Podcasts about composing music

Send us a textDominique Le Gendre discusses composing music for Shakespeare plays, including Richard II at the Sam Wanamaker Playhouse and The Complete Arkangel Shakespeare audio recordings.For a complete episode transcript, click http://www.womenandshakespeare.comDominique Le Gendre's Website: https://www.dominiquelegendre.com/Interviewer: Varsha PanjwaniGuest: Dominique Le GendreResearcher: Grayson YuzonProducers: Alyssa GoodwinTranscript: Benjamin PooreArtwork: Wenqi WanSuggested Citation:  Le Gendre, Dominique in conversation with Panjwani, Varsha (2025). Dominique  Le Gendre on Composing Music for Shakespeare Plays [Podcast], Series 5, Ep.4. http://womenandshakespeare.com/Twitter: @earlymoderndoc Insta: earlymoderndocEmail: earlymoderndoc@gmail.com

In this episode of One Symphony, Devin Patrick Hughes interviews Lucas Richman, a Grammy winning composer and conductor, exploring his career and insightful perspectives on music and its role in society.  Richman recounts his early exposure to music through composer biographies, sharing an anecdote about writing to Aaron Copland and receiving an encouraging postcard in return, which served as an early inspiration. The discussion moves to Richman's experiences with Leonard Bernstein, highlighting a masterclass on the Academic Festival Overture and the profound impact Bernstein had on his understanding of music and life. Richman emphasizes Bernstein's ability to infuse everything with love and teaching, noting his preference for discussing music with doctors rather than musicians due to their focus on the art rather than business.  Richman discusses his approach to composition, emphasizing his commitment to bringing social issues and awareness into the concert hall. He describes his symphony inspired by Bernstein's words, "This will be our reply to violence is to make music more intensely, more beautifully, more devotedly than ever before," with movements embodying intensity, beauty, and devotion. He also discusses "The Warming Sea," a piece addressing climate change, and Paths to Dignity, a violin concerto inspired by the issue of homelessness. In Paths to Dignity, Richman musically portrays the word "dignity" using specific notes, aiming to create a conversation and raise awareness. He collaborated with Mitchell Newman, a violinist and advocate for the unsheltered community, to bring attention to the human stories behind homelessness.  Richman reflects on his time as an assistant conductor, which instilled in him the importance of clarity and efficiency. He describes his experience conducting film scores for movies such as Seven and The Village, noting the collaborative nature of the work. Richman also shares his perspective on conducting his own music, expressing that others often bring fresh interpretations that he appreciates. Transitioning to the evolution of the conducting field, Richman acknowledges the influence of mentors like Daniel Lewis and Herbert Blomstedt, emphasizing the significance of respect, intent, and honesty. He expresses concern that some contemporary conductors prioritize showmanship over serving the music and fostering leadership skills. Turning to the role of a music director, Richman underscores the importance of community engagement, fundraising, and collaboration with the board and staff. He highlights initiatives such as streaming concerts, expanding educational programs, and forging relationships with local organizations. He also touches on his involvement in music education, including his piece Behold the Bold Umbrellaphant, which introduces children to classical music through imaginative characters. Thank you for joining us on One Symphony. Special thanks to Lucas Richman for sharing his music and story. Musical selections from today's episode: Brahms: Academic Festival Overture, Op. 80 (Live). Lucas Richman conducting. The Warming Sea composed by Lucas Richman. Performed by the Bangor Symphony Orchestra, Divisi Women's Choir, and the Bangor Area Youth Choir. Conducted by Jayce Ogren. Commissioned by the Maine Science Festival. Excerpts from Concerto for Violin: Paths to Dignity composed and conducted by Lucas Richman. Featuring Mitchell Newman on violin and the Bangor Symphony Orchestra. “The Gravel Road” from the film The Village. Composed by James Newton-Howard and conducted by Lucas Richman featuring Hillary Hahn on violin. “Tikkun Olam (Heal the World)” from Symphony: This Will Be Our Reply. Text and music by Lucas Richman. Performed by the Bangor Symphony Orchestra, conducted by Richman. Featuring the Oratorio Society and University of Maine Singers under the direction of Francis John Voight. For more information on Lucas, see www.lucasrichman.com. You can always find more info at OneSymphony.podbean.com or DevinPatrickHughes.com, including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music.

In this episode, Xochitl and Jack discuss writing music as a hobby.Find links to Jack's music here:https://soundcloud.com/jack-mcbhttps://www.youtube.com/@echodust77https://echodust2.bandcamp.com/musicPodcast Website: http://atozenglishpodcast.comSocial Media:WeChat: atozenglishpodcastFacebook Group: https://www.facebook.com/groups/671098974684413/Tik Tok: @atozenglish1Instagram: @atozenglish22Twitter: @atozenglish22A to Z Facebook Page:https://www.facebook.com/theatozenglishpodcastCheck out our You Tube Channel:https://www.youtube.com/channel/UCds7JR-5dbarBfas4Ve4h8ABecome a member of Podchaser and leave a positive review!https://www.podchaser.com/podcasts/the-a-to-z-english-podcast-4779670Join our Whatsapp group: https://forms.gle/zKCS8y1t9jwv2KTn7Intro/Outro Music: Debora by Jangwahttps://freemusicarchive.org/music/Dilating_Times/single/debora/https://creativecommons.org/licenses/by/4.Support this podcast at — https://redcircle.com/the-a-to-z-english-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode #53, we explore the turbulent history behind the fall of the Sikh Empire—a tale of glory, betrayal, and British conquest. At the heart of this story is Maharaja Duleep Singh the boy king who was dethroned and exiled, losing not just his crown but also his cultural identity. We delve deeply into the story of Maharaja Duleep Singh, uncovering its lesser-known aspects. 00:00 - Sources 03:49 - Maharaja Ranjit Singh Lineage 07:04 - Punjab's Game of Thrones 08:46 - Fight for the Crown 26:25 - Duleep Singh on throne 26:41 - Vazirs/PM's 32:29 - Blaming Maharani Jind Kaur 35:49 - East India Company Bold moves 37:26 - Treaty of Amritsar 1809 41:25 - Maharani Jind Kaur started Anglo-Sikh War 1? 46:35 - Duleep Singh refuses Tilak 47:18 - Tightening Constraints  48:29 - East India Company Jealous 49:21 - Conquering 2/3 of Punjab  50:12 - Shattering Lahore Darbar  54:05 - Mother and Son Separated  56:23 - Duleep Singh Turning Christian 58:40 - Mulraj Rebellion  59:17 - Treaty Of Lahore 01:01:07 - Treaty of Bhyrowal 01:01:47 - Duleep Singh Reaching England 01:02:49 - Maharani Jind Kaur in Nepal 01:04:45 - Duleep Rejecting Victoria Gouramma 01:06:41 - Less Pension 01:07:45 - The Black Prince 01:08:59 - Duleep Singh Hobbies/Cozy Zone 01:10:07 - £1.7 Million Duleep Singh Statue 01:11:11 - Grouse Hunting 01:11:30 - Duleep Singh frustrated by lack of funds 01:13:20 - Aristocratic Lifestyle  01:14:36 - Duleep Meets her Mother 01:17:45 - Letter to Dr. login  01:18:11 - Maharani Jind Kaur Pension & Jewels 01:18:29 - Back to London with Maharani Jind kaur 01:20:16 - Maharani Jind kaur's Death 01:22:21 - Meeting Future Wife Bamba Muller 01:23:45 - Death of Duleep Singh's Guardian Dr. Login 01:24:03 - Lavish Elveden Hall 01:24:59 - Childhood Trauma & Extravagance  01:27:57 - Under Debut, Claims 01:30:47 - Evans Bells Annexation of Punjab 01:31:57 - Letter to Queen Victoria  01:34:04 - Ram Singh Kuka 01:34:39 - Rejoining With Sikh Heritage  01:34:57 - Composing Music on Piano 01:35:19 - Back to Sikhism & Aden Arrest 01:40:38 - Moving to Russia 01:49:06 - Ada Wethrill 2nd Wife 01:51:38 - Duleep Singh had Stroke 01:53:24 - Prince Victor Duleep Singh 01:55:48 - Death of Prince Edward Duleep Singh 01:56:22 - Last Days of Duleep Singh 01:59:02 - Turned Back to Christianity? 02:04:23 - Funeral 02:05:14 - Children of Duleep Singh 02:08:12 - Elvedan Hall Sold 02:08:51 - Lehna Singh Majithia 02:09:08 - Books & end thoughts  02:12:27 - Assassin's Creed Syndicate: The Last Maharaja SOURCES Maharaja Duleep Singh Correspondence (History Of The Freedom Movement In The Punjab Volume III) by Dr. Ganda Singh - https://archive.org/details/MaharajaDuleepSinghCorrespondenceHistoryOfTheFreedomMovementInThePunjabVolumeIIIDr.GandaSinghEd. Queen Victoria's Maharajah : Duleep Singh by Michael Alexander & Sushila Anand - https://archive.org/details/queenvictoriasma0000alex Royals and Rebels: The Rise and Fall of the Sikh Empire by Priya Atwal - https://amzn.to/4g4FecL Maharaja Daleep Singh by Piara Singh Data - https://archive.org/details/maharaja-daleep-singh/page/n63/mode/2up Fall of the Kingdom of the Punjab by Khushwant Singh - https://archive.org/details/fall-of-kingdom-of-punjab-khushwant-singh Jangnamah by Shah Mohammed - https://archive.org/details/TheFirstPunjabWar-ShahMohammedsJagnamah/page/n139/mode/2up The Annexation of the Punjab & the Maharajah Duleep Singh by Evans Bell - https://archive.org/details/annexationofpunj00belluoft/page/n3/mode/2up Chronology Of Events Of Maharaja Duleep Singh - https://archive.org/details/ChronologyOfEventsOfMaharajaDuleepSingh1838-1893A.d. Memoirs Of Alexander Gardner by William Blackwood And Sons, London - https://archive.org/details/in.ernet.dli.2015.206459/page/n7/mode/2up Maharajah Duleep Singh: King of Lahore by Trilok Singh Wouhra - https://archive.org/details/isbn_9780954593704/page/n5/mode/2up The Maharaja's Box by Christy Campbell - https://amzn.to/3DXuRKh

In this episode Nathan & Craig chat with film/TV composer Ryan Leach. In this interview, he talks about growing up in Australia, getting into music and eventually going to the Berklee College of Music, working as an assistant at Remote Control Productions, starting a YouTube channel sharing educational content, Master The Score and much more. Subscribe to the Soundiron Podcast: https://anchor.fm/soundiron-podcast For more info, visit our website: https://soundiron.com/ Podcast notes: * (0:00) Intro * (1:27) Growing up in Australia * (2:43) Playing guitar and bass * (5:00) Film scoring major at Berklee * (10:44) Working at Remote Control * (16:51) Branching out to library music * (21:07) Starting the YouTube channel * (33:00) Choosing video topics * (37:37) Average week in the life * (39:14) Setting a schedule * (46:09) Master the Score courses * (50:29) How you start writing a track * (55:36) Best recent purchase under $100 * (56:40) Man on the Inside * (57:11) What's next for Ryan? Welcome to Soundiron, where the world is your orchestra! We create professional virtual instrument plugins and sample libraries for music, media, cinema, games and education. Whether you're a musician, songwriter, composer, producer, sound-designer, student or teacher, or just want to have fun making your own music, we've got you covered! #soundiron #musicpodcast #ryanleach

How do musicians serve the church in music composition? Kile and Jacqueline Smith, musicians serving the church, join Andy and Sarah at the 2024 LCMS Institute on Liturgy, Preaching and Church Music to talk about how music has been a part of their lives, how they met and how music was a part of their relationship, how they became a part of the LCMS, and how they serve the church as musicians and composers.   Learn more about our Lutheran understanding of worship at https://www.lcms.org/worship.

In this episode, I talk to accomplished composer Ryan Marth, who has created music for a variety of films. Ryan covers the nuts and bolts of his craft and offers advice for both new composers and for filmmakers on how to go about creating music for film. Ryan's website: www.ryanmarth.comRyan's Instagram: www.instagram.com/ryanmarthmusicThank you for listening. Please subscribe to keep up to date with new episodes. If you enjoy this podcast, please leave a review.“On Documentary” podcast page: www.adamjamessmithfilm.com/on-documentaryAdam James Smith's Instagram: www.instagram.com/ajsfilmContact: ajsfilm@alumni.stanford.edu

Maltese singer Freddie Portelli known for his music and records since the early sixties with the Malta Bums, The Black Train and as a solo artist, is still performing and composing music at the age of 80. - Il-kantant Malti Freddie Portelli magħruf għad-diski tiegħu sa mis-snin sittin, mal-Malta Bums, il-Black Train u bħala kantant solista għadu għaddej bil-karriera mużikali tiegħu ta' kantant, kompożitur u jagħti wirjiet fil-pubbliku, minkejja li għalaq 80 sena.

Visit HOW TO GROW YOUR MUSIC CAREER BLOG for more action items, and valuable insights on your music career!   Today our guest is composer and creative consultant Alex Pfeffer. http://risewithalex.com/   Alex is a seasoned composer from Hamburg with almost 20 years of experience in the trailer music and video game industry.   Alex worked with notable companies like Two Steps from Hell, Epic Score, and Liquid Cinema, contributing to trailers for films such as Pacific Rim and Sherlock Holmes, and over 60 TV shows globally. In the video game sector,he composed for titles like CHORUS, Company of Heroes 3, Crysis 2, Mortal Kombat vs. DC Universe, and more. In 2023, he founded the Audio Artist Rise Program, dedicated to helping composers find work in the audio industry.   If you want to support the podcast, don't forget to rate the podcast and give it a follow. It will help the podcast reach more people who might find it interesting! Feel free to reach out with any questions, on LinkedIn, Facebook, Instagram, or through my email listed on my website, where I share additional content about music career. Read more career tips in the blog: https://www.amitweiner.com/rewind-the-musicians-blog   Amit Weiner on LinkedIn: https://www.linkedin.com/in/amit-weiner/   Stay tuned and don't forget to REWIND!

Have you stopped to think about what makes music funny? What makes a good action score? And what can a composer do to suck the life out of their composition? In today's episode, we're talking to Composer Matt Novack. We discuss all of this and really get into the details, so if you want to learn about how to write music like this, this is the episode for you. Matt Novack is a classically trained composer and percussionist whose intuitively smart scores have created indelible moments in (mostly) comedy projects across series and film. Matt's music supports performances by many of today's greatest comedic actors, including Amy Poelher, Paul Rudd, Rob Corddry, Megan Mullally, Henry Winkler and Will Arnett. Some of his notable credits include working cult favorite Children's Hopsital, Netflix's a Murderville, as well as award-winning Dog Days and spots for Assassin's Creed Valhalla. His most recent work can be heard on TBS's Miracle Workers: End Times. Topics include: • Matt's background and education as a percussionist/composer • What makes good “action” music • Scoring a comedy • Absurdist comedies vs sitcoms • What I wish I learned in school • Working with a temp track while staying original • Using and manipulating digital samples to create analog synth sound • Nothing kills the music of a scene like trying to be funny • The project Matt learned the most from • Advice for aspiring composers/musicians https://www.mattnovack.com/ Music featured in this episode (and shared with permission): Better Than Heroes Overture Composed by Matt Novack I Regret Lots of Things from "Harley Quinn" composed by Jefferson Friedman, Matt Novack, Christopher French I Like it Here from "Miracle Workers" Composed by Matt Novack Sad Sid from "Miracle Workers" Composed by Matt Novack The Enchanted Workshop Composed by Matt Novack End Times Main Title From "Miracle Workers" Composed by Matt Novack

Ludwig Van Beethoven began to lose his hearing at age 28. By age 44, his hearing loss was complete, most likely caused by compression of the eighth cranial nerve associated with Paget's disease of bone. Despite his deafness, Beethoven continued to compose symphony music. He never gave up. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Musician Branford Marsalis joins WGN Radio's Dave Plier, filling in for Dave Plier, to talk about his influences in music, playing with the likes of Miles Davis, Herbie Hancock, Sting, The Grateful Dead, his style of music and collaboration, and composing the moving sounds for the soundtrack of Netflix's civil rights story of Bayard Rustin.

Sometimes it's better to conform! Jermaine talked about hybrid composing music for film, making the music fit ever-shrinking film edits, switching to Cubase, how to create an orchestra in your home studio, and the secret to realistic-sounding scores. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jermaine Stegall, a film composer and conductor. With over 50 projects to his credit, Jermaine most well-known for the score to “Coming 2 America”, the highly anticipated sequel to the Eddie Murphy classic, with Murphy, Arsenio Hall and James Earl-Jones all reprising their roles. Jermaine recently completed the score for "Praise This" for Universal Pictures. Other scoring and conducting assignments have included “Senior Year” (2022) for Paramount Pictures, and the upcoming film “Oracle” for Universal Pictures. As a musical conductor, Stegall led a live string orchestra alongside Grammy-winning artist Tori Kelly at the televised 2019 ESPY Awards. A year prior, he conducted the orchestra to Camila Cabello's performance of “Consequences” on ABC's American Music Awards. In addition to scoring 2 seasons of "Our Star Wars Stories,” an original digital series from Lucasfilm and StarWars.com, in which host Jordan Hembrough uncovers heartfelt tales of fans and families who have found inspiration in the galaxy far, far away, Jermaine was also nominated for a MPSE Golden Reel Award for scoring the animated Netflix short film "Canvas" directed by Pixar's Frank Abney III. Thank you to Chris James for the introduction! THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/19cZq4Xs7gomhZQFuBeSBW?si=95b1f8256d154fb5 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/429

When most orchestras commission a new work, they usually ask the composer to produce music that fits on a standard concert program, like a 10-minute overture or a 45-minute symphony. But when BBC Earth approached composers Adam Lukas and James Everingham — along with the two-time Oscar winner Hans Zimmer — to compose the score for its latest nature documentary series, Frozen Planet II, the show's producers needed six hours of music. Even for this trio of seasoned composers, that's a tall order to fill. Besides creating a sonic universe to accompany Frozen Planet II's icy, snow-capped visuals, these composers had to help fulfill the show's core mission: introducing viewers not only to the daily lives of polar bears, penguins, and snow monkeys — but also the ways climate change is compounding the difficulties they face surviving in the coldest regions of the world. "The series is tackling the issue of the climate crisis," Lukas says on the latest episode of the Classical Post podcast. "We knew we wanted to tell the stories of the animals in their habitats in a way that helps people connect with them and care about them in a genuine way. That's something Hans has spent his career being the best at." In this episode, I sit down with Lukas and Everingham to discuss the process of creating the series's score — which involved more than 100 people working for three years while navigating lockdown restrictions. They also share stories about collaborating with the legendary Zimmer, the magical time they spent in the studio with the Norwegian singer-songwriter Aurora, and how they define success. Frozen Planet II is available to stream in the U.S. on Prime Video, Vudu, and Apple TV. — ⁠⁠Classical Post⁠⁠® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by ⁠⁠Gold Sound Media⁠⁠® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

In this episode of Getting to Aha!, Darshan Mehta is joined by Steve Sidelnyk and Jim Turner to discuss their successful careers in the music industry.

Check out the show notes: www.mixartist.com.au/post/__079 In this episode: How Cass started her music career singing open mic nights in Sydney Cass' studio and live projects How Cass overcame writers-block Going international - how Cass made contacts in the US, and got her music into a McDonalds ad Finding her production groove: producing with Billy Lefler in LA Upcoming releases and plans for the future

Join host Andy Williams as he chats with the talented music composer Gareth Davies to discuss the process of writing music for animated series. Gareth talks about how he works with producers and directors to create music that brings characters to life. He shares his insights on responding to an initial brief, capturing the musical essence of a character, and expressing the theme of a story. This interview is a must-listen for animation fans and music enthusiasts alike. #music #animation #composing #interview #podcast #artistry #entertainment

Do you want to take control of your health and achieve optimal physical and mental well-being? If so, I have the solution for you. Our guest, Dr. Dave Rabin, will be sharing how AI technology and personalized wearable devices can help you achieve the desired outcome. By leveraging these technologies, you can receive personalized insights and recommendations that will help you improve your fitness, sleep, stress response, and overall health. Say goodbye to generic health advice and hello to a personalized approach that caters to your individual needs and preferences.  Dr. Dave Rabin is a neuroscientist and board-certified psychiatrist with a keen passion for understanding the human mind and its connection to health and well-being. Driven by a curiosity for consciousness and dreams, Dr. Rabin has spent the last 15 years studying the effects of chronic stress on overall health. As the CEO of Apollo, a revolutionary health tech company, Dr. Rabin is at the forefront of utilizing AI technology and wearable devices for personalized medicine and improved health outcomes. Through his passion and expertise, he's transforming the way we approach mental health and wellness. Listen now and get ready to transform your health and achieve the ultimate wellness outcome! KEY TAKEAWAYS 00:00:00 - Importance of Managing Stress 00:06:31 - Dr. Rabin's Background 00:09:49 - Psychedelics and Mental Health 00:13:39 - Managing Stress and Making Change 00:15:01 - Evolution of Wearable Technology 00:18:05 - Composing Music for the Body 00:21:18 - Heart Rate Variability and Resilience 00:24:38 - Consistency and Personalized Medicine 00:29:53 - Who Should Not Use Apollo Neuro? 00:31:42 - Future of Apollo Neuro 00:35:04 - Daily Routine 00:36:15 - What He Would Tell His Younger Self 00:36:33 - Where to Find Apollo Neuro   WHERE TO FIND OUR GUEST Website: https://www.drdave.io/ Website: https://apolloneuro.com/ Instagram: https://www.instagram.com/drdavidrabin/ LinkedIn: https://www.linkedin.com/in/drdavemdphd/   MEMORABLE QUOTE “Change and taking new action becomes really hard, and our bodies literally oppose it when we're already stressed out or underslept.”  - Dr. Dave Rabin “Heart rate variability is our best measure of resilience and recovery in the body that we can get through the skin and we can get it with wearables and track it over time.”  - Dr. Dave Rabin     To learn more about me and to stay connected, click on the links below: Instagram: @drbindiyamd Website: drbindiyamd.com

In this Washington Post Live conversation recorded on May 17, composer Carlos Simon digs into his new work inspired by George Floyd's life, “brea(d)th,” discusses the process of composing the work with librettist Marc Bamuthi Joseph and how it reflects the promise of an equitable future in America.

This week, Zak and Aaron sit down to talk with the profoundly talented Cameron Paxton - the composer for the game Dome Keeper - about the intricacies of writing music for games. Naturally, Aaron rambles on about esoteric ideas, Zak stays on topic, and our guest brings insight to spare. If you're interested in musical composition, creativity, or just hearing about how someone found their gateway into the industry, this is the episode for you.Oh, and we'll let you guess who wrote the opening and closing music for this one. Your only hints are that the song was originally meant to hype you up to keep some domes, and may or may not be called Laser Party. Take that for what you will.Check out Cameron's WorkTake a Peek at Dome Keeper on Steam Hey! It's Bippinbits!!Listen to Beach Girl on SpotifyCheck out edouggieart on EtsyCheck out even more edouggieart on Instagram

Show Notes: Ruth Hertzman-Miller, a member of the Harvard and Radcliffe class of 1992, graduated with a degree in biology and went on to a career in medicine, completing a residency in internal medicine at Cambridge City Hospital and a fellowship in health services research in Los Angeles. After returning to the Boston area, she worked as a physician at Cambridge Health Alliance and then at NewBridge, a retirement community. Ruth discussed her journey since graduating, reflecting on the unexpected twists and turns it has taken. Ruth made the difficult decision to switch from medicine to music four or five years ago. She took catch up courses at a conservatory in Boston and is now doing a master's in composition. Ruth is a pianist and choral singer and was inspired to pursue music again when her seven year old daughter joined North Cambridge Family Opera. An Education and Career in Medicine She didn't know what she wanted to do with her life when she went to college, but her dad and grandfather were both psychiatrists, so she figured she'd take some premed courses and see what happened since she liked science and helping people, but she also got to take electives in other subjects like music. In medical school at Case Western, she was interested in the clinical aspects of the program where she was assigned to a pregnant woman and followed her through delivery and the baby's first year of life, but along the way, she had many doubts about how much she wanted to be in the program.  At the end of her internship year, she went to her residency director and was considering quitting, but he talked her into staying.  Balancing Family Life and Work After the birth of her first child, she found it difficult to focus on both the intense schedule of work and study and family, but she finished her master's and eventually made the decision to pursue a master's in music and wrap up her medical career. Ruth balanced work and motherhood for many decades. Initially, she worked at Cambridge Health Alliance and then various medical but non-clinical jobs such as the Joslin Diabetes Clinic and the Hearst Company, and then at EBSCO Publishing. While she was in non-clinical positions, she worked clinically one day a week at Cambridge Health Alliance and then at various sites within Hebrew Rehab, finally landing at the NewBridge retirement community. When she decided to cut down on her work and dedicate more time to music, she kept her one day a week job at Hebrew Rehab and started studying for a certificate in music. Studying Musical Composition and Theory Ruth discusses her experience studying composition and writing music and what was included in  the coursework. As a composer, she is interested in exploring the form of music. She studies what has been done in the past, the many options and choices available, and considers how she can create something new. She refers to Mozart and Haydn, who approached their compositions differently and how they did so. Ruth is not expecting to make a professional career out of her work, as it is difficult for a composer to make money, but instead, is more interested in exploring new forms and having her work performed. Video game music and film music are some of the biggest markets for composers; however, Ruth is not particularly interested in these areas. She is more interested in writing for small ensembles such as string quartets, for which she can find performers without much difficulty. She also talks about the place of AI in composing music, and how it can provide inspiration but needs human intervention to create a finished product.  The Creative Process of Composing Music When asked if composing music feels three-dimensional, or if it has different mental qualities, Ruth answers that this is subjective and depends on the individual, but it is likely that the experience of composing music entails a combination of physical and mental elements. It requires both the ability to think in abstract terms, as well as the creative ability to visualize and construct musical ideas. It is a process that is both intuitive and analytical, where the creative elements of music are balanced with the technical aspects of composition. Ruth talks about the creative process behind composition. She explains that she typically has a broad idea, such as writing a piano piece with two players starting at opposite ends of the piano, and then breaks it down into smaller details such as melody and harmony. She then works on generating variations on the material and figuring out the logical progression of the piece. She explains that she usually isn't trying to express something that can be explained in words, but rather it is usually a feeling or an exploration of the music itself. She uses the example of a recent project to explain the process. Ruth also  talks about conveying emotions through music. For some pieces of music, the goal is to introduce the theme to the audience and have them understand it through the different changes in the music. At the opposite end of this, there is writing an opera scene where the focus is more on portraying the emotions. Professors and Courses of Influence Favorite professors and courses from Harvard include Luise Vosgerchian's course on the Development of the String Quartet and John Stewart's course on Introductory Music Theory. She also talks about her more recent professor, Lyle Davidson, who happens to be in the same tradition of Luise Vosgerchian. Other favorite courses include Biology of Fishes with Karel Liem, Scientific Ethics with George Whitesides, Moral Reasoning with Thomas Scanlon, and Marjorie Garber on Shakespeare. Timestamps: 01:41 Pursuing Music After a Career in Medicine  05:19 Motivation and Commitment During Medical School  09:57 Medical Training and Fellowship  16:28 The Process of Studying Composition  20:28 Composing and Making a Career in Music 25:32 Reading and Generative AI in Music Composition  28:03 Exploring the Creative Process of Composing Music 36:05 Music Study and Harvard College Professors  Links: YouTube: https://www.youtube.com/@ruthhertzman-miller3349/videos

Guests: Richard Samuelson, Daniel McCarthy, & Daniel Tacke Host Scot Bertram talks with Richard Samuelson,  Associate Professor of Government at Hillsdale College's Washington, D.C., campus, analyzes the trend of high schools who have declined to tell students when they are honored as National Merit Scholars. Daniel McCarthy, editor of Modern Age, reveals what he believes […]

Guests: Richard Samuelson, Daniel McCarthy, & Daniel Tacke Host Scot Bertram talks with Richard Samuelson,  Associate Professor of Government at Hillsdale College's Washington, D.C., campus, analyzes the trend of high schools who have declined to tell students when they are honored as National Merit Scholars. Daniel McCarthy, editor of Modern Age, reveals what he believes conservatives need to win the culture wars. And Daniel Tacke, Chairman and Associate Professor of Music at Hillsdale College, tells us about the art and process of composing music. Richard Samuelson at 1:02Daniel McCarthy at 13:50Daniel Tacke at 26:22See omnystudio.com/listener for privacy information.

With just over two weeks to go until the coronation, we meet the musician who is composing a song for the occasion, after being personally requested by the monarch himself. Sarah Class, a Brit and Emmy-nominated singer and songwriter, discusses the work that has gone into the piece, her shared passion with the King for the environment and everything else she's allowed to tell us about the historical event. Hosted on Acast. See acast.com/privacy for more information.

Cody Matthew Johnson is a musician, audio producer and composer for games, film and other media.  Most notably, he composed songs for Resident Evil 2 and Devil May Cry 5.  He is also the founder and CEO of Emperia Group,  a full-stack audio solutions company specialized in interactive media like video games. Cody walks through the music composition process of his songs, "Subhuman" (Devil May Cry 5) and "Saudade" (Resident Evil 2), and we definitely get in our feels unpacking the poetic lyrics in those two songs.   We also talk about Cody's desire to drive innovation in the music industry, and his thoughts about the future of AI tools for creating music.  * * * * * * * * If you liked the episode, please like & subscribe to the show! Substack: https://gameoflifepod.substack.com/ Twitter: https://twitter.com/sophdeng Email: golifepod@gmail.com "Game of Life Podcast" is produced by ⁠Sophia Deng⁠; visuals by Alonzo Felix; music is from Anchor. * * * * * * * * Timestamps (02:46) Cody's musical journey (05:22) Songs vs. scores (09:10) Songwriting process for "Subhuman" on Devil May Cry 5 (17:04) Songwriting process for "Saudade" on Resident Evil 2 (27:35) Composing for video games compared to other media (32:02) Why Cody started Emperia Group (36:05) Future of music and music technology (45:57) 2 final questions * * * * * * * * Cody's recommendations Nintendo Switch (console) Overcooked (game) on the Nintendo Switch Cult of the Lamb OST by River Boy  A Plague Tale: Requiem OST Finishing Move Inc. (electronic artist)

Ryan - Eyes on the Moon Studios https://www.tiktok.com/@eyesonthemoonstudios https://eyesonthemoonstudios.bandcamp.com/ https://www.youtube.com/@EyesOnTheMoonStudios Support the Show https://www.patreon.com/dungeonmasterstoolkit https://www.drivethrurpg.com/?affiliate_id=3027420 https://amzn.to/3BTC3D9 Dungeon Master's Toolkit Links Website: https://dungeonmasterstoolkit.com/ Reddit: https://www.reddit.com/r/dungeonmasterstoolkit/ Discord: https://discord.gg/aZp4Qn96At Podcast: https://anchor.fm/dungeonmasterstoolkit Spotify: https://open.spotify.com/show/4aTFTAnmJK3TDaTLdwdr9n Production Info Music: https://www.patreon.com/arcaneanthems/ Logo: https://game-icons.net/ Audio Editing: https://www.descript.com/?lmref=U8iGvg Video Editing: https://www.openshot.org/

​ @jvpmusicproduction John "JVP Music" is a musical composer as well as the creator of "Ruthless".https://twitter.com/J_V_P_MusicGet your Hydration with LMNT!:http://drinklmnt.com/InLibertyandHealthGet your Protein Powder and other supps through MTS!!https://www.tigerfitness.com/collecti...Everything Tiger Fitness:https://www.tigerfitness.com/?a_aid=6...Get 15% off of purchases of 25$ or more with Fox N' Sons Coffee!Use code KYLEFoxnsons.comSupport this podcast at — https://redcircle.com/in-liberty-and-health/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Most aspiring composers have narrow goals, seeing film (or video game) music or being a concert composer as the way to go, but if you can create music on paper, you actually have many options to contribute original music and add at least some income in the process.  One of those ways is composing for publication that is marketed to schools and churches: music for school bands and orchestras, music for church choirs and handbells ensembles, and more.  It's a tricky world that requires a flexible but creative composer who can still write very good music that is specifically tailored to various ages and levels. Bruce Tippette is a composer with dozens of published works through Alfred Music, Hal Leonard, C. Alan Publications, Carl Fischer, FJH, and more, many of which have been honored as J.W. Pepper's Editors Choice.  Bruce talks with us about the skills needed to become this type of composer, how to navigate the sometimes intimidating grading system of school ensembles, strategies to getting published, and how all of this can lead to building relationships and getting commissioned work. You can explore Bruce's music and contact him through his website at https://www.brucewtippette.com/ If you have a question or feedback after listening to this episode you can leave a voice message at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/ . If you enjoyed this, please give it a rating and review on the podcast app of your choice. You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

Thomas Avery is a producer, composer, mixer, engineer and musician currently working in Austin, Texas. Avery produces commercial compositions for clients such as CNN and AT&T, and works with musical artists like Sumilan & Tunewelders IN THIS EPISODE, YOU'LL LEARN ABOUT: Writing music for CNN Composing music to visuals Creating energy in 3-second audio clips Repurposing musical ideas Dealing with writer's block Coping with rejection Knowing when you're done working on your music Making mix revisions Getting paid to compose Collecting royalties for your music How to become a professional composer To learn more about Thomas Avery, visit: http://thomasaverymusic.com/ To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Ernesto Herrera, a music student at La Sierra University, talks about how he went from creating music in Cuba to the USA. We discuss how his Adventist faith, cultural heritage, and interest in mixing the sacred and secular inspires his art. In this special podcast, we also mix in several of his compositions, sung by the Brigham Young University singers.

In this episode I speak with indie artist (and soon-to-be label founder), Levphonic about how he got his start in composing music for sync. We discuss how to prioritize your catalog for different sync opportunities, and how his song was used in a pretty awkward scene with a serial killer...  Get all of our episodes and resources on Sync Licensing at http://otherrecordlabels.com/sync Learn more about Levphonic here: https://wlo.link/@Levphonic  

There are so many jobs in the realms of TV and Filmmaking that just don't get the appreciation that they deserve.On this episode we are diving behind the scenes on the hot new fantasy show that just hot Netflix this past Friday.  We're talking with composer David Buckley and 'The Sandman'.From the warped mind of Neil Gaiman himself 'The Sandman' is pushing all kinds of genre boundaries making for something that many thought was unadaptable into the TV experience of the summer.  As a composer we talked with David about when he tends to get involved in the creative process, how hands on he gets to be with the likes of Neil Gaiman some of the challenges of composing for film and TV along with so very much more....

The family of a woman who died during an abortion has received a six-figure settlement following a lengthy legal battle and allegations of wrongdoing on behalf of the abortion clinic as well as the university that referred her there.Jars of Clay's Dan Haseltine and Matthew S. Nelson talk about composing the music behind The Chosen.Nicolina Bozzo stunned American Idol judges with her powerful performance of “Hallelujah” on season 20 of “American Idol.”Founders of the 12,000-member Celebration Church in Jacksonville, Florida, have filed a lawsuit against the megachurch they founded in 1998 amid dueling allegations of financial misconduct. Get the Edifi App •  Download for iPhone  •  Download for Android Subscribe to Our NewsletterClick here to get the top headlines delivered to your inbox every morning! Links to the News •  UNM settles with family of woman who died during abortion | Politics News  •  Biden's plan to end Title 42 border rules blocked by judge | U.S. News  •  Dan Haseltine, Matthew S. Nelson talk composing for 'The Chosen'  •  'American Idol' contestant performs 'angelic version of Hallelujah | Entertainment News  •  Pastor Stovall Weems sues Celebration Church amid suspension | Church & Ministries News 

Introducing a new study series! When I first got started composing for games, and knew basically nothing, I had the great opportunity to meet game composer icon Chance Thomas. He told me about the text book he wrote to help young composers like me and recommended I study as if I were getting a Master's Degree in game composition. I read through the book back then and it was very helpful, if you've listened to earlier episodes you've heard me talk about it. I have decided to start the book again and do an even deeper dive and share my studying and insights with you. I recommend you get the book to study along. At the time of recording this podcast episode I don't have any kind of affiliate marketing set up, but if I do I will paste a link right below. If you missed the interview where I interview Chance it's right here: https://anchor.fm/tyson-cazier/episodes/Interview-with-Chance-Thomas-Composer-for-DOTA-2-and-Lord-of-the-Rings-Online-e102ufe

On Today's Episode: Craig sits down with Joshua Reznicow, his Music Director is high school and now the Instructor of Music Composition at Coe College. The two listen to a couple of "Mr. Rez's" pieces, including a never-before-heard piece making its debut here on the show, and discuss how experimentation goes into building a piece, conquering your fear of failure, and the lifespan of a commissioned piece.Creating Crap with Craig is a glimpse inside the mind of the Artistic Director of L.A.S., Craig Johnson, where we love both alliteration and creation.New episodes every other Thursday on Apple Podcasts, Spotify, and wherever else you find your podcasts.Creating Crap with Craig is produced and distributed by the L.A.S. Podcast Network in Cedar Rapids, IA. For more, visit LASPodcastNetwork.com.Subscribe to L.A.S.+ for just $10/month and get bonus episodes of this show, ad-free versions of every L.A.S. Podcast, pre-sale access to live events, early access to special podcasts and projects, and more benefits, all while support local Iowa creators and businesses. For more information and to get started, head to LASPodcastNetwork.com/plus.

Cameron Tyndall joins the conversation to share about his journey in music composing. Follow us on Instagram @this_old_journey

We've got Katie Brock joining us today. And Katie is an amazing children's entertainer and songwriter, composer performer. And she's really got a great purpose behind her music and the way that she reaches families. And that's kind of funny, because as I'm telling you this right now, my two year old Olivia; who should be in bed; is actually playing with my preamp. So what an appropriate way to introduce the show. I don't have a lot of time here. Mojo, I gotta get moving, so what do you say we get right to it.Katie's website 

A Minor Major 9th Piano Plan Chord Library Free Demonstration for Improv and Composing Music

Duluth's Gaelynn Lea has been tapped to compose original music for the production, which stars Daniel Craig and Ruth Negga. Lea rose to national recognition after winning NPR's Tiny Desk Contest in 2016. This is an MPR News morning update for Thursday, September 30, 2021. Hosted by Cathy Wurzer. Our theme music is by Gary Meister.

Hey guys! This week we have a special guest Adam Singer, the VP of marketing and LEX Markets. We covered a variety of topics ranging from working for Google, investing in life sciences companies such Invitae (NVTA), what is LEX Markets plus we get to know Adam's early life, how he became a DJ and music composer, he explains to us what are Potemkin numbers and how fishing, poker, and investing are very similar and last but not least we talked about technology dystopia and if we are becoming an ant colony? This episode is brought to you by TIKR. Join the free beta today at TIKR.com/hive. They're constantly releasing new updates that make the platform better including a new Business Owner Mode that hides share count, market cap, and enterprise value. Also, they've introduced their new Global Stock Screener. Check it out now! I couldn't be more excited to partner with TIKR This episode is also brought to you by Quartr. Quartr is revolutionizing the way investors interact with IR departments, listen to conference calls, and engage in investment research. The best way to think of Quartr is like Spotify for investor conference calls. Quartr is 100% free and includes markets from twelve countries (with plans to expand in the future!). Investors can easily request new companies, and Quartr is quick to add them. You can learn more about Quartr by visiting their site, Quartr.se If you're interested in changing the way you research companies, download the app today and give it a try on Apple and Android. Finally, we're proud to announce our newest sponsor, Tegus! Tegus has the world's largest collection of instantly available interviews on all the public and private companies you care about. Tegus actually makes primary research fun and effortless, too. Instead of weeks and months, you can learn a new industry or company in hours, and all from those that know it best. Since joining, I spend nearly all my time reading Tegus calls on existing holdings and new ideas. And I know you will too. So if you're interested, head on over to tegus.co/valuehive for a free trial to see for yourself. Check out our time-stamp below: [0:00] Who is Adam Singer? [14:00] Joining Google [19:00] Life Sciences Investing: Invitae (NVTA) [36:00] Joining LEX Markets [44:00] Becoming a DJ and Composing Music [50:00] Are we relying too much on Technology? [1:05:00] Technology Dystopia: Are we becoming an ant colony? [1:10:00] Enhancing your first life with your second life. [1:20:00] Everything should be like Youtube and Soundcloud. [1:25:00] Fishing, Poker and Investing. [1:37:00] NFTs' Future [1:43:00] Potemkin NUmbera and Faking Clout. [1:49:00] More from Adam Singer and Closing Question If you like what you hear from Adam, please follow him on Twitter @AdamSinger.

What's the secret sauce for composing music for narrative podcasts? Matt McGinley pulls back the curtain on creating music for hit shows like This American Life, Serial and Nice White Parents. Plus, we dig into tips for getting a well-known guest on your podcast...even if your podcast isn't well-known. The Pod Lab is a https://podcastmovement.com (Podcast Movement) original series.

In this SLSO Stories Podcast episode, Music Director Stéphane Denève talks about the music of today. Moderated by Tim Munro, SLSO Creative Partner, the discussion centers on how composers with close ties to the St. Louis Symphony Orchestra are telling the stories of today. Joining Stéphane are two composers who have relationships with the orchestra: Kevin Puts and Nathalie Joachim. This episode was originally a Lunch & Learn virtual event in October 2020.

- إيه الفرق بين الموزع والملحن؟ - هل فيه فرق بين أغاني الإعلانات والأغاني العادية؟ - إيه هي عناصر نجاح أغاني الإعلانات؟

Lili Haydn and Ben Bromfield, the composing duo behind the music of Netflix's Ginny and Georgia, join Kristen Maldonado on Pop Culture Planet to talk about exploring vulnerable female stories through music, hidden Easter eggs, and their favorite Ginny and Georgia scenes. ► LISTEN TO POP CULTURE PLANET Shop: https://www.teespring.com/stores/kaymaldo Anchor: https://anchor.fm/kristen-maldonado Spotify: https://open.spotify.com/show/7AtF9ZNmui1cUeOQU0VZ2j Apple Podcasts: https://podcasts.apple.com/us/podcast/pop-culture-planet/id1525827008 RadioPublic: https://radiopublic.com/pop-culture-planet-GEVrng Breaker: https://www.breaker.audio/pop-culture-planet-1 PocketCasts: https://pca.st/qr5fmsu2 Instagram: https://www.instagram.com/popcultplanet Twitter: https://www.twitter.com/popcultplanet ► MEET OUR GUESTS Lili Haydn Twitter: http://www.twitter.com/lilihaydn Instagram: http://www.instagram.com/lilihaydn Ben Bromfield Twitter: http://www.twitter.com/bbromfieldmusic Instagram: http://www.instagram.com/ben.bromfield.music ► LET'S BE FRIENDS Instagram: http://www.instagram.com/kaymaldo1 Twitter: http://www.twitter.com/kaymaldo Facebook: http://www.facebook.com/kaymaldo TikTok: https://m.tiktok.com/h5/share/usr/224009218184642560.html Pop Culture Planet Podcast: https://anchor.fm/kristen-maldonado Rotten Tomatoes: https://www.rottentomatoes.com/critic/kristen-maldonado/movies Patreon: http://www.patreon.com/kaymaldo My Website: http://www.kristenmaldonado.com ► FOR BUSINESS INQUIRIES: kmalvado@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/kristen-maldonado/support

Kirsten Evans is a British composer who has most recently completed working in the music departments for the Hulu Original 'I am Greta' and the new Marvel movie 'Morbius' during her first year as a freelance media music composer. She has co-composed and been the vocalist for Wales' national entry to the Venice Biennale in 2017, which then toured the UK after it's 5 month stay in Venice with over 30,000+ visitors. Kirsten is the founder of two start up companies, ‘Soundbake' plans to help break down the masculine undercurrent of the virtual instrument market, whereas ‘Uglicat' is a coaching business that helps new freelance musicians, who struggle to monetise their skills in an achievable, profitable and fulfilling way. Kirsten reached out to me via email and it was so lovely to hear about an industry which I personally know so little about. The general consensus throughout this episode is, do not be worried if you send hundreds of emails and no one gets back, they may well reply over the course of time and if not, pester them! Kirsten is an incredible talent, working in a very male dominated industry, with 94% of box office scores being written by men in 2018. Please lap up all information you can from this episode and I hope you leave feeling as inspired as I did when recording. Find Kirsten here - https://linktr.ee/kirstenhevans Find Em here - https://linktr.ee/emilymarcovecchio Edited by Alysa O'Connor - https://www.instagram.com/alysaocreator/

Composing music for an animated film is among the most complex, time consuming and technically challenging project a film composer can face. From Walt Disney's developments in the field to present day work, go behind the scenes with composers who have experience in the field. Featuring interviews with film composers Jim McGrath, Bruno Degazio and more. This podcast is part of a YouTube project which includes Sheridan College student animated short films with music created by SPO related composers. Part 1 explores how composers approach writing music for animated film, along with Canadian contributions to the genre from Sheridan College and the University of Toronto Faculty of Music. Guest host and composer Ronald Royer interviews film composers Bruno Degazio and Jim McGrath. Part 2 will look at the history of Hollywood cartoons and music featuring noted professor Daniel Goldmark, author of "Tunes for ‘Toons: Music and the Hollywood Cartoon" (California, 2005). This podcast episode features brief music and audio from the animated short film, Ramon The Magnificent, created by Sheridan College Animation graduate, Vladimir Volkov, with new 2020 music by composer, Ronald Royer. Used with permission. --- Send in a voice message: https://podcasters.spotify.com/pod/show/spogreatmusic/message

Composing music for an animated film is among the most complex, time consuming and technically challenging project a film composer can face. From Walt Disney's developments in the field to present day work, go behind the scenes with composers who have experience in the field. Featuring interviews with film composers Jim McGrath, Bruno Degazio and more. This podcast is part of a YouTube project which includes Sheridan College student animated short films with music created by SPO related composers. Part 1 explores how composers approach writing music for animated film, along with Canadian contributions to the genre from Sheridan College and the University of Toronto Faculty of Music. Guest host and composer Ronald Royer interviews film composers Bruno Degazio and Jim McGrath. Part 2 will look at the history of Hollywood cartoons and music featuring noted professor Daniel Goldmark, author of "Tunes for ‘Toons: Music and the Hollywood Cartoon" (California, 2005). This podcast episode features brief music and audio from the animated short film, Ramon The Magnificent, created by Sheridan College Animation graduate, Vladimir Volkov, with new 2020 music by composer, Ronald Royer. Used with permission. --- Send in a voice message: https://podcasters.spotify.com/pod/show/spogreatmusic/message

In this Podcast Episode i speak to Composer Marco Werba all the way from Rome. I connected with Marco a couple of years ago over which time he has written and produced the musical score for my debut indie film 'A Kidnap' for which i will always be grateful. I was interested in how Marco became a composer and where his interest started, in fact it was all to do with a classic film called 'Logans Run' (great film, see it!). We talk about him growing up in multilingual family and how he started singing in a small place called the VATICAN! Marcos journey is fascinating and although he has worked with some of the best filmmakers out there i was humbled that he had helped me and my film. Why? Well mainly because Marco is just a lovely human being who wants to help people no matter how big or small their film is. We need more people like Marco out there! Fingers crossed with Covid guidelines we should finally be holding a premier for 'A Kidnap' this July/August and also raise some money for charity in the process! - Check out links below to keep up with the latest on the film! MWOT PODCAST - WE ALL HAVE A STORY! SHOW NOTES: MARCO - https://www.imdb.com/name/nm0921214/ A KIDNAP WEB - www.akidnap.co.uk FB - https://www.facebook.com/akidnapfilmmidlands/?modal=admin_todo_tour TW - https://twitter.com/akidnapfilm MWOT WEB - https://www.mywayofthinking.co.uk TW - https://twitter.com/mywayofthinkin3 FB – https://www.facebook.com/mywayofthinkingpodcast/ SPOTIFY - https://open.spotify.com/show/4m4BfTkVaITwyvsgpYkxnt INSTAGRAM - https://www.instagram.com/mwotpodcast/ YT - https://www.youtube.com/channel/UCJArm_luzEY3ptAvk0_Ql3A APPLE PODCAST - https://podcasts.apple.com/gb/podcast/my-way-of-thinking/id1526729248 EMAIL – mwotpodcast@aol.com --- Send in a voice message: https://anchor.fm/lee-greenhough/message

Today we are featuring a Luxembourg based company and one of the leading startups in the field of AI music composition - AIVA technologies, and their CEO Pierre Barreau as well as Denis Shtefan, the CTO of the company. They are working on transforming the way people make music with AI. Their creation, AIVA, short for Artificial Intelligence Virtual Artist, composes music for film directors, advertising agencies, and even game studios. In fact, AIVA is so good, it has passed several makeshift Turing tests.  In this episode we talk about how our guests got to start AIVA and what problem they are solving. We dive deep in the inspiration and creative process behind composing music people would like to listen to. What is the role of AI in the creative process? How did AIVA progress from generating single notes to creating complex compositions? We go over the current role of humans in the loop who work with AIVA, and discuss the future of music.  

I'm so excited to talk to the magnificent composer Megan Carnes. In this episode, we talk about her experience creating music for both film and video games, her time in college, The Lost Weekend, Desmondo Ray, and so much more!! She also gives great advice on composing music as a career. It was so much fun talking with Megan and I highly recommend you check out her socials in the links below. Megan Socials Twitter - https://twitter.com/megancomposer Website - https://www.megancarnesmusic.com/ Indie Go-Go - https://t.co/n4Dlbb5IjG?amp=1 Thanks for listening and if you are enjoying these, please consider spreading the word and giving the podcast a quick review. LET'S CHAT! ----------------------- Twitch - https://bit.ly/yoricktwitch Twitter - http://bit.ly/yorickweez Instagram - http://bit.ly/yorickgram YO RICK PODCAST ----------------------- Apple - http://bit.ly/yorickapple Spotify - http://bit.ly/yorickpod YouTube - http://bit.ly/yorickyoutube TECH I USE ----------------------- Sony WH-1000XM4 - https://amzn.to/3apDbS5 Blue Yeti USB Mic - https://amzn.to/37xEZqr Logitech C920 HD Pro - https://amzn.to/3p6fEd1 SUPPORT ----------------------- Buy Me a Coffee - https://www.buymeacoffee.com/yorickweez SSWL PODCAST ----------------------- Twitch - http://bit.ly/sswltwitch YouTube - http://bit.ly/sswlyoutube Apple Pod - https://apple.co/2Shh5pe Spotify - https://spoti.fi/2QOLpKY Affiliate links in the description will give me a small kickback that will be very much appreciated. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/yorick/message

Making a Scene Presents an Interview with ProMark Leggett - Composing Music for TV and MoviesAPOCALYPSE '45"The musical score, by Mark Leggett, flows in and out of these sounds. It’s engulfing and organic; it burnishes the footage without falsifying it."- VarietyMark Leggett is a guitarist and composer. His collaborations include working with many music, film and television talents such as Levon Helm, Dolly Parton, Werner Herzog, Richard Thompson, Jason Lee, Kylie Minogue, among many others.Twice nominated for the Primetime Emmy Award for his television composing, Mark also scores independent films and documentaries. Past credits include MY NAME IS EARL, DOLLY PARTON'S HEARTSTRINGS, THE COLD BLUE, A GRAY STATE, ANNE FRANK's HOLOCAUST, DINOTASIA among many others.

Show Notes: Tyler S. Grant Brian Balmages Sibelius Dorico StaffPad for iPad Copy and paste from StaffPad with finger gestures Logic Pro Ableton Live OmniFocus Freedom app My Store | robbyburns.com/store Robby’s Scale Exercise Play-Along Tracks Sponsor Music Ed Tech Talk Last Episode’s Show Notes (complete with TikTok concerning the recent “We Wish You A Merry Christmas” Decoration Meme" Disney Gallery - Star Wars: The Mandalorian Ludwig Göransson Childish Gambino - “Awaken, My Love” Black Panther (Original Score) Lianne La Havas - Self Titled Album App of the Week:  Robby - Christmas Time Shortcut Tyler - UCLA Music Theory App Album of the Week: Robby - NPR The 50 Best Albums of 2020 - An Apple Music Playlist Tyler - West Side Story - 1984 Recording (Documentary)  Where to Find Us: Robby - Twitter | Blog | Book Tyler - Instagram | Website Please don’t forget to rate the show and share it with others! Subscribe to Music Ed Tech Talk: Subscribe to the Blog Subscribe to the Podcast in… Apple Podcasts | Overcast | Castro | Spotify | RSS

Vibing her way into #63 is Vinaya! From Kenya

This week I interviewed Jasnam Daya Singh, born in Brazil and a Latin Grammy-nominated concert and jazz pianist and brilliant composer. He is Sikh, after growing up Catholic. Jasnam is one of the kindest, most gentle people I know. Earlier this year, Jasnam led a 12-piece band in playing his composition, Ekta: The Unity Project. The piece embodies Jasnam’s musical interests but also expresses personal truths drawn from his journey as an immigrant and his conversion to Sikhism. You can listen to the composition on YouTube or on Spotify, or purchase it on BandCamp.Jasnam was born in a suburb of Rio De Janeiro to loving parents, and he lived there until he was 25. He began studying piano at seven. He always thought he might move to Europe. But in 1987, when a friend told him about life in Los Angeles, Jasnam decided to move there. He arrived in California with two pieces of luggage and $1,000, but on the second he had only $400 when the person hosting him rent free announced he had to pay rent and a deposit.Living in LA for 2-1/2 years, Jasnam worked all kinds of day jobs while gigging at night. In 1990, he landed a gig near Monterey, and when it became a full-time gig, he decided to move there. Living there for 20 years, he was able to do music full-time. He had a daughter with his first wife, and then he met his second wife in Monterey and they had a son together.When his son was a year and a half, his wife moved to Vancouver, WA, to get help from her parents. Jasnam joined them a few years later in 2008. Born as Weber Ribeiro Drummond, Jasnam has changed his name twice. In 1998, he adopted the last name Iago as an homage to the Roma people. Twenty years later, he changed his name to Jasnam Daya Singh with his initiation into the Sikh religion in 2009. “When I came across the teachings of Sikhi, they resonated with me...how universal the teachings are, the acceptance of all spiritual paths, and there’s one practice in Sikhi called Naam Simran, which is a constant remembrance of God...that idea of thinking of God with each breath really spoke to me...”Jasnam is drawn to the core beliefs of Sikhism: remembering God through all times of day, standing up for anyone who needs you; and selflessly sharing your wealth and resources.I asked Jasnam how people treat him in his turban. Unfortunately, people perceive turban-wearing Sikhs as threatening, foreign, and even as terrorists.“I wish they understood what a turban stands for. That very person who might be bullying us...could count on us if he or she needed something....we are the opposite of the threat they think we are...the turban represents social justice and equality.”In addition to wearing a turban, Sikhs carry five Ks, or kakars, on their body:Kachhera—a loose undergarmentKanga—a wooden comb, to take care of their hair (which they do not cut)Kara—an iron or steel bangleKes—uncut hair, honoring hair growth as the intent of the creatorKirpan—a ceremonial short sword or dagger“If you read about Sikh history, (you’ll see that) they have gone through persecution, injustice, violence against them, and they did not allow that to change who they are....Their hardship and resolve is part of what inspired me to become one as well.”

From Super Bowl XXVII to marketing to supporting black founders Sharreace highlights the importance of perseverance and self-advocacy. https://solshock.com

Today Film Composer Ben Thatcher joins us to discuss his work as an musician in the film industry, what inspires him, how he comes up with the cues for his projects and how he balances his day job with his dream! Ben also shares with us his new instrumental plugins that can assist other composers with their projects! Sam introduces a brand new game called "The Urban Dictionary", Chuck discusses our new film "Say Goodbye" and Aaron tackles character development on "The Outrider". And finally, the vote has been tallied! Find out what the audience has "Nicknamed" Sam! Cheers Mate! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/cccentertainmentgroup/support

Our Cultural Ambassador from the world of contemporary dance, director and choreographer Malia Johnston joins us once again. Tonight she's looking at composing for dance and is joined by two New Zealand composers, David Long and Anita Clarke.

Do you want to know what it's like to compose music for films & TV dramas such as ITV's hugely popular “Des” staring David Tennant as seerial killer Dennis Nilsen ? Or maybe you're a musician who wants to know how to get into composing for the screen Well, you'll want to stick around until the end of my interview with film & TV composer Sarah Warne. Sarah's been composing music for the screen since 2011, for shows such as Dark Money, Humans, and more recently, Des; as well as many short films and documentaries. And, talking of documentaries, although we never met before this interview, Sarah and I worked together on the documentary that followed the drama, The Real Des: The Dennis Nilsen Story which I edited & Sarah composed the title and end credit music for. In this interview, we talk about her career, how she got into the industry, what's involved in composing for the screen, and of course there's plenty of advice for those who would like to get into composing for TV! Find out more: http://sarahwarne.com/

Composer Chris Rickwood, music director of Team Audio, joined us earlier this week to talk about making music for video games. --- Support this podcast: https://anchor.fm/blue-scorpion-rm/support

I am joined by Mikolai stroinski who has composed music for video games for 16 years. He is best known for his Music in "Witcher 3," "Age of Empires 4," "League of Legends," and most recently, "Bee Simulator" which has just won Game Audio Network Guild Award for Best Music in an Indie Game. ⁣ Before Witcher was a compelling series on Netflix, Witcher 3 was the Video Game of the Year in 2015. The music tied the video game together and created an in depth world that every player invested lots of their time in.⁣ Music has always been a great way to create a compelling story and evoke emotion. You will learn the role music plays in video games, how Mikolai creates scores of music, and his unique role in game development. If you love music, this episode will give you a new perspective on the relationship music and video games have.⁣ Send Sydney an email at thesetupcommunity@gmail.com for your feedback or topics you'd like to learn more about in a future episode.⁣ ⁣ https://instagram.com/thesetupseries⁣ https://twitter.com/TheSetUpSeries⁣ https://open.spotify.com/show/6qvb7YAMbHJ9N9zH3W2QSm⁣ https://podcasts.apple.com/us/podcast/the-set-up-a-look-inside-the-music-industry/id1500949845⁣ https://www.youtube.com/channel/UCSnl3gWZ61qZoSMxpjd8LbQ⁣ https://www.linkedin.com/groups/13843111/ www.mikolaistroinski.com www.soundcloud.com/mikolai-stroinski --- Send in a voice message: https://anchor.fm/thesetupseries/message Support this podcast: https://anchor.fm/thesetupseries/support

Composer and Washington State University music professor Greg Yasinitsky hears a band in his head when he's creating music. In the premiere episode of Washington State Magazine's podcast, Yasinitsky dives into the art and craft of composition...and why writing music for kids requires special attention. Also in this episode: Megan Asche, a WSU entomology doctoral student, wants us to better understand--and be less fearful of--those frequent barbecue visitors, wasps and yellowjackets. Rainier cherries, developed at Washington State in 1952, offer a delectable summer treat. WSU Executive Chef Jamie Callison serves up some ways to enjoy them in your meals.Read more about WSU's music studio, wasp research, and Rainier cherries.Support the show (https://magazine.wsu.edu/give/)

Alan Hankers is a composer, pianist and teacher. One of his most recent accomplishments was having his original music appear in luxury car commercials. Thank you for listening! :) Add us on Instagram: https://www.instagram.com/artellectuals/Episodes can also be watched on youtube: https://www.youtube.com/channel/UCensHR-wfVINL_8-ZQbfSuA/featured?disable_polymer=1For Podcast Inquiries, please contact Artellectuals@gmail.com

Season 2 Episode 20 Episode 52 News Guinness reinstates Billy Mitchell’s Donkey Kong, Pac-Man records The Arcade Way Back Machine Researchers still don't know why this Atari 2600 game works  Legacy of the Beast - An Atari 2600 Shadow of the Beast inspiration released Coming soon – paraLLEl N64 RDP – Resolution upscaling! ZPG Pro Is A New Handheld To Potentially Rival The GPD XD Capturing a piece of SEGA's golden age. Virtua Fighter 3 and me. Emulate the NES, Sega Master System, and More on a Simple ESP32 Microcontroller C64 Component Mod & S-Video Available at VGP Mega Man Legends Composer Wants To Crowdfund The Third Entry THIS SONIC 3 & KNUCKLES MOD KEEPS GETTING BETTER AND BETTER Bandai Namco Is Bringing Its Retro Collection To The West As Namco Museum Archives Darius Cozmic Collection Arcade And Console Bring More Shmup Action To Switch eShop On 16th June Accidental Hampster segment Two More Nintendo Games Are Coming To Hamster's Arcade Archives Range Hamster Corporation Celebrates 100 Arcade Archives Titles On Nintendo Switch Our discussion about Taco Bell / KFC Phantom Menace Toys  Topic:  Dan Hess Pilot Wings 64 Music Interview   Game Club Discussion: Stunt Race FX Donkey Kong Jr.   New Game Club Games: Pilot Wings 64 Streets of Rage 2   Music By: I Love Lightning Bugs   Game Club Master List

Well, hi there. We recorded this episode before we all got told to stay home. So it’ll be the last one until the time we can sit in the Artichoke Music Café again. Until then, as we did last week, we’ll make do with Skype and phone. Today I’m with composer/pianist Jasnam Daya Singh who has a new album on the PJCE label…that’s Portland Jazz Composers Ensemble. It’s called Ekta: The Unity Project. Sound like something we need right now? At the end of our conversation we’ll play a track, “Acceptance.” We’re not going to stop making Coffeeshop Conversations at Artichoke Music while we can’t really be at Artichoke Music

Mikolai Stroinski is a music composer that has worked on the Witcher 3, Dark Souls 2 trailer, Vanishing of Ethan Carter, and much more. We discuss: Think not just as a composer but as a video game maker as well. You don’t want to get too attached to your music because it might not fit the game. Trust your inner voice because it's a sign to either continue or stop composing. Study different music vocabularies and play lots of different games. Don't just study video game music. Be a good human being because good karma ricochets back to you. Don't think about just making money. Think about how you can contribute more and positively affect people's lives. The challenges of getting a visa in America. *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in ranking higher. Subscribe to the podcast if you felt inspired and loved this content. Sign up for Tony's email newsletter at gamedevloadout.com/subscribe Follow Tony: Twitter: twitter.com/gamedevloadout Facebook: facebook.com/gamedevloadout Linkedin: https://www.linkedin.com/in/chantony/

Should music fade into the background? Absolutely not, Nicole says. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/hausoffilm/support

The smooth and relaxing rhythms most often associated with a cool New Orleans night form the basis of America's Classical Music: Jazz. Over the years as America fell in love with rock n roll, hip hop, punk rock or K-Pop, the jazz scene has always held a place in our nation in the 100 plus years since its creation. What makes jazz so special is that as it has grown and spread, it has molded with the world around it, creating different genres and moods that perfectly match the wide diversity in America. Each new generation offers a chance to create its own spin on the genre, further growing it for the worlds enjoyment. Our guest today is one of those next generation jazz musicians, Nora Stanley. Not even 24 years old, Nora is the latest jazz phenom on the Bay Area scene.   Website: norastanley.com   1:27 Getting Started 2:35 Moving Back to The Bay 3:37 Bay Area Jazz 7:20 First Time Playing 10:36 SF Jazz Center 11:14 College 12:11 Jazz Music and Styles 16:02 Different Saxophones 18:47 Bay Area Jazz Venues 21:20 Composing Music 26:30 Very Jazz Musicians 28:13 Ultimate Goal 29:00 Wrap Up    

Hello and welcome to episode 032 of Sing! Dance! Act! Thrive!Today’s guest is Robert Carli, who is one of Canada’s busiest and most in-demand composers for Film & Television. His music has received numerous industry awards and nominations, including 20 Gemini and Canadian Screen Award nominations, 5 Gemini Awards and 3 Canadian Screen Awards. He is the recipient of several SOCAN Awards for domestic television.He is currently working on his 13th season of Shaftesbury Films’ MURDOCH MYSTERIES (CBC), and his 3rd season of FRANKIE DRAKE (CBC). Recent work includes the critically-acclaimed documentary TOXIC BEAUTY, his 3rd season of WYNONNA EARP, and the NETFLIX mini-series TOKYO TRIALS, while recent dramatic film work includes THE EDUCATION OF WILLIAM BOWMAN and SURVIVAL OF THE DEAD.I talk to Rob about the process of composing music for film and television and the advice he has for musicians wanting to get into it. Rob is also the co-author of a new book called The Awesome Music Project Canada: Songs of Hope and Happiness which brings you behind-the-scenes glimpses into the musical lives of a diverse array of Canadians. Singer-songwriter Michael Bublé celebrates the way music cemented his bond with his grandfather, renowned astronaut Chris Hadfield turned to music for comfort through the loss of a close friend and Grammy-award winner Sarah McLachlan used it to escape the torment of high-school bullies.These and other inspiring tales fill this beautifully illustrated tribute to the songs, musicians, and composers that comfort us, move us, and lift our spirits. Rounding out The Awesome Music Project Canada are descriptions of the neurological research confirming the ways in which music is good for us. It improves our mental, emotional and physical health, wards off loneliness and depression, and even delays dementia. To put it simply: music makes us feel good.Thanks for listening and if you are enjoying this podcast please share it with your fellow performing artists and entertainment fans. For a transcript visit http://singdanceactthrive.com/032

Stefan's interview with composers Manami Matsumae (Megaman 1 & 10, Mighty No. 9, Shovel Knight) and Takahiro Izutani (Metal Gear Solid 4, MGS: Portable Ops, Bayonetta 1 & 2). Also featuring Alexander Aniel to help with translating! All three of them are with Brave Wave Productions. They were asked about their composer work from the various games, including their presence in Smash Bros. Alex got his Switch Lite out to check which songs were in the game! Stefan was given 20 minutes with all three of them. Alex and Takahiro helped with translating Manami's answers. It was a fairly casual interview with many translations, so it required heavy editing to flow well. This edit includes a second of Manami talking in Japanese before Alex translated. Hopefully this makes it easy to follow. The music is captured from Alex's copy of Smash Bros, so hopefully it's fair use! Radio edit aired 14th October 2019. Recorded 5th October 2019 at High Score 2019. -- Player One is SYN's only video game radio show, every Monday 8-10pm AEST! FM Radio: 90.7FM Digital Radio: SYN Streaming: TuneIn (app), www.syn.org.au (online) Tweet at us! #PlayerOneSYN http://syn.org.au/show/player-one/ Facebook.com/playeronesyn Twitter.com/playeronesyn Omny Link Apple Podcasts Spotify Podcasts

Stefan's interview with composers Manami Matsumae (Megaman 1 & 10, Mighty No. 9, Shovel Knight) and Takahiro Izutani (Metal Gear Solid 4, MGS: Portable Ops, Bayonetta 1 & 2). Also featuring Alexander Aniel to help with translating! All three of them are with Brave Wave Productions. They were asked about their composer work from the various games, including their presence in Smash Bros. Alex got his Switch Lite out to check which songs were in the game! Stefan was given 20 minutes with all three of them. Alex and Takahiro helped with translating Manami's answers. It was a fairly casual interview with many translations, so it required heavy editing to flow well. This edit includes a second of Manami talking in Japanese before Alex translated. Hopefully this makes it easy to follow. The music is captured from Alex's copy of Smash Bros, so hopefully it's fair use! Radio edit aired 14th October 2019. Recorded 5th October 2019 at High Score 2019. -- Player One is SYN's only video game radio show, every Monday 8-10pm AEST! FM Radio: 90.7FM Digital Radio: SYN Streaming: TuneIn (app), www.syn.org.au (online) Tweet at us! #PlayerOneSYN http://syn.org.au/show/player-one/ Facebook.com/playeronesyn Twitter.com/playeronesyn Omny Link Apple Podcasts Spotify Podcasts

Watch This Episode on YouTube: https://youtu.be/aUKa_YCU6pU After we played a zillion of TAXI member Steve Barden’s Dramedy Cues a couple of weeks ago, people emailed asking if I would listen to their Dramedy cues and give some feedback. What’s better than me giving feedback? Getting feedback from our loyal TAXI TV viewers! Why is that better? Because you learn so much by critiquing other people’s music! And frankly, our viewers have become so good at identifying what works and what doesn’t that it gives me a great deal of pleasure to see how far so many of you have come from watching TAXI TV. ----------------------------------------- Watch Last Week's Episode: https://youtu.be/2IE1p0qAyLE Learn More About TAXI: http://bit.ly/2mPVGYh Rub Elbows with Music Industry Pros at Our FREE Yearly Convention: http://bit.ly/2a9mwlp View Our Current Music Industry Opportunities: http://bit.ly/28JPUyd Connect with Fellow Songwriters on the TAXI Forum: http://bit.ly/2DENChs Listen on the Go with the TAXI TV Podcast: Apple Podcasts: http://apple.co/2afebwW Google Play: http://bit.ly/2a7cCQX Stitcher: http://bit.ly/2FuSTJQ Soundcloud: http://bit.ly/2icUDe0 TuneIn: http://bit.ly/2DCzKrd Connect With Us On... Facebook: http://bit.ly/2931C7x Twitter: http://bit.ly/2jJ0EnQ Instagram: http://bit.ly/2jcg7we

In this episode, I was joined by Sun Rui (Haloweak) who has been composing game music for about 10 years in the Chinese game industry. Sun Rui background Making music vs making game music Creative freedom Western vs Japanese game music Are new game soundtracks not memorable? Music theory Orchestral Music Favorite game soundtracks Relationship with sound design Being a composer/sound designer Music in mobile games Chinese game industry Recently played games and favorite sound design Haloweak's Soundcloud One of his Hatsune Miku Remix What happened to memorable game music?

The After Live crew is back with an exclusive interview with one of the most infamous Collider Live fans out there... musical sensation David B! So sit back and enjoy this in-depth discussion about the Schmoedown Collision and music! And be sure to check out the After Live podcast every weekend, right here on the Merc With A Movie Blog podcast network. Also be sure to follow us all on Twitter: David B: www.twitter.com/solidruler21 Mike: www.twitter.com/MikeMixtape Kalyn: www.twitter.com/KalynRose715 Wade: www.twitter.com/jwade1134 Josh "The Merc": www.twitter.com/jpraynor Be sure to RATE, REVIEW, & SUBSCRIBE! Check out more from Merc With A Movie Blog on social media: Facebook: www.facebook.com/MercWithAMovieBlog Twitter: www.twitter.com/MovieBlogMerc Instagram: www.instagram.com/MovieBlogMerc Website: www.mercwithamovieblog.com --- Send in a voice message: https://anchor.fm/movieblogmerc/message Support this podcast: https://anchor.fm/movieblogmerc/support

It’s natural to feel pressure when you care about your work and someone has entrusted you and is depending on you to perform. But we rarely create good work when we’re operating under this kind of self-imposed stress. Kori Celeste knows this all too well, and was happy to share her thoughts on releasing the ... Read more The post NCU Podcast #008: Kori Celeste on Composing Music for Podcasts and Releasing the Pressure to Produce Perfect Work appeared first on Next Creator Up.

“When I was twenty I started to play my brother’s guitar, but I’m not left-handed. It was the only guitar that was at my house so I learned to play guitar with my left hand, so now I play with my left hand.” What sounds simple isn’t always so easy to do. Bruno Bavota creates music. What started with a left-handed guitar has turned into a neo-classical piano experience, with dashes of technology. In short, it’s Bruno’s own creation.  According to Bruno, the strict interpretation of what a piano needed to sound like was a limitation in his hometown of Naples, Italy. “My fear was to be stuck all in classical music. My thought was to try to find my way, to play something that will be not classical, but try to play something else. I tried to make a link between the guitar and the piano.” This ‘link’ has continued onwards into a ‘web’ of his own expression and style. Bruno simply states, “I just started to think that to be myself I have to do my music… I started to compose my music and then let others listen outside of my town, and Italy”. Doing his music has led him to sign with the Temporal Residence record label, tour around Europe, and even become featured in an Apple video celebrating 20 years of design.  He loves creating music for the profound emotional connection he creates with himself, and the listeners. “Some people write me and tell me, ‘Bruno, you know you helped me a lot. You help me to ‘win’ depression, to ‘win’ a bad day, to go on. I think that it’s the most beautiful thing and the real reward to what I’m doing… it’s to help people. This is beautiful, and I think I will do music forever for these reasons.” Bruno sees music as a natural medicine. After strolling along the ocean, or observing life, he gathers fresh feelings that translate into the beautiful melodies in which we can all enjoy. He is open to the thoughts and emotions that come his way, and is always looking for a new mixture, a new emotive stimulus to put into music. When he is playing and creating, Bruno knows there is something powerful if he begins to cry. He goes towards the feelings that create visceral and moving messages.  How do you experience profound emotions? Explore BrunoBavota.com to listen to his music.  Visit GregAlbritton.com/category/podcast for more information on the podcast host.  

Robert Sheldon has had a remarkable career as a composer, conductor, and music educator and is the Director of Concert Band Publications at Alfred Music.  Topics: Robert’s incredible music background as the “Forrest Gump” of band music that included vaudevillian parents, studies at the University of Miami with Clifton Williams, Alfred Reed, and Frederick Fennell, and playing in the very first Disney World Band directed by Meredith Willson! Robert’s teaching career in Florida including stops at the University of Florida and Florida State University and his eventual move to Bloomington/Normal, Illinois. Robert’s role as the band editor at Alfred Publishing, commercial publishing vs. self-publishing, and the Sound Innovations series. What it looks like to commission a new band work from Robert Sheldon. (Hint: You need to plan it out several years in advance.) Links: Robert Sheldon Alfred Music Sound Innovations Ravel: Daphnis et Chloè Biography: Robert Sheldon (b. Feb 3, 1954) has taught instrumental music in the Florida and Illinois public schools, and has served on the faculty at Florida State University where he taught conducting and instrumental music education classes, and directed the university bands. As Director of Concert Band Publications for Alfred Music, he maintains an active composition and conducting schedule, and regularly accepts commissions for new works. Sheldon received the Bachelor of Music in Music Education from the University of Miami and the Master of Fine Arts in Instrumental Conducting from the University of Florida. An internationally recognized clinician, Sheldon has conducted numerous Regional and All-State Honor Bands throughout the United States and abroad. His teaching career included 28 years in the Florida and Illinois public schools as well as at the University of Florida, Florida State University, Illinois Central College and Bradley University. He also held positions as conductor of the Alachua County Youth Orchestra in Gainesville, Florida and the Prairie Wind Ensemble in East Peoria, Illinois. He maintains membership in several organizations that promote music and music education.  He is lead author for the SOUND INNOVATIONS FOR BAND method books, and is a co-author for the MEASURES OF SUCCESS Volume 1 method book and the SOUND INNOVATIONS FOR STRINGS method books. The American School Band Directors Association has honored him with the Volkwein Award for composition and the Stanbury Award for teaching, and the International Assembly of Phi Beta Mu honored him with the International Outstanding Bandmaster Award. He has also been a twenty-eight-time recipient of the American Society of Composers, Authors and Publisher’s Standard Award for his compositions in the concert band and orchestral repertoire. His compositions have been recorded and released on compact discs including, Images: The Music of Robert Sheldon, and Infinite Horizons: The Music of Robert Sheldon, as well as numerous other recordings. Mr. Sheldon has been the topic of articles published in The Instrumentalist, Teaching Music and School Band and Orchestra Magazine, and is one of eleven American wind band composers featured in Volume I of Composers on Composing Music for Band.

Sometimes, you hear music where you least expect it, and where you don't choose to hear it. Show notes: Episode #123 - John Cage's Silent Piece 4'33", with Kyle Gann (https://www.thenexttrack.com/126) Waitrose (https://www.waitrose.com) (My partner tells me that none of the grocery stores in the UK play background music any more; they used to, but stopped.) Muzak (Wikipedia) (https://en.wikipedia.org/wiki/Muzak) Stah Mahket (https://www.starmarket.com/#1) Stawp and Shawp (https://stopandshop.com) Music licensing (ASCAP) (https://www.ascap.com/help/ascap-licensing) Episode #27 – Composing Music for Stage and Screen, with Paul Englishby (https://www.thenexttrack.com/28) RSC gives musicians a central role at Stratford (https://www.theguardian.com/stage/2018/sep/16/rsc-musicians-central-role-shakespeare-stratford-evelyn-glennie-troilus) Songs for As You Like It (composed by Laura Marling) (https://itunes.apple.com/us/album/songs-for-as-you-like-it/673199796) Tafelmusik (Wikipedia) (https://en.wikipedia.org/wiki/Tafelmusik) Furniture music (Wikipedia) (https://en.wikipedia.org/wiki/Furniture_music) Brian Eno: Music for Airports (https://amzn.to/2RJwWNx) Why Politicians Keep Using Songs Without Artists' Permission (https://www.rollingstone.com/music/music-news/why-politicians-keep-using-songs-without-artists-permission-36386/) Sounds of Nature playlist on Apple Music (https://itunes.apple.com/us/playlist/sounds-of-nature/pl.040f99fdd83542a79b28fc4c13f773bd) George Winston (http://www.georgewinston.com) Our next tracks: Mikel Rouse: International Cloud Atlas (https://mikelrouse.bandcamp.com/album/international-cloud-atlas) Lew Lewis: Save the Wail (https://amzn.to/2pM0kFV) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

Composer Jono Hill was given a unique task: to compose the score for a film about a classical musician. The movie As Far as the Eye Can See (directed by David Franklin and written by Paden Fallis) follows Jack Ridge, a now 40-year-old former Van Cliburn Competition winner who is more or less hiding out on his family's land in Texas. In this episode of Classical Classroom, Hill talks about the unique process of composing for film, and about the special challenges of composing for a movie with classical music at its center. Music in this episode: Tubaluba presents "Tubaluba Tidal Wave" featuring Janet Schwab Brahms Six Piano Pieces, Op. 118 Intermezzo in A Minor Murray Perahia, piano Special Thanks to Todd Reynolds for his music, Taskforce: Farmlab from Outerbourough.  

Alex and Nick invite Miranda Miranda Sachetta, composer for Transformers: Prime Wars and The Voice, to discuss writing music on scripted and unscripted television shows. What is the process of writing a piece of music for a television show? How does the communication between the composer and creatives work? How are motifs and themes used? What can TV writers learn from music composition? How does music for scripted shows differ from unscripted? The Paper Team takes a cue... SHOWNOTES Content Starting in TV, process of composing, communication with creatives, addressing notes, temp tracks, motifs and themes, working with an orchestra, what writers can learn from composers, composing for interactive formats, post-processing (00:31) Resources and Next Week On (34:10) Links Miranda Sachetta Transformers: Prime Wars Trilogy The Eagle Huntress Nobuo Uematsu Neon Genesis Evangelion My Hero Academia Special thanks to Chris Anastasi for helping us edit this episode. If you enjoyed this episode (and others), please consider leaving us an iTunes review at paperteam.co/itunes! :) You can find Paper Team on Twitter: Alex - @TVCalling Nick - @_njwatson If you have any questions, comments or feedback, you can e-mail us: ask@paperteam.co

Ask The Guitar Coach (International) - Episode Number 66Today’s question: *“ I am not comfortable composing music. Do I need to develop that skill? ” *Welcome to Ask the Guitar Coach (ATGC), the ONLY podcast where we answer YOUR questions about playing and learning the Electric guitar.Hosted by Ioannis Anastassakis, program director of Elite Guitar Coaching.If you want your question to be featured in an upcoming episode - email it at the email address ioannis@ioannis.org and we will add it to the questions to be covered in a future episode of “Ask The Guitar Coach”!

In today's podcast, I take a look at the Core Composition Project for Music 2 students in the NSW HSC Course. I discuss different musical concepts you might like to consider before starting this project and I offer some free samples from my Music 1 Composition Portfolio. This is more suited for student and teachers.  To access the samples, go to: For more tips, check out www.klerrisacustommusic.com.au 

Lindsay Orchowski of Brown Univ interprets the results of a sexual assault survey. Todd West from Eastern Maine Skippers Program ties education to trade. Matt Teichman, Univ of Chicago, on policing hate speech. Georgia Tech Univ's Mason Bretan shares a robot that composes music. Parent Preview's Rod Gustafson reviews "Wonder" and "The Man Who Invented Christmas." BYU's Alex Jensen examines child favoritism.

Dom Aiken is a composer and winner of 3 Global Music Awards. He shares insightful stories about scoring indie films and talks about how to choose the right school for learning music composition. Special Thanks to Dom Aiken: www.domaikenmusic.com Guest: Dom Aiken Hosted by: Timothy Patrick Theme Music by: Ryan Stuber For more Indie Film Grit, follow us on Twitter @indiefilmgrit

If you looked up the phrase "comic's comic," Wayne Federman's name should appear. For decades after the late great Gary Shandling cast Wayne as his brother in Larry Sanders Show, Shandling remained close friends with Wayne. While Federman is presently touring with Judd Apatow and has done so with Jimmy Fallon, and writes for both comics as well, he has started to compose theme music. After appearing in and on over fifty hit movies and television shows, including Legally Blonde, Knocked Up, X-Files, and The New Girl, Federman had no idea he'd become the composer for the new Employee of the Month's theme song! Dreams, you never dared to dream, can come true. Even though Wayne has worked throughout his career, we spoke about the uncertainty that befalls any artist. For more about Employee of the Month, go to www.employeeofthemonthshow.com and follow host @catielazarus on Twitter. This episode was produced by Rob Schulte(https://robkschulte.com)

In which Br. Joel, Br. Kolbe, and their guests discuss music composition and prayer, including the creation of the "Echoes" theme song.

We mark the end of The Next Track’s first year with a review of our most interesting episodes. Just a quick note: we’ve posted a brief survey about The Next Track, and we would love it if you could take the two minutes to answer a dozen questions about the podcast, how you listen, what you like, and feel free to suggest any topics you’d like us to cover. Show notes: Episode #1 – Songs to Albums to Songs Episode #2 – To Stream or to Own Music? Episode #3 – Everything You've Ever Wanted to Know about Audio File Formats Episode #9 – Will Hermes on Discovering New Music Episode #15 – What is Mastering and Remastering? Episode #18 – New Yorker Music Critic Alex Ross Discusses Listening to Classical Music Episode #20 – You Think You Know about the Blues? Eliah Wald on the History of the Blues Episode #23 – David Browne on the History of the Grateful Dead Episode #24 – Composer Timo Andres on Contemporary Classical Music, Episode #25 – Composer Timo Andres on Contemporary Classical Music, Part 2 Episode #27 – Composing Music for Stage and Screen, with Paul Englishby Episode #28 – Music and Mystery: Author Peter Robinson on Music in His Novels Episode #35 – Musician and Developer Peter Chilvers on Brian Eno's Album and App Reflection Episode #40 – The Revenge of Analog, with David Sax Episode #46 – Percussionist Colin Currie on Performing and Recording Steve Reich's Drumming Episode #48 – Musician Dave Harrington of DARKSIDE and the Dave Harrington Group on Music Between Genres Episode #10 – Setting Up a Home Media Server Episode #16 – Managing and Storing Digital Media Files Episode #29 – Tagging Audio Files Episode #39 – Storing Media on a Network-Attached Storage Device Episode #47 – 10 Ways to Connect Your Computer to Your Stereo Episode #50 – Streaming Music in Your Home Episode #32 – Everything You Ever Wanted to Know about DACs (Digital-Analog Converters) Episode #38 – New in Audio at the Consumer Electronics Show (CES) Episode #43 – Streaming Music 2.0 Episode #11 – Audio Myths & Superstitions Episode #26 – Andy Doe Answers Your Questions about Audio Equipment and Technology Episode #21 – Everything You Ever Wanted to Know about Subwoofers Episode #45 – Ask Andy, Hi-Fi Equipment and Speaker Placement Episode #51 – Ask Andy: Is Vinyl Better than CD? Episode #12 – iTunes & AppleScript Episode #49 – Common Misconceptions about iTunes If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast.

Free mix training with Lij at MixMasterBundle.com Get yourself a Rockstar T-shirt at: RSRockstars.com/Tshirt Get the theme music at: SkadooshMusic.com Get the full show notes at http://RSRockstars.com/69 My guest today is Matt Mahaffey, probably the most talented multi instrumental song writer, composer, and producer I know. Matt formed his own successful rock band, sElf and then cofounded Spongebath records an imprint of Zoo records. From 1995 on sElf and Spongebath became a shining beacon of hope for indi bands in middle TN wanting to shake the stereotype of country music. After a decade in middle TN Matt moved to LA to be closer to his next label Dreamworks where he developed his production career continuing to write and record for his own band. He has a long list of artists in the studio including: Pink, Beck, Liz Phair, Tenacious D, Lupe Fiasco, Phantom Planet, Beyoncé, Butch Walker, Hellogoodbye, Forever the Sickest Kids, Miranda Cosgrove, The White Tie Affair, Keith Urban, The Sounds, L.E.O. and Smash Mouth. And recently Matt just played on Beck's Grammy winning Album of the Year 2015, Morning Phase. Matt has also created music for many filmmakers including Ivan Reitman, Michael Mann, Jeffrey Katzenberg, Andrew Adamson, and Hans Zimmer. And he also wrote music for Shrek, Shrek 2, and Shrek 4. And contributed music for the cartoons Ni Hao Kai-Lan and Sanjay and Craig. And other TV credits include: CSI Miami, DanceLife, Entourage, MTV, E! Entertainment, Weeds, and 60 Minutes. He has even spoken at TEDx Nashville, and notably created the famous jingle for Expedia.com, and appeared on Jimmy Kimmel Live as the Muppet character “Animal” in a drum off with Blink 182 drummer, Travis Baker.

A lot of the music This American Life uses to score stories is composed for the program. Producer Jonathan Menjivar and musician Matthias Bossi of Stellwagen Symphonette talk about the music that works and doesn't work for the show.

Paul Englishby talks about composing music for stage and screen, including the Royal Shakespeare Company’s new production of The Tempest. This week’s guest: Paul Englishby Paul Englishby on IMDB Show notes: The Tempest at the Royal Shakespeare Company Clips of Paul Englishby’s music for the RSC’s production of The Tempest The Tempest: Music and Speeches Miles Davis improvising the score for Louis Malle’s Ascenseur pour l’echafaud Our next tracks: Kirk: Mozart 225 Doug: Mose Allison: Greatest Hits – The Prestige Collection If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast. Special Guest: Paul Englishby.

Neanderthals have long been recognized as humans' closest relatives. They were highly intelligent, skilled hunters, with a rugged build, and a knack for toolmaking.Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

The music you use can make or break your production, so it’s about time we talked about it on the podcast. On this episode, a household name in Audio Drama – the legendary Kevin MacLeod of incompetech.com – joins us to chat about the creative commons model, his workload, and the ways you can potentially commission him in the future to score your own shows.On top of that, we’ve brought another great composer to the table, friend of the show, the tirelessly prolific Kevin Hartnell. You’ll have probably heard his work already in some recent Campfire Radio Theater shows, and he’s already created a big library of music for our up and coming anthology series Valenhigh.Some of the things mentioned on the show, Kevin McLeod’s Patreon account. GLS microphones. And the fact that we’ve turned Tuesdays into “Reviewsdays” to encourage you to take a few minutes each week to rate and review your favourite audio drama shows on directories like iTunes and Stitcher.

Composer Daniel Sadowski possesses that rare ability to see music in color, so when he was asked to compose music for the vivid game 'Stormthrone', it was a dream come true. Daniel Sadowski is Emily Reese's guest on this week's Top Score.

Brian Tyler. Recently nominated for Film Composer of the Year by the International Film Music Critics Association, Brian Tyler has composed and conducted for over 50 films. Born and raised in California, Tyler attended UCLA and Harvard before becoming an award-winning film composer. And while he is known for his scores from The Expendables, Rambo, and Frailty, his talents have also helped to bring to life the world of Star Trek through Enterprise. In this episode of Melodic Treks, we look at this prolific composer, his already impressive body of work, and of course his contributions to Star Trek, both on Enterprise—where he has two scores—and the trailer music for the 2009 Star Trek film.   Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact   Chapters Tyler's Background (2:21) Life and Work (5:26) Composing Music for Enterprise (10:56) In His Own Words (20:56) Awards and Recognition (22:56) Previously on Trek.fm (26:31)

Composer Yoav Goren writes music for trailers for films, video games and television. Learn about the process on Top Score.

It’s time D-Heads! Earth Day is this week and to celebrate we are combining both Earth Day with The Future as we welcome MIKE BRASSELL (Voice of The Land, Voice of The Tomorrowland Transit Authority, Composer Space Mountain, Voice Actor) to the show! Mike is helping us celebrate as he stops in to discuss being part of these classic Disney Attractions at the Walt Disney World Resort, Composing Music, Memories from his career and what the future holds. In addition we have the D-Team back. Lexie is stopping in with more on our special guest Mike Brassell in the Hollywood Walk. You have questions and Erin has answers in I Want To Know, and Jason goes deep into Disney Blu-Rays, DVDs, and VHS in The Vault. And we have Paige taking you on a trip in the Magical Music Review. There is news hot off the D-Wire with news on the Walt Disney World Resorts, Movies, Children's Music, Rumors and more! So it's time to Put on Your Ears, Give it a Little Bibbidi Bobbidi Boo, and get ready to Relive the Magic, Memories and Appreciation from Your Lifetime of Disney with our New Kind of Disney Show!

It’s time D-Heads! Earth Day is this week and to celebrate we are combining both Earth Day with The Future as we welcome MIKE BRASSELL (Voice of The Land, Voice of The Tomorrowland Transit Authority, Composer Space Mountain, Voice Actor) to the show! Mike is helping us celebrate as he stops in to discuss being part of these classic Disney Attractions at the Walt Disney World Resort, Composing Music, Memories from his career and what the future holds. In addition we have the D-Team back. Lexie is stopping in with more on our special guest Mike Brassell in the Hollywood Walk. You have questions and Erin has answers in I Want To Know, and Jason goes deep into Disney Blu-Rays, DVDs, and VHS in The Vault. And we have Paige taking you on a trip in the Magical Music Review. There is news hot off the D-Wire with news on the Walt Disney World Resorts, Movies, Children's Music, Rumors and more! So it's time to Put on Your Ears, Give it a Little Bibbidi Bobbidi Boo, and get ready to Relive the Magic, Memories and Appreciation from Your Lifetime of Disney with our New Kind of Disney Show!

Ever wonder what the process of composing music is really all about? Are you confused about how to even start composing, let alone, how to develop a piece of music and when to stop? Find out about the process I go through when composing, and for a special treat, listen to me actually compose an entire piece of music live.

College of Charleston alumnus and CofC music professor Edward Hart '88 shares the inspiration behind one of his most recent compositions, "Under an Indigo Sky." In his talk, he describes his idyllic childhood in a growing Charleston of the seventies and how this beautiful setting shaped his music aesthetic and continues to serve as his muse today. Edward Hart's talk was part of in!Genius, a College of Charleston event sharing the personal stories of artists, scientists, scholars and industry professionals -- all either CofC students, professors, staff or alumni. Check out more of the speakers of in!Genius at http://ingenius.cofc.edu

Music is an essential part of storytelling on screen and on the radio. Get it right and while you might not be consciously aware of its presence, it will nevertheless be playing a significant part in how you perceive the characters and relate to the story. So it's vital directors and producers understand how to work well with composers so they can weave their musical magic over their stories. Joining Hazel Marshall in the CoP studio to give an insight into their creative processes are two guests whose names you might not recognise but whose music you almost certainly will.