Podcast appearances and mentions of Charlie Kaufman

"Wish me a happy Valentine's Day when you call. That'd be... nice!" We watched "Eternal Sunshine of the Spotless Mind" with our friend Amber Shaw, and we need to wash the Blue Ruin hair dye out of our hands. Could this be the most romantic movie of all time? To a generation of millennials, the answer just might be yes. This loopy, Möbius strip, timey-wimey love story could only have been constructed by writer Charlie Kaufman and put to screen by visionary director Michel Gondry, and it has forever left a stamp on our impressionable minds. Jim Carrey gives a rare but memorable dramatic performance as the nebbish, lovelorn Joel Barish, and Kate Winslet delivers an Oscar-nominated performance as the prototype Manic Pixie Dream Girl, Clementine Kruczynski. Gondry's analog, sci-fi world brings us back to a pre-social media era in which one could plausibly have an entire relationship erased from their memory, and a mere postcard could seal the deal to your friends and family. Maybe smartphones would have been the death knell for Lacuna Inc., but we're glad to harken back to those naive days in the before times. There are theories about Joel and Clem's future relationship and whether or not they continued to have the erasure procedure done over and over again. Maybe meeting each other for the first time is their happy place. This movie just might be ours.  Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna Cover Art by Shaun Piela 

This is a preview of a bonus episode from the Patreon feed, TIYA After Dark! Head to patreon.com/thisisyourafterlife to hear this full episode and all the others for just $5 a month.Daniel Strauss and Drennen Quinn return to talk about Charlie Kaufman's Synecdoche, New York. They're my closest comedy friends since right before this movie came out in 2008, and it was fun to sit down and goof off about a movie Daniel calls one of his favorites that he'll never see again.We talk about: bedtime, a career in the arts, phone etiquette when recording a podcast, Theatre of Cruelty, aging, nontraditional horror, no longer being able to relate to characters you dislike, still relating to those same characters.Support the show and get the TIYA After Dark feed on Patreon:https://www.patreon.com/thisisyourafterlifeFollow Daniel and Drennen:https://www.instagram.com/danielstrauss/https://www.instagram.com/drennenwon/Follow/contact This Is Your Afterlife:https://thisisyourafterlife.com/https://www.instagram.com/thisisyourafterlife/thisisyourafterlifepodcast@gmail.comMusic by TIYA house band Lake Mary:https://lakemary.bandcamp.com/https://www.instagram.com/chaz.prymek/Artwork by Matt Sage:https://www.instagram.com/matthewjsage/

Last month brought suitable mourning for Robert Duvall and Frederick Wiseman, whose legacies are so enshrined that the lengthy obituaries published by major outlets could have—likely were—written years ago. But immediately after came a quieter announcement that hit me hardest: Tom Noonan, the actor best-known for his collaborations with Michael Mann and Charlie Kaufman, and a filmmaker who made formally elegant and emotionally lacerating features based on his own plays. (As discussed in my 2021 interview with him.) While his passing may, to various film institutions, not seem so notable as Duvall or Wiseman, I noticed that the online reaction was essentially as instant and admiring. It's perhaps impossible to experience a Noonan performance, with that tall frame and mellifluous voice, and come away feeling like you'd seen any other actor. My friend, the critic Keith Uhlich, had known Noonan closely, working with him in both theater and cinema. I considered here and now the proper time to reminisce on Noonan's work, and a unique opportunity to Keith tell intimate stories of him as both an artist and friend. Music courtesy of Lex Walton: “Love Theme from an Unreleased Film” from the album Giving It Up.

Each episode the 70MM REJECTED crew unearths movies that haven't been selected by The Village and/or The Hosts of 70MM to make sure they get their moment in the sun.And like the hosts at 70mm, the boys are being relegated to the bench for a bit, and the she/her channel in the 70mm discord is running the show. All of it! The podcast, the planning, the movies, the hosting, everything! So sit down over the next weeks as they chat about the films they've chosen with some familiar and new voices along the way.Don't cry babes, just because wintHER season is coming to a close dosesn't mean we wont see these amazing people again soon on the microphone!!!And in this last episode of the season, we are wrapping up with returning voices Emma, Grace and Sarah. And joining them for the last ride of the season is the amazing Hilary! For the last film of wintHER, the focus is on Jesse Buckley in her powerful performance in Charlie Kaufman's 2020 release, I'm Thinking Of Ending Things.Shout out to The Village and the hosts of 70MM for making a most excellent community. This podcast is made with love and appreciation. And extra amazing shoutout to our she/her channel, who continues to provide a safe space within a safe space for those in need. Beyond grateful for you!And, if you're not already a Villager, and want to see what all the fuss is about, you can join 70MM's Patreon by clicking the link below.https://www.patreon.com/70mm

THIS IS THE 'SEVERED: ORIGINS' BREAKDOWN OF 'ETERNAL SUNSHINE' - PT05Welcome back for Part Five of this Ultimate breakdown of "Eternal Sunshine of the Spotless Mind." If you've come this far, there's not a lot I can say. It's time to delve into Joel's humiliations. This is the cringy stuff Charlie Kaufman really likes to write about. It might leave you feeling just a bit sick to your stomach...that's okay, it's the CK way.Mrs. Howard makes a visit! Mary starts to kiss Howard right in front of the big window that's all lit up all of a sudden in Joel's apartment. They start this at the exact same moment as Mrs. Mierzwiak comes rolling up in her Chevy Sedan. Hollis unloads on Howard plus she spills the beans about Mary. At least she causes Mary to ask some questions that Howard finds hard to answer. Deceiving Mary will prove to be a very bad idea. This ORIGINS entry is a trippy 2004 title from French Director Michel Gondry. Both Dan Erickson and Ben Stiller list it as an inspiration. It stars Kate Winslet and Jim Carrey. This is considered one of the best things Jim Carrey has ever done.Get ready for Part FIVE of this enormous movie breakdown.*******Huge thanks to Adam Scott, star of 'Severance' and host of the Severance Podcast for recording a custom intro for "Severed." Make sure to check out 'The Severance Podcast w/Ben Stiller & Adam Scott" wherever you found this one!A big 'thank you' to friend of the pod Kier Eagan, er I mean Marc Geller! Marc both sat for an interview (make sure to check it out) AND recorded some great bumpers as Kier himself. Follow Marc on Instagram @geller_marc.BIG Thanks to Friend of the Podcast Hayley Erickson-Goelzer. She is Sister to creator Dan Erickson and also a listener. It took getting approval from Dan's Press Person, but thanks to her follow-through we've got a custom bumper from Hayley Erickson-Goelzer!!Yes, that is really and truly Primary Director and Executive Producer Ben Stiller doing a custom bumper for 'Severed.' He actually did this bumper for the show while we were recording an interview for the Official Ben & Adam Podcast. Thank you, Ben for the Bumper and for bringing this incredible show to the screen!!Support the Severed Podcast on Patreon! (Click here)APPLE PODCAST LISTENERS: If you are enjoying "Severed: The Ultimate 'Severance' Podcast" please make sure to leave a 5-star rating (and, if you want, a review telling others to give it a try). Higher rated podcasts get better placement in suggestion lists. It helps more "Severance" fans find the show. Thanks!!! (Unfortunately, I can't respond to any questions or comments made in Apple Podcast Reviews. Send those to: SeveredPod@gmail.com)Season 2 of "Severance" kicked off 1/17/2025 and ran through 3/20/2025. The Second Season of the "Severed" Podcast Rewatch Episodes kicked off on April 24th, 2025. To support the Severed Podcast: (www.patreon.com/SeveredPod) Join the fun on our Facebook page @SeveredPod. I always try to keep page followers  updated on news about the show. Also, let's talk!! Comments? Theories? Corrections? I LOVE 'EM!! Send to: SeveredPod@gmail.comPLEASE MAKE SURE TO SHARE THE PODCAST WITH YOUR FRIENDS WHO ARE 'SEVERANCE' FANS. THE SHOW GROWS THROUGH WORD OF MOUTH!!Needing your own copies of the Lexington Letter and Orientation Booklet? I've got you covered with downloadable PDFs of both documents:LETTER: LEXINGTONLETTER-TheLetter.pdf HANDBOOK: LEXINGTONLETTER-MDROrientationHandbook.pdfYou haven't completely watched 'Severance' until you've listened to 'Severed'.

The Hate Watch/Great Watch Podcast is pleased to welcome the newly-hitched Krystal and Sean Brady back to the show! We discuss topics including Timothée Chalamet, pitch meetings for Thanksgiving parade balloons, and the accordion section of an articulated bus, all in service of a RomCom that has touches of David Fincher stylization and Charlie Kaufman high concept! Plus: Big old honkin' box! Prepare for the origin story of IRSman, it's Stranger Than Fiction (2006)! Questions, comments, requests? Write us at: WriteHWGW@gmail.com

Pour yourself a drink and pull up a chair as you join Austin and Big T this week to talk about the 2004 film Eternal Sunshine of the Spotless Mind.Listen in as we explore the themes of the film as well as what we liked and what we think could have been better. We also discuss how the timeline of the film adds to the narrative and what we loved about the performances. We even talk about a few other movies this film reminds us of, including one we've watched before!So bundle up under your blankets while you listen this month and then join us in April when we discuss the 1995 war drama, Braveheart.Write into us at layersoffilmpod@gmail.comFollow us on Instagram, Twitter, and TikTok: @layersoffilmpod

This week, the boys grabbed some beers and kept it positive while they fired off some mini-reviews before featuring a conversation about “Eternal Sunshine of the Spotless Mind”. As part of the random year generator series, 2004 was a great year for movies, with over 50 $100m movies and many likable ones. While “Eternal Sunshine” didn't gross in the top 70, it may be the year's greatest film. Props to Michel Gondry and Charlie Kaufman for giving Jim Carrey and Kate Winslet some juicy roles and incredibly shifty worlds! As for the mini-reviews, the boys can't speak highly enough of Gore Verbinski's “Good Luck, Have Fun, Don't Die”, starring Sam Rockwell, and the intense and captivating “If I Had Legs I'd Kick You”, and the Academy Award-nominated “It Was Just An Accident”. Grab some beers and join us!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 04:19 “If I Had Legs I'd Kick You” mini-review; 12:10 “Good Luck, Have Fun, Don't Die” mini-review; 18:24 “It Was Just An Accident” mini-review; 22:20 2004 Year in Review; 39:01 Films of 2004: “Eternal Sunshine of the Spotless Mind”; 1:16:10 What You Been Watching?; 1:23:05 Next Week's Episode Teaser Additional Cast/Crew: Michel Gondry, Charlie Kaufman, Pierre Busmuth, David Cross, Elijah Wood, Mark Ruffalo, Kirsten Dunst, Tom Wilkinson, Sam Rockwell, Gore Verbinski, Michael Pena, Zazie Beetz, Haley Lu Richardson, Juno Temple, Jafar Panahi, Rose Byrne, Conan O'Brien, A$AP Rocky. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Fallout, Star Trek: Starfleet Academy, They Live, Paradise, John Carpenter, The Muppet Series, Bedknobs and Broomsticks, The Pitt, Blue Moon, A Knight of the Seven Kingdoms.  Additional Tags: Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. Handsome leading man jumps from television to film working with a handful of dynamic filmmakers before hopping in the director's chair himself - sound familiar?! Unfortunately, it turned out a lot better when Clint did it. But we're talking about George Clooney anyway, starting with his 2002 directorial debut CONFESSIONS OF A DANGEROUS MIND, based on the clearly-a-joke-to-everyone-but-Clooney "unauthorized autobiography" by Gong Show producer/host Chuck Barris. Written by Charlie Kaufman (rewritten by Clooney), produced by Section Eight, edited by Stephen Mirrione...what could go wrong? We'll tell you! As always, thank you to Jetski for our theme music and to Jeremy Allison for our artwork.

(Este episodio lo grabamos en agosto 2025) El críptico cine de Charlie Kaufman es el tema a discutir en este nuevo episodio de Podcast Paradiso.

This week, we're returning to a conversation with Charlie Kaufman, recorded in 2020. Kaufman is the Oscar-winning screenwriter behind some of the most inventive films of recent years, including “Adaptation”, “Eternal Sunshine of the Spotless Mind”, and “Being John Malkovich”.  He's also directed films including “Synecdoche, New York”.  His work often explores human memory and consciousness, with a style frequently described as surreal.  At the time of this conversation in 2020, Kaufman had just published his debut novel “Antkind”.  On July 13, 2020, Charlie Kaufman discussed the book and his films with Andrew Sean Greer, who won the Pulitzer Prize for his comic novel “Less”. 

We kicked Jason to the curb to allow us to record when Escape Hatch film correspondent and co-host of the Cinenauts podcast ctcher was available. And he's joined by the Mayor of the Freak Beat and co-host of The Austin Danger Podcast, Kev. By their command, we cover Charlie Kaufman and Spike Jonez' sophomore effort, the wildly inventive Adaptation.Chapters Introduction (00:00:00) Hatch News (00:21:05) Adaptation Roundtable (00:30:41) Your Letters (01:24:10) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

It's the grand finale of Season 7! This season we looked at the trends, genres, styles, and more that make up cinema of the first 25 years of the 21st century. This week, Corey looked back to look forward and also sideways, without and within. It's Charlie Kaufman's meta-meditation on evolution and adaptation, Adaptation (2002). Both Paul and Corey were shocked at how much better the film is than they both remembered. It's an absolute treat to watch, and we hope you'll feel the same about our discussion of it. Thank you so much for listening to this season of the show, and we'll see you all in February for Season 8!

This week, Emilio, Madeline and Julian make good on something that has been in works for over two years - a conversation about the movies they gifted each other back in 2023!  To be specific, these were discs from The Criterion Collection, acquired during Barnes and Nobles summer 50% Criterion sale.  Madeline gifted Emilio 'House', Nobuhiko Obayashi's wild inventive horror/comedy from 1977.  Julian gifted Madeline 'Being John Malkovich', Spike Jonze and Charlie Kaufman's breakout film from 1999.  Emilio gifted Julian 'Ikiru' from 1952, Akira Kurosawa's influential meditation on life and imminent mortality.  The group gets a chance to talk spolier free about these three films, what motivated their decision to give what they did, some details and themes that stick out to them about each film, and what kind of cinephile would be ideal recipient of these films.  They also take a moment to reflect on their year in podcasting, and gift each other a new Criterion disc to discover in 2026!  Happy holidays listeners, thanks for a great year!If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on YouTube, IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

In this week's episode of our Gloria Grahame Acteurist Oeuvre-view, we explore the unique casting of unmusical Gloria in Fred Zinnemann's film version of Rodgers and Hammerstein's Oklahoma! (1955) and follow the thread that leads (through Jud Fry) from the supposedly "wholesome" musical to Charlie Kaufman's dark, experimental I'm Thinking of Ending Things. Then we switch over to British espionage curiosity The Man Who Never Was (1956), starring Gloria and Clifton Webb... although they never share a scene. And in Fear and Moviegoing in Toronto, another curious pairing: Cameron Crowe's quintessential 90s romantic comedy Singles (1992) and Luc Moullet's weirdo Western A Girl Is a Gun/Une aventure de Billy le Kidd (1971) offer wildly divergent perspectives on the problem of love. Time Codes: 0h 00m 25s:    OKLAHOMA! (1955) [dir. Fred Zinnemann] 0h 32m 04s:    THE MAN WHO NEVER WAS (1956) [dir. Ronald Neame] 0h 40m 38s:    Fear and Moviegoing in Toronto – Cameron Crowe's Singles (1992) at The Revue Cinema and Luc Moullet's A Girl is a Gun /Une aventure de Billy le Kid (1971) at TIFF Lightbox +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

This week, we are talking about Charlie Kaufman in the director's chair and how our thoughts have settled on what's probably his most divisive film. In 2020, Kaufman returned to directing by adapting Iain Reid's psychologically intense i'm thinking of ending things, told from the perspective of an unnamed woman visiting her new boyfriend's rural home. … Continue reading "369 – i'm thinking of ending things"

Cass worked a full 16-hour day the day before recording this pod so she worried she would fall asleep on mic. Instead, she decided to let herself be fuelled by hatred as she brings one of her least favourite movies to the pod for her personal pick. Matt's a fan, Cass is a foe, but at least all three hosts can agree that the film looks good. Anomalisa is a stop-motion animated film written by Charlie Kaufman about a man who sees everyone else in the world as having the same face and voice. When he meets Lisa, who appears to be the only exception, he is instantly besotted. We'd love to hear your takes on Anomalisa - message us on Instagram or email mixedbagcontact@gmail.com if you love this film, hate it, or have anything else you want to share! Also, in Pop Corner we talk about Miss Major Speaks, the films of Lynne Ramsay, Stress Positions, the YouTube show Interior Motives, the podcast Three Bean Salad, The History of Sound, and Rosalía's album Lux.

This Week for your Daily Ratings Movie News: Taylor Sheridan is packing his bags with Paramount and moving his future projects to NBC Universal. Spike Jones and Charlie Kaufman might be teaming up again along with Sandra Huller and Justine Triet. Then Johnny Depp as Scrooge and Margot Robbie in the new American Psycho. Want to check out all our Movie Scores and so much more? Stop by our Website!  - The Daily Ratings! Would you'd like to support The Daily Ratings and become a Producer? Check out our Donation Page!  - Support Us Here! Want to see the ratings on all the latest movies? Here are all the movies playing in theaters!  - Now Playing Here! Don't forget to stop by our shop for all the T-shirts, Hoodies, and Daily Ratings Gear!  - Shop the Store!

After Charlie Kaufman utilized one of Eva H.D.'s poems in his 2020 feature "I'm Thinking of Ending Things," the pair hit it off. While Eva had never worked in film before, Kaufman had likewise never directed another writer's work before. Nevertheless, the pair were kindred spirits, and set off to continue working together, and made their first short film together, "Jackals and Fireflies" in 2023. Now, they're back with another short film making the film festival rounds, "How To Shoot a Ghost." Set in Athens, the short follows two recently deceased people, played by Jessie Buckley and Josef Akiki, as they wander around the city, experiencing the afterlife. Kaufman and Eva were kind enough to spend some time speaking with us about their work and experience making the short film, which you can listen to below. Thank you and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Harry and Daniel are joined by podcaster & writer Julie Klausner to tackle Adaptation, Spike Jonze's wildly inventive collaboration with screenwriter Charlie Kaufman. Starring Nicolas Cage in a dual role as Kaufman and his fictional twin brother, the film bends narrative form to explore writer's block, creativity, and self-doubt. The hosts discuss Kaufman's uniquely Jewish lens on storytelling, the blending of comedy and melancholy, and how the film fits into a broader tradition of Jewish metafiction in literature and cinema.Adaptation on IMDbAdaptation Movie Trailer Julie's LinksHow Was Your Week Podcast?Double Threat Podcast w/ Julie & Tom SharplingJulie Klausner on InstagramConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

Nicolas Cage playing twin brothers in the same film should have been a disaster, but in Adaptation (2002), it became one of his greatest performances. Charlie Kaufman's meta-masterpiece about writer's block, Hollywood compromise, and the agony of the creative process pushes Cage to deliver both the funniest and most heartbreaking roles of his career.  Richard, Thorin, and Monte break down why Adaptation remains one of the smartest films ever made about art, obsession, and storytelling. From Kaufman's genius screenplay to Spike Jonze's direction and Chris Cooper's Oscar-winning supporting role, we unpack how this strange, self-referential film became a modern classic.  Control Body Odor ANYWHERE with Mando and get 20% off + free shipping with promo code FOURPLAY at shopmando.com!  Visit https://prizepicks.onelink.me/LME0/FOURPLAY and use code FOURPLAY and get $50 in lineups when you play your first $5 lineup!

The Oscar-winner breaks down the making of his 2008 postmodern mindbender starring the late Philip Seymour Hoffman. Learn more about your ad choices. Visit megaphone.fm/adchoices

En los inicios del cine no existían los directores. Esa figura llegó más tarde desde el teatro, y el oficio se aprendió sobre la marcha. Pero ¿qué significa dirigir? El debut de Charlie Kaufman como director fue con la película “Synecdoche, New York” (2008). Se trata, de hecho, de una fábula sobre el acto de dirigir, es una obra sobre el miedo, el tiempo y la imposibilidad de abarcar la vida entera en el arte.

This week we are covering the meta-film by Spike Jonze and Charlie Kaufman, Adaptation. We cover everything from the early trouble Charlie Kaufman had with the scripts, and his decision to write himself into the story of "The Orchid Thief." After we cover the background and historiacla information, we get into the movie itself describing the plot and the scenes we liked the most. Finally, we each pair the film with another for a pair of double bills. Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

**We have new PHYSICAL MEDIA merch! Check it out at maxfunstore.com**Everything old is freaky again, and vice verse, with this late-breaking sequel to the 2003 version of Freaky Friday. Prolific actor/comedian Mary Lynn Rajskub is our prestigious guest to take a look at Lindsay, Jamie Lee, and a whole cast of new and returning folks game to get Freakier. Then we have fun talking about best and worst sequel titles.What's GoodAlonso - personalized coupons from RalphsDrea - first female umpire in the MLBMary Lynn - a day at Mt. FujiKevin - satisfaction from household item restockITIDICCharlie Kaufman's New Movie Will Go Directly to KanopyWB Sets Wiig/Hill Comedy CUT OFF to Debut Against Nolan's THE ODYSSEYHamilton Will Screen in Cinemas Next MonthStaff PicksAlonso - The High NoteDrea - SketchMary Lynn - All of Us StrangersKevin - Weapons Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

"It is a play about dating. It's not a play just about death. It's about everything. Dating, birth, death, life, family—all that." TOTAL MASSACRE returns, kind of, with a show about Charlie Kaufman's masterpiece/self-indulgent waste, SYNECDOCHE, NEW YORK, or, a man will invent an entire world of nestled plays within plays rather than admit he might have gender dysphoria. The actor playing Rowan Kaiser is quickly written out, but is also joined by actors playing Kev Koeser who takes over, and guest actors playing Carli Velocci and Dais Johnston also appear.

Her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş06:10 | Weapons35:35 | Sorry, Baby41:10 | Drop45:05 | Late Shift50:30 | Platonic 2. Sezon57:40 | En İyi Yönetmenlerin En Kötü Filmleri1:39:10 | Bir Andor Haberi Daha1:41:30 | Her 2 Kişiden 1'i Bot1:43:15 | Sydney Sweeney'e Mesaj Atan Futbolcular 1:47:15 | Heat 2 Zora Girdi 1:49:40 | Hulu Uygulaması Kapanıyor 1:51:25 | Heyecan Verici Frankenstein Projesi1:52:50 | A Knight of the Seven Kingdoms'ın 2. ve 3. Sezonu Şimdiden Onaylandı 1:55:10 | MUBI'ye Çağrı Metni Kalabalıklaşıyor  1:57:20 | The Paper'ın İlk Fragman 2:15:55 | Spider-Man: Brand New Day'in Çekimleri Başladı2:17:10 | If I Had Legs I'd Kick You'nun İlk Fragmanı2:18:00 | Charlie Kaufman'ın Yeni Kısa Filmi2:18:30 | Artificial'ın Çekimleri Başladı2:19:40 | Baumbach İmzalı Jay Kelly'den İlk Görseller 2:20:35 | Criterion Closet: Adam Asmaca  

In this episode of the Camera Shake Podcast, we go Inside the Studio with Charlie Kaufman, CEO of Click Backdrops and Fresh Academy Studio, to explore the business of photography from two unique angles — running a successful portrait studio and managing one of the UK's leading backdrop suppliers - and all that whilst running a marketing organisation for photographers at the same time.Charlie shares his journey from photographer to entrepreneur, revealing how he built a dual brand that caters to both creatives and commercial clients. Whether you're a studio owner, freelance photographer, or just starting your photography business, this episode is packed with valuable insights on branding, studio workflow, team management, product development, and understanding what clients really want.We also dive into the creative and logistical aspects of backdrop design, how Charlie works with photographers across the country, and why having the right environment makes all the difference in a professional shoot.

Charlie Kaufman is one of the most celebrated screenwriters and directors, known for movies like “Eternal Sunshine of the Spotless Mind” and “Anomalisa.” Three of his scripts appear in the Writers Guild of America's list of the 101 greatest movie screenplays ever written. He's received an Academy Award, an Emmy, three BAFTA awards, two Independent Spirit Awards, and a Writer's Guild of America Award.  He joins Google to discuss his film, “I'm Thinking of Ending Things,” a psychological thriller exploring regret, longing, and the fragility of the human spirit. The film tells the story of a young woman, played by Jessie Buckley, who makes a road trip with her boyfriend to his family's farm. After being trapped at the farm during a snowstorm, she questions the nature of everything she knew or understood about her boyfriend, herself, and the world. Originally published in September 2020. Watch this episode at youtube.com/TalksAtGoogle.

In this episode I team up with Max from Measuring Flicks to unravel the complexities of the Manic Pixie Dream Girl archetype through the lens of Eternal Sunshine of the Spotless Mind. Is Clementine just another quirky MPDG, or does she break the mold in Charlie Kaufman's surreal masterpiece? Join us as we dive into memory, identity, and the cinematic tropes that shape our perceptions of love and individuality. Expect deep analysis, a touch of drama, and plenty of laughs along the way!

Malkovich to you and welcome to the second set of Bong June-ho!This pair of episodes is all about thinking about the concept of a Guy. What if several guys became one guy? What if one guy was several guys? We're here to answer these questions and more, starting with Spike Jonze's 1999 dark comedy headtrip, BEING JOHN MALKOVICH.We get into Spike Jonze's BMX and MTV lifestyle, Charlie Kaufman's sketch comedy origins, our feelings on John Cusack, Cameron Diaz, and Catherine Keener. And of course the question everyone wants the answer to: why Malkovich?This movie's prescience lies in its surreal prediction of fan culture, and we are forced to invoke the dreaded phrase: "you couldn't make this today", while dredging up our corporate job histories. We're also drawing parallels between Bong Joon-ho's filmography and why he lists this as one of his favourites!Next time we wrap up our set of Guys by hanging out with several Robert Pattinsons in MICKEY 17!

Maybe you love Adaptation, or Synechdoche, or Eternal Sunshine of the Spotless Mind.The prolific screenwriter Charlie Kaufman discusses some of the diverse and notable projects of his career, starting with his early days as a staff writer for shows like Get A Life, and The Dana Carvey Show. He also recounts the unbelievable, and ultimately life-changing story of his screenplay for Being John Malkovich, a film that nobody initially wanted to make. Franklin and Kate dive with Charlie into the continued fan love for Eternal Sunshine of the Spotless Mind (for which Kaufman won a writing Oscar), the reactions they all have to Adaptation, and wrap up with a discussion of the Jessie Buckley/Jesse Plemons film I'm Thinking of Ending Things, and so much more. Questions? Comments? Criticism? Hit us up on social media at @theblcklst.This conversation took place during 2020. To learn more about The Black List, visit www.blcklst.com.Mentions: I'm Thinking of Ending Things: https://www.rottentomatoes.com/m/im_thinking_of_ending_things Get A Life: https://www.rottentomatoes.com/tv/get_a_life  Being John Malkovich: https://www.rottentomatoes.com/m/being_john_malkovich Eternal Sunshine of the Spotless Mind: https://www.rottentomatoes.com/m/eternal_sunshine_of_the_spotless_mind Antkind: https://www.penguinrandomhouse.com/books/546823/antkind-by-charlie-kaufman/ 

In our discussion of Being John Malkovich we get into 1999 being the greatest year for American cinema, the rise and fall of the DVD, and our quarantine tips. Then things get weird; the absurdity of consciousness, nihilism, fluidity of identity, the power of art as expressed through dance… We attempt to get to the bottom of it all, only to discover it's Malkovichs all the way down. Whoa, man. This episode was originally released on Monday Apr 6, 2020 I Love This You Should Too is hosted by Samantha and Indy Randhawa Being John Malkovich is a 1999 American surrealist fantasy comedy drama film directed by Spike Jonze and written by Charlie Kaufman, both making their feature film debut. The film stars John Cusack, Cameron Diaz, and Catherine Keener, with John Malkovich as a satirical version of himself. Cusack plays a puppeteer who finds a portal that leads into Malkovich's mind.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we return to one of our earlier subjects: Ryan Gosling! Our B-Sides are The Ides of March, Gangster Squad, Only God Forgives, and First Man. Our guest is our dear friend Cory Everett, creator of Cinephile: A Card Game!  We talk about Gosling's television career as a young man, his quick rise to stardom, and surprise nomination for Half Nelson fairly early on in his run. He's been searching for his lifelong directorial muse. There's been Derek Cianfrance, Nicolas Winding Refn, and Damien Chazelle. Will he ever find the one? There's that iconic Rachel McAdams kiss at the MTV Movie Awards, the acceleration of his “coolness” after the success of The Notebook all the way through the release of Drive, and that iconic, ever-changing voice of his. There's also those beautiful, weird Gosling eyes. There's also discussion about George Clooney as a filmmaker, his first film and Charlie Kaufman dislike of it, and his progression (regression?) as a director. The merits of Winding Refn are also debated. We all remember when William Friedkin ridiculed Nicolas Winding Refn for calling Only God Forgives a masterpiece. And if you have not as of yet, you should watch the documentary My Life Directed by Nicolas Winding Refn.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we return to one of our earlier subjects: Ryan Gosling! Our B-Sides are The Ides of March, Gangster Squad, Only God Forgives, and First Man. Our guest is our dear friend Cory Everett, creator of Cinephile: A Card Game! We talk about Gosling's television career as a young man, his quick rise to stardom, and surprise nomination for Half Nelson fairly early on in his run. He's been searching for his lifelong directorial muse. There's been Derek Cianfrance, Nicolas Winding Refn, and Damien Chazelle. Will he ever find the one? There's that iconic Rachel McAdams kiss at the MTV Movie Awards, the acceleration of his “coolness” after the success of The Notebook all the way through the release of Drive, and that iconic, ever-changing voice of his. There's also those beautiful, weird Gosling eyes. There's also discussion about George Clooney as a filmmaker, his first film and Charlie Kaufman dislike of it, and his progression (regression?) as a director. The merits of Winding Refn are also debated. We all remember when William Friedkin ridiculed Nicolas Winding Refn for calling Only God Forgives a masterpiece. And if you have not as of yet, you should watch the documentary My Life Directed by Nicolas Winding Refn. Listen and subscribe at thefilmstage.com/pod. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

What if the greatest stories of our lives are the ones we never meant to write? On today's episode, we welcome Steven Bernstein, a man whose journey through the world of cinema has been anything but predictable. A writer at heart, a cinematographer by accident, and a director by destiny, his career is a living testament to the art of surrendering to the unknown. From his early days at the BBC to the sets of Hollywood blockbusters, his story unfolds like an unplanned masterpiece—one that ultimately brought him full circle, back to the thing he always loved: writing.In this profound conversation, Steven Bernstein recounts his journey from philosophy student to award-winning cinematographer, where his love of storytelling found an unexpected home behind the lens. He speaks of the curious ways life moves us, sometimes against our best-laid plans. “You tend to go with those things that are providing you income,” he muses, reflecting on how a passion for writing gave way to cinematography, leading him to films like Monster, Like Water for Chocolate, and Scary Movie 2. Yet, even as he shaped light and shadow for some of cinema's most striking images, the writer within him never faded.There is an undeniable poetry in the way Bernstein describes his work. He doesn't just shoot a film; he composes it, layering meaning through framing, movement, and light. Every choice—a dolly push, a backlight, an asymmetrical composition—whispers something to the audience. It's a language beyond words, one that he speaks fluently. “Everything to do with film is a language,” he explains. “And like any language, it's made up of two parts: that which we present and that which we mean.”His journey back to writing was not an easy one. After years of crafting imagery for others, he took a leap into directing his own films, starting with Decoding Annie Parker. It was a lesson in risk and resilience. At one point, he spent five years in poverty, refusing to return to the safety of cinematography. “If you hold out for the dream, maybe you achieve it,” he says. It is a stark reminder that the artist's path is often one of sacrifice, but those who persist find themselves richer in ways beyond money.Yet, Bernstein also understands the tension between art and commerce. Filmmaking is an expensive endeavor, and investors want guarantees. He describes the struggle of balancing creative vision with financial expectations, a dance between inspiration and limitation. And yet, some of the greatest filmmakers—Terry Malick, the Coen Brothers, Charlie Kaufman—have defied convention, proving that the most resonant stories often break the rules.The conversation moves to the nature of collaboration, the unspoken alchemy that happens on a film set when everyone is in sync. He recalls moments from Monster, where the crew, sensing the gravity of a scene, chose to remain completely silent, whispering only when necessary. It was an unspoken agreement, an offering to the art being created. “It was one of the most magical moments I remember in any film I've ever worked on,” he recalls. It is a glimpse into the rare, sacred spaces where true storytelling happens—not in the scripts, but in the spaces between them.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Eric, Jeff, Styles, Sheek and Jadakiss got together in Yonkers to break down Bring John Malkovich, the 1999 American surrealist fantasy comedy drama film directed by Spike Jonze and written by Charlie Kaufman, both making their feature film debut. The film stars John Cusack, Cameron Diaz, and Catherine Keener, with John Malkovich as a satirical version of himself. We discuss the realities of celebrity, names for your pets, the Black John Malkovich, and much, much more! Plus: Is Jadakiss Italian and Sheek finds out about Eric and Jeff's rap career! Hosted on Acast. See acast.com/privacy for more information.

On the latest episode of The Discourse, host Mike DeAngelo steps into a high-concept, near-future world of moral quandaries and psychological pressure with the sci-fi drama "The Assessment." Directed by Fleur Fortuné and starring Elizabeth Olsen, Alicia Vikander, and Himesh Patel, the film follows a couple evaluated by the government over seven increasingly intense days to determine whether they're worthy of having a child. Think of a creepy, contained "Children of Men" by way of Ingmar Bergman and Charlie Kaufman.The film recently premiered at the Berlin International Film Festival and hits VOD on April 8th, delivering a minimalist but emotionally potent take on societal control, intimacy, and parenthood. To talk through it all, we sat down with both stars to dig into the emotional challenges of the project, their collaborations with Fortuné, and what kind of psychological strength it takes to survive the film's titular assessment.

Amy and Paul dive into the wild and inventive world of Being John Malkovich, the film that really put writer Charlie Kaufman on the map. The two discuss John Malkovich's hesitancy to join the film, how director Spike Jonze came across Kaufman's script, and that the film's original ending involved a Harry Truman puppet. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/  https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's show, Matt, JD & Rachel open the Is This Good? Mailbag to answer your burning questions about sponsoring a champagne room, buying a gym just so you can kick out its members, a Charlie Kaufman-themed amusement park, indoor waterslides, solving an urgent relationship problem, thanking people for holding the door open, signalling from a car with your hands, should we be inspired by Katy Perry going to space, seeing a band that's past their prime, shoving as many men as possible in a tiny restroom, getting confrontational with your employer, and a cure for how to unstick a song that's earwormed itself into your brain.

Revisitamos, debatimos y analizamos la película Synecdoche, New York (2008) de Charlie Kaufman.Fico CangianoAlexis LeonJose MoralesLuis Angelet

Netherlands-based director Aaron Rookus explores themes of self-acceptance, mortality, and the quest for fulfillment through the lens of filmmaking ahead of his Rotterdam Film Festival premiere of “Idyllic”. Past inspirations include Tom Tykwer's “Run Lola Run” and the films of Charlie Kaufman.Aaron speaks on the impact of personal experiences, such as illness and loss, on creative expression and the importance of humor in addressing serious topics. The conversation also delves into the dynamics of character development in ensemble storytelling, the role of script editors in shaping narratives, and the evolution of film consumption in the digital age. The conversation also reflects on the pervasive issue of loneliness in modern society, exploring themes of urban indifference, the struggle for connection in contemporary life, and the search for meaning amidst life's challenges.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

It's time to hide away from our memory erasure procedure as the hosts jumps on the train to Montauk, to bring the craziest movie review, the sci-fi romantic drama classic, Eternal Sunshine of the Spotless Mind, starring Jim Carrey, Kate Winslet and directed Michel Gondry. From the Oscar winning screenplay by Charlie Kaufman, many audiences agree that the movie ranks among the best love stories of the 21st century. The hosts pair the film with the Mind Eraser Cocktail. Come and join the hosts as they run around the beach one more time, as they celebrate this one of a kind film. Come listen and follow the hosts on their Instagram page and YouTube channel @the.gentlemenpodcast. 

Following our episode on The Matador, we decided to revisit another hitman comedy: Confessions of a Dangerous Mind, which was George Clooney's directorial debut. Ryan also revisited two later films by screenwriter Charlie Kaufman; Eternal Sunshine of the Spotless Mind and Synecdoche, New York. We also got sidetracked a bunch and talked about other topics like The Gong Show in its various iterations. You can hear the full episode now only on Patreon at https://www.patreon.com/almostcultclassics. You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com

What if the greatest stories of our lives are the ones we never meant to write? On today's episode, we welcome Steven Bernstein, a man whose journey through the world of cinema has been anything but predictable. A writer at heart, a cinematographer by accident, and a director by destiny, his career is a living testament to the art of surrendering to the unknown. From his early days at the BBC to the sets of Hollywood blockbusters, his story unfolds like an unplanned masterpiece—one that ultimately brought him full circle, back to the thing he always loved: writing.In this profound conversation, Steven Bernstein recounts his journey from philosophy student to award-winning cinematographer, where his love of storytelling found an unexpected home behind the lens. He speaks of the curious ways life moves us, sometimes against our best-laid plans. “You tend to go with those things that are providing you income,” he muses, reflecting on how a passion for writing gave way to cinematography, leading him to films like Monster, Like Water for Chocolate, and Scary Movie 2. Yet, even as he shaped light and shadow for some of cinema's most striking images, the writer within him never faded.There is an undeniable poetry in the way Bernstein describes his work. He doesn't just shoot a film; he composes it, layering meaning through framing, movement, and light. Every choice—a dolly push, a backlight, an asymmetrical composition—whispers something to the audience. It's a language beyond words, one that he speaks fluently. “Everything to do with film is a language,” he explains. “And like any language, it's made up of two parts: that which we present and that which we mean.”His journey back to writing was not an easy one. After years of crafting imagery for others, he took a leap into directing his own films, starting with Decoding Annie Parker.It was a lesson in risk and resilience. At one point, he spent five years in poverty, refusing to return to the safety of cinematography. “If you hold out for the dream, maybe you achieve it,” he says. It is a stark reminder that the artist's path is often one of sacrifice, but those who persist find themselves richer in ways beyond money.Yet, Bernstein also understands the tension between art and commerce. Filmmaking is an expensive endeavor, and investors want guarantees. He describes the struggle of balancing creative vision with financial expectations, a dance between inspiration and limitation. And yet, some of the greatest filmmakers—Terry Malick, the Coen Brothers, Charlie Kaufman—have defied convention, proving that the most resonant stories often break the rules.The conversation moves to the nature of collaboration, the unspoken alchemy that happens on a film set when everyone is in sync. He recalls moments from Monster, where the crew, sensing the gravity of a scene, chose to remain completely silent, whispering only when necessary. It was an unspoken agreement, an offering to the art being created. “It was one of the most magical moments I remember in any film I've ever worked on,” he recalls. It is a glimpse into the rare, sacred spaces where true storytelling happens—not in the scripts, but in the spaces between them.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist.   Email us at culturefest@slate.com.  Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman.  Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!)  Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist.   Email us at culturefest@slate.com.  Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman.  Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!)  Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist.   Email us at culturefest@slate.com.  Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman.  Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!)  Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

When screenwriter Charlie Kaufman started making his epic, heartbreaking directorial debut SYNECDOCHE, NEW YORK, he was the toast of Hollywood. Then it flopped, put a pause on his career, and arguably marked the end of the heady “indiewood” era of the oughties. Host Rico Gagliano talks to one of the film's stars, Daniel London (MINORITY REPORT), comedy star and SYNECDOCHE superfan Jamie Demetriou (FLEABAG), and LA Times critic Amy Nicholson to learn about a movie that's now seen as one of the best of the century.The latest season of The MUBI Podcast – BOX OFFICE POISON — dives into six visionary films... that were also notorious flops. Inspired by the new book of the same name by Tim Robey, film critic for The Telegraph, every episode is a wild ride through a great movie's rise, and fall, and rise.DAHOMEY will stream exclusively on MUBI in the US, Canada, UK, Ireland, Germany, Turkey, India and Latin America from December 13.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country. You can listen to the Kermode & Mayo's Take podcast here.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Angie Han (The Hollywood Reporter) and Liz Shannon Miller (consequence.net) return to the virtual draft table to competitively / collaboratively rank all 9 feature films written or written and directed by CHARLIE KAUFMAN! Also joining us is Patreon Official Sponsor Mark Rozeman (The Good Doctor), with a terrific trivia round! Check out Mark's "Kaufman Collage" here: https://vimeo.com/1036145999 Want more Screen Drafts action? Get Boosted by joining the Screen Drafts Booster Club! Go to www.patreon.com/screendrafts for info.