Podcasts about soldadera

John and Aaron discuss their review experience with the Casa 1910 Soldadera Edition La Coronela https://developingpalates.com/reviews/cigar-reviews/team-cigar-review-casa-1910-soldadera-edition-la-coronela/

Seth, John and Aaron discuss their review experience with the Casa 1910 Soldadera Edition Sampetrina https://developingpalates.com/reviews/cigar-reviews/team-cigar-review-casa-1910-soldadera-edition-sampetrina/

Jiunn, John and Aaron discuss their review experience with the Casa 1910 Soldadera Edition Teniente Angela https://developingpalates.com/reviews/cigar-reviews/team-cigar-review-casa-1910-soldadera-edition-teniente-angela/

The hosts discussed the news that Michelle Obama has joined kids' food and beverage company PLEZi Nutrition as a co-founder and strategic partner and spoke about the potential impact of the former first lady's influence and political connections on the brand's development. They also highlighted the 10 brands named as part of Target's third Takeoff Food and Beverage program. Show notes: 0:43: Mike Missed A Lot Of Recesses. You Only Need To Watch Lost Once. Get It In Schools. – Melissa Traverse fills in for John Craven and her excellent seating posture gives way to a chat about fidgeting and Mike's misbehavior as a youth. The hosts collectively urged early-stage beverage founders to apply for New Beverage Showdown 25, before they spoke about what Michelle Obama will bring to the table in her new role as PLEZi co-founder and why not everyone is pleased with her foray into CPG. Later, they noted that several emerging brands often mentioned on Taste Radio landed a spot in Target's accelerator program, congratulated two companies whose products are now sold at Erewhon and chatted about several new and notable products, including a golden milk mix, a pouch drink for Gen Z consumers and a better-for-you option for a quick meal. Brands in this episode: Liquid Death, Super Coffee, Vive Organic, PLEZi, Better Chew, Resist Nutrition, Honeycut Kitchen, Glonuts, Immorel, Homiya, Brooklyn's Tea, Bumpin Blends, Mocktail Club, Soldadera, Better Sour, Struesli, Anjali's Cup, Hapi Water, Sea Monster, Off Limits, Somos, A Dozen Cousins, Talk House Cocktails

We're joined by a very special guest! Nurse Practitioner, Kelley's sister-in-law, and Emily's former swim team mate, Katelyn! With our medical correspondent, what could go wrong?? Emily tells the story of Rita Levi-Montalcini, a Jewish-Italian neurologist who was still making groundbreaking discoveries while dodging air raids and confined to her bedroom. Then, Kelley tells the tale of legendary soldadera Petra Herrera who has the world's most badass resume. Her special skills include leading armies and blowing up bridges. Grab your favorite microscope and some dynamite, because it's time to wine about herstory!Support the show (https://www.patreon.com/winingaboutherstory/overview)

Relatos del lado oscuro Podcast oficial de Relatos del lado oscuro Programa radiofónico y canal de YouTube de programas documentales de seres extraños, fantasmas, perversidad, sucesos inexplicables y adaptaciones dramatizadas de relatos literarios de terror y misterio Síguenos en nuestras redes sociales oficiales: Instagram: https://www.instagram.com/relatosdell... Facebook: https://www.facebook.com/relatos.dell... Twitter: twitter.com/LadoRelatos Email: contactorelatosdelladooscuro@gmail.com

Durante la Revolución Mexicana hubo mujeres que lucharon en los campos de batalla. Soldaderas --o mujeres soldado- estas mujeres lucharon en ambos bandos, bien por decisión propia, o bien a la fuerza. Soldadera proviene de la palabra "soldada" que significa el salario percibido por un soldado. Los hombres entregaban su salario a las mujeres para la compra de víveres, preparación de las comidas, lavado de ropa, y otros servicios. Con frecuencia las soldaderas hacían muchas otras cosas, además de labores domésticos. Algunas seguían a los soldados, creyendo que estarían más seguras que permanecer en el lugar donde se encontraban. Muchas estaban solteras y sin hijos, por lo que se podían mover de un lugar a otro con facilidad. Cuando los soldados tomaban algún lugar, no sólo requisaban armas y caballos, sino que también capturaban a las mujeres, algunas de las cuales se convirtieron en soldaderas.

In this episode of Back to Business, we had the chance to sit down with Mario and Gabriela, co-owners of Soldadera, a new coffee company in Grand Rapids and discuss their company's unique story and the importance of Hispanic Heritage Month.

In this episode of Back to Business, we had the chance to sit down with Mario and Gabriela, co-owners of Soldadera, a new coffee company in Grand Rapids and discuss their company's unique story and the importance of Hispanic Heritage Month.

In this episode we interview Mario Rodriguez-Garcia, co-founder of Soldadera Coffee. What I really took from this interview was the passion that Mario had for his product and how it was a sense memory that kicked off this business. https://soldaderacoffee.com/

La dra. Christine Arce habla de su libro *Mexico's Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women* con Carmen Soliz.

La dra. Christine Arce habla de su libro *Mexico's Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women* con Carmen Soliz.

In this Magnificent Mujer interview with Enrique Morones we are reintroduced to Linda Ronstadt, a woman who is a “Soldadera”, a vocalist, musical cultural, activist soldier, in her own right. She did what they said couldn’t be done. Her vision and her capacity to imagine and hear a sound in her head that others couldn’t propelled her where no woman had gone before; becoming a multi platinum recording artist in English, and becoming an icon in the Spanish language music world with the highest selling Spanish language album of all time. The esteemed position that she holds as one of the most influential and prolific vocalists, recording artists, and popular cultural ambassadors of the last century came through hard work, perseverance, determination, and a great sense of pride and vision as to what a Mexican American woman could create. She has inspired many female artists after her across the genres of Rock, Country, Mariachi, New Wave, Jazz, Light Opera, and Musical Theatre among others to cross boundaries of what is possible to achieve in a career. Linda followed her heart, and her bliss, and nothing was off limits.  Today Linda is experiencing physical limitations due to the progressive effects of living with Parkinson’s disease. As you will experience in this interview, Linda’s inability to sing today has not affected her ability to awe her admirers with her sense of gratitude, humor and tenacity to keep acting to effect change and awareness by any means necessary. As she continues to speak out and be an advocate for those who today have been silenced or limited as refugees, asylum seekers, migrants or due to their language or age barriers she asks us to open our hearts. Please share this episode with your loved ones, especially our future generations and introduce them to an account of this inspiring path. Be aware, as Linda reminds us now that we have so much more music to make as a nation and as a world. How amazing it would be if we, like Linda, looked at life as an opportunity to co-create new sounds from those of our families and ancestors and our new neighbors without borders.  "It's really important that people be a student of history, ...know whose shoulders you are standing on, each generation, it only takes a generation to forget, what Dolores Huerta and Cesar Chavez did for the Farm Workers cannot be forgotten and already there are kids that are 15 years old that don’t know this history.” - Linda Ronstadt in a 2013 interview with CreatTV San Jose, where she and Dolores Huerta spoke on activist women, for the upcoming Tucson Mariachi and Mexican Cultural Festival, which Ronstadt helped produce. The theme of that festival was the “Soldaderas”, the female soldiers of the Mexican Revolution The 2013 Tucson. Mariachi and Mexican Cultural Festival celebrated the 100 year anniversary of the Mexican Revolution (1910-1920) by celebrating the contributions of the “Soldaderas”. The women who fought alongside the men, were responsible for cooking, preparing the camps, but also fighting on the frontlines alongside the men if their husbands were killed or injured. In 2013 Linda Ronstadt published, “Simple Dreams: A Musical Memoir”, where she chronologized her unique and uncharted path through the annals of recording and performing history with a career that spanned over four decades and earned her 10 top-10 singles and over 30 studio albums. “Simple Dreams”, which she wrote completely on her own, and was very difficult work, for a woman who respects the written word immensely and had set the bar high for her own debut as an author, became a New York Times Bestseller. Her selfcrafted narrative of a woman’s journey through a male dominated music industry, and her own self charted path inspired producers James Keach and Michele Farinola and directors Rob Epstein and Jeffrey Friedman to pursue her tirelessly to make a documentary, released in late 2019 titled,... Support this podcast

The homegirl Sol joins the fellas to tell us about the 3rd annual Dilla Day (Pease to J Dilla)How it came about, getting his mother's blessing and more. » Is Young Thug and Future more influential than Jay Z and Lil Wayne? » Our favorite Emcees and what does the term actually mean? » Did Roc-A-Fella or Shady Records run the early 2000s? » Is activism turning into a clown show? We've got that and much more....This is Views From The 7!! Follow us on all social media platforms. Like, share and subscribe! Twitter - @viewsfromthe7 Instagram - @viewsfromthe_7 Facebook - Views From The 7 YouTube: Views7 Network

A Latinx superhero podcast set five decades in the future. It is 2069. A Nuevo Conquistador and his powerful partner Marina have conquered what was once South and Central America and are moving to create a new empire. Only Adela, a warrior superhero who embodies the spirit and history of the Soldaderas, can stop them. Ten-episode serial drama.

Jami Brandli is an award-winning playwright based in Los Angeles and a faculty member in Lesley University's MFA in Creative Writing program. In this episode she discusses "making it" as a playwright, writing strong female characters and her trilogy based on Greek mythology with Emily Earle, Lesley's social media specialist. Jami’s plays include Technicolor Life, S.O.E., M-Theory, ¡SOLDADERA!, Sisters Three, Through the Eye of a Needle, Medusa’s Song, O: A Rhapsody in Divorce and BLISS (or Emily Post is Dead!) which was named in The Kilroys Top 46 List in 2014. Her work has been produced/developed at New Dramatists, WordBRIDGE, The Lark, New York Theatre Workshop, Great Plains Theatre Conference, Launch Pad, The Antaeus Company, Chalk REP, The Road, among other venues. Current 2018-2019 Humanitas Prize PLAY LA playwright. Winner of John Gassner Memorial Playwriting Award, Holland New Voices Award and Aurora Theatre Company's GAP Prize. Technicolor Life premiered at REP Stage as part of the 2015 Women’s Voices Theater Festival and recently received its Australian premiere at The Depot Theatre. In 2018, BLISS (or Emily Post is Dead!) receives a joint-world premiere with Moxie Theatre (San Diego) and Promethean Theatre (Chicago), ending with Moving Arts’ production this fall at Atwater Village Theatre in Los Angeles (LA Time’s Critic’s Choice). Sisters Three will receive its world premiere with The Inkwell Theater (Los Angeles) in December, and Through the Eye of a Needle also received its world premiere at The Road Theatre (Los Angeles) this past spring. She’s been a finalist for the 2016 PEN Literary Award for Drama, Playwrights’ Center Core Writer Fellowship, Princess Grace Award, O'Neill National Playwrights Conference and the Disney ABC TV Fellowship and was also nominated for the Susan Smith Blackburn Award. Her short works are published with TCG and Smith & Kraus. A proud member of the Playwrights Union, the Antaeus Playwrights Lab, and The Dramatist Guild, Jami teaches dramatic writing at Lesley University's low-residency MFA program. She is represented by the Robert A Freedman Agency and Gramercy Park Entertainment. For more information, visit our show notes.

Notable Links:https://prismavisions.com/collections/tarot-decksIntro - 10:00 | Deanna and Hannah discuss the Vegandale food festival happening in NYC on 9/29 and their vegan food experiences.10:00 - 35:40 | Person of the week: Petra HerreraIf you like what you're hearing, leave us a review and subscribe!If you have comments/things you want to mention, email us at GWBBPodcast@gmail.com!Twitter: https://twitter.com/GWBBPodcastIG: https://www.instagram.com/gwbbpodcast/Facebook: https://www.facebook.com/gwbbpodcast/Like what you hear?Buy us a coffee on Ko-Fi: http://ko-fi.com/gwbbpodcastProduced by MoonbounceFind out more on the Good Witches, Bad Bitches website

In Mexico's Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico's national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time. Pamela Fuentes is Assistant Professor in the Women's and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mexico's Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico's national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time. Pamela Fuentes is Assistant Professor in the Women's and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mexico’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico’s national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mexico’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico’s national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mexico’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico’s national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mexico’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico’s national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mexico’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico’s national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Mexico’s Nobodies: The Cultural Legacy of the Soldadera and Afro-Mexican Women (SUNY Press, 2017), Christine Arce rightfully stresses that these two figures have greatly influenced Mexico’s national identity, arts, and popular culture. However, their personal names and presences have remained hardly recognized by the state and in the historical narratives. Through a skillful and deep archival research, Arce brings to the readers attention not only the legacy of these women, the spaces they inhabited, and their impact during different moments in history the colonial era, the Mexican revolution, the Golden Age of Mexican cinema in the 1930s-1950s but also the complex relations they had with the government. The critical narrative of Arce challenges the nobodiness, [el ninguneo] that these women had underwent for a very long time. Pamela Fuentes is Assistant Professor in the Women’s and Gender Studies Department, Pace University, NYC campus. Learn more about your ad choices. Visit megaphone.fm/adchoices