Podcast appearances and mentions of Victor Frankenstein

In this episode of The Folklore Podcast, host Mark Norman is joined by special guest Bar Fridman-Tell about her debut novel 'Honeysuckle'.Part horror, part fantasy, part magic but completely engaging, the story in an unholy alliance between the flower woman of Welsh mythology and a creation of Victor Frankenstein!Bar talks about her inspirations, the treatment of the original story and the ways in which she combines real-world folklore with her own imagination. You can also hear a short extract from the audiobook, courtesy of the publisher.You can find Honeysuckle wherever books are sold, and visit Bar on the web at https://www.barfridmantell.com/To support The Folklore Podcast on Patreon (for free or for a small donation) and get access to extra content, please visit www.patreon.com/thefolklorepodcast

A forest lookout sits alone in a glass tower at 2AM and spots flames crowning two distant pines — a fire only he can see. By dawn there's no smoke, no ash, no scorched earth... and no fire at all. From phantom flames that burn and vanish to the burned Bigfoot pulled from a Nevada blaze and the UFOs caught streaking through wildfire smoke, tonight we wander into the strange and unsettling things that appear when the forests burn.EPISODE BLOG PAGE (includes sources and full transcript): https://weirddarkness.com/ghostflamesREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/yjwtx7awFEATURED STORIES IN THIS EPISODE: The author of Frankenstein always saw love and death as connected. She visited the cemetery to commune with her dead mother. And with her lover. (Mary Shelley's Obsession With The Cemetery) *** A girl moves into a new apartment and discovers that a haunting doesn't necessarily have to be frightening. (Ghostly Happenings In My Old Apartment) *** The July 1886 murder at the Shawmut Avenue laundry was so shrouded in mystery that even the victim's name was uncertain. (The Wash-House Murder) *** Ghosts, high strangeness, and even Bigfoot – it appears they may all have something in common, and that would be forest fires. (Forest Fires and the Paranormal) *** How do you explain an experienced lookout reporting a blazing forest fire, only for it to disappear less than an hour later – leaving no trace? (Phantom Flames)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:03:57.045 = Show Open00:05:40.844 = Phantom Flames00:21:25.265 = Forest Fires and the Paranormal00:35:10.279 = Mary Shelley's Obsession With The Cemetery ***0048:57.368 = Ghostly Happenings In My Old Apartment00:52:28.197 = The Wash-House Murder ***01:01:09.811 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“Phantom Flames” by F.A.Loomis from Idaho Magazine: http://ow.ly/beq730nL94u“Forest Fires and the Paranormal” by Brent Swancer for Mysterious Universe: http://ow.ly/ROYC30nL8n1“Mary Shelley's Obsession With The Cemetery” by Bess Lovejoy for the JSTOR Daily: https://tinyurl.com/y9cgd29w“Ghostly Happenings In My Old Apartment” by Cassie D, posted at MyHauntedLifeToo,com: https://tinyurl.com/ycexszvm
“The Wash-House Murder” by Robert Wilhelm, from the book “Wicked Victorian Boston”: https://amzn.to/2BGJOO0(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: March, 2021Weird Darkness opens a fire-themed descent that runs from a vanished forest blaze in 1976 Idaho through ghosts, Bigfoot, and UFOs born of wildfires, into Mary Shelley's graveyard education, a gentle apartment haunting, and an unsolved 1886 Boston murder.It opens with a U.S. Forest Service lookout stationed atop Pilot Peak in the Payette National Forest near Warren, high above the South Fork of the Salmon River, who woke sleepless at two a.m. in July 1976 and saw a bright orange triangle near a distant crest, then confirmed through binoculars two huge trees crowning out with flame. He calculated an azimuth with his fire-finder, radioed a two- to four-acre fire to the station fifteen air miles away, and watched it recede and vanish completely within forty minutes, leaving no smoke, no flame, and no charred ground at dawn six air miles out. Supervisors dubbed it the Pilot Peak phantom fire and sent smokejumper aircraft and hotshot crews to circle the ridge for nearly a week without finding a trace, until two months later a thousand-acre blaze on Zena Creek burned in roughly the same location he had reported.From there the episode widens into wildfires laced with the paranormal, beginning with the Curve Fire that struck South Mount Hawkins in the San Gabriel Mountains of California's Angeles National Forest on September 1, 2002, traced to a brittle 1935 wooden lookout tower and rumored to follow a cult ritual, after which hikers reported eyeless animals with hardened flesh and tall shadow figures akin to the Dark Watchers. It moves to the Battle Mountain Complex Fire near Battle Mountain, Nevada on August 6, 1999, where a letter forwarded to the Bigfoot Field Research Organization and a later call to investigator Thom Powell described firefighters capturing a burned, roughly seven-and-a-half-foot creature with a strong equine odor and near-human features. It closes with a July 2014 wildfire at West Kelowna near Vancouver, Canada, where a Castanet news video appeared to show an object shooting from a cloud, and a 2017 sighting by Arthur Frenette in New Hampshire's White Mountains, who watched a ball of fire plunge into Kinsman Ridge ahead of an out-of-control blaze.Next the episode turns to Mary Shelley, who in her 1831 introduction to Frankenstein traced her writing to her literary parents, though her mother, A Vindication of the Rights of Woman author Mary Wollstonecraft, died of puerperal fever days after her birth when Dr. Poignand removed the placenta with unwashed hands. Raised partly at her mother's grave in the St. Pancras churchyard, where she read her mother's work and escaped a strained home after father William Godwin remarried, the teenage Mary met Percy Shelley through the household and, at sixteen, declared love and reportedly first had sex among the tombstones. That fusion of reading, death, and forbidden knowledge surfaces in Victor Frankenstein's graveyard study of decay and in Godwin's 1809 Essay on Sepulchres, which framed visiting the illustrious dead as a form of communion the daughter carried into her novel of a creature assembled from corpses.From there the tone softens with a benign haunting recounted by a woman named Cassie, who moved into a larger, better-kept apartment over Christmas 2018 and lived there three months before moving in with her boyfriend. The internet blinked off repeatedly, cell reception failed in parts of the unit, electrical sockets quit working, bulbs burned out fast, and the shower switched itself on while she was away at classes. One night around one a.m. she and her boyfriend both heard the pitter-patter of bare feet in the kitchen, yet she never felt threatened, and when she left she said goodbye to whatever shared the space with her.The episode closes with the Wash-House Murder, the July 1886 killing of a Chinese laundryman found stabbed fourteen times in his Shawmut Avenue laundry in Boston's South End, his braided queue cut off and the five hundred dollars he had saved for a return to China gone. The victim's name was never certain, printed variously as Bin Chong, Ding Chong, and Wong Kong, and the case drew the Boston Police into a Chinatown governed by rival companies named Moy, Ching, Lee, and Sing. Detectives questioned the violent Moy company leader Ah Moy Chong and brought in New York interpreter Warry S. Charles, but the murder was never solved, and Charles himself was convicted of first-degree murder in 1908 after importing hatchet-armed assassins as a tong leader, leaving four dead in Chinatown.

Paul en Vincent bespreken en ranken weer drie interessante "Universal" monsters. Deze keer in de films Abraham Lincoln Vampire Hunter, Dracula Untold en Victor Frankenstein... Wat is jouw favoriet?

Já fez seu devocional hoje? Aproveite e marque um amigo para fazer junto com você! Confira 

Fellow movie buffs Chris Holmes and Stephen Clements join for an electrifying ambulation through the gothic corridors of over 30 Frankenstein movies, past and present. Chris and Shane disagree on the merits and content of the original Frankenstein novel. Shane has thoughts on spoilers and people expecting them to apply forever. There's Iconic, and then there's iconic. What Frankenstein movie was so bad that Stephen wished his heart would have stopped while watching it, and he begs all of humanity never to watch it? For you Mage: The Ascension fans out there, Dr. Frankenstein was a Son of Ether (and so were the Ghostbusters). Do Frankenstein movies play into our fear of being eaten? Stephen manages to invoke the old military urban legend of the Ether Bunny. Chris will sit through every second of a putrid, horrible movie that he despises at least twice. Chris saw a movie in the theater using Smell-O-Vision… in 2025. Stephen has super-strong (like, super-strong) opinions about Poor Things. Did we mention that Stephen has super-strong opinions about Poor Things?  Shane Plays Geek Talk Episode #290 - 5/30/2026 Like what you hear? Support Shane Plays Geek Talk on Patreon! https://www.patreon.com/shaneplays Listen to the Shane Plays Geek Talk podcast on YouTube, SoundCloud, iTunes, Google Play Music, Amazon Music, Podbean and Stitcher (and other fine, fine podcast directories). Hey, you! Yeah, you! Buy cool stuff, support Shane Plays Geek Talk with these affiliate links! Humble Bundle https://www.humblebundle.com?partner=shaneplays DriveThruRPG.com https://www.drivethrurpg.com/browse.php?affiliate_id=488512 SHOW NOTES Stephen Clements on YouTube https://www.youtube.com/@stephen.clements Frankenstein movies list we went into the podcast with: 1910 Frankenstein aka "Easy Bake Frankenstein" (according to Stephen :D ) 1931 Frankenstein 1935 Bride of Frankenstein 1939 Son of Frankenstein 1942 Ghost of Frankenstein 1944 House of Frankenstein 1957 I Was a Teenage Frankenstein 1957 The Curse of Frankenstein 1958 The Revenge of Frankenstein 1958 Frankenstein 1970 1962 The Brain That Wouldn't Die 1964 The Evil of Frankenstein 1965 Jesse James Meets Frankenstein's Daughter 1967 Frankenstein Created Woman 1968 The Astro-Zombies 1969 Frankenstein Must Be Destroyed 1969 The Horror of Frankenstein 1971 Lady Frankenstein 1972 Flesh for Frankenstein 1973 Frankenstein: The True Story 1973 Blackenstein 1974 Frankenstein and the Monster from Hell 1974 Young Frankenstein 1975 The Rocky Horror Picture Show 1981 Frankenstein Island 1984 The Bride 1985 Re-Animator 1990 Frankenstein Unbound 1990 Frankenhooker 1990 Bride of Re-Animator 1994 Mary Shelley's Frankenstein 2012 Frankenweenie 2015 Victor Frankenstein 2023 Poor Things 2025 Frankenstein 2025 Dead Lover Dungeons and Desktops: The History of Computer Role-Playing Games 2nd Edition Shane's book! Co-authored with Matt Barton of Matt Chat https://www.amazon.com/Dungeons-Desktops-History-Computer-Role-Playing/dp/1138574643/  

Tim Kirk is back to talk about Frankenstein! Specifically the TV movie Frankenstein from 1984. Join us as we talk about this unique take on adapting Mary Shelley's novel. We have a Victor Frankenstein who is more interested in his creation, and less violent/more sympathetic creation, and yet things still go wrong. These Frankensteins just can't win! Tim's book All His Damned Mother's Sons is still availabile! Purchase it at ⁠⁠⁠⁠https://pelekinesis.square.site?cc=FRANKENCAST⁠⁠⁠⁠ or just go to ⁠⁠⁠⁠pelekinesis.com⁠⁠⁠⁠ and enter code FRANKENCAST at checkout. And you can always find more from Tim at ⁠⁠⁠⁠tim2kirk.com⁠⁠⁠⁠! Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Join us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefrankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Find all of our various links at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/frankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or send us a letter at thefrankencast@gmail.com. We'd love to hear from you!Your Horror Hosts: Anthony Bowman (he/him) & Tim Kirk (he/him). Cover painting by Amanda Keller (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KellerIllustrations on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).

This week, we're discussing a movie that asks what if the story of Mary Shelley writing Frankenstein was even weirder and more fraught than it actually was? And what if Percy Shelley and Victor Frankenstein were kind of the same guy? And what if Lord Byron was awful? (Okay, that one's true.) Join us as we discuss this strange mess of a movie that we both kind of liked, but really wanted to like a lot more than we actually did.Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Join us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefrankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Find all of our various links at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/frankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or send us a letter at thefrankencast@gmail.com. We'd love to hear from you!Your Horror Hosts: Anthony Bowman (he/him) & Hayden Orr (he/him). Cover painting by Amanda Keller (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KellerIllustrations on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).

Leading SCOTUS scholar Melissa Murray joins Harry to discuss her new book on the constitution and her concerns about the Justices now tasked with interpreting it. Melissa guides Harry through key points from her book—"The U.S. Constitution: A Comprehensive and Annotated Guide for the Modern Reader"—from the fears of slave rebellion that shaped the 2nd amendment to the expansive promise of liberty that has been gradually erased from the 14th. The two close with a closer look at the Justices, including why Melissa sees John Roberts as the "Victor Frankenstein of American government."Mentioned in this episode: Melissa's new book:  https://www.simonandschuster.com/books/The-U-S-Constitution/Melissa-Murray/9781668221938New York Times reporting on the origins of the shadow docket:  https://www.nytimes.com/2026/04/18/us/politics/supreme-court-shadow-docket.htmlNoah Feldman's book “Scorpions”:  https://www.nytimes.com/2010/11/07/books/review/ACohen-t.htmlCarol Anderon's book “The Second”:  https://www.nytimes.com/2021/05/28/books/review/the-second-carol-anderson.html  Learn more about your ad choices. Visit megaphone.fm/adchoices

Já fez seu devocional hoje? Aproveite e marque um amigo para fazer junto com você! Confira 

Malala Yousafzai was 15 when a Taliban gunman shot her for advocating for girls' education in her native Pakistan. She understood that she was a target. “I had pictured it many times that this could happen. I had pictured it at school. I had pictured it in my school bus. I knew that the Taliban could do anything,” she told Terry Gross. Yousafzai won the Nobel Peace Prize when she was just 17 years old. In an interview from a live event onstage, she talks about her childhood before the incident and finding herself after being in the public eye for so long.Also, we hear from actor Oscar Isaac. He's currently starring in the Netflix series ‘Beef' and recently played Dr. Victor Frankenstein in Guillermo del Toro's adaptation of ‘Frankenstein.' Book critic Maureen Corrigan recommends three books for the spring: ‘Yesteryear,' by Caro Claire Burke; ‘American Fantasy,' by Emma Straub; and ‘Enormous Wings,' by Laurie Frankel.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Malala Yousafzai was 15 when a Taliban gunman shot her for advocating for girls' education in her native Pakistan. She understood that she was a target. “I had pictured it many times that this could happen. I had pictured it at school. I had pictured it in my school bus. I knew that the Taliban could do anything,” she told Terry Gross. Yousafzai won the Nobel Peace Prize when she was just 17 years old. In an interview from a live event onstage, she talks about her childhood before the incident and finding herself after being in the public eye for so long.Also, we hear from actor Oscar Isaac. He's currently starring in the Netflix series ‘Beef' and recently played Dr. Victor Frankenstein in Guillermo del Toro's adaptation of ‘Frankenstein.' Book critic Maureen Corrigan recommends three books for the spring: ‘Yesteryear,' by Caro Claire Burke; ‘American Fantasy,' by Emma Straub; and ‘Enormous Wings,' by Laurie Frankel.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Rogge & Jessica discuss Frankenstein.Released: 2025Rating: RRuntime: 2h 29mSynopsis: Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.Directed By: Guillermo del ToroStarring:Oscar IsaacChristoph WaltzJacob Elordi----Connect at linktr.ee/flabberpod

Mary Shelley var atten, da hun sommeren 1816 ved Genevesøen blev udfordret af bl.a. Lord Byron og Percy Bysshe Shelley (hendes senere mand) til at skrive en uhyggelig historie. Ud af konkurrence, regnvejr og et mareridt voksede en fortælling om Victor Frankenstein — en ung videnskabsmand, der skaber et monstrøst liv og derefter flygter fra ansvaret. Romanen udkom anonymt i 1818; i dag er navnet og Monstret overalt i popkulturen. Mary Shelley skrev videre efter Percys druknedød i 1822, men Frankenstein blev hendes mest læste værk. Fastfrosset i en rammefortælling på Nordpolen Bogen starter ikke med Victor, men med Robert Walton, en kaptajn på vej mod Nordpolen. Han skriver breve hjem til sin søster om ensomhed, ære og drømmen om at opdage noget nyt. Da skibet sidder fast i isen, møder han en udmattet fremmed — det er Victor, som brænder på at fortælle sin historie. Bogen er bygget som lag i lag. Victor fortæller om sin familie, sit studium og sit eksperiment. Siden får skabningen selv lov til at tale. Det er en langsom, bekendelsespræget roman med få gyserstød og meget følelsesregister. Film har gjort selve skabelsen til et stort klimaks; hos Shelley er den næsten en fodnote. Victor vender monstret ryggen Victor skaber sit væsen og vækker det til live om natten. Da han ser resultatet, stikker han af. Han lader det ligge alene. Monstret vandrer ud i verden uden sprog og uden nogen, der kan forklare det, hvem eller hvad det er. Det finder en hytte ved en skov og tilbringer måneder med at iagttage en fattig familie udefra. Sådan lærer det sproget. Sådan opdager det, at det er forladt og frygtet. Til sidst opsøger monstret Victor og kræver ét: en ledsager. Et andet væsen som det selv. Victor nægter. En for en dræber monstret Victors familie Monstret tager hævn. Det begynder med Victors lille bror William, som det dræber i skoven. En ung kvinde i familien, Justine, mistænkes for mordet. Der holdes retssag. Victor ved, hvad der virkelig skete — men han tier. Justine dømmes og henrettes. Siden dræber monstret Elizabeth, den kvinde Victor gifter sig med. Det sker på deres bryllupsnat. Victor begiver sig nordpå for at jage monstret — og det er her, Walton finder ham i isen. Hvem var egentlig værst? Victor dør ombord på Waltons skib, udmattet af sin jagt på monstret. Monstret dukker op ved liget og holder en tale. Ikke en trussel — et forsvar. Det siger, at det var et ubeskrevet blad. At det rakte ud til mennesker. At de skød på det og slog det og jog det væk. At det bare reagerede på, hvad det mødte. Walton er blind over for det. Fra det øjeblik, han mødte Victor på isen, så han kun et ædelt menneske med store tanker. At Victor tav under Justines retssag, mens en uskyldig blev hængt — det registrerer Walton ikke. Han beundrer Victor til det sidste. Monstret beslutter sig for at dø. Det vil tage nordpå og brænde sig selv. Det er det eneste væsen i fortællingen, der rent faktisk tager konsekvensen af sine handlinger. Victor flygtede og tav. Walton ville hellere lade sin besætning dø i isen end vende sydpå. Jens og Anders har SCIFI SNAKKET Frankenstein; or, The Modern Prometheus. Vurderingen Jens: ⭐⭐ (to stjerner — “kunne have været én”). Store dele af bogen føltes som kamp mod pacing og familieudredninger; det var især slutningen med Walton og monstret, der løftede oplevelsen og gjorde temaet tydeligt. Anders: ⭐⭐⭐⭐ (fire stjerner; “overvejet fem” af nostalgiske grunde). Genlæsningen ramte ham: Han lod sig rive med af det romantiske drama, og han har et særligt forhold til bogen fra universitetstiden — plus respekt for det kulturelle aftryk gennem 200 år. Til sammenligning har SCIFI SNAKs Goodreads-gruppe i skrivende stund en gennemsnitsscore omkring 4,04/5 på Frankenstein blandt dem, der har læst og bedømt den — så her er Anders mest i sync med lytterne. Shownotes til episoden om Frankenstein Siden sidst Anders Så Project Hail Mary i forpremiere (Ryan Gosling som Ryland Grace, Rocky-alienen, “let’s science the shit out of this”-vibe); sammenligner med The Martian. Har læst Good Morning, Midnight (Lily Brooks-Dalton) — bog bedre end Netflix-filmen for ham. Har læst The Water Knife af Paolo Bacigalupi — brutal klimathriller i det tørre USA. Nævner femte sæson af For All Mankind (premiere 27. marts 2026). Har ikke set The Bride (Maggie Gyllenhaal) — blandet omtale. Jens Trailer til Dune Messiah / tredje Villeneuve-Dune — og lidt “Timothée-overeksponering”. Læser There Is No Antimemetics Division (qntm) — “weird” puzzle-anti-mem; stor anbefaling. Har lyttet til podcasten Læs den om Frankenstein (afsnittet “Læs den ikke!”). Podcasten The Big Picture nævnt i forbindelse med Oscar-snakket om Project Hail Mary og Dune 3. Lytternes input Henning har en udgave med Bernie Wrightsons illustrationer (kan lånes på biblioteket); synes bogen er kedelig, men vil gerne lytte med. Lise roser stemningen i bogen og understreger, at film og bog ikke ligger tæt — hovedpointer kan gå tabt i filmfortolkninger. Kristoffer (m.fl.) har set Guillermo del Toros Frankenstein uden at blive fanget; leder stadig efter “den perfekte” adaptation. Anbefalinger fra lyttere Søren Trussel: The Tourist — tids-turisme som almindelig industri; turistguide der holder styr på tidsrejsende. Per: Slow Gods af Claire North — sammenlignes med Ann Leckie og Adrian Tchaikovsky; ultrakapitalistisk “Shine”-verden og udødelighed. Næste gang Episode 136: Slow Gods af Claire North — pligtlæsning når Leckie- og Tchaikovsky-sammenligninger flyver, men vi er også spændt på, om hypen holder. Kommentarer, input og snak: scifisnak.dk.SCIFI SNAK findes også på Mastodon og i Fediverse — se evt. guiden her.

He's a monster!! And by that, we mean Victor Frankenstein, not his creation.  Listen this week as Magda and Lindsay break down Mary Shelley's Frankenstein and its enduring legacy. They also delve into recent adaptations by Guillermo del Toro and Maggie Gyllenhaal's “The Bride.”    Books mentioned in the episode: “Hamnet“ by Maggie O'Farrell “Crying in H Mart“ by Michelle Zauner “Frankenstein“ by Mary Shelley “First-Time Caller“ by B.K. Borison “The Bell Jar“ by Sylvia Plath “Judy Blume: A Life“ by Mark Oppenheimer   Email us!  Literally Books Website Literally Books Instagram Magda's Instagram Lindsay's Instagram Literally Books YouTube Literally Books TikTok   Intro & Outro Song: "Would it Kill You," courtesy of The Solder Thread

Sexy Vic n Igor

Today, we celebrate the birthday of a tremendous actor who elevates every film that he's in. Of course, we are talking about Mr. Oscar Isaac. In his prolific career, Isaac has helmed many blockbuster franchises. Still, he hasn't shied away from layered, mysterious, and sometimes horrifying characters - those are the type of performances that we tackle in this week's episode. We start with Oscar Isaac's star-making performance as a struggling folk singer in the Coen Brothers' Inside Llewyn Davis. Next, in what is perhaps Isaac's most haunting and complex performance to date, he plays William Tell, a mysterious gambler with a nightmarish past in Paul Schrader's The Card Counter. Finally, Isaac tackles a role that many great actors have tackled before: Victor Frankenstein. But in Guillermo Del Toro's Frankenstein, Oscar Isaac breathes new life and pain into the iconic character. Have you seen these films? Which is your favorite? What is your favorite Oscar Isaac film?❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

This week, we're going full gothic horror romance with Guillermo del Toro's Frankenstein. Cullen goes down a Crimean War rabbit hole, Hannah can't stand this version of Victor Frankenstein, and Tish reminds us of Mary Shelley's emotional depth and genius. Check out Tish on Instagram, TikTok and Substack (@TalesWithTish). AND be sure to grab her book, “Ebony, Blood, and Snow,” from wherever you buy books online or request it at your local library!   Referenced in this episode: Frankenstein Is Actually About Being a Woman - Final Girl Digital ==================================== Watch Us on YouTube! Follow Our Adventures on Social Media: @notmyfantasypod Instagram TikTok   Research & Writing by Cullen Callaghan.  This episode was edited by Hannah Sylvester.   Cover Art by William Callaghan Intro Music: "The Quest" by Scott Little.

Kenny and Mike review and disuss faith elements spotted in Guillermo del Toro's latest film and passion project. Frankenstein stars Jacob Elordi as the Creature and, Oscar Isaac as Victor Frankenstein, and co-stars Mia Goff and Christoph Waltz. The film received 9 Oscar nominations including best Picture, Supporting Actor, Adapted Screenplay. Frankenstein is a passion project for del Toro as he weaves elements from the Mary Shelley's novel, James Whale's original 1931 film, as well as his reinterpretation of the story.  Faith Spotted: Humanity's temptation to play or challenge God. This tempation dates to the book of Genesis 3 where Eve and Adam were tempted to eat the fruit from the tree of the knowledge of good and evil. This desire was rooted in a mistrust of God to care for them.  For Victor Frankenstein, the drive to play or become like God was rooted in Victor's loss, grief, and pain associated with the death of his mother and the abuse and rejection from his father, and his father's inability to save his mother. He wanted to reverse his father's failure by not only saving life but restoring and recreating life. Such pain cannot be soothed by satisfying ego and pride. These motivations to create are in direct contrast to God's desire to create which was and is grounded in God's desire for love and community.  The film shows the place and purpose for processing grief and not rushing or suppressing the grief journey. Such processing can involve faith, theology as well as counseling and psychological tools. In Philippans 4 Paul speaks of peace which passes understanding, which includes peace in the midst of the pain and grief of loss of loved ones.  Victor's abuse of the creature models the abuse he suffered at the hands of his father, reflecting the cycle of abusive relationships being passed down to future generations as taught in Exodus 20 and 34. The contrast of the music played during the process of Victor dismembering body parts to be used in the creature reflets the contrast between creation born out of love and that born out of anger and pain. Victor's comment, "It is finished" also reflects on the contrast of Christ's crucifixion which leads from death to eternal life and that of the eternal death the creature experiences in the life given from Victor. Martin Luther's concept of simul iustus et peccator (simultaneously saint and sinner). The human and monster qualities within both Victor and the Creature reflects the saint and sinner within humanity. This concept is at the core of Luther's teaching that righteousness is a gift of grace received through Christ and received by faith. It is Christ who justifies as an act of love and grace.  The film shows the power of forgiveness to bring about transformation and true peace. 

Josh is joined by Guillermo del Toro Correspondent Ben Luben and John Pulice to talk about del Toro's latest monster story, as he puts his own spin on "Frankenstein." They discuss how del Toro explored themes such as generational trauma through the story of Victor Frankenstein creating a monster in an experiment that doesn't go according to plan, Oscar Isaac and Jacob Elordi's performances as Frankenstein and "The Creature," how del Toro did and did not succeed from a visual standpoint and much more!

Tales From The Locker Kickstarter (Ends Feb 27 2026) Ed Bourelle - Skeleton Key GamesPhilip ReedAlexander Jatscha-Zelt - Golem ProductionsEd's Notes:The Masticator Gate & Endless Demon DeckThree from the LockerPrivateer PressTime Bandits (Movie)Cutthroat Island (Movie)On Stranger Tides (Book)Raptor Ruckus (RPG)Tome of Adventure Design (RPG Design Book)How to THINK when you DRAW (Drawing Book)Philip's Notes:The Agonizing Resurrection of Victor Frankenstein and Other Gothic TalesCabin Fever JamCabin Fever Winner: So Many Ways to Die - A Pirate Borg Sea Shanty (YouTube)Zine Box (Tomb of Zines)Dungeon Denizens 2 (Kickstarter)Forgotten Realms: The Magister - FR4 (Book)Alexander's Notes:Ravaged by Storm (Kickstarter)The Electrum Archive (Setting)The Desert Moon of Karth (Adventure)Pirate Borg Design PrimerMothership (RPG)Gavin Norman (Dolmenwood Designer)OtherEscape from Monkey IslandBridgman's Complete Guide to Drawing from LifeSkerples Monster Overhaul  CreditsMusic: Alexander Miller Editing: Matt Kepler Producing: Tyler StrattonGet Episodes 1 week early on Limithron's Patreon

Philip and Lara discuss the new adaptation of Mary Shelley's Frankenstein from Guillermo del Toro and Netflix, featuring a star-studded cast and an impressive awards season run. This visual spectacle follows the life journey of Victor Frankenstein, son of a renowned surgeon and aristocrat, who suffers the loss of his mother at a young age. Victor becomes obsessed with the human anatomy and the preservation of one's natural life. Whilst conducting macabre experiments with human cadavers, he discovers a way to reanimate an assemblage of body parts, leading to his and his wealthy benefactor's fully-fledged scientific pursuit in the service of playing God. Their efforts yield miraculous results, but their hubris leads to certain dire consequences. Will the creature spawned from the work of Dr. Frankenstein embody the lack of humanity often displayed by its creator? Follow The ThawedCast: Conversations About Animation: twitter.com/thawedcast and instagram.com/thawedcast. instagram.com/partoflarasworld, instagram.com/laraakal, instagram.com/philipehlke. Visit thawedcast.com

Send us your fan mail :)Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.mia's Letterboxd ReviewGlenn Kenny ReviewOUR SOCIALS:INSTAGRAMTWITTERLETTERBOXDCONTACT US: courtofcinema@gmail.comSPEAKPIPE

Welcome back to The Horror Project Podcast, where hosts Laura and Phil dive headfirst into the dark and the dramatic! This week, we fire up Netflix and step inside Victor Frankenstein's eerie lab to explore Guillermo del Toro's 2025 adaptation of Frankenstein.Join us as we unpack the story of a brilliant yet egotistical scientist whose bold experiment brings a monstrous creation to life—setting off a tragic chain of events that doom them both.We'll dig into Victor's upbringing, the Creature's heartbreaking journey, and all the rich gothic madness that only del Toro could deliver.So grab your candles, cue the thunder, and tune in for our deep dive into Frankenstein (2025)—a haunting tale of ambition, creation, and consequence.Thank you for listening!Email - Horrorprojectpodcast@hotmail.com  Instagram - horrorprojectpodcastTikTok - @horrorprojectpodcastSay Hi - Send The Horror Project a Message!

How We Seeez It! Episode 321, Frankenstein (2025) “In you, I have created something truly horrible.”– Dr. Victor Frankenstein.  Guillermo Del Toro was so inspired by Mary Shelley's book as a child; he has always wanted to take his shot telling this story. The movie he has made is up for many Oscars as well as other awards. Best picture being one of them. So, join us for the discussion on our thoughts and don't forget about our cocktails for this episode. There should be some good ones.         As always, mix a drink, have a listen, and let us know what you think. Or if there is something you watched that we might enjoy or a can't miss series. Also please rate and review show on all your favorite podcast apps. Drinks for the episode: "The Blunderbuss" 1 oz Svöl Danish-Style Aquavit ¾ oz Cherry Heering ¾ oz Hamilton 151 Overproof Rum 2 dashes Smoked Salt & Pepper Bitters Stir until very cold Strain into a rocks glass Express a lemon peel and discard “Oedipus Complex” 1.5 oz Caramel Vodka 1.5 oz Amaretto  1 oz Grind Espresso liquor Add in a “Breast Milk shot” .33 oz Crème de Cacao  .33 oz salted caramel Irish cream  .33 oz butterscotch schnapps  .33 oz Milk   Show links: https://hwsi.podbean.com/e/frankenstein-2025/  HWSI LinkTree HWSI Facebook Link HWSI Instagram Link HWSI Youtube link !! You can also email the Podcast at the.HWSI.podcast@gmail.com

Mary Shelley's Frankenstein continues to captivate audiences centuries after its publication, but not all adaptations emphasize the same ethical questions. Matthew and returning guest AK dive into both the original novel and Guillermo del Toro's recent film adaptation—not to catalog their differences, but to explore how each medium handles the story's core moral dilemmas and which approach proves more compelling.How Does the Film Emphasize “The Other” Differently?While both the book and film explore themes of parentage, responsibility, and scientific hubris, they emphasize different ethical questions. AK notes that the novel places stronger emphasis on the responsibilities of individuals in medicine and parenting, particularly through the lens of abandonment. The film, however, foregrounds questions about the grotesque other, the monstrous other, and how appearance shapes moral judgment. The visual decisions in del Toro's adaptation—juxtaposing the creature against beautiful backdrops that shift with emotional moments—underscore this emphasis.How Does the Shift from Abandonment to Abuse Change Victor's Responsibility?One of the most striking differences between the book and film lies in Victor Frankenstein's initial interaction with his creation. In Shelley's novel, Victor creates the monster, goes to bed, wakes up, and immediately flees—abandoning the creature with almost no interaction. Del Toro's film takes a dramatically different approach: Victor spends considerable time with the creature, engaging with it in ways impossible in the book. This changes the fundamental ethical question. Does Victor bear responsibility for abandonment and neglect, or for intentional, directed abuse? The film's choice to show an extended period of interaction—where Victor treats the creature as an object rather than a being—shifts the moral weight of his culpability.Why Does the Composite Body Matter More Now Than Ever?Victor's method of selecting “optimal” body parts from different corpses to create his creature resonates uncomfortably with contemporary debates about human enhancement and biotechnology. The discussion explores how Victor's approach—viewing the creature as an optimization project rather than a living being—connects to modern questions about CRISPR, genetic modification, and who decides what constitutes an “optimal” human body. These questions inevitably involve ableism and the commodification of bodies. The film's emphasis on Victor literally selecting bodies at prisons raises urgent parallels to current concerns: Who becomes test subjects for experimental procedures like Neuralink? Are they being viewed as humans or as subjects for experimentation?Other Topics Covered:Why the novel's nested narrative structure (stories within stories) creates a unique moral complexityHow both works explore humanity's relationship to nature, science, and the line between achievement and hubrisThe challenge of adapting works from different historical contexts when what counted as scientific hubris has radically changedThe concept of viewing people as player characters (with their own interiority) versus non-player characters (existing only to advance your plot)Why Frankenstein's relevance grows as biotechnology makes questions of life preservation more immediateThe conversation reveals how both Shelley's novel and del Toro's film use the Frankenstein story to explore timeless questions through different emphases—one focusing on neglect and parental failure, the other on abuse and the othering of those who don't meet conventional standards of beauty or normalcy. **************************************************************************This episode is a production of Superhero Ethics, a The Ethical Panda Podcast and part of the TruStory FM Entertainment Podcast Network. Check our our website to find out more about this and our sister podcast Star Wars Generations.We want to hear from you! You can keep up with our latest news, and send us feedback, questions, or comments via social media or email.Email: Matthew@TheEthicalPanda.comFacebook: TheEthicalPandaInstagram: TheEthicalPandaPodcastsTwitter: EthicalPanda77Or you can join jump into the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want to get access to even more content while supporting the podcast? Become a member! For $5 a month, or $55 a year you get access to bonus episodes and bonus content at the end of most episodes. Sign up on the podcast's main page. You can even give membership as a gift!You can also support our podcasts through our sponsors:Purchase a lightsaber from Level Up Sabers run by friend of the podcast Neighborhood Master AlanUse Audible for audiobooks. Sign up for a one year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

There aren't any numbers here because that would imply a ranking. (Or at the very least, can draw the question about ranking.) Here are this movies that at least one of dug this year: SINNERS Directed by Ryan Coogler Written by Ryan Coogler From IMDB: Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. When this was announced, I wasn't sure of what to make of it. Surely, a dip into the From Dusk Til Dawn pond wasn't a thing that crossed my mind, but we got a wee bit of that here. Currently on HBO Max WEAPONS Directed by Zach Cregger Written by Zach Cregger From IMDB: When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance. What a great follow-up to Gregger's Barbarian. Not quite as What-The-Fuck-y as Barbarian, but it's not in short supply of nuttiness. Currently on HBO Max PREDATOR: BADLANDS Directed by Dan Trachtenberg Written by Patrick Aison and Dan Trachtenberg From IMDB: A young Predator outcast from his clan finds an unlikely ally on his journey in search of the ultimate adversary. Dan Trachtenberg returns to the Predator franchise for the third time in his career and the second time in 2025. (See below,) This time, telling the story through a young Predator out to prove to his father and his clan he is worthy of his armor. Currently in theaters with Cinema AT Home rentals coming soon.   PREDATOR: KILLER of KILLERS Directed by Dan Trachtenberg Written by Micho Robert Rutare From IMDB: Three of the fiercest warriors in human history become prey to the ultimate killer of killers. With only his third feature film of his career, Trachtenberg tells his latest stories from Man versus Predator saga in animation form this time. Great storytelling all around, with a TON of Easter Eggs to be had. Currently on Hulu   FRANKENSTEIN Directed by Guillermo del Toro Written by Guillermo del Toro From IMDB: Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. Del Toro makes his way back into the class monster stories with his own take on Mary Shelley's well-worn story of the same name. But he does it only in a way that GDT can. Currently on Netflix   SORRY, BABY Directed by Eva Victor Written by Eva Victor From IMDB: After a tragic event, a woman finds herself alone while everyone else continues with their lives as if nothing had happened.   *THUNDERBOLTS Directed by Jake Schreier Written by Eric Pearson, Joanna Calo, and Kurt Busiek From IMDB: After finding themselves ensnared in a death trap, an unconventional team of antiheroes must go on a dangerous mission that will force them to confront the darkest corners of their pasts. Currently on Disney +   COMPANION Directed by Drew Hancock Written by Drew Hancock From IMDB: A weekend getaway with friends at a remote cabin turns into chaos after it's revealed that one of the guests is not what they seem. Currently on Prime Video and HBO Max   Superman Directed by James Gunn Written by James Gunn From IMDB: Superman must reconcile his alien Kryptonian heritage with his human upbringing as reporter Clark Kent. As the embodiment of truth, justice and the human way he soon finds himself in a world that views these as old-fashioned. Wake Up, Dead Man Directed by Rian Johnson From IMDB: Detective Benoit Blanc teams up with an earnest young priest to investigate a perfectly impossible crime at a small-town church with a dark history.   BLACK BAG Directed by Steven Soderbergh Written by David Koepp From IMDB: When intelligence agent Kathryn Woodhouse is suspected of betraying the nation, her husband - also a legendary agent - faces the ultimate test of whether to be loyal to his marriage, or his country. Currently on Prime Video, and Available to Rent on All Rental Platforms, as well as 4K Ultra HD and Blu-ray. CHAINSAW MAN THE MOVIE - REZE ARC Directed by Tatsuya YoshiharaWritten by Tatsuki Fujimoto and Hiroshi Seko From IMDB: Denji encounters a new romantic interest, Reze, who works at a coffee café.   2025 had a really nice mixed bag of movies we dug, and very little we didn't. We're looking forward to 2026 with some new stuff including new additions to Patreon for us to engage with all of you a little more! Here's to another year of great movies! ENJOY! Love and Rockets, Corey, Joseph, and Freddy ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages   

Today we begin a short, 5 episode series covering classic monsters, starting with Frankenstein.I have a new short story collection available for grown ups on Amazon called the Day the Depression Returned. This is currently only 2.99 on Kindle and in need of honest reviews.You can also help support the show - tip as little as a pound or dollar - Ko-fi The original 'Buy Me a Coffee' Page." https://ko-fi.com/johnable and come chat to me at Johnablewriter@gmail.com

Frankenstein is a 2025 American Gothic science fiction film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, with Mia Goth and Christoph Waltz in supporting roles. The story follows the life of Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.Del Toro had long imagined a faithful Frankenstein film as a "dream project". This was initially in development for Universal Pictures, with del Toro casting frequent collaborator Doug Jones as the Creature, and Bernie Wrightson being considered for the monster's design. However, Universal suspended the project in relation to its planned Dark Universe franchise. Netflix revived the project in 2023, with Elordi instead portraying the Creature. Filming took place from February to September 2024. Wrightson had died in 2017, and the illustrated compilation Bernie Wrightson's Frankenstein was a key inspiration for the film's look.Frankenstein premiered at the 82nd Venice International Film Festival on August 30, 2025. It had a limited theatrical release in the United States from October 17 and was globally released on November 7 on Netflix. The film received generally positive reviews from critics. Both the National Board of Review and the American Film Institute named it as one of the top ten films of 2025. It received five nominations at the 83rd Golden Globe Awards, including Best Motion Picture – Drama.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

On this episode the boys review the newest Guillermo del Toro film, 'Frankenstein'. Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. (00:00 - Frankenstein Review)

It's back to the lab again for the last Supplemental Reading of 2025 and we're tackling Victor Frankenstein and his monster. Does Guillermo Del Toro's new work fit within the canon of Frankenstein, the Frankencanon? Or does it simply fall to pieces in the end? Find out right here on Zero Credit(s).

Send us a textFrankenstein (2025) Movie Review!  Guillermo del Toro | Cinemondo! frankenstein #guillermodeltoro #oscarissac #jacobelo #moviereaction #moviereview  Kathy, Mark and Burk review Guillermo del Toro's Frankenstein. Frankenstein is a 2025 American Gothic science fiction film[4][5] produced, written and directed by Guillermo del Toro, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, while Mia Goth and Christoph Waltz play supporting roles. The story follows the life of egotistical scientist Frankenstein whose experiment in creating new life results in dangerous consequence. #frankenstein #guillermodeltoro #oscarissac #jacobelo #moviereaction #moviereview Support the show

"You are the monster."This week, Andrew and Scotty create a man out of the body parts of other dead men as they discuss Guillermo del Toro's "Frankenstein". And at the end of the episode, Scotty chooses their next movie!In the most recent adaptation of Mary Shelley's novel, Guillermo del Toro fulfills a lifelong dream of adapting it into his vision of "Frankenstein". Oscar Isaac is the ego-driven scientist, Victor Frankenstein, while Jacob Elordi plays the creature he creates from the parts of other dead men. Mia Goth and Christoph Waltz round out the cast of this gothic tale of horror.Feel free to send us a message! What did you think of this movie? Of this episode? Support us on Patreon! - https://www.patreon.com/FunWithHorrorPodcastFollow us on social media:Facebook - https://www.facebook.com/groups/396586601815924Twitter - https://twitter.com/funwhorrorInstagram - https://www.instagram.com/fun_with_horror_podcast/FWH + Fangoria collab:For 20% off at the Fango Shop, just enter FUN_WITH_HORROR_PODCAST at checkout!

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ In this episode of the Lost Plot Podcast, hosts Maverick and Avalon, along with guest Patrick, delve into the recent Netflix release of Frankenstein directed by Guillermo del Toro. They discuss their initial impressions, the film's faithfulness to Mary Shelley's original work, and the character development of Victor Frankenstein and the creature. The conversation explores themes of fatherhood, the consequences of obsession, and the duality of the characters, ultimately questioning who the true monster is in the story. The discussion also highlights the themes of forgiveness and redemption, questioning the lasting impact of the adaptation compared to the original text. Overall, the speakers express differing opinions on the effectiveness of the storytelling and the thematic depth of the film.----------Highlights:0:00 ‘Frankenstein' Introduction16:11 Opening Scene30:25 The Monster & Victor Frankenstein37:14 Side Characters50:13 The Creature54:42 Themes & Messages1:11:43 Lasting Impact#frankenstein #netflix #frankenstein2025 #netflixfrankenstein #guillermodeltoro #alostplot #podcast #film #filmthoughts #thecreature

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ In this episode of the Lost Plot Podcast, hosts Maverick and Avalon, along with guest Patrick, delve into the recent Netflix release of Frankenstein directed by Guillermo del Toro. They discuss their initial impressions, the film's faithfulness to Mary Shelley's original work, and the character development of Victor Frankenstein and the creature. The conversation explores themes of fatherhood, the consequences of obsession, and the duality of the characters, ultimately questioning who the true monster is in the story. The discussion also highlights the themes of forgiveness and redemption, questioning the lasting impact of the adaptation compared to the original text. Overall, the speakers express differing opinions on the effectiveness of the storytelling and the thematic depth of the film.----------Highlights:0:00 ‘Frankenstein' Introduction16:11 Opening Scene30:25 The Monster & Victor Frankenstein37:14 Side Characters50:13 The Creature54:42 Themes & Messages1:11:43 Lasting Impact#frankenstein #netflix #frankenstein2025 #netflixfrankenstein #guillermodeltoro #alostplot #podcast #film #filmthoughts #thecreature

Guillermo del Toro's long-gestating passion project, Frankenstein, is here. Perhaps one of the famed Mexican filmmaker's greatest influences, Mary Shelley's horrifying creature once again graces the big screen, this time with del Toro's signature, gothic sensibilities. We discuss the monster's history, its many adaptations, and review its latest incarnation.

This episode of Welcome To The Party Pal delves into Frankenstein, the gothic drama film produced, written, and directed by Guillermo del Toro, based on the 1818 novel by Mary Shelley. The film stars Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, while Mia Goth and Christoph Waltz play supporting roles. The story follows the life of egotistical scientist Frankenstein whose experiment in creating new life results in dangerous consequences. Join in on an episode where hosts Michael Shields and Ryan O'Connell whisk listeners off to Geneva, Switzerland, Ingolstadt, Germany, and the Arctic Circle in a hunt for the Creature. Hosted on Acast. See acast.com/privacy for more information.

Editor - Evan Schiff ACE Frankenstein editor Evan Schiff ACE first began his journey as an assistant editor on Del Toro's Pan's Labyrinth (2006). Over the next, nearly two decades, Evan would establish himself as an action movie editor to be reckoned with.  He would flex his cutting chops on films like John Wick: Chapter 2 (2017), John Wick: Chapter 3 - Parabellum (2019) and Bob Odenkirk's action debut, Nobody (2021).  Evan would also drop by the MCU to cut The Marvels (2023).  But to hear Evan tell it, it was hardly his skills as an action editor that would prompt Del Toro to hire his former assistant editor to cut Frankenstein. Produced, written and directed by Guillermo del Toro, and based on the 1818 novel by Mary Shelley, Frankenstein stars Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz. The film follows the life of egotistical scientist Victor Frankenstein whose experiment in creating new life results in dangerous consequences when his monstrous creation comes to life. EVAN SCHIFF ACE (In Evan's own words...) Originally from Syracuse, NY, I started my career in the film industry at the age of 16, between my junior and senior years of high school, with an internship at Stan Winston Studio (now Legacy EFX). After graduating from high school and being accepted into USC's film production program, SWS hired me back to do tech support as their Systems Administrator and eventually their in-house VFX Editor. I worked there part-time for all four years of college and full-time for one year after. While at USC, I got bit by the editing bug. I found that, even more than creature or visual effects, I loved sitting in the editing bay for hours on end putting my student films together. So a year after graduation, and five years after starting my job at Stan Winston's, I started to pursue editing full-time. It was slow at first, but eventually I got my first few jobs as an assistant editor, and things took off from there. The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer Hear Evan's interview for John Wick: Chapter 3 - Parabellum See which Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

What better way to showcase family dysfunction here on Slashers Podcast, than to dive into the family dynamics of one Victor Frankenstein in Guillermo Del Toro's adaptation of Mary Shelley's classic, Frankenstein? Currently streaming on Netflix, the familial relationships in this tale are sure to make you cringe and at the same time, entrance you. The film stars Oscar Isaac as Victor, Mia Goth as both Claire and Elizabeth, Christoph Waltz as Harlander, and Jacob Elordi in his most intense role yet, the Creature. If you haven't seen this beautifully dark, gothic horror tale, we encourage you to do so beforehand, as there are spoilers aplenty!Special shout-out to our dear friend of the podcast, Tiffany Shepis!l!Don't forget to rate, review, and subscribe to Slashers Podcast for more deep dives into cult horror films!You can also find us on Facebook at the Group page Mutant Goons From Beyond. You can find our merch, and links to all our online presence here: linktr.ee/slasherspodTheme song is I wanna Die by Mini Meltdowns. https://open.spotify.com/artist/5ZAk6lUDsaJj8EAhrhzZnh ; https://minimeltdowns.bandcamp.com/ Outtro Song is If I Gave a Fuck, I'd Give a Shit by Rushmore.rushmorefl.bandcamp.com@rushmorefl

Guillermo del Toro is back and this week, Derek Miranda (@DerekMiranda85) and Karen Peterson (@KarenMPeterson) are ready to sit down and talk FRANKENSTEIN. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. Directed and written by: Guillermo del Toro, based on the novel by Mary Shelley Starring: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, Charles Dance, Lars Mikkelsen  Available now on Netflix. @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com Support the show! www.Patreon.com/TheWatchAndTalk

Frankenstein is back, baby. There are two new Frankenstein movies, plus tons of new fiction that plays with Frankenstein tropes. So it's time to talk about why this tale of a creature reanimated from dead body parts continues to haunt and inspire us. We get into Mary Shelley's life, the meaning of the bride, and what the monster has represented to different groups of people over the past 200 years. Plus, we dissect what makes Victor Frankenstein the original bad science daddy.  Shownotes: www.ouropinionsarecorrect.com/shownotes

Send us a textWelcome back to DMR Directed by the acclaimed Guillermo del Toro, the new Frankenstein on Netflix features an exceptional cast led by Oscar Isaac as Dr. Victor Frankenstein and Jacob Elordi as the Creature. The ensemble also includes Mia Goth, Christoph Waltz, and Charles Dance, bringing together a powerhouse of talent under del Toro's gothic vision. The film reimagines Mary Shelley's timeless tale with the director's signature blend of emotional depth and dark beauty, crafting a hauntingly intimate exploration of creation and consequence.The story follows Victor Frankenstein, a brilliant yet tormented scientist whose obsession with conquering death leads him down a path of obsession and tragedy. Del Toro's interpretation emphasizes both the horror and the humanity of the tale, pairing breathtaking production design with an emotionally charged narrative. Critics have hailed it as one of the director's finest works, earning a stellar score on Rotten Tomatoes and widespread praise for its performances, atmosphere, and heart-wrenching storytelling.Be sure to grab your 30 day free Audible trial in the link on this show and help support DMR!Support the showThe audio clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

This week we are joined by the Monster Movie Happy Hour Podcast for a look at Guillermo del Toro's 2025 film FRANKENSTEIN.  This is Episode #472! Frankenstein is a 2025 American gothic drama film produced, written and directed by Guillermo del Toro, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Oscar Isaac as Victor Frankenstein, Jacob Elordi as the Creature, and Mia Goth as Elizabeth, with Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Charles Dance, and Christoph Waltz in the supporting roles. The story follows the life of Victor Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences when his monstrous creation comes to life. Frankenstein had its world premiere in the main competition of the 82nd Venice International Film Festival on August 30, 2025. It began a limited theatrical release on October 17, 2025, with a global digital release by Netflix on November 7. The film received generally positive reviews from critics, with Elordi's performance receiving acclaim.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

On this New Movie Monday we build yet another body in Frankenstein (2025). We discuss how this adaptation leaves it's own mark on one. of the most retold tales of all time, how Victor and his Monster's stories change how we view each character, and the world building which del Toro is famous for.  Synopsis: Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. Starring: Oscar Issac, Jacob Elordi, Christoph Waltz, Mia Goth Directed by Guillermo del Toro Youtube: https://youtu.be/ARQlvHQgqNY Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod  Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

Bir parça beden ve bir parça ruh... Dr. Victor Frankenstein'ın esas gayesi bu ikisini birleştirip, yaşamı yeniden var etmekti. Onun hikayesi korku ve bilim kurgu dünyasının yarattığı en derin sorgulamayı da beraberinde getirmişti. 111 Hz'in bu bölümünde Frankenstein'ın hikayesinden yola çıkarak insanın komplekslerine, kibrine ve tanrısal mükemmeliyeti arayışını anlamaya çalışıyoruz. Bu gizemli yolculukta insan benliğine dair cevapları arıyoruz. Sunan: Barış Özcan Hazırlayan: Özgür Yılgür Ses Tasarım ve Kurgu: Metin Bozkurt Yapımcı: Podbee Media Tüm bölümler ve daha fazlası için ⁠⁠⁠⁠podbeemedia.com⁠⁠⁠⁠'u ziyaret et! ----- Podbee Sunar ------- Bu podcast reklam içermektedir.

Frankenstein is a 2025 American Gothic science fiction film[4][5] produced, written and directed by Guillermo del Toro, based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Oscar Isaac as Victor Frankenstein, Jacob Elordi as Frankenstein's monster, and Mia Goth as Elizabeth, with Felix Kammerer, David Bradley, Lars Mikkelsen, Christian Convery, Charles Dance, and Christoph Waltz in the supporting roles. The story follows the life of Victor Frankenstein, an egotistical scientist whose experiment in creating new life results in dangerous consequences.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Guillermo del Toro's Frankenstein is a new reimagining of Mary Shelly's classic gothic horror tale about a misunderstood monster who's abandoned by his creator and shunned by society. Oscar Isaac is the narcissistic doctor Victor Frankenstein, and Jacob Elordi has a gargantuan yet humanizing turn as The Creature. Now streaming on Netflix, Frankenstein is dark, epic, and preoccupied with the existential dread of life and death.Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Happy Halloween Fiends! Join us for a deep dive into the world of Victor Frankenstein, his monstrous creations, and all the tortured poets and mad scientists who inspired OG goth girl Mary Shelley to write this torrid tale.   Click to learn more (sources) https://www.mcgill.ca/oss/article/history-quirky-science-science-science-everywhere/professor-aldinis-strange-antics https://www.grahamhenderson.ca/percy-bysshe-shelley-blog/shelleys-mighty-heart https://www.britannica.com/biography/Luigi-Galvani https://www.britannica.com/biography/Alessandro-Volta https://www.nationalgeographic.com/travel/article/things-to-do-gernsheim-frankenstein-castle     WWBD Merch Buy your WWBD swag here!  Join the Conversation        

It is The Stacks Book Club day, and author Angela Flournoy is back to discuss Mary Shelley's Frankenstein. First published in 1818 and revised in 1831, this Gothic classic tells the tale of Victor Frankenstein, a young scientist who brings a monstrous creature to life, triggering a series of disastrous consequences. In our conversation, we explore our perceptions of Frankenstein's monster, the significance of the nesting doll story structure, the book's ghost-story origins, and the novel's evolution from 1818 to 1831.There are spoilers in this episode.Listen to the end of today's episode to find out what our November Book Club pick will be!You can find everything we discuss on today's show on The Stacks' website: https://www.thestackspodcast.com/2025/10/29/ep-396-frankensteinConnect with Angela: Instagram | WebsiteConnect with The Stacks: Instagram | Threads | Shop | Patreon | Goodreads | Substack | Youtube | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

#WDRadio WEEK OF OCT 19, 2025 | In the late 1800s, a journalist uncovered the shocking secret of how medical schools obtained their teaching skeletons: hidden factories in London, Paris, and New York that processed unclaimed morgue bodies and exotic specimens from travelers into 10,000 anatomical skeletons per year, using acid baths, boiling tanks, and skilled anatomists who rarely assembled bones from the same person.==========HOUR ONE: Seeing a lifelike human skeleton in a doctor's office, especially in the past couple of centuries, was – and in many cases still is - commonplace. But where did one go to get such lifelike skeletons if you were a doctor in the 1800s? Why, a skeleton factory, of course! (The Skeleton Factory) *** The story of Kate Watson is a grim one – living as a prostitute in the Old West, and when that wasn't enough she took up cattle rustling. Her husband wasn't any better. So it's probably no surprise that she was strung up until dead. But maybe you should wait to pass judgement until you hear the whole story. (The Lynching of Cattle Kate) *** In March of 2004, teenager Brianna Maitland left work in the late evening hours and was never seen again. To this day it is still one of Vermont's most infamous mysteries. (The Vanishing of Brianna Maitland) *** Plus, “The Haunted Adirondack Mountains”==========HOUR TWO: It is considered by many, Britain's most well-known disappearing person case. Even now, over three decades later, people in the UK are still fascinated and intrigued by the unexplained vanishing of Suzy Lamplugh. (The Suzy Lamplugh Mystery) *** John List planned the murders of his own family so carefully, he almost got away with it. In fact, it took 18 years to catch him. (The Family Man Who Murdered His Family) *** We'll look at what it was like to be a woman in the 17th Century… and accused of witchcraft. (Witchly Accusations) *** If you drink whiskey, or even if you don't, you're likely familiar with “Jameson Irish Whiskey.” But did you know that cannibalism played a part in its history? (Whiskey and Cannibalism) *** A strange phenomenon takes place in Arkansas, and despite the numerous sightings and investigations, there is still no explanation for it. (Unexplained In Arkansas)==========SUDDEN DEATH OVERTIME: Parents always feel their child is special in some way – something that makes their child better in some way than other children. Parents of indigo children are no different, with some parents thinking their children have psychic abilities. Doctors say that these children have ADD or ADHD, but one parapsychologist says indigo children have something even more special – possibly even paranormal - inside them. (Supernatural Indigo Children) *** When you think of a mad scientist you most likely think of Victor Frankenstein – but it's rumored Mary Shelley took inspiration for the character from a real mad scientist by the name of Andrew Ure. (Andrew Ure: A Real Life Mad Scientist) *** The story of Kate Watson is a grim one – living as a prostitute in the Old West, and when that wasn't enough she took up cattle rustling. Her husband wasn't any better. So it's probably no surprise that she was strung up until dead. But maybe you should wait to pass judgement until you hear the whole story. (The Lynching of Cattle Kate)==========SOURCES AND REFERENCES FROM TONIGHT'S SHOW:"The Suzy Lamplugh Mystery” by Amelia Gentleman for The Guardian: https://weirddarkness.tiny.us/2v2z6tp6“The Family Man Who Murdered His Family” from The Line Up: https://weirddarkness.tiny.us/392yt322“Witchly Accusations” by Jessica Nelson for the UK's National Archives: https://weirddarkness.tiny.us/j7nnd3ax“Whiskey and Cannibalism” posted at The Scare Chamber: https://weirddarkness.tiny.us/9rx24777“Supernatural Indigo Children” by Gina Dimuro for All That's Interesting: https://weirddarkness.tiny.us/apk85b29“Unexplained in Arkansas” by Ellen Lloyd for Ancient Pages: https://weirddarkness.tiny.us/27zaptdb“Haunted Adirondack Mountains” by Molly Briggs for Paranormality Magazine: http://weirddarkness.com/magazine“The Skeleton Factory” from Strange Ago: https://weirddarkness.tiny.us/2j8reje3“Andrew Ure: A Real Life Mad Scientist” posted at The Scare Chamber: https://weirddarkness.tiny.us/3n5tfpeh“The Murder of Nurse Cindy” posted the The Trouble With Justice: https://weirddarkness.tiny.us/2kfah7mv“The Lynching of Cattle Kate” posted at Strange Company: https://weirddarkness.tiny.us/utdy2sh6“The Vanishing of Brianna Maitland” by Orrin Grey for The Line Up: https://weirddarkness.tiny.us/je9s98ru==========(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for material I use whenever possible. If I have overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it immediately. Some links may benefit me financially through qualifying purchases.)=========="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46==========WeirdDarkness®, WeirdDarkness© 2025==========To become a Weird Darkness Radio Show affiliate, contact Radio America at affiliates@radioamerica.com, or call 800-807-4703 (press 2 or dial ext 250).

Oscar Isaac discusses becoming Victor Frankenstein in Guillermo del Toro's “Frankenstein,” speaking Spanish on set, and his friendship with Jacob Elordi. Plus, TODAY anchors sit down with Andy Cohen for a special Fan Fest edition of “Ask Me Anything” — from Savannah's star-struck moments to Craig's candle obsession. Also, Inside the Game gives fans an exclusive look at the San Francisco 49ers' iconic home-game Foghorn and the history behind the unmistakable sound of a Bay Area tradition. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.