Podcast appearances and mentions of Agatha Christie

Quando l'ironia si tinge di giallo. Puntata speciale del cacciatore di libri Estate dedicata a romanzi che narrano con una certa leggerezza storie di indagini e misteri. Interviste a: Alessia Gazzola, con la sua serie di Miss Bee che mescola romanticismo e giallo alla Agatha Christie, Felicia Kingsley, considerata una delle massime esponenti del genere Romance che però in questo caso crea un mix fra indagine, storia d'amore e l'opera di Shakespeare, Marco Malvaldi con l'ironia dei vecchietti del BarLume e Giancarlo De Cataldo con la serie sul pubblico ministero Manrico Spinori, detto "il contino".Ospite del caffè letterario: Viviana Peloso responsabile della libreria "Vecchie Segherie Mastrototaro" di Bisceglie, in Puglia.

Per approfondire gli argomenti della puntata: Altre pillole dall'età contemporanea : https://www.youtube.com/watch?v=vfSB5rwk8to&list=PLpMrMjMIcOklAamXwkzlub85zjR3Eh74B&index=1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Espresso Epilogues, a podcast where two besties talk about books over coffee. Are you in a reading slump? If so... It's your lucky day. We're here to prescribe you a few books to cure it. We also chat about Steinbeck, Agatha Christie, Annie Ernaux, and more.Don't forget to connect with us on ⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ 

351 - From the Queen of Crime, Agatha Christie, it's the 8th of 13 problems for Miss Marple. Tuck in to solve the horrific murder of "The Companion."

Audiobooks are one of the fastest growing segments in entertainment, but how do you land work and build a sustainable career as a narrator? Veteran performer and coach Sean Pratt has recorded nearly 1,200 titles over 25 years, voicing everything from Agatha Christie mysteries to business books. In this episode, he shares the skills and temperament the job requires, how to get started on ACX, tips for a basic home studio, the differences between narrating fiction and nonfiction, and why he doesn't believe AI will replace human storytellers anytime soon. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

The intriguing story of the queen of crime fiction, whose life was as mysterious as her novels.

The Trump Route for International Peace and Prosperity is now open. Only problem? It goes through a geopolitical electromagnet pulling all the badboys of the region into its tractor beam. The US has taken out a 99 year lease on a corridor that connects Armenia and Azerbaijan. It's a breakthrough peace deal, certainly. But is it a silk road through a minefield? Meanwhile, in Alaska, Vlad is about to jet in for talks. Is there some historical echo in doing it in a territory Russia once signed away? Or merely a historical echo of a big empty nothing? Finally, Trump's new 401k rules mean that Americans will soon be able to invest their money in crypto. And to create their own retirement tontines — that's to say, when one pension saver dies early, the rest inherit their forfeited funds. Is this more genius from the great negotiator? Or just a fantastic chance to turn America into a series of Agatha Christie-style bump-off clubs? You can get special paywalled premium episodes of Multipolarity every month on Patreon: https://patreon.com/multipolarity

Dr. Sheppard has an impromptu interview with Mrs. Ackroyd. Caroline receives another task from Poirot. Phil refuses to be led astray by Agatha Christie's misdirections. 0:00 - intro3:57 - Dramatic Reading of The Murder of Roger Ackroyd Ch 1428:23 - A (not so) brief discussionThe Murder of Roger Ackroyd by Agatha Christie (1926)https://gutenberg.org/cache/epub/69087/pg69087-images.htmlThis eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.orgCredit to https://www.FesliyanStudios.com for the background music.Credit to https://www.soundjay.com/ for the sound effectsPodcast Photo P/C: https://www.pexels.com/@luan-oosthuizen-823430/collections/

PRESENTACIÓN LIBROS 00:01:40 No tengas miedo (Stephen King) 00:04:00 Agatha Raisin y el crimen de la mansión. Agatha Raisin #10 (M.C. Beaton) 00:06:10 Armadale (Wilkie Collins) 00:08:15 Tres enigmas para la organización (Eduardo Mendoza) 00:09:50 Confesiones de una heredera con demasiado tiempo libre (Belén Barroso) 00:11:50 Intermezzo (Sally Rooney) 00:14:00 El jardinero y la muerte (Gueorgui Gospodínov) 00:16:20 Atmosphere (Taylor Jenkins Reid) 00:17:30 Legado de Jade. La saga de los huesos verdes #3 (Fonda Lee) 00:20:10 Caída libre (Ali Hazelwood) 00:23:50 El amigo (Sigrid Nunez) 00:25:25 A cuatro patas (Miranda July) 00:28:25 Dentro de casa y Aún siguen aquí (Lisa Jewell) 00:30:00 Cortejo en la catedral (Kate D. Wiggin) PELÍCULAS 00:31:40 Retrato de una dama 00:33:35 Sigo siendo la misma 00:35:20 Jurassic World 00:36:20 Elio 00:38:05 Mamá te quiere 00:39:30 Superman 00:42:00 Los 4 F 00:43:40 La apariencia de las cosas 00:45:05 Jefes de Estado 00:46:05 Absolución 00:47:00 La huella del mal 00:48:45 Lively vs Baldoni: enfrentamiento en Hollywood 00:49:55 Roger Federer: la perfección suiza 00:51:00 Mountainhead 00:52:50 Mi año en Oxford 00:54:30 La tercera cita más larga del mundo 00:56:10 Presence 00:57:20 Deberes: Maje / Anora SERIES 01:01:20 Better sister 01:02:20 SuperStar 01:04:55 Lockerbie: en búsqueda de la verdad 01:06:45 Angi 01:09:30 Mind over murderer 01:13:25 Miss Austen 01:15:25 Dos familias 01:17:00 Ironheart 01:19:25 Angela 01:21:15 Agatha Christie: hacia cero 01:22:10 El crimen de Pamela Smart 01:24:20 Escandalosas (T1) 01:27:30 Matabot (T1) 01:29:30 La Favorita 1922 (T1-T2) 01:30:30 Poker face (T2) 01:32:00 Love is blind: Suecia (T2) 01:33:20 The Sandman (T2) 01:35:00 El juego del calamar (T2-T3) 01:37:15 Welcome to Wrexham (T4) 01:39:50 Colegio Abbott (T4) 01:41:25 The Rookie (T7) 01:42:05 Rick & Morty (T8) 01:43:35 Deberes: The Bear (T4) 01:45:15 DESPEDIDA En este programa suenan: Radical Opinion (Archers) / Siesta (Jahzzar) / Place on Fire (Creo) / I saw you on TV (Jahzzar) / Bicycle Waltz (Goobye Kumiko)

Če so najbolj zagonetne zločine, ki so se zgodili med platnicami slovenskih kriminalk, doslej razreševali predvsem inšpektorji, je s prvencem Maše Jelušič očitno nastopil čas za inšpektorico, Katjušo JakopičMed knjigami, ki se kar najbolj priležejo v senci poletnega obmorskega gozdička, so gotovo kriminalke. Pa, seveda, ne le tiste, pod katere se podpisujejo svetovno odmevni mojstri à la Agatha Christie, Jo Nesbø, Georges Simenon, Boris Akunin ali Raymond Chandler, ampak vse bolj tudi domači avtorji in avtorice. Tako smo v tokratnem Sobotnem branju predstavili prvenec avtorice Maše Jelušič, intrigantno kriminalko z naslovom Profesor je končno mrtev, o kateri je publicist Marcel Štefančič jr. zapisal: »Maša Jelušič piše tako, kot morilci morijo. Preprosto, elegantno, ekspeditivno in nazorno.« Kaj se torej skriva med platnicami romana? O tem smo se pogovarjali z avtorico, ki je svojo kriminalko objavila pri založbi Goga. Foto: Darja Groznik

How dare you? That's the first question KJ asked Ally Carter, whose name is “synonymous with hilarious action and heart-pounding romance” (TRUE). Is KJ outraged? Hell no. It's a legit question. Ally's books are so so much fun, with wild action scenes befitting a Bond movie (or a Jason Bourne, OBVIOUSLY) and plots that trot the globe while dancing backwards in high heels and KJ really wants to know—how did Ally give herself permission to just go there? To write the dreamy, wild, sure it could happen but also we don't even care because we're so in it story that scares many of us (especially ex-journo KJ, who wastes far far too much time on such non dramatic questions as “but how would someone with that job pay for health insurance? and “technically, how much snow could that unit make in one night?). Also asked: how did you learn to write action so well? Do you take all kinds of crazy self defense classes? Or dissect movie fight scenes in slo-mo? Are you fun to watch a spy movie with, or terrible?I would have asked her if she used to BE a spy…but then she would have had to kill me.LINKSNational Spy MuseumThe Blonde Who Came In from the ColdThe Most Wonderful Crime of the YearThe Blonde IdentityAlly CarterAlly's rec: Netflix: The ResidenceInstagram @theallycarter The newsletterHey everyone, it's Jenny Nash. This episode happens to feature an Author Accelerator book coach. Author Accelerator is the company I founded more than 10 years ago to lead the emerging book coaching industry. If you've been curious about what it takes to become a successful book coach, which is to say, someone who makes money, meaning, and joy out of serving writers, I've just created a bunch of great content to help you learn more. You can access it all by going to bookcoaches.com/waitlist. We'll be enrolling a new cohort of students in our certification program in October, so now's a perfect time to learn more and start making plans for a whole new career.Transcript below!EPISODE 460 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out a free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting the weekly podcast about writing all the things—short things, long things, pitches, proposals, fiction, nonfiction. We're the podcast about getting things done. And I'm going to be solo this week because I am interviewing, and I'm so excited to interview one Ally Carter, whose name, I'm stealing this from her bio, because it was such a great line—is synonymous with hilarious action and heart-pounding romance. And as someone who's read much of it, I can vouch kids. So Ally's most recent big book that you've probably seen around was The Blonde Identity . Her current book that you're going to want to go straight out and grab is The Blonde Who Came In from the Cold, and her other book that she wrote just for me—because it was like exactly what I needed in a book in that moment and I really appreciate it. I'm glad other people got to read it, but it was really, for me— The Most Wonderful Crime of the Year those are her adult books. She's got a ton of young-adult books, also with heart pounding action and hilarious...wait, heart-pounding romance, hilarious action. I feel those are exchangeable. And even some middle grade if you've got some kids who might be reading in those lines. So Ally does all the things, and we're going to find out how, and immediately be able to do it ourselves. Ha! Ally, thanks for coming.Ally CarterThank you so much for having me, KJ. I appreciate it.KJ Dell'AntoniaWe are super excited.Ally CarterI also wrote The Most Wonderful Crime [The Most Wonderful Crime of the Year] just for me, because it's— that's like, I love a mystery, and I pick them up, and I'm like, this would be great. Where's the romance? And then I love a romance, and I pick it up, and I'm like, where's the mystery? And so that's, that's how Most Wonderful Crime [The Most Wonderful Crime of the Year ] came to be. It is two great genres better together.KJ Dell'AntoniaAlso, it's writers in a—like writers in a mansion, with secrets and surprise identities, and things people can do that no one knows they can do, which is my jam. Yeah, really enjoyed it.Ally CarterThank you.KJ Dell'AntoniaThank you for that. Not that I didn't I love The Blonde Identity. My daughter has it right now, and she's super excited, because I can give her The Blonde Who Came In from the Cold, early, because I might have gotten an early copy. So she'll be reading that on the beach next week after she finishes the first one.Ally CarterThat is some good cool mom points right there.KJ Dell'AntoniaWell, it is, yeah, and they're rare. But that is a great thing about your—I mean, my daughters are 21 and 19, so they're older, but I would have given the blonde books and The Most Wonderful Crime to, you know, a 16... ?... like, they're not—not that I don't actually give some pretty steamy stuff to my kids, but if you're not somebody who does that, they're steamy, but they're not—anyway...Ally CarterYeah, there are books that, like, grandma and mom and daughter can all read togetherKJ Dell'AntoniaYeah, I was just going to say I would give them to my mom too. Yeah. I mean, they're just super fun. Because sometimes the better test is not “Would I give it to my daughter?” It's “Would I give it to my mom?”Ally CarterYou're exactly right. Agreed, agreed.KJ Dell'AntoniaSo my first question is this: how dare you?! Okay, and now you're like, wait, what?! No, seriously, like, your books are—the plots are so out there, and glorious, and outrageous, and the action scenes are wild, and they're sort of everything you fantasize about in a spy romance novel. And as a former journalist, I spend a lot of time sitting around staring at my plot thinking things like, yes, but how would this person have health insurance? And I feel like you've transcended that. So can you talk to me and all of us about how you've, you know, embraced this world of the wild, glorious, fun, and outrageous in your plotting?Ally CarterYou know, that's a—thank you. First of all, that's a lovely compliment. I really credit it toward, you know, how most things are in my life and my career—it was total accident and sheer dumb luck. So 20 years ago—I realized not long ago—like, literally 20 years ago this spring, I saw it. I'd Tell You I Love You, But Then I'd Have to Kill You. And I was, you know, big dumb kid, didn't know what I was doing, sheer dumb luck, had this amazing idea. And most of all, I had an amazing idea at a time when the YA [young adult] genre was just expanding exponentially—like the shelves of shelf space at Barnes and Noble was getting bigger and bigger and bigger. And so it was a big tent, and there was room for everybody. And so I was lucky in that I got in there. I was especially lucky because I had a brilliant editor named Donna Bray. And Donna could see, like the shift coming—like, she could see Twilight and the, like, the move to paranormal, and the move to, you know, moving away from contemporary fiction to genre fiction. And she was like, we have to get this out fast. And so we crashed it. And so I sold it in, like, April or May of 2005, and then I had to go to copy editing in October, and I had—I had 32 pages.KJ Dell'AntoniaSorry, (laughing)Ally CarterAnd a day job!KJ Dell'AntoniaOh, my goodness!Ally CarterSo I had the summer of absolute deadline. I would come home from my day job, I would eat a fast dinner, and I would write till midnight. But this was also back, like, before we really had smartphones in our pockets all the time—definitely pre, like, social media—and so that's what you did. And I'm like, man, if I did that every day, think about how much writing I would get done today.KJ Dell'AntoniaYeah.Ally CarterBut because I was so fast, the turnaround there was so fast, I didn't have time to, like, go down a rabbit hole of, well, exactly what type of nylon cord would they use to rappel into such and such—you know, I just got—I made it up, and I got away with it. And so I realized that, you know, I would—I did do a lot of research on actual tradecraft.KJ Dell'AntoniaRight.Ally CarterSo the things like the girl—there's a scene where the girls have to go through the boy's garbage. And there's this—you know, there are scenes where they're, you know, planting bugs and those types of things. Those—I watched documentaries, I read a lot of, like, actual decommissioned, sort of old CIA handbooks and things.. The International Spy Museum has a wonderful reference section, and you can actually order...KJ Dell'AntoniaOh, that's cool.Ally CarterOld, like, World War Two training manuals and things. It's really greatKJ Dell'AntoniaI did not know that.Ally CarterSo I did do that. What I did not do was I didn't worry about, like, the brand name of what you might call it. So as a general rule, I tell my readers, like, the more specific something is in the book, the more likely it is I made it up. So when I'm like, well, then she did the one death ski maneuver—and, like, I don't know what the one death ski maneuver is, but they don't either—I made it up. But the actual sort of bones of what the school would teach and how they would teach, it was very accurate.KJ Dell'AntoniaWell, it must have come in handy because you have another school in the current book.Ally CarterYeah. And it's—it was a little harder, because it is, you know, it's not for kids, and so it has to have a little bit more of an air of sophistication. And I wanted to base it off of the actual CIA training facility, “The Farm,” which is at Camp Peary—which is in the book, what I couldn't figure out were things like, do they sleep in apartments? Do they have a dorm? Is there a are there barracks? Are there, you know, is there, like, a big cafeteria? Are they?KJ Dell'AntoniaVery few people will know what's real, and they can't tell you, right?Ally CarterThey can't tell me. And so I actually, when I was on tour for The Blonde Identity, I was in D.C., and I did a wonderful event, had hundreds of readers there, and they were like my Gallagher Girls who had grown up and now they all are spies. I mean, they like, literally work for the CIA. They're literally with, you know, "I'm with Homeland Security." You know, several of them were like, I can't actually tell you where I work, but you were very popular there and so, and I actually did a like, show of hands, like, if you can say so, how many of you have been to The Farm and, like, multiple hands went up.KJ Dell'AntoniaOh, wow!Ally CarterAnd I'm like we're talking when this is finished. So I got a little bit, but not very much, you know. And I guess the thing also with “The Farm” is, you know, they bring in, like, their actual undercover operatives to train there, but there are a lot of different groups that also use that facility. So, for example, I think I'm not dreaming this. I think this is true. Like, if you are an ambassador or an ambassador's family, and you and you are going, maybe not like the ambassador to London, but if you're going to, like, you know, someplace that could be a little bit dangerous, they'll send you there for, like, evasive driving training and things like that. So you get a little bit of training. So it's not just spies who train at Camp Peary, it's multiple groups.KJ Dell'AntoniaI have a new life goal now, which is to never need evasive driving training.Ally CarterRight?! And see, I kind of want to learn how to do it. I don't want to need it…KJ Dell'AntoniaYeah no, no but no, it's not to need it. I don't want to need it.Ally CarterI want to know how to do it.KJ Dell'AntoniaYeah. Well, yeah, you could, you could use it. Yeah, I just—it. I miss—your books inspire the writer in me to remember, like you said, that very few people care what brand of nylon rope you would use to repel, and from there, it's a pretty short step to, you know, whether or not you can really stop a cable car halfway.Ally CarterYeah.KJ Dell'AntoniaYeah, we're and we're not going to but.. It's just...Ally CarterAnd the way I see it is, if you are the person who knows what brand of rope it is... even if i get the rope right, i could get everything else wrong.KJ Dell'AntoniaYou're either not reading this, or you don't care.Ally CarterYeah. There... This is, this is not for them, probably.KJ Dell'AntoniaOr if it is, it they've they're there, like...Ally CarterThey're there.KJ Dell'AntoniaThat's fine.Ally CarterYou either buying in or you're out. And that's fine. And I—and nothing but respect to the people who do know that? Because now, I grew up on a farm, and so I can't read, like, cowboy books, because I'm like, oh gosh, geez Louise, of course, your barn burned down. You put that hay in there way too soon—you are you really baling green hay?KJ Dell'AntoniaThey're literally haying in my field right now.Ally CarterRight. You know, I'm like, seriously, seriously. This is, you know, you're, you're, you're not. You didn't do a semen test on your bull? Like—you know?"KJ Dell'Antonia"You are not milking that cow. I know how you're supposed to hold your hands."Ally CarterExactly!KJ Dell'AntoniaSee I did.Ally CarterYeah, I'm, I'm not, I'm not here for and so I'm, like, this is the same thing. Like spies have no reason be reading me. I have no reason reading the things that I do know about. Because it's, you know, it's, it's just, you're also, it's not exciting to me. And so I'm sure most spies, you know, there's a line in...KJ Dell'AntoniaYeah it's not a fantasy.Ally CarterYeah, so…KJ Dell'AntoniaIt can't be a fantasy, because you're too stuck on, you know, the...Ally CarterExactly, and so...KJ Dell'AntoniaThe reality that our hay baling chute is broken, and therefore we will need multiple people tomorrow to go around and pick up each individual bale…Ally CarterYeah.KJ Dell'AntoniaAnd put it on a flatbed truck, and drive to the barn, and take each individual bale off the flatbed truck, and then stack them in the barn. Y'all are missing my arm gestures, but Ally knows of which I speak.Ally CarterI know, I know those gestures. You got to buck it up with your knee. It's a whole—it's—it is not easy work. It is very hard work. And so…KJ Dell'AntoniaYeah, I'm hoping not to go out there, but I know I will.Ally CarterOh no, you don't want to do that, and you will itch for days.KJ Dell'AntoniaI've done it. I've done it for years and I know I'm going to end up there. It's my birthday tomorrow too.Ally CarterOh no, that's not the…Yeah, so it's the reality. I think it's very easy—also, when reading, as a reader—I hate it when it's very clear that an author has done a ton of research and they're not going to let it go to waste. Yeah. And so there's like, you know, they'll introduce the thing, and then they'll have, like, a paragraph explaining all of the things that they have learned. I'm like, this serves no purpose whatsoever.KJ Dell'AntoniaI also thank my editor for my leaving out the entire history of Prohibition-era alcohol rules between Kansas and Missouri in The Chicken Sisters.Ally CarterYep. See, if you, if you want to write that, the nonfiction is right there, you can— you've got it. So I like to do enough research to inform the story. And, you know, there are definitely things, you know, scenes and lines and wonderful things that have come from the research. But I never do research just so I know, like, what kind of rope it is.KJ Dell'AntoniaRight.Ally CarterI—you know, that's that I think then, then, then also, are you doing research, or are you procrastinating?KJ Dell'AntoniaWell...Ally CarterBecause I think most people are just procrastinating.KJ Dell'AntoniaWe all know the answer to that. So how about the action scenes? You write such great action scenes, but I am also not a reader who's like picturing, well, clearly at this point, he's upside down and her hand. You know, that's not how I read anything. I just kind of go (shwoop) through that. So how do you handle writing them? Are you like slowing down action films so you can dissect the movies?Ally CarterNo, I really don't like writing action scenes. They are hard, and it feels like I've done everything, like they're okay. Well, hey, here we are. We're doing that again, but there. They are. They come with the job. And so I think most of all, you just have to remember, sort of the blocking of it. Like, okay, who is where? The other hard thing that that comes and, you know, movies have it so much easier. Like, you don't need a name for the for the six bad guys, that black Willow...KJ Dell'AntoniaRight,, the one on the right, and the one behind... Yeah, yeah, no.Ally CarterAnd so I'm like, Okay, but how is the reader keeping these different so, you know, like, well, one of them has a has glasses, and the other one has a goatee. Okay, well, then from that point forward, I the author just call them glasses...KJ Dell'AntoniaGlasses and goatee. Right.Ally CarterAnd so you have to remember, like, okay, glasses is down. Goatees still at large, you know, or whatever.KJ Dell'AntoniaIs there a special copy editor for that?Ally CarterThey're not special, but that is definitely can fall into a copy editor's purview, especially things like during that fight sequence. Okay, well, it was 100 pages ago, but it was also yesterday that your heroine got shocked. Is she really fighting at full strength? Oh, ouch, you know. So that type of thing, because, again, reader wise, that's, that was, I've, that was the midpoint. I'm to the climax now. But timeline wise, no, that was yesterday.KJ Dell'AntoniaRight.Ally CarterAnd so the...KJ Dell'AntoniaAnd probably with some readers, reader wise, that was an hour ago.Ally CarterYeah! So...KJ Dell'AntoniaI mean you know, we're eating this up.Ally CarterExactly.KJ Dell'AntoniaSo much faster to read than to write.Ally CarterSo you have to think about those types of things. Like I wrote that two months ago, but nope, it's still right there.KJ Dell'AntoniaYeah.Ally CarterSo that's the kind of thing that, you know, again, you can't really worry about in a first draft. Like, let that. That's future-use problem.KJ Dell'AntoniaYeah. Now, in contrast to, you know, the wild plotting and the crazy, enjoyable, delicious action, your people feel, you know super, super real. They have, ah, big reasons for being the way that they are, but the feelings feel real. I think that is an amazing um, contrast. Do you start with the, do you start with, like, you know, the person's flaw, or what it would there's some term of art for this which I have forgotten. Or do you start with, I need a person who, or does it vary book by book?Ally CarterThank you. I, you know, it's I spend a lot of time with that.KJ Dell'AntoniaThat's why they work.Ally CarterThank you.KJ Dell'AntoniaNo, seriously, no one. I mean, The Blonde Identity would maybe be fun if it wasn't also, like, you really want her to figure out who she is, and you really want to know why is this happening, and what is up with and like, you want all that for the character you believe in, in her.Ally CarterAnd that's always I find as much about tone as anything, this particular sub- genre, it can go wacky or kooky really fast, like it's very easy. You know, I like to say that spy movies exist on a spectrum that range from get smart to Zero Dark Thirty.KJ Dell'AntoniaYeah.Ally CarterAnything along that spectrum is a spy movie. But those could not be more different. And so are we? Are we doing like James Bond, like he's cool and suave, but he also has gadgets, or are we doing like he's, you know, kind of bumbling with gadgets? Or are we doing it's very realistic?KJ Dell'AntoniaWell are we doing Roger Moore James Bond, or are we doing … um…guy who now models for…Ally CarterDaniel Craig?KJ Dell'AntoniaThank you—oy vey—Daniel Craig, which are very different. James Bonds really…Ally CarterVery different James Bonds, because I've heard people the James Bond people talk about the Daniel Craig, James Bond doesn't exist without Jason Bourne.KJ Dell'AntoniaYeah.Ally CarterThat's who they looked at and so all of these things, you know. And so when I'm trying to figure it out, and I think that's one of the hardest things about genre bending romance, whether you're bending fantasy and romance or horror and romance, or romance and mystery or romance and action, or whatever, you could only really write in the Venn diagram space, where there's overlap. And so I couldn't, you know, the realistic version of this is not something where people are falling in love, like it's, you know, it's too dark. And it's definitely not a comedy, definitely not a comedy. So you're, you have to find the place where, no, they're in real, actual peril. This is really terrible. This is... they really might dieKJ Dell'AntoniaAnd they understand that.Ally CarterAnd they understand that they get that and also, but they still have time to, you know, okay, well, now I'm going to, you know, now we're going to slow dance, you know, you still have to find those times. And the other thing is, you know, you have to figure out just where on the spectrum you want to be and lean into that. Like, if you want to write, like, the kooky, sort of Agent Cody Banks of it all, then you have to do that. But then you have to realize the other parts of the spy kind of world that you can't touch. And so it's—you're just—you're always threading needles. It's, it is a, it is a task of, of absolutely threading needles all the time.KJ Dell'AntoniaI think that, yeah, when it comes to tone, where on the spectrum do you want to be, is like, like maybe one of the greatest questions that I have heard. And it's just one that, you know, I think we all wrestle with.Ally CarterWell, and I've had people that really don't—people who should get it—who don't get it. So, you know, I was in a meeting one time with some Hollywood producers who were looking at some of my stuff, and I said, “Well, tonally, where do you want it to be?” And they were like, “What do you mean?” I said, “Well, do you want it to be like, you know, Mr. and Mrs. Smith or Bourne Identity?” And they said, “Well, those are the same thing.” And I was like…KJ Dell'AntoniaNo, no, no, no!Ally Carter“This meeting is over. Thank you very much”.KJ Dell'AntoniaYeah.Ally CarterIt's... I don't understand how people don't get that, but to me, I spend 90% of my time worried about it. Oh, I remember now what I was going to say earlier. I got my start—and I'm never going to be, like, a full-time or big-time of this—but I've done some screenwriting. . And so there's a screenwriting podcast [Scriptnotes] by two guys who are very big, very dominant—dominant—screenwriter. One of them did, like, the Charlie's Angels movies and the Aladdin remake and all those. The other one does The Last of Us and a bunch of big, like, HBO shows. And, um, they always talk about "the Want song". So in every Disney musical, the first—the first song—sets up the world. It's "Belle," you know, like, you know, wandering through town. The second song is the "whatever she wants." And so, you know Moana, you know, "See the line where the sky and the sea meet, it calls me"—like, Moana wants to travel. She wants adventure. And so I spend a lot of time, when I'm setting up these characters, thinking about what their "Want song" would be. And so, like, for The Most Wonderful Crime of the Year, her "Want song" is, "I want to be Eleanor."KJ Dell'AntoniaRight.Ally CarterYou know she wants to be Eleanor Ashley [from The Most Wonderful Crime of the Year], who is my, like, fake off-brand Agatha Christie, and so that's, that's what you have to think about a lot like, you know, what Alex [from The Blonde Who Came in from the Cold] wants is to sort of be free like she wants, she wants to be enough. She wants to pay her—you know? She has paid her debt for—you know, sort of having been born strong and healthy, where her identical twin has been born very, very sick. And so she, she wants—and she wants to never lay eyes on Michael Kingsley [also from The Blonde Who Came in from the Cold], ever again, who was her, you know, on again, off again, partner, slash love interest. And so that's—you know, that I always start with that, what is their wound? What is the thing that hurt them in the past that they're trying to get over? And what is their want?KJ Dell'AntoniaYeah.Ally CarterAnd almost always, what would they realize over the course of the book is that the thing that they want is not the thing that they need.KJ Dell'AntoniaYeah.Ally CarterAnd so that's, that's an Ally Carter book. That's an Ally Carter character progress.KJ Dell'AntoniaThat's it. Now everyone can do it.Ally CarterYeah.KJ Dell'AntoniaYeah. Oh, but if it were that easy, everyone would do it, right? Um, no, this... this is amazing and delightful. I hope really helpful for people. I got distracted by taking some notes on what you just said. So, people—for me, for the Post-its on my computer, as well as, oh my gosh, so many Post-its, so many Post-its—let's talk just a little bit about the difference between YA [young adult] and adult when you're—fundamentally—I mean, some people sort of switch genres entirely. You were writing very similarly toned books for different audiences. How? How do you think of that evolution?Ally CarterThat's—in a way—yes, I did switch audiences. In another way, they're the exact same readers. And so that's—that's an interesting and weird thing about YA is, about every three years, you have to make all new readers because they have grown up and they've aged out of you. And even if they haven't aged out of you, they have what I call "cooled out of you."KJ Dell'AntoniaYeah, yeah.Ally CarterAnd they're like, I liked those books when I was a little kid, and so current me can't possibly like those books, because those are little kid books. And so I was on the phone during the pandemic with my friend Rachel Hawkins and Rachel had written YA for a long time, and then she switched to adult. And I was talking about... do I...? What do I...? I need to sell something. Do I sell another middle grade? Do I sell a YA [young adult]? Like, what do I sell? And she says, you sell an adult. You sell an adult book that appeals to your Gallagher Girl readers. And I, I said, oh, Rachel, I've spent, you know, 15 years building a career in YA, I've got, you know... And she said, your readers aren't there anymore. They are the girls who read you when they were 12, ten years ago, and are 22 now. And I'm like, oh, that's right, they are. They've grown up. And so I—and I had the idea for “the spy twins” and had tried to do it as YA, and then at one point I even tried to do it as middle grade, and I could never make it work. And the problem wasn't, one of the twins wakes up with amnesia and somebody's trying to kill her—that I could pull off. The problem was, how and why is her identical twin on the run? And what does she have? And, like, you know, she...KJ Dell'AntoniaShe needs a longer history than you can have as a teenager.Ally CarterYeah, exactly. Like, is she actually working for the CIA, like, because then again, we get into Agent Cody Banks territory, then it's, you know, well, we've got a super-secret branch of the CIA who recruits kids. I'm like, no, you don't that's stupid. Like so...KJ Dell'AntoniaAnd she's been there since she was 10, and now she's on the lam.Ally CarterExactly.KJ Dell'AntoniaYou know, and then at age 12, she went rogue.Ally CarterYeah. And then you've got, like, well, no, you know, it's a Parent Trap situation, and one of them was raised by a spy and one of them was raised by ordinary people. I'm like, oh, maybe... I don't know, but, you know, I just couldn't quite make it work. And so I was talking to Rachel, and I said, what am I supposed to do? Just dust off that old spy twin idea, except now, instead of a super-secret organization, she's just on the run from the CIA? And then I was like, wait a second.KJ Dell'AntoniaWell yes!Ally CarterIf she's 30... she can—so every single problem and logic challenge that I had with that premise went away once those characters became 30. And so I just—and it was the easiest writing I've ever done. I feel almost guilty about how easy that book was to write; because I'd been, I'd been working at it and hammering at that idea for so long. And so it was almost like, instead of starting it at the beginning, I started it at the end of the writing process, where you have that one, like, little linchpin thing that you think, oh, but what if I do this? And then the whole plot just...KJ Dell'AntoniaRight.Ally CarterSo I started it there. I started at the...KJ Dell'AntoniaWow!Ally CarterDomino moment. And I'm spoiled, because it'll never be that easy again. But that's, that's how the transition went. And, you know, it's been great because my readers, they're so excited to see me. It's like, they're, I hear from readers all the time, they're like, you know, it feels like you wrote this just for me. I grew up with you, and now you're writing books for me again, and that has been very full circle and very, very fulfilling.KJ Dell'AntoniaThat, that's great. Well, you're writing them for me too. So, love that, and I think for a lot of our listeners—who I really think are going to enjoy this episode.Ally CarterThank you.KJ Dell'AntoniaSo before I let you go, can I ask you what you have read and loved lately?Ally CarterOh, sweet mercy. I have been so underwater, on a—on a book, and it's been the kind of—it's been the kind of deadline and the kind of book... You know how the old adage is so true that you never learn how to write a book—you just learn how to write the book you're writing right now. And so this one has just... and when I get that way, I don't enjoy reading because my inner critic can't turn off. But I will share a show that I loved, and I—they just announced that they're not doing a season two, and I'm heartbroken over it. And that is, on Netflix, there's a Shonda Rhimes show called The Residence, and it's a murder mystery set at the White House. You know, somebody drops dead during a state dinner. And it's got kind of a kooky detective and a wonderful, colorful cast, and it's very, very funny, but it also—it threads that tonal needle, where, like, no, no, there was a murder. This is still serious, but, oh, by the way, I'm going to go look at the body, but first I saw a bird I want to check out, you know. And so it's just—tonally and voice-wise—it does really amazing things. And so if any of your listeners are looking for a really great, like, eight-episode series, it's great. I could not recommend it more—The Residence on Netflix.KJ Dell'AntoniaThat sounds super fun. Well, I am in the midst of The Blonde Who Came In from the Cold. So, you know, I don't normally recommend a book until I know if the writer is going to stick a landing. But I feel quite confident in this one, and have enjoyed—as you can obviously hear from the podcast—the rest of Ally's work. So I am going to just push all of you listeners to, you know, head out there, grab the new one, grab the old one, and have a good time with them.Ally CarterAww, thank you.KJ Dell'AntoniaYou're welcome. Thanks so much for being here. Oh, should people follow you on social media? Do you do anything fun? Are you...?Ally CarterI do nothing fun. I'm not fun at all. I'm mostly on Instagram; I guess at this point I'm the Ally Carter over there. I have a couple of kind of defunct Facebook pages that I update occasionally. I just updated it for the first time, evidently, in two years. So that was fun. I'm on Threads very seldom. I used to be on Twitter and I still have that account I don't update it very often. Um, but yeah—and of course, my newsletter, like the newsletter is—I think we need to come back. We all need to get back to the newsletter, because it will deliver the news directly to your inbox. And so if you want to make sure you don't miss any like, you know, tour events, which, by the way, I'm coming to Boston on tour in a couple of weeks. So looking forward to that a lot. I think its Lovestruck Books? Is that Boston?KJ Dell'AntoniaProbably yeah.Ally CarterYeah.KJ Dell'AntoniaThat's the new romance bookstore there. I've been with Sarina a couple of times, and yeah, it's a great—it is a beautiful store. Like, every detail. Their bathrooms are phenomenal. That's how wonderful this store is. So, very cool. All right, I will link up the newsletter in the show notes, and yeah, about, you know, once every week, I decide to just cancel all the rest of my social media and only do my AmReading email. And then I imagine what my agent would say. And yeah, I don't do it, but...Ally CarterIt's, you know, and I feel like I'm such a broken record, like, oh, you know, go buy my book. Oh, go, you know, I'm going to be here on tour. Oh, this is how you get signed books. But—and I just say over and over and over again—and then inevitably, and this really happened to me one time, I was sitting at the LAX Airport waiting on a flight home, and I got an irate message from a reader that I never come to LA. And I was like, I did an event here last night—like, I was at the Barnes and Noble at The Grove or wherever—last night. And so we said, we—it feels like we are just beating a dead horse letting people know about these things, but it's so easy for things to get lost. And so...KJ Dell'AntoniaYeah! Jess tells the story—that's one of my other co-hosts—about, you know, someone who had come up to her, really one of her biggest fans, “Good new book.” And, “I get your idea, I love this, and I love that you wrote, like, knew a lot.” And then she said, “Oh, well, did you enjoy my latest book?” And they're like, “You have a new book?!”Ally CarterIt happens every time. And so, you know, it's—it's just part of the business at this point.KJ Dell'AntoniaYou've got to do it—it's just part of the business. All right. Well, thank you again...Ally CarterThank you.KJ Dell'AntoniaAnd as always, listeners until next week keep your butt in the chair and your head in the game.Jess LaheyThe Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Send us a textWelcome to Season 6 Episode 3 of That Pretentious Book Club!In this twisty episode, the club dives into With a Vengeance by Riley Sager—a 1950s, fast-paced psychological thriller that had even the smartest of us second-guessing everything. Join the hosts as they unravel the backstories of a cast of incredibly dislikable suspects, all of whom played a part in the mysterious tragedy that destroyed our (incredibly badass) heroine's life. If you liked Agatha Christie's Murder on the Orient Express, this book is almost guaranteed to satisfy.Pour yourself a cup of tea, raise a pinky, and join the club for this discussion of With a Vengeance by Riley Sager!Join a team, crush your TBR, and support Wheezy's new indie bookstore in the Bookshop Read-A-Thon!Reserve your spot at the Story Sirens Studio Fall Writing Retreat now! Help Ash launch her bookstore!https://www.ifundwomen.com/projects/story-emporium-bookshopSupport the showFind this episode's book and more by shopping at https://bookshop.org/shop/storysirensstudio to support the club AND local bookstores!Visit us at storysirensstudio.com or find us on social media @thatpretentiousbookclub.Check out sister podcast The Scripturient Society for writers and join our writing group on Facebook! Find Space Aliens, Southerners, and Saving the World by Ash Leigh O'Rourke on Amazon.

The following was recorded LIVE on March 21st at the Bur Oak in Madison WI. It features keys by Scott Passarella (K.O.P.P.O.K) and Jack Harris, hometown hero of an Ann Arbor who drove all the way here to crush it again on the drums. Have you ever wondered about who works in that old lighthouse? Why they work in that old lighthouse? WHEN they work in that old lighthouse? This is the show for you. Why yes, we had been listening to an Agatha Christie novel on this tour, why do you ask? COME SEE US ON TOUR! Tickets at: OffBookLive.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nos acompaña Esther García productora ejecutiva y durante décadas directora de producción de El deseo, la productora de los hermanos Almodóvar que este año cumple cuatro décadas. Además, conocemos distintas propuestas culturales: La Compañía de Circo EIA presenta su espectáculo de circo contemporáneo La piedra de madera justo en la muralla griega de Empúries; el Festival de Teatro Clásico de Mérida estrena Memorias de Adriano bajo la dirección de Beatriz Jaén y también recodaremos a la figura de Hércules Poirot, el detective más famoso de Agatha Christie. En nuestro rincón de música clásica Inko Martín recorre la trayectoria del compositor británico Max Richter y con Martín Llade repasamos vida y obra de Shostakovich cuando se cumplen cincuenta años de su fallecimiento. Escuchar audio

Vita e romanzi di Agatha Christie, scrittrice inglese, autrice di oltre 80 tra romanzi e raccolte creatrice di Poirot e Miss Marple.

Gray and Mark head to beautiful Belfast to chat to novelist and Agatha Christie fan Jan Carson. Jan has been tackling the Troubles in her work for some time, and we want to discuss with her Christie's Troubles references in Passenger to Frankfurt, as well as Irish characters and references in other Swinging books - all the way from The Pale Horse to By the Pricking of My Thumbs!A handful of tickets are still available⁠ for our first ever live episode recording in Torquay this September as part of the International Agatha Christie Festival 2025!You can find us on Instagram ⁠@Christie_Time⁠. We are also on Bluesky at ⁠christietime.bsky.social⁠. Our YouTube account is @TheSwigingChristies. Please subscribe to the podcast so you're notified every time an episode drops!Please also consider giving us a star rating and/or reviewing us on your podcatcher of choice.Our website is ⁠ChristieTime.com⁠.The Swinging Christies is a Christie Time project by Mark Aldridge and Gray Robert Brown.Next episode: we're going global… again…!00:00:00 - Opening titles00:00:47 - Introductory chat in Belfast00:02;46 - Interview with Jan Carson and discussion of Ireland in the Swinging Christies00:37;58 - The Troubles00:52:46 - Next episode, how to get in touch00:54:03 - Closing titles00:54:31 - CodaSolutions revealed! - The Pale Horse, At Bertram's Hotel, Endless Night, Passenger to FrankfurtTW: Racist and xenophobic language quoted

Wiederholung vom 23. Juni 2024 Wer "Südengland" hört, denkt schnell erstmal an das bei deutschen Touristen so beliebte Cornwall. Doch wer aus London Richtung Süden fährt, der sollte auch in South Devon anhalten und sich von den sanften grünen Hügeln und beeindruckenden Stränden hier begeistern lassen. Zwischen den Küstenorten Torquay, Paignton und Brixham liegt eine Bucht mit dem passenden Namen "English Riviera". Hier lässt sich so einiges erleben. Zwar sind die drei kleinen Städtchen mittlerweile schon etwas in die Jahre gekommen, aber auch heute noch kann man hier bei sehr mildem Klima hervorragend urlauben. Sei es mit einem traditionellen "Fish & Chips"-Gericht an der Seepromenade von Torquay oder bei langen Küstenwanderungen entlang des South West Coast Path. Vor Jahrzehnten urlaubten hier in Torquay vor allem die Reichen und Schönen aus London - und mitten unter ihnen war auch eine junge Frau, die später zu einer der bekanntesten Krimi-Autorinnen der Welt werden sollte: Agatha Christie. Sie wurde hier geboren und ließ sich an der "English Riviera" auch für Tatorte, Mörder und Mordmethoden inspirieren. Der Reichtum der Landbesitzer wiederum ist heutzutage einigen Aktivisten der "Right to Roam"-Kampagne ein Dorn im Auge: Sie fordern mehr Zugang zur Natur und Wildnis - die in England oft in Privatbesitz ist. Wir begeben uns auf die Spuren von Agatha Christie, lassen uns zeigen, wie man den Fisch für das Nationalgericht "Fish & Chips" so knusprig bekommt - und wandern mit den "Right to Roam"-Aktivisten durch den malerischen Nationalpark Dartmoor. Für uns war Konstanze Nastarowitz in South Devon unterwegs.

Agatha Christie's "The Mousetrap" is a timeless classic that has kept audiences on the edge of their seats for over 70 years and is the ultimate whodunit. When a group of strangers becomes snowbound in a remote countryside guesthouse, a chilling murder sets off a race against time to unmask the culprit.

We are so used to thinking of Tolkien being all about the past - old languages, old stories and no post-Shakespearean literature going into his cauldron of story-making, but of course that is wrong. Meet Dr Holly Ordway, whose fantastic book, Tolkien's Modern Reading, is a scholarly and entertaining exploration of the breadth of books in many genres that Tolkien was reading. From The Land of Snergs, to Swallows and Amazons, to Agatha Christie, he was catholic in his tastes, in the sense of universal. Follow our wide-ranging discussion from the books of Tolkien's youth, to those he read his children, and on to the adult novels he read and appreciates - as well as those he didn't like. Stick around to find out where we would set a boys' own adventure!(00:05) Exploring Tolkien's Modern Reading(10:13) Influences on Tolkien's Writing(24:59) Tolkien's Diverse Reading Influences(42:26) Adventure Influences in Tolkien's WorldFind out more about Holly and her works here: https://www.wordonfire.org/tolkien/For more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok

The suspects are rounded up - Time to learn 'who are the killers?' - This 3rd editor Susan Ryeland / detective Atticus Pünd novel MARBLE HALL MURDERS ends with a punch. This week we tackle the final 200 pages! Let's Solve the whodunnits within this fun book! Alan Conway is dead - long live Atticus Pünd who's brought back from the fictional dead as a continuation novel by failed author Eliot Crace, the grandson of famed deceased children's author, Miriam Crace. Susan needs work, so she's drafted to help the washed out Eliot turn his manuscript into a worthy entry in the Atticus Pund series. As Susan delves into the manuscript, she discovers uncanny parallels between the fictional world and real-life Crace family secrets. This meta spin on a Golden Age Murder Mystery features several fair play puzzles that we can solve! Who killed Lady Margaret Chalfont? Was she poisoned? How? Why? When?  00:00 Intro 00:54 Spoilers up to page 501 02:26 Frederick Turner's father reveal 03:11 Frederick Turner's car accident 03:34 Charles & Elaine Clover 06:39 Who killed Miriam Crace? 08:50 Atticus Pund manuscript 09:36 Lady Chalfont Murder Timeline 12:14 My suspects 13:40 I've finished the book "Marble Hall Murders (Susan Ryeland #3)" is a novel by Anthony Horowitz, the third book in the Susan Ryeland series, featuring the character who edits the fictional detective Atticus Pünd. In this installment, Susan Ryeland is tasked with editing a continuation novel titled "Pünd's Last Case" written by Eliot Crace, who is also the grandson of a deceased children's author. Eliot believes his grandmother was murdered, and he's hidden clues about her death within his novel. As Susan delves into the manuscript, she discovers uncanny parallels between the fictional world and real-life Crace family secrets, ultimately leading her to become a target. Do you watch on PBS or BBC or another service? Did we miss any clues?  Twitter/Instagram/Threads: @DoublePHQ http://facebook.com/doublephq #MoonflowerMurders #MagpieMurders #murdermystery #whodunit #whodunnit s1e06 s1e6 #whodunnit #AnthonyHorowitz #LesleyManville #books #MoonflowerMurdersPBS #MoonflowerMurdersBBC Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz—another tribute to the golden age of Agatha Christie featuring detective Atticus Pund and editor Susan Ryland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel, and her Greek boyfriend Andreas in search of a new life back in England. Freelancing for Causton Books, she's working on the manuscript of a novel, Pund's Last Case, by a young author named Eliot Crace, a continuation of the popular Alan Conway series. Susan is surprised to learn that Eliot is the grandson of legendary children's author Marian Crace, who died some fifteen years ago—murdered, Elliot insists, by poison. As Susan begins to read the manuscript's opening chapters, the skeptical editor is relieved to find that Pund's Last Case is actually very good. Set in the South of France, it revolves around the mysterious death of Lady Margaret Chalfont, who, though mortally ill, is poisoned—perhaps by a member of her own family. But who did it? And why? In the television series, these characters are: Lesley Manville ... Susan Ryeland Tim McMullan ... Atticus Pünd Conleth Hill ... Alan Conway Daniel Mays ... Locke / Chubb Alexandros Logothetis ... Andreas Patakis Matthew Beard ... James Taylor/ James Fraser Michael Maloney ... Charles Clover We know actor Mark Bonnar is in the cast, I'd suspect he's playing Elmer Waysmith. #whodunnit #whodunit #susanryeland #atticuspund #anthonyhorowitz #murdermystery #clue #booktube

Todays guest is Jordan Reeves from The Barnstormers in Tamworth. “The Barnstormers Theatre is premiering a brand-new play this month — “Front Row to Murder,” a cozy, comedic murder mystery inspired by Agatha Christie and written by longtime Barnstormer Jordan Reeves. It opens July 24 and runs through August 2. Directed by Blair Hundertmark and featuring a cast of professional actors, the play is both a love letter to theatre and a fun nod to the Tamworth community, which was directly involved in the development process. In fact, Jordan hosted feedback sessions at the local library to help shape the final script.” Tickets can be bought here.

Todays guest is Jordan Reeves from The Barnstormers in Tamworth. "The Barnstormers Theatre is premiering a brand-new play this month — “Front Row to Murder,” a cozy, comedic murder mystery inspired by Agatha Christie and written by longtime Barnstormer Jordan Reeves. It opens July 24 and runs through August 2. Directed by Blair Hundertmark and featuring a cast of professional actors, the play is both a love letter to theatre and a fun nod to the Tamworth community, which was directly involved in the development process. In fact, Jordan hosted feedback sessions at the local library to help shape the final script.”

On this 50th Lounge episode, Michael, Pax, Rob - and introducing PJ Holley! - talk about history podcasts, unproduced Superman movies, Sharks Of The Corn, Indiana Jones, The ABC Murders by Agatha Christie, Terry Pratchett's Discworld books, and how to invade an ensemble TV show.

Poirot and Dr. Sheppard go through the facts of the case. We learn an illicit use for a goose quill. And an American once again gets scape-goated in an English novel for something they probably didn't do. (huff) 0:00 - intro2;07 - Dramatic Reading of The Murder of Roger Ackroyd Ch 1317:24  - A (not so) brief discussionThe Murder of Roger Ackroyd by Agatha Christie (1926)https://gutenberg.org/cache/epub/69087/pg69087-images.htmlThis eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.orgCredit to https://www.FesliyanStudios.com for the background music.Credit to https://www.soundjay.com/ for the sound effectsPodcast Photo P/C: https://www.pexels.com/@luan-oosthuizen-823430/collections/

In this episode of Let's Commiserate, Sam and Dave discuss the iconic Murder on the Orient Express by Agatha Christie. They dive into the intricacies of Poirot's brilliant investigation, the captivating characters, and the masterful writing that has made this book one of the most celebrated mysteries of all time. Sam reflects on the book's logical structure and the subtle genius of Poirot's deductions, while Dave explores the unique pacing and why it's so engaging.They also touch on the differences between the book and its various film adaptations, sharing their thoughts on how the story has been brought to life on screen. Plus, get ready for the upcoming breakdown of the 1974 adaptation—there's a lot to look forward to!We'd love to hear your thoughts! Have you read Murder on the Orient Express? What's your favorite adaptation? Let us know!

This week, we're stepping into the quiet village of St. Mary Mead—where, naturally, a murder has just taken place. We're talking about Murder at the Vicarage, Agatha Christie's first full length novel to feature the sharp-eyed, quietly brilliant Miss Marple.In this episode, we dig into what makes this book such a good introductory read to one of Christie's most beloved detectives. We'll talk red herrings, small-town secrets, and why this seemingly peaceful village is the perfect setting for a whodunnit. Plus, we'll share our favorite suspects, biggest surprises, and what we love about Christie's clever plotting and dry wit.Whether you're new to Miss Marple or revisiting her first case, join us as we unravel the mystery at the vicarage—one suspicious clue at a time.Support the showRecommend us a Book!If there's a book you want to recommend to us to read, just send us a message/email and we'll pop it on our long list (but please read our review policy on our website first for the books we accept).Social MediaWebsite: https://teachingmycattoread.wordpress.com/Email: teachingmycattoread@gmail.comInstagram: https://www.instagram.com/teachmycat2read/Tumblr: https://teachingmycattoread.tumblr.comYoutube: https://www.youtube.com/channel/UCFXi9LNQv8SBQt8ilgTZXtQListener Surveyhttps://forms.gle/TBZUBH4SK8dez8RP9

¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas 🔦¿Te atreves a descubrir al culpable junto a Miss Marple? Existe la adaptación cinematográfica dirigida por Charles Palmer en 2004, con un guion de Stephen Churchett, basada en esta intrigante novela de Agatha Christie. ¡Sigue el rastro de pistas y acompáñanos en esta aventura de suspense y misterio!🔍 Te comparto un plano para que comiences a explorar el mundo de Miss Marple en la comunidad de este podcast y en nuestro canal de Telegram. 🔎 y en Youtube. 📌He creado una playlist para reproducir todos los capítulos: https://go.ivoox.com/bk/11196878 Voz y sonido Olga Paraíso BIO Olga Paraíso: https://instabio.cc/Hleidas Disponible 2ª ed. en tapa dura tamaño más grande de Crónicas Vampíricas de Vera Amazon https://amzn.eu/d/gCg2y5E 🖤 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

¡Únete a la nave de Historias para ser Leídas y conviértete en uno de nuestros taberneros galácticos. Al hacerlo, tendrás acceso a lecturas exclusivas y ayudarás a que estas historias sigan viajando por el cosmos.🖤Aquí te dejo la página directa para apoyarme: 🍻 https://www.ivoox.com/support/552842 ¡¡Muchas gracias por todos tus comentarios y por tu apoyo!! 📌Más contenido extra en nuestro canal informativo de Telegram: ¡¡Síguenos!! https://t.me/historiasparaserleidas 🔦¿Te atreves a descubrir al culpable junto a Miss Marple? Existe la adaptación cinematográfica dirigida por Charles Palmer en 2004, con un guion de Stephen Churchett, basada en esta intrigante novela de Agatha Christie. ¡Sigue el rastro de pistas y acompáñanos en esta aventura de suspense y misterio!🔍 Te comparto un plano para que comiences a explorar el mundo de Miss Marple en la comunidad de este podcast y en nuestro canal de Telegram. 🔎 y en Youtube. 📌He creado una playlist para reproducir todos los capítulos: https://go.ivoox.com/bk/11196878 Voz y sonido Olga Paraíso BIO Olga Paraíso: https://instabio.cc/Hleidas Disponible 2ª ed. en tapa dura tamaño más grande de Crónicas Vampíricas de Vera Amazon https://amzn.eu/d/gCg2y5E 🖤

Send us a textAuthor Roland Allen joins Joe for a deep-dive into his book, The Notebook: A History of Thinking on Paper, and the surprising legacy of one of humanity's most powerful tools: the humble notebook.Whether it's a green notebook in your cargo pocket, Leonardo da Vinci's sketches, or a modern writer's Moleskine, notebooks have shaped how people think, learn, and lead for centuries. In this fascinating conversation, Roland shares how these simple collections of thoughts, drawings, and quotes—what he calls “the first mixtape”—have been central to creativity, memory, and meaning throughout history.Whether you're a leader, writer, soldier, or student, this episode will inspire you to pick up a pen and rediscover the power of thinking on paper.In this episode, we explore:How a personal diary led Roland to uncover the global story of notebooks and their impact on civilizationThe Zibaldoni: a 14th-century Florentine notebook tradition that sparked the birth of modern literatureWhy Leonardo da Vinci never left home without his notebook—and how it supercharged his creativity across disciplinesHow Isaac Newton rewrote his own history by editing his notebooksThe power of the commonplace book: a forgotten practice that shaped minds from Shakespeare to modern military leadersHow notebooks create lasting knowledge—from 19th-century whalers to 21st-century climate scientistsThe quirky and wildly different notebook habits of Agatha Christie, Virginia Woolf, and Roland himselfWhy writing by hand helps us remember more, make better decisions, and build resilience through tough timesJoe's reflections on keeping a green notebook in combat and why he now journals with his future self in mindWhether you use a green notebook, a Moleskine, or a legal pad, this episode will change the way you think about what it means to write—and why it matters.A Special Thanks to Our Sponsors!Veteran-founded Adyton. Step into the next generation of equipment management with Log-E by Adyton. Whether you are doing monthly inventories or preparing for deployment, Log-E is your pocket property book, giving real-time visibility into equipment status and mission readiness. Learn more about how Log-E can revolutionize your property tracking process here!Meet ROGER Bank—a modern, digital bank built for military members, by military members. With early payday, no fees, high-yield accounts, and real support, it's banking that gets you. Funds are FDIC insured through Citizens Bank of Edmond, so you can bank with confidence and peace of mind. 

Jess, Sarina, Jennie and Jess are all here to talk about taking a break from various angles: the mechanics angle, the guilt angle, the fear angle, the identity angle and inspiration angle. Mechanics. * Leave yourself notes about the project when you leave off, for example, “The next thing that needs to happen is this…” so when you come back, you know how to get back into the project. This is Sarina's daily practice, but it really helps when she has to leave a project behind. This can be especially helpful when you have to go away for an unexpected emergency. * Jennie adds that the only way you can do this is if you have a place to keep and find those notes to yourself. In one of your 47 notebooks or in the document itself? Or, as Jess adds, on the side of the cardboard box you use for trash in your basement workshop that you almost recycle by accident. * Jennie also notes that you have to have intentionality, to know what you are writing so you can know what comes next, whether that's in your outline, inside outline, or whatever. * Jennie has a little notebook she brings on vacation with her and she downloads those ideas into that just before going to sleep at night when she's away. * These vacation inspiration moments are much like shower thoughts, part of the magic of our brain unhooking, getting into deep default mode network, and becoming its most creative. * Sarina mentioned an article about how walking makes you more creative, also a study in why tapping into the default mode network is so effective as a practice. Fear * The only way to get over this is to sit down and do it. Open the document. Just start. * Jennie points out that getting back into a manuscript when it's disappeared feels horrifying but it's much easier than it sounds and has happened to one of our frequent guests, Sarah Stewart Taylor, when her then-toddler created a password for the document that was not recoverable. She had to give in to the fact that her book was gone, and recreate it out of her memory. Guilt and Identity* It only took Jess until her fiftieth year to figure out that her process - of walking, gardening, beekeeping, musing - is a part of writing, and that's cool. * Can you be a writer if you are not actively writing? Yes, if research, planning, thinking and otherwise cogitating is a part of your writing process. Get over it. The words have to land on the page eventually, of course, but if you are doing both, have grace for the not-actively-writing part of the writing process. #AmReadingTess Gerritsen's series set in Maine (The Spy Coast and The Summer Guests) and, once she finished those two books, Jess went back to The Surgeon, where it all started for Tess Gerritsen. Stay tuned for our interview with her! Andy Weir's Project Hail Mary (Don't watch the movie trailer if you plan to read the book!)Sarah Harman's All the Other Mothers Hate MeAmy Tintera's Listen for the LieRosemerry Wahtola Trommer The UnfoldingRichard Osman's The Thursday Murder Club (coming to Netflix in August!)Janelle Brown's What Kind of Paradise Want to submit a first page to Booklab? Fill out the form HERE.Writers and readers, KJ here, if you love #AmWriting and I know you do, and I know you do, and especially if you love the regular segment at the end of most episodes where we talk about what we've been reading, you will also love my weekly #AmReading email. Is it about what I've been reading and loving? It is. And if you like what I write, you'll like what I read. But it is also about everything else. I've been #AmDoing: sleeping, buying clothes and returning them, launching a spelling bee habit, reading other people's weekly emails. Let's just say it's kind of the email about not getting the work done, which I mean that's important too, right? We can't work all the time. It's also free, and I think you'll really like it. So you can find it at kjdellantonia.com or kjda.substack.com or by clicking on my name on Substack, if you do that kind of thing.Come hang out with me. You won't be sorry.Transcript below!EPISODE 458 - TRANSCRIPTKJ Dell'AntoniaWriters and readers, KJ here. If you love Hashtag AmWriting, and I know you do, and especially if you love the regular segment at the end of most episodes where we talk about what we've been reading, you will also love my weekly Hashtag AmReading email. Is it about what I've been reading and loving? It is. And if you like what I write, you'll like what I read. But it is also about everything else. I've been ‘hashtag am-doing', sleeping, buying clothes and returning them, launching a spelling bee habit, reading other people's weekly emails. Let's just say it's kind of the email about not getting the work done—which, I mean, that's important too, right? We can't work all the time. It's also free, and I think you'll really like it. So you can find it at KJdellantonia.com or kjda.substack.com or by clicking on my name on Substack, if you do that kind of thing or of course in the show notes for this podcast. Come hang out with me. You won't be sorry.Multiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is the Hashtag AmWriting Podcast, the weekly podcast, while writing all the things—short things, long things, pitches, proposals, fiction, nonfiction. And somebody told me they thought this was a recorded intro. And I just want you to know I do this live every time, which is why there's this, come on, there's more variety here, people, and you should know that. Anyway, here we are, all four of us, for we got a topic today. But before we do that, we should introduce ourselves in order of seniority, please.Jess LaheyI'm Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation. And I laugh, because when you said seniority, all I could do was think of us in our little eave space in my old house, down the street from you, not knowing what the heck we were doing. But yeah, we've been doing this for a long time now. You can find my... you can find my journalism at The New York Times, at The Washington Post, at The Atlantic, and everything else at Jessicalahey.com.Sarina BowenI'm Sarina Bowen. I'm the author of many novels. My new one this fall is called Thrown for a Loop, and it will be everywhere that books are sold, which is very exciting to me, and all about me at Sarinabowen.com.Jennie NashI am the newest of the co-hosts, and so happy to be among this group of incredibly smart and prolific and awesome women, and I'm the founder and CEO of Author Accelerator, which is a company on a mission to lead the emerging book coaching industry. And you can find us at bookcoaches.com or authoraccelerator.com.KJ Dell'AntoniaI'm KJ Dell'Antonia. I'm the author of three novels, the latest of which is Playing the Witch Card, and the most televised of which is The Chicken Sisters—Season Two coming soon to a Hallmark network near you. And I'm also the former editor and lead writer of The Motherlode, making me our... well, and Jennie too, like the crossover. I've done too many different kinds of writing—probably should have stayed in my lane. Oh well. And our plan today—as we're recording, it is summer. And a pretty frequent thing that happens in the summer is that you need to put your project down for a little while, because you have house guests, because you're going on the kind of vacation that does not involve working, because you just need a break or you're sick. That's not really a summer thing, but it definitely happens. Anyway, we wanted to talk about how, you know, what—what do you do to make that work better?Jess LaheyI think a lot about being a parent and needing to take a break too. And you know, this is something I talk a lot about with, you know, other writers who are sort of struggling, especially since I read a lot about parenting—who are struggling to—with that guilt of, you know, like, I feel like I owe my time to the words, and I feel like I owe my time to the children. And finding a way to take a break from the words and not feel guilty about not being with the words can be really, really hard, especially when you're going gung-ho on something. So I want to make sure that we figure out a way to have a break without guilt. That's like the big question I get a lot—is, how do you, you know, either from the parenting or the writing side?KJ Dell'AntoniaAnd I was thinking about it more from a mechanics side.Jess LaheyYeah.KJ Dell'AntoniaHow do you put this thing aside for a week or two weeks or even a month? And know where you were?Jess LaheyRight.KJ Dell'AntoniaAnd come back and feel like it does not take you forever to dig in.Sarina BowenYeah. Um, so we've got the guilt question. We've got the mechanics of how to do it. And I would just like to add a layer, which is the fear factor.Jess LaheyYeah.Sarina BowenI have this thing where, when I walk away from a manuscript, I become afraid of it. So it seems scarier when I take a break. Like, even if it's not true—that I don't know where I am or that I become unmoored from the channel of that book and it seems intimidating to go back to.Jess LaheyCan I add one more layer as well? And that's the identity factor. You know, if I identify as a writer, what am I if I'm not actively writing something? And that messes my head up a lot. So I would love to add that added layer in as well and make sure we discuss that.Jennie NashWell, and I have something totally different from all of those, which is that I often find when I go on vacation, I am more inspired and motivated to work on my project than I was in my real life. It tends to light a fire under me. So then I'm faced with that choice of, you know, wanting to really lean into it. And, you know, just like a really small piece of that story is, I love to write on airplanes. I just love it. Give me a very long flight, and it's—I just want to work and not talk to anybody. And, you know, it's awesome. So I feel some guilt around that. When I'm with my family, it's like, don't talk to me, don't watch movies. You know, I'm—I'm enjoying my plane time, doing my work. So I have that reality.KJ Dell'AntoniaWell, that's the choice that you have to start with, is, am I just, you know, can I not? Am I—do I need to accept the reality, which is that this is a beach trip with extended family and some, you know, my—to multiple generations, and I inevitably am going to be the person who is cooking and figuring out where the garbage has to go in the Airbnb? I should, you know, I—I will feel better if I just accept the reality that I'm not going to wake and work. Or, you know, is it a—is it a trip where you can schedule some work time and want to? Or is it a trip where you affirmatively want to give yourself a break? Or is it also, I mean, I sort of think that the last possibility—well, there are probably multiples—is I just want to touch this every day. So I feel like you can kind of—you're like, you're either like, just—no, not going to happen, not going to pretend it's going to happen, not going to feel the guilt. That's the—that's where we are. And there's sort of a, I just want to open the file every day and keep it warm and friendly. And on, you know these three—three days I have an hour.Jess LaheySo let's do this. Let's—let's do mechanics first, since that's the real nuts-and-bolts stuff, and then we'll talk about all the touchy-feely stuff after that. So let's do mechanics first. It sounds like you have thoughts, KJ…?KJ Dell'AntoniaWell, I was actually thinking that Sarina did this pretty recently.Jess LaheyYeah, that's true.Sarina BowenYeah. Like, you know, I, um, I have found mechanically that leaving yourself notes every time you walk away from your manuscript is a good thing. So this is sort of like a best practices in your life idea, where I will have a writing day, and it's done now, and I'm going to get up and go do other things in my life. If I pick up my notebook, and I write down where I am—like, okay, and the next thing that has to happen is this—like, it could be really short or not. But taking better notes about the structure of the thing I'm working on is serving me on so many levels that it just slots right in here. Like, I took a big trip in April, and I thought I might work, but then I didn't, and I really seamlessly came right back in, because I knew where I was, and I avoided a lot of my own fear. So, if the practices that help you become a good day-to-day writer also can be practices that help you in this very instance, the mechanics of picking up your book again are that you left yourself a note right in your document, um, or in your notebook, that says, and here's what I think is supposed to happen next. And, yeah.KJ Dell'AntoniaThat's going to be gold for an unexpected break too, because that happens, you know, right? You get one of those phone calls, and it's a week before you're back or more.Sarina BowenYeah.KJ Dell'AntoniaYeah. I love this practice. This is one of those things I forget to do.Jennie NashI feel like I—I feel like I have to add to that a couple things. That the only reason you can do that is, A, if you have a place to take notes, which—which could be your, the document itself that you're working on. But Sarina talked about a notebook, right? You have a place that you know, that you can find that, which is not an insignificant thing to have, or...Sarina BowenCorrect!Jennie NashRight?! Or, in the case of me, it's like, I have 47 notebooks. Well, which one did I put the note in?Sarina BowenRight.Jennie NashBut then the second thing is, I mean, this is something that I find so inspiring about the way you work, Sarina, and it—and it's a thing that I teach—is you have to know what you're writing, you know, in order to know where you are, what the structure is, and what you're doing, and to ask those—like, you have to have done the thought work of what, what it is you're trying to do and what your intention is. Otherwise, you sort of don't ever know where you are or where you're going. So...Sarina BowenRight, but that's on two levels. Like, you could—let's just say you have successfully written yourself an Inside Outline, you know, the way that you do it—you still might need that granular thing.Jennie NashOh yeah!Sarina BowenLike, you might know where you are in the arc of the book, but you might actually need the note that's like, "And now we're going to wash the dishes." I mean, let's please not put that in the novel, but you know what I mean.Jennie NashYeah, yeah. But that intentionality of, on the big picture, what am I doing, and on the small picture—in this chapter, in this scene, in this moment, and with this character—what was I... how'd that fit into the whole? What was I thinking? And those things are not—they're not easy. Like, we're talking about them like, "Oh, you just..." You know, like I was saying, what if you have 47 notebooks? That literally is a problem I have. It's like, I know I wrote this note down, and I don't know where I put it—digitally or analog.Sarina BowenRight. I confess I actually do still have this problem. Like, even with all of my best practices, like, put into—sometimes it's like, well, is that in the document, or is it in my notebook? And then—or I thought about it at four in the morning and actually didn't write it down anywhere. And I'm looking anyway...Jennie NashOh, I do that too. I absolutely do that too. I'm convinced that I left a note while I was driving—that's a thing I often do. I'll leave—I'll have Siri write me a note, and then somehow it doesn't appear, or it's like, I know I did this, I know I asked her to do this... you know.Jess LaheyI actually have—I was doing the recycling, and I realized that I was in big trouble because three sides of a box I'd had down in the basement with me while I was working on a project—I was doing something with my, getting some beehives ready—and I was listening to an audiobook that is research for a project I'm working on, and I had scribbled some really important notes to myself about how I was supposed to start a chapter on. And it was a great start. It was like a whole paragraph on the three sides of the box, with an old Sharpie I found down in the basement. And then I realized I almost recycled, like, some really useful outline stuff.Multiple Speakers[all laughing]Jess LaheySo normally—no, so I actually have them. While you guys are talking about something else, since we do see each other while we're recording this, I'll show you later. But the thing that I normally do is either in the document, like right where I left off, or in my main notebook, because I am so bad at finding those notes that I have strewn all over my office or on the side of a cardboard box.KJ Dell'AntoniaI have had the problem lately of I'm not in a manuscript, and that it's much easier when you're in a manuscript to come back to a manuscript, but I'm in a notebook full of assorted random Blueprint challenge, you know, like trying to—I'm, I'm in figuring out where this is going mode, which means I do a lot of thinking while I'm not working that then hopefully I go and write down. But it also means that I frequently sit down and I'm like, well, am I going to think about who these people are? Am I going to think about what the plot is? What am I going to do? So I've been trying to leave myself like a task, something that will, that will just get me, get me back in, because sometimes that's the problem. I, you know, I open the notebook, and there's no obvious thing to do, and the next thing I know, I'm buying running shoes.Jennie NashWell, since we're talking about nuts and bolts, when I said that I often get inspired when I go away or go on vacation and I want to work, I'm not talking about I'm going to go sit in a library or coffee shop for three hours. What, what I mean by that is I often have ideas that I want to capture, and so I have a little notebook that I bring on vacation, and what I like to do is go to bed early enough that I can download all the things I thought that day. I need that space and time to—if it's, if I'm working on something, it's in my head. It's not going to not be in my head. And so the one sort of new mechanical thing that I, that I do, is have that "vacation notes notebook" with me.KJ Dell'AntoniaI always carry one, and I never use it. So there's that.Jess LaheyI get—I am at my most inspired to write when I specifically can't write, which is usually behind the wheel of my car. So I use, in my car, I have been known to, you know, either scribble on things—which, totally don't do that—or to record myself on my phone. But then, audio things, I'm particularly bad at going back and listening to; that seems like it's just too much work. So those tend to get lost a lot. I need to come up with a better system for that. But it is predictable that if I am in a place where I cannot physically write, I will be at my most inspired to write.Jennie NashJess, that's kind of what I'm talking about. That's what happens to me, is I might say I'm leaving all work behind. I'm going off the grid. I'm not doing the thing. And that's when I most want to do the thing. And I, like, my brain seems to really get inspired. What? What do you think that's about? Is that...Jess LaheyI, you know, I, I was very worried that it was my sort of, um—sorry, what's the word I'm looking for? It was—it's my, my brain's way of saying, "Oh, you couldn't possibly work now, so let's have some of the best ideas so that you seem like a good little doobie writer, but it's physically impossible for you to write now." It's just a really weird thing, and maybe one of the other things I thought about is that I'm often listening to a book that I'm really into, which also inspires me to write. I've been listening to a lot of really great books lately, and you can't listen to a book—even one that inspires you deeply—and actually write at the same time, which is another quandary.Sarina BowenYou know what, though? This is not uniquely your brain messing with you—like, this is shower thoughts.Multiple Speakers[Overlapping: “Mm-hmm.” “Sorry.” “Ohhh...”]Sarina BowenBut everybody—everybody has those great ideas in the shower, and it's because you have unhooked yourself. You are just in there with the shampoo and the conditioner and that razor that you probably should change the blade with, and like, you know, there is nowhere to write and nothing to do. So your brain is like, I am free right now to unclench and actually solve this problem of chapter 17, and that's what—that's what happens.Jess LaheyIt is my duty, whenever we mention this, to bring up that—years ago, Ron Lieber, the write... uh... the "Your Money" columnist at The New York Times, told me that he has a waterproof little whiteboard situation that's— that lives in the shower. He and his wife, Jodi Kantor—amazing writer as well, Pulitzer Prize–winning writer, even— that these would be people who might just need a waterproof whiteboard in the shower with them.Sarina BowenBut would that ruin the magic…?KJ Dell'AntoniaIt might just...Multiple Speakers[all laughing]Jess LaheyIf you had a place to write it down, your brain would—like—be... your brain would say, "Sorry, I'm not coming up with good ideas."Sarina BowenBecause I don't think I am willing to take this risk. I take a lot of risks in my life, but this one—like; we do not mess with the shower thoughts. I think, I think...KJ Dell'AntoniaSo, so what do we do if you didn't do any of this? If what—you know—what are—you're listening to this podcast, coming back from your trip, and you're like, I... was writing... something...Sarina BowenYou know what, though? I almost feel that we should point out the fact that, like, that is kind of unlikely. Like, somebody should feel welcome to take this trip and to have all those thoughts, and even if you didn't write them down on your whiteboard in the shower or on your handy notebook, like, I would argue that unhitching yourself in the first place possibly leads to a lot of creative development that, even if you don't capture it in the moment, is still with you. Like, I had this fantastic trip in April. I thought I was going to work, and then I did not, and it was, like, the best two weeks of my life. So then, the other day, my husband said, “Hey, there's a new article you need to read in The Athletic,” which is a New York Times sports blog, and I have just pulled it up so that we can recommend it, about how walking makes you a better problem solver. And the framing story of this article is about a retired baseball coach, but, um, but then, when they got around to studying it, um, they said this question planted the seed for the first set of studies to measure if walking produces more creativity. In the series of experiments, Oppezzo and Schwartz [Marily Oppezzo & Daniel L. Schwartz] asked 176 college students to complete different creative thinking tasks while sitting, walking on a treadmill, walking outside through campus, or being pushed in a wheelchair. In one example, the students had to come up with atypical uses for random objects, and anyway, on average, the students' creative output increased by 60% when they were walking.Jennie NashThat's so cool!Sarina BowenAnd the article is—it's so cool—it's called An MLB manager found value in long walks. Research suggests it's a ‘brain-changing power'.Jess LaheyI have put a spot for it in the show notes. And I should mention that this is all part of what we call the default mode network. This is the—the part of our brain that is the wandering, most creative part of our brain. And we can get there lots of ways. Walking is a fantastic way to do it.KJ Dell'AntoniaSarina, if you do have the fear of the manuscript when you're coming back to it, like, take—you know, travel back in time to maybe when you were a little less confident in your abilities. What do you do to get past the fear and sit down?Sarina BowenThere is only one solution, and that is sitting down. And I'm not so great at this—like, when, when the fear creeps up on me, in spite of my best intentions, man, I will do anything to avoid that sucker. And then when I finally do, and I wade back in, almost every time my response is, Oh, this isn't so bad. I know where—I kind of remember now. It's going to be fine, you know. But it's so easy to put off work out of fear. It's—it's the—it's the one big obstacle. Like, I don't put work off for other reasons, you know, because I'm tired or whatever. It's because I'm afraid that there's something fundamentally wrong with the project, or fundamentally wrong with me, and that is almost always what's keeping me from doing good work.Jennie NashThere was, back in the day before computers became what they are now, people would frequently lose manuscript drafts. It was just much harder to save your work. And I can't—I can't explain exactly what changed, but it was. People frequently lost huge chunks of their work if they didn't actively back up. And when I was a new coach and working with writers who would lose their manuscripts, they would be—understandably—beyond devastated. And this often was full manuscripts, just unrecoverable, full manuscripts. And it was true that if they sat down to recreate what they'd written, it would really flow from them, for that same reason—it was still in their brain. They—they had—they'd written it, so there was a sense that they had, they owned it, and they could sit down, and it was kind of quite remarkable. And I would confidently say to them, just sit down, start writing. I think it will come to you, and it always did. It's very interesting.Jess LaheyThere's an example—we've interviewed Sarah Stewart Taylor many times now, and she tells the story of, a long time ago, her youngest managed to crawl across the computer in such a way as to create a password for the document itself, and there's nothing that can be done. She was on the phone with Word—with Microsoft—for a long time, and they're like, look, this is a password you created. We can't—that's not recoverable. So she had to go and recreate—I believe she was about a third of the way into a book—but she said that it actually flowed really well, and that, you know, she'd had it, it had been cooking and stuff like that. So that massive fear of, oh my gosh, how am I going to get back into this project when it has just disappeared? It turned out to be not a thing—that it actually came really easily to her.Jennie NashJess, you're bringing all the very weird stories today, and I'm so here for it—notes on boxes, babies making passwords.Jess LaheyYeah, well, and the hard part—the funny part about that—is like, you cannot recreate a toddler, essentially, like bashing away at your keyboard and creating a password that's never coming back. Sorry.Sarina BowenThere is a writer—she once gave a talk that I heard—a very successful young adult author, Cynthia Leitich Smith, and she apparently wrote a discovery draft of the novel to, like, figure out what it was about and then deleted it and started over on purpose.Jennie NashOn purpose?!Sarina BowenYes, and everyone in the room gasped because, of course, you know that I just rather, like, been in a lot of pain. I'd rather have oral surgery than delete my first draft of a novel. But, um... but yeah, if she was unafraid to get back there after that kind of break, then I think we can all handle it.KJ Dell'AntoniaThis is true. I've never deleted a draft, but I have just gone—poofft—"Let's, let's, let's start again." In fact, almost every time. Kind of sad. I'm doing it now, actually, but it's not a full draft. Anyway. So take the breaks, right? That's what we're saying here.Sarina BowenYeah, take the break.KJ Dell'AntoniaYou can break however you do it, you know, whichever thing you pick, and if you don't do what you thought you were going to do, that's cool, too. It's going to—it's going to be fine.Jess LaheyCan I mention something that has—so that now that we've sort of done mechanics, we've done a little bit about the fear thing, the—the identity thing—has been really hard for me, in that I have these two books that I've written, and I've written a bunch and researched a bunch of things over the past couple of years, and people keep asking me, what are you writing? What are you writing? And the reality is, like, I'm not. I'm working on something, I'm researching something, and I've written a lot of things. In fact, now I'm holding up my cardboard box pieces—I found them. But the day—I'm not, like, meeting a 1200-words-a-day goal. And sometimes I feel really... I feel like a fraud. I feel like a massive fraud. Like, what kind of writer is not actually sitting down and writing 2,000 words a day? And that's incredibly difficult for me. Like, I don't deserve to call myself a writer, even though I have a couple of books out there and I wrote—you know—did all this other stuff. But the thing that I have—there are a couple of things that have really helped—and one of those is to understand that and have some grace for myself around what I happen to know full well what my process is. Yes, I wrote a couple of book proposals that didn't turn into books, but it was only through writing the book proposals that I discovered that those books weren't something that I wanted to write, and only through doing all of this research on audiobooks and writing on the side of cardboard boxes. That's the way I've written every one of my books. And it's not—it's just what works for me. And so having a little bit of this, you know, this feeling of insecurity as a writer, I don't think is—I don't think is unique to me. I think a lot of writers feel this, and it's...KJ Dell'AntoniaNo, all the rest of them are...Jess LaheyAll of them are really...KJ Dell'AntoniaYeah, no, everyone else is just like, well, of course. No, I'm not an imposter.Jess LaheyBut what's great is when I sit down with other writers and I say, what is an integral part of your process that isn't actually about putting the words on the page? That's not some bogus, like, excuse for not writing. You know, the gardening is part of it, the—the research is part of it, the listening to audiobooks is part of it. The writing—or the walking—is part of it. And it's not just a part of it. It is an incredibly important part of it for me, and—and understanding that and owning that about myself has been really a good thing for allowing myself to not—I'm not productive when I just feel guilty or like an imposter every day. It—that's not good for my process. But none of you ever feel that, right?KJ Dell'AntoniaOr apparently the people around you…Jess LaheyThe other thing that has been—well, the other thing that's been really, really helpful is the—and especially from the parenting perspective—is, or the marriage perspective, or the dog perspective, or the bees perspective, is I need to be fully committed to the thing right in front of me when I'm doing that thing. And if I'm feeling guilty about not being with the words when I'm with my children, or not being with my children when I'm with the words, that is awful, too. And so I have found that when I have to let go of all the other stuff and be fully, 100% in, I'm highly distractible. And so if I'm not fully in the thing, and that—all that guilt of not being over there doing that other thing—that's just taking away from the actual process of writing or researching or whatever it is, or taking care of my bees. I have to be fully in the thing I'm in and not feel guilty about not doing something else. And that's been a growth moment for me, too. It only took me—how old am I? I'm 55 now, and I got there somewhere around 50, I think.Jennie NashThere is also—I mean, I—I love what you're saying, and that is a thing to strive for, for sure—to be, to be present in whatever you're doing. But there is also this idea—I always think of it as mental real estate—that you leave for your project, for your idea, for your writing, for your book. That you, that you have a space in your brain devoted to that, and that you visit, whether or not you're producing words. And I think that that, too, is writing. I think, in some ways, that's more writing than sitting at the keyboard. I mean, I always object to the process of just putting words down. And a lot of the things that challenge writers to do that, because they skip that part—the thinking part and the having-the-part—you know, the real estate-in-your-brain part. And I think this connects to the shower—shower thoughts, right? You're gardening or beekeeping, you're walking, you're thinking, you're writing proposals and throwing them out. You're doing all that, that, that's writing. That's the—that's writing in my mind.KJ Dell'AntoniaAnd it's not... I mean the other thing we do say a lot is, you know, "Good writing comes last."Jennie NashYeah.KJ Dell'AntoniaYou've got to do the other stuff. So you can do it on vacation, or you could not do it on vacation. This—I don't think—we just—maybe I—this was my idea, and I think maybe I just needed the reassurance. I have a couple weeks coming up where I'm probably not going to do anything, and I just needed a reminder that that's cool. That's cool. It's all right. It's going to be okay. That's what I—if y'all could just pat me on the head and say "it's going to be okay."Multiple Speakers[Overlapping voices: “Mm-hmm,” “Sorry,” “Ohhh...”]KJ Dell'AntoniaSix or ten times an hour, that might be about what I need.Jess LaheyWell and one of the other things that has been really cool this summer is I've been on a streak of really good books. And every one of those really good books that I've been reading has made me like, Oh, I could do this. Oh my gosh, I could do that. I could write like her. I could I could write this other thing. And it's, it's all that energy is good and it's all a good thing to sit on a beach and read a book, or sit in the woods and read a book. It's all great.KJ Dell'AntoniaAll right, everybody, go collect some energy. Hey, on that note, who's read something good lately?Jennie NashI want to hear all these great books, Jess.Jess LaheySo I really have been on this roll. I've already talked about Atmosphere in an earlier podcast, the Taylor Jenkins Reid thing. But then I've been on this Tess Gerritsen jag, because we're—I'm interviewing Tess Gerritsen later this week. You guys will get to hear her later this summer. I am... Sarina and KJ, I believe, read the first of her new series that she has set in Maine and with a couple of retired CIA agents and spies in Maine. And then I enjoyed those so much that I went all the way back to the beginning—to her first book, The Surgeon, which I didn't even know was turned into this whole series called Rizzoli and Isles. It's a television show—I had no idea. And now I'm deep into Tess Gerritsen land. I'm still—I found out that there's going to be a movie of the book by the guy who wrote The Martian, Andy...Sarina BowenAndy WeirJess LaheyAndy Weir, thank you. And I was warned very specifically on social media not to watch the preview—the trailer—for the new movie that is going to be coming out with Ryan Gosling later on this summer, because it ruins the book. The book is called Hail Mary… Project Hail Mary. So I very quickly turned away from social media and said, Ooh, I better read the book really quickly before anyone ruins it for me, and I am enjoying the heck out of Project Hail Mary. So it's been really fun. Yeah.Sarina BowenI am reading a book that KJ put into my hands. And the fun part is that I don't remember why she put it into my hands, you know. Like, why did I pick up this book? Like, it happens all the time. It's called All the Other Mothers Hate Me by Sarah Harman.Jennie NashWhat a great title.Sarina BowenYeah, like, I picked up this book, and my husband said, oh my God, what a great title. And so, yes, that's super cool. And it's very voice-y. And the—the flap copy has the—a premise that smacks of a thriller, but the voice isn't like all deep, dark thriller. And so I think maybe the contrast of those two things might be why KJ put it into my hands. But I am enjoying the fabulous writing, and I'm—I'm still at the beginning, but the way she introduces characters is really sharp. So even that alone is like a little master class on introducing characters.KJ Dell'AntoniaYeah, that was why I gave it to you, was that we'd been talking about, you know, the voice, and also because we'd been talking about, like, funny thrillers versus thriller-y thrillers. And this isn't funny, but it's super voice-y. It reminds me of the one you pressed into my hands, which maybe is a little funnier—Listen for the Lie.Sarina BowenYeah, yeah.Jennie NashWell, I'm reading something very different, which is not—not very beachy. I go to a yoga class that is taught by a middle grade English teacher, and she runs her yoga class sort of like English class, where she always starts with a poem and throughout the class, she refers back to the poem in a very embodied way that you're doing the yoga around. And then she reads the poem again at the end. It's—its spectacular. She's—she's so popular at our yoga studio that you have to, you know, fight your way in. But she read a poem by a woman named Rosemerry Wahtola Trommer—and that's Rosemerry like Christmas Merry, so: Rosemerry. And the book is called The Unfolding. And I say it's very different from what you are all mentioning because this woman experienced the death of her young son and father in very close proximity, and her poems are ostensibly about grief, but they're just filled with joy and hope and delight. And, you know, it's kind of that thing you're talking about, Sarina—that it's—here's a book about tragedy and grief, but it's—there's something about the voice that just is—is fresh. And they're just—they're just stunning, just absolutely stunning. And I have gone and ordered all her books, of which there are—are many. So she's a new voice to me, and I just—I can't get enough of them. They're incredible.KJ Dell'AntoniaWell, here I am going to go back to the fiction summary read-y thing. I am very late to The Thursday Murder Club party, but it is joy. It is so much fun—really your sort of classic Agatha Christie stuff, but way, way funnier and more entertaining, with a dash of elderly spies. So we're on that theme. And then I also want to mention, just because I liked it so much—and I'm not sure I want everyone to read it—What Kind of Paradise by Janelle Brown. This could be your lit fic read of the summer. It's somewhere—but—but it's still a page turner. And I thought the premise was extremely great. Basically, it's: what if the Unabomber had also raised a young daughter with him in the woods on all of his theories, back when the Unabomber was living in the woods, and inadvertently involved her in his first kill before she got away? And now she's an adult looking back at what happened. And Janelle Brown is a Silicon Valley person. She's really steeped in this culture. She really knows this world. It's a really good book—plus super entertaining.Jennie NashI love it.KJ Dell'AntoniaThat's it!Jess LaheyI love it when we have a lot of good stuff, because there have been a couple weeks this year where we were like, I was just let down this time around. But yay, I'm loving this.KJ Dell'AntoniaAll right, I think that's it for us this week, kids. Remember, if you support the podcast, you get bonus content every week right now, because we are killing it. You might get Jess's Soup to Nuts series, where she is coaching a fellow writer on creating a nonfiction proposal that also will work with her speaking career. You can join me and Jennie on a weekly basis as we flail our way through the beginnings of writing a couple of books. And of course, on a monthly basis, we've got the Booklab, where we look at the First Pages of novels submitted by listeners. And if you'd like to submit to the Booklab, that'd be great. Jess will put the link in the show notes.Jess LaheyIndeed, Jess will. And until next week, everyone, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

From today, websites operating in the UK with pornographic content must ‘robustly' age-check users. Under the Online Safety Act, platforms must protect young people from encountering harmful content relating to suicide, self-harm, eating disorders and pornography. Kylie discusses the issues with the BBC's senior technology reporter Graham Fraser and Head of Policy and Public Affairs at CEASE, Gemma Kelly.Dame Agatha Christie, also known as the ‘Queen of Crime' and the ‘Duchess of Death,' is the best-selling novelist of all time with more than two billion books sold and translations in 104 languages. In her new book V is for Venom: Agatha Christie's Chemicals of Death, author and former chemist Kathryn Harkup uncovers the real science behind the fiction and the true crime cases that inspired Christie's plots.Rape and other sexual violence is surging in Haiti as armed gangs expand their control across the capital Port-au-Prince and beyond. Medicine Sans Frontiers say cases of sexual violence have tripled in the past four years and that one in five victims are under the age of 18. BBC Correspondent, Nawal Al-Maghafi, has recently returned from Haiti and she describes what she witnessed.Director Elizabeth Lo's new Mandarin-language documentary, Mistress Dispeller, follows the real-life story of one woman who hires a professional, Teacher Wang, to help break up her husband's affair and save her marriage. It's a compelling documentary about love, infidelity, pain and joy in modern-day Chinese society. Elizabeth joins Kylie in the studio to tell the story.A joint holiday with another family can be the perfect recipe for a memorable break - playmates for your children, shared responsibilities and enjoying other adult company. But different parenting styles and routines may lead to tension rather than relaxation. Genevieve Roberts, parenting columnist for the I newspaper, describes why she enjoys holidaying with another family and manages to stay friends afterwards. Presented by Kylie Pentelow Producer: Louise Corley

This week Ann from Vulgar History is skipping her morning jazz to help Kim and Alice make sense of the Agatha Christie adaptation, Towards Zero. Join us as we discuss this murderous Love Island, featuring lawyer besties, monograms galore and the gold standard in capricious will writing.Hear more from Ann on the excellent Vulgar History Podcast, on Instagram and on Threads.Pre-order your copy of 'Rebel of the Regency' here!Sound Engineer: Keith NagleEditor: Keith NagleProducer: Helen HamiltonIf you enjoy this podcast, come with us on a romp through the Regency era with our sister podcast, Austen After Dark. Listen to the trailer now. Hosted on Acast. See acast.com/privacy for more information.

Phil spent last weekend in Harrogate at the Old Swan hotel for the world famous Theakstons Crime Writers Festival. The Old Swan is where Agatha Christie emerged, after going missing in 1926, so what better place to stage a Crime Writing festival.This is a shorter than usual ep just to give you a flavour of how well the writers get on with each other and the lovely atmosphere in The Drinking Detective outdoor bar, as writers and crime fans mingle freely.This episode features cameos from Shari Lapena, CL Taylor, Vaseem Khan, MW Craven, Luca Veste and Doug Johnstone.

If you've never had the pleasure of sitting down with Elly Griffiths, let me tell you: it's like opening the first page of a gripping mystery and realising, with a smile, that you're in very good hands.This year at The Harrogate Crime Writers Festival, I had the joy of chatting with the legendary author in none other than the Old Swan Library — a place steeped in literary history (yes, the same hotel where Agatha Christie famously vanished to). The couch? Not official. The interview? Absolutely brilliant.Elly Griffiths, bestselling author of the beloved Dr Ruth Galloway series, joined me to talk about her incredible 15-book run (and counting), her thoughts on character longevity, the evolution of crime fiction, and, of course, her impressive streak of 15 consecutive visits to the Harrogate festival. That's more loyalty than most gym memberships can boast.

Will the new Grand Theft Auto outsell the entire movie industry on release? Why do Tom Holland movies flop? How did Agatha Christie save Catholicism through a single letter? Richard Osman and Marina Hyde answer your questions on gaming, soundtracks and Taskmaster secrets. Plus - we embark on another edition of 'A-List Or Not'... The Rest Is Entertainment AAA Club: Become a member for exclusive bonus content, early access to our Q&A episodes, ad-free listening, access to our exclusive newsletter archive, discount book prices on selected titles with our partners at Coles, early ticket access to future live events, and our members' chatroom on Discord. Just head to therestisentertainment.com to sign up, or start a free trial today on Apple Podcasts: apple.co/therestisentertainment. For more Goalhanger Podcasts, head to www.goalhanger.com The Rest Is Entertainment is proudly presented by Sky. Sky is home to award-winning shows such as The White Lotus, Gangs of London and The Last of Us. Requires relevant Sky TV and third party subscription(s). Broadband recommended min speed: 30 mbps. 18+. UK, CI, IoM only. To find out more and for full terms and conditions please visit Sky.com Assistant Producer: Aaliyah Akude Video Editor: Kieron Leslie, Charlie Rodwell, Adam Thornton, Harry Swan Producer: Joey McCarthy Senior Producer: Neil Fearn Head of Content: Tom Whiter Exec Producers: Tony Pastor + Jack Davenport Learn more about your ad choices. Visit podcastchoices.com/adchoices

En 1927 Agatha Christie pasó varios meses en Canarias, visitó dos islas, Tenerife, y Gran Canaria. Dejó huella en el archipiélago, pero las playas, los paseos y las casas por las que deambuló dejaron también huella en su literatura. Contamos con Javier Rivero Grandoso, profesor en la Universidad de La Laguna y director de la Cátedra Cultural Antonio Lozano de Género Criminal, con quien hablamos de como fue el paso de la escritora por la isla. 

Arrancamos el día mirando el clima con Isabel Moreno, física y climatóloga. En Maximalismos buscamos cuál es el mejor pecado capital: la gula, la avaricia, la soberbia, la envidia, la lujuria, la pereza y la ira. Y para hacernos la vida más simple Paloma Pou nos va a dar las claves para la maleta perfecta. En 7 vidas vamos a desarrollar como Canarias marcó la vida de la escritora británica, Agatha Christie. Y cerramos el programa con Gema Jiménez Maldonado en la sección Uno de cada con un especial de Bad Bunny. 

Mariano Fernández Urresti ha investigado a grandes escritores como el caso de Charles Dickens o Bécquer que tuvieron relación con el espiritismo y los fantasmas. O las vivencias de Agatha Christie en España después de su enigmática desaparición de 11 días, o los motivos de Julio Verne, al poco de ser tiroteado por su sobrino, quemando y destruyendo muchos documentos. Enigmas que luego le han inspirado en muchas de sus novelas y libros. 

Do William and Jordan have any fictional doppelgangers? That's the question William and Jordan set out to answer, you be the judge how close they get it. Elsewhere there's a discussion about the best form of washing line and not only favourite cakes, but also favourite Agatha Christie murder mysteries… Hosted on Acast. See acast.com/privacy for more information.

"When mice go missing, one unlikely sleuth is determined to sniff out the truth!" During this episode of On the Air with Florenza Intermissions, we're joined by author Sally Smith to discuss her newest book, A Case of Mice and Murder. Mice are missing. Secrets are stirring. And one determined sleuth is on the case! In A Case of Mice and Murder, Sally Smith invites readers into a delightfully cozy world where furry friends vanish, clues are hidden in plain sight, and the smallest details make the biggest difference. Perfect for fans of The Great Mouse Detective and Agatha Christie with a twist, this mystery is as clever as it is heartwarming. #CozyMystery #Whodunit #AnimalMystery #SallySmithAuthor #ACaseOfMiceAndMurder #PodcastInterview #MysteryMonday #BookishChats #OnTheAirWithFlorenza #CozyReads #MouseDetective #FlorenzaDeniseLee

Publicity has always been important for authors. Mark Twain promoted his books by writing letters to the paper, and even Agatha Christie, who was known for being very private, still did interviews with prominent newspapers. Yet some authors think this kind of publicity is old-fashioned. In a world dominated by social media, do we even need traditional PR anymore?If you've ever wondered how to get your book featured in the media—or whether it's even worth trying—you won't want to miss this episode of Novel Marketing.In this week's episode, you'll hear from veteran publicist Marika Flatt from PR by the Book to talk about:Whether or not traditional media still mattersThe difference between earned media, paid media, and everything in betweenWhat mistakes to avoid when giving interviewsThe surprising way Good Morning America and Joe Rogan differ when it comes to book salesWhether you're ready to hire a PR firm or just want to understand how media can help spread the word about your book, listen in or read the blog version of this episode.Support the show

On this episode Mike and Derrick discuss their love of the mystery/true crime genre.  The cover their favorite books, tv shows, movies, and chat about why America is obsessed with murder.Let us know your thoughts by sending us a message.Support the show

There's been another MURDER in the 3rd editor Susan Ryeland / detective Atticus Pünd novel MARBLE HALL MURDERS. This week we tackle pages 200-407! Let's Solve the whodunnits within this fun book! Alan Conway is dead - long live Atticus Pünd who's brought back from the fictional dead as a continuation novel by failed author Eliot Crace, the grandson of famed deceased children's author, Miriam Crace. Susan needs work, so she's drafted to help the washed out Eliot turn his manuscript into a worthy entry in the Atticus Pund series. As Susan delves into the manuscript, she discovers uncanny parallels between the fictional world and real-life Crace family secrets. This meta spin on a Golden Age Murder Mystery features several fair play puzzles that we can solve!  Who killed Lady Margaret Chalfont? Was she poisoned? How? Why? When? 00:00 Intro 00:55 Spoiler Warning 01:29 Overall thoughts up to page 300 01:52 Suspect Board Update #1 05:18 Spotlight 1955 07:13 Frederick Turner 09:09 Jonathan Crace 10:47 Roland Crace 11:42 Jerk Eliot Crace 12:02 Kenneth Rivers 13:10 Atticus Pund manuscript breakdown 13:50 Pharmacie Oddities 15:54 Alice Carling 18:15 Page 300-400 breakdown 18:45 Who wrote the Little People books? 20:52 R.I.P. Eliot Crace 19:45 Real-Life Killer Guess 20:52 Who killed Lady Chalfont Guess! 21:30 Suspect Board Update #2 22:58 Julia (Crace) Wilson 23:25 Adopted? 24:33 Who killed Alice? 25:56 Guessing the real-life killer! 30:10 Guessing the Pund novel killer! 33:00 Whodunnit? "Marble Hall Murders (Susan Ryeland #3)" is a novel by Anthony Horowitz, the third book in the Susan Ryeland series, featuring the character who edits the fictional detective Atticus Pünd. In this installment, Susan Ryeland is tasked with editing a continuation novel titled "Pünd's Last Case" written by Eliot Crace, who is also the grandson of a deceased children's author. Eliot believes his grandmother was murdered, and he's hidden clues about her death within his novel. As Susan delves into the manuscript, she discovers uncanny parallels between the fictional world and real-life Crace family secrets, ultimately leading her to become a target. Do you watch on PBS or BBC or another service? Did we miss any clues? Twitter/Instagram/Threads: @DoublePHQ http://facebook.com/doublephq #MoonflowerMurders #MagpieMurders #murdermystery #whodunit #whodunnit s1e06 s1e6 #whodunnit #AnthonyHorowitz #LesleyManville #books #MoonflowerMurdersPBS #MoonflowerMurdersBBC Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz—another tribute to the golden age of Agatha Christie featuring detective Atticus Pund and editor Susan Ryland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel, and her Greek boyfriend Andreas in search of a new life back in England. Freelancing for Causton Books, she's working on the manuscript of a novel, Pund's Last Case, by a young author named Eliot Crace, a continuation of the popular Alan Conway series. Susan is surprised to learn that Eliot is the grandson of legendary children's author Marian Crace, who died some fifteen years ago—murdered, Elliot insists, by poison. As Susan begins to read the manuscript's opening chapters, the skeptical editor is relieved to find that Pund's Last Case is actually very good. Set in the South of France, it revolves around the mysterious death of Lady Margaret Chalfont, who, though mortally ill, is poisoned—perhaps by a member of her own family. But who did it? And why?

Episode 565 - Lee Clark - Matthew Paine Mystery Series - Including the upcoming book Killer ConvergenceLee Clark is the author of the Matthew Paine Mystery series of classic murder mystery novels, including Dead Spots, Prefer Death, MIA, Christmas Punch, Iced, Forbidden Relics, and the upcoming Killer Convergence to be released in the spring of 2025. According to multiple reviews across the book series on goodreads and Amazon, Clark "writes like Agatha Christie," and is reminiscent of Margaret Maron and Louise Penny. A North Carolina native, Clark grew up in Raleigh with family roots in Virginia. An admitted chocoholic and coffeeholic, Lee Clark still resides in North Carolina with spouse, two mostly grown children who are in and out, and a dwindling petting zoo of geriatric dogs and cats.  Lee Clark attended Campbell University, obtained a degree in Journalism from East Carolina University, and then a Master's in Technical Communication from North Carolina State University. Following a twenty year career in the software development industry of corporate America at IBM, Clark turned to writing fiction in 2021 with the release of Dead Spots, the first in the Matthew Paine Mystery series. The Matthew Paine character is a beloved character to the author. Though a fictional character, Matthew was inspired by two very important men in the author's life, brother Sean and son Will. Both will catch glimpses of themselves in the character and identify with some of Matthew's struggles.  https://cypressrivermedia.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

"When mice go missing, one unlikely sleuth is determined to sniff out the truth!" During this episode of On the Air with Florenza, we're joined by author Sally Smith to discuss her newest book, A Case of Mice and Murder. Mice are missing. Secrets are stirring. And one determined sleuth is on the case! In A Case of Mice and Murder, Sally Smith invites readers into a delightfully cozy world where furry friends vanish, clues are hidden in plain sight, and the smallest details make the biggest difference. Perfect for fans of The Great Mouse Detective and Agatha Christie with a twist, this mystery is as clever as it is heartwarming. #CozyMystery #Whodunit #AnimalMystery #SallySmithAuthor #ACaseOfMiceAndMurder #PodcastInterview #MysteryMonday #BookishChats #OnTheAirWithFlorenza #CozyReads #MouseDetective #FlorenzaDeniseLee

In this episode, we dial in our love for Agatha Christie and Charlotte Brontë, as we discuss Black Orchid. How they were able to pack so much character intertaction AND a self-indulgent cricked match into only two episodes, we will never know.   Join us as we discuss the introduction of our new favourite hero (or villain) in Gurgle Man, Sarah Sutton finally being able to show off her acting chops, the Watchers' new unit of measure: units of Adrics, and Anthony absolutely having a childhood moment with time spent around trains. Yes, in another life, he must have been a train engineer.   We are so happy that we finally have a happy little TARDIS crew, despite the darker direction of the show. We wonder how long it'll last…   If you would like to watch along with us, you can find the this oddity available for streaming on Britbox in the USA (http://www.britbox.com) and BBC iPlayer in the UK (https://bbc.in/48GSaCB). If you're a little old fashioned and prefer physical media (like our very own Anthony), you can also find on the Doctor Who Season 19 Blu Ray box set from Amazon US (https://amzn.to/3RA2Bkl) and Amazon UK (https://amzn.to/43GFZGe)   Other media mentioned in this episode*: Rollerball (Amazon US: https://amzn.to/4lPPiJG | Amazon UK: https://amzn.to/44HPAeD) The James Bond Collection (Amazon US: https://amzn.to/3FWn6kg | Amazon UK: https://amzn.to/3DQB4lR) The Pink Panther (Amazon US: https://amzn.to/3018fEY | Amazon UK: https://amzn.to/3BSvPkh) Tenko (Amazon US: https://amzn.to/44vCOzm | Amazon UK: https://amzn.to/3wtYY8D) Star Trek: The Motion Picture (Amazon US: https://amzn.to/3Bvp4Fy | Amazon UK: https://amzn.to/3lofajC) Bergerac: Series 1 (Amazon US: https://amzn.to/3Imtjf3 | Amazon UK: https://amzn.to/44qT6vb) The Best of EastEnders (Amazon US: https://amzn.to/4lm8miT| Amazon UK: https://amzn.to/3IjteJf) Hotel Babylon: Series 1 (Amazon US: https://amzn.to/44KDuBO | Amazon UK: https://amzn.to/40awdd2) Downton Abbey Complete Collection (Amazon US: https://amzn.to/3PJgpZX | Amazon UK: https://amzn.to/45Z0nAH) Victoria: Complete Seasons 1, 2, and 3 (Amazon US: https://amzn.to/4lpaNRP | Amazon UK: https://amzn.to/4kz1mOo) The Hitchhiker's Guide to the Galaxy (TV version) (Amazon US: https://amzn.to/3G6YCoH | Amazon UK: https://amzn.to/3m0qOSc) Jane Eyre, by Charlotte Brontë (Amazon US: https://amzn.to/4nZ6EpA | Amazon UK: https://amzn.to/4kz1mOo) The World's Favourite Agatha Christie Box Set (Amazon US: https://amzn.to/4eM1vgk | Amazon UK: https://amzn.to/4f58b9D) Peter Pan, by J.M. Barrie (Amazon US: https://amzn.to/3ImB2cX | Amazon UK: https://amzn.to/3TE9Tom)    Finally, you can also follow us and interact with us on Facebook and Instagram. You can also e-mail us at watchers4d@gmail.com. If you're enjoying this podcast, please subscribe to the show, and leave us a rating or review.   *Support Watchers in the Fourth Dimension! We are an Amazon affiliate and earn a small commission from purchases through Amazon links. This goes towards the running costs of the podcast.

In a show packed with the best film music slotted into a 2-hour show, your host Jason Drury begins with music from Alan Silvestri's classic for BACK TO THE FUTURE (Intrada Records), which this year is celebrating its 40th anniversary. Jason then continues with music from recent Archive releases, including Hans Zimmer and Lisa Gerrard's GLADIATOR (La La Land Records), celebrating the score's 25th anniversary; the belated 40th anniversary celebration of Jerry Goldsmith's 1983 classic score for FIRST BLOOD (Intrada Records) and then selections from John Cameron for the 1980 Agatha Christie mystery movie THE MIRROR CRACK'D. Jason then continues the show with music from Henry Mancini's classic score from the classic 1983 mini-series THE THORN BIRDS, which has received a deluxe edition from Varese Sarabande Records, Basil Poledouris' 1990 Australian Western score QUIGLEY DOWN UNDER (Intrada Records) as well as selections from Jerry Goldsmith's 1972 TV movie thriller PURSUIT (Intrada Records), which is a re-recording from a recent Kickstarter campaign initiated by Producer and Orchestrator Leigh Phillips. Jason then rounds off the show with music from the new 2-CD set of Michael Kamen's classic score from the 1993 Disney adaptation of THE THREE MUSKETEERS (Intrada Records). Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien, John Leggett, Mim Williams, Grace Hamilton, Rob Kemp. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button.   You can find Colleen Gleason/Colleen Cambridge at her website www.colleengleason.com or on IG @colleengleason   Typically Amy has not been a cozy mystery reader, but this week's guest, Colleen Gleason who also writes as Colleen Cambridge, may have single-handedly converted her.  She is the author of over 57 books in numerous series but her “American in Paris” series has been a delightful escape over the last year. It is a cozy mystery set in postwar 1950s Paris with a dynamic mystery-solving duo featuring none other than Julia Child. Book 3 in the series titled A Fashionably French Murder was published in April.  So we were thrilled when Colleen agreed to chat with us about this series as well as several of her other books.   Colleen's style of writing often includes a pairing.  She has a mystery series that involves Agatha Christie and her housekeeper, another series featuring Abraham Lincoln and his aide, and even a steampunk paranormal YA series involving an imaginary crime-fighting pairing of Bram Stoker's younger sister and Sherlock Holme's niece. As we know from doing this podcast, having a partner-in-crime makes things much more fun.    In our book rec section of the episode, we are all about gardens. We are not reviewing gardening books, however. Rather, we're talking about books in which gardens, gardeners, flowers and shrubs are part of the story in some format. We've got thrillers, middle grade, fantasy, contemporary family drama, murder mysteries, and Appalachian gothic.    Books Mentioned in this Episode:   1- A Fashionably French Murder (American in Paris series) by Colleen Cambridge   2- Food People by Adam M. Roberts   3- The World's Greatest Detective and Her Just Ok Assistant by Liza Tully   4- Dept Q by Jussi Adler-Olsen   5- A Murder Most French (American in Paris series) by Colleen Cambridge   6- In the Spirit of French Murder by Colleen Cambridge   7- Paris Noir: The Secret History of a City by Jacques Yonnet   8- The Seven Rings (The Lost Bride Trilogy #3) by Nora Roberts   9- The Rosie Result (Don Tillman #3) by Graerme Simsion   10-The Rosie Project by Graeme Simsion   11-The Rosie Effect by Graeme Simsion   12- Forged by Danielle Teller   13- A Five Star Read Recommended by Fellow Book Lover Betsy Tomszak @bookswithbetsy - Reservoir Bitches by Dahlia de la Cerda   14- The Secret Garden by Frances Hodgson Burnett   15- The Bog Wife by Kay Chronister   16- June in the Garden by Eleanor Wilde   17- A Botanist's Guide to Parties & Poisons by Kate Khavari   18- The Enchanted Greenhouse by Sarah Beth Durst   19- Birnam Wood by Eleanor Catton   20- The Summer of June by Jamie Sumner    Media mentioned--   1- Hacks (Max, 2021 - present)   2- Dept Q (Netflix, 2025)   3- Mrs. Harris Goes to Paris (2022)   4- The New Look (Apple Plus - 2024)  

Meg presents one of Mindhunter John Douglas' first profiling case studies: the murder of Francine Elveson. Jessica reports on the shockingly dramatic opening night of Gower Champion's 42nd Street on Broadway.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: readerly badges and DNFing books Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: we check in on our reading lives and press book into the other's hands The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  2:19 - Our Bookish Moments Of The Week 8:02 - Our Current Reads 8:30 - A Tropical Rebel Gets the Duke by Adriana Herrera (Kaytee) 8:46 - A Caribbean Heiress in Paris by Adriana Herrera 8:49 - CR Season 5: Episode 1 8:53 - Cafe Con Libros 8:55 - An Island Princess Starts A Scandal by Adriana Herrera 8:57 - CR Season 6: Episode 6 12:29 - With A Vengeance by Riley Sager 14:09 - Home Before Dark by Riley Sager 14:10 - Lock Every Door by Riley Sager 14:14 - The House Across the Lake by Riley Sager 14:20 - Survive the Night by Riley Sager 14:52 - Murder on the Orient Express by Agatha Christie 14:54 - And Then There Were None by Agatha Christie 15:11 - Nine Lives by Peter Swanson 18:29 - Uncommon Measure by Natalie Hodges (Kaytee) 22:29 - The Midsummer Bride by Kati Wilde (Meredith) 25:43 - A Curse So Dark and Lonely by Brigid Kemmerer 28:02 - Prodigal Summer by Barbara Kingsolver (Kaytee) 31:19 - The Shell Seekers by Rosamunde Pilcher 32:05 - Demon Copperhead by Barbara Kingsolver 33:42 - The River Has Roots by Amal El-Mohtar (Meredith) 37:17 - This Is How You Lose The Time War by Amal El-Mohtar (Meredith mistakenly titled this book. This is the correct one!) 39:21 - Reading Life Temp Check + Pressing Books Into Each Other's Hands 40:19 - Uncommon Measure by Natalie Hodges 51:38 - Razorblade Tears by S.A. Cosby 52:01 - All The Sinners Bleed by S.A. Cosby 54:49 - Fourth Wing by Rebecca Yarros 56:13 - Fates and Furies by Lauren Groff 57:32 - Iron Flame by Rebecca Yarros 57:54 - Onyx Storm by Rebecca Yarros Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. June's IPL is brought to us by one of our anchor stores, Schuler Books in Michigan Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!