Podcasts about dogme

With Dogme 95 turning 30 this year, hosts Laura Gommans and Elliot Bloom reflect on the radical movement that dared to strip cinema down to its bare bones—and what that legacy means today. Returning to last episode's ranking of Wes Anderson's films, the duo discuss The Phoenician Scheme, the American director's latest film that only seems to reinforce the “all style, no substance” label. Rounding out the episode is a look at David Lynch's TV series Twin Peaks, soon to be screened at LAB111 on June 18. Laura and Elliot explore its haunting genius and why it still feels ahead of its time.Get tickets to Dogme 95 Films @ LAB111Get tickets to The Complete Filmography of Wes Anderson @ LAB111Get tickets to The Phoenician Scheme @ LAB111

We bespreken welke films interessant genoeg zijn om van de bank af te komen en naar je lokale filmhuis te rennen in de maand juni! Daarnaast bespreken we nav een aantal opkomende restauraties de Dogma '95 regels van von Trier en Vinterberg. Enjoy!Hier zoals beloofd de in Cannes gevormde nieuwe Dogma '25 "regels":Dogma '25At the 2025 Cannes Film Festival five Danish filmmakers - May el-Toukhy, Milad Alami, Isabella Eklöf, Annika Berg and Jesper Just - announced the creation of Dogma 25, a new filmmaking manifesto inspired by Dogme 95. Vinterberg and von Trier gave the filmmakers their blessing with the new manifesto, stating: "In '95, we made films in the certainty of peace and created a revolt against conformity. In '25, new dogmas were created, now in a world of war and uncertainty. We wish you the best of luck on your march toward reconquering Danish film."The Dogma 25 rules read:The script must be original and handwritten by the director.At least half the film must be without dialogue.The internet is off limits in all creative processes.We'll only accept funding with no content-altering conditions attached.No more than 10 people behind the camera.The film must be shot where the narrative takes place.We're not allowed to use make-up or manipulate faces and bodies unless it's part of the narrative.Everything relating to the film's production must be rented, borrowed, found or used.The film must be made in no more than one year.Redactie: Don ZwaaneveldBedankt voor het luisteren!Volg Don via @dononfilm op Instagram & Letterboxd, hij is daarnaast te vinden op de Award Expert app voor de meest actuele Oscar voorspellingen.

durée : 00:19:28 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - À Sète, en 1979, à l'occasion du colloque « Les refus de Simone Weil », Robert Ytier reçoit le spécialiste André Devaux Premier épisode d'une série dédiée à la philosophe, pour explorer sa pensée, ses engagements et les refus qui ont marqué sa vie. - réalisation : Massimo Bellini, Vincent Abouchar

durée : 00:30:53 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - D'origine juive, Simone Weil témoigna d'une attirance profonde pour la religion catholique et la figure du Christ. En 1989, Marie-Christine Navarro décline une série "Simone Weil ou les métamorphoses". Dans le deuxième volet Marie-Madeleine Davy s'intéresse à la "mystique weilienne". - réalisation : Massimo Bellini, Vincent Abouchar - invités : Marie-Madeleine Davy

durée : 01:25:23 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Simone Weil refusait tout exercice biographique. Se consacrer à Dieu était avant tout, pour elle, abolir le Moi. Pourtant, c'est bien de son parcours et de sa personnalité qu'il est question dans cette émission de Pierre Sipriot. Une archive diffusée pour la première fois en 1973 sur France Culture. - réalisation : Massimo Bellini, Vincent Abouchar

durée : 00:19:28 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Nourrie par les humanités grecques et latines, Simone Weil n'en rejetait pas moins profondément Rome. Pourquoi une telle opposition ? En 1979, Robert Ytier reçoit la spécialiste Simone Fraisse dans le 6e épisode d'une série consacrée aux refus de la philosophe, pour tenter de mieux le comprendre. - réalisation : Massimo Bellini, Vincent Abouchar

durée : 00:32:02 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Chrétienne, Simone Weil fut aussi profondément attirée par la spiritualité indienne. Dans le quatrième épisode de la série "Simone Weil ou les métamorphoses" diffusée en 1989, la sanskritiste Alyette Degrâces-Fahd étudie les rapports étroits entre la philosophe et les textes sacrés de l'hindouisme. - réalisation : Massimo Bellini, Vincent Abouchar

durée : 00:47:17 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Quels rapports entretenait Simone Weil à la religion, à la spiritualité ? En 1988, Michel Bydlowski lui consacre deux épisodes dans l'émission "Panorama" de France Culture. Dans ce deuxième numéro, écrivains et philosophes analysent en profondeur la pensée religieuse complexe de la philosophe. - réalisation : Massimo Bellini, Vincent Abouchar - invités : Maurice Schumann Homme politique, résistant durant la seconde guerre mondiale, ancien porte-parole de la France Libre, ministre, journaliste; Roger Dadoun; Antoine Spire Journaliste et universitaire; Lionel Richard Professeur, auteur de nombreux ouvrages consacrés notamment à la littérature allemande.; Jean-Maurice de Montremy Journaliste, éditeur et écrivain; Madeleine Rebérioux

durée : 00:48:11 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Comment comprendre la pensée sociale et politique de Simone Weil ? En 1988, l'émission "Panorama" réserve deux numéros à l'intellectuelle libre et engagée. Le premier volet revient sur la formation de la philosophe, sa pensée politique et la trajectoire militante qu'elle dessina jusqu'à sa mort. - réalisation : Massimo Bellini, Vincent Abouchar - invités : Maurice Schumann Homme politique, résistant durant la seconde guerre mondiale, ancien porte-parole de la France Libre, ministre, journaliste; Roger Dadoun; Antoine Spire Journaliste et universitaire; Lionel Richard Professeur, auteur de nombreux ouvrages consacrés notamment à la littérature allemande.; Jean-Maurice de Montremy Journaliste, éditeur et écrivain; Madeleine Rebérioux

durée : 02:03:01 - Les Nuits de France Culture - par : Christine Goémé - En octobre 1968, la journaliste Marianne Monestier propose sur France Culture un hommage à la philosophe et militante française Simone Weil disparue en 1943 à l'âge de 34 ans. L'occasion d'évoquer ici la pensée, l'œuvre, "l'aventure christique" et la volonté du sacrifice de la philosophe. - réalisation : Virginie Mourthé - invités : Maurice Schumann Homme politique, résistant durant la seconde guerre mondiale, ancien porte-parole de la France Libre, ministre, journaliste; Marie-Madeleine Davy

durée : 00:04:10 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Quelle fut l'action politique, sociale et spirituelle de Simone Weil ? Durant cette Nuit "Simone Weil, Dieu sans le dogme", Mathias Le Gargasson propose de (re)découvrir la pensée de cette philosophe mystique et militante, intellectuelle marquante du 20e siècle, disparue en 1943 à l'âge de 34 ans. - réalisation : Massimo Bellini, Vincent Abouchar

Den toneangivende danske komponist Per Nørgaard blev 92 år. Lys, mørke og naturen inspirerede ham til at komponere musik inden for det han selv kaldte for 'det nordiske sinds univers'. Esben Tange, vært på P2, fortæller om Per Nørgaard og hvordan han satte sit præg på dansk musik. I Parnasset med vært Karen Secher taler de om dogmer i forbindelse med, at fem markante filmskabere - tre årtier efter den første dogmebølge - har taget initiativ til en ny bevægelse: DOGME 25. Vært: Gustav Hagild. Producer: Louise Reumert.

Om Robert Zemeckis rom-com “Romancing the Stone” (1984) med den identitetssökande nepo-babyn Michael Douglas och Kathleen Turner- 80-talets Lauren Bacall. Dessutom pratar vi lite om pappa Kirk, tv-programmet “Förrädarna” och streamingtjänsten MAX namnbyte. Vi pratar även om Dogme 25- en rörelse som tänkt förvalta arvet från Dogme 95. Och det blir då oundvikligt att diskutera svensk films hälsotillstånd. Bli Patreon: patreon.com/Movieboxpod Vi som gör podden heter Karsten Karlsson och Henrik Harej. PROGRAMPUNKTER: 00:00:00 Intro/Dogme 25/svensk film/förrädarna/MAX 00:26:08 Romancing the Stone Kontakta oss gärna på: movieboxpod@gmail.com

Hvor stor en betydning havde dogmebølgen fra 1995 for dansk filmkunst? Og hvad kan Dogme 25 initiativet komme til at betyde? Det dykker K-live ned i. Vi skal også fejre biens dag med en tur ud til digter Morten Søndergaards summende bistader. Vært: Morten Runge. Producer: Klara Witt. Redaktør: Lasse Lauridsen.

Bliver en film bedre, hvis den er skrevet i hånden? Og hvad giver det at undlade at bruge internettet i den kreative proces? Vi ser nærmere på Dogme 25 initiativet, hvor fem filmskabere har igangsat en redningsaktion for dansk film med et kyskhedsløfte og ti regler. Til sidst i timen ser Popsmart nærmere på vores tøj og den spirende interesse - ikke for nye trends, men for de følelser og historier, der kan bo i en beklædningsgenstand. Vært: Morten Runge. Producer: Klara Witt. Redaktør: Lasse Lauridsen.

Efter en weekend med 23. plads i Eurovision og afføring forklædt som karameller, er vi klar på at sprede positiv stemning til din tirsdag. Det skal handle om verdenskortet i Hobro, DOGME 25, Cybrothel og en ny tryg kasse i Kvickly. Dine værter er Yasmin Sokoleski og Stefanie Christoffersen

Iben Hjejle is an actor of both screen and stage, who burst onto the international scene with her critically-acclaimed performance in Søren Kragh Jacobsen's Dogme 95 classic Mifunes Sidste Sang as well as starring in Stephen Frear's romantic comedy hit, High Fidelity.  In addition, Iben has become a household name in her native Denmark by virtue of her memorable roles in Langt Fra Las Vegas, Klovn, Dicte as well as stage productions of Faust, Hamlet and Jordens Indre.  

The movie you're making me watch today is The Hunt (2012), a gut-punching Danish drama directed by Thomas Vinterberg that'll leave you questioning everything about truth, trust, and mob mentality. Starring Mads Mikkelsen in a raw, heart-shattering performance as Lucas, a kindergarten teacher whose life unravels when a child's innocent lie sparks accusations of abuse, this film dives deep into the chaos of a tight-knit community turning on one of its own. Vinterberg, the Dogme 95 rebel behind Festen, crafts a chilling, no-holds-barred look at how fear and gossip can spiral into a modern-day witch hunt. Join us as we unpack Mikkelsen's Cannes-winning intensity, the film's haunting visuals, and why this Oscar-nominated thriller still hits like a freight train. Is it a masterpiece of human nature or a brutal test of endurance? Let's argue it out!Message us DIRECTLY to tell us how much you hated this episodeSupport the showFOLLOW US: INSTAGRAM - @MMwM_podcast TIKTOK - @MMwM_podcast YOUTUBE - @MMwM_podcast ALSO: @anthony_eslami @goldenroad85 @_schwizzyy_

In the first episode of The Sunday Social, Martin Sketchley welcomes seasoned ELT professional Dylan Gates to explore the theory and practice of Dogme ELT. With nearly 30 years of experience, Dylan reflects on his journey through language education and discusses how Dogme—a minimalist, conversation-driven approach to teaching—has shaped his teaching philosophy. Together, they delve into the origins of Dogme, its principles, classroom applications, and the balance between structure and spontaneity. The conversation also touches on the challenges and benefits of Dogme in both in-person and online settings, and its relevance for learners of all levels. Full of practical insights and personal stories, this episode is a must-listen for any language teacher curious about learner-centered, materials-light instruction.

This month's bite-sized episode zooms in on the spectral perspective of Thomas Vinterburg's debut film, The Celebration (1998), one of Palestinian director/writer/producer Annemarie Jacir's curated picks.We get into: Dogme 95, family gatherings as horror movies, the generative energy of stylistic constraints, dynamic chaos, ghostly POVs, and finding something in a film that's a little bit in excess of what the film seems to think it's doing.--The Bright Wall/Dark Room Podcast is hosted by⁠ Veronica Fitzpatrick⁠ & Chad Perman⁠, produced by⁠ Eli Sands⁠, and edited by ⁠Buczar⁠. Our theme music is composed by Chad. --This episode is sponsored by Galerie, a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema.To enjoy one month of Galerie for free, and then receive 50% off the next three months, visit Galerie.com and enter the code “BWDR” when you sign up.

Il y a des artistes que l'on reconnaît à leur visage, d'autres à leur voix, certains encore à une posture, une façon d'occuper l'espace. Jean-Marc Barr, lui, se distingue par son esprit. Un souffle de liberté qui traverse chacun de ses choix, qu'ils soient artistiques, personnels ou existentiels. Si vous croyez encore que la célébrité impose des compromis, il suffit d'observer son parcours pour comprendre qu'il incarne tout l'inverse : un refus du conformisme, une quête de vérité, une nécessité d'être soi – coûte que coûte.Il est impossible d'évoquer Jean-Marc Barr sans penser à Le Grand Bleu. Le film culte de Luc Besson l'a propulsé sur le devant de la scène, gravant à jamais son visage dans la mémoire collective. Pourtant, si d'autres auraient pu s'installer confortablement dans la lumière, il a choisi une autre route. Là où certains voient une carrière toute tracée, lui perçoit une cage dorée. Son esprit de liberté l'a poussé à refuser les rôles formatés, les productions sans âme, et à s'orienter vers un cinéma plus exigeant, plus intime.Le cinéma de Jean-Marc Barr est un territoire d'exploration. Il travaille avec des réalisateurs audacieux comme Lars von Trier, devenant un fidèle compagnon de route du Dogme 95. Europa, Breaking the Waves, Dancer in the Dark : des œuvres radicales qui témoignent d'une prise de risque permanente. Il ne joue pas, il habite ses rôles, s'effaçant derrière des personnages tourmentés, marginaux, écorchés. Son choix d'alternance entre cinéma d'auteur et production plus grand public prouve qu'il n'a jamais renié ses idéaux. Il ne se laisse pas enfermer dans une case, car il refuse l'idée même du moule.Jean-Marc Barr est le plus Européen des Américains, il oscille entre plusieurs cultures, plusieurs langues, et c'est peut-être cette hybridité qui nourrit son insatiable besoin de mouvement. Il est aussi réalisateur, scénariste, photographe, explorant sans cesse de nouveaux médiums pour exprimer sa vision. Dans sa filmographie, comme dans sa vie, il y a cette constante : une indépendance farouche. Il se tient loin des mondanités, des calculs stratégiques, des postures factices. Là où beaucoup cherchent à plaire, lui cherche à être.Dans Lovers, film qu'il a lui-même réalisé, il explore la sensualité avec une liberté totale, sans artifice ni tabou. Cette approche du corps comme un langage, comme un territoire d'expression, rappelle que la vraie liberté, c'est d'assumer qui l'on est, dans toute sa vulnérabilité. Ce regard sans fard, il l'applique aussi à son engagement : parler quand il le faut, se taire quand c'est nécessaire, mais toujours avec une forme d'honnêteté qui fait écho à son jeu d'acteur.Dans un monde où l'uniformisation menace l'authenticité, Jean-Marc Barr demeure une figure précieuse, un repère. Il nous rappelle qu'il est encore possible de choisir une autre voie, de privilégier l'essence à l'apparence, de refuser les compromis stériles. Sa carrière est un manifeste : celui d'un homme qui n'a jamais cessé de suivre son propre courant, envers et contre tout.Jean-Marc Barr ne joue pas à être libre. Il l'est.

HEY EVERYONE! Corbin and Matt are starting a new series! It's called Digital Frontiers: Digital Cinema From 1998-2011, and it's about the movies' transition to digital as a primary medium, as seen in the movies that took the first steps forward. We are excited for you to join us on this journey, seeking answers to the eternal present question: "hey, why do movies look like that now?"  Our first episode is about "Festen," ('The Celebration,' in English), The first certified Dogme 95 movie and an absolute banger. Topics include: the weird little camera they made it with and the heights of emotional intensity it archives, the family as a model for society, the usefulness of digital artifacts in creating an aesthetic, and skateboarding videos.  Matt recommends some reading on digital cinema here. Corbin recommends Monster Hunter. Also of note for this episode, C. Claire Thompson's monograph on "Festen," available on University of Washington Prss (or a library of some sort, it's pretty expensive)! Next week's episode is about "Star Wars, Episode II: Attack of the Clones." There is a chance you've seen it but if not it's on Disney+.   

Send us a textBOSS OF IT ALL (2006)Well, as the famous playwright Antonio Gambini once wrote: All good things (and Season 13 of TGTPTU) must come to a close. And what better stage for which our four hosts to give their final thoughts and review of the four directors covered this 4x4 season, as well as their general opinions of Lars von Trier, than with LvT's office comedy THE BOSS OF IT ALL (2006)? (Sorry, we can't hear you response. This isn't a radio show, and you're not live on the air and it was a rhetorical question as The House that Jack Built would have been better, your author of the Show Notes knows, but the movie was banned from discussion by the TGTPTU's boss of it all.) Before LvT's crippling depression set in (see previous episode covering 2009's Antichrist), while mainly dealing with anxiety, and in-between his second and still unmade third installment of his America Trilogy, the enfant terrible and Cannes darling challenged himself with a genre he'd yet to, and hasn't returned to, film: a comedy. While edited using his Dogme 95-influenced time-cut style, instead of hand-held camerawork by LvT himself The Boss of It All was another- first-and-only for the filmmaker in using Automavision. This LvT invented technique let a computer decide focus and movement as replacement for a cameraperson. Allowing the blame to be put on the computer instead of himself, LvT symbolically repeats the conceit of his comedy where the character of Ravn hires an amateur actor and playwright Gambini stan Kristoffer, played by Jens Albinus (mentioned previous ep), to pretend to be The Boss of It All, an absentee owner that Ravn created to pretend he did not own the company and to shunt unpopular decisions but now needs Kristoffer to pretend to be in order to sell the company. Hilarity ensues.    Join the fearsome foursome for their collective explorations of neoliberal capitalism while, individually, Ken predicts beyond the new year into the near future by betting LvT has sent drones back in time to shoot the comedy that will be Year 2025; Thomas nearly learns Danish; Ryan reveals he hates the look of a $20k engine inside a Datsun; and Jack stays awake for the entire film.  And keep listening past the wrap of our fourth movie by our fourth director to enjoy a surprise visit from a musical guest--the Boss himself--who introduces hosts' LvT four-film rankings and Season 13 reflections.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @mrkoral.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias

Send us a text4X4: Lars von Trier #3Breaking our own arbitrary rules just like Lars von Trier, the enfant terrible final director of Season 13's 4x4, the TGTPTU crew for our final pairing breaks with release date order to review the later paired film earlier, giving you this week ANTICHRIST (2009).  From the throes of depression, LVT emerged to sink the world into his vision of grief, anxiety, and madness with the horror story of a couple (played by Willem Dafoe and Charlotte Gainsbourg), their gendered power dynamics, and a totally normal depiction of married sex life. Not only are these two main husband-wife characters unnamed (something host Jack hates), with the exception their child who won't survive the movie's Prologue, all other characters are extras who appear with faces blurred, maintaining the isolation and focus on the archetypes of a controlling male and a woman who cannot find herself in the narratives of motherhood. Or, that's one interpretation of many readings Antichrist allows as it questions, potentially: whether human nature is good or evil, if there is a different nature for women than men, how nature influences nurture, and if nature itself can be framed in terms of good or evil. Also left to questioning: the crew on this film as to whether LVT would finish the movie as his struggle with depression persisted. But what is not open to question is how visually arresting the film is. In combination with the Dogme 95-inspired handheld camerawork complemented by the time-cut style discussed last episode with Dancer in the Dark (also with no preproduction rehearsals for actors), LVT introduces two visual styles new to his filmography. The first, shot in a repetitive extreme close-ups, is a sequence reminiscent of Aronofsky's hip-hop montage (see Season 11) and 2024's Cuckoo (see future Season 19 Singer vs. Singer) that captures the feelings of anxiety experienced, initially, by the wife. The second stylist tone, and the one that opens the tragedy of their neglected child falling from a window while they are having black-and-white penetrative sex, uses high resolution slow motion for gorgeously crisp imagery that later is repeated but spectrally layered as if in a dream. From the hosts this week: Thomas demonstrates effectively totally knows what sex is; Ryan goes Cartesian; Jack receives a visit from the Sight and Sound people about putting Audition on his list; and Ken is a grump who wants LA to burn to the ground. Join one pair of hosts in praising the film or perhaps pose the question as a reporter for the Daily Mail did at Cannes (available on the Blu-ray) to LVT: “Would you please, for my benefit, explain and justify why you made this movie?”  What does it really matter? Chaos reigns.  Content Note: While a forest retreat where Dafoe's character discovers a mommy deer, a helpful crow, and a talking fox might sound like a family-friend animated film, the genital mutilation in the film definitely veers toward adult content. So CONTENT WARNING: while you might enjoy this film as two TGTPTU hosts did, you're not going to leave this film content.  Final Note: At the release of this episode (late-January 2025), Bob's Big Boy in LA has been booked solid and the front of the building covered with flowers, but at the time of this episode's recording David Lynch had yet to slip into the ether. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @mrkoral.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Rya

Dans cette première émission thématique, les membres du collectif catholique P.A.I.X  ont choisi d'aborder la situation des personnes LGBT+ dans l‘Église catholique.… The post Le dogme catholique à l'épreuve de la diversité de genre et sexuelle first appeared on Radio Campus Angers.

Flashback til 2002! Før Coronapandemien ramte, før overfloden af zombiehistorier tog overhånd, mens Dogme konceptet er i vælten. Her beslutter Danny Boyle sig for at skyde en zombiefilm på hjemmevideo. Vi tager et frisk kig på 28 Days Later. Holder den, den dag i dag? Fungerer historien? Hvad med den tekniske del af filmen? https://www.ikassenshow.dk/2025/01/i-kassen-1122-28-days-later-2002.html

Rosa and Joku review and analyze 2024's 'Red One', a christmas action comedy starring Chris Evans, Dwayne "The Rock" Johnson, and J.K. Simmons, directed by Jake Kasdan. They also review and discuss 'The New Norm' Episode 2: "electile dysfunction" as well as Lars Von Trier's 'Idioterne' or 'The Idiots' (Dogme number 2), a 1998 Danish film directed by Lars von Trier that explores a group of adults who pretend to be mentally disabled as a form of social provocation. The film is notable for its adherence to the Dogme 95 manifesto and has sparked significant debate regarding its themes and portrayal of disability.Support us on Patreon: https://www.patreon.com/CumpostingPodcastOur Podcast Artist is the incredibly talented Vero (she/they) of Praxisstvdio who you should check out here: https://linktr.ee/praxisstvdioTwitch: http://www.twitch.tv/cmpostingThe Cumposting Power Ranking: https://letterboxd.com/cumposting/list/cumposting-all-movies-watched-ranked/Donate: https://throne.com/cumpostingSend Us a Voice Message: https://www.speakpipe.com/cumpostingReddit (Cringe): https://www.reddit.com/r/cumpostingpod/Follow Rosa: https://x.com/tradslvtFollow Joku: https://www.youtube.com/channel/UC6MqDAGSrKEVBzHtgBBbT0wOutro guitar solo performed by Django Klumpp (@djangoklumppguitar)Image of the Week: https://imgur.com/a/XpEka2gChapters:0:00 Intro, Demon Dice, & The Mimic Song8:34 'Red One' (2024) Review & Analysis32:18 Rating and Scoring 'Red One'34:00 'The New Norm' Episode 2 Discussion38:54 'Idioterne' (1998) Review & Analysis57:01 Rating and Scoring 'Idioterne'58:00 Holiday Plans58:18 Q&A1:01:02 Next Week's Films/ OutroTags:Red One Release Date, red one trailer, red one rotten tomatoes, red one box office, red one where to watch, red one cast, red one movie, red one reviews, red one videos, red one imdb, red one cast and crew, red one news, red one movie cast, red one trailer official, red one prime video, idioterne trailer, idioterne film, idioterne imdb, lars von trier idioterne, lars von trier movies, lars von trier best movies, movie podcast, movie review podcast, leftist podcast, marxist podcast, communist podcast, socialist podcast, progressive podcast, film podcast, film review podcast, demon dice, snake eyes, mimic song fnaf, big joel new norm, little joel new norm, new norm episode 2, the idiots 1998, the idiots movie, the idiots film, the idiots review, the idiots trailer, leftist film review, leftist movie review, communist film review, communist movie review, socialist movie review, socialist film review, woke movies, woke film, queer film review, queer movie review

I september satte Tromsø filmklubb opp Mona J. Hoels Nicecore-perle SKAL DERE GÅ ALLEREDE? Filmen ble skutt i 2006, men først fullført i 2019. Deretter hadde den premiere i juni 2020, der den forsvant i pandemitåken. Dette er en varm lavbudsjettsfilm, skutt med et enkelt DV-kamera, og med flere amatører foran kamera. Mona J. Hoel var til stede på visningen, og vi holdt en lengre livesamtale med henne der vi snakket om filmen og hennes karriere. Hør om da hun laget Norges første og eneste Dogme-film, da hun var klippe-assistent for Max von Sydow, hennes samarbeid med filmfotograf Hoyte van Hoytema, og mye, mye mer.

Join me as we unravel the enigmatic history of Baphomet, a figure that has fascinated and mystified across centuries. From its medieval origins in the trials of the Knights Templar to its profound reinterpretation by 19th-century occultist Eliphas Lévi, this episode explores how Baphomet evolved into an icon of mysticism, balance, and duality. Discover its transformation through the works of Aleister Crowley, modern Satanism, and Pagan movements, and its enduring impact on Western esotericism and popular culture. Is Baphomet a misunderstood idol or a potent symbol of spiritual synthesis? Let's dive deep into its layered legacy and unravel its true significance! CONNECT & SUPPORT

Breaking the WavesIn this episode of Movie of the Year, we dive into the haunting world of Breaking the Waves (1996), Lars von Trier's unforgettable drama that challenges viewers with its exploration of faith, love, and sacrifice. This episode offers insights into Emily Watson's career-defining performance, von Trier's complex religious themes, and the raw aesthetic of Dogme 95.Why should every cinephile experience Breaking the Waves? Join us as we unpack why this groundbreaking film deserves its place in cinematic history.Emily Watson's Performance: A Breakthrough Role in Breaking the WavesEmily Watson's portrayal of Bess McNeill in Breaking the Waves is one of the most intense and moving performances of the 1990s. In her film debut, Watson brings innocence, emotional depth, and sheer vulnerability to the character. Her raw approach to Bess's journey—from devotion to despair and ultimate redemption—is a showcase of talent that resonates deeply with audiences.Our panel delves into Watson's acting choices, discussing how she embodies Bess's unwavering faith and fierce love, and how this performance launched her into a successful career. For fans of powerful, emotionally charged performances, Breaking the Waves is essential viewing.Lars von Trier's Vision and Religion in Breaking the WavesBreaking the Waves is rich with themes of spirituality, suffering, and sacrifice. Lars von Trier, known for his unflinching style, presents a story that explores how faith can be both a source of strength and a source of tragedy. As Bess's life takes increasingly harrowing turns, von Trier invites viewers to confront their own beliefs and moral boundaries.In this episode, we unpack von Trier's portrayal of religion—not as a comfort, but as a force that drives Bess toward self-sacrifice. The panel discusses how the director's exploration of faith and redemption in Breaking the Waves poses questions that resonate deeply, especially for viewers interested in films that challenge traditional moral perspectives.Dogme 95: The Gritty Realism Behind the MovementThe film is notable for its adherence to Dogme 95 principles, a filmmaking manifesto founded by von Trier and Thomas Vinterberg to bring realism and emotional rawness to cinema. Dogme 95 emphasizes natural lighting, handheld camerawork, and minimal special effects, all of which give Breaking the Waves an unfiltered, almost documentary-like quality.Our hosts discuss how this aesthetic choice contributes to the film's unsettling beauty, immersing viewers directly into the rugged coastal landscapes and intimate struggles of Bess's life. If you're fascinated by minimalistic, boundary-pushing cinema, this exploration of Dogme 95 is a must-listen.Why Breaking the Waves is a Must-Watch from 1996The movie stands as a cinematic landmark, pushing the boundaries of emotional storytelling, religious themes, and raw visual style. Our Movie of the Year episode encourages listeners to re-examine this classic and consider the lasting influence of Emily Watson's breakthrough performance, Lars von Trier's bold narrative choices, and the unfiltered realism of Dogme 95.If you're a fan of intense dramas and films that challenge conventional storytelling, tune in to this episode to discover why Breaking the Waves continues to captivate audiences decades after its release.

Editor - Cam McLauchlin MEGALOPOLIS editor Cam McLauchlin had no idea what was waiting for him on the other side when he knocked on Francis Ford Coppola's door.  Now that Coppola's decades-in-the-making passion project has become a "surreality", McLauchlin still can't quite explain everything that took place in the making of this film.  One thing is clear to Cam however, this was Francis's vision and Francis IS "Cesar Catalina". MEGALOPOLIS takes place in a somewhat alternate universe, where New York City is New Rome, and stars Adam Driver as Caesar Catalina, a brilliant artist, who somehow has the ability to stop time and has developed a magical substance called MEGALON that can be used to build a utopian city of the future.  Caesar is at odds with the greedy mayor of New Rome, Franklyn Cicero. Between them is his daughter Julia Cicero, her loyalty divided between her father and her beloved. CAM McLAUCHLIN As a film & television editor based out of Toronto and Los Angeles, Cam's career began in Toronto working as an assistant editor for Guillermo Del Toro on PACIFIC RIM, THE STRAIN, CRIMSON PEAK and eventually as an associate editor on SHAPE OF WATER.  Cam also edited the horror cult classic, THE VOID with alumni from Canadian film production and directing company, Astron-6.  Other selected work includes; Max Minghella's feature debut musical, TEEN SPIRIT and Dogme 95 member, Lone Schefrig's KINDNESS OF STRANGERS.  Cam is currently doing an extended cut on NIGHTMARE ALLEY with director Guillermo Del Toro. Editing MEGALOPOLIS   In our discussion with MEGALOPOLIS editor, Cam McLauchlin we talk about: Going on a job interview with Francis Ford Coppola Digging through twenty years of footage When the director asks, "You want to hear a crazy idea"? The future of interactive cinema Working where you live and living where you work The Credits Visit ExtremeMusic for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

In this very emotional episode of BFGE, the ladies celebrate Sarah's birthday by watching the infamous musical tragedy "Dancer in the Dark."   Written and directed by professional sadboy Lars Von Trier, the film stars Icelandic singer Björk as OSHA's worst nightmare: a blind Czechoslovakian immigrant operating heavy machinery while daydreaming about musicals.  Also in this episode:Emma is a heartless bitch who can't wait for Björk to dieSarah recaps the Dogme 95 filmmaking movement and incredibly polarizing reception to the filmThe ladies discuss the #metoo letter that made everyone go "haha yep that's Lars for ya"Emma reluctantly agrees to raise Sarah's son if she's ever hanged by the stateCome sing along with us!Follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

วันนี้กลับเข้าสู่โหมดวิชาการกันอีกครั้ง จัส-ธีรพันธ์ ขอพูดถึงขบวนการทางภาพยนตร์ที่สำคัญมากแห่งยุค ‘90 อย่าง Dogme 95 (หรือที่หลายๆ คนเรียกกันว่า Dogma 95) เพื่อทลายขนบหลายๆ อย่างของวัฒนธรรมภาพยนตร์ฮอลลีวูดในสมัยนั้น โดยมีกฎสำคัญ 10 ข้อ ที่จะทำให้ภาพยนตร์เรื่องหนึ่งจัดอยู่ในขอบเขตที่เรียกว่าเป็นภาพยนตร์ที่มีความบริสุทธิ์โดยแท้จริง เช่น การห้ามเซ็ตฉาก ห้ามใช้ขาตั้งกล้อง ห้ามใช้อุปกรณ์เสริมใดๆ ติดกับกล้อง ห้ามทำหนังที่เป็น genre หรือแม้แต่การที่ผู้กำกับก็ห้ามให้ชื่อตนเองปรากฎในเครดิต! อีพีนี้ นายจัสพาตัวแทนนักเรียนอย่าง เกมมี่ Sound Producer จาก Salmon Podcast (ผู้ไม่ได้เรียนฟิล์มมา) และชมพู (ที่เรียนฟิล์มมา แต่ลืมไปแล้ว) มานั่งฟังเรื่องราวของ Dogme 95 ถึงเหตุผลของการเกิดขึ้น และความสำคัญของขบวนการเคลื่อนไหวครั้งนี้ที่มีต่อวงการภาพยนตร์โลก https://linktr.ee/cinefile #SalmonPodcast #Cinefile #CinefilePodcast #พอดแคสต์หนัง #รีวิวหนัง #ทุกประเด็นภาพยนตร์กับคนรักหนัง —-- ติดต่อโฆษณาได้ที่ podcast.salmon@gmail.com Follow Cinefile on Instagram Salmon Podcast https://www.instagram.com/salmon_podcast/ จัส https://www.instagram.com/teeraphanny/ มาร่วมรีวิว บอกรักหนังที่ชอบไปด้วยกันกับชาว Cinefile ได้ที่กรุ๊ป Cinefile Archive https://www.facebook.com/groups/340582525457844 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we discuss Dogme & Dialogic Storytelling Classes. In the ELT: Under The Covers crumbs on the sheets series, we take some tasty morsels from the current ELT (Education-Learning-Teaching) zeitgeist and go in-depth. __________________________________________________________________________________ Check out more: ✔ Teacher Interviews: https://www.youtube.com/playlist?list=PLXsBOoTKZz76OWuCuYZnCQRJfjWtrTrKC ✔ Explanation, Analysis & Example of Teaching Methods here: https://www.youtube.com/playlist?list=PLXsBOoTKZz75i6auCa17LUt2k_JAOQLkr ✔ Break downs of teaching clips: https://www.youtube.com/playlist?list=PLXsBOoTKZz76j2wD3P4mhM0gv5axBtzE2 ✔ Influential teachers: https://www.youtube.com/playlist?list=PLXsBOoTKZz763iqyfVUEV3qG4ktuVkepc __________________________________________________________________________________ Stay connected with us on other mediums: LinkedIn ► https://www.linkedin.com/in/elt-under-the-covers-b72928229/ Instagram ►https://www.instagram.com/eltunderthecovers/ Facebook ► https://m.facebook.com/ELTunderthecovers/ Spotify ► https://open.spotify.com/show/05KdfLjVuDyrDpytIX5yrS Amazon Music ► https://music.amazon.ca/podcasts/69201c0b-5381-4b06-9168-afb957608494/english-language-teachers-elt-under-the-covers---interview-series Apple Podcasts ► https://podcasts.apple.com/us/podcast/english-language-teachers-elt-under-the-covers-interview-series/id1599657312 Google Podcasts ► https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy80MjdmN2M4MC9wb2RjYXN0L3Jzcw== __________________________________________________________________________________ More from ProfesorRich: • https://www.youtube.com/user/ProfesorRich • ProfRichGaming = https://www.youtube.com/channel/UC6I_bfShcpI3Af3a79vORDw More from NeilTEAcher: • www.teamteacherchina.com • TeamTeacherChina = https://www.youtube.com/channel/UCY0VJKjaIamETXCm_alT_tg • TeamTeacherBaby = https://www.youtube.com/channel/UChdVmSne_UvHFdd7uA-SMAQ • TeamTeacherEnglish = https://www.youtube.com/channel/UC_7K_Ml4XfdNdY9uQ9LPPqw *This video contains affiliate links. If you click on one of them, we'll receive a commission.*

We recorded this a super long time ago so I have no idea what is in here, except the cat walked on the board and played a sound effect so loud I had to edit the file to make it quieter, and I don't edit ANYTHING. I'm doing a Dogme 95 type thing here.

durée : 00:58:05 - Cultures Monde - par : Julie Gacon - En 2022, 29 % des Européens de 15 à 64 ans ont consommé au moins une fois une substance illicite dans leur vie, selon l'Observatoire européen des drogues et des toxicomanies. Face aux limites des politiques de répression, les États visent de plus en plus la réduction des risques à la consommation. - invités : Marie Jauffret-Roustide Sociologue et chercheuse au centre d'étude des mouvements sociaux à l'INSERM. Membre du comité scientifique de l'Observatoire européen des drogues et toxicomanies.; Jean-Félix Savary Ancien secrétaire général du Groupement romand d'études des addictions (GREA). Directeur de la Haute école de travail social, l'une des six hautes écoles de la HES-SO Genève

IndieSeen is back with the indie-est of indie-interview podcasts!This weekend, the NYC Indie Arthouse Summer Festival takes over Brooklyn's Film Noir Cinema, and our rock star panel includes all the filmmakers whose work will be screened--including fest founder Sujewa Ekanayake (Cosmic Disco Detective Rene), Rick Schmidt (Chetzemokah's Curse), co-writer/directors Michael Barnard and Reid Estreicher (Thank You 5), and Raphael Sbarge (Only in Theaters--which was part of an earlier installment of the festival back in June).With a wide range of subjects, genres, filmmaking styles, and industry experience, our guests today represent just about every aspect of scrappy, fight-for-your-art talent that the scene has to offer:Rick talks about rolling with the cosmic punches and working within the strictures of Dogme '95.Sujewa explains how he connected with Film Noir as a venue.Mike and Reid discuss calling in favors to get their movie done, and the decision to create a black-and-white version of it (which will have its world premiere at the festival).And Raphael reassesses the indie film landscape following Covid and last year's Hollywood strikes.All this and much more awaits in this exclusive preview of NYC Indie Arthouse Summer 2024!Subscribe, like, and comment to the Kicking the Seat YouTube channel, and check out kickseat.com for multiple movie podcasts each week!Show LinksShowtimes and Tickets (Film Noir Cinema Brooklyn)Cosmic Disco Detective Rene w/ Sujewa Ekanayake Q&A (all days) Friday, July 12 - Thursday, July 18 / 7pm dailyChetzemokah's Curse w/ Rick Schmidt Q&A (via phone) Friday, July 12, 9pmThank You 5 w/ Michael Barnard and Reid Estreicher Q&A Saturday, July 13, 5pmOnly in Theaters is now available on VOD (Check the film's website for info on upcoming theatrical screenings!)TrailersCosmic Disco Detective ReneOnly in TheatersChetzemokah's CurseThank You 5Additional ResourcesRead Ian's written review of Thank You 5 (which came out after this interview).Check out our IndieSeen Playlist for more interviews with Sujewa, Rick, Raphael, and more innovative indie creators!Watch this brief clip of Mike and Reid talking with Sujewa about the decision to make a B&W version of Thank You 5 (from Sujewa's YouTube channel).Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Keep up with all of Sujewa's projects.Follow Sujewa on X.Rent Cosmic Disco Detective Rene on Vimeo!

Tag med tilbage til det magiske filmår 1999, hvor biografmørket gemte på et væld af vilde oplevelser, men VHS-båndene langsomt blev skiftet ud med DVD'er. Redaktør Casper Christensen har endnu engang Jannik Hansen, Marie Diemer Bille og Dennis Jacob Rosenfeld på besøg i studiet, og denne gang er de klar til at føre dig gennem et helt magisk filmår. Vi lægger ud med et nostalgisk tilbageblik, hvor hver vært deler deres personlige minder fra 1999, inden vi kommer til hovedretten: en kronologisk gennemgang af filmåret 1999, uge for uge. Ja, du hørte rigtigt – det bliver en af de lange, det her, for vi skal gennem hele årets premierekalender. Det er nemlig overraskende, hvor mange mindeværdige film der faktisk havde premiere uge efter uge. Der var måske ikke mange filmhistoriske mesterværker, men til gengæld væltede de frem med generelt gode film. Det bliver en fest at genopleve alt fra genredefinerende sci-fi og (overraskende mange og gode) romantiske komedier til intense dramaer og animerede eventyr. Vi ser også nærmere på, hvordan teknologiske fremskridt påvirkede filmproduktionen, hvordan filmene reflekterede samfundets bekymringer ved årtusindeskiftet, og hvorfor mange af disse film stadig holder den dag i dag. Nyd vores skarpe spørgsmål og tilhørende vævende svar: For var 1999 virkelig så enestående, eller var de omkringliggende år lige så imponerende? Hvordan havde Dogme-bølgen det i '99? Og hvordan har publikums smag ændret sig siden dengang? Så læn dig tilbage, slap af og nyd rejsen tilbage til filmåret 1999 – og vær forberedt på, at du får lyst til stoppe podcasten, for at se de film vi snakker om. Rigtig gode fornøjelse! Med venlig hilsen, Casper Christensen, Jannik Hansen, Marie Diemer Bille & Dennis Jacob Rosenfeld

We're doing a double shot this week for our overarching, year long theme called “A DREARY YEAR OF LARS VON TRIER”. Doubling down because it may be a few months before we get back into good ‘ol Lars so what better way to lead into a May loaded with Space Fantasy than with a movie about a group of people in Denmark embarking on a social experiment by going out into everyday society and pretending to be mentally challenged? A quiet woman named Karen finds herself roped into this strange group. Karen questions the morality of behaving in such a way but Karen has also found a sense of joy and belonging with the group. Is this an anti-bourgeois act that transcends the quiet oppressions of a “civilized society” or is it all just one big goddamn joke? Lars von Trier's contribution to the Dogme 95 manifesto, “THE IDIOTS” (or “IDIOTERNE” if you're nasty) from 1998 is #2 in the Dogme series and though we keep saying this…this one has definitely gotta be Lars von Trier's most light hearted film. We feel pretty confident about the claim this time. Lot's of nudity and some fucking. Just reporting that for you Mr. Skin types out there. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

This month we're just wild about Siobhan Fallon Hogan. You Might Know Her From Men In Black, Forrest Gump, Dancer in the Dark, Dogville, The House That Jack Built, Shelter in Solitude, Rushed, Holes, Seinfeld, and Saturday Night Live.  Siobhan gave us all the goods: from iconic dialect work in your favorite movies to her years-long collaborations with Lars von Trier. Siobhan spilled on doing bits while performing in Shakespeare in the Park, having fart competitions with Ben Gazzara on the set of Dogville, and getting horrifically killed by Matt Dillon in The House That Jack Built. We also got to talk about her turn as a screenwriter of two indie films: Rushed and Shelter in Solitude (both avail to stream now), and how her Catholic values inform all her work. A true delight from start to finish! Just feel better knowing that Lauren Bacall once asked, “Will we ever work again?” and know you are not alone! Love you mean it!  Also, please note we recorded this before we both texted each other “O.J. Simpson is dead!” so yeah, O.J. Simpson is dead and maybe we conjured it by talking about his acting and prison work.  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Earthquake in NYC Anne loves disaster films: The Poseidon Adventure, The Towering Inferno, Earthquake, Airport The Day After Tomorrow, Deep Impact, Daylight  Should we do a disaster movie watch on Patreon? Vote here Howard Stern is ALIVE (one of his guests, Crazy Cabbie died and Ralph misreported it) Ralph told me Kelsey Grammar was a statutory rapist and Liam Neeson racist Is Kate Middleton alive? Siobhan's famous scene in Men in Black Was Phoebe in Shakespeare in the Park's As You Like It with Nancy Hower and Viola Davis. Directed by Adrian Hall Appears in 3 of Lars von Trier's movies: Dancer in the Dark, Dogville, and The House That Jack Built He created a style of filmmaking called Dogme 95, where no director is credited, handheld, 35mm, etc. Wrote and directed two movies, Rushed and Shelter in Solitude  Appeared in Michael Haneke's Funny Games, which fucked Anne up Became friends with Lauren Bacall on the set of Dogville Matt Dillon kills her horrifically in The House That Jack Built Siobhan is a very serious Irish Catholic, and that informs all of her film choices.  She got a rubber suit made of her body so it could be dragged behind a truck Wrote solo shows for herself to get more work Went to Le Moyne College in Syracuse, NY Siobhan was on SNL the 1991-92 season. Delta Delta Delta SNL sketch w/ former guest of this show, Melanie Hutsell Siobhan good friends with former SNLers, Chris Farley and Ellen Cleghorne Roseanne Arnold and Tom Arnold were decent SNL hosts, Jason Priestley sweet, Sharon Stone didn't get it Siobhan on 3 classic episodes of Seinfeld as Elaine's roommate How did Siobhan not get cast as Mark Wahlberg's sister in The Fighter? Bernie Mac put on fake teeth to go into hiding during filming of What's the Worst That Could Happen? Plays Henry Winkler's husband in Holes Played secretary in The Paper, Golden Girls, The Bounty Hunter, New in Town Appeared in a film from the genre Anne calls, “Men's Coming of Death.” This one was titled Going in Style, directed by Zach Braff Would cast Lily Tomlin, Diane Keaton, Shirley MacLaine in her own Women's Coming of Death  

durée : 00:16:54 - Taxe sur les superprofits: Attal dit ne pas avoir "de dogme sur le sujet"

Joining me this week is the ever-so-nice Dylan Gates. He explains what Dogme, or the easier-to-pronounce Teaching Unplugged, is. We talk about the advantages, nay, joys of emergent language and how it can help your students to speak more naturally. Also, Dylan talks about mini-tasks. Pure Gold. We also talk about PPP and its limitations and some really practical examples and tips on how to implement a more unplugged methodology into your class, even if in just a small way. And how do you feel about NOT achieving your aims and outcomes at by the end of your lesson? We talk about that too. Only have a very limited time with your students? There's something for you too. Contact me if you want me to do a CPD session in your school: erin@refreshyourteaching.com Join my Breathe Easy, Teacher Newsletter community for teacher love and support: https://www.subscribepage.com/betterteachingnewsletter Connect with me: www.instagram.com/everythingeflteacher https://www.linkedin.com/in/erin-o-byrne-90b58a55/ Youtube @Everything EFL for teaching tip videos and full podcast episodes with Closed Captions. Subscribe to the podcast on Spotify, Google Podcasts, Apple.... and don't forget to tell your colleagues.  Share the love. Theme music by@sean.cass (Instagram) --- Send in a voice message: https://podcasters.spotify.com/pod/show/everything-efl/message

Check out this rerun of an earlier episode – now fully transcribed! Transcription with audio here: https://share.descript.com/view/bqZTvDjH70k Buy Em & Gav a coffee here: ⁠⁠https://ko-fi.com/howtoenglishpod⁠ Find all the shows with transcriptions here: http://howtoenglishpod.com/ For their third episode, Gav & Em explore the subject of lesson and course planning. As a teacher, what do you need to take into account before stepping into the classroom? As a learner, do you know what the best way to improve your English is? Join them in their conversation as Gav & Em discuss key aspects of teaching and learning. References: English File, Third Edition, Oxford University Press, (2013) Cutting Edge, Pearson Education Limited, (2014) Dogme,  Scott Thornbury: https://scottthornbury.wordpress.com/2010/02/28/d-is-for-dogme/ Royal Family picture: www.townandcountrymag.com

Lords: * Cort * https://a.co/d/iRrEZcy * Elena Topics: * My due date is literally tomorrow * Dogme 95 for web development * Visits from the neighborhood cats * Potato, by Jane Kenyon * https://poets.org/poem/potato-0 * Cooperative board games are hard to design * Space themed coop trick-taking card game: https://boardgamegeek.com/boardgame/284083/crew-quest-planet-nine * Building a conlang generator from the phonology up * https://en.wikipedia.org/wiki/Sonorityhierarchy * Linear algebra cursed conlang: https://www.youtube.com/watch?v=ze5ie_ryTk Microtopics: * The Be Real App. * Posting your mortifying skin condition for all the internet to see. * Being born. * The Dance Dance Revolution song "20,November," by Earth Wind and Fire. * PiCoSteveMo. * Tossing around hastily drawn concept art with your team. * Being born, again. * Having a kid for someone else. * Eating cigarettes off of the sidewalk. * A grab bag of thousands of possible pregnancy symptoms. * Literacy as a symptom of pregnancy. * A visceral reminder that you are part of a long chain of humans. * Which came first, humans or birth? * The comfort of the humans who are still around having individual experiences even after you die. * Tips n Tricks for dealing with fear of death. * Inviting dead people onto the show. * Asking for more pro-death art so you can feel better about death. * Pro-life, in the literal sense. * Flowers and mushrooms growing up through the bones. * Returning to the universe to nurture it. * Dumb Ways to Die. * Sum: 40 Tales from the Afterlives. * Thought experiments about something weird that could happen. * The Egg by Andy Weir. * Covering birth and death in the same topic. * Looking at photos of yourself from five years ago and thinking "oh shit!" * I am choosing to no longer have conscious experience, mom. You wouldn't understand, mom. * Swedish with a mouthful of potatoes. * Dogme 95. * Enpoopification. * A protocol for exchanging information on a computer. * Rewinding to a kinder, simpler web. * Avoiding all this gestures at the world * New rule: no web servers more powerful than a Raspberry Pi. * The cool thing that was on the web in the mid-90s. * Making art and putting it on the internet and getting a fan base. * The teenage gamer comic series making a comic about prostate exams. * Sharding the internet. * El Goonish Shive. * Anime hammers that you do when someone is being a pervert. * Coming to personal revelations regarding your neurodivergence or gender situation. * How to be a successful artist. * Not knowing if your favorite webcomic had ads because you use an adblocker. * Working at your parents animation studio as an inbetweener. * Merging your cats into one cat. * Neighborhood coyotes. * Cats beyond the reach of fear. * Window-peering Jim: he's just checking out your remodel. * Putting a GoPro on your neighbor's cat and livestreaming the inside of their house. * Cats with amazing life stories that they'll never tell you. * The consort of coffee grounds. * Making shepherd's pie for an entire hamlet. * A possibly accidental double line break. * A line break corresponding to a conceptual boundary. * The Story of Mel: a Real Programmer. * Adding left angle brackets to the start of every line until word wrap makes it a poem. * Blackout poetry. * Pumping gas as an element of Cottagecore. * A hamlet is just a city in New Jersey. * The fireworks on your forehead game. * A game where everyone stops talking. * The Yelling Game. * A dedicated period of yelling. * Space-themed trick taking games. * The Spaceteam card game. * Coming up with a set of place names that sound like they're from the same culture. * Assigning syllable groups to a morpheme. * Asking Claude. * Interpolating the obvious things. * The Sonority Hierarchy. * A gradient from less vowel-like to more vowel-like. * Cursed Conlangs. * Generating syllables and mushing them together.

Spike Stonehand (aka Stephen) joins Josiah to talk about WNUF Halloween Special (2013) and what makes a found footage movie good. They also compare and contrast found footage genre with Dogme 95, Mumblecore, mockumentaries, and various social realist film movements.Other films discussed: Blair Witch Project, Man Bites Dog, Cannibal Holocaust, Texas Chainsaw Massacre, Deadstream, Deadware, V/H/S, Creep, Lake Mungo, SavagelandFollow Stephen on Bluesky @spikestonehandCheck out Stephen's work, Divining Comics at SpikeStonehand.comYou can find WNUF Halloween Special here: https://wnuf.bigcartel.com/product/wnuf-halloween-special-blu-ray Become a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work here: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter @josiahwsutton

We're back in the dark reaches of a pessimistic and aggressive portrayal of the world's "most beautiful place": Scotland. In Ryan's words, it can be a terrifying place. Andrea Arnold's slice of Cinema Verité inspired by the Dogme 95 aesthetic and film movement, really puts you in a scary place that is equally horrifying and mesmerizing. As a counterpoint to the last film we covered, this is also a film about watching people, innocently enough through the eyes of a CCTV operator, but how, through this character's trauma, how that power is easily manipulated for her personal gain. This is a fascinating piece of cinema and one of the strongest debuts from a first-time director. Enjoy this incredibly dark and uncompromising film at your own peril but you won't be disappointed. 

Quinn K joins the clubhouse to break down their IGF-nominated game "An Outcry." Your nice hosts learn about choosing your own limitations, the Haunted PS1 scene, and how much playtesting is still not enough playtesting. Postmortem: "An Outcry" An Outcry - Quinn K, itch.ioRPG Maker 2003Oulipo: freeing literature by tightening its rules - Andrew Gallix, The GuardianDogme 95 - Movements in FilmHuanted PS1 Demo Disc 2021 - itch.ioThe Shrike (ship) - Memory AlphaQuinn KGuest External link ItchTumblrPatreon

durée : 00:58:03 - Cultures Monde - par : Julie Gacon - S'ils sont généralement les défenseurs d'une Europe-marché, les Pays-Bas adhèrent désormais au concept "d'autonomie stratégique" porté par la France, notamment à travers des partenariats industriels éloignés de l'idéal néerlandais du libre-échange. - invités : Christophe de Voogd Historien affilié à Sciences Po, président du Conseil scientifique et d'évaluation de la Fondation pour l'innovation politique; Niek Pas Historien affilié à l'université d'Amsterdam; Stefan De Vries journaliste correspondant journaliste des Echos à Amsterdam et correspondant Europe pour BNR Nieuwsradio.

Tom and Julie prepare a Woke Roy Rogers sketch for their SNL packet! And they rescue THREE podcasts by actor Jon Bernthal, rightwing loser Michael Knowles, and the Crypto Clowns of The NiFTy Show!! Plus Brett finds himself in the penalty box for interrupting Julie's Woke Roy Rogers joke! Also the ending of There's Something About Mary, the Farrelly Brothers satellite radio station, Brett's new nickname, Captain Kangaroo's dark secrets, mocktails, Taylor Lautner, pies and soups, what is white cube, Dogme 7, Julie's erotic magazines, Edward from Men in Black's Cooking Corner, Little Lord Fauntleroy, Dennis Leary's production company, exploding cigars, Rush Limbaugh, Chloe Veitch, and Ventura Highway. BUY TICKETS TO DOUBLE THREAT LIVE *September 28 2022 - Los Angeles - Lodge Room - https://www.lodgeroomhlp.com/shows/double-threat-podcast *October 21 2022 - Brooklyn - The Bell House - https://www.eventbrite.com/e/double-threat-hosted-by-julie-klausner-tom-scharpling-tickets-330645087357 JOIN FOREVER DOG PLUS FOR VIDEO EPISODES, AD-FREE EPISODES, & BONUS CONTENT: http://foreverdog.plus JOIN THE DOUBLE THREAT FAN GROUPS: *Discord https://discord.com/invite/PrcwsbuaJx *Reddit https://www.reddit.com/r/doublethreatfriends *Facebook https://www.facebook.com/groups/doublethreatfriends DOUBLE THREAT MERCH: https://www.teepublic.com/stores/double-threat SEND SUBMISSIONS TO: DoubleThreatPod@gmail.com FOLLOW DOUBLE THREAT: https://twitter.com/doublethreatpod https://www.instagram.com/doublethreatpod DOUBLE THREAT IS A FOREVER DOG PODCAST: https://foreverdogpodcasts.com/podcasts/double-threat Theme song by Mike Krol Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices