Podcast appearances and mentions of Ruth Bradley

Bienvenue à ConcordIA, une ville dans laquelle il fait beau vivre ! Ultra-sécurisée, elle ne nécessite pas de police, ouverte et tolérante, tout le monde peut y vivre dans le respect de ses propres croyances. Le secret ? Elle est gérée par une intelligence artificielle qui surveille, filme et enregistre les moindres faits et gestes de ses habitants. Les données sont ensuite précieusement conservées et doivent faire l'objet d'une autorisation pour être visionnées. Un mode de vie idéal et attractif qui est sur le point de s'étendre à d'autres villes. Mais lorsque Oliver Miller, un développeur travaillant côté coulisses, est retrouvé assassiné, ce système d'apparence si parfaite va révéler de nombreuses failles et mettre à mal l'existence même de ce concept futuriste. ConcordIA est une fiction entre thriller et série d'anticipation, à voir gratuitement sur france.tv. https://www.dailymotion.com/video/x8z4diu ConcordIA : quand le mal vient de l'intérieur C'est un fait : l'intelligence artificielle prend de plus en plus d'importance dans notre quotidien, aussi, imaginer que dans quelques années, une ville entière puisse être gérée entièrement par une IA n'est pas une idée si incongrue. Une IA qui serait capable de reconnaître les signes précurseurs d'un crime afin de prévenir au lieu de punir. Le cinéma s'est déjà penché sur la question, ConcordIA, mini-série de 6 épisodes, aborde également le sujet de manière tout aussi frontale. Une dystopie – mais en est-elle vraiment une finalement ? – qui voit son système parfaitement huilé, entaché par le meurtre d'un des leurs. Peur ou trop-plein de confiance dans un concept supposément infaillible, les fondateurs de ConcordIA, dont Juliane Bohm Eriksen (Christiane Paul, Ingeborg dans Parlement), peinent à comprendre les origines de ce crime et vont voir tout leur socle de croyances s'effondrer lorsqu'ils réalisent que la menace – humaine – vient de l'intérieur. En effet, si la vie à ConcordIA semble parfaite, le monde « normal » qui l'entoure est resté à l'identique, avec tout ce que cela entraîne de curiosités ou de questionnement idéologique. Un questionnement, qui se positionne au cœur même de la mini-série, à travers les Sans Visage, un groupe d'extrémistes qui considèrent le projet – consistant tout de même à filmer et à enregistrer des êtres humains même dans leurs moments les plus intimes– comme une « stasi 2.0 ». Mais sous couvert d'une finalité honorable, peut-on employer des moyens douteux ? ConcordIA, et tous ses habitants qui y immigrent volontairement, semblent penser que oui. Mais au fur et à mesure que l'enquête sur le meurtre d'Oliver (Louis Landau) avance, l'IA va montrer ses failles : tout aussi intelligente soit-elle, elle ne peut lutter contre la malice humaine. Au-delà de toutes ces problématiques idéologiques, ConcordIA propose également une intrigue globale très solide, avec des histoires à tiroirs qui semblent lointaines les unes des autres et qui, petit à petit, vont se préciser. Des secrets qui vont complètement bousculer la narration à laquelle tout le monde a adhéré et sur lesquels repose le succès de cette ville artificiellement intelligente. Les personnages joués par Ruth Bradley et Nanna Blondell sont notamment le porte-drapeau de cette bascule psychologique alors que des noms français comme Hugo Becker, Joséphine Jobert ou Alba Gaïa Bellugi jouent des pions dans un jeu d'échecs qui les dépassent. [bs_show url="concordia"] Les 6 épisodes de ConcordIA sont disponibles sans abonnement sur la plateforme france.tv.

Ruth Bradley joins Ray to tell him about being cast in the new season of Slow Horses.

Q&A on the Apple TV+ series Slow Horses with actor Ruth Bradley. Moderated by Mara Webster, In Creative Company. Follows a team of British intelligence agents who serve as a dumping ground department of MI5 due to their career-ending mistakes.

29 Mar 2024. Education provider Taleem has reported record profits for the first half of the year, up 53 per cent - and a new high when it comes to student enrollment, up 32 per cent. Taaleem boss Alan Williamson tells us about what's behind those record numbers. We also get reaction to Sam Bankman-Fried's 25-year jail term from lawyer Shahram Safai of Afridi & consulting expert Ruth Bradley. See omnystudio.com/listener for privacy information.

Grabbers trailer:https://youtu.be/uC4GlNAD5ZA?si=XeNls7rPe7gxuhE0Dead Harvey links:Instagram: https://www.instagram.com/dead_harvey/Facebook: https://www.facebook.com/deadharveyYouTube: @deadharveyIntro and outro music by Tony Longworth.http://tonylongworth.com/freemusic/

This week, SL Founder Georgie Coleridge Cole is joined by communications consultant Ruth Bradley and founder of sustainable concept space The Edit, Rumana Nazim. Together they delve into the business of fashion. From starting out to settling into Dubai's AlSerkal Avenue and making the most of regional travel, here they share their experiences…Ruth Bradley | https://www.instagram.com/ruthbradleyconsulting/?hl=afRumana Nazim | https://www.instagram.com/rnazim/?hl=en-gb The Edit | https://theeditdubai.com/ Hosted on Acast. See acast.com/privacy for more information.

During the Coronavirus, we are switching our focus to streaming entertainment. This includes Netflix, Hulu, Amazon Prime, Disney+, AppleTV, HBO and Showtime. It's all about keeping you and yours safe. In this episode of He Said, She Said Movie Reviews, your hosts, April and Tim take a look at the movie The Wonder. A creepy look at devoted fervor and how people turn a blind eye. Streaming Service: Netflix Director: Sebastián Lelio Writers: Emma Donoghue, Sebastián Lelio & Alice Birch Staring: Florence Pugh, Kíla Lord Cassidy, Tom Burke, Niamh Algar, David Wilmot, Ruth Bradley, Toby Jones, Dermot Crowley, Ciarán Hinds, Brían F. O'Byrne & Josie Walker Runtime: 108 minutes Rated R for some sexuality. Let us help you make the right movie decision. If you have not already done so, go out to http://hesaidshesaidmovies.com/subscribe/  and subscribe to our podcast (it's totally free to do) so you'll never miss an episode. Also, if you would like us to review a movie on one of the streaming services listed above, drop us an email at tim@hesaidshesaidmovies.com  and we will watch your movie and give it a review. Follow us on Social Media Twitter - @HeSaidSheSaidMo - https://twitter.com/HeSaidSheSaidMo  Instagram - HeSaidSheSaidMovies - https://www.instagram.com/hesaidshesaidmovies  Facebook - @HeSaidSheSaidReview - http://fb.me/HeSaidSheSaidReview  YouTube - https://www.youtube.com/channel/UCwRoqqJj_HbEpYllzQCtaKg/featured     

The Sunday Swing series highlights the music of the swing era and much more. Danny Lane guides you through a one hour swing workout. Do the Lindy Hop or choose your favorite dance. Just keep swingin'. **** Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 **** or by email at: dannymemorylane@gmail.com **** You’ll hear: (1) Opus No. 1 by The Spitfire Band (2) I Double Dare You by Larry Clinton & His Orchestra (with Bea Wain, vocal) (3) Buck Dance by Woody Herman & The New Third Herd (4) On the Sunny Side Of The Street by Louis Armstrong (5) The Continental by Artie Shaw & His Orchestra (6) Somebody Else Is Taking My Place by Benny Goodman & His Orchestra (with Peggy Lee) (7) Lindyhopper's Delight by Chick Webb (8) All God's Chillun Got Rhythm by Bunny Berigan & His Orchestra (with Ruth Bradley, vocal) (9) Mambo No. 5 by Xavier Cugat (10) Rhumboogie by Bob Zurke's Delta Rhyhm Band (11) Blue Room by Benny Goodman (12) Crazy 'Bout a Saxophone by Buddy Johnson (13) Anvil Chorus by Glenn Miller (14) The Calloway Boogie by Cab Calloway & His Orchestra (15) Bell Bottom Trousers by Tony Pastor and His Orchestra (with Tony & Ruth McCullough) (16) Stompin' At The Savoy by Si Zentner & His Orchestra (17) Saturday Night (Is The Loneliest Night Of The Week) by Charlie Spivak & His Orchestra (with Irene Daye, vocal) (18) Santa Isabel De Las Lajas by Tommy Dorsey & His Orchestra Starring Warren Covington (19) Ain't Nobody Here But Us Chickens by Louis Jordan & His Tympany Five (20) Sing, Sing, Sing (With A Swing) by James Horner Studio Orchestra

Greetings pals. How are you keeping? Hope January is treating you all well thus far.We're back with a lovely episode in the company of Ruth Bradley. Ruth's been in tons of stuff you'll know. Primeval, Humans, Pursuit, Grabbers, Guilt, Rebellion and loads and loads more. We met her just before Christmas in Soho. We all got a brew, she got a scone, and we got down to it. We talked Dublin, living behind settees, being pregnant and a bunch of other stuff.This is episode 110 of the Two Shot Podcast with Ruth Bradley. XGet in touch...Facebook- search 'Two Shot Podcast' Twitter- @twoshotpod Instagram- @twoshotpod If you've enjoyed listening then please click through to https://www.patreon.com/twoshotpod to make a donation to the running costs of the show. You'll get bonus pictures, video and audio in return. Nice one. See acast.com/privacy for privacy and opt-out information.

Join Steve In Conversation with two celebrity guests...

Scott Bryan and Lauren O’Neill join Nihal Arthanayake with TV reviews – plus Ruth Bradley who stars in Guilt. We’re full of dark comedy drama fun for you this week with reviews of Guilt, End of the F** World and House Share. Lauren O’Neill from Vice news steps in, because – rumour has it – Hayley has been inspired by Scott and is spending time on a nudist beach. Plus Nihal has a new favourite TV show – a rare occurrence, but one we value on our podcast which reviews TV.

In the final weeks of rehearsal This Beautiful Village's writer Lisa Tierney-Keogh talks the truth of her debut play on the Abbey stage, the knockbacks, kickbacks & comebacks involved in power plays and how laughter is the best medicine when blowing up the canon. This Beautiful Village 2-14 September 2019 Abbey Theatre Writer: Lisa Tierney-Keogh Director: David Horan Cast: Pom Boyd, Ruth Bradley, Michael Ford-FitzGerald, Damian Kearney, Bethan Mary-James & Aidan McArdle. Recorded on Thursday 22 August 2019 at the Abbey Theatre. Interviewer & Editor: Lisa Farrelly Sound operator: Derek Conaghy 09/2019 Broadcast 26/08/2019 The business of theatre quote - Paco Tolson (c)

Oprah: What is a lesson that took you the longest to learn that you kept repeating and it kept showing up wearing a different something, but was the same lesson? Julia Roberts: I think we as people, or as women, or me just myself who I am in this world that I make myself less for someone else to feel more of whatever that "thing" was. View this post on Instagram Juuuulia! Our forever pretty woman is coming into a new decade and she is LIVING. This is a side of Julia you've never heard: her spiritual practice, what she's most grateful for, the lesson that took her the longest to learn, and more. Thank you @JuliaRoberts for sharing your FULL, multifaceted self. Listen now! A post shared by Oprah (@oprah) on Oct 26, 2018 at 9:28am PDT When I heard Julia Roberts share with Oprah on her podcast Super Soul Conversations this past October the lesson that took her the longest to learn, it struck a chord. Actually, having seen the above Instagram post on Oprah's feed prior to the interview which prompted me to download the episode (airing on October 23 & 24 - it's a two-part conversation), I finally felt I had found a word for what I had been doing for quite some time in my life but couldn't understand what it was and why it was causing me so much frustration. Shrinking, unconsciously becoming less of who we are so that others feel more comfortable, either to avoid confrontation that is unwarranted, but still we choose to prevent it from occurring by not being our full and awesome selves, or by not partaking in a life path because we don't want to upset others or deal with the push back, can become a habit and mistakenly become accepted as who we actually are. The habit of shrinking is something I became accustomed to for a long time - with my family, with my friends, in relationships - but thankfully, I find myself in the past 5-8 years refusing to do so, and the blessings of this conscious choice have been beautiful - primarily, a sense of peace and tranquility within myself which is especially felt when I am in own and only company. And more importantly, I have begun to find people who accept me for who I truly am, and have been more keen to gravitate to others who as well are being themselves and do not ask or expect or want me to shrink. A common reaction to onlookers or individuals who have interacted with those of us who have become conditioned to self-select to become less is that we are 'too much of ourselves'. In other words, arrogant. They skip over the observation of one simply being confident and jump to, she/he is too confident. Too full of themselves. But what they are really communicating is "I am not comfortable with you not being who I want you to be or what I am used to you being". And often, it is women who when they choose to let go of being less, receive the comment from others of being 'too confident'. I rarely hear this about men who are confident, and even those men who are well into the arrogant tier of confidence. Nope, primarily women. And this is what is known as social conditioning. Even more unfortunate, it is often women, but men too, if they haven't been conditioned or around women or any individual who is not adhering to what they believe to be 'their societal role' , they will push back. The irony is, if they are women pushing back against women, they are pushing themselves down as well. What does 'refusing to make yourself less' look like? Certainly, women can step into the realm of arrogance and go beyond simply being confident just as men can, but too often we fear this misstep and thus never even dabble or try to exude our confidence of being exactly who we are. And being exactly who we are is what the world needs. How to Be Your Full Self, Not Less, Not More 1.Understand what true self-confidence is To possess and exude confidence is to establish a "firm trust" with someone else as defined in the dictionary. In episode 5 of the podcast, we detail how to gain confidence and why it is invaluable, an episode inspired by the book The Confidence Code . And it is imperative, that in order to not convey arrogance, but rather confidence, you refuse to fake it. In other words, let go of the life advice maxim that seems to be quite ubiquitous - "fake it until you make it". If you fake it, you overstep, you don't have the credibility and people will not trust you. The goal is to gain authentically other people's trust, which means, you need to be you and do what you love and what comes naturally, where you find your flow and where you acknowledge others' strengths and successes, where you recognize new ideas and thus adjust your ideas. Being adamant is not being confident, especially so, if your stance on any issue needs to be adjusted as new knowledge is put forth. In other words, excluding true confidence comes from showing, not telling. Simply put, our actions, how we carry ourselves, how we handle difficult situations, how we prepare for our projects/conferences/speeches/etc., how we respond to questions when asked, when we engage in conversations - what it is that we share and how we speak - our tone, listening skills, responses, etc., how we go about our lives when nobody is necessarily watching, etc. Confidence is gained from continual growth, a bit of vulnerability to put yourself out there and show your strengths, but also a recognition that it is in your actions,, that build upon themselves to build trust with others and to demonstrate to yourself that yes, what you have to offer is valuable, but first you must acknowledge this truth to yourself. 2. Let go of the need of wanting everyone to like or approve of what you do/say Become more comfortable walking away and not taking it personally when someone doesn't "approve" of your behavior, ideas, lifestyle, etc. First, this is where having confidence will help strengthen your resolve to not be so shaken when someone speaks ill of you or your work. Second, this doesn't mean constructive feedback shouldn't be considered. After all, in order to grow, so long as the source who is relaying the feedback is trusted, credible and wishes only to help, not tear down what you have put out into the world, consider their feedback. On the other hand, whether it is with relationships, career pursuits, lifestyle choices, or political ideologies, while we may intrinsically want others to like us, agree with us, go along with our ideas, accept us, date us, marry us, hire us, vote for us, etc., we want them to like our full self, not a version of what we think they would accept. Because in time, we will no longer be able to stay confined inside the box we have initially put ourselves in and the other has accepted that we stay. Our breaking out will come in all different forms - getting angry, ending a relationship, etc. - but rest assured, it will come eventually. 3. Find the courage to be vulnerable The most frightening part of being our fullest selves is knowing that there is a possibility we will be dismissed, rejected, ignored, laughed at, simply not accepted for who we are. But the comfort, the safety net so to speak, is the self-confidence we have built up and take with us everywhere we go. If you understand your self-worth, which has been with you since the day you were born and will be with you your entire life, you know that you have immense value that the world is fortunate to have. In 2011, I wrote a post sharing 10 Ways to Strengthen Self-Worth and one vital point shared was that "we all have self-worth; it’s a matter of finding it within ourselves.  Once we accept and acknowledge, and know, that we are worthy, the amazing journey of finding our purpose, of discovering our passions and living our most fulfilling life can really begin." Once you acknowledge how awesome you are all on your own, those rejections, those negative responses that none of us are seeking, will more easily become a part of the past and roll off your back. But first you must establish your self-confidence. "It’s no surprise that confidence is the foundation that makes it okay to be vulnerable. It’s the layer of self-trust that allows you to take a few bricks out of that wall and know you’ll be okay, to really show up and to show others who you are. Real, natural confidence is trust rather than second-guessing. It’s congruity rather than compartmentalization. It’s ease rather than resistance." —Steve Errey, a confidence coach If you are someone as well who has felt they have had to shrink themselves in order to live life, then you know how uncomfortable and confining it can be to live such a life. Such experience is not wasted because now that we know how to become our full selves we can make sure we don't expect others to shrink or become less around us. With empathy we can make sure this harm to others doesn't continue - to women or men. But we must stand strong in our full selves and become comfortable with walking way, communicatively clearly, but with clarity and calm certainty and recognizing that these are both skills - the shrinking to be less and the expanding to be our full selves - and so while it took time to learn how to shrink, it will take time to learn how to be fully who we truly are out in the world. For me, there are three aspects that are the most difficult part of being fully who I am: not holding on to the past of how I have been treated by the same people I am trying to be fully myself with and bringing unhelpful rash and reactionary emotions with me (while I have walked away from those I could, sometimes we don't have a choice as we either work for or with them or are related to them and see them at holiday occasions whether by our own invitation or not); letting go of the guilt that had been instilled by society for being stronger than it wanted me to be - whether that guilt was exhibited by having a voice, an idea or letting someone go; and lastly, believing in what I wanted to bring to the world more and considering the certain critics that will inevitably arise less. As you can see, it takes time, and awareness of what is most difficult for each of us, but we each can attain the place of being fully who we are each day and moment of our lives no matter who we are with. And in knowing this, we can support and nurture others who are daring to take this brave step to be themselves and encourage them, not laugh or limit or dismiss, so that we all rise to our best selves. However, it starts with supporting yourself and giving yourself permission to be exactly who you are. Just be you. And in your being, you will dazzle, amaze and find the people who delight in exactly who you are. Trust your journey. Petit Plaisir —Agatha and the Truth of Murder, on Netflix starring Irish actress Ruth Bradley as Agatha Christie at the age of 36 as her marriage to Archibald Christie was coming to an end. Set in December 1926, during the 11 day period in which the novelist went missing. The movie is a fictionalized version of what might have happened. https://youtu.be/2apnlrZmv28 ~The Simple Sophisticate, episode #249 ~Subscribe to The Simple Sophisticate: iTunes | Stitcher | iHeartRadio | YouTube | Spotify

Erin go bragh, faithful listeners! This week, we celebrate St. Patrick's Day with our very own St. Patrick MacDonald of HollywoodChicago.com, as we down a pint and fight some beasties with the Irish horror comedy Grabbers! When a sleepy Irish town is beset by extraterrestrial octopods with a thirst for blood, the town must rally around an alcoholic local cop (Richard Coyle) and his straight-laced partner (Ruth Bradley) to fight them off the only way they know how - by getting piss drunk!   Much like previous podcast subject Attack the Block, Grabbers is deeply indebted to the droll horror-comedy humor of Edgar Wright, and manages to find its own charms within that level of sincere imitation. Check out our thoughts, along with our custom cocktail and drinking game, below! (Thanks to our sponsor, The Second City Training Center, as part of the Chicago Podcast Coop!)

What do you think of when you think of Canada? Maple Syrup? Poutine? Hit TV show Due South starring Paul Haggis, who looks like what happens if you cross Brendan Fraser and the guy that played Hercules in the one that was like Xena, but not Xena. How about terrible driving? Turns out Canada has been spending a lot of time looking for its worst driver, 7 whole times in fact. Joining us once again in our third chair, is resident cool kid Ruth Bradley. Who skateboarded her way from her loft apartment where all the other cool dudes are. She helps us understand what is going on in the World Wide Web when there are viruses kicking about. We end this week talking about the origin story of Christian pirate Ron ‘Patch’ Hamilton and how he swashbuckled his way into the hearts of children everywhere with tunes about Jesus. Before stepping off the plank into their nightmares with his eye hole. See acast.com/privacy for privacy and opt-out information.

In the March 2017 edition of our podcast, we discuss as our Super Six topic what we enjoy seeing and what really doesn't work in season and series finales with examples from current and canceled shows.Show topics this month include a look at the first half of the opening season of Legion on FX, which began its run on February 8, as well as a spoiler-filled discussion of the first five episodes of The 100 season 4, which started on The CW on February 1.Our interview segment is with Ruth Bradley, who plays DI Karen Voss on the British import Humans, which is in the middle of its second season on AMC that began on February 13.Timecodes: Finale Discussion - 2:20 Legion - 19:31 The 100 - 37:15 Humans Interview - 53:46 See acast.com/privacy for privacy and opt-out information.

With Jack gone forever so begins our Saved by the Bell: The New Class years, or that bit in Buffy when she wasn’t at school anymore and had to deal with a whole host of new problems. We expect to gather up some new hip cool listeners, yet retain our original core of Wikishufflers, casting aside any die hard Jack fans, who I’m sure will go on to watch his spin off. Like Joey. In our substitute teacher chair and making her spectacular return is friend of the show Ruth Bradley, testing her Potato snack knowledge against our very own resident Potato Man. Thanks to Mark Winter for contributing, what appears to be a life long ambition of his. We have found the YouTube video, Mark. After a quick trip to Baker Street for a catch up with that Cumberbatchian autistic dope fiend violinist and his best friend / closetted love interest, we go on to look at some unsettling holes. See acast.com/privacy for privacy and opt-out information.

In her sixth and final outing on Wikishuffle (for now, at least), Ruth Bradley spends most of the episode making crude hand signals, willfully unaware of the limitations of audio podcasting. Phil regails us with some actual first hand (and not very flattering) experience of our first random article subject, before we all set about hitting you with our laser beams, much to the chagrin of 80's BBC Radio One presenter Mike Read. Jack will return next week. Do try and contain your excitement. See acast.com/privacy for privacy and opt-out information.

In which we attempt to dupe the gold diggers and hamburgers of the internet into a yachting adventure with Paul Hollywood, explain how you can buy a camel and let Chris record the outro. No Jack again this week, so Ruth Bradley's sitting in again, helping us to give the hacking victims of Ashley Madison precisely the level of sympathy that they deserve. See acast.com/privacy for privacy and opt-out information.

No Jack this week, but don't let that worry you (I know, you weren't), as we've got Ruth Bradley instead. Having Ruth visit at Wikishuffle HQ certainly hasn't made us raise the tone any. In fact, it's just a matter of time before the conversation inevitably descends to looking up pictures of poop on the internet. And our first article is surprisingly handy for helping you survive the neofascist landscape of post-brexit Britain (sorry, European listeners - we still love you, even if our countrymen can't be trusted to act in their continent's best interest). See acast.com/privacy for privacy and opt-out information.

PICK A FLICK! gives the middle finger to the Establishment and the whole of the Cannes Film Festival as we focus on the unique, hugely divisive and often difficult auteur this week that is Mr. Lars von Trier. Host Philip Sharman (1/3rd of the award-winning Wikishuffle podcast) is joined by friend Ruth Bradley and in her first time podcasting, Jane Douglas-Jones, undertaking the impressive 500 Days of Film project which she discusses at length. Nominated by Jane herself, they first examine von Trier's 2011 film MELANCHOLIA, take a deeper look at the director's work including his controversial Dogme manifesto, and finish up--nominated by The Comic Roast--with EUROPA, a film so hard to find Jane didn't even get to see it! They also take in audience feedback on Lars along the way. Join them and find out more! TWITTER: https://twitter.com/pickaflickpod FACEBOOK: https://www.facebook.com/p1ckaflick/?ref=hl iTUNES: https://itunes.apple.com/gb/podcast/pick-a-flick!/id1054428004?mt=2 WEBSITE:... See acast.com/privacy for privacy and opt-out information.

It's a podcast within a podcast within a podcast this week as Wikishuffle's own Phil Sharman takes the Pick a Flick! hosting chair, joined by two debutantes to the show - firstly his old friend Ruth Bradley and, of Filmback TV, the show's first transatlantic guest Claire Tanner. Their first picked flick, from Matthew Brady, is SYNEDOCHE, NEW YORK, from the unique mind that is Charlie Kaufman, and all three have some fascinating opinions on a fascinating picture. Beyond this, they discuss the other works of Kaufman, as a writer and director, and precisely how many times in a year you should watch ETERNAL SUNSHINE OF THE SPOTLESS MIND. Finally, as picked by Steve Aldersley, the trio look at Christopher Nolan's first breakout success, 2000's MEMENTO - but is it a trippy, revolutionary cinematic experience or lacking something? The lines are drawn. Lastly, it's QUESTION TIME for Claire as she chooses 1998 rom-com You've Got Mail for her quiz - but it turns out one of the other podcasters this week is also... See acast.com/privacy for privacy and opt-out information.

Grabbers a NR movie from Ireland that will make you laugh cry and shout out for joy! WHY!? Well because to stay safe you have to have at least a .2 blood alcohol level. Maybe it's the alcohol but Ruth Bradley is one cute irish cutie. The episode is wrapped up with a user submitted movie suggestion about a man with a orange for a head.

Nick Briggs and Paul Spragg take a few moments prior to their trip to Chicago TARDIS to preview the December releases! And watch trains.

This week's podcast takes a look at current goings-on in the studio and previous goings-on during the recording of Doctor Who: Dark Eyes!

Nick Briggs, David Richardson and Paul Spragg reconvene for a preview of this year's subscriber special Doctor Who: Night of the Stormcrow and answer your e-mails!

This week we present a very special Doctor Who: Dark Eyes podcast!

Local educator Ruth Bradley developed an innovative phonics program for early readers that been used successfully at Hopewell for many years. Dr. Bradley recently donated all of her program materials to Hopewell with the hope that it will be made available to other schools. Hopewell teachers also use a Literacy Closet and Readers’ Theater in… Continue Reading Creating a Culture of Literacy: Hopewell Elementary School