Podcasts about Bassoon

Bassoon can be an instrument that is scary for band directors to teach because it can appear overwhelming. Hunter Holoubek is a band director and bassoon player who is here to give you what you need to know, and help everything make sense!⁠ Full Presentation⁠ Correct Bassoon Fingering Chart⁠ ⁠Bassoon Flick Keys Tutorial⁠ To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director  Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and  Share us with another band director!

Music Department faculty members Elizabeth Crawford and Dr. Nadine Luke are performing various music styles on the bassoon and flute in their upcoming performance.

Our 25th birthday celebration continues with a dazzling performance of Chopin by a gifted 16-year-old cellist. We are treated to a performance of Vivaldi by a young bassoonist and witness a life-changing surprise. Peter sends us off with a flashback performance from when the legendary Paquito D'Rivera appeared on the show.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

A Silly SundayFirst a look at the events of the dayThen My Friend Irma starring Marie Wilson, originally broadcast January 12, 1948, 76 years ago,  While listening to the radio, Irma enters the KNX, "I Want To Be A Bride, Because" contest and becomes part of the Lucky Couple!Followed by Jack Benny, originally broadcast January 12, 1941, 84 years ago, Jack is Late with No Script.   Jack's writers have failed to come up with a script for the show. The "writers" finally come up with a mystery script titled, "The Murder Of Malcolm Smith." Then Father Knows Best starring Robert Young, originally broadcast January 12, 1950, 75 years ago, The Elusive Card Game.  The day father received the Christmas bills happens to be the day he forgot about a poker gameFollowed by The Fabulous Dr. Tweedy starring Frank Morgan, originally broadcast January 12, 1946, 79 years ago, Tweedy's Bassoon. Finally, Superman, originally broadcast January 12, 1942, 83 years ago, Lita the Leopard Woman. Max Heller seems to be still alive...even though his body is down at the morgue! The Society Of The Leopard poses an even greater threat, especially Lita, The Leopard Woman. Lita plans to poison Lois Lane!Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

Se você embarcou na dieta vegana, é provável que os ovos sejam uma das poucas coisas que você ainda continua a consumir. Ao contrário do leite, chocolate ou mesmo queijo, os ovos naturais são notoriamente difíceis de replicar. Mas uma nova fórmula significa que o alimento pode chegar a uma prateleira de supermercado perto de você antes do que você imagina - completo com gema e casca. [...] Ovos veganos cozidos são a opção mais simples, ou se você preferir não cozinhar, os restaurantes começaram a servir suas criações também. As receitas de opções caseiras tendem a se concentrar no ovo frito, pois permitem a criação de elementos brancos e amarelos distintos, muitas vezes usando tofu e vegetais de laranja misturáveis. Os ovos veganos comercialmente disponíveis são mais comumente vendidos como líquidos, que podem ser facilmente mexidos, transformados em omeletes ou adicionados a produtos assados. Os ingredientes variam entre as marcas, mas muitos parecem favorecer o sal preto para um sabor e cheiro de ovo. [...] Muitas pessoas comem ovos para aumentar sua ingestão de proteínas, mas permanecem inconscientes dos possíveis problemas de saúde que podem ocorrer. Dito isto, o ovo vegano mais saudável pode ser transformado em um lanche quando cozido e servido de maneiras que aumentam significativamente o teor de gordura. Os ingredientes são apenas um fator a ser observado, com a preparação também desempenhando um papel importante. [...] Biólogos franceses criaram o Le Papondu - uma brincadeira com o verbo 'pondre' que significa colocar, com 'pas pondu' indicando que os ovos não foram postos por nenhuma galinha. Os ovos de galinha são usados de várias maneiras diferentes, o que significa que são difíceis de replicar. Foram necessárias mais de 50 receitas de teste e três anos para chegar a um estágio em que o produto fosse reconhecível em sua forma atual como algo que os consumidores gostariam de um ovo, disseram os criadores. A receita final de seu ovo vegano ainda está em desenvolvimento, mas a dupla de pesquisadores revelou que provavelmente será baseada em vegetais. [...] As alternativas de ovos à base de plantas da Empresa Le Papondu são compostas por ingredientes de origem natural, do mundo mineral e do mundo vegetal. Eles foram selecionados por suas interessantes propriedades culinárias, seus benefícios e seu baixo impacto ambiental. A tecnologia de alimentos francesa Le Papondu promete um ovo vegano que vem com casca (!) e eles também prometem que seu produto é extremamente fácil de usar. Até agora, os ingredientes e o sabor são um segredo bem guardado e a Empresa startup está atendendo apenas restaurantes no momento, mas um lançamento para o consumidor está em andamento. A empresa diz que pode ser usado em todas as aplicações de ovos, mas não está disponível para venda no varejo. Fontes (créditos): https://www.euronews.com/green/2022/01/19/vegan-eggs-french-women-breaking-down-the-final-frontier-in-veganism https://www.conquistesuavida.com.br/noticia/o-que-e-aquafaba-como-usar-grao-de-bico-para-fazer-esse-ingrediente-vegano_a11908/1 https://coperaguas.com.br/blog/2018/09/18/feijao-mungo-conheca-mais-sobre-esse-grao-recheado-de-beneficios-para-a-saude/ Imagem(créditos): https://www.euronews.com/green/2022/01/04/does-veganuary-really-cut-the-food-miles Trilha sonora (créditos): https://www.youtube.com/watch?v=xidC7TZRxkA. Vivaldi – Concerto in E minor for Bassoon, RV 484 Klaudia Abramczuk – bassoon - Akademia Filmu i Telewizji

Milton is a monster. Who stole a Brooklyn woman's bassoon? Justin Timberlake is a no show in Newark. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Nathan Cutietta interviews Kristin Wolfe Jensen about her book "The Breathing Book for Bassoon".  She discusses this and healthy habits that all musicians can use to stay safe.

Giuseppe Verdi - Capriccio for Bassoon and OrchestraPatrick de Ritis, bassoon Wurzburg Philharmonic Orchestra Enrico Calesso, conductorMore info about today's track: Naxos 8.573382Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Hey Podtimists, This week David continues to get Erdtree-d and Chase somehow becomes MORE Kingdom Hearts pilled. We also talked about the wonderful game Gravity Rush. This game was suggested to us by listener Ponk. Thank you Ponk! --- Timestamps: (0:00) - Intro (3:15) - What David has been playing (3:16) - Elden Ring (9:09) - What Chase has been playing (9:50) - Kingdom Hearts: Dream Drop Distance (11:18) - Kingdom Hearts 3 (23:01) - Mother 3 (25:21) - Dragon Quest V: Hand of the Heavenly Bride (37:41) - Chase's Podtimistic thing of the week (39:48) - David's Podtimistic thing of the week (43:20) - Good Games! Featuring Gravity Rush (1:10:39) - Outro --- Games mentioned: Elden Ring Kingdom Hearts Dream Drop Distance Kingdom Hearts 3 Mother 3 Dragon Quest V: Hand of the Heavenly Bride Gravity Rush

On this episode we come to you from IDRS 2024 in Flagstaff, AZ! For our interview we welcome Amanda Swain, Principal Bassoonist of the Houston Grand Opera Orchestra, Second Bassoonist of the Houston Ballet Orchestra, and Adjunct Professor of Bassoon at Sam Houston State University! This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

Two seniors and principal players from Chicago Youth Symphony Orchestras, playing instruments that aren't often featured on Introductions. The post Hayden Joyce, 17, horn & Fabrizio Milcent, 18, bassoon appeared first on WFMT.

Kate Molleson sets out so show us why Elizabeth Maconchy deserves much more of our attention Elizabeth Maconchy is surely the greatest composer of string quartets ever to emerge in the British Isles; and yet her music is often ignored in favour of lesser works by more famous British composers. So says Maconchy's biographer, Erica Siegel, who joins Kate Molleson to explore the life and works of this key figure in Britain and Ireland's musical story. Across the week, Kate and Erica set out to show us why Maconchy deserves much more of our attention. We'll hear stories of personal crises, public apathy and outrageous institutional sexism, and how Maconchy met each challenge with characteristic grace and perseverance. Her works fizz with invention and purpose and she described her own music as “impassioned argument”.Music Featured:String Quartet No 2 (4th mvt) Clarinet Quintet (3rd & 4th mvt) Four Shakespeare Songs (No 1, Come Away, Death) The Land - A Suite for Orchestra Concertino No 2 for Piano and String Orchestra String Quartet No 1 (4th mvt) Concertino for Piano and Chamber Orchestra (2nd mvt) Oboe Quintet Sonata for Viola and Piano String Quartet No 3 Nocturne Dialogue for Piano and Orchestra (2nd & 4 mvts) Two Dances from Puck Fair String Quartet No 5 (2nd & 3rd mvt) Concertino for Bassoon and String Orchestra String Quartet No 7: (4th mvt, Scherzo I) Proud Thames Overture The Sofa (excerpts) The Departure (excerpts) Serenata Concertante There is no rose Trittico Epyllion Morning, Noon and Night String Quartet No 13 'Quartetto Corto'Presented by Kate Molleson Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Elizabeth Maconchy (1907-1994) https://www.bbc.co.uk/programmes/m001yyf6And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

On this episode we update you on Galit's good news! For our interview we welcome Allison Nicotera, Assistant Professor of Bassoon at the University of Kentucky. This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

TWiN reviews experiments which show that SARS-CoV-2 triggers the up-regulation of synaptic components and perturbs local electrical field potential in cerebral organoids, organotypic culture of human brain explants and post-mortem brain samples from individuals with COVID-19.  Hosts: Vincent Racaniello, Jason Shepherd, Timothy Cheung, and Vivianne Morrison Subscribe (free): Apple Podcasts, Google Podcasts, RSS Links for this episode MicrobeTV Discord Server SARS-CoV-2 perturbs synaptic homeostasis (Nature Micro) Timestamps by Jolene. Thanks! Music is by Ronald Jenkees Send your neuroscience questions and comments to twin@microbe.tv

On today's episode we interview Emmy award winning musician and composer, Michael Cooke. Guest: Michael Cooke Beer: What Are the Odds by Four Bullets Brewing

In this interview the people behind this rare Bassoon Octet concert shares insights on the proper way to play the Bassoon, how this event came to be, and the need to know details of the concert happening on March 26th.

The Instrument Spotlight series within The Musician Toolkit is meant to introduce instruments as possible primary or secondary instruments, the challenges, the repertoire, and the capabilities.  Kate Warren is a freelance hornist and educator who also serves as Yaffe Post-Graduate Teaching Fellow for the Yale School of Music's Music in Schools Initiative.  In this episode, we talk about the horn, types of motivation, transposing, and practice organization. Kate Warren can be followed at https://www.katewarrenmusic.com/   Music excerpts are featured in this order: Mvt 2 from Symphony No. 1 (Gustav Mahler) - Chicago Symphony, Georg Solti | "Poppyfields" from The Shadow original soundtrack (Jerry Goldsmith) | Incommensurable (Christopher Biggs) - Kate Warren, horn and Amer Hasan, clarinet | "The Escape to Sherwood" from Robin Hood, Prince of Thieves (Michael Kamen) | Excerpts from Star Wars, The Empire Strikes Back, and Return of the Jedi (John Williams) - London Symphony Orchestra | "Andante Cantabile" from Symphony No. 5 (Peter Tchaikovsky) - London Symphony, Igor Markevitch | "Allegro Vivace" from Sextet for Piano, Flute, Oboe, Clarinet, Bassoon, and Horn (Francis Poulenc)  - Alexandre Tharaud, Phillipe Bernold, Oliver Doise, Ronald Van Spaendonck, Laurent Lefevre, Herve Joulain | "The Anvil of Crom" from Conan the Barbarian original score (Basil Poledouris)   Full clip for Incommensurable on Kate's YouTube channel   Previous Episode in Instrument Spotlight series: The Clarinet Family (with Kania Mills) | Ep18   Also mentioned: Episode 7 - The Overtone Series   Let me know your thoughts on this episode at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact  You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/.  If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

On this episode we catch up about recent events. For our interview we welcome David A. Wells, Assistant Professor of Bassoon at the Hayes School of Music at Appalachian State University! Learn more about David at his website: https://davidawells.com/ This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Sam Paddor and Bunk Gardner discuss Bunk's career as a musician including his time with Frank Zappa and the Mothers of Invention.My Back Pages Website:mybackpages.org

Live from the Grand Teton Music Festival is a series of one-hour podcasts hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Sue Heineman with the Grand Teton Music Festival OrchestraSir Donald Runnicles, conductorWolfgang Amadeus MozartOverture from Le Nozze di Figaro, K. 492Concerto for Bassoon in B-flat Major, K. 191Sue Heineman, bassoonSymphony No. 25 in G minor, K. 183

On this episode we dish about our intentions for 2024. For our interview we welcome David McGill, Professor of Bassoon at the Bienen School of Music at Northwestern University. This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

Juzo Itami's “ramen western” TAMPOPO is… just a delight. The lines that separate class, sex, and generations are broken through the lens of food in vignettes that surround a sweet, satisfying A plot. The mundane and universal is elevated to indulgence through the presumption of taboo, with each character's indulgence – a meddling supermarket crone, a wealthy, browbeaten elder, a gangster's hedonist escape – building them as more human than caricature. Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Closing music: "Sonata for Bassoon and Cello in B-Flat Major, K. 292-196c - III. Rondo (Allegro)" by Wolfgang Amadeus Mozart from the TAMPOPO soundtrack. Timestamps 0:00 - Episode 257: TAMPOPO (1985) 4:01 - The Patented Aaron Grossman Summary 13:26 - The vignettes 21:45 - A movie about indulgence 27:17 - The silly and the serious living together 32:31 - The gangster subplot and life as a short film you watch at death 45:12 - Treating everything with respect, whether silly or profane or deadly serious 48:29 - The birth of the “ramen western” 53:44 - The Junk Drawer 57:41 - Other Loves We've Tried: 1985 59:47 - Good Grief, Give Me a GIF!

Welcome to a special concert edition of Live N' Local featuring the Inwood Chamber Players performing a chamber concert featuring an introduction to the instruments of the wind quintet in arrangements by Inwood resident, Gilbert Dejean. We shameless titled the concert The Mighty Winds in tribute to the instruments, and it was recorded live on September 10, 2023 at 2pm at Good Shepherd Auditorium in Inwood, NYC. Program:Georges Bizet - Suite from CarmenGiacomo Puccini - Un Bel Di from Madame Butterfly (Clarinet)Giuseppe Verdi - Sempre Libera from La Traviata (Flute)Giaccomo Puccini - Senza Mamma from Suor Angelica (Oboe)Franz Strauss - Concerto for Horn Op 8 1st Movement (Horn)Julius Fucik - The Old Brown Bear (Bassoon)Johannes Brahms - Hungarian Dance No. 1John Phillip Sousa - The Liberty Bell MarchMusicians:Helen Campo, Flute and PiccoloSetsuko Otake, OboeMeryl Abt, ClarinetRJ Kelly, French HornGilbert Dejean, Bassoon

After a long absence, LOR returns for one final season with the wonderful bassoonist, Lola Descours. Lola is currently the principal bassoon in the Rotterdam Philharmonic Orchestra, under chief conductor, L. Shani. In this episode, Lola speaks to me about topics such as her concert and touring with the Rotterdam Philharmonic, her tips for auditions and competitions, her inspiration behind her album "Bassoon Steppes" and the charming video series "Bassoon in the Wind" with filmmaker, Pierre Dugowson. And she also shares with me her definition of success. A very inspiring interview and the musical extract is from the First Movement of the Rachmaninoff Cello Sonata in G Minor, Op. 19 from her album, with pianist Paloma Kouider. Her debut album was released in 2022 on Orchid Music and received critical acclaim in multiple countries. Follow Lola on: www.loladescours.com IG: @loladescours https://orchid-music.lnk.to/loladescours

On this episode we catch up on October madness. For our interview we welcome Ben Roidl-Ward, Assistant Professor of Bassoon at the University of Illinois Urbana-Champaign. Learn more about Ben at his website, https://www.benroidlward.com/. This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

In which The Narrators Three discuss: Frankenstein Research Hour, Kristoff Just Wants To Be Included, Return of the BASSOON, Momentarily Alarming Memory Stones, Henry's Home Alone Antics, Unsatisfactory Endings to Good Antagonists, Attempted Murder is Hilarious Apparently, and “We Got What We Got” Please note some adult language is used in this episode. Thank you to Laichiruru (twitter.com/laichiruru) for our podcast cover artwork! --- Send in a voice message: https://podcasters.spotify.com/pod/show/onceuponarewatch/message Support this podcast: https://podcasters.spotify.com/pod/show/onceuponarewatch/support

Franz Berwald - Konzertstuck for Bassoon and OrchestraPatrik Hakansson, bassoonGavle Symphony OrchestraPetri Sakari, conductorMore info about today's track: Naxos 8.555370Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Twin Cities arts enthusiast Florence Brammer loves Girl Friday Productions and Open Eye Theatre's production of “Life Sucks,” a play she called “smart and funny and poignant.” The play was loosely adapted by playwright Aaron Posner from Anton Chekhov's “Uncle Vanya.”“First of all, when I walked into the theater, I was blown away by how gorgeous the set design is,” Brammer says. “And the performances are so good.”Brammer was struck by the broadness of the performances — but says it became obvious that this was a decision on the part of the playwright, as well as director Joel Sass. “Because as the play continues, the characters become more and more layered and complex. It's sort of like us, isn't it?“ Brammer says that the play made her laugh and cry, “which is my very favorite theatergoing combination.” “Life Sucks” runs through Nov. 5 at Open Eye Theatre in Minneapolis.Eric Heukeshoven is the director of worship music and arts at Central Lutheran Church in Winona, Minn. He's looking forward to this Saturday's Winona Symphony Orchestra performance, which features work by three contemporary Minnesota composers — and one Mozart symphony for good luck. Included is the premier of a new piece by Minnesota composer Libby Larsen. Titled “Haying,” the composition will feature local baritone soloist Alan Dunbar. “On the surface, it's about the toils and rigors of bringing in the harvest,” Heukeshoven explains. “But it gets into some other interesting areas of about war and distress and it's incredibly visceral — very vivid.”Additionally, the orchestra will perform “Minnesota Suite” by Reinaldo Moya and “Superior” by Katherine Bergman, along with Wolfgang Amadeus Mozart's “Symphony No. 41.” The first two are Minnesota composers; Mozart hailed from Austria.The performance takes place Oct. 21 at 7:30 p.m. at DuFresne Performing Arts Center, Main Stage, Winona State University.Bassoonist Tracy Carr is looking forward to hearing the bassoon shine in the Bakken Ensemble's upcoming performance this Saturday. Carr is particularly looking forward to hearing them play Wynton Marsalis' composition “Meeelaan” for bassoon and string quartet, written for renowned bassoonist Milan Turković (also from Austria). “It really features the bassoon in a unique way,” Carr says. “It leverages the instrument in a way that's outside of a typical orchestral setting. And also is playful with the instrument in a way that you don't usually see.”The performance features Fei Xie, principal bassoonist of the Minnesota Orchestra. Also on the program: Sergei Prokofiev's “String Quartet No. 2 in F Major, Op. 92” and Jean Françaix's “Divertissement for Bassoon and String Quintet.”The performance will be Oct. 22 at Antonello Hall at the MacPhail Center in Minneapolis.

It's not the instrument people usually choose to become musicians. But for Donovan Tong, it opened up worlds of possibilities.

A teen guitarist from Colorado plays a beautiful work by Bach, a cellist plays an emotional Elegy by John Williams, and a pianist performs a piece that draws from the worlds of classical and jazz. We'll also hear from a teenage bassoonist who shares what it's like living with neurodivergence and meet a young clarinetist who left his home in Peru to pursue music in the U.S.

I recently started learning French, and the process has made one thing clear to me: There's a lot I don't understand about how languages work. So, I turned to John McWhorter, a linguist who has dedicated his career to demystifying the roughly 7,000 languages spoken around the world. When he isn't busy writing books, John is a professor at Columbia University, host of his own podcast, and frequent lecturer for Great Courses. He helped me understand why English is so irregular, what the ideal language would look like, why all dialects are created equal, and more. Show notes: John's books: Books by John McWhorter (Author of Our Magnificent Bastard Tongue) (goodreads.com) Lexicon Valley: Lexicon Valley with John McWhorter. (slate.com) John's Great Courses: John McWhorter (thegreatcourses.com) Pronoun Trouble from Looney Tunes: Rabbit Seasoning - Pronoun Problem - YouTube Muldoon the Bassoon from A Child's Introduction to the Orchestra: https://youtu.be/C_ipa4JzNNc?t=545

Solo bassoonist, Nadina Mackie is the most widely recorded Canadian bassoonist in history, with 17 new works for solo bassoon and orchestra written for her in the last decade. Nadina intimately describes her journey.
 Nadina Mackie: https://nadinamackie.com

Duration: 37:54

VoxBox: Audio segments from YouTube - March 2014 - Trumpet virtuoso Guy Few and bassoonist Nadina Mackie. The Canadian duo stopped by the Classic 107 studio to talk with host Bill Richardson.

Music Credit: Nadina Mackie and Guy Few - Silver Angel ConcertoPosted: August 27, 2023Highlights:Introduction of Nadina Mackie as a special guestNadina's accomplishments as a bassoonist and collaborations with renowned musiciansNadina's involvement in visual arts, including painting and designing album coversDiscussion on how Nadina manages her diverse interests and commitmentsNadina's journey from being a country girl to a successful bassoonistChallenges faced by Nadina in pursuing her passion, including travel and instrument costsMentors who have influenced Nadina's musical journeyImportance of collaboration and supporting fellow musiciansNadina's establishment of the Council of Canadian BassoonistsNadina's upcoming concert and recording projects, including a book release and video demonstration of reed-making technique

To keep your woodwinds sounding their best, it's important to keep them safe, clean and properly maintained. In this episode, we will review the instruments of the wood wind family: the oboe, clarinet, saxophone, flute and bassoon. We will also discuss the many parts involved and how to properly care for them.

Johann Hummel - Bassoon Concerto: Rondo Claudio Gonella, bassoon Orchestra Internazionale d'Italia Diego Dini-Ciacci, conductor More info about today's track: Naxos 8.554280 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Enjoy this special Live N' Local concert edition of Inwood Art Works On Air featuring the Inwood Chamber Players performing “Mostly French” – a chamber concert, featuring the arrangements of Inwood resident, Gilbert Dejean, recorded live at Good Shepherd Auditorium in Inwood NYC on June 4, 2023. Johannes Brahms - Academic Festival OvertureClaude Debussy - Petite Suite·        En bateau·        Cortege·        Menuet·        BalletGabriel Pierne - Concertstuck for Harp and Orchestra. Featured performance by Violetta Marie Norrie - HarpGabriel Faure - Dolly Suite·        Berceuse·        Mi-a-ou·        Le jardin de Dolly·        Kitty-valse·        Tendresse·        Le pas espagnolAntonin Dvorak - Romance for Violin and Orchestra Featured Performance by Claudia Schaer - ViolinSerge Rachmaninoff - Hungarian Dance Featured Performance by Claudia Schaer - ViolinJohn Phillip Sousa - The Liberty Bell MarchMusicians: Helen Campo, Flute; Kaoru Hinata, Flute/Piccolo; Michele Farah, Oboe; Setsuko Otake, Oboe/English Horn; David Gould, Clarinet; Meryl Abt, Clarinet; Rachel Drehmann, Horn; Laura Weiner, Horn; Bill Hughes, Horn; Will DeVos, Horn; Patty Wang, Bassoon: Yuki Higashi, Bassoon; Deborah Spohnheimer, Double Bass; Violetta Marie Norie, Harp Soloist; Claudia Schaer, Violin Soloist.

Flute 360 | Episode 252: “The Life of a Flutepreneur with Amanda Dame!” Do you want to know what it's like to be a flutepreneur? What about knowing and understanding what it takes to make passive income for your flute business? Or what about acquiring tips on marketing and pre-selling your music offerings? If you are dreaming to create your business portfolio, and not sure where to begin, today's episode will give you the inspiration that you need to get started! Don't do it alone. Learn from flutepreneurs like Amanda and Heidi who've been there to get you on the right track for you and for your music offerings! Enjoy! Don't forget…the Flute 360 Accelerator Program is meeting on Saturday, 06/24/23 from 11:00 AM to 1:00 PM / CT for a LIVE mastermind and masterclass! This is a time to build new relationships for doors and opportunities to open for you and for your career! Remember, your network is your net worth! Can't come to the LIVE session? No worries! The meetup will be recorded, and you can access past sessions, too! Episode 252 – Resources Mentioned: Join the Flute 360's Accelerator Program Here! Schedule a 15-minute call to chat with Heidi! Sponsors: Carolyn Nussbaum Music Company – Your One-Stop Flute Shop! Guest's Links: Want to join Amanda's Virtual Woodwind Academy? Click here and tell her that Flute 360 sent you! Virtual Woodwind Academy's Facebook Page Virtual Woodwind Academy's YouTube Channel Amanda's TikTok Amanda's Instagram Follow Heidi! Follow Flute 360 via TikTok! Follow Flute 360 via Instagram! Follow Flute 360 via Twitter! Follow Flute 360 via LinkedIn! Follow Flute 360 via Facebook! Join the Flute 360 Newsletter! Join the Flute 360 Family's Facebook Private Group! Join the Flute 360's Accelerator Program Here! Subscribe to the Flute 360's YouTube Channel!

What happens when an undeterrable gardener meets an unstoppable runner of milkweed? A garden war. Thank you to today's sponsor, the Michigan Witches Ball www.michiganwitchesballandbazaar.com. Music: Call to Adventure" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Call to Adventure" Instruments: Bass, Cello, Viola, Violin, Tuba, Trombone, Horn, Trumpet, Bassoon, Clarinet, Oboe, Flute, Percussion, Xylophone, Marimba, Celesta Feel: Action, Bright, Bouncy, Humorous, Epic A giant orchestral work with everything you could want from a piece with this title. ISRC: USUAN1300022 Uploaded: 2013-03-20 178 bpm Soundtrack 4:07 Evening Melodrama What is Creative Commons 4? You are free to: Share — copy and redistribute the material in any medium or format. Adapt — remix, transform, and build upon the material. for any purpose, even commercially. --- Support this podcast: https://podcasters.spotify.com/pod/show/detroit-conjure-llc-festi/support

Bassoon player Amy Harman and composer Gavin Higgins join Cerys Matthews and Jeffrey Boakye for the opening episode of the new series of the Prix Italia and Prix Europa award-winning music programme. Starting from scratch, the new adventure takes us from the Great Smoky Mountains of East Tennessee via the Aegean Sea to a hand-rubbing fado song from Lisbon. Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey Boakye The five tracks in this week's playlist: Mule Skinner Blues (Blue Yodel No 8) by Dolly Parton Mes Sto Aigaiou Ta Nisia by Glykeria Casta Diva by Bellini, sung by Maria Callas Weird Fishes/Arpeggi by the Noordpool Orchestra Vai de Roda by Duarte Other music in this episode: The Poor People of Paris by Winifred Atwell Blue Yodel No 8 by Jimmie Rodgers Labor Blues by Tom Dickson El Condor Pasa by Simon & Garfunkel Weird Fishes/Arpeggi by Radiohead Inner City Life by Goldie Funky Mule by Ike Turner Last Nite by The Strokes

On this episode we talk about our dream concert programs. For our interview we welcome Cayla Bellamy, Assistant Professor of Bassoon at Colorado State University! Learn more about Cayla at her website, www.caylabellamy.com! This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

Sippers! This week we're joined by comedians Vittorio Angelone and Willy T. Tickets for Tea With Me Live at The SSE Arena on 23rd September available here - https://www.ssearenabelfast.com/whats-on/tea-with-me-live-podcast-shane-todd  Tickets for London Podcast available here - https://www.thepodcastshowlondon.com/podcasts/tea-with-me-shane-todd  Join Patreon to support the podcast and get access to exclusive content and early access to tickets - https://www.patreon.com/teawithmepodcast  Tickets for Shane's tour available here - https://theshanetodd.com/  Tickets for Willy T's Ulster Hall show available here - https://www.ulsterhall.co.uk/what-s-on/william-thompson-2/ Tickets for Vittorio available here - https://vittorioangelone.com/ Grab your EXCLUSIVE NordVPN Deal by going to nordvpn.com/teawithme to get a Huge Discount off your NordVPN Plan. Every purchase of 2 years plan will now receive +4 bonus months on top. Get 20% off and free shipping at https://www.manscaped.com when you use the code TEAWITHME

On this episode we give catch up on recent and upcoming news. For our interview we welcome Michael Kroth, Professor of Bassoon and Associate Dean for Undergraduate Studies at Michigan State University! This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

On this episode we give our rose and thorn for the week. For our interview we welcome Susan Nelson, Associate Professor of Bassoon and Assistant Dean of Undergraduate Studies at Bowling Green State University! This podcast is brought to you by Chemical City Double Reeds (www.chemicalcityreeds.com), ACDC Reeds(www.acdcreeds.com/), Barton Cane (www.bartoncane.com/), and RDG Woodwinds Inc. (rdgwoodwinds.com)! Thank you to our wonderful sponsors!

Linton Stephens mixes a classical playlist for DJ and Radio 1's Future Alternative presenter, Nels Hylton. Nels' playlist: Poppy Ackroyd - Paper Edward W. Hardy - Strange Fruit William Levi Dawson - Negro Folk Symphony Anne Müller - Drifting Circles Connor Chee - Nocturne for Bassoon and Marimba Jennifer Higdon - Concerto 4-3, III. Roaring Smokies Classical Fix is a podcast aimed at opening up the world of classical music to anyone who fancies giving it a go. Each week, Linton mixes a bespoke playlist for his guest, who then joins him to share their impressions of their new classical discoveries. Linton Stephens is a bassoonist with the Chineke! Orchestra and has also performed with the BBC Philharmonic, Halle Orchestra and Opera North, amongst many others.

Synopsis Famous composers have been, on occasion, famous performers as well. Think of Bach on the organ, or Rachmaninoff on the piano. And if Mozart's father is to be believed, young Wolfgang could have Europe's finest violinist – if he had only practiced more. But how many famous composers can you name who played the bassoon? Well, the British composer Edward Elgar, for one. As a young musician in Worcester, played the bassoon in a wind quintet. While never becoming famous as a bassoonist, Elgar's love for and understanding of the instrument is evident in all his major orchestral works, and he counted one skilled player among his friends: this was Edwin F. James, the principal bassoonist of the London Symphony in Elgar's day. In 1910, while working on his big, extroverted, almost 50-minute violin concerto, Elgar tossed off a smaller, much shorter, and far more introverted work for bassoon and orchestra as a gift for James. Since Elgar was working on both pieces at the same time, if you're familiar with Elgar's Violin Concerto, Op. 61, you can't help but notice a familial resemblance to his 6-minute Romance for Bassoon and Orchestra, Op. 62. The Romance was first performed by Edwin F. James at a Herefordshire Orchestral Society concert conducted by the Elgar on today's date in 1911. Music Played in Today's Program Elgar (1857-1934) Romance for Bassoon and Orchestra, Op. 62 Graham Salvage, bassoon; Halle Orchestra; Mark Elder, conductor. Halle Elgar Edition HLL-7505

In the three years since our guest's last visit, Matt and Bow's octaves may have dropped, but the quality of their conversation with the legendary actor and now-author Betty Gilpin has NOT! The boys waste no time heaping (deserved) praise onto Betty and her new book “All the Women in My Brain,” which you must read and listen to as your Kantian imperative. The three talk about smoke allergies, smoke and MIRRORS, and smoking too much weed during boarding school. Special attention is paid to “The Thing,” an abstract yet undeniable phenomenon that Betty outlines perfectly and which collapses all boundaries for better or worse (i.e. choreography engendering fraternity). All the right questions are asked, including “Does God exist now that Betty has a child?” and “Will Matt sit through a horror film for an actress tour de force?” Many, of course, are answered. Stay till the end for three fab IDTSHs, or else Bowen will stab you in silks.See omnystudio.com/listener for privacy information.