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Reposted from Still Slaying: A Buffy-verse podcast which you can find at https://podcastica.com/podcast/still-slaying-a-buffy-verse-podcast “It's the end of the world. Everyone dies. It's rather important, really.” Penny, Kara, Sam, and Steve dive into this nostalgic episode where the Scoobies go back to high school. The discussion starts with the Y2K phenomenon and winds through the episode, touching on Spike's chemistry with everyone, Giles's failings, Forrest's jealousy, mansplaining, dorm hygiene, the horrifying prospect of naked limbo, Supernatural, and The Boys. Next time we'll be talking about Angel, Season 1, Episode 11, “Somnambulist.” Let us know your thoughts! Keep Slaying! News Links/Referenced Links Original Trailer/WB Promo: BTVS “Doomed” Original Promo Y2K | This Is SportsCenter What's On Tonight Podcast - YouTube The Bitch Is Back with Charisma Carpenter - Podcast —---------------------------------------- Viewing Order Buffy 4x11 - Doomed Angel 1x11 - Somnambulist Angel 1x12 - Expecting Angel 1x13 - She Buffy 4x12 - A New Man Buffy 4x13 - The I In Team Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover. Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videos Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. Tags #smashthepatriarchy #femisim #patriarchy #buffythevampireslayer #btvs #buffy #buffyverse #buffyfans #vampires #tv #nostalgia #the90s #nerds #nerdy #spike #spuffy #thebronze #stillslaying #stillslayingpodcast #stillslayingcast #podcast #podcastica #recap #slayer #vampireslayer #buffyseason4 #sunnydale #hellmouth #TheWB #sarahmichellegellar #anthonystewarthead #alysonhannigan #nicolasbrendan #amberbenson #jamesmarsters #slaythepatriarchy #marcblucas #riley #doomed Learn more about your ad choices. Visit megaphone.fm/adchoices
Actor, writer, and author Kevin Scott Allen talked about playing Louis in Netflix's American Primeval, his time on Homefront, and starting out on The Waltons. He discussed his books Conquering the Film and Television Audition and Murder Can Be Fatal. He also spoke about working with Joe Mantegna on Criminal Minds, Puppet Master: Axis Termination, and his upcoming work. Stay tuned! Kevin Scott Allen's book Conquering the Film and Television Audition is available everywhere you purchase books, including Amazon: https://www.amazon.com/Conquering-Television-Audition-Kevin-Scott/dp/1522887458. Kevin Scott Allen's book Murder Can Be Fatal is available everywhere you purchase books, including Amazon: https://www.amazon.com/Murder-Can-Be-Fatal-Mystery/dp/0997009462. Follow me on Instagram and X: @thereelmax Website: https://maxcoughlan.com/index.html. Website live show streaming link: https://maxcoughlan.com/sports-and-hip-hop-with-dj-mad-max-live-stream.html. MAD MAX Radio on Live365: https://live365.com/station/MAD-MAX-Radio-a15096. Subscribe to my YouTube channel Sports and Hip Hop with DJ Mad Max: https://m.youtube.com/channel/UCE0107atIPV-mVm0M3UJyPg. Kevin Scott Allen on "Sports and Hip-Hop with DJ Mad Max" visual on YouTube: https://www.youtube.com/watch?v=mkUQKF2Yf98.
John 17:20-23Jesus prayed, “I ask not only on behalf of these but also on behalf of those who believe in me through their word, that they may all be one. As you, Father, are in me and I am in you, may they also be in us, so that the world may believe that you have sent me. The glory that you have given me I have given them, so that they may be one, as we are one, I in them and you in me, that they may become completely one, so that the world may know that you have sent me and have loved them even as you have loved me.” Artificial Intelligence is not your friend—it's the Tower of Babel. That was the title of the first article I saw this week while preparing for today. Another headline from a Jewish student paper read: AI: The Modern Tower of Babel. A theme was emerging. Faith publications and organizations are writing incessantly about AI and faith, the church, spirituality, and more. Then Pastor Mark told me to listen to a segment from 1A this week about AI and faith. It was fascinating—and a little frightening.I'll be honest, I thought I had pretty good job security against AI and robots… until I listened to that segment. I learned about Pastors.AI, a chatbot trained for a specific church using sermons and resources from real pastors. Meaning, you could upload all the videos and manuscripts from Pastor Mark's sermons over the past 24 years, and the chatbot would generate answers to questions, write sermons, and craft Bible studies—just like he would! You could have your own Pastor Mark in your pocket.Then there's Gloo—AI evangelism. Gloo claims it helps churches grow by tracking digital interactions, managing prayer requests, responding to texts, and making new connections.Entire denominations are diving into AI. If you're Catholic, you can't use just any faith-based AI, so you turn to Ask Father Justin. Apparently, a problem arose where some people preferred confessing to Father Justin instead of their priest. Imagine that… And it's not just Catholics who do AI.Episcopalians have Cathy—Church Answers That Help You. Right on the Diocese of Lexington's homepage, you can talk with Cathy and learn anything you want from the Episcopalian perspective.But what good is the church or denominations if you can just chat with Jesus yourself, AI Jesus that is? If you try that one let me know. So is AI a threat to the church? Or a tool to help it grow? Is it humans trying to become like God, or is it a resource that makes God more accessible? Is this software a reversal of Genesis 1 where we make God in our image, one chatbot at a time?Is it a new Tower of Babel—our attempt to code our way to God? How might this ancient story help us with such questions? More importantly, what might it tell us about Jesus?The Tower of Babel is mysterious. It's short, raises more questions than it answers, and isn't referenced anywhere else in the Bible. Like the other stories in Genesis 1–11, it's an origin story; one that tries to explain how different nations and languages came to be. Linguists agree though, this is not how languages came about. It much more complicated. As is this story. To read it as only an explanation of languages or cultures misses what all it reveals about God.It's also the origin story of Babylon. Thousands of years ago, Babylon made a major technological advance: the brick. They could take bricks, butter'em with bitumen, stack them on top of each other and build. So the people said, “Let's build a city and a tower with its top in the heavens, and make a name for ourselves, or else we'll be scattered across the earth.” That one sentence is full of so much irony. The tower didn't reach heaven. In fact, God had to come down to earth just to see it. And when God finds it, God isn't pleased. Why exactly? We're not told. What we do know is that God confused their language and scattered all the people—the very thing they were trying to avoid.That question—why did God do this?—has led to many interpretations, some with harmful consequences.One interpretation says God scattered the people because mixing cultures, ethnicities, and languages is bad. That view has been used to justify segregation in this country and apartheid in South Africa.But I don't read this story as the scattering being a consequence or punishment. God said twice “to fill the earth and subdue”. Well you can't do that if people are all in one place. So scattering wasn't punishment - it was the plan. As were the different languages and ethnicities. Diversity was God's design from the start.Another view is that God is suspicious of cities. So, urban life must be prideful or ungodly, while small-town life is holier and safer. But that doesn't align with the broader biblical story. God called Jonah to Nineveh, a powerful city, because God cared for its people and animals. Jesus longed to gather Jerusalem under his wing. Revelation envisions a new heaven and earth—with a new Jerusalem at its center. God is not suspicious of cities, but is as present there as anywhere else in the world.And perhaps most pertinent today: some believe God scattered humanity because they were too advanced. Such a reading makes folks skeptical of scientific progress and technological advances like, well, Artificial Intelligence. But I don't think God was all that concerned about some bricks stacked a couple hundred feet in the air. Nor is God all that impressed with our towers of today: our advances, systems, or political structures. And I am pretty sure God isn't wringing hands over Artificial Intelligence like everyone else seems to be.What I think God is concerned about is any human attempt to work our way up to God, any effort to work out our own salvation. And we try all the time. We think: “If I just do enough good,” “If I go to church enough,” “If I text with AI Jesus,” or “complete my Bible AI devotional”—then I'll get to God. All our technological advances will undoubtedly do a lot of good. But if we think software can save us, it's no different than thinking a tower can take us to heaven. The tower never reaches. We can't code our way up to God.But the good news of our faith is that we don't have to go up to God because God came down to us in Jesus Christ. And through that person, that real, divine, tangible person, do we and all the world receive the grace and forgiveness we could never create for ourselves, no matter how advanced we get. Through that person, all the scattered people of the world might be one in him. That's what, or really who, holds this community together. We don't all hold the same views, or come from the same backgrounds, or see the world in the same way. Sometimes it probably seems like we aren't even speaking the same language. And yet, it is the grace and forgiveness and mercy of Jesus that binds us together as one.This A.I stuff isn't going away anytime soon. It certainly has it's dangers. At the same time it is a technological tool and the church has always engaged with these tools. When the printing press was invited, the church made tracts and pamphlets. When radio came around, preachers broadcasted their sermons across the airwaves. TVs gave rise to the televangelist. And today nearly everyone watches a service online before they ever step foot through our doors. So it should be no surprise that christians, churches, pastors, denominations, are using A.I. in all sorts of ways. But like any tool, it can be misused and lead to harm, like thinking it can somehow take us up to God, as an ancient tower once tried. Or that it can bring Jesus down to us. Yet it can't do that either, because Jesus came down and is here already. Here at the table where we get our fill of his forgiveness in bread and wine. Here in the waters of baptism where we are washed by his grace. Here in your neighbor, who reflects the very image of God. By his coming down to us, Jesus made his love tangible through these physical signs of his grace that he freely gives to us. And that's something A.I. can never give. Amen.
Reposted from Still Slaying: A Buffy-verse podcast which you can find at https://podcastica.com/podcast/still-slaying-a-buffy-verse-podcast “Blues wasn't forced on us like that religion. Nah, son, we brought that with us from home. It's magic what we do. It's sacred... and big.” Penny, Sam, Kara and Jason revel in the artistic and box office success of Ryan Coogler's genre defying tale of family, fellowship, music, and freedom. The discussion ranges from the serious to the silly, with stops along the way for auteur theory, sports metaphors, representation, all art is political, zombie movies, sundown towns, the Tulsa Massacre/Black Wall Street, the horror genre as conduit for political and social discourse, joy as revolutionary act, A.I. and cultural appropriation, Annie as a potential slayer, oners, Alvin Ailey, and #OscarsSoWhite. Note: Since this is an R-Rated movie, we've decided not to humorously bleep out the swear words. Next time we'll be covering Buffy the Vampire Slayer, Season 4, Episode 11, “Doomed.” Keep Slaying! News Links/Referenced Links Sinners (Original Motion Picture Soundtrack) - Album by Sinners Movie | Spotify Jim Crow Museum Blues Foundation The ‘Sinners' Movie Syllabus - AAIHS Life (1999) Official Trailer - Eddie Murphy, Martin Lawrence Movie HD The Rise and Fall of Jim Crow. Richard Wormser. Segregated America. Smithsonian Institute. Jim Crow Laws. National Park Service. “Exploiting Black Labor After the Abolition of Slavery.” The Conversation. https://www.npr.org/2017/03/08/515814287/heres-whats-become-of-a-historic-all-black-town-in-the-mississippi-delta “The Model Minority Myth” Aspect Ratios with Sinners Director Ryan Coogler Mound Bayou, Mississippi - Wikipedia Ruth E. Carter on designing costumes from ‘Do The Right Thing' to ‘Black Panther' Ruth Carter's Creative Process | Oscar-Winning Costume Designer Watch Abstract: The Art of Design | Netflix Official Site Ryan Coogler on 'Sinners' Creative Process, 'Black Panther' News, NBA Players Love & More Ryan Coogler says 'Sinners' inspiration felt 'like a bolt of lightning' —---------------------------------------- Viewing Order BONUS: “Sinners” Buffy 4x11 - Doomed Angel 1x11 - Somnambulist Angel 1x12 - Expecting Angel 1x13 - She Buffy 4x12 - A New Man Buffy 4x13 - The I In Team Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover. Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #ryancoogler #sinners #michaelbjordan #smokestacktwins #milescaton #jimcrow #mississippidelta #history #filmreview #vampires #southerngothic #wunmimosaku #haileesteinfeld #ruthcarter #blackhistory #stillslaying #stillslayingpodcast #stillslayingcast #podcast #podcastica #smashthepatriarchy #feminism #patriarchy #buddyguy In Defense of ‘Grace' from ‘Sinners' Learn more about your ad choices. Visit megaphone.fm/adchoices
Join Sara Fergenson (@sarafergenson) and Jess Sterling (@thejesssterling) as they chat about Season 4 Episode 21 of Buffy the Vampire Slayer, Primeval. They debate whether Jess' Robo Riley theory was at all correct, discuss the big lab battle, and predict what will happen in the finale.You can WATCH this podcast on our YouTube channel!Follow us on Twitter and Instagram at @shit90spod.Email us at shit90spod@gmail.comVisit our website at www.shit90spod.comSpecial thanks to JD McGuire (@jdmcguire) for our theme songAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Genesis 9:8-17Then God said to Noah and to his sons with him, ‘As for me, I am establishing my covenant with you and your descendants after you, and with every living creature that is with you, the birds, the domestic animals, and every animal of the earth with you, as many as came out of the ark. I establish my covenant with you, that never again shall all flesh be cut off by the waters of a flood, and never again shall there be a flood to destroy the earth.' God said, ‘This is the sign of the covenant that I make between me and you and every living creature that is with you, for all future generations: I have set my bow in the clouds, and it shall be a sign of the covenant between me and the earth. When I bring clouds over the earth and the bow is seen in the clouds, I will remember my covenant that is between me and you and every living creature of all flesh; and the waters shall never again become a flood to destroy all flesh. When the bow is in the clouds, I will see it and remember the everlasting covenant between God and every living creature of all flesh that is on the earth.' God said to Noah, ‘This is the sign of the covenant that I have established between me and all flesh that is on the earth.' I was worried I'd mess up and say, “The Gospel of the Lord,” when I got done reading that bit from Genesis. I was worried, because that's just what I'm used to saying after reading whatever text it is I'll be preaching on – which is more often than not, something from one of the actual Gospels in scripture. And, even though this bit from Genesis, in the Hebrew scriptures, can't technically be called “the Gospel,” it – as much as anything else in the Hebrew scriptures – reads, sounds, and feels like Gospel good news to me.I mean, it has all the things, right? There's the declaration of a covenant, for all of creation. There's the promise of mercy, love, hope, and redemption. And there's a visible, almost tangible, sign of all of that – not a cross, or an empty tomb, but that bow in the clouds. It seems so very much like the Gospel, if you ask me.It also seems/feels/sounds like “the Gospel” because it's so BIG, so cosmic in scope, which is the way the “primeval mythology” we've been talking about is supposed to work. It addresses the big things … the big picture … in a big way. And you know it's big when the idea of something like a great flood shows up in several other world religions, just like it does in our own.- The most familiar flood narrative – and the one very close to ours in terms of culture and content – is from the Epic of Gilgamesh, where a hero is warned by a god to build a boat in order to survive the coming rains.- Hindus have a flood story, too, where the fishy incarnation of Vishnu warns the first human about a coming flood and instructs him to build a boat.- The Greeks have Zeus send a flood where Deucalion and Pyrrha build a boat, survive, and repopulate the earth by throwing stones behind them.- And there are other flood narratives, too, from the Incas, the Aztecs, the Chinese, Aboriginals, and more.Smarter people than me use the seemingly universal nature of and affinity for such stories as evidence that there really was some sort of global deluge and flood that people of all stripes were trying to make sense of and ascribe meaning to. Other smarter people than me wonder if these stories are evidence of peoples and cultures simply trying to make sense of more localized natural disasters, torrential rains, and terrible floods when they hit – maybe like the tragedy we all watched play out in Texas a couple weeks ago; or the ones that have also threatened and taken lives in New York, Virginia, Washington, and South Korea, lately, too.Whatever the case – cosmic or close to home – it's helpful for me to remind myself that our flood story isn't necessarily about the water, the rain, or the flood. That it's not so much about the length of days, the size of the boat, or the number of which kinds of beasts were on board with Noah and his family. (The guys at the Cross of Grace Brew Club yesterday wanted to be sure I explained how dinosaurs fit onto the ark, why God bothered to save the mosquitos, and something about pigs and bacon, too.) Someone at the “Ark Encounter”– that Noah's Ark museum in northern Kentucky? – will pretend to give you an answer to those questions, but I'm suspicious of their certainty and I'm certainly not willing to pay them for it.Which is to say – again and again and again – the capital-T-TRUTH in these origin stories of our faith isn't found by way of a literal reading of scripture. That is simply not their intention. And again, today's story is not about the details of the flood, the length of days, the size of the boat, or the number of birds, beasts, or brothers on Noah's boat. The Truth we're meant to find in all of that is about the nature of the God we're invited to wonder about – and to encounter – thanks to the telling of this ancient tale.This is a God who calls righteous people to do hard things; impossible things; unreasonably faithful, fearless things for the greater good.This is a God who calls people to respect, care for, and tend to the natural, created world and to humbly revere nature's capacity for beauty and brutality.This is a God who never promises that life will be easy – or without its suffering and struggle and sacrifice. This is true for the sinful and for the righteous. (Just because Noah was chosen and survived, he lost plenty along the way, for sure.)And this is a God who promises that the world's destruction – if or when or should it ever happen again – won't be God's doing; which is our call to faith, hope, and love, in action, if you ask me.To me, that means, if there's to be another flood … or a fire … or a famine – on a cosmic scale or somewhere close to home – where so many lives are lost, it won't be God's fault. So maybe that's a very practical, timely warning to pay attention to global warming. Maybe that's our invitation to wonder about who's at risk or in harm's way – from floods or fires or famines or whatever. And maybe that's our call to look out for and protect our neighbor – and the world around us – rather than to build a boat with only enough room to save ourselves. But I digress…There's a recent trend on social media where parents of my generation ask their children or grandchildren to complete what have been identified as “toxic parenting phrases” that many of us heard often when we were growing up. “Toxic parenting phrases” that, in theory, parents have learned not to use as frequently – if at all – anymore, like they used to.Phrases like “Do as I say, not as I do.”Or, “Children should be seen and not heard.”Or, “If you don't stop crying I'll give you something to cry about.”The point of the exercise is to show how raising kids WITHOUT such negative, “toxic” phrases has changed and is, presumably better, more kind, loving, encouraging, emotionally intelligent, and psychologically healthy.And this seems obvious – and evident – once you hear children from more recent generations who've never heard those “toxic phrases” try to guess at filling in the blanks like many of you all just did so capably.For example, instead of “Children should be seen and not heard,” one young toddler said, “Children should be seen … at school.”Instead of “If you don't stop crying, I'll give you something to cry about,” other kids said, “If you don't stop crying, I'll give you … a hug … or I'll give you something to eat.” Again, a much more emotionally healthy, loving, hopeful way to live as a young child in the world, don't you think?And my favorite one of these – and perhaps the most toxic of them all – is that oldie but goody, “I brought you into this world and I can take you out of it.”How terrible is that if a kid hears if often enough and starts to believe it?!? And we can pretend it's a joke … that it's funny, perhaps … that we or our parents never really meant to follow through on that threat. But that just isn't the case with the popular theology of the God so many have been raised to learn about and to believe in from Genesis.See, too much of the time, that's all and only what we've done with the story of Noah, the Ark, and the Flood.Because as an origin story of our faith … as part of this “primeval mythology” we've been talking about … the other thing this story has in common with other world religions is that their flood stories are often very deliberately connected with the creation stories, too. Just like ours, they first tell of a God who has the power of creation and the power of judgment, punishment, and destruction, too.In other words, the story they tell is nothing more and nothing less than: “God brought us into this world and God can take us out of it.”So what makes Noah's story – our story – so different for us, is that God promises that that won't happen ever again. There's a reminder and a rainbow, remember … there is a covenant and a promise … there is Gospel good news here for all people; for every living creature; for all flesh.And this good news should call us to live differently because of it.Because, on the other side of the flood – on the other side of the cross and the empty tomb of Jesus, too – the waters of the flood become waters of baptism; they become waters of forgiveness, redemption, love, hope, and new life.So, as we share the blessing of that water with Scout Ehle today (and every time we have the chance to share, celebrate, and remember the sacrament) – as we celebrate with his dads and his family – as we promise to pray for, support, and live together with him in this covenant that belongs to us all – I hope that it's a God of grace and good news we're living for, responding to, and sharing – with Scout, with each other, and with the whole wide world – every chance we get.Amen
Reposted from Still Slaying: A Buffy-verse podcast which you can find at https://podcastica.com/podcast/still-slaying-a-buffy-verse-podcast “Can't even shout, can't even cry / The gentlemen are coming by / Looking in windows, knocking on doors / They need to take seven and they might take yours / Can't call to mom, Can't say a word / You're gonna die a-screaming but you won't be heard.” Penny, Sam and Jim dive deep for this iconic and critically acclaimed episode about communication. Things get political, but the trio also find plenty of time for fun and monster appreciation. Topics include pet communication, the evolution of human language, Buffy-related tattoos, overhead projector, The Polar Express, the definitions of subconscious and unconscious, The Power, Shadowhunters, marmite, the new Superman movie, And of course, reboot speculation. Next time we'll be covering the 2025 film, “Sinners” directed by Ryan Coogler and starring Michael B. Jordan. Keep Slaying! News Links/Referenced Links Original WB Promo: https://youtu.be/bSOT5d3q3ew?feature=shared How Buffy's “Hush” Speaks to Censorship —---------------------------------------- Viewing Order Buffy 4x10 - Hush BONUS: “Sinners” Buffy 4x11 - Doomed Angel 1x11 - Somnambulist Angel 1x12 - Expecting Angel 1x13 - She Buffy 4x12 - A New Man Buffy 4x13 - The I In Team Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover. Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #buffythevampireslayer #btvs #buffy #buffyverse #buffyfans #vampires #tv #nostalgia #the90s #nerds #nerdy #spike #spuffy #thebronze #stillslaying #stillslayingpodcast #stillslayingcast #podcast #podcastica #recap #slayer #vampireslayer #buffyseason4 #sunnydale #hellmouth #TheWB #smashthepatriarchy #femisim #patriarchy #sarahmichellegellar #anthonystewarthead #alysonhannigan #nicolasbrendan #amberbenson #jamesmarsters #slaythepatriarchy #marcblucas #riley #hush Learn more about your ad choices. Visit megaphone.fm/adchoices
Genesis 3:8-24They heard the sound of the Lord God walking in the garden at the time of the evening breeze, and the man and his wife hid themselves from the presence of the Lord God among the trees of the garden. But the Lord God called to the man and said to him, “Where are you?” He said, “I heard the sound of you in the garden, and I was afraid, because I was naked, and I hid myself.” He said, “Who told you that you were naked? Have you eaten from the tree of which I commanded you not to eat?” The man said, “The woman whom you gave to be with me, she gave me fruit from the tree, and I ate.” Then the Lord God said to the woman, “What is this that you have done?” The woman said, “The serpent tricked me, and I ate.” The Lord God said to the serpent,“Because you have done this, cursed are you among all animals and among all wild creatures; upon your belly you shall go, and dust you shall eat all the days of your life. I will put enmity between you and the woman and between your offspring and hers; he will strike your head, and you will strike his heel.”To the woman he said,“I will make your pangs in childbirth exceedingly great; in pain you shall bring forth children, yet your desire shall be for your husband, and he shall rule over you.”And to the man he said,“Because you have listened to the voice of your wife and have eaten of the tree about which I commanded you, ‘You shall not eat of it,' cursed is the ground because of you; in toil you shall eat of it all the days of your life; thorns and thistles it shall bring forth for you; and you shall eat the plants of the field. By the sweat of your face you shall eat bread until you return to the ground, for out of it you were taken; you are dust, and to dust you shall return.”The man named his wife Eve because she was the mother of all living. And the Lord God made garments of skins for the man and for his wife and clothed them.Then the Lord God said, “See, the humans have become like one of us, knowing good and evil, and now they might reach out their hands and take also from the tree of life and eat and live forever”— therefore the Lord God sent them forth from the garden of Eden, to till the ground from which they were taken. He drove out the humans, and at the east of the garden of Eden he placed the cherubim and a sword flaming and turning to guard the way to the tree of life. If ever there was a story in the Bible that has been misunderstood, misused, and abused, it is this one. The story of Adam and Eve, and their leave from Eden, is what many have used to justify patriarchy and the subjugation of women, the explanation and origin of evil, sin, and death in the world, and why sex has long been treated as something shameful and dangerous. We come to these beliefs and practices by believing that there really were two people named Adam and Eve. And a serpent, who is clearly Satan, tricked the gullible Eve into eating the fruit from the tree of the knowledge of good and evil. Eve, being the temptress that she was, lured her husband into sampling the fruit, too. Suddenly, they realized they were naked, filled with shame, and ran to hide themselves with fig leaf loincloths. Then God shows up, gets them to confess to their sin, and punishes them both with painful labor: one in childbirth and the other in trying to bring life from the ground, and of course getting pushed out of paradise forever. And now, every person after can blame Adam, but mostly Eve, for bringing sin and death into the world. All from taking a bite of an apple…But what if we don't have to believe all of those things? What if the text itself doesn't really support any of that? What if there are a lot more ways to understand the story of our mythical first parents and what it might mean for us today? And more importantly what it tells us about God our Creator.So first things first - there was no apple. The text just says fruit. What kind of fruit, we don't know. But I am pretty sure it wasn't an apple, no matter what popular paintings portray. Now to something more serious. Did Adam and Eve exist? Two individual people in a perfect garden, from whom the whole human race descended? No—probably not. The archaeological, historical, and especially genetic evidence just doesn't support that reading.And that's where a lot of people start to worry. If that part of the Bible isn't literally true, then what about the rest? If Adam and Eve weren't real people—if this is a story rather than a historical event—then how can we trust the Gospels? Or the cross? Or anything else?That fear is what one theologian called “house of cards theology.” If one part of the story feels shaky, then the whole thing must come crashing down. But that's a fragile way to approach Scripture. It leads to an anxious, defensive kind of faith—one that clings to literal readings and misses deeper truths.Yet we must remember, not only when we are looking at these stories in Genesis but throughout the Bible, God doesn't only desire knowledge, but faith. And faith involves mystery, not certainty.As for an origin story, this is a sort of an origin, but not one about evil, sin, and death. Nowhere in the text is the serpent called Satan. Genesis 3:1 says, “The serpent was more crafty than any other wild animal the Lord God had made,” suggesting it too is an animal, created by God. If anything, based on what we know from the previous two chapters of Genesis, all of creation created by God, is good. What that means for this crafty serpent, I am not sure. Perhaps this is where we lean into God saying that creation was good, not perfect. Perhaps the serpent was good, not perfect, but also not evil. Could it be that even in a good creation, not everything was meant to be simple or safe?As for death, what rings in our ears is Paul saying, “the wages of sin is death.” So we often assume Adam and Eve were created immortal, and that because they sinned, now we all suffer the consequences—one of them being death.However, the question of Adam and Eve being created immortal remains open and unclear. If anything, God's words in verse 22 suggest something different: “If they eat from the tree of life, they will live forever”—which implies they wouldn't otherwise.In other words, part of being a creature is death. It is part of the created order. But if the serpent wasn't Satan, and death wasn't a punishment, then what about sin?Sin is certainly central to the story, no doubt. But not sin in the abstract. This is the first instance of sin, so an origin story in that way. Yet the way we often hear this is that because Eve ate the forbidden fruit, all humanity after her is cursed—sin passed down like a hereditary disease. But such a reading seems a little unfair to Eve and to us. Afterall, Adam was there with Eve the whole time she was talking with the snake! [pic 3] It says so right in v. 6. He wasn't off gathering other fruit. He stood silent, passive, seemingly unengaged from what was happening right in front of him. Eve on the other hand, though she is labeled and seen as a temptress, she is anything but. Really, it is Eve who takes initiative. She rebuffs the serpent when it doesn't tell the full truth. She makes decisions and is bold. All things we praise men for being, but not Eve. She doesn't need to act as a temptress because she was clearly already in control. She handed Adam the fruit and he ate, no questions asked. No protest. No discernment. Just silence. Perhaps if Adam had been as engaged and discerning as Eve, we wouldn't be in this mess. So if there is blame, it is squarely on both. For not only were they equal in creation, they were equal in sin, too. And just so it's stated, the story, not before eating the fruit and not after, does not call for men's dominion over women. As one writer puts it, v. 16 “is not a mandate by God for male dominance but a description of the distortion that now marks human relationships. A distortion brought by sin.And what was the sin exactly? We're told its disobedience - clearly they disobeyed God. But disobedience is really the result of the actual sin at the heart of this story and the sin at center of our hearts, too. And that is mistrust. Genesis 3 tells us that we live in a world where there are alternatives to God's voice, in this case the serpent. And those voices tell half truths and lies that make us wonder if life could be better, we could be better if we just had that thing we are missing. And we listen to those voices just enough that we begin to doubt not only ourselves, but God too. Creation is good, but not good enough. Perhaps it could be better. I am very good, according to God, but not good enough. Perhaps I could be better. Maybe the snake is right, I am missing something. And once you believe that, you no longer trust God. And with trust out the window, disobedience is sure to follow.We all have listened to the talking snake that tells us half truths and lies. If you just had this one fruit, this missing piece, then life would be better. If only I were skinnier or bulkier, if only I had more money or were more successful, if only I had more sex, or a nicer car, or a bigger house, then life would be better. It's the same voice behind every perfectly filtered photo on instagram, every hustle culture mantra, every ad promising transformation if we just buy, try, or become something more. And finally we could be whole; we could be like God! But don't listen to the snake, it's a damned liar, always has been! No human, no creature has it all. We are good, not perfect, remember? And the tragedy, as one pastor put it, is when we become so obsessive at securing what we think is missing from our lives, we end up losing the garden that was really good from the start.The good news in all of this is what the story tells us about God our Creator. Even though Adam and Eve listened to the snake, mistrusted God, and disobeyed, God still clothed them; meaning from the start God has never desired for us to walk around in shame or guilt. God has always desired to cover that for us. Whether it was leather garments for Adam and Eve, or the grace of Jesus Christ that now clothes us in baptism. God, the perfect Creator, is always covering us with forgiveness and grace, even in our mistrust. Amen.
Reposted from Still Slaying: A Buffy-verse podcast which you can find at https://podcastica.com/podcast/still-slaying-a-buffy-verse-podcast “This is the crack team that foils my every plan? I am deeply shamed.” Dodie returns and she, Penny, and Sam have a lot of fun with this lighter episode. Of course, they veer into some tangents, including Mars lander errors, the allure of bad boys, the historical origin of picnics, the emotional pitfalls of adolescence, grief and healing, the practical aspects of chaining up a vampire in your home, age differences in relationships, veterans benefits, vampires on fictional vampires, Mystery ScienceTheater 3000, Puma Man, wedding music selection, fruit roll-ups, Next time we'll be covering Buffy the Vampire Slayer, Season 4, Episode 10, “Hush.” And send us your thoughts for the following week when we'll cover “Sinners.” Keep Slaying! News Links/Referenced Links Original WB Promo: https://youtu.be/xY0PsnL3xXM?feature=shared The Pumaman (1980) - FULL MOVIE —---------------------------------------- Viewing Order Buffy 4x09 - Something Blue Buffy 4x10 - Hush BONUS: “Sinners” Buffy 4x11 - Doomed Angel 1x11 - Somnambulist Angel 1x12 - Expecting Angel 1x13 - She Buffy 4x12 - A New Man Buffy 4x13 - The I In Team Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover. Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videos Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #buffythevampireslayer #btvs #buffy #buffyverse #buffyfans #vampires #tv #nostalgia #the90s #nerds #nerdy #spike #spuffy #thebronze #stillslaying #stillslayingpodcast #stillslayingcast #podcast #podcastica #recap #slayer #vampireslayer #buffyseason4 #sunnydale #hellmouth #TheWB #smashthepatriarchy #femisim #patriarchy #sarahmichellegellar #anthonystewarthead #alysonhannigan #nicolasbrendan #sethgreen #jamesmarsterd #slaythepatriarchy Learn more about your ad choices. Visit megaphone.fm/adchoices
John 19:38-42After these things, Joseph of Arimathea, a follower of Jesus, though a secret one because of his fear of the Jews, came to Pilate and asked if he could take away the body of Jesus. Pilate gave him permission; so he came to remove his body. Nicodemus, who at first had come to Jesus by night also came, bringing with him a mixture of myrrh and aloes weighing about one hundred pounds. They took the body, wrapping it in the spices and linens, according to the Jewish burial customs. Now, there was a garden in the place where Jesus had been crucified and in the garden there was a new tomb in which no one had ever been [buried.] So, because it was the Jewish Day of Preparation, and because the tomb was nearby, they laid the body of Jesus there. “The Primeval Mythology of Genesis: Creation”I've already heard some curiosity – maybe mixed with some cynical suspicion – about the title of this new sermon series: “The Primeval Mythology of Genesis.” Curiosity and suspicion aren't terrible things and I think it's the word “mythology” that stirs the pot for some people, which was kind of our goal. Part of the point with this next round of sermons is to remind ourselves and each other that we're called to read the Bible LITERATELY, not LITERALLY, and to see that its message and good news – its grace, hope, and promise – go deeper and wider when we do.So first, things, first … which is what “primeval” means, sort of … first things; of the earliest ages; the beginning of the beginning, you might say. The first eleven chapters of the Bible's first book are where we will spend our time the next few weeks. The good stuff before the good stuff. The stage-setting. The foundation. The genesis, is where we begin.And the word “mythology” rightly ruffles feathers if we are inclined to equate the foundational narrative of our faith story with the fables, fairy tales, and fictional “myths” of, say, the Greek gods (Zeus, Poseidon, Aphrodite, and the like); or Aesop's fables; or the tall tales of the wonderful world of Walt Disney. But that's not what we're up to.“Myth” and “mythology” can mean something more, something deeper from a theological perspective, which is what we plan to wrestle with. I would contend that, when we limit stories like creation, where we are beginning this morning, to all and only what we can glean from it LITERALLY, that that's precisely how and when we reduce it to something like a mere fable, a fairy tale, a fictional “myth,” rather than when we wonder about the holy, sacred, profound Truths that this story – and the others like it in Scripture – hold for our life and faith in this world. And where better to start than at the very beginning – “it's a very good place to start” – in the beginning, with the fact that, if we're honest, the two very different versions of creation that we just heard – from Chapters 1 and 2 of the same book – make it really hard to take either of them LITERALLY?I mean, those are two very different versions of the same story, right? (Many Bibles, like the ones we read from each Sunday, say it plainly. Chapter 2 is “another story of creation.”) The story in Chapter 1 tells of the day-by-day, very long work-week of the Almighty, who creates first this, and then that, with a break and no small measure of satisfaction between each.“…and God saw that it was good…” “…and God saw that it was good…” “…and God saw that it was good…”“…and there was evening and there was morning, the first day…” “…and there was evening and there was morning, the third day…” “…and there was evening and there was morning, the fifth day…”But Chapter 2 goes down altogether differently. In that version of creation, God – like some sort of holy potter, or divine craftsman, or sacred sculptor – makes a man from the dust, then plants a garden and puts him to work, then decides he could use a companion and some help, so then creates all the rest, and a woman, to boot.In version #2, we don't know which came first or next, on which day. And none of that matters.What matters is that God, something Divine, did something divine – created the heavens, the earth, and all that is in them. What matters is that it was and is good. What matters is that we are part of that goodness – you and I – and all people – created good, by God; and created for good, for God's sake.What matters, if you ask me, is that we stop reducing the Bible to some sort of prehistoric science book – the authors of which never could have known a thing about bunker-busting missiles or atomic bombs; about Gaza or the West Bank, as we know of them today; about electric cars, school shootings, cancer, chemo-therapy, Medicaid or social media. And that's okay. These stories have something to say to all of that – and to all of us – nonetheless.Because what the creation stories tells us – among so many other things – is that we are made in the image of the divine, even though we do so much to make that hard to believe. And we are made in the image of the divine, not just because we have heads, shoulders, knees, or toes……but we are made in the image of the Divine because we are made for community, like God; with the power to create and care about and have compassion, like God; that we have the capacity to do justice, like God; make sacrifices, like God; be generous, like God; forgive, like God; and love one another, like God.Oh, and this is important: the stories of creation make it very clear that none of us IS God and that we shouldn't try to be – which Pastor Cogan will get to next week, I believe.Instead, for now, let's let the stories of creation inspire within us what, I believe they were meant to inspire and to teach and to proclaim all along: a sense of reverence and awe about what God can do; a posture of humility and gratitude for our part in the grand scheme of things; and a response from each of us – and all of us together – that is generous, careful, and full of service that acknowledges our connection to all people and to the grand scheme of things.Because today's good news includes the notion that we are created “just a little lower than the angels” – as the Psalmist puts it – and that God calls us to live differently because of that Truth. God invites us to tend to and care for what belongs to God – the earth and all that is in it. God calls us to replenish what we use up – from the earth and from each other, too; to give more than we take, save, and keep for ourselves.So, what if these primeval creation stories are nothing more – and certainly nothing less – than prehistoric best efforts at describing something that cannot be described; that is too big for words; that are meant to love us and leave us in awe and wonder for what God has done for us – and hopes to do through us – for the sake of the world where we live?What if these primeval creation stories are nothing more – and certainly nothing less – than poetic prose from a prehistoric Mary Oliver, who could marvel at creation as well as anyone, as far as I'm concerned? Her poem Wild Geese, goes like this:You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your bodylove what it loves.Tell me about despair, yours, and I will tell you mine.Meanwhile the world goes on.Meanwhile the sun and the clear pebbles of the rainare moving across the landscapes,over the prairies and the deep trees,the mountains and the rivers.Meanwhile the wild geese, high in the clean blue air,are heading home again.Whoever you are, no matter how lonely,the world offers itself to your imagination,calls to you like the wild geese, harsh and exciting –over and over announcing your placein the family of things.What if the point of the creation stories is simply, and profoundly, to announce your place – and mine – in the family of things?And what if these primeval creation stories are nothing more – and certainly nothing less – than like clever song lyrics from a pre-historic John Prine, encouraging you, with a wink and smile to…“Blow up your TV, throw away your paperGo to the country, build you a homePlant a little garden, eat a lot of peachesTry and find Jesus on your own.”What if these primeval creation stories are nothing more – and certainly nothing less – than prehistoric pieces of art – trying to capture, with words, something like Van Gogh's “Starry Night”: or Monet's “Water Lilies”: or even Ansel Adams who, like the story tellers of Genesis, certainly had a thing for trees. But, speaking of John Prine, I hope the Gospel reading wasn't too on the nose this morning. But I wanted to connect all of this to Jesus, of course. Because it is as poetic and powerful to me that our faith story begins and ends, in a garden, sometimes.There aren't enough of even the most beautiful words, songs, poems, or prose to adequately convey the power of God's love in creation – or by way of the Word made flesh, in Jesus. And I think the two different versions of creation that we find in Genesis aren't in competition. They're just evidence and acknowledgment of that fact – of how grand and glorious and full of grace this God is that we worship.So I think it's a beautiful thing that both versions of creation's origin story – and the consummation of God's resurrection in Jesus … God's defeat of death … Christ's victory over Sin for our sake … I think it's beautiful that all of that, too, takes place in a garden – where light shines in the darkness; where the goodness of God bears fruit for the sake of the world; where sin never gets the last word; where we are all made and made new in God's image; and where hope rules, in spite of the chaos, because of the grace, mercy, and love of the God we know in Jesus.Amen
Today we've got the wonderful Jacques Jouffret, ASC on the program to talk about American Primeval and a whole lot more.Enjoy!► F&R Online ► Support F&R► Watch on YouTube Produced by Kenny McMillan► Website ► Instagram
Reposted from Still Slaying: A Buffy-verse podcast which you can find at https://podcastica.com/podcast/still-slaying-a-buffy-verse-podcast "I'm gonna thrash you within an inch of your life. And then I'm gonna take that inch!" Penny, and Sam are joined by Becky to mourn the passing of Doyle, celebrate the arrival of Wesley and talk about the political metaphor of The Scourge. The tangents are many, including Sam's prankishness (challenge accepted), fascism, the patriarchy, House of the Dragon, nonprofit brooding, addiction, Colin Robinson and “What We Do In The Shadows,” celebrity sightings, Ed McMahon Next time, we'll be covering Buffy Season 4, Episode 9, “Something Blue.” Watch “Sinners” and send us your thoughts for an upcoming podcast. Keep Slaying! News Links/Referenced Links Original Promo for “Hero” https://youtu.be/mmxw6pQLdEk?feature=shared Original Promo for “Parting Gifts” https://youtu.be/RPNSmcIFooU?feature=shared What's On Tonight Truthiness - Wikipedia Buffy, Angel Star Charisma Carpenter Announces First-Watch Podcast Shatterproof - aggregate listing of resources for addiction related help - aggrega Addiction Resources Al-Anon Teen Corner (Alateen) - Al-Anon Family Groups —---------------------------------------- Viewing Order Buffy 4x09 - Something Blue Buffy 4x10 - Hush Buffy 4x11 - Doomed Angel 1x11 - Somnambulist Angel 1x12 - Expecting Angel 1x13 - She Buffy 4x12 - A New Man Buffy 4x13 - The I In Team Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover. Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videos Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #buffythevampireslayer #btvs #buffy #buffyverse #buffyfans #vampires #nostalgia #the90s #nerds #nerdy #stillslaying #stillslayingpodcast #stillslayingcast #podcastica #angel #angelus #recap #newepisode #favorite #slayer #vampireslayer #sunnydale #hellmouth #smashthepatriarchy #femisim #patriarchy #sarahmichellegellar #davidboreanaz #slay #slaythepatriarchy #filmnoir #noir #charismacarpenter #buffyreboot Learn more about your ad choices. Visit megaphone.fm/adchoices
@Mike_Santana y @Juan_XHUNos hablan de...Corazon DelatorAmerica PrimevalF1Disfruten este show. Recuerden que ustedes y nosotros...#SomosFugitivos @FugitivosMX
"American Primeval" is an American Western television miniseries created and written by Mark L. Smith and directed by Peter Berg. Starring Taylor Kitsch, Betty Gilpin, Dane DeHaan, Jai Courtney, and Shea Whigham, the series is set in 1857 during the Utah War and received positive reviews when it premiered earlier this year in January. Berg was kind enough to spend some time speaking with us about his work on the series, which you can listen to below. Please be sure to check out the series, which is now available to stream in full on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Reposted from Still Slaying: A Buffy-verse podcast which you can find at https://podcastica.com/podcast/still-slaying-a-buffy-verse-podcast“Over bickering and confusion, I'll take pie.” The Slay Squad returns from hiatus with a double episode - Sam, Kara and Penny dig into this pair of episodes that each address the cultural clashes in very different contexts. The trio digress for some tangents as usual, like parental advice not to take drugs from a stranger, boring dates, general appreciation for the men of Angel, Rachel Dolezal, vampire eyesight, Aragorn, symbolic cannibalism, patriarchy (as always), Dickensian orphanhood, vampire senses, the criminal justice system, voir dire, The Village People, and JRR Tolkien. Next time, we'll be covering Angel, Season 1, Episode 8, “I Will Remember You.”Keep Slaying!News Links/Referenced LinksOriginal Trailers/WB Promos: “The Bachelor Party” and “Pangs”Female Body | farideh | stream wherever you like to listen to music #womenshealth #comedy - YouTubeMissing and Murdered Indigenous Women (MMIW) - Native HopeNational Day of Awareness for Missing and Murdered Indigenous Women May 5th Actions Calling for Justice! | NIWRC5 Films and TV Series Associated with MMIWG2S+Wind River (film) - Wikipedia—----------------------------------------Viewing OrderBuffy 4x01 - The Freshman Angel 1x01 - City of...Buffy 4x02 - Living ConditionsAngel 1x02 - Lonely HeartsBuffy 4x03 - The Harsh Light Of DayAngel 1x03 - In the DarkAngel 1x04 - I Fall to PiecesBuffy 4x04 - Fear ItselfBuffy 4x05 - Beer BadAngel 1x05 - Rm w/a VuAngel 1x06 - Sense and SensitivityBuffy 4x06 - Wild at HeartBuffy 4x07 - The InitiativeAngel 1x07 - The Bachelor PartyBuffy 4x08 - PangsAngel 1x08 - I Will Remember YouAngel 1x09 - HeroAngel 1x10 - Parting GiftsBuffy 4x09 - Something BlueBuffy 4x10 - HushBuffy 4x11 - DoomedAngel 1x11 - SomnambulistAngel 1x12 - ExpectingAngel 1x13 - SheBuffy 4x12 - A New ManBuffy 4x13 - The I In TeamBuffy 4x14 - Goodbye IowaAngel 1x14 - I've Got You Under My SkinAngel 1x15 - The ProdigalBuffy 4x15 - This Year's Girl (1/2)Buffy 4x16 - Who Are You? (2/2)Buffy 4x17 - SuperstarAngel 1x16 - The RingAngel 1x17 - EternityBuffy 4x18 - Where the Wild Things AreBuffy 4x19 - New Moon RisingAngel 1x18 - Five by Five (1/2)Angel 1x19 - Sanctuary (2/2)Buffy 4x20 - The Yoko Factor (1/2)Buffy 4x21 - Primeval (2/2)Buffy 4x22 - RestlessAngel 1x20 - War ZoneAngel 1x21 - Blind DateAngel 1x22 - To Shanshu in LAJoin the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover. Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videosJoin the Zedhead community - https://www.patreon.com/jasoncabassiTheme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License.Tags#buffythevampireslayer #btvs #buffy #buffyverse #buffyfans #vampires #tv #nostalgia #the90s #nerds #nerdy #spuffy #thebronze #stillslaying #stillslayingpodcast #stillslayingcast #podcast #podcastica #angel #angelus #recap #newepisode #favorite #slayer #vampireslayer #buffyseason4 #sunnydale #hellmouth #TheWB #tvpromo #smashthepatriarchy #femisim #patriarchy #sarahmichellegellar #anthonystewarthead #alysonhannigan #nicolasbrendanAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Puppies wrestling and mock-biting each other. Toddlers playing hide and seek. Kittens pouncing—repeatedly—on a toy mouse. You've no doubt looked on at scenes like this with amusement. And you've no doubt seen some of those viral videos—of ravens sledding down hills, of bumble bees playing with balls. All these moments make us smile, maybe even giggle. But the scientific questions they raise merit serious attention. Where do we see play in the animal kingdom? Where do we not? What functions does play serve? Do we—and many other creatures—have an elemental need for play? My guest today is Dr. Gordon Burghardt. Gordon is a longtime Professor in the Department of Psychology and the Department of Ecology and Evolutionary Biology at the University of Tennessee. For decades now, Gordon has been a pioneer in the study of animal play, with a particular focus on play in reptiles and other animals not usually considered playful. His 2005 book, The Genesis of Animal Play, remains a landmark in the field. Here, Gordon and I talk about the major types of play: locomotor play, object play, and social play. We discuss the five criteria he has proposed for recognizing play across animal taxa. We survey several of the functions of play that have been proposed over the decades, and discuss how—in the end—play doesn't seem to have just one function. We also talk about human play—about what sets it apart, and about the possibility that play lies at the root of many of the capacities and institutions we think of as distinctively, impressively human. Along the way, Gordon and I touch on play in bears, pythons, turtles, fruit flies, and octopuses. We consider play between members of taxonomically distant species. We talk about “self-handicapping”; the surplus resource theory of play; the importance of "risky play" and "free play"; the immersive quality of play; bodily and vocal play signals in mammals; and whether human play is increasingly endangered. Without further ado, here's my conversation with Dr. Gordon Burghardt. Enjoy! A transcript of this episode is available here. Notes and links 3:00 – A news article on the finding of “play-like” behavior in fruit flies. The original study. 4:30 – For recents reviews of play by Dr. Burghardt and colleagues, covering the three major types of play, the five criteria for recognizing play, and many other topics, see here, here, and here. 12:00 – For more on Dr. Burghardt's early research and hand-rearing of black bears, see here. 23:30 – For the recent study on ball play in bumble bees, see here. 26:00 – For an example of studies examining self-handicapping, see this study on belugas. 27:00 – For a video of a bull and goat butting heads, see here. For more on cross-species play, see this recent paper by Dr. Burghardt and a colleague. 31:00 – For more on the “relaxed open mouth expression” and “play face,” see our previous episode on the origins of the smile. For a recent study about such expressions possibly attested in dolphins, see here. 44:00 – For the book by Johan Huizinga, see here. For some of Dr. Burghardt's ideas about the connections between play and certain aspects of human culture, see here. 54:00 – For research on the value of “risky play,” see work by Dr. Ellen Sandseter. For an article connecting “free play” and children's mental health, see here. Recommendations Kingdom of Play, by David Toomey Many Minds is a project of the Diverse Intelligences Summer Institute, which is made possible by a generous grant from the John Templeton Foundation to Indiana University. The show is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd. Our transcripts are created by Sarah Dopierala. Subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you listen to podcasts. You can also now subscribe to the Many Minds newsletter here! We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com. For updates about the show, visit our website or follow us on Twitter (@ManyMindsPod) or Bluesky (@manymindspod.bsky.social).
Voice Of Costume - Creating Character through Costume Design
Mila began in the fashion world with her own line. Then she tried costume designing on no-budget films and got 'the bug' for storytelling through costumes. Now with a miriad of credits and experience, she comes onto the show to discuss the large scale production of the hit series, American Primeval. You will be impressed with the hurdles they had to overcome to make this show come to life! Also listen in to how big a role Austin Powers had in her costume career journey! Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Mila Hermanovski and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
More Who Obsevation from Paul including his audio Who Dramas for Big Finish, the TV adaptation of his Doctor Who Novel Human Nature, and the height of the 2010s British made Sci-Fi TV shows because of the success of Doctor Who. Torchwood,Primeval and more.
Alternate Episode Title: "Across the Pond and Beyond the Stars"Join us for a special transatlantic episode as we welcome our first Welsh guest to explore the rich world of British science fiction television! From the time-traveling adventures of Doctor Who to the gritty realism of Torchwood, we dive deep into the shows that have captivated audiences on both sides of the Atlantic.Our Welsh perspective brings fresh insights into classics like Blake's 7, Red Dwarf, and The Hitchhiker's Guide to the Galaxy, while we also explore newer gems such as Years and Years and Life on Mars. Together, we'll debate the philosophical depths of Black Mirror, celebrate the quirky humor of Misfits, and reminisce about the groundbreaking storytelling that has made British sci-fi a global phenomenon.Whether you're a longtime Whovian or discovering these series for the first time, this episode offers passionate fan perspectives on the creativity, social commentary, and distinctive British sensibility that sets these shows apart in the science fiction landscape. Get ready for an engaging discussion about the series that have shaped our imaginations and continue to push the boundaries of what television can achieve.Links are on our profile page and at www.linktr.ee/hulkboy. Visit & interact on Instagram (www.instagram.com/favefivefromfans), Twitter/X (www.twitter.com/Fave5FromFans), Facebook (www.facebook.com/FaveFiveFromFans), & our website (www.FaveFiveFromFans.com). Also, check out Plastic Microphone Studios Twitter for more fun! Alternate Episode Title: "Across the Pond and Beyond the Stars"Join us for a special transatlantic episode as we welcome our first Welsh guest to explore the rich world of British science fiction television! From the time-traveling adventures of Doctor Who to the gritty realism of Torchwood, we dive deep into the shows that have captivated audiences on both sides of the Atlantic.Our Welsh perspective brings fresh insights into classics like Blake's 7, Red Dwarf, and The Hitchhiker's Guide to the Galaxy, while we also explore newer gems such as Years and Years and Life on Mars. Together, we'll debate the philosophical depths of Black Mirror, celebrate the quirky humor of Misfits, and reminisce about the groundbreaking storytelling that has made British sci-fi a global phenomenon.Whether you're a longtime Whovian or discovering these series for the first time, this episode offers passionate fan perspectives on the creativity, social commentary, and distinctive British sensibility that sets these shows apart in the science fiction landscape. Get ready for an engaging discussion about the series that have shaped our imaginations and continue to push the boundaries of what television can achieve.Links are on our profile page and at www.linktr.ee/hulkboy. Visit & interact on Instagram (www.instagram.com/favefivefromfans), Twitter/X (www.twitter.com/Fave5FromFans), Facebook (www.facebook.com/FaveFiveFromFans), & our website (www.FaveFiveFromFans.com). Also, check out Plastic Microphone Studios Twitter for more fun! #FaveFiveFromFans #FFFF #podcast #podcasts #podcasting #blackmirror, #doctorwho, #andromeda, #prisoner, #quartermass, #blakes7, #dayofthtriffids, #drwho, #QuartermassExperiment, #TomorrowPeople, #Torchwood, #Timeslip, #InvasionEarth, #VanishingMan, #InvisibleMan, #AshesToAshes, #LifeOnMars, #Primeval, #Humans, #WaroftheWorlds, #Space1999, #Thunderbirds, #Andromeda, #YearsandYears, #Misfits, #SapphireandSteel, #Ultraviolet
The Cinematography Podcast Episode 311: Jacques Jouffret, ASC Netflix's American Primeval plunges viewers into the harsh realities of a gritty, naturalistic Western winter. Cinematographer Jacques Jouffret, ASC, who shot all six episodes, collaborated closely with director Peter Berg to immerse the audience in the era's unforgiving environment. “That was really a lot of hard work. Pete wanted the audience to feel the difficulty of living in that period,” says Jacques. “He wanted to feel the dirt, dust, grime and the ugliness of it and the violence of it. And I tried to get into that spirit. My job was to really make the audience feel that coldness, the chill that you are open to the elements.” Jacques wanted the audience to feel the cold of American Primeval's harsh winter setting, even as the production continued into summer. One of the most significant challenges was maintaining a consistently overcast sky, and there were few interior locations. During the wintertime, it was easy to shoot wider to get the overcast sky, but the weather was constantly changing. Dutch angles worked not only as a stylistic choice, but also to help hide the sky when it wasn't overcast enough. The crew would strategically shoot close, shoot in the shade, or block the sky with silks. Portraying visceral realism is an important element of Jacques and Berg's collaborations. They have worked together before on films such as Novocaine and Mile 22. “That's one thing that I love working with Pete,” he shares. “You're making the audience feel that this is real, you are watching something that is right there and I'm able to suspend that disbelief. And so that's really always the approach, to make it as real as we can. And yet I'm giving it some style to present more of the emotion, more of the mood, the atmosphere, and where I want the audience to be.” To achieve a blend of raw reality and stylistic emotional depth on American Primeval, Jacques adopted a focused visual strategy, inspired by the legendary director Stanley Kubrick. Kubrick would choose just four or five strong visual ideas, and then repeat them over and over for visual impact. For the series, Jacques established his own core visual tenets: Expansive vistas: Super wide shots to take in the vastness of the Western scenery Dynamic Dutch angles: Wide and close dutch camera angles to increase the feeling of discomfort and danger, while still including visuals critical to the story Intimate compression: Lenses with long focal lengths that compress the image, allowing the audience to be with the character in the moment Juxtaposition of extremes: A deliberate contrast between wide, long shots with everything in focus, contrasted with close-ups on the actors with a wide angle lens. This created a visual language emphasizing the harsh environment, and Jacques avoided medium shots. Find Jacques Jouffret: https://www.jacquesjouffret.com/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social
Bobby, Zac, and Ojas have watched episode 3 and are excited to share our instant reaction with everyone!(Originally published July 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
The new season of Justified: City Primeval is just DAYS AWAY!! Bobby, Zac, and Ojas chat about the upcoming new season as well as Zac and Ojas' past month of binging seasons 4, 5, and 6 to catch up in time for the premiere. Get excited! WE ARE EXCITED!(Originally published July 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
The wait is finally over! Justified is back! And we're here to provide an instant reaction pod before we go deeper into the first two episodes later this week. Hope you all enjoyed the first two episodes!(Originally published July 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
We dive deep into the first two episodes of Justified: City Primeval after rewatching them (without commercials!). Bobby has a lot of thoughts on some of the negative reaction online and then the guys go over each episode and share their thoughts. (Originally published July 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
Bobby, Zac, and Ojas do a deep dive into a very fun (maybe our favorite so far!) episode of City Primeval!(Originally published July 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
Bobby, Zac, and Ojas dive deep into the City Primeval Finale, "The Question" and talked all about the final showdown between Mansell and Raylan, as well as the big reveal at the end of City Primeval!(Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
We provide our instant thoughts and reactions immediately after watching episode 4. Bobby and Ojas discuss a potential pickleball showdown.(Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
Bobby, Zac, and Ojas dive deep into Episode 4 of City Primeval - Kokomo.(Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
Bobby, Zac, and Ojas react to City Primeval: E5 - "You Good?" immediately after it aired!(Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
Bobby, Zac, and Ojas do a deep dive into the most recent episode of City Primeval. Bobby rants a bit about the online discourse over Raylan and Carolyn sleeping together, and we respond to some of the discussion about the season so far from our own Patreon members! (Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
Bobby, Zac, and Ojas are excited to chat about this one! Check out our instant reactions and let us know your thoughts in the replies!(Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
Bobby, Zac, and Ojas really enjoyed this one! Interested to hear your thoughts! Sorry for the random tangents, as always! (Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
Bobby & Zac chat about the penultimate episode of this season of Justified: City Primeval. Ojas is not present! (Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
Bobby, Zac, and Ojas are diving deep in the penultimate episode of City Primeval!(Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
It was hard to avoid going into a deeper dive, but Bobby, Zac, and Ojas tried to bounce around and touch on a bunch of stuff after their initial watches before the deep dive later this week!(Originally published August 2023)Send us a textSupport the showJoin us on Patreon for access to additional content. https://www.patreon.com/nextonescomingfasterFollow us on Social Media: https://linktr.ee/nextonescomingfaster
In this episode recorded live on May 8 at the American Society of Cinematographers Clubhouse in Los Angeles, director Jennifer Arnold speaks with three of the creators behind Netflix's American Primeval: director of photography Jacques Jouffret, ASC, makeup department head Howard Berger and sound designer Wylie Stateman. The limited series follows the battle for control of the American West in 1857 through the eyes of a mother (Betty Gilpin) and son, on the run with the help of a steely mountain man (Taylor Kitsch). “Brutal, dirty and grimy,” Jouffert says, is what director Peter Berg wanted for the 19th century Western, and the three artisans share how they delivered, shooting in changeable weather and light at 10,000 feet, creating authentic indigenous looks and developing a distinct sonic signature for cold wind.
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Step into the rugged world of 1850s America with Set Decorator David Hack as he discusses his work on Netflix's American Primeval. Hosted by Emmy-winning Set Decorator Kim Wannop, this episode delves into the challenges of recreating historical settings, sourcing authentic materials, and collaborating with directors to bring stories to life. David also reflects on his experiences working on films like Sin City, Transformers and Alita: Battle Angel, offering listeners a comprehensive look at the art of set decoration.
We had some time off in between movie reviews, so we decided to chat about the other things we are watching currently. Enjoy conversations about Adolescence, Sinners, American Primeval, The Last of Us, Lords of Dogtown, The Masters, Full Swing, Night Moves, High Fidelity and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
We kind of go all over the place on this one, but land squarely on amulet talk for a healthy portion. Will CCR finally learn how to cast Primeval Titan? Find out this week! Thanks as always to Wave Sunray for our music! If you'd like to support the podcast, check out our patreon at patreon.com/mtggrindcast. Subscribers get swag and bonus content! And whether you subscribe or not, you're invited to join our discord, where we're building a community of friendly people all looking to improve at the game we love. Check it out here: https://discord.gg/Uq8x2RHYRU
It's time for another edition of Think Theory Radio's "Awesome Archaeology!" Do new discoveries in Egypt upend our understanding of ancient Egyptian history? A sequel to the story of Merlin and King Arthur found hidden in another book for 400 years! Does a 6,000 year old city found in Ukraine predate the ancient cities of Mesopotamia?! Primeval tools found in South Asia contradict the timeline of civilization! Plus, Norse sagas, Maltese cave discoveries, & cultural crossovers in prehistoric Mexico!
In this episode of Dialogue Out Loud, Dialogue editor Taylor Petrey hosts a thought-provoking panel discussion on the Netflix series American Primeval, exploring its portrayal of the American West and the myths that shape our… The post Unsettled: History & Myths of the West in American Primeval appeared first on Dialogue Journal.
This week on The Nerdpocalypse Podcast, the guys return to discuss Dogman (lol), American Primeval, The Substance, Spaceballs 2, He-Man updates, The Day of the Jackal does huge numbers for Peacock network, Peter Dinklage joins Dexter Ressurection, Female actors finally reach parity with male actors in blockbuster starring roles, trailers for Friendship, Jurassic World Rebirth, Thunderbolts*, and more!CHECKED OUTDogmanAmerican PrimevalThe SubstanceTOPICS - Section 1Spaceballs 2 is in the works at Amazon MGM StudiosFilm for adults will feature Fisto and The SorceressTNP STUDIOS PREMIUM (www.TheNerdpocalypse.com/premium)$5 a month Access to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcastTOPICS - Section 2The Day of the Jackal becomes Peacock's most watched seriesPeter Dinklage joins Dexter: Resurrection Female Actors Finally Achieve Parity With Men as film leads in top-grossing films in 2024WTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/PhingahutJay: https://tinyurl.com/fkamanTRAILERSFriendshipJurassic World RebirthMission Impossible: The Final ReckoningThunderbolts*
Chris and Andy talk about Netflix's slate of shows for 2025 that the streamer presented at a glitzy conference this week (1:00) and how Netflix would like to remind its audience that it has something for everyone—including prestige TV (16:33). Then they talk about a recent report from Parrot Analytics that claimed that ‘Severance' has made Apple $200 million (26:20). Finally, they discuss the very dark finale of ‘American Primeval' (35:42) and why ‘The Pitt' has taken the leap with its fourth episode (46:56). Hosts: Chris Ryan and Andy Greenwald Senior Producer: Kaya McMullen Video Production: Jon Jones and Stefano Sanchez Learn more about your ad choices. Visit podcastchoices.com/adchoices
Chris and Andy react to the Oscar nominations that were announced Thursday morning (1:00), and the news that Ryan Gosling is in talks to star in Shawn Levy's upcoming ‘Star Wars' film (15:52). Then, they talk about Episode 3 of ‘The Pitt' and how this show has found its stride as a hyper-realistic medical drama (33:12). Finally, they discuss the gory new Netflix show ‘American Primeval' and why it's still watchable despite being incredibly bleak (47:11). Hosts: Chris Ryan and Andy Greenwald Senior Producer: Kaya McMullen Video Production: Chris Thomas and Stefano Sanchez Learn more about your ad choices. Visit podcastchoices.com/adchoices
Defenders: Excursus on Creation of Life and Biological Diversity (Part 18): Is the Biblical Primeval History To Be Understood as Literally True?
Chris and Andy talk about whether or not ‘Severance' season two is poised to be the next big water cooler show (1:00) and take a moment to remember the director David Lynch, who passed away this week, and his profound impact on tv and film (16:21). Then they talk about the trailer for ‘Daredevil: Born Again' (24:33), the first two episodes of ‘The Pit' (32:10) and the first episode of ‘American Primeval' (56:54). Hosts: Chris Ryan and Andy Greenwald Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices
In Netflix's gritty, brutal Western series American Primeval, Betty Gilpin plays a woman determined to get herself and her son across the frontier. But along the way, they find themselves caught up in a brewing war between the federal government and a violent Mormon militia. A gruff guide (Taylor Kitsch) might be of some help, but the land is rife with violent factions with competing claims to the blood-soaked soil.Subscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhour Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
January 9 saw the release of a new Netflix series, American Primeval, set in the context of mid-19th-century Utah. Though the series is fictionalized, many of the events and peoples depicted are real, including the Utah War, the Mountain Meadows Massacre, the Mormon settlers, and the Shoshone, Ute, and Paiute Indians. Historians Barbara Jones Brown and Darren Parry join host John Dehlin for this live podcast to answer viewer's questions about which aspects of the series are factual and which are historical fiction. Barbara is co-author of Vengeance Is Mine: The Mountain Meadows Massacre and Its Aftermath, and Darren is the author of The Bear River Massacre: A Shoshone History. Barbara and Darren offer a unique perspective because they are not only historians of this time period in Utah, they are direct descendants of peoples depicted in the mini-series--Darren is Northwestern Shoshone, and Barbara is a descendant of perpetrators of the horrific massacre at Mountain Meadows. Show Notes YouTube Mormon Stories Thanks Our Generous Donors! Help us continue to deliver quality content by becoming a donor today: One-time or recurring donation through Donorbox Support us on Patreon PayPal Venmo Our Platforms: YouTube Patreon Spotify Apple Podcasts Contact us:MormonStories@gmail.comPO Box 171085, Salt Lake City, UT 84117 Social Media: Insta: @mormstories TikTok: @mormonstoriespodcast Join the Discord
Peter Berg is a celebrated director, producer, writer, and actor known for his compelling storytelling in projects like Friday Night Lights, The Kingdom, Lone Survivor, Patriots Day, Deepwater Horizon, and Mile 22. His work spans critically acclaimed films, Emmy-nominated television, and memorable acting roles in features and shows including Chicago Hope and Ballers. Berg's latest endeavor, the Netflix limited series American Primeval, premiering January 9, 2025, delves into the brutal realities of 1857 America, where survival is the only law in a land ruled by fear and conflict. To learn more about Peter Berg, follow him on Instagram @pberg44 SPONSORS CRY HAVOC – A Tom Reece Thriller https://www.officialjackcarr.com/books/cry-havoc/ Bravo Company Manufacturing: https://bravocompanyusa.com/ and on Instagram @BravoCompanyUSA BCM Jack Carr MOD 4 pistol grip. Get yours here-https://bravocompanyusa.com/bcm-jack-carr-mod-4-pistol-grip-black/ SIG Sauer P226: https://www.sigsauer.com/firearms/pistols/p226.html and on Instagram @sigsauerinc STACCATO: https://staccato2011.com/ and on Instagram @staccato2011 Jack Carr Gear: Explore the gear here - https://jackcarr.co/gear