgement Day, playing at the Chicago Shakespeare Theater now through May 26th. Follow The Lisa […]

Water on stage. Developing trust. The opening night of our lives. “I am seeing myself – it's so emotional – in all the women who I've strived to be like.” Jordan Tyson is in the opening night of her life. It's her Broadway debut and The Notebook is proving true what the magic of Broadway can be. So what is it like to make your Broadway debut as the lead of a new smash hit? What was the road like? Let's celebrate the journey from a Zoom audition to becoming the toast of the town.  JORDAN TYSON (Younger Allie). Broadway debut. Theatre: Bulrusher (McCarter/Berkeley Rep/dir. Nicole A. Watson) Into The Woods (PCLO/dir. Scott Weinstein) The Notebook (Chicago Shakespeare/dir. Michael Greif/Schele Williams), Lempicka (La Jolla Playhouse/dir. Rachel Chavkin) The Streets of New York (Irish Repertory/dir. Charlotte Moore), Folk Wandering (ART/NY/dir. Andrew Neisler), I And You (Weston Playhouse/dir. Johanna Gruenhut). TV: “The Chair” (Netflix/Recurring Guest w/Sandra Oh). Film: Vampires vs. the Bronx (Netflix). Readings: Hearts Beat Loud, Learned Ladies, Sweetee. 2017 Audelco Rising Star Award, 2018 YesBroadway 40 Under 40. Currently working on her debut EP. @curlybroad www.jordantyson.com Producers Kevin McCollum and Kurt Deutsch present The Notebook, the new musical based on the bestselling novel by Nicholas Sparks that inspired the iconic film, premiering on Broadway this Spring.  The Notebook features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson and a book by playwright Bekah Brunstetter (writer and producer on NBC's “This Is Us,” The Cake). The production is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, The Wiz), with choreography by Katie Spelman (Associate Choreographer on Moulin Rouge! The Musical).  Allie and Noah, both from different worlds, share a lifetime of love despite the forces that threaten to pull them apart. With a book that has sold millions of copies worldwide and a film that's one of the highest-grossing romantic dramas of all-time, the musical adaptation of Nicholas Sparks's The Notebook comes to Broadway following a critically acclaimed world premiere engagement at Chicago Shakespeare Theater in the fall of 2022. The cast of The Notebook features Tony Award®-winner Maryann Plunkett as Older Allie, Dorian Harewood as Older Noah, Joy Woods as Middle Allie, Ryan Vasquez as Middle Noah, Jordan Tyson as Younger Allie, John Cardoza as Younger Noah, Andre?a Burns as Mother/Nurse Lori. Playing various roles are Yassmin Alers, Alex Benoit, Chase Del Rey, Hillary Fisher, Jerome Harmann-Hardeman, Dorcas Leung, Happy McPartlin, Juliette Ojeda, Kim Onah, Carson Stewart, Charles E. Wallace and Charlie Webb. The Notebook features scenic design by David Zinn and Brett J. Banakis, costume design by Paloma Young, lighting design by Ben Stanton, sound design by Nevin Steinberg, and hair and wig design by Mia Neal. The production's music supervisor is Carmel Dean, who also collaborated on arrangements with Ingrid Michaelson and on orchestrations with John Clancy, and the music director is Geoffrey Ko. Casting by The Telsey Office, Patrick Goodwin, CSA.   Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, I spoke to writer and co-director Kelly O'Sullivan, co-director Alex Thompson, and lead actor Keith Kupferer about their work on Ghostlight.  Another reminder for all movie lovers! Win a gift card to your favorite local cinema! Subscribe to Silver Screen Social on iTunes or Spotify, leave a rating/review, and DM us a screenshot on Instagram @jacksonvickery or @silverscreensocialpod for your chance to win!  A bit about the three… KELLY O'SULLIVAN (Writer and Co-Director): Kelly O'Sullivan is a writer, director and actor. She wrote and starred in SAINT FRANCES which premiered at SXSW and won a Special Jury Prize for "Breakthrough Voice" and the Audience Award for Narrative Feature. SAINT FRANCES, released by Oscilloscope Laboratories, is one of the most acclaimed independent films of 2020. Kelly received a Gotham Award nomination for Breakthrough Actor, a John Cassavetes nomination from the Independent Spirit Awards and was also named one of Filmmaker Magazine's "25 New Faces of Independent Film."  Kelly was recently seen in Cooper Raiff's acclaimed 2022 film CHA CHA REAL SMOOTH, and will next be seen in the independent films HANGDOG, directed by Matt Cascella and THE GRADUATES by Hannah Peterson. On the small screen Kelly has appeared in two seasons of "Sirens" as well as Hulu's "Battleground" and FOX's "The Mob Doctor." Her theater credits include THE SEAGULL at The Goodman and seven productions at the Steppenwolf including THE CRUCIBLE. Kelly recently made her debut behind the camera with the short film "My Summer Vacation." ALEX THOMPSON (Co-Director) Alex Thompson is a writer, director and producer based in Chicago. His debut feature, SAINT FRANCES, premiered at the '19 SXSW Film Festival and won the Grand Jury prize for "Breakthrough Voice" and the Audience Award. KEITH KUPFERER (Dan) Keith Kupferer's more recent stage credits include West Side Story (Lyric Opera) The Seagull and The Great Leap at Steppenwolf Theatre; The Cake, Cal in Camo (Jeff Award for Supporting Actor), American Wee-Pie, and 26 Miles at Rivendell Theatre Ensemble where he is a founding member; Sweat, Support Group for Men (Jeff nomination for Ensemble), God of Carnage, Passion Play, High Holidays at The Goodman Theater; Murder on the Orient Express at Drury Lane; The Mystery of Love and Sex (Jeff Nomination for Supporting Actor), and Death of a Streetcar Named Virginia Wolf at Writer's Theatre; The Qualms, Good People, and Middletown, Of Mice & Men also at Steppenwolf Theatre; the world premiere of The Humans at American Theatre Company; Hillary and Clinton, Never the Sinner, and Appropriate at Victory Gardens; Gypsy at Chicago Shakespeare Theater; The Legend of Georgia McBride at Northlight Theatre; Big Lake, Big City and Trust for Lookingglass Theatre. Film credits include Emperor of Ocean Park (currently filming); Ghostlight; Widows; Monuments; The Dilemma; Dark Knight; Public Enemies; The Express; Stranger Than Fiction; Road to Perdition; Finding Santa; Fred Klaus; The Last Rights of Joe May; and The Merry Gentleman directed by Michael Keaton. TV credits include Southside, The Big Leap, 61st Street, The Chi; Proven Innocent; Better Call Saul; Empire; Chicago P.D.; Betrayal; Crisis; Chicago Fire; and Detroit 187.

Thinking Cap Theatre's Artistic Director Nicole Stodard talks with Carla Della Gatta PhD,  theatre historian and performance theorist on Shakespeare's problematic play The Taming of the Shrew. CARLA'S BIO Carla Della Gatta is a theatre historian and performance theorist whose research focuses on adaptation, ethnicity, and aurality. She is Associate Professor of Theatre and Performance Studies at University of Maryland. Della Gatta is author of Latinx Shakespeares: Staging US Intracultural Theater (2023) and co-editor of Shakespeare and Latinidad (2021). In 2023, she launched the first archive of Latinx theatrical adaptation, LatinxShakespeares.Org. She has received grants and fellowships from the Woodrow Wilson Foundation (now Citizens and Scholars), Folger Shakespeare Library, the New York Public Library, and The Wallace Foundation (Project Lead and co-PI). She has served as a scholar for the theatre for Shakespeare Center Los Angeles, The Public Theater, Chicago Shakespeare Theater, Victory Gardens, and more. She is on the Steering Committee for the Latinx Theatre Commons and a board member for the Arden series, Shakespeare and Social Justice, and the journal, Shakespeare Survey. --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support

Richard III; Act 5, Scene 1 BuckinghamFebruary 28, 2024 Photo by Adrian Sanchez-Gonzalez Actor Yao Dogbe returns to the stage of Chicago Shakespeare Theatre for the highly-anticipated production of Richard III. The inaugural effort by brand-new helmsman Edward Hall, this reimagining of one of Shakespeare's bloodiest plays has been grabbing attention for its unconventional casting and daring concept. But for Dogbe, it's more than just another role—it's a personal journey about family. Click here to follow along with the text. Click here for a First Folio Version of the text. Click here for a scanned version of the text. Click here For More information about Richard III at the Chicago Shakespeare Theater

On this edition of The Arts Section, host Gary Zidek catches up with Chicago Shakespeare Theater's new artistic director Edward Hall. He's taken the creative reigns after the company's founder Barbara Gaines stepped down last year. Gary checks in with local jazz musician Shawn Maxwell to talk about his new Joliet-inspired album. Later in the show, the Dueling Critics, Kerry Reid and Jonathan Abarbanel, review a new interpretation of Shakespeare's RICHARD III. And Gary previews a new contemporary art exhibit at the Driehaus Museum that was inspired by Greek mythology.

‘Illinoise,' based on Sufjan Stevens's Grammy and Oscar-nominated concept album ‘Illinois,' brings its distinct music and dance experience to the Chicago Shakespeare Theater. Multi-talented Chicago artist Tasha Viets-VanLear, known by many as just Tasha, is a vocalist in the production. The artist first heard Stevens's album in high school, learning to play guitar to its songs. She sat down with Vocalo's Nudia Hernandez after the production's press night to talk about this full-circle moment, plus show preparation and what it's like behind the scenes. This interview was produced by Nudia Hernandez. Keep up with Tasha on Instagram @wowtashawow and the musical @illinoiseonstage.

Director-choreographer Justin Peck and Pulitzer winning playwright Jackie Sibblies Drury talk about making a nontraditional dance musical based on Sufjan Stevens' “genre-defying” album “Illinois.” The show is now having its world premiere at Chicago Shakespeare Theater and will run at the Park Avenue Armory in Manhattan in March. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, playwright, poet, and author Pearl Cleage discusses her life and career with Remy Bumppo Theatre Artistic Director Marti Lyons. Remy Bumppo staged Cleage's Blues for an Alabama Sky in the fall of 2023. This conversation originally took place September 26, 2023 and was recorded live via Zoom. AWM PODCAST NETWORK HOME More about the speakers: Pearl Cleage (she/her/hers) is an Atlanta-based writer whose plays include POINTING AT THE MOON, WHAT I LEARNED IN PARIS, FLYIN' WEST, BLUES FOR AN ALABAMA SKY, and BOURBON AT THE BORDER, commissioned and directed by Kenny Leon at the Alliance Theatre. She is also the author of A SONG FOR CORETTA, written in 2007 during Cleage's time as Cosby Professor in Women's Studies at Spelman College. Her play, THE NACIREMA SOCIETY REQUESTS THE HONOR OF YOUR PRESENCE AT A CELEBRATION OF THEIR FIRST ONE HUNDRED YEARS, was commissioned by the Alabama Shakespeare Festival and premiered in 2010, in a joint production by the ASF and Atlanta's Alliance Theatre, directed by Susan Booth. Her plays have also been performed at Arena Stage, Hartford Stage, the Oregon Shakespeare Festival, the Huntington Theatre, the Alabama Shakespeare Festival, the Long Wharf Theatre, Just US Theatre, True Colors Theatre, Bushfire Theatre, the Intiman Theatre, St. Louis Black Repertory Company, and Seven Stages. She is also an accomplished performance artist, often working in collaboration with her husband, writer Zaron W. Burnett, Jr. They have performed at the National Black Arts Festival, the National Black Theatre Festival, and colleges and universities across the country. Cleage and Burnett also collaborated with performance artists Idris Ackamoor and Rhodessa Jones on the script for THE LOVE PROJECT, which premiered at the National Black Theatre Festival in 2008, and is currently touring the country. Cleage is also an accomplished novelist. Her novels include “What Looks Like Crazy on an Ordinary Day,” a New York Times bestseller and an Oprah Book Club selection, “I Wish I Had a Red Dress,” “Some Things I Never Thought I'd Do,” “Babylon Sisters,” “Baby Brother's Blues,” “Seen It All and Done the Rest,” and “Till You Hear from Me.” She is also the author of “Mad at Miles: A Blackwoman's Guide to Truth,” a groundbreaking work of race and gender, and “We Speak Your Names,” a praise poem commissioned by Oprah Winfrey for her 2005 celebration of legendary African American women and written in collaboration with Zaron Burnett. Cleage has also written for magazines, including “Essence,” “Vibe,” “Rap Pages,” and “Ms.” In addition to her work as the founding editor of “Catalyst” magazine, a literary journal, she was a regular columnist for the Atlanta Tribune for ten years, winning many awards for her thought-provoking columns. She has also written for TheDefendersOnLine.com. Cleage has been awarded grants in support of her work from the National Endowment for the Arts, the Fulton County Arts Council, the Georgia Council on the Arts, the Atlanta Bureau of Cultural Affairs, and the Coca-Cola Foundation. Her work has earned her many awards and honors, including an NAACP Image Award for fiction in 2008. Pearl Cleage is represented by Ron Gwiazda at Abrams Artists Agency in New York City. Her website is www.PearlCleage.net. She also maintains a Facebook fan page. www.pearlcleage.net. Marti Lyons (she/her/hers) most recently directed the world-premiere of Galileo's Daughter by Jessica Dickey at Remy Bumppo, Georgiana and Kitty: Christmas at Pemberly at Northlight Theatre, Wife of a Salesman by Eleanor Burgess at Milwaukee Rep, Sense and Sensibility adapted by Jessica Swale at American Players Theatre and the world-premiere of John Proctor is the Villain by Kimberly Belflower at Studio Theatre in D.C. Marti's other productions include The Niceties by Eleanor Burgess at Writers Theatre; Cymbeline at American Players Theatre; The Wolves by Sarah DeLappe and both the stage and audio productions of Kings by Sarah Burgess at Studio Theatre; the world-premiere of How to Defend Yourself by liliana padilla, a Victory Gardens and Actors Theatre of Louisville co-production; Cambodian Rock Band by Lauren Yee at Victory Gardens and City Theatre; Witch by Jen Silverman at Geffen Playhouse and Writers Theatre (LA Drama Critics Circle Award for Best Direction); Native Gardens by Karen Zacarías at Victory Gardens; Botticelli in the Fire by Jordan Tannahill at Woolly Mammoth Theatre Company; I, Banquo at Chicago Shakespeare Theater; Title and Deed by Will Eno at Lookingglass Theatre Company; Laura Marks' Bethany and Mine at The Gift Theatre. Marti is also an ensemble member at The Gift Theatre, and a member of Stage Directors and Choreographers Society. martilyons.com

Jen Sabella, the Director of Strategy and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. She provides details on: Open House Chicago Returns This Weekend With Over 40 New Sites: Notable buildings and places open for public tours this year include Walt Disney's birthplace home, the Chicago Shakespeare Theater […]

Galleries, museums and theaters are still feeling the impact of the pandemic. According to a report on the health of arts and culture in the city, donations, memberships and attendance numbers are down and haven't gotten back to pre-pandemic levels. Reset learns about what's been happening and discusses potential solutions Leslé Honoré, poet and CEO of Urban Gateways, Kacie Smith of Arts Alliance Illinois and Kara Riopelle, managing director at the Chicago Shakespeare Theater. If you love Reset, then you'll also love our daily newsletter! You can sign up at wbez.org/resetnews.

She's a 12-foot wooden puppet of a Syrian girl who walks for the hundreds of thousands of displaced people worldwide, half of whom are children. Little Amal is making friends through art, food and education in a months-long tour across the United States — and this week she'll be in Chicago. Reset speaks with local partners about where you can meet Little Amal and what you can learn from her while she's in the city. Our guests include Lauren West, from the Syrian Community Network, Jacqueline Russell of the Chicago Children's Theater and Paige Whitson-Martini of the Chicago Shakespeare Theater. Did you know Reset also has a daily newsletter? Each edition features a breakdown of one big topic in news or culture, fun activities to try in the Chicago area and a chance to weigh in. Sign up at wbez.org/resetnews.

Barbara Gaines has directed more than 60 productions since founding the Chicago Shakespeare Theater in 1986. We talked to the artistic director ahead of her final production of "The Comedy of Errors," which runs through April 23.

Pandemic-era federal funds were a lifeline for Chicago theaters. Now, those federal funds are drying up. And theater seats aren't filling up at the same rate as before the pandemic. Do theaters need to rethink their business model to stay alive? Reset checks in with Jeannie Lukow, executive director of Porchlight Music Theater, Kara Riopelle, managing director with Chicago Shakespeare Theater, Chicago Tribune critic Chris Jones and Claire Rice, executive director, Arts Alliance Illinois.

Theater Director Barbara Gaines joins Rick Kogan in studio to talk about the final show she will be directing, The Comedy of Errors, at the Chicago Shakespeare Theater. She also highlights her life and experiences leading up to this event.

Welcome to Heilman & Haver - Episode 71.  We hope you enjoy the show! Please join the conversation - email us with thoughts and ideas and connect with the show on Facebook and Twitter and Instagram and at heilmanandhaver.com.   IN THE SPOTLIGHT: Kayla Boye Photo Credit: Kachi Mozie Kayla Boye is the writer, producer, and star of the one-woman show Call Me Elizabeth, chronicling the early life of Elizabeth Taylor. Set in May 1961, the play is inspired by Taylor's conversations with writer Max Lerner as they discuss plans for a biography.  Through a morning session with Lerner at The Beverly Hills Hotel, Taylor rediscovers her sense of self following her 1961 Academy Awards triumph and recovery from a nearly fatal battle with pneumonia. The play examines Taylor's career, life, and loves, chronicling her survival in the face of adversity and tragedy, and illuminating the core compassion of her character that inspired her later activism in the fight against HIV/AIDS.  Kayla is a Chicago-based artist whose credits include productions with Chicago Shakespeare Theater, Drury Lane Theatre, Porchlight Music Theatre, Mercury Theater Chicago, Music Theater Works, BrightSide Theatre, Citadel Theatre, Fireside Theatre, Capital City Theatre, Bigfork Summer Playhouse, and The Huron Playhouse. As an arts administrator, she has worked in development, marketing, and finance for Goodman Theatre and Writers Theatre, and she has served as a producer for Steppenwolf Theatre Company's Garage Rep series.  As a consultant for the Artistic Fundraising Group, her portfolio included work for Arts of Life, BrightSide Theatre, Chicago Composers Orchestra, Chicago Mosaic School, Oak Park Festival Theatre, and Snow City Arts. During the COVID-19 pandemic, she served as Executive Director of The Youngstown Playhouse and she holds a BA in Professional Writing & Editing from Youngstown State University. Kayla is also a Certified Nonprofit Professional through the Nonprofit Leadership Alliance.  You can find out more about her work at kaylaboye.com and about the show at callmeelizabeth.com.  Kayla joined us from Old Town Pasadena.   COMING UP NEXT EPISODE: Patricia Ward Kelly Make plans to join us again in two weeks, Friday March 3rd, when we'll welcome to the show Patricia Ward Kelly, widow and official biographer of the truly marvelous Gene Kelly.  Patricia will be in Seattle March 17-19th to host a one of a kind event at the Seattle Symphony, Gene Kelly: A Life in Music.  Get your tickets now at seattlesyphony.org and don't miss Ep 72 on Friday, Mar 3rd.

Director Henry Godinez talks about his powerful Chicago Shakespeare Theater production of Measure For Measure, how he loves Shakespeare's famously problem play, and how his background informed his approach to it. Set amidst the glamour, music, and sensuality of 1950s Cuba, where Shakespeare's Vienna becomes Havana just before Fidel Castro seizes power, Henry also discusses how this setting enriched his understanding of the play; how differing strands of self-righteous fanaticism and hypocrisy come into conflict; his own crazy childhood dreams; how this production manages to (amazingly!) end on a mildly positive and hopeful note; and how Shakespeare's problem play is better the more nuanced and complicated it is. (Length 17:40) (PICTURED: The company of Chicago Shakespeare Theater's production of Shakespeare's Measure for Measure, directed by Henry Godinez, in the Courtyard Theater, October 21–November 27, 2022. Photo by Liz Lauren.) The post Measure For Measure appeared first on Reduced Shakespeare Company.

Shana Cooper discusses her direction of one of Shakespeare's infamous "problem plays," All's Well That Ends Well, which ran (quite well!) at Chicago Shakespeare Theater in the spring of 2022. Shana reveals how the project came to her; how the options of possible plays narrows considerably when you're completing the canon; how a play about deeply flawed people at transitional points in their lives matches our historical moment; the vital importance of casting a sympathetic center in your leading role; how her next production is that light-hearted romp Metamorphoses at Seattle Rep; how Bertram typifies the annoying number of fraught men and boys in Shakespeare; and ultimately the importance of finding allies in transitional moments and identifying your next version of Home. (Length 21:40) (PICTURED: Diana (Emma Ladji) and Helen (Alejandra Escalante) in the Chicago Shakespeare Theater production of All's Well That Ends Well, directed by Shana Cooper. Photo by Liz Lauren.) The post Shana's “All's Well” appeared first on Reduced Shakespeare Company.

This week, singer-songwriter Ingrid Michaelson and writer Bekah Brunstetter discuss the process of adapting The Notebook, the romance novel by Nicholas Sparks, into a musical for the Chicago Shakespeare Theater. The world premiere musical opens September 6th, 2022. Learn more here. This conversation originally took place August 17th, 2022 and was recorded live at the [...]

Barbara Gaines has directed productions there since founding the theater in 1986.

"A Christmas Carol" An old miser learns the joy of Christmas Author Charles Dickens Cast The Narrator : D.E. Medus - Website Ebenezer Scrooge : Kyle Hebert - Website Kyle Hebert is a world class voice actor and podcast host. His roles include Gohan from the Dragonball Z series and movies, as well as Ryu from Street Fighter and FatGum from My Hero Acadamia. His podcast is "Intergalactic Boom Box". Bob Crachit - Fezziwig the Caller: Lee D Beckett - Casting Call Club Profile Singer, entertainer and musician. Also been a supporting artist in many TV and film productions. Caroler - Man on Street 1 : Wes Haas - Website Wes Haas is a non-binary voice actor based in Minnesota and has been voice acting professionally for 6 years. When not in the booth, Wes can usually be found reading, writing, or creating their next D and D character. You can hear them in such projects as The Divine Speaker, The LaFresian Chronicles, In Blood, Someone Dies In This Elevator, and Absolutely No Adventures. Nephew Fred : Kyle Jensen - Website Kyle Jensen is a British Actor and Voice Over Artist, who has contributed his voice to a number of projects, and has performed in multiple sell-out stage productions with the Theatre On Foot company. He is available to hire at KyleJensenVO.com Charity Collector : Ian Knowles - Website Ian Knowles is a writer, voice actor, and the creator of Neon Shadows A Noir Tale (audio drama series). Jacob Marley : Oliver Smith - Twitter Oliver Smith - Voice Over Artist from Northern Ireland. Oliver has worked in the event production industry for over 11 years. Having gained technical knowledge and with a history in theatre, when 2020 hit bringing with it the closure of stage acting, Oliver decided to follow his passion and venture into Voice Acting. Ghost of Christmas Past : Nichole Goodnight - Twitch Nichole is a voice actor who is most well known for her work on "The No Sleep Podcast" Belle : Thea Solone - Casting Call Club Profile Thea is a full-time professional voice actress specializing in videogames, animation, commercial, e-learning, and the occasional audiobook. Thea started out as a theatre kid and has been studying acting in various formats for over a decade. She has since expanded her client-base in addition to paid voice over work for corporate and non-union. In university, Thea majored in vocal performance, receiving training as a classical opera singer. Thea is always grateful to the Big Dude, her clients, her team, her peers, and each new “family” picked up along the way, for without them this would not be possible. A lover of all things animation and acting, Thea cares greatly about the characters that YOU create. She looks forward to plenty more adventures to come. Belle's Husband : Séamus - Casting Call Club Profile Seamus is an amateur artist who has a passion for drawing and writing stories. Seamus also has a strong interest in old comedy, horror and mystery films. Ghost of Christmas Present : NickTheRat - Website Nick The Rat is a cartoon rat that lives in the sewers of New York City. Mrs. Cratchit : Danielle Dszy - Casting Call Club Profile Danielle is a voice actor, magician, and freelance theatrical designer, living near Cleveland, OH with her family. She holds a BFA in Theatre from West Virginia University and an MA in Arts and Entertainment Administration from Valparaiso University. When not performing or designing, Danielle can be found teaching. Previously, she has worked in regional theaters across the country, for Chicago Shakespeare Theater, and the Walt Disney Company. Martha Cratchit : Finley Smith - Website Finley Smith is an educator and professional voice actor, who works across many voiceover genres. She primarily works out of her broadcast quality home studio, collaborating with people from all over the world. When she's not working, she enjoys gymnastics, soccer, photography, and hiking. Belinda Cratchit : Robin Huff - Twitter I'm Robin! I play Belinda! I am very excited to be a part of this production with such a talented cast. I have been voice acting for a little over a year now, and have been in various fan made productions. I'm also a trained singer, and singing is one of my greatest passions! Thank you for reading! Hire me! Haha jk... unless? Tiny Tim : Ariana Cooper - Website Good day, my name is Ariana and I'm an aspiring voice actor from California! I have a passion for playing characters, especially kids and toons, it brings out my playful and childish side. Most people find my high-pitched, squeaky voice to be quite amusing, which I think is one of my most unique assets. I'm also an impressionist, and have fun imitating voices such as Tails the Fox and Ash Ketchum. My dream is to become a pro voice actor someday and bring people joy through cartoons! Man on Street 2 : SirSeatSitter - Website SirSeatSitter lives in Tennessee and is a new dad. He hosts a comedy podcast "ABS n a 6pack" Goose boy : Leila Medus - Website Leila hosts a podcast with her dad "Fun Fact Friday with Leila and David" Art Art for this episode is a modified version of: Photo by andreas kretschmer on Unsplash

Today, we are speaking with a digital transformation and analytics powerhouse, Sheila Talton. Sheila owns Gray Matter Analytics, a healthcare data analytics company founded in 2013. She is here to share with us her perspective on important topics such as the lack of women in the big data and big tech industry, raising working capital in a business, and what it means to be an entrepreneur. As an African American woman, Sheila is an ardent advocate for African American rights. She currently serves on three public boards, two of which are John Deere and Cisco. Finally, Sheila is a thoughtful leader who attributes much of her success to her daily workouts and ensuring stillness in her day by taking time to read the Bible. IN THIS EPISODE: [03:37] Sheila reflects on her childhood, labeling herself as a rule follower until she realized she wasn't accomplishing as much as she wanted to quickly enough. [05:44] Marching and demonstrating in protests, making sure her voice was heard around important issues facing African Americans. [08:52] The point when Sheila knew she wanted to pursue a career in technology. [16:57] Not getting the support of her then husband as Sheila's career started to grow exponentially. [19:16] Sheila's next steps as she transitioned and pivoted her focus to becoming an entrepreneur. [21:18] How Sheila negotiated and structured the deal to get her business started. [27:59] Hindsight of Sheila's career, she spent 50% as an entrepreneur and 50% in corporate America. Does she feel the time she spent in corporate was beneficial? [30:31] Sheila speaks about her current company and what she expects the future of this company to look like. KEY TAKEAWAYS: Sheila marched and demonstrated during the civil rights movement to ensure her voice was heard regarding the different issues facing African Americans during that time. How Sheila found success in Big tech and Big Data, even though the odds were stacked against her, being a woman and a woman of color.  Working in corporate America before she became an entrepreneur - Sheila felt this was beneficial to her because she was able to observe what good and bad management looked like. We can never achieve success alone, having a support system is necessary to finding success. Negotiating the deal and investment for her business - Sheila looks back to that moment and knows she took all the right steps in formulating that deal.  QUOTES: “I spent a lot of my time marching, demonstrating, and making sure that my voice was heard around the issues that were important for African-Americans during that time.” - Sheila Talton “I feel that I learned what good management looks like and what bad management looks like. A lot of times entrepreneurs have to figure that out themselves because they don't have role models.” - Sheila Talton on working in corporate America “I believe that none of us get to where we are alone. A support system is really important, a support system of women and a support system of men.” - Sheila Talton CONNECT WITH US: Find Sheila Talton on LinkedIn and at GrayMatterAnalytics.com Check out our website, Potential to Powerhouse, for more details and to learn about past, present, and future guests. Be sure to follow us on Instagram and Twitter, and join our Facebook Community for a deeper connection with the P2P tribe. Ignite the Powerhouse Within Summit! Wednesday, June 23 - Thursday June 24, a 2-day live interactive summit for seekers, visionaries, and unstoppable entrepreneurs on the rise.  Grab your free copy of our guide, 4 Daily Habits Essential to Becoming a POWERHOUSE Entrepreneur, and don't forget to subscribe to our show and leave a rating and review. Do you know any other female powerhouses that could benefit from listening? If so, please let them know to follow us on Apple Podcasts, Spotify, or wherever they like to listen to valuable audio content. Until next time… High Five! SHEILA G. TALTON: Sheila G. Talton is currently the President and CEO of Gray Matter Analytics, a healthcare data analytics company that she founded in 2013. Her latest mission at Gray Matter is to encourage clients to take ownership of their data, maximize its value and more effectively standardize data across large, complex enterprises to address interoperability challenges that proliferate in healthcare. She is an innovative global leader and Big Data strategist with over 30 years of experience in helping organizations increase value, build successful businesses within larger companies and expand into emerging markets. She is recognized for her expertise in developing and executing bold initiatives. Her experience in governance extends to corporate, civic and not-for-profit sectors; currently serving on the boards of Deere & Company, Sysco Corporation, OGE Energy Corp., Chicago's Northwestern Memorial Hospital Foundation, The Chicago Network, the Chicago Shakespeare Theater and The Chicago Urban League.

We get down with Broadway's Anna of Cleves, Brittney Mack to find out what her process has looked like to develop her character in the hit Broadway show. If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! ABOUT BRITTNEY MACK: A.R.T.: SIX. Off-Broadway: Black Nativity. Tour: Memphis (Ethel/Ensemble), Networks. Regional: SIX, Chicago Shakespeare Theater; Beehive (Tina Turner), Merry-Go-Round Playhouse; Ain't Misbehavin' (Charlaine), Avenue Q (Gary Coleman, 2014 ariZoni Theatre Awards), Memphis (Ensemble/Dance Captain), All Night Strut (Myself), Beehive (Tina Turner/Dance Captain), Little Shop of Horrors (Crystal/Dance Captain), Phoenix Theatre; All Shook Up (Lorraine), The Palace Theatre; Hairspray, (Lil Inez), All Shook Up (Lorraine, 2011 ariZoni Theatre Awards) Arizona Broadway Theatre; The Wiz (Ensemble/Evilene u/s), Maine State Music Theatre; In the Heights (Carla), Shrek (Voice of Gingy/Sugar Plum Fairy), Pacific Conservatory of the Performing Arts; Ain't Misbehavin' (Charlaine), Roxy Regional Theatre; RENT (Alexi Darling/Ensemble), All Shook Up (Lorraine), Seacoast Repertory Theatre. International: Royal Caribbean Cruise Lines (Production Singer). TV: “Empire” (Feature Dancer), FOX. Education: Certificate from Integrated Program, American Musical and Dramatic Academy. MENTIONED IN THIS EPISODE: Brittney Mack on Instagram: www.instagram.com/brittmack8 SIX on Instagram: www.instagram.com/sixonbroadway SIX on Facebook: www.facebook.com/sixbroadway Get Your Tickets: www.sixonbroadway.com --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork Youtube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

When bassist Stacy McMichael walks into a room, the room knows. Whether it's her bleach-blonde hair, piercing eyes, or the fact that she's carrying a bass is up to the viewer. Stephanie gets the scoop on Stacy's history as a performer, beginnings as a musician, and discovers they have more in common than either of the two originally knew.A natural educator, Stacy drops knowledge on overcoming the symptoms of anxiety or nervousness, and what it's like to both celebrate and diminish being a woman in the music business. Must we advertise that we are girls? Can we simply say “I'm a serious musician?” Why not advertise the music and show up in killer shoes and earrings anywayStacy McMichael is currently playing in the musical SIX, running now through August 4th at The Yard at the Chicago Shakespeare Theater.Stacy McMichaelhttp://www.stacybass.com/https://www.instagram.com/stacybassjazz/http://www.lepercolateur.com/SIXhttps://www.chicagoshakes.com/plays_and_events/sixhttps://www.instagram.com/sixthemusicalus/In the Green Room / Stephanie / Isabellahttps://www.auxchicago.com/in-the-green-roomhttps://www.instagram.com/inthegreenroompod/https://www.instagram.com/Gwenafrave/https://www.instagram.com/isabellaeliopulos/Produced by Isabella EliopulosTheme by Adam SteinLogo by Allie Shapiro

Chicago actor Joe Dempsey plays William Shakespeare's most autobiographical character, Peter Quince, in the Chicago Shakespeare Theater production of A Midsummer Night's Dream. Joe talks about playing this prototypical actor-manager, the rehearsal process for this gloriously funny production, the importance of listening to director Joe Dowling, the joy of rehearsal invention, the freedom of actor ownership, the balance of hustling for auditions, the delight of working with T.R. Knight (TV's Grey's Anatomy) as Bottom, the incorporation of many Shakespearean deaths, memories of working with the late great John Mahoney (Frasier), and the fundamental difference between being interpretive and creative artists. (Length 18:33) Peter Quince (Joe Dempsey, with bullhorn) directs Francis Flute (Alec Silver), and helps Nick Bottom (T.R. Knight), assisted by Tom Snout (Jonathan Butler-Duplessis) and watched by Snug the Joiner (William Dick) in Chicago Shakespeare Theater's production of A Midsummer Night's Dream, directed by Joe Dowling, December 6, 2018 - February 3, 2019. Photos by Liz Lauren. The post Episode 631. Joe Dempsey's Mechanical appeared first on Reduced Shakespeare Company.