Podcast appearances and mentions of robert sheldon

This is a sneak peek of our June 2021 True Crime Patreon Exclusive content. You can hear the full episode here. Starting at the $3 level of our Patreon membership! Danielle tells us about a serial killer she had never heard of, the Kansas City Butcher, Robert Berdella, Jr. and the murders of 19 year old Jerry Howell, 23 year old Robert Sheldon, 20 year old Mark Wallace, 25 year old James Ferris, 23 year old Todd Stoops, 20 year old Larry Wayne Pearson and the escape of 22 year old Christopher Bryson. Also known as “The Collector”, Robert kidnapped, raped, tortured, and murdered at least six men between 1984 and 1987. He would force his victims to endure his sadistic torture for weeks of captivity. Content warning: sexual assault, torture and animal cruelty. --- Support this podcast: https://anchor.fm/crimeandroses/support

Robert Sheldon is a very well known symphonic band music composer in the U.S. We listened to two works of his and we talked about how he works and how he arrived at his compositions. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/sergio-barer/support

Show Notes Moe Factz with Adam Curry for February 2nd 2021, Episode number 58 "Prop Joe" Description Adam and Moe profile President Biden. He means what he says when he says it! Executive Producers: Andrew Watson Jackie Greene brett Harding Janet Kostrevski Rusty Becker Robert Sheldon Associate Executive Producers: "Sir McQueen of Blighttown Sami Minkkinen Chris Bailey Erik Höchel Julian Robbins Elvis "The Chef" Rosenberg Dwayne steele syme Episode 58 Club Members "Sir McQueen of Blighttown Sami Minkkinen Chris Bailey Music in this Episode Intro: Truth Hurts - Addictive Instrumental - 25 seconds Outro: Thin Lizzy - The Boys are Back in Town - 25 seconds Donate to the show at moefundme.com Search for us in your podcast directory or use this link to subscribe to the feed Podcast Feed For more information: MoeFactz.com

Robert Sheldon,  Jerry Howell, Mark Wallace, James Ferris, Todd Stoops, Larry Pearson.These are the victims of Robert Andrew Berdella Jr., otherwise known as “The Kansas City Butcher” a man that almost got away with it all.

This episode features my conversation with Dr. Scott Watson. In addition to being an acclaimed composer for band and orchestra, Scott is well known for his work as an educator, author, and clinician.    Topics include:  - Scott’s approach to composing - Composing for student musicians - Integrating technology into a music class - Teaching young instrumentalists    Links:  Scott’s website: https://www.scottwatsonmusic.com/ Scott’s youTube Channel: https://www.youtube.com/channel/UCAlWx0jwO3JEmbBR_P3nhbA   Bio:  Dr. Scott Watson received his B.S., Music Education from West Chester University and his M.M and D.M.A., Composition from Temple University and has taught music for 30+ years in the Parkland School District (Allentown, Pennsylvania) where he currently coordinates a large, vibrant elementary band/strings program and teaches several popular, creativity-infused high school music electives. Watson was recognized by the Parkland School District in 2015 with a Parkland Pride Award for outstanding achievement, and in 2020 he was awarded the Pennsylvania Music Educators Association District 10 Citation of Excellence in Teaching Award. An award-winning and frequently commissioned composer, Dr. Watson’s output includes close to 90 published works at all levels for concert band and orchestra. Watson’s music, which has been performed around the world and in the U.S. at such prestigious venues as Philadelphia’s Academy of Music, the White House, and the Midwest Clinic (Chicago), has been described as “outstanding...with beautiful melodies and interesting harmonies" (The Instrumentalist) and "written with supreme craft" (Percussive Arts Society Percussive Notes). His music has received awards and recognition from the American Composers Forum, the American Music Center, Phi Mu Alpha Sinfonia, the Percussive Arts Society, and others. Recent commissions include works for: Composers and Schools in Concert (for a consortium of 12 university and high school bands across the U.S.), Magic Valley Symphony Orchestra (Twin Falls, ID), Albemarle County (VA) Middle School Honors Band, MusicAlliance Honor Band Camp (Cleveland, OH), the Massachusetts Instrumental and Choral Conductors Association, and many school ensembles. Watson is an exclusive composer for Alfred Publications and a contributor and clinician for the Sound Innovations band series. He, along with co-authors Brian Beck and Robert Sheldon, created Alfred Music's Sound Sight-Reading method (Books 1 and 2) for concert band. Watson has presented numerous workshops/clinics for music educators, including the 2019 New Hampshire Music Educators Association Conference, 2017 Midwest Band & Orchestra Clinic (Chicago, IL), 2017 MENC Eastern Division Conference (Atlantic City, NJ), 2015 NAfME National Conference (Nashville, TN), the keynote for the 2013 Music Technology in Education Conference (Melbourne, Australia) and many other clinics and professional development workshops. He frequently serves as guest conductor for honor band festivals, including the 2020 East Central Mississippi Band Director's Association High School Honor Band, 2020 Winston-Salem/Forsyth All-County Middle School Honor Band, 2019 Mississippi Middle School All-State Band, 2019 PMEA 12 Delaware County 5th/6th Grade BandFest, 2018 PMEA 10 Elementary Band Festival, 2017 PMEA District 5 Freshman Band Festival, and the 2015 All New England Band Festival (Plymouth State University, NH). Additionally, Dr. Watson is an adjunct professor for a number of universities (Cairn University, University of the Arts, Central Connecticut State University, and Moravian College) and author of the highly regarded music education text, Using Technology to Unlock Musical Creativity (©2011, Oxford University Press). Watson's facility with and pedagogical application of music education technology has made him an in-demand presenter and professional development trainer.  

In this episode, "Moving the needle in the federal space," Ben describes US Senate Democrats' proposal for new privacy legislation. We have a story from the Supreme Court of Pennsylvania on the 5th Amendment and password privacy. And later in show we interview Robert Sheldon, Head of Technology Strategy for Public Sector at CrowdStrike, discussing Federal cybersecurity and how those efforts connect to broader IT modernization initiatives. Links to stories: https://www.washingtonpost.com/technology/2019/11/26/top-senate-democrats-unveil-new-online-privacy-bill-promising-tough-penalties-data-abuse/ https://www.eff.org/deeplinks/2019/11/victory-pennsylvania-supreme-court-rules-police-cant-force-you-tell-them-your https://youtu.be/ymaWq5yZIYM Got a question you'd like us to answer on our show? Send your audio file to caveat@thecyberwire.com or leave a message at (410) 618-3720. Thanks to our sponsors KnowBe4, who's KCM GRC platform helps you get audits done in half the time, is easy to use, and is surprisingly affordable.

Intern-to-Intern, Robert Sheldon II by NANA

Dr Paul Wang:                   Welcome to the monthly podcast, On the Beat, for Circulation: Arrhythmia, and Electrophysiology. I'm Dr Paul Wang, Editor-in-Chief, with some of the key highlights from this month's issue.                                                 Koji Miyamoto and associates conducted the AD-Balloon Study, which investigates the ideal number of free cycles during second-generation cryoballoon pulmonary vein isolation. In a prospective, multicenter, randomized clinical trial, the authors compared in 110 patients the addition of a three minute freeze after pulmonary vein isolation had been achieved to pulmonary vein isolation alone. Delayed-enhancement magnetic resonance imaging was also performed one to two months after the pulmonary vein isolation to assess the ablation lesions. The freedom from atrial arrhythmias at one year was similar. Log rank test, P equals 0.78 in the two groups, 87.3% in the extra three-minute freeze group, and 89.1% in the pulmonary vein isolation group. There was no significant difference in the frequency of gaps on the pulmonary vein isolation lines in the delayed-enhancement magnetic resonance imaging. The authors conclude that an insurance freeze after achieving pulmonary vein isolation may be unnecessary and time consuming.                                                 In our next study, Robert Sheldon and associates examined the genetic basis of vasovagal syncope. They studied 160 subjects in 9 kindreds comprising 82 fainters and 78 controls. Common genetic variants were genotype for 12 genes for vascular signaling, potassium channels, the serotonin 5-HT1A receptor, the serotonin transporter and catecholamine-O-methyltransferase or COMT. They found that in 9 of 12 variants, there was no significant association between genotype and phenotype. However, the serotonin 5-HT1A receptor, HTR1-A G alleles were associated with syncope in males but not in females. P equals 0.005. The men with serotonin 5-HT1 receptor C alleles had a 9% likelihood of syncope while Gg males had a 77% likelihood of syncope. The SL6A4 promoter L alleles were associated with decreased syncope in males but increase in females. P equals 0.059. The Ll males had a 25% syncope likelihood and Ss males had a 47% syncope likelihood. The COMT A alleles were associated with decreased syncope in males but increased in females. P equals 0.017. The Gg males had a 50% syncope likelihood and A males had a 15% syncope likelihood. The Gg females had 52% syncope likelihood and the Aa females had a 73% syncope likelihood. The authors concluded that there is a sex-dependent effect of alleles of serotonin signaling in vasovagal syncope, supporting the serotonin hypothesis of the physiology of vasovagal syncope.                                                 In the next study, Michael Barkagan and associates sought to examine whether the standard criteria for mitral line block with endocardial and epicardial activation mapping may not distinguish from slow conduction or conduction via epicardial bridging connections. In 56 patients, the authors creates a posterior mitral line using radiofrequency ablation. Mitral block determined by pacing with conduction block defined as trans-isthmus time of 100 milliseconds or greater in reversal of coronary sinus activation during pacing from the left atrial appendage was achieved in 51 out of 56 or 91% of patients. In 11 of 51 or 22% of patients, high-resolution activation mapping, using Rhythmia, of the endocardium and epicardium via the coronary sinus demonstrated residual endocardial in 27% or residual epicardial in 73% connections. Epicardial bridging connections were distant from the line, 2.4 plus or minus 1.6 centimeters, inserting laterally at the proximal-mid coronary sinus and septally at the left atrial ridge. Patients with residual conduction were prone to complex circuits involving the epicardium in 7 of 11 patients. Mitral line block was achieved in 75% by targeting these insertion sites. The trans-isthmus time had limited predictive value for distinguishing block from pseudoblock. The authors concluded the connections are a frequent cause of complex circuits, and their insertion sites can be targeted for ablation.                                                 In our next paper, Santiago Rivera and associates examined the causes of QRS variability in Papillary muscle arrhythmias usually attributed to anisotropy. In 33 patients with papillary muscle arrhythmias prospectively undergoing cardiac resonance imaging, papillary muscle connections away from the papillary muscle base were identified. Arrhythmogenic papillary muscles, N equals 35, exhibited a higher number of papillary muscle connections, 72 versus 18, P equals 0.01. Patients with inconsistent QRS precordial transition and inconsistent QRS access exhibited a 100% prevalence of papillary muscle connections. Those with consistent precordial transition and consistent QRS access showed 40% and 26% prevalence of papillary muscle connections respectively. Inconsistent QRS precordial transition and inconsistent QRS access predicted the presence of papillary muscle connections with 59% or 28% sensitivity and 100% specificity respectively. Those papillary muscles exhibiting clinical recurrence after ablation presented a higher prevalence of papillary muscle connections, 91% versus 60%, P=0.04.                                                 In our next paper, Jason Coult and associates examined the quantitative measures of the electrocardiogram waveform during ventricular fibrillation to assess myocardial physiology and predict cardiac arrest outcomes. They collected five second ventricular fibrillation ECG segments with and without chest compressions prior to 2,755 defibrillation shocks from 1,151 out of hospital cardiac arrest patients. 24 individual measures and 3 combination measures were optimized to predict functionally intact survival using 460 training cases. Measures predicted functionally intact survival in 691 independent test cases with an area under the receiver operating curve (AUC) ranging from 0.56 to 0.75 without chest compressions and 0.53 to 0.75 with compressions, P less than 0.001. Of all measures evaluated, the support vector machine model ranked highest both without chest compressions, AUC equals 0.75, and with compressions, AUC equals 0.75. The authors concluded the waveform measures predict functionally intact survival when calculated during chest compressions, but prognostic performance is generally reduced compared to analysis without compressions. Support vector machine models exhibited similar performance with and without compressions while also achieving the highest area under the curve.                                                 In our last paper, Hailey Jansen, Martin Mackasey and associates examined the effective natriuretic peptides in the specific natriuretic peptide receptor NPR-C on angiotensin II-mediated atrial fibrillation. The authors examined wild-type and NPR-C knockout mice to investigate the effects of angiotensin II administered three milligrams per kilo per day for three weeks on atrial fibrillation susceptibility and atrial function. In wild-type mice, angiotensin II increased susceptibility to atrial fibrillation and associated with a prolonged P wave duration, increased atrial refractory period, and slowed atrial conduction. These effects were exacerbated in angiotensin II-treated NPR-C knockout mice. Angiotensin II prolonged action potential duration and reduced action potential upstroke velocity. Angiotensin II also increased fibrosis in the atria in wild-type mice while angiotensin II-treated NPR-C knockout mice exhibited substantially higher atrial fibrosis. Co-treating wild-type mice with angiotensin II and the NPR-C agonist cANF, those dependently reduced atrial fibrillation inducibility by preventing some of the angiotensin II-induced changes in atrial myocyte electrophysiology and preventing atrial fibrosis. The authors suggested that the NPR-C receptor may represent a new target for the prevention of angiotensin II-induced atrial fibrillation via protective effects on atrial, electrical and structural remodeling.                                                 That's it for this month! We hope that you'll find the journal to be the go-to place for everyone interested in the field. See you next time! This program is copyright American Heart Association 2019.

Robert Sheldon has had a remarkable career as a composer, conductor, and music educator and is the Director of Concert Band Publications at Alfred Music.  Topics: Robert’s incredible music background as the “Forrest Gump” of band music that included vaudevillian parents, studies at the University of Miami with Clifton Williams, Alfred Reed, and Frederick Fennell, and playing in the very first Disney World Band directed by Meredith Willson! Robert’s teaching career in Florida including stops at the University of Florida and Florida State University and his eventual move to Bloomington/Normal, Illinois. Robert’s role as the band editor at Alfred Publishing, commercial publishing vs. self-publishing, and the Sound Innovations series. What it looks like to commission a new band work from Robert Sheldon. (Hint: You need to plan it out several years in advance.) Links: Robert Sheldon Alfred Music Sound Innovations Ravel: Daphnis et Chloè Biography: Robert Sheldon (b. Feb 3, 1954) has taught instrumental music in the Florida and Illinois public schools, and has served on the faculty at Florida State University where he taught conducting and instrumental music education classes, and directed the university bands. As Director of Concert Band Publications for Alfred Music, he maintains an active composition and conducting schedule, and regularly accepts commissions for new works. Sheldon received the Bachelor of Music in Music Education from the University of Miami and the Master of Fine Arts in Instrumental Conducting from the University of Florida. An internationally recognized clinician, Sheldon has conducted numerous Regional and All-State Honor Bands throughout the United States and abroad. His teaching career included 28 years in the Florida and Illinois public schools as well as at the University of Florida, Florida State University, Illinois Central College and Bradley University. He also held positions as conductor of the Alachua County Youth Orchestra in Gainesville, Florida and the Prairie Wind Ensemble in East Peoria, Illinois. He maintains membership in several organizations that promote music and music education.  He is lead author for the SOUND INNOVATIONS FOR BAND method books, and is a co-author for the MEASURES OF SUCCESS Volume 1 method book and the SOUND INNOVATIONS FOR STRINGS method books. The American School Band Directors Association has honored him with the Volkwein Award for composition and the Stanbury Award for teaching, and the International Assembly of Phi Beta Mu honored him with the International Outstanding Bandmaster Award. He has also been a twenty-eight-time recipient of the American Society of Composers, Authors and Publisher’s Standard Award for his compositions in the concert band and orchestral repertoire. His compositions have been recorded and released on compact discs including, Images: The Music of Robert Sheldon, and Infinite Horizons: The Music of Robert Sheldon, as well as numerous other recordings. Mr. Sheldon has been the topic of articles published in The Instrumentalist, Teaching Music and School Band and Orchestra Magazine, and is one of eleven American wind band composers featured in Volume I of Composers on Composing Music for Band.

I made it to 50! Joining me is Rodney Dorsey, the current head of bands at the University of Oregon and who was just announced as a new professor of music in bands at Indiana University beginning in Fall 2018. Topics: Rodney’s background growing up in Florida including having Robert Sheldon as his band director. Key lessons learned from his teachers including James Croft, John Paynter, and Mallory Thompson. The band program at the University of Oregon and Rodney’s new gig at Indiana University. Increasing diversity in the band world and the need to commission and perform more music by under-represented composers. Links: University of Oregon Indiana University Andrea Reinkemeyer: The Thaw Kristin Kuster Wagner: Elsa’s Procession to the Cathedral Lauridsen: O Magnum Mysterium University of Oregon Conducting Workshop Biography: Dr. Rodney Dorsey comes to SOMD from a position as the associate director of bands at the University of Michigan where he conducted the Concert Band, taught undergraduate conducting, and conducted the Michigan Youth Band. Dorsey will be taking on the director of bands, conducting, and conductor of the UO Wind Ensemble starting Fall of 2013. Prior to this appointment at UM, Dorsey served on the faculties of DePaul and Northwestern Universities.    Dorsey studied conducting with Dr. James Croft, Mr. John P. Paynter, and Dr. Mallory Thompson. He was a clarinet student of Mr. Fred Ormand and Dr. Frank Kowalsky. He gained extensive experience teaching in the public schools of Florida and Georgia.   Ensembles under Dorsey's direction have performed at several state and national events including the Bands of America National Concert Band Festival. He is active as a guest conductor, clinician, and adjudicator in the United States.    Recent presentations include sessions at the Nebraska State Bandmasters Association Intercollegiate Band (guest conductor), Georgia Music Educators District Band Festival (adjudicator), and Kentucky Music Educators Association State In-Service Conference (presenter).   Dorsey holds a number of professional memberships that include the College Band Directors National Association, Music Educators National Conference, Illinois Music Educators Association, Kappa Kappa Psi, Phi Mu Alpha Sinfonia, and Alpha Phi Alpha Fraternity Incorporated. Dorsey is also a member of the Midwest Clinic Board of Directors.

This episode of News Knowledge is the result of last month's visit by Robert Sheldon and his son Ryan with us here at the Vanderbilt Television News Archive, where they were able to view news clips of Robert's father Don Sheldon, who was profiled by CBS News reporter Charles Kuralt in 1974 on the CBS Evening News. Don Sheldon was among the early aviation pioneers who developed the piloting skills necessary to land and take off from glaciers in Alaska, and who built a small hut within sight of what was then known as Mt. McKinley. (More...) Today Sheldon's descendants are fulfilling his dream by constructing a mountain house they've named the Sheldon Chalet, in the same remote, breathtaking location near that same mountain, now known as Denali. To more fully appreciate the truly spectacular natural beauty of this place, use any of these links: http://www.sheldonchalet.com https://twitter.com/mthouse1966 https://www.instagram.com/sheldonmthouse https://www.facebook.com/sheldonmountainhouseandchalet

Couples, les femmes quittent plus que les hommes : Discussion ; 90 ans des Nymphéas de Monet : Entrevue avec Robert Sheldon ; 2x2 : Claire Lamarche et Stéphanie Couillard ; Scolarité, modifier la note de passage à 58% : Discussion ; Entrevue avec le joueur de hockey Steeve Bégin : En route vers la graduation ; Michel Chrétien entre dans le Petit Larousse : Entrevue ; Revue des magazines de Vincent Bolduc

The Metropolitan WInd Symphony, Lewis J. Buckley, Conductor and Music Director This is a podcast preview of our next concert, which will be on Sunday, May 5 2013 at 2:00 pm in Lexington MA, in Cary Hall, 1605 Massachusetts Avenue. The Music Director will give a pre-concert talk at 1:30, in which the Matthew LaRocca, the composer of the piece to receive its world premiere, will join him. The concert will feature the brand new work Arctic Voices, by LaRocca; an appearance by 12-year-old trumpet wunderkind Geoffrey Gallante (performing a work written by Buckley); and works by Ticheli, Grainger, Gordon Jacob, film composer Rossano Galante, and Robert Sheldon. This podcast includes brief interesting discussion about and excerpts from the pieces on the program, all narrated by Buckley. Enjoy!

In Part 2 of my interview with composer, Robert Sheldon, he continues to share insight into his music for band as well as his feelings about music education and the future of instrumental music in our schools.

In the first episode of What Music Means to Me, back in October of 2007, I mentioned that I intended to do interviews with leaders in the field of music. I ended up making good on that promise in the Spring of 2009 with this interview with composer, Robert Sheldon. The interview brings out some great insights into composer and Sheldon's music. Since the my old podcast host went out of business, I've been meaning to re-post this episode (and a follow-up, "Part 2") here at Podomatic. Robert Sheldon is one of the most performed composers of wind band music today. In addition to his work as Concert Band editor for Alfred Publications, and as conductor of the Prairie Wind Ensemble, he is constantly in demand to write new works for band, and to serve as guest conductor of honor bands all over the country, and indeed the world. In the first part of my discussion with him on January 9, 2009, Sheldon shared some fascinating stories and provided insight into some of his most-loved works for band.