Podcast appearances and mentions of Charlie Kaufman

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we return to one of our earlier subjects: Ryan Gosling! Our B-Sides are The Ides of March, Gangster Squad, Only God Forgives, and First Man. Our guest is our dear friend Cory Everett, creator of Cinephile: A Card Game!  We talk about Gosling's television career as a young man, his quick rise to stardom, and surprise nomination for Half Nelson fairly early on in his run. He's been searching for his lifelong directorial muse. There's been Derek Cianfrance, Nicolas Winding Refn, and Damien Chazelle. Will he ever find the one? There's that iconic Rachel McAdams kiss at the MTV Movie Awards, the acceleration of his “coolness” after the success of The Notebook all the way through the release of Drive, and that iconic, ever-changing voice of his. There's also those beautiful, weird Gosling eyes. There's also discussion about George Clooney as a filmmaker, his first film and Charlie Kaufman dislike of it, and his progression (regression?) as a director. The merits of Winding Refn are also debated. We all remember when William Friedkin ridiculed Nicolas Winding Refn for calling Only God Forgives a masterpiece. And if you have not as of yet, you should watch the documentary My Life Directed by Nicolas Winding Refn.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we return to one of our earlier subjects: Ryan Gosling! Our B-Sides are The Ides of March, Gangster Squad, Only God Forgives, and First Man. Our guest is our dear friend Cory Everett, creator of Cinephile: A Card Game! We talk about Gosling's television career as a young man, his quick rise to stardom, and surprise nomination for Half Nelson fairly early on in his run. He's been searching for his lifelong directorial muse. There's been Derek Cianfrance, Nicolas Winding Refn, and Damien Chazelle. Will he ever find the one? There's that iconic Rachel McAdams kiss at the MTV Movie Awards, the acceleration of his “coolness” after the success of The Notebook all the way through the release of Drive, and that iconic, ever-changing voice of his. There's also those beautiful, weird Gosling eyes. There's also discussion about George Clooney as a filmmaker, his first film and Charlie Kaufman dislike of it, and his progression (regression?) as a director. The merits of Winding Refn are also debated. We all remember when William Friedkin ridiculed Nicolas Winding Refn for calling Only God Forgives a masterpiece. And if you have not as of yet, you should watch the documentary My Life Directed by Nicolas Winding Refn. Listen and subscribe at thefilmstage.com/pod. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

What if the greatest stories of our lives are the ones we never meant to write? On today's episode, we welcome Steven Bernstein, a man whose journey through the world of cinema has been anything but predictable. A writer at heart, a cinematographer by accident, and a director by destiny, his career is a living testament to the art of surrendering to the unknown. From his early days at the BBC to the sets of Hollywood blockbusters, his story unfolds like an unplanned masterpiece—one that ultimately brought him full circle, back to the thing he always loved: writing.In this profound conversation, Steven Bernstein recounts his journey from philosophy student to award-winning cinematographer, where his love of storytelling found an unexpected home behind the lens. He speaks of the curious ways life moves us, sometimes against our best-laid plans. “You tend to go with those things that are providing you income,” he muses, reflecting on how a passion for writing gave way to cinematography, leading him to films like Monster, Like Water for Chocolate, and Scary Movie 2. Yet, even as he shaped light and shadow for some of cinema's most striking images, the writer within him never faded.There is an undeniable poetry in the way Bernstein describes his work. He doesn't just shoot a film; he composes it, layering meaning through framing, movement, and light. Every choice—a dolly push, a backlight, an asymmetrical composition—whispers something to the audience. It's a language beyond words, one that he speaks fluently. “Everything to do with film is a language,” he explains. “And like any language, it's made up of two parts: that which we present and that which we mean.”His journey back to writing was not an easy one. After years of crafting imagery for others, he took a leap into directing his own films, starting with Decoding Annie Parker. It was a lesson in risk and resilience. At one point, he spent five years in poverty, refusing to return to the safety of cinematography. “If you hold out for the dream, maybe you achieve it,” he says. It is a stark reminder that the artist's path is often one of sacrifice, but those who persist find themselves richer in ways beyond money.Yet, Bernstein also understands the tension between art and commerce. Filmmaking is an expensive endeavor, and investors want guarantees. He describes the struggle of balancing creative vision with financial expectations, a dance between inspiration and limitation. And yet, some of the greatest filmmakers—Terry Malick, the Coen Brothers, Charlie Kaufman—have defied convention, proving that the most resonant stories often break the rules.The conversation moves to the nature of collaboration, the unspoken alchemy that happens on a film set when everyone is in sync. He recalls moments from Monster, where the crew, sensing the gravity of a scene, chose to remain completely silent, whispering only when necessary. It was an unspoken agreement, an offering to the art being created. “It was one of the most magical moments I remember in any film I've ever worked on,” he recalls. It is a glimpse into the rare, sacred spaces where true storytelling happens—not in the scripts, but in the spaces between them.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Eric, Jeff, Styles, Sheek and Jadakiss got together in Yonkers to break down Bring John Malkovich, the 1999 American surrealist fantasy comedy drama film directed by Spike Jonze and written by Charlie Kaufman, both making their feature film debut. The film stars John Cusack, Cameron Diaz, and Catherine Keener, with John Malkovich as a satirical version of himself. We discuss the realities of celebrity, names for your pets, the Black John Malkovich, and much, much more! Plus: Is Jadakiss Italian and Sheek finds out about Eric and Jeff's rap career! Hosted on Acast. See acast.com/privacy for more information.

On the latest episode of The Discourse, host Mike DeAngelo steps into a high-concept, near-future world of moral quandaries and psychological pressure with the sci-fi drama "The Assessment." Directed by Fleur Fortuné and starring Elizabeth Olsen, Alicia Vikander, and Himesh Patel, the film follows a couple evaluated by the government over seven increasingly intense days to determine whether they're worthy of having a child. Think of a creepy, contained "Children of Men" by way of Ingmar Bergman and Charlie Kaufman.The film recently premiered at the Berlin International Film Festival and hits VOD on April 8th, delivering a minimalist but emotionally potent take on societal control, intimacy, and parenthood. To talk through it all, we sat down with both stars to dig into the emotional challenges of the project, their collaborations with Fortuné, and what kind of psychological strength it takes to survive the film's titular assessment.

Amy and Paul dive into the wild and inventive world of Being John Malkovich, the film that really put writer Charlie Kaufman on the map. The two discuss John Malkovich's hesitancy to join the film, how director Spike Jonze came across Kaufman's script, and that the film's original ending involved a Harry Truman puppet. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/  https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

La genesi di questo film, pluripremiato e diretto da Spike Jonze, potrebbe sembrare quasi uno scherzo da Pesce d'aprile. Lo sceneggiatore Charlie Kaufman avrebbe dovuto scrivere il copione di un film tratto dal saggio “Il ladro di orchidee” di Susan Orlean, ma, nel tentativo di farlo, si trovò in crisi. Così, la sceneggiatura divenne la sua stessa storia: quella di due sceneggiatori gemelli alle prese con il difficile adattamento cinematografico del romanzo. Un film con Nicolas Cage.See omnystudio.com/listener for privacy information.

On today's show, Matt, JD & Rachel open the Is This Good? Mailbag to answer your burning questions about sponsoring a champagne room, buying a gym just so you can kick out its members, a Charlie Kaufman-themed amusement park, indoor waterslides, solving an urgent relationship problem, thanking people for holding the door open, signalling from a car with your hands, should we be inspired by Katy Perry going to space, seeing a band that's past their prime, shoving as many men as possible in a tiny restroom, getting confrontational with your employer, and a cure for how to unstick a song that's earwormed itself into your brain.

paypal.me/LibroTobias ko-fi.com/asier24969 Esta semana en nuestra “Sección principal” retomo la idea de hablar de grandes guionistas que iniciamos en la temporada 10 y en esta ocasión hablamos de Charlie Kaufman, la mente detrás de los guiones de “Olvídate de mí”, “Como ser Jogn Malkovich” o “El ladrón de orquídeas” entre otros muchos. Además en nuestra sección “El callejón oscuro” os traigo a Cesare Serviatti, conocido como “El Landrú italianos” o “El monstruo del ferrocarril”, un asesino en serie que engañaba a mujeres vulnerables a las que robaba, asesinaba y descuartizaba con un cuchillo de cocina. Asesinó al menos a 3 mujeres. Tiempos: Sección principal: del 00:02:21 al 02:19:20 Sección “El callejón oscuro”: del 02:19:21 al 03:12:35 Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In this Diana Wynyard Acteurist Oeuvre-view episode, we look at probably her best-known film, Gaslight (directed by Thorold Dickinson), and consider its pros and cons relative to the Cukor/Selznick Hollywood version of a few years later, as well as the question of how "gaslighting" became an internet meme and how well the source fits the popular meaning. Then we turn to an oddball film with an anti-nationalism message, Freedom Radio (Anthony Asquith), set in Nazi Germany but with a broader application, and consider how Wynyard's screen persona informs her tricky role. Then, in Fear and Moviegoing in Toronto, we battle it out over Michel Gondry's Eternal Sunshine of the Spotless Mind (cluttered or perfect screenplay by Charlie Kaufman?) and find accord on John Cassavetes' revealing potboiler, Gloria (love story between a tiny man and a deadly goddess).  Time Codes: 0h 00m 25s:    GASLIGHT (1940) [dir. Thorold Dickinson] 0h 29m 52s:    FREEDOM RADIO (1940) [dir. Anthony Asquith] 0h 48m 27s:    FEAR & MOVIEGOING IN TORONTO: Michel Gondry's Eternal Sunshine of the Spotless Mind (2004) & John Cassavetes' Gloria (1980)        +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Amy and Frank talk themselves into Kaufman's filmography and find their way out of the swamp.

Revisitamos, debatimos y analizamos la película Synecdoche, New York (2008) de Charlie Kaufman.Fico CangianoAlexis LeonJose MoralesLuis Angelet

Netherlands-based director Aaron Rookus explores themes of self-acceptance, mortality, and the quest for fulfillment through the lens of filmmaking ahead of his Rotterdam Film Festival premiere of “Idyllic”. Past inspirations include Tom Tykwer's “Run Lola Run” and the films of Charlie Kaufman.Aaron speaks on the impact of personal experiences, such as illness and loss, on creative expression and the importance of humor in addressing serious topics. The conversation also delves into the dynamics of character development in ensemble storytelling, the role of script editors in shaping narratives, and the evolution of film consumption in the digital age. The conversation also reflects on the pervasive issue of loneliness in modern society, exploring themes of urban indifference, the struggle for connection in contemporary life, and the search for meaning amidst life's challenges.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

It's time to hide away from our memory erasure procedure as the hosts jumps on the train to Montauk, to bring the craziest movie review, the sci-fi romantic drama classic, Eternal Sunshine of the Spotless Mind, starring Jim Carrey, Kate Winslet and directed Michel Gondry. From the Oscar winning screenplay by Charlie Kaufman, many audiences agree that the movie ranks among the best love stories of the 21st century. The hosts pair the film with the Mind Eraser Cocktail. Come and join the hosts as they run around the beach one more time, as they celebrate this one of a kind film. Come listen and follow the hosts on their Instagram page and YouTube channel @the.gentlemenpodcast. 

For our Valentine's Day 2025 episode, we plunge deep into the nature of relationships by discussing two films whose romantic pairings are arguably not relationships at all: Spike Jonze's Her (2013) and his sometime collaborator, Charlie Kaufman's I'm Thinking of Ending Things (2020). Isolation, loss, misogyny, male fantasies, hope and despair: we've got all of the Valentine's goodness for you. And it continues with our Fear and Moviegoing discussion of Mike Leigh's Hard Truths (2024).  Time Codes: 0h 00m 25s:    HER (2013) [dir. Spike Jonze] 0h 54m 53s:    I'M THINKING OF ENDING THINGS (2020) [dir. Charlie Kaufman] 1h 30m 24s:    Fear and Moviegoing in Toronto: Mike Leigh's Hard Truths (2024) Related content: ·       Our immensely long and under-edited discussion of Synecdoche, New York (2008) and Our Town (1940) ·       Our second ever podcast: Peggy Sue Got Married (1986) and Eternal Sunshine of the Spotless Mind (2003) +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Following our episode on The Matador, we decided to revisit another hitman comedy: Confessions of a Dangerous Mind, which was George Clooney's directorial debut. Ryan also revisited two later films by screenwriter Charlie Kaufman; Eternal Sunshine of the Spotless Mind and Synecdoche, New York. We also got sidetracked a bunch and talked about other topics like The Gong Show in its various iterations. You can hear the full episode now only on Patreon at https://www.patreon.com/almostcultclassics. You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com

What if the greatest stories of our lives are the ones we never meant to write? On today's episode, we welcome Steven Bernstein, a man whose journey through the world of cinema has been anything but predictable. A writer at heart, a cinematographer by accident, and a director by destiny, his career is a living testament to the art of surrendering to the unknown. From his early days at the BBC to the sets of Hollywood blockbusters, his story unfolds like an unplanned masterpiece—one that ultimately brought him full circle, back to the thing he always loved: writing.In this profound conversation, Steven Bernstein recounts his journey from philosophy student to award-winning cinematographer, where his love of storytelling found an unexpected home behind the lens. He speaks of the curious ways life moves us, sometimes against our best-laid plans. “You tend to go with those things that are providing you income,” he muses, reflecting on how a passion for writing gave way to cinematography, leading him to films like Monster, Like Water for Chocolate, and Scary Movie 2. Yet, even as he shaped light and shadow for some of cinema's most striking images, the writer within him never faded.There is an undeniable poetry in the way Bernstein describes his work. He doesn't just shoot a film; he composes it, layering meaning through framing, movement, and light. Every choice—a dolly push, a backlight, an asymmetrical composition—whispers something to the audience. It's a language beyond words, one that he speaks fluently. “Everything to do with film is a language,” he explains. “And like any language, it's made up of two parts: that which we present and that which we mean.”His journey back to writing was not an easy one. After years of crafting imagery for others, he took a leap into directing his own films, starting with Decoding Annie Parker.It was a lesson in risk and resilience. At one point, he spent five years in poverty, refusing to return to the safety of cinematography. “If you hold out for the dream, maybe you achieve it,” he says. It is a stark reminder that the artist's path is often one of sacrifice, but those who persist find themselves richer in ways beyond money.Yet, Bernstein also understands the tension between art and commerce. Filmmaking is an expensive endeavor, and investors want guarantees. He describes the struggle of balancing creative vision with financial expectations, a dance between inspiration and limitation. And yet, some of the greatest filmmakers—Terry Malick, the Coen Brothers, Charlie Kaufman—have defied convention, proving that the most resonant stories often break the rules.The conversation moves to the nature of collaboration, the unspoken alchemy that happens on a film set when everyone is in sync. He recalls moments from Monster, where the crew, sensing the gravity of a scene, chose to remain completely silent, whispering only when necessary. It was an unspoken agreement, an offering to the art being created. “It was one of the most magical moments I remember in any film I've ever worked on,” he recalls. It is a glimpse into the rare, sacred spaces where true storytelling happens—not in the scripts, but in the spaces between them.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Kicking the movies of this year off, Ian picked the 2008 postmodern psychological drama film Synecdoche, New York. Written and directed by Charlie Kaufman in his directorial debut, it stars Philip Seymour Hoffman as an ailing theater director who works on an increasingly elaborate stage production and whose extreme commitment to realism begins to blur the boundaries between fiction and reality. The film also stars Samantha Morton, Michelle Williams, Dianne Wiest and Tom Noonan. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

Actrice Daphne Agten (recordhoudster van deelnames aan De slimste mens) vertelt in onze Bar Miroir hoe ze kracht haalt uit de female rage in het werk Inflammatory Essays van kunstenares Jenny Holzer, waarom de film Synecdoche, New York van Charlie Kaufman haar iedere keer opnieuw doet huilen, en hoe het komt dat in het theaterstuk Penthesilea van het Internationaal Theater Amsterdam kussen met bijten wordt verward. See omnystudio.com/listener for privacy information.

On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist.   Email us at culturefest@slate.com.  Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman.  Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!)  Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist.   Email us at culturefest@slate.com.  Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman.  Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!)  Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist.   Email us at culturefest@slate.com.  Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman.  Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!)  Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

When screenwriter Charlie Kaufman started making his epic, heartbreaking directorial debut SYNECDOCHE, NEW YORK, he was the toast of Hollywood. Then it flopped, put a pause on his career, and arguably marked the end of the heady “indiewood” era of the oughties. Host Rico Gagliano talks to one of the film's stars, Daniel London (MINORITY REPORT), comedy star and SYNECDOCHE superfan Jamie Demetriou (FLEABAG), and LA Times critic Amy Nicholson to learn about a movie that's now seen as one of the best of the century.The latest season of The MUBI Podcast – BOX OFFICE POISON — dives into six visionary films... that were also notorious flops. Inspired by the new book of the same name by Tim Robey, film critic for The Telegraph, every episode is a wild ride through a great movie's rise, and fall, and rise.DAHOMEY will stream exclusively on MUBI in the US, Canada, UK, Ireland, Germany, Turkey, India and Latin America from December 13.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country. You can listen to the Kermode & Mayo's Take podcast here.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Angie Han (The Hollywood Reporter) and Liz Shannon Miller (consequence.net) return to the virtual draft table to competitively / collaboratively rank all 9 feature films written or written and directed by CHARLIE KAUFMAN! Also joining us is Patreon Official Sponsor Mark Rozeman (The Good Doctor), with a terrific trivia round! Check out Mark's "Kaufman Collage" here: https://vimeo.com/1036145999 Want more Screen Drafts action? Get Boosted by joining the Screen Drafts Booster Club! Go to www.patreon.com/screendrafts for info.

In this episode Malkovich Malkovich Malkovi--**cough cough Excuse me. In this episode, Masie & Stuart rediscover the surreal 1999 dramedy film Being John Malkovich: the feature film debut of both director Spike Jonze and screenwriter Charlier Kaufman. Crossing the small threshold into the film's strange world, our hosts find a bevy of amazing actor performances and a compelling set of themes. Listen as our hosts dive into these topics as well as the film's unexplored gender moments.   Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram, Twitter, and Letterboxd and Cinema-Bones on Tumblr for podcast updates.   Additional Reading/Sources: The two primary sources referenced are the 2011 Criterion interview with actor John Malkovich and the on-set documentary "All Non-Combatants Off Set", which are both featured on the Criterion Collection blu-ray/DVD editions of the film. Check them out from your local library!

No episódio de hoje do QueIssoAssim, Brunão e Baconzitos convidam a amiga Andreia (Livros Em Cartaz) para desvendarmos todos os mistérios da mente humana e das nossas memórias pela ótica do filme Brilho Eterno de Uma Mente Sem Lembranças, que este ano comemora inacreditáveis vinte anos. Dirigido por Michel Gondry, com o roteiro oscarizado de Charlie Kaufman, Brilho Eterno de Uma Mente Sem Lembranças traz a história de Joel (Jim Carrey) que descobre que sua namorada Clementine (Kate Winslet) o apagou de sua memória em um procedimento médico. Em um ímpeto de vingança, Joel decide realizar o mesmo procedimento para se livrar das memórias com Clementine. Porém, no meio do processo, ele se arrepende e resolve se esconder dentro da própria mente. E se você chegou agora ao QueIssoAssim, seja bem-vindo e mande um e-mail para a gente ou deixe um comentário com a sua opinião! E considere nos apoiar no Apoia.se! O link está abaixo! E pra quem nunca assistiu ao filme, ele está disponível na Netflix.

I met Tim and Danny Reckart last year at the Tepeyac Leadership Initiative's The Hour of the Laity Conference and we had a few fantastic conversations! I wanted to keep it going and so I invited the two to talk about art, filmmaking, story, and more. Enjoy!Who is Tim Reckart?Timothy Reckart is an Oscar-nominated writer, director, and animator, best known for directing The Star in 2017 and the Oscar-nominated short Head Over Heels in 2012. Prior to directing, he worked as a stop motion animator, serving as a lead animator on Charlie Kaufman's Oscar-nominated film Anomalisa and animator on Amazon's multiple Emmy-winning preschool series Tumble Leaf. In 2015, Variety named him one of its “10 Animators To Watch.”He holds a master's degree in directing animation from the National Film & Television School of the UK and graduated magna cum laude with a bachelor's degree in history and literature from Harvard University, where he was awarded the Edward H. Potter Prize for “great enthusiasm and curiosity for truly eclectic learning.” He lives in Los Angeles with his wife and three children.Who is Danny Reckart?Danny Reckart is a LA-based screenwriter and playwright. A graduate of NYU Tisch, Danny wrote numerous plays and musicals that were performed throughout New York City, including writing for Broken Box Mime Theater for which he won a New York Innovative Theater award. His screenplays have been recognized by the Nicholl Fellowship, the Sundance Screenwriting Lab, and the BlueCat Screenwriting Competition. He is currently in development at Dreamworks working on an animated TV show he co-created with his brother based on their childhood road trips.Summary:In this conversation, Will Wright speaks with Tim and Danny Reckart, two brothers who are passionate about storytelling and filmmaking. They discuss their backgrounds, the importance of storytelling in conveying wisdom, and the role of art in reflecting truth. The Reckart brothers emphasize the responsibility of Catholic filmmakers to integrate their faith into their work and the need for a supportive community among artists. They also explore the current cultural landscape, noting a bifurcation in society and the challenges and opportunities it presents for Christian artists.Takeaways:* Storytelling is a fundamental human experience that helps us retain wisdom.* Art serves as a medium to convey deeper truths and experiences.* Preachiness in art often stems from poor execution rather than the message itself.* The role of the artist is to remind audiences of truths they may have forgotten.* Catholic filmmakers have a unique responsibility to present a counter-cultural worldview.* Art can be a powerful tool for evangelization and cultural engagement.* Community among Catholic artists is essential for growth and support.* The current cultural climate presents both challenges and opportunities for Christian filmmakers.* Art should resonate with audiences on a personal level, reflecting their own experiences.* The Reckart brothers are launching Sycamore Studios to create family-oriented animated films rooted in their values.Keywordsstorytelling, Catholic filmmakers, art, truth, culture, animation, Reckart brothers, film industry, creativity, wisdom This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.gooddistinctions.com

If you have a buck instead of a book you too can time travel with us back to 1999! Instead of deciding to partake in BEING JOHN MALKOVICH we play a little hot or not with the... fairly unattractive debut feature film from Spike Jonze in what would be the beginning of a series of lighthearted fare from the writer Charlie Kaufman. Cameron Diaz and pets! Catherine Keener as the bubbly coworker! John Cusack as a puppeteer! All disgusting! Enjoy. Enjoy and catchup on last year's Movie Book Club from Quentin Tarantino's CINEMA SPECULATION! Threads/Twitter/Instagram/Facebook: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Welcome to How Have You Not Seen, a podcast where everything is more complicated than you think. This week, Carson Introduces Caroline to Charlie Kaufman's divisive, postmodern opus Synecdoche, NY and then refuses to even try to explain what the movie's actually about. This week's important questions; Is Charlie Kaufman okay? Caden Cotard: macho alpha or whiny sadboy? -and- Is this movie kinda obvious? A special thank you to our patrons! HHYNS is made with the financial support of listeners like you. If you'd like a shoutout on the pod and years of bonus episodes covering new films and old favorites, head over to our patreon - ⁠patreon.com/hhynspod

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including Tom Holland talking his joy over the Spider-Man 4 script, the trailers for Electric State, The Monkey and Carry-On trailers, first photos of Superman and Krypto, Dwayne Johnson and JJ Abrams teaming up on a future project, IP vs Franchise films after Anora's director Sean Baker's comments, a new Bourne movie possibly in the works with Edward Berger rumored to direct, Charlie Kaufman writing Bennett Miller's next movie, Christopher Nolan's Blue Thunder remake, Sneider's Terrifier 3 review, box office reactions with The Apprentice bombing and Terrifier 3 killing it and more!#marvel #DC #Disney  #TheHotMic #johnRocha #JeffSneider ____________________________________________________________________________________Chapters:0:00 Intro and Rundown4:18 Tom Holland Is Excited by the new Spider-Man 4 Script, Calls it a "Real Movie"11:30 Josh Brolin in Talks to Play the Villain in Running Man Remake14:12 Superman and Krypto First Look Reactions18:25 Dwayne Johnson and JJ Abrams Tease a New Project with Zak Penn29:32 The Electric State, The Monkey and Carry-on Trailers Reactions48:03 Charlie Kaufman Writing Bennet Miller's Next Movie52:12 Rocha Adresses His Alleged "Flip Flopping" on JOKER 255:54 Tom Hardy's Salary for Guy Ritchie's 'The Apprentice' Series1:01:04 READY OR NOT 2 Updates with Radio Silence Returning1:03:32 Al Pacino Talks About Going Broke Late in Life1:07:25 ANORA's Sean Baker Talks About Adult Character Dramas vs Franchise Movies1:14:38 Terrifier 3 Review and Box Office News1:18:54 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

Prestige-ish Media Only Murders In The Building Season 4 Episode 5 - INSTANT REACTION - Adaptation - OMITB + The Lord of the Rings: The Rings of Power Season 2 Episode 6 Bonus Informal Conversation. Listen in as Craig Lake, Jessica Z and Dan McNair give their opinions on the Hulu / Disney + show. In this episode we discuss Charlie Kaufman, Jack Jonk, Papa de gallo, Brentwood, and more. Stay tuned at the end as Craig and Dan have a very informal impromptu conversation on The Lord of the Rings: The Rings of Power Season 2 Episode 6 - Where is He? Please also join us for our coverage of The Penguin. X @prestige_ish Instagram @prestigeishmedia X/Instagram @realrealbatman @joblessdogmom @danmcnair1017 http://prestigeish.com

This week, we explore the surreal and emotional journey of memory and love in Eternal Sunshine of the Spotless Mind (2004). We talk about the film's unique storytelling, unforgettable performances by Jim Carrey and Kate Winslet, and the thought-provoking themes of heartbreak and erasure. If you're a fan of sci-fi, romance or just curious about this modern classic, you should listen and let us know what you think.Also Play:Cinema Chain Game--------------------------------------------Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersYouTube: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter: @ourfilmfathersEmail: ourfilmfathers@gmail.com

Send us a textANOTHER LEGENDARY ACTOR'S TRIBUTE!This week on the Gimme Three Podcast co-hosts Bella Efstratis and Nicholas Ybarra celebrate the life and career of Philip Seymour Hoffman. As hard as it is to believe, this year marks a decade since Philip Seymour Hoffman's tragic passing. In this episode, the duo discusses some of Hoffman's pivotal leading performances. First, we have Sidney Lumet's swan song, the gripping 2008 crime thriller Before The Devil Knows You're Dead. In this one, Philip Seymour Hoffman takes his acting to new, intense heights. Next, we attempt to dissect the dense masterpiece Synecdoche, New York. In what may be his most enigmatic roles, Hoffman knocks it out of the park as the troubled stage director Caden Cotard.Finally, we discuss the intricacies of Philip Seymour Hoffman's Academy Award-winning performance as Truman Capote in Capote. In this episode, Bella and Nick analyze Hoffman's portrayal of vulnerability in all of his characters and its effect on the audience. Stay tuned for more episodes highlighting the work of Philip Seymour Hoffman in the coming weeks. Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Charlie Kaufman's screenwriting and Spike Jonze's directorial debuts, Being John Malkovich is a delightfully weird story of identity. Lotte (Cameron Diaz)'s storyline is particularly compelling, with Lotte experiencing gender euphoria as Malkovich, whereas our other main characters want to use Malkovich for patriarchal power, through fame or immortality. Unfortunately less compelling is the slathering of artifice on the disc's additional features including an essay/interview by what appears to be a character from a Jonathan Lethem novel, a retrospective for a future neural implant release of the film, and scene commentary from someone completely uninvolved with the production.

In this episode, Nate and Adam discuss the mind-bending drama from writer Charlie Kaufman, "Eternal Sunshine of the Spotless Mind", starring Jim Carrey and Kate Winslet! Listen now!

Boomer and Alli discuss Charlie Kaufman's writer's-block anxiety thriller Adaptation (2002), starring Nicolas Cage & Meryl Streep https://swampflix.com/ 00:00 Welcome 01:05 Immaculate (2024) 07:57 Time Masters (1982) 11:37 Trap (2024) 13:06 In the Mood for Love (2000) 19:56 Cuckoo (2024) 25:43 Wicked Little Letters (2024) 27:48 Adaptation (2002)

This week, we delve into one of the most confounding movies ever: Synecdoche, New York. And we're here to say the movie, while surreal and outlandish and subversive, is actually much simpler than it seems. We go down a strange path trying to put Charlie Kaufman's bizarre movie into words—join us.Check out our website for more great movie deconstructions.If you'd like to support the show and hear episodes ad-free, then join our Patreon!Music by Ross Bugden.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Skip work and meet us in Montauk because it's time to talk about Eternal Sunshine of the Spotless Mind! Jim Carrey month continues with this Charlie Kaufman written, Michel Gondry directed mind bender. We discuss how different the movie is as an adult, hernias, which memories we would erase if we could, defending Joel and Clementine, Michelle's need to touch the ocean vs. Seth's need to touch.. something very different, Kate Winslet as an institution, the pattern of Clementines hair colors and how everyone in this movie is a teeny tiny baby. Strap in and check it out! Register for our upcoming FREE live show  For all of our bonus episodes check out our Patreon   Patreon supporters help pick episodes, monthly themes and get access to all of our additional shows and our Patron exclusive Discord. It's only the price of a single cup of coffee ($5 a month!) Visit our website and send us an email! Follow Movie Friends on Twitter and Instagram

As Psycho-somatic June is discharged from the Weekly Podcast Massacre asylum, we contemplate who we are and who we want to be with Charlie Kaufman's I'm Thinking of Ending Thing. Email: WeeklyPodcastMassacre@gmail.com Instagram: @WeeklyMassacre Threads: @WeeklyMassacre Music by Dora the Destroyer --- Send in a voice message: https://podcasters.spotify.com/pod/show/weeklypodcastmassacre/message

In this episode, we get existential, philosophical, and humanistic with Boise-based filmmaker (and NBFF alum) Collin Insley. We work through the implications of Being John Malkovich and Charlie Kaufman's filmography for fame, identity, and what it means to be human. Also puppetry.  Collin's film Scam Likely is here.Some of the films we mention in this episode: Burn After Reading, Magnolia, Being John Malkovich, Rounders, Con-Air, Beau is Afraid, Synechdoche, NY, I'm Thinking of Ending Things, Eternal Sunshine of the Spotless Mind, Adaptation, and Anomalisa.Come find us:WebsiteInstagramFacebookTwitterOpening music: "Let's Start at the Beginning," Lee RosevereClosing music: "Découvre moi," Marc Senet & Simon Grivot

Eternal Sunshine of the Spotless Mind is the story of Joel, portrayed by Jim Carrey, who met Clementine, Kate Winslet. After a whirlwind romance they decide that it is not working out so they approach a doctor who will erase them from their memories. “This film uses elements of psychological drama, surrealism, science fiction and a nonlinear narrative to explore the nature of memory and love.” (Source: IMDB.com)   Timecodes: 00:00 - DMP Ad :30 - Introduction :46 - The Film Facts 6:22 - Clementine's hair color 21:29 -  Head Trauma 22:12 - Smoochie, Smoochie, Smoochie 22:47 -  Driving Review 23:30 - To the Numbers 25:27 - Next week's movie   Next week's film will be Wine Country (2019)   Subscribe, Rate & Share Your Favorite Episodes! Thanks for tuning into today's episode of Dodge Movie Podcast with your host, Mike and Christi Dodge. If you enjoyed this episode, please head over to Apple Podcasts to subscribe and leave a rating and review. Don't forget to visit our website, connect with us on Instagram, Facebook, LinkedIn, and share your favorite episodes across social media. Email at christi@dodgemediaproductions.com Need help editing or producing your podcast, let us help you. Also, you can get 2 months free on Libsyn click here: https://signup.libsyn.com/?promo_code=SMOOCHIE

Warehouse? There house!You can shoot us an email at whatisamoviepod@gmail.com

Industry mixer, and a homeless man absconds with my phone. Adaptation at the Egyptian, and Rob's play Saturday night. Some Like It Hot, and others like parking tickets. Another wonderful haircut from Floyds barbershop. (Which will most likely be bankrupt in 5 years)

On the centenary of his death, we reflect on the legacy of Czech writer Franz Kafka. Alongside writer and literary critic Chris Power, we celebrate Kafka by way of his unexpurgated diaries which have recently been translated into English for the first time. Then screenwriter and short-story author Charlie Kaufman discusses his story in his new collection, ‘A Cage Went in Search of a Bird'. See omnystudio.com/listener for privacy information.

New Yorker cartoonist and writer for The Late Show with Stephen Colbert, Asher Perlman, related to Charlie Kaufman's self-deprecating self-portrait in Spike Jonze's 2002 film Adaptation - a movie we discussed here in one of our earliest episodes, with author Susan Orlean. As he's grown up -- both as a person and a creative -- has he gotten more in touch with his inner Donald, Charlie's (fully fictional) identical twin brother?This, and Jordan's take on Furiosa: A Mad Max Saga!Well, This is Me is available for preorder and will be released on June 18, 2024***with Jordan Crucchiola and Asher Perlman

WORK-LIFE BALANCE! Our 1999 series rolls on with three movies about getting sucked into your job and struggling to get out again. Representing the arthouse it's Charlie Kaufman and Spike Jonze's Being John Malkovich and Martin Scorsese and Paul Schrader's Bringing Out the Dead, and representing the mainstream it's Richard Curtis's Notting Hill. Which will win and enter the canon? Which two will lose and we can never watch them again for the rest of our lives??? WATCH FULL VIDEO EPISODE ON PATREON: https://www.patreon.com/MoviesBabyyyyy NEXT WEEK: Boys Don't Cry vs Varsity Blues FOLLOW US ON LETTERBOXD: https://letterboxd.com/weekendbergman/lists  https://letterboxd.com/breyyyattt  https://letterboxd.com/joecilio  FOLLOW WEEKEND AT BERGMAN'S https://twitter.com/weekendbergman  https://www.instagram.com/weekendbergman  https://www.tiktok.com/@weekendbergman  FOLLOW MOVIES BABYYYYY: https://www.youtube.com/@moviesbabyyyyy  https://www.instagram.com/moviesbabyyyyy  https://twitter.com/moviesbabyyyyy  https://www.tiktok.com/@moviesbabyyyyy  BUY MERCH https://www.teepublic.com/user/weekend-at-bergmans  WEEKEND AT BERGMAN'S IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/weekend-at-bergmans Learn more about your ad choices. Visit megaphone.fm/adchoices

Henry has major anxiety for Charlie Kaufman's Orion and the Dark.Subscribe / Buy Bonus Shows / Contact

This week, with David out sick, Patches, Katey and Da7e get together to discuss two movies you can currently stream on Netflix: The Greatest Night in Pop about the making of “We Are The World” and Orion and the Dark, a Charlie Kaufman-written children’s movie. One is a straightforward documentary about one night in the […]

Are commercial considerations always doomed to taint art? And are commercial considerations really a taint? We discuss Spike Jonze and Charlie Kaufman's meta-movie ADAPTATION (2002) and the artist/hack dichotomy. PLUS: We mark the passing of the world's most famous minimalist sculptor and murder suspect.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Are commercial considerations always doomed to taint art? And are commercial considerations really a taint? We discuss Spike Jonze and Charlie Kaufman's meta-movie ADAPTATION (2002) and the artist/hack dichotomy. PLUS: We mark the passing of the world's most famous minimalist sculptor and murder suspect. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus