Podcasts about Medusa

Joy Sullivan is a Portland-based poet who quit her corporate job mid-pandemic and built a thriving creative business through writing carousels on Instagram (115K followers), her Substack "Necessary Salt" (23K subscribers), and a 250-member paid writing community called Sustenance on Circle. She's a former Lab member, and in 2024, she published her first book, Instructions for Traveling West, with Dial Press, an imprint of Penguin Random House. What makes her path genuinely unusual: she grew her Instagram predominantly through writing, not video, and she's proof that you can build a real creative business around poetry, which almost nobody does. In this conversation, we get into the tension between craft and platform—her two mantras ("be a poet, not a preacher" and "my vulnerability is not social currency"), her exact Instagram carousel workflow using Canva and ManyChat, why she deliberately walked away from $60K/year in Substack revenue to protect her second book, her controversial take on growing slowly, and what she'd do differently with her first published collection. Plus my own honest reflection on the creative reset I've been living through since my daughter was born. Joy Sullivan Poet Necessary Salt on Substack Sustenance Writing Community Instructions for Traveling West Full transcript and show notes *** TIMESTAMPS (00:00) Opening quote: “There is no amount of followers worth the sacrifice” (02:08) How Jay describes Joy's unique approach to building a creative business (02:49) The landscape for writers today — platform pressure meets craft demands (05:19) Why Instagram, not X or LinkedIn, is actually the friendliest platform for writers (08:21) Joy's two mantras: “Be a poet, not a preacher” + “My vulnerability is not social currency” (11:38) Memorable vs. marketable — and why slow growth protects your art (12:25) Is creating art divorced from performance a privilege or a strategy for newcomers? (14:06) Jay's biological hard reset after having a daughter — and cosplaying an old self (17:10) The Medusa metaphor: artists weren't built to withstand this level of visibility (20:30) Reconciling “be a poet” with running a teaching business (22:53) Why certainty is a red flag in 2026 (24:52) Defining “poet” — a container to hold the unsayable (26:00) Instagram vs. Substack: which one she'd keep if forced to choose (27:22) The $60K Substack year — and why she deliberately walked away from it (29:34) How full-time writers actually pay their bills (hint: not book sales) (32:00) Why you should NOT turn on paid Substack subscriptions immediately (34:56) The Instagram carousel workflow: Substack → test → pull excerpts → Canva → ManyChat (39:48) The cat synchronicity moment — and the “scars not scabs” philosophy (44:50) What she'd do differently about her first book (47:31) What she'd change about Substack if she could (48:32) Final advice: fall in love with your craft before chasing an audience Learn more about your ad choices. Visit megaphone.fm/adchoices

Join George and Elle as they explore the text of Narrative Numbers Chapter 12!

March 2026 Book Club:  This month, we're kicking off some in-between Doctor-cycle picks, starting off with the Bernice Summerfield New Adventure "The Medusa Effect," by Justin Richards, first published in paperback in April 1998 and still available as an eBook.    Special thanks to Australian comedian Lauren Deborah for providing the dramatic reading this month.  You can check out their substack, their Instagram, and buy them a vegan ice cream.  BlueSky: https://bsky.app/profile/andwbcpodcast.bsky.social  Email: ANDWBCPodcast@gmail.com  Facebook: http://facebook.com/allnewdoctorwhobookclub  Twitter: @ANDWBCPodcast YouTube: https://youtube.com/@DoctorWhoBookClub 

We're back to Garrett as Sean rejoins the show! The Final Draft features beverages from Flying Dog, Long Live, Broken Hops, and Medusa. IOL is sponsored by Bricks & Minifigs Centennial. Visit www.bamcentennial.com and use code INKINGOUTLOUD for 10% off your orders! Visit our website at www.iolpodcast.com and join the conversation on Twitter @IOLPodcast Support us on Patreon: www.patreon.com/inkingoutloud Send us a tip on Ko-fi: ko-fi.com/inkingoutloud Inking Out Loud is Drew McCaffrey and Rob Santos. Sound engineering by Drew McCaffrey. Artwork by Danielle "FelCandy" Prosperie. Intro/outro music: "Moonlight" by Jivemind.

The Blooming Court Ch. 2The group finishes plans to go to the Ren Faire, recounting the fight and what transpired during some members' visit to the other side. They decide to pick up some supplies, place some orders, and stock up before the next leg of their trip. Eventually, they finally arrive at the Ren Faire, and Arguile gives a lay of the land. Shanks and Zechs make quick work of the archery game, Turk enters an exhibition fight to test his new abilities but gets promptly defeated, and Galahad has... a slightly more unique experience. The champion of Bahamut enters the jousting competition, summoning a pegasus as his mount. He loses the first match with the crowd favorite, The Red Knight, but with such a great battle, they go into a rematch right away. We see Galahad the victor, but he brings the Knight near death's door, thankfully bringing him back with Lay on Hands. He hands him some coins as an apology and promptly leaves. In his exit, he unfurls the pegasus wings and hits a few onlookers with them before flying off. The rest of the crew split into groups. Turk and Zechs head to a fortune teller and get some very on-the-nose readings. Arguile and Shanks head to the casino, later meeting up with Zechs and Turk, where some had better luck than others. There's so much happening, and that's where we pick up…Find out what happens next in this episode of the Medusa's Cascade: Collateral Damage!Theme Music is written and performed by EfflorescenceMixed by Thomas Lapierre IIITitle Card by Pierce Graphics Check out the show at themedusascascade.com Hosted on Acast. See acast.com/privacy for more information.

For generations, Medusa has been remembered as a monster from Greek mythology: a snake-haired Gorgon whose gaze could turn men to stone. But when you look deeper into her story, a very different narrative begins to emerge. In this episode of Busy, Gritty, Inked & Witchy, Morgan explores Medusa through a modern witchcraft lens, reclaiming her as a powerful symbol of feminine sovereignty, sacred rage, protection, and survival. Rather than simply retelling the myth, this episode examines the different origin stories surrounding Medusa and how modern witches are reinterpreting her energy as that of a protector and guardian rather than a villain. Morgan also shares how Medusa has become a modern goddess figure for many witches today, representing the reclamation of power after trauma, the right to express anger, and the strength that comes from setting unbreakable boundaries. You'll also learn practical ways to work with Medusa in your magickal practice, including altar ideas, symbols associated with her energy, herbs and crystals connected to her power, and how to respectfully build a relationship with her as a deity. This episode is perfect for witches who feel drawn to themes of protection, sacred rage, personal sovereignty, and reclaiming their voice. In this episode, Morgan discusses: The different origin stories of Medusa in Greek mythology Why Medusa is being reclaimed as a modern goddess The symbolism of Medusa in feminine power and sacred rage Medusa as a protector and guardian energy Symbols, herbs, and crystals associated with Medusa How modern witches can work with Medusa in their magickal practice Why building a relationship with a deity matters before asking for help in spellwork Medusa's story is no longer just about a monster defeated by a hero. For many witches today, she has become a symbol of survival, transformation, and unapologetic feminine power. Patreon bonus content this week is a set of Medusa book of shadows pages for Patreon members to download. Join Morgan on her Patreon for exclusive bonus content. Visit https://patreon.com/inkedgoddesscreations for more details.    Consider joining Morgan's Inked Spirit Coven to deepen your magickal practice and connect with a supportive community. For more information, head to https://inkedspirit.com.   For unique witchy supplies and tips, a monthly Witchcraft subscription box, and more, head to https://www.InkedGoddessCreations.com. 

We are closing out the shadow season by revisiting Medusa, blood magic, and necromancy as we move toward the Spring Equinox and Aries season, framed as a shift from inward shadow work into passion, life force, and healing. Have you heard the myth in which Perseus takes Medusa's blood, said to be deadly from her left side and the ultimate healing elixir from her right? This duality connects to long-standing right/left spiritual traditions. Asclepius uses the healing blood to resurrect the dead until Zeus stops him by striking him into the constellation Ophiuchus, linked to sacred serpents and medicine. Explore a Thessalian necromancer, Erichtho, who emphasizes necromancy as powerful healing. Reconsider death, ancestral wisdom, and what parts of the self to revive or release as we flow into balance of the worlds, night and day, left and right hand paths, and the healing weaving of polarity and duality. If you are loving this podcast and you feel really motivated or compelled to share, please donate to this podcast: Donate here Connect with the Goddesses:  https://www.goddesswitchwomb.com  Follow us on Instagram: https://www.instagram.com/goddesswitchwomb/  Follow us on TikTok https://www.tiktok.com/@goddesswitchwomb

Join Kyle, Nader, Vibhu, and swyx live at NVIDIA GTC next week!Now that AIE Europe tix are ~sold out, our attention turns to Miami and World's Fair!The definitive AI Accelerator chip company has more than 10xed this AI Summer:And is now a $4.4 trillion megacorp… that is somehow still moving like a startup. We are blessed to have a unique relationship with our first ever NVIDIA guests: Kyle Kranen who gave a great inference keynote at the first World's Fair and is one of the leading architects of NVIDIA Dynamo (a Datacenter scale inference framework supporting SGLang, TRT-LLM, vLLM), and Nader Khalil, a friend of swyx from our days in Celo in The Arena, who has been drawing developers at GTC since before they were even a glimmer in the eye of NVIDIA:Nader discusses how NVIDIA Brev has drastically reduced the barriers to entry for developers to get a top of the line GPU up and running, and Kyle explains NVIDIA Dynamo as a data center scale inference engine that optimizes serving by scaling out, leveraging techniques like prefill/decode disaggregation, scheduling, and Kubernetes-based orchestration, framed around cost, latency, and quality tradeoffs. We also dive into Jensen's “SOL” (Speed of Light) first-principles urgency concept, long-context limits and model/hardware co-design, internal model APIs (https://build.nvidia.com), and upcoming Dynamo and agent sessions at GTC.Full Video pod on YouTubeTimestamps00:00 Agent Security Basics00:39 Podcast Welcome and Guests07:19 Acquisition and DevEx Shift13:48 SOL Culture and Dynamo Setup27:38 Why Scale Out Wins29:02 Scale Up Limits Explained30:24 From Laptop to Multi Node33:07 Cost Quality Latency Tradeoffs38:42 Disaggregation Prefill vs Decode41:05 Kubernetes Scaling with Grove43:20 Context Length and Co Design57:34 Security Meets Agents58:01 Agent Permissions Model59:10 Build Nvidia Inference Gateway01:01:52 Hackathons And Autonomy Dreams01:10:26 Local GPUs And Scaling Inference01:15:31 Long Running Agents And SF ReflectionsTranscriptAgent Security BasicsNader: Agents can do three things. They can access your files, they can access the internet, and then now they can write custom code and execute it. You literally only let an agent do two of those three things. If you can access your files and you can write custom code, you don't want internet access because that's one to see full vulnerability, right?If you have access to internet and your file system, you should know the full scope of what that agent's capable of doing. Otherwise, now we can get injected or something that can happen. And so that's a lot of what we've been thinking about is like, you know, how do we both enable this because it's clearly the future.But then also, you know, what, what are these enforcement points that we can start to like protect?swyx: All right.Podcast Welcome and Guestsswyx: Welcome to the Lean Space podcast in the Chromo studio. Welcome to all the guests here. Uh, we are back with our guest host Viu. Welcome. Good to have you back. And our friends, uh, Netter and Kyle from Nvidia. Welcome.Kyle: Yeah, thanks for having us.swyx: Yeah, thank you. Actually, I don't even know your titles.Uh, I know you're like architect something of Dynamo.Kyle: Yeah. I, I'm one of the engineering leaders [00:01:00] and a architects of Dynamo.swyx: And you're director of something and developers, developer tech.Nader: Yeah.swyx: You're the developers, developers, developers guy at nvidia,Nader: open source agent marketing, brev,swyx: and likeNader: Devrel tools and stuff.swyx: Yeah. BeenNader: the focus.swyx: And we're, we're kind of recording this ahead of Nvidia, GTC, which is coming to town, uh, again, uh, or taking over town, uh, which, uh, which we'll all be at. Um, and we'll talk a little bit about your sessions and stuff. Yeah.Nader: We're super excited for it.GTC Booth Stunt Storiesswyx: One of my favorite memories for Nader, like you always do like marketing stunts and like while you were at Rev, you like had this surfboard that you like, went down to GTC with and like, NA Nvidia apparently, like did so much that they bought you.Like what, what was that like? What was that?Nader: Yeah. Yeah, we, we, um. Our logo was a chaka. We, we, uh, we were always just kind of like trying to keep true to who we were. I think, you know, some stuff, startups, you're like trying to pretend that you're a bigger, more mature company than you are. And it was actually Evan Conrad from SF Compute who was just like, you guys are like previousswyx: guest.Yeah.Nader: Amazing. Oh, really? Amazing. Yeah. He was just like, guys, you're two dudes in the room. Why are you [00:02:00] pretending that you're not? Uh, and so then we were like, okay, let's make the logo a shaka. We brought surfboards to our booth to GTC and the energy was great. Yeah. Some palm trees too. They,Kyle: they actually poked out over like the, the walls so you could, you could see the bread booth.Oh, that's so funny. AndNader: no one else,Kyle: just from very far away.Nader: Oh, so you remember it backKyle: then? Yeah I remember it pre-acquisition. I was like, oh, those guys look cool,Nader: dude. That makes sense. ‘cause uh, we, so we signed up really last minute, and so we had the last booth. It was all the way in the corner. And so I was, I was worried that no one was gonna come.So that's why we had like the palm trees. We really came in with the surfboards. We even had one of our investors bring her dog and then she was just like walking the dog around to try to like, bring energy towards our booth. Yeah.swyx: Steph.Kyle: Yeah. Yeah, she's the best,swyx: you know, as a conference organizer, I love that.Right? Like, it's like everyone who sponsors a conference comes, does their booth. They're like, we are changing the future of ai or something, some generic b******t and like, no, like actually try to stand out, make it fun, right? And people still remember it after three years.Nader: Yeah. Yeah. You know what's so funny?I'll, I'll send, I'll give you this clip if you wanna, if you wanna add it [00:03:00] in, but, uh, my wife was at the time fiance, she was in medical school and she came to help us. ‘cause it was like a big moment for us. And so we, we bought this cricket, it's like a vinyl, like a vinyl, uh, printer. ‘cause like, how else are we gonna label the surfboard?So, we got a surfboard, luckily was able to purchase that on the company card. We got a cricket and it was just like fine tuning for enterprises or something like that, that we put on the. On the surfboard and it's 1:00 AM the day before we go to GTC. She's helping me put these like vinyl stickers on.And she goes, you son of, she's like, if you pull this off, you son of a b***h. And so, uh, right. Pretty much after the acquisition, I stitched that with the mag music acquisition. I sent it to our family group chat. Ohswyx: Yeah. No, well, she, she made a good choice there. Was that like basically the origin story for Launchable is that we, it was, and maybe we should explain what Brev is andNader: Yeah.Yeah. Uh, I mean, brev is just, it's a developer tool that makes it really easy to get a GPU. So we connect a bunch of different GPU sources. So the basics of it is like, how quickly can we SSH you into a G, into a GPU and whenever we would talk to users, they wanted A GPU. They wanted an A 100. And if you go to like any cloud [00:04:00] provisioning page, usually it's like three pages of forms or in the forms somewhere there's a dropdown.And in the dropdown there's some weird code that you know to translate to an A 100. And I remember just thinking like. Every time someone says they want an A 100, like the piece of text that they're telling me that they want is like, stuffed away in the corner. Yeah. And so we were like, what if the biggest piece of text was what the user's asking for?And so when you go to Brev, it's just big GPU chips with the type that you want withswyx: beautiful animations that you worked on pre, like pre you can, like, now you can just prompt it. But back in the day. Yeah. Yeah. Those were handcraft, handcrafted artisanal code.Nader: Yeah. I was actually really proud of that because, uh, it was an, i I made it in Figma.Yeah. And then I found, I was like really struggling to figure out how to turn it from like Figma to react. So what it actually is, is just an SVG and I, I have all the styles and so when you change the chip, whether it's like active or not it changes the SVG code and that somehow like renders like, looks like it's animating, but it, we just had the transition slow, but it's just like the, a JavaScript function to change the like underlying SVG.Yeah. And that was how I ended up like figuring out how to move it from from Figma. But yeah, that's Art Artisan. [00:05:00]Kyle: Speaking of marketing stunts though, he actually used those SVGs. Or kind of use those SVGs to make these cards.Nader: Oh yeah. LikeKyle: a GPU gift card Yes. That he handed out everywhere. That was actually my first impression of thatNader: one.Yeah,swyx: yeah, yeah.Nader: Yeah.swyx: I think I still have one of them.Nader: They look great.Kyle: Yeah.Nader: I have a ton of them still actually in our garage, which just, they don't have labels. We should honestly like bring, bring them back. But, um, I found this old printing press here, actually just around the corner on Ven ness. And it's a third generation San Francisco shop.And so I come in an excited startup founder trying to like, and they just have this crazy old machinery and I'm in awe. ‘cause the the whole building is so physical. Like you're seeing these machines, they have like pedals to like move these saws and whatever. I don't know what this machinery is, but I saw all three generations.Like there's like the grandpa, the father and the son, and the son was like, around my age. Well,swyx: it's like a holy, holy trinity.Nader: It's funny because we, so I just took the same SVG and we just like printed it and it's foil printing, so they make a a, a mold. That's like an inverse of like the A 100 and then they put the foil on it [00:06:00] and then they press it into the paper.And I remember once we got them, he was like, Hey, don't forget about us. You know, I guess like early Apple and Cisco's first business cards were all made there. And so he was like, yeah, we, we get like the startup businesses but then as they mature, they kind of go somewhere else. And so I actually, I think we were talking with marketing about like using them for some, we should go back and make some cards.swyx: Yeah, yeah, yeah. You know, I remember, you know, as a very, very small breadth investor, I was like, why are we spending time like, doing these like stunts for GPUs? Like, you know, I think like as a, you know, typical like cloud hard hardware person, you go into an AWS you pick like T five X xl, whatever, and it's just like from a list and you look at the specs like, why animate this GP?And, and I, I do think like it just shows the level of care that goes throughout birth and Yeah. And now, and also the, and,Nader: and Nvidia. I think that's what the, the thing that struck me most when we first came in was like the amount of passion that everyone has. Like, I think, um, you know, you talk to, you talk to Kyle, you talk to, like, every VP that I've met at Nvidia goes so close to the metal.Like, I remember it was almost a year ago, and like my VP asked me, he's like, Hey, [00:07:00] what's cursor? And like, are you using it? And if so, why? Surprised at this, and he downloaded Cursor and he was asking me to help him like, use it. And I thought that was, uh, or like, just show him what he, you know, why we were using it.And so, the amount of care that I think everyone has and the passion, appreciate, passion and appreciation for the moment. Right. This is a very unique time. So it's really cool to see everyone really like, uh, appreciate that.swyx: Yeah.Acquisition and DevEx Shiftswyx: One thing I wanted to do before we move over to sort of like research topics and, uh, the, the stuff that Kyle's working on is just tell the story of the acquisition, right?Like, not many people have been, been through an acquisition with Nvidia. What's it like? Uh, what, yeah, just anything you'd like to say.Nader: It's a crazy experience. I think, uh, you know, we were the thing that was the most exciting for us was. Our goal was just to make it easier for developers.We wanted to find access to GPUs, make it easier to do that. And then all, oh, actually your question about launchable. So launchable was just make one click exper, like one click deploys for any software on top of the GPU. Mm-hmm. And so what we really liked about Nvidia was that it felt like we just got a lot more resources to do all of that.I think, uh, you [00:08:00] know, NVIDIA's goal is to make things as easy for developers as possible. So there was a really nice like synergy there. I think that, you know, when it comes to like an acquisition, I think the amount that the soul of the products align, I think is gonna be. Is going speak to the success of the acquisition.Yeah. And so it in many ways feels like we're home. This is a really great outcome for us. Like we you know, I love brev.nvidia.com. Like you should, you should use it's, it's theKyle: front page for GPUs.Nader: Yeah. Yeah. If you want GP views,Kyle: you go there, getswyx: it there, and it's like internally is growing very quickly.I, I don't remember You said some stats there.Nader: Yeah, yeah, yeah. It's, uh, I, I wish I had the exact numbers, but like internally, externally, it's been growing really quickly. We've been working with a bunch of partners with a bunch of different customers and ISVs, if you have a solution that you want someone that runs on the GPU and you want people to use it quickly, we can bundle it up, uh, in a launchable and make it a one click run.If you're doing things and you want just like a sandbox or something to run on, right. Like open claw. Huge moment. Super exciting. Our, uh, and we'll talk into it more, but. You know, internally, people wanna run this, and you, we know we have to be really careful from the security implications. Do we let this run on the corporate network?Security's guidance was, Hey, [00:09:00] run this on breath, it's in, you know, it's, it's, it's a vm, it's sitting in the cloud, it's off the corporate network. It's isolated. And so that's been our stance internally and externally about how to even run something like open call while we figure out how to run these things securely.But yeah,swyx: I think there's also like, you almost like we're the right team at the right time when Nvidia is starting to invest a lot more in developer experience or whatever you call it. Yeah. Uh, UX or I don't know what you call it, like software. Like obviously NVIDIA is always invested in software, but like, there's like, this is like a different audience.Yeah. It's aNader: widerKyle: developer base.swyx: Yeah. Right.Nader: Yeah. Yeah. You know, it's funny, it's like, it's not, uh,swyx: so like, what, what is it called internally? What, what is this that people should be aware that is going on there?Nader: Uh, what, like developer experienceswyx: or, yeah, yeah. Is it's called just developer experience or is there like a broader strategy hereNader: in Nvidia?Um, Nvidia always wants to make a good developer experience. The thing is and a lot of the technology is just really complicated. Like, it's not, it's uh, you know, I think, um. The thing that's been really growing or the AI's growing is having a huge moment, not [00:10:00] because like, let's say data scientists in 2018, were quiet then and are much louder now.The pie is com, right? There's a whole bunch of new audiences. My mom's wondering what she's doing. My sister's learned, like taught herself how to code. Like the, um, you know, I, I actually think just generally AI's a big equalizer and you're seeing a more like technologically literate society, I guess.Like everyone's, everyone's learning how to code. Uh, there isn't really an excuse for that. And so building a good UX means that you really understand who your end user is. And when your end user becomes such a wide, uh, variety of people, then you have to almost like reinvent the practice, right? Yeah. You haveKyle: to, and actually build more developer ux, right?Because the, there are tiers of developer base that were added. You know, the, the hackers that are building on top of open claw, right? For example, have never used gpu. They don't know what kuda is. They, they, they just want to run something.Nader: Yeah.Kyle: You need new UX that is not just. Hey, you know, how do you program something in Cuda and run it?And then, and then we built, you know, like when Deep Learning was getting big, we built, we built Torch and, and, but so recently the amount of like [00:11:00] layers that are added to that developer stack has just exploded because AI has become ubiquitous. Everyone's using it in different ways. Yeah. It'sNader: moving fast in every direction.Vertical, horizontal.Vibhu: Yeah. You guys, you even take it down to hardware, like the DGX Spark, you know, it's, it's basically the same system as just throwing it up on big GPU cluster.Nader: Yeah, yeah, yeah. It's amazing. Blackwell.swyx: Yeah. Uh, we saw the preview at the last year's GTC and that was one of the better performing, uh, videos so far, and video coverage so far.Awesome. This will beat it. Um,Nader: that wasswyx: actually, we have fingersNader: crossed. Yeah.DGX Spark and Remote AccessNader: Even when Grace Blackwell or when, um, uh, DGX Spark was first coming out getting to be involved in that from the beginning of the developer experience. And it just comes back to what youswyx: were involved.Nader: Yeah. St. St.swyx: Mars.Nader: Yeah. Yeah. I mean from, it was just like, I, I got an email, we just got thrown into the loop and suddenly yeah, I, it was actually really funny ‘cause I'm still pretty fresh from the acquisition and I'm, I'm getting an email from a bunch of the engineering VPs about like, the new hardware, GPU chip, like we're, or not chip, but just GPU system that we're putting out.And I'm like, okay, cool. Matters. Now involved with this for the ux, I'm like. What am I gonna do [00:12:00] here? So, I remember the first meeting, I was just like kind of quiet as I was hearing engineering VPs talk about what this box could be, what it could do, how we should use it. And I remember, uh, one of the first ideas that people were idea was like, oh, the first thing that it was like, I think a quote was like, the first thing someone's gonna wanna do with this is get two of them and run a Kubernetes cluster on top of them.And I was like, oh, I think I know why I'm here. I was like, the first thing we're doing is easy. SSH into the machine. And then, and you know, just kind of like scoping it down of like, once you can do that every, you, like the person who wants to run a Kubernetes cluster onto Sparks has a higher propensity for pain, then, then you know someone who buys it and wants to run open Claw right now, right?If you can make sure that that's as effortless as possible, then the rest becomes easy. So there's a tool called Nvidia Sync. It just makes the SSH connection really simple. So, you know, if you think about it like. If you have a Mac, uh, or a PC or whatever, if you have a laptop and you buy this GPU and you want to use it, you should be able to use it like it's A-A-G-P-U in the cloud, right?Um, but there's all this friction of like, how do you actually get into that? That's part of [00:13:00] Revs value proposition is just, you know, there's a CLI that wraps SSH and makes it simple. And so our goal is just get you into that machine really easily. And one thing we just launched at CES, it's in, it's still in like early access.We're ironing out some kinks, but it should be ready by GTC. You can register your spark on Brev. And so now if youswyx: like remote managed yeah, local hardware. Single pane of glass. Yeah. Yeah. Because Brev can already manage other clouds anyway, right?Vibhu: Yeah, yeah. And you use the spark on Brev as well, right?Nader: Yeah. But yeah, exactly. So, so you, you, so you, you set it up at home you can run the command on it, and then it gets it's essentially it'll appear in your Brev account, and then you can take your laptop to a Starbucks or to a cafe, and you'll continue to use your, you can continue use your spark just like any other cloud node on Brev.Yeah. Yeah. And it's just like a pre-provisioned centerswyx: in yourNader: home. Yeah, exactly.swyx: Yeah. Yeah.Vibhu: Tiny little data center.Nader: Tiny little, the size ofVibhu: your phone.SOL Culture and Dynamo Setupswyx: One more thing before we move on to Kyle. Just have so many Jensen stories and I just love, love mining Jensen stories. Uh, my favorite so far is SOL. Uh, what is, yeah, what is S-O-L-S-O-LNader: is actually, i, I think [00:14:00] of all the lessons I've learned, that one's definitely my favorite.Kyle: It'll always stick with you.Nader: Yeah. Yeah. I, you know, in your startup, everything's existential, right? Like we've, we've run out of money. We were like, on the risk of, of losing payroll, we've had to contract our team because we l ran outta money. And so like, um, because of that you're really always forcing yourself to I to like understand the root cause of everything.If you get a date, if you get a timeline, you know exactly why that date or timeline is there. You're, you're pushing every boundary and like, you're not just say, you're not just accepting like a, a no. Just because. And so as you start to introduce more layers, as you start to become a much larger organization, SOL is is essentially like what is the physics, right?The speed of light moves at a certain speed. So if flight's moving some slower, then you know something's in the way. So before trying to like layer reality back in of like, why can't this be delivered at some date? Let's just understand the physics. What is the theoretical limit to like, uh, how fast this can go?And then start to tell me why. ‘cause otherwise people will start telling you why something can't be done. But actually I think any great leader's goal is just to create urgency. Yeah. [00:15:00] There's an infiniteKyle: create compelling events, right?Nader: Yeah.Kyle: Yeah. So l is a term video is used to instigate a compelling event.You say this is done. How do we get there? What is the minimum? As much as necessary, as little as possible thing that it takes for us to get exactly here and. It helps you just break through a bunch of noise.swyx: Yeah.Kyle: Instantly.swyx: One thing I'm unclear about is, can only Jensen use the SOL card? Like, oh, no, no, no.Not everyone get the b******t out because obviously it's Jensen, but like, can someone else be like, no, likeKyle: frontline engineers use it.Nader: Yeah. Every, I think it's not so much about like, get the b******t out. It's like, it's like, give me the root understanding, right? Like, if you tell me something takes three weeks, it like, well, what's the first principles?Yeah, the first principles. It's like, what's the, what? Like why is it three weeks? What is the actual yeah. What's the actual limit of why this is gonna take three weeks? If you're gonna, if you, if let's say you wanted to buy a new computer and someone told you it's gonna be here in five days, what's the SOL?Well, like the SOL is like, I could walk into a Best Buy and pick it up for you. Right? So then anything that's like beyond that is, and is that practical? Is that how we're gonna, you know, let's say give everyone in the [00:16:00] company a laptop, like obviously not. So then like that's the SOL and then it's like, okay, well if we have to get more than 10, suddenly there might be some, right?And so now we can kind of piece the reality back.swyx: So, so this is the. Paul Graham do things that don't scale. Yeah. And this is also the, what people would now call behi agency. Yeah.Kyle: It's actually really interesting because there's a, there's a second hardware angle to SOL that like doesn't come up for all the org sol is used like culturally at aswyx: media for everything.I'm also mining for like, I think that can be annoying sometimes. And like someone keeps going IOO you and you're like, guys, like we have to be stable. We have to, we to f*****g plan. Yeah.Kyle: It's an interesting balance.Nader: Yeah. I encounter that with like, actually just with, with Alec, right? ‘cause we, we have a new conference so we need to launch, we have, we have goals of what we wanna launch by, uh, by the conference and like, yeah.At the end of the day, where isswyx: this GTC?Nader: Um, well this is like, so we, I mean we did it for CES, we did for GT CDC before that we're doing it for GTC San Jose. So I mean, like every, you know, we have a new moment. Um, and we want to launch something. Yeah. And we want to do so at SOL and that does mean that some, there's some level of prioritization that needs [00:17:00] to happen.And so it, it is difficult, right? I think, um, you have to be careful with what you're pushing. You know, stability is important and that should be factored into S-O-L-S-O-L isn't just like, build everything and let it break, you know, that, that's part of the conversation. So as you're laying, layering in all the details, one of them might be, Hey, we could build this, but then it's not gonna be stable for X, y, z reasons.And so that was like, one of our conversations for CES was, you know, hey, like we, we can get this into early access registering your spark with brev. But there are a lot of things that we need to do in order to feel really comfortable from a security perspective, right? There's a lot of networking involved before we deliver that to users.So it's like, okay. Let's get this to a point where we can at least let people experiment with it. We had it in a booth, we had it in Jensen's keynote, and then let's go iron out all the networking kinks. And that's not easy. And so, uh, that can come later. And so that was the way that we layered that back in.Yeah. ButKyle: It's not really about saying like, you don't have to do the, the maintenance or operational work. It's more about saying, you know, it's kind of like [00:18:00] highlights how progress is incremental, right? Like, what is the minimum thing that we can get to. And then there's SOL for like every component after that.But there's the SOL to get you, get you to the, the starting line. And that, that's usually how it's asked. Yeah. On the other side, you know, like SOL came out of like hardware at Nvidia. Right. So SOL is like literally if we ran the accelerator or the GPU with like at basically full speed with like no other constraints, like how FAST would be able to make a program go.swyx: Yeah. Yeah. Right.Kyle: Soswyx: in, in training that like, you know, then you work back to like some percentage of like MFU for example.Kyle: Yeah, that's a, that's a great example. So like, there's an, there's an S-O-L-M-F-U, and then there's like, you know, what's practically achievable.swyx: Cool. Should we move on to sort of, uh, Kyle's side?Uh, Kyle, you're coming more from the data science world. And, uh, I, I mean I always, whenever, whenever I meet someone who's done working in tabular stuff, graph neural networks, time series, these are basically when I go to new reps, I go to ICML, I walk the back halls. There's always like a small group of graph people.Yes. Absolute small group of tabular people. [00:19:00] And like, there's no one there. And like, it's very like, you know what I mean? Like, yeah, no, like it's, it's important interesting work if you care about solving the problems that they solve.Kyle: Yeah.swyx: But everyone else is just LMS all the time.Kyle: Yeah. I mean it's like, it's like the black hole, right?Has the event horizon reached this yet in nerves? Um,swyx: but like, you know, those are, those are transformers too. Yeah. And, and those are also like interesting things. Anyway, uh, I just wanted to spend a little bit of time on, on those, that background before we go into Dynamo, uh, proper.Kyle: Yeah, sure. I took a different path to Nvidia than that, or I joined six years ago, seven, if you count, when I was an intern.So I joined Nvidia, like right outta college. And the first thing I jumped into was not what I'd done in, during internship, which was like, you know, like some stuff for autonomous vehicles, like heavyweight object detection. I jumped into like, you know, something, I'm like, recommenders, this is popular. Andswyx: yeah, he did RexiKyle: as well.Yeah, Rexi. Yeah. I mean that, that was the taboo data at the time, right? You have tables of like, audience qualities and item qualities, and you're trying to figure out like which member of [00:20:00] the audience matches which item or, or more practically which item matches which member of the audience. And at the time, really it was like we were trying to enable.Uh, recommender, which had historically been like a little bit of a CP based workflow into something that like, ran really well in GPUs. And it's since been done. Like there are a bunch of libraries for Axis that run on GPUs. Uh, the common models like Deeplearning recommendation model, which came outta meta and the wide and deep model, which was used or was released by Google were very accelerated by GPUs using, you know, the fast HBM on the chips, especially to do, you know, vector lookups.But it was very interesting at the time and super, super relevant because like we were starting to get like. This explosion of feeds and things that required rec recommenders to just actively be on all the time. And sort of transitioned that a little bit towards graph neural networks when I discovered them because I was like, okay, you can actually use graphical neural networks to represent like, relationships between people, items, concepts, and that, that interested me.So I jumped into that at [00:21:00] Nvidia and, and got really involved for like two-ish years.swyx: Yeah. Uh, and something I learned from Brian Zaro Yeah. Is that you can just kind of choose your own path in Nvidia.Kyle: Oh my God. Yeah.swyx: Which is not a normal big Corp thing. Yeah. Like you, you have a lane, you stay in your lane.Nader: I think probably the reason why I enjoy being in a, a big company, the mission is the boss probably from a startup guy. Yeah. The missionswyx: is the boss.Nader: Yeah. Uh, it feels like a big game of pickup basketball. Like, you know, if you play one, if you wanna play basketball, you just go up to the court and you're like, Hey look, we're gonna play this game and we need three.Yeah. And you just like find your three. That's honestly for every new initiative that's what it feels like. Yeah.Vibhu: It also like shows, right? Like Nvidia. Just releasing state-of-the-art stuff in every domain. Yeah. Like, okay, you expect foundation models with Nemo tron voice just randomly parakeet.Call parakeet just comes out another one, uh, voice. TheKyle: video voice team has always been producing.Vibhu: Yeah. There's always just every other domain of paper that comes out, dataset that comes out. It's like, I mean, it also stems back to what Nvidia has to do, right? You have to make chips years before they're actually produced.Right? So you need to know, you need to really [00:22:00] focus. TheKyle: design process starts likeVibhu: exactlyKyle: three to five years before the chip gets to the market.Vibhu: Yeah. I, I'm curious more about what that's like, right? So like, you have specialist teams. Is it just like, you know, people find an interest, you go in, you go deep on whatever, and that kind of feeds back into, you know, okay, we, we expect predictions.Like the internals at Nvidia must be crazy. Right? You know? Yeah. Yeah. You know, you, you must. Not even without selling to people, you have your own predictions of where things are going. Yeah. And they're very based, very grounded. Right?Kyle: Yeah. It, it, it's really interesting. So there's like two things that I think that Amed does, which are quite interesting.Uh, one is like, we really index into passion. There's a big. Sort of organizational top sound push to like ensure that people are working on the things that they're passionate about. So if someone proposes something that's interesting, many times they can just email someone like way up the chain that they would find this relevant and say like, Hey, can I go work on this?Nader: It's actually like I worked at a, a big company for a couple years before, uh, starting on my startup journey and like, it felt very weird if you were to like email out of chain, if that makes [00:23:00] sense. Yeah. The emails at Nvidia are like mosh pitsswyx: shoot,Nader: and it's just like 60 people, just whatever. And like they're, there's this,swyx: they got messy like, reply all you,Nader: oh, it's in, it's insane.It's insane. They justKyle: help. You know, Maxim,Nader: the context. But, but that's actually like, I've actually, so this is a weird thing where I used to be like, why would we send emails? We have Slack. I am the entire, I'm the exact opposite. I feel so bad for anyone who's like messaging me on Slack ‘cause I'm so unresponsive.swyx: Your emailNader: Maxi, email Maxim. I'm email maxing Now email is a different, email is perfect because man, we can't work together. I'm email is great, right? Because important threads get bumped back up, right? Yeah, yeah. Um, and so Slack doesn't do that. So I just have like this casino going off on the right or on the left and like, I don't know which thread was from where or what, but like the threads get And then also just like the subject, so you can have like working threads.I think what's difficult is like when you're small, if you're just not 40,000 people I think Slack will work fine, but there's, I don't know what the inflection point is. There is gonna be a point where that becomes really messy and you'll actually prefer having email. ‘cause you can have working threads.You can cc more than nine people in a thread.Kyle: You can fork stuff.Nader: You can [00:24:00] fork stuff, which is super nice and just like y Yeah. And so, but that is part of where you can propose a plan. You can also just. Start, honestly, momentum's the only authority, right? So like, if you can just start, start to make a little bit of progress and show someone something, and then they can try it.That's, I think what's been, you know, I think the most effective way to push anything for forward. And that's both at Nvidia and I think just generally.Kyle: Yeah, there's, there's the other concept that like is explored a lot at Nvidia, which is this idea of a zero billion dollar business. Like market creation is a big thing at Nvidia.Like,swyx: oh, you want to go and start a zero billion dollar business?Kyle: Jensen says, we are completely happy investing in zero billion dollar markets. We don't care if this creates revenue. It's important for us to know about this market. We think it will be important in the future. It can be zero billion dollars for a while.I'm probably minging as words here for, but like, you know, like, I'll give an example. NVIDIA's been working on autonomous driving for a a long time,swyx: like an Nvidia car.Kyle: No, they, they'veVibhu: used the Mercedes, right? They're around the HQ and I think it finally just got licensed out. Now they're starting to be used quite a [00:25:00] bit.For 10 years you've been seeing Mercedes with Nvidia logos driving.Kyle: If you're in like the South San Santa Clara, it's, it's actually from South. Yeah. So, um. Zero billion dollar markets are, are a thing like, you know, Jensen,swyx: I mean, okay, look, cars are not a zero billion dollar market. But yeah, that's a bad example.Nader: I think, I think he's, he's messaging, uh, zero today, but, or even like internally, right? Like, like it's like, uh, an org doesn't have to ruthlessly find revenue very quickly to justify their existence. Right. Like a lot of the important research, a lot of the important technology being developed that, that's kind ofKyle: where research, research is very ide ideologically free at Nvidia.Yeah. Like they can pursue things that they wereswyx: Were you research officially?Kyle: I was never in research. Officially. I was always in engineering. Yeah. We in, I'm in an org called Deep Warning Algorithms, which is basically just how do we make things that are relevant to deep warning go fast.swyx: That sounds freaking cool.Vibhu: And I think a lot of that is underappreciated, right? Like time series. This week Google put out time. FF paper. Yeah. A new time series, paper res. Uh, Symantec, ID [00:26:00] started applying Transformers LMS to Yes. Rec system. Yes. And when you think the scale of companies deploying these right. Amazon recommendations, Google web search, it's like, it's huge scale andKyle: Yeah.Vibhu: You want fast?Kyle: Yeah. Yeah. Yeah. Actually it's, it, I, there's a fun moment that brought me like full circle. Like, uh, Amazon Ads recently gave a talk where they talked about using Dynamo for generative recommendation, which was like super, like weirdly cathartic for me. I'm like, oh my God. I've, I've supplanted what I was working on.Like, I, you're using LMS now to do what I was doing five years ago.swyx: Yeah. Amazing. And let's go right into Dynamo. Uh, maybe introduce Yeah, sure. To the top down and Yeah.Kyle: I think at this point a lot of people are familiar with the term of inference. Like funnily enough, like I went from, you know, inference being like a really niche topic to being something that's like discussed on like normal people's Twitter feeds.It's,Nader: it's on billboardsKyle: here now. Yeah. Very, very strange. Driving, driving, seeing just an inference ad on 1 0 1 inference at scale is becoming a lot more important. Uh, we have these moments like, you know, open claw where you have these [00:27:00] agents that take lots and lots of tokens, but produce, incredible results.There are many different aspects of test time scaling so that, you know, you can use more inference to generate a better result than if you were to use like a short amount of inference. There's reasoning, there's quiring, there's, adding agency to the model, allowing it to call tools and use skills.Dyno sort came about at Nvidia. Because myself and a couple others were, were sort of talking about the, these concepts that like, you know, you have inference engines like VLMS, shelan, tenor, TLM and they have like one single copy. They, they, they sort of think about like things as like one single copy, like one replica, right?Why Scale Out WinsKyle: Like one version of the model. But when you're actually serving things at scale, you can't just scale up that replica because you end up with like performance problems. There's a scaling limit to scaling up replicas. So you actually have to scale out to use a, maybe some Kubernetes type terminology.We kind of realized that there was like. A lot of potential optimization that we could do in scaling out and building systems for data [00:28:00] center scale inference. So Dynamo is this data center scale inference engine that sits on top of the frameworks like VLM Shilling and 10 T lm and just makes things go faster because you can leverage the economy of scale.The fact that you have KV cash, which we can define a little bit later, uh, in all these machines that is like unique and you wanna figure out like the ways to maximize your cash hits or you want to employ new techniques in inference like disaggregation, which Dynamo had introduced to the world in, in, in March, not introduced, it was a academic talk, but beforehand.But we are, you know, one of the first frameworks to start, supporting it. And we wanna like, sort of combine all these techniques into sort of a modular framework that allows you to. Accelerate your inference at scale.Nader: By the way, Kyle and I became friends on my first date, Nvidia, and I always loved, ‘cause like he always teaches meswyx: new things.Yeah. By the way, this is why I wanted to put two of you together. I was like, yeah, this is, this is gonna beKyle: good. It's very, it's very different, you know, like we've, we, we've, we've talked to each other a bunch [00:29:00] actually, you asked like, why, why can't we scale up?Nader: Yeah.Scale Up Limits ExplainedNader: model, you said model replicas.Kyle: Yeah. So you, so scale up means assigning moreswyx: heavier?Kyle: Yeah, heavier. Like making things heavier. Yeah, adding more GPUs. Adding more CPUs. Scale out is just like having a barrier saying, I'm gonna duplicate my representation of the model or a representation of this microservice or something, and I'm gonna like, replicate it Many times.Handle, load. And the reason that you can't scale, scale up, uh, past some points is like, you know, there, there, there are sort of hardware bounds and algorithmic bounds on, on that type of scaling. So I'll give you a good example that's like very trivial. Let's say you're on an H 100. The Maxim ENV link domain for H 100, for most Ds H one hundreds is heus, right?So if you scaled up past that, you're gonna have to figure out ways to handle the fact that now for the GPUs to communicate, you have to do it over Infin band, which is still very fast, but is not as fast as ENV link.swyx: Is it like one order of magnitude, like hundreds or,Kyle: it's about an order of magnitude?Yeah. Okay. Um, soswyx: not terrible.Kyle: [00:30:00] Yeah. I, I need to, I need to remember the, the data sheet here, like, I think it's like about 500 gigabytes. Uh, a second unidirectional for ENV link, and about 50 gigabytes a second unidirectional for Infin Band. I, it, it depends on the, the generation.swyx: I just wanna set this up for people who are not familiar with these kinds of like layers and the trash speedVibhu: and all that.Of course.From Laptop to Multi NodeVibhu: Also, maybe even just going like a few steps back before that, like most people are very familiar with. You see a, you know, you can use on your laptop, whatever these steel viol, lm you can just run inference there. All, there's all, you can, youcan run it on thatVibhu: laptop. You can run on laptop.Then you get to, okay, uh, models got pretty big, right? JLM five, they doubled the size, so mm-hmm. Uh, what do you do when you have to go from, okay, I can get 128 gigs of memory. I can run it on a spark. Then you have to go multi GPU. Yeah. Okay. Multi GPU, there's some support there. Now, if I'm a company and I don't have like.I'm not hiring the best researchers for this. Right. But I need to go [00:31:00] multi-node, right? I have a lot of servers. Okay, now there's efficiency problems, right? You can have multiple eight H 100 nodes, but, you know, is that as a, like, how do you do that efficiently?Kyle: Yeah. How do you like represent them? How do you choose how to represent the model?Yeah, exactly right. That's a, that's like a hard question. Everyone asks, how do you size oh, I wanna run GLM five, which just came out new model. There have been like four of them in the past week, by the way, like a bunch of new models.swyx: You know why? Right? Deep seek.Kyle: No comment. Oh. Yeah, but Ggl, LM five, right?We, we have this, new model. It's, it's like a large size, and you have to figure out how to both scale up and scale out, right? Because you have to find the right representation that you care about. Everyone does this differently. Let's be very clear. Everyone figures this out in their own path.Nader: I feel like a lot of AI or ML even is like, is like this. I think people think, you know, I, I was, there was some tweet a few months ago that was like, why hasn't fine tuning as a service taken off? You know, that might be me. It might have been you. Yeah. But people want it to be such an easy recipe to follow.But even like if you look at an ML model and specificKyle: to you Yeah,Nader: yeah.Kyle: And the [00:32:00] model,Nader: the situation, and there's just so much tinkering, right? Like when you see a model that has however many experts in the ME model, it's like, why that many experts? I don't, they, you know, they tried a bunch of things and that one seemed to do better.I think when it comes to how you're serving inference, you know, you have a bunch of decisions to make and there you can always argue that you can take something and make it more optimal. But I think it's this internal calibration and appetite for continued calibration.Vibhu: Yeah. And that doesn't mean like, you know, people aren't taking a shot at this, like tinker from thinking machines, you know?Yeah. RL as a service. Yeah, totally. It's, it also gets even harder when you try to do big model training, right? We're not the best at training Moes, uh, when they're pre-trained. Like we saw this with LAMA three, right? They're trained in such a sparse way that meta knows there's gonna be a bunch of inference done on these, right?They'll open source it, but it's very trained for what meta infrastructure wants, right? They wanna, they wanna inference it a lot. Now the question to basically think about is, okay, say you wanna serve a chat application, a coding copilot, right? You're doing a layer of rl, you're serving a model for X amount of people.Is it a chat model, a coding model? Dynamo, you know, back to that,Kyle: it's [00:33:00] like, yeah, sorry. So you we, we sort of like jumped off of, you know, jumped, uh, on that topic. Everyone has like, their own, own journey.Cost Quality Latency TradeoffsKyle: And I, I like to think of it as defined by like, what is the model you need? What is the accuracy you need?Actually I talked to NA about this earlier. There's three axes you care about. What is the quality that you're able to produce? So like, are you accurate enough or can you complete the task with enough, performance, high enough performance. Yeah, yeah. Uh, there's cost. Can you serve the model or serve your workflow?Because it's not just the model anymore, it's the workflow. It's the multi turn with an agent cheaply enough. And then can you serve it fast enough? And we're seeing all three of these, like, play out, like we saw, we saw new models from OpenAI that you know, are faster. You have like these new fast versions of models.You can change the amount of thinking to change the amount of quality, right? Produce more tokens, but at a higher cost in a, in a higher latency. And really like when you start this journey of like trying to figure out how you wanna host a model, you, you, you think about three things. What is the model I need to serve?How many times do I need to call it? What is the input sequence link was [00:34:00] the, what does the workflow look like on top of it? What is the SLA, what is the latency SLA that I need to achieve? Because there's usually some, this is usually like a constant, you, you know, the SLA that you need to hit and then like you try and find the lowest cost version that hits all of these constraints.Usually, you know, you, you start with those things and you say you, you kind of do like a bit of experimentation across some common configurations. You change the tensor parallel size, which is a form of parallelismVibhu: I take, it goes even deeper first. Gotta think what model.Kyle: Yes, course,ofKyle: course. It's like, it's like a multi-step design process because as you said, you can, you can choose a smaller model and then do more test time scaling and it'll equate the quality of a larger model because you're doing the test time scaling or you're adding a harness or something.So yes, it, it goes way deeper than that. But from the performance perspective, like once you get to the model you need, you need to host, you look at that and you say, Hey. I have this model, I need to serve it at the speed. What is the right configuration for that?Nader: You guys see the recent, uh, there was a paper I just saw like a few days ago that, uh, if you run [00:35:00] the same prompt twice, you're getting like double Just try itagain.Nader: Yeah, exactly.Vibhu: And you get a lot. Yeah. But the, the key thing there is you give the context of the failed try, right? Yeah. So it takes a shot. And this has been like, you know, basic guidance for quite a while. Just try again. ‘cause you know, trying, just try again. Did you try again? All adviceNader: in life.Vibhu: Just, it's a paper from Google, if I'm not mistaken, right?Yeah,Vibhu: yeah. I think it, it's like a seven bas little short paper. Yeah. Yeah. The title's very cute. And it's just like, yeah, just try again. Give it ask context,Kyle: multi-shot. You just like, say like, hey, like, you know, like take, take a little bit more, take a little bit more information, try and fail. Fail.Vibhu: And that basic concept has gone pretty deep.There's like, um, self distillation, rl where you, you do self distillation, you do rl and you have past failure and you know, that gives some signal so people take, try it again. Not strong enough.swyx: Uh, for, for listeners, uh, who listen to here, uh, vivo actually, and I, and we run a second YouTube channel for our paper club where, oh, that's awesome.Vivo just covered this. Yeah. Awesome. Self desolation and all that's, that's why he, to speed [00:36:00] on it.Nader: I'll to check it out.swyx: Yeah. It, it's just a good practice, like everyone needs, like a paper club where like you just read papers together and the social pressure just kind of forces you to just,Nader: we, we,there'sNader: like a big inference.Kyle: ReadingNader: group at a video. I feel so bad every time. I I, he put it on like, on our, he shared it.swyx: One, one ofNader: your guys,swyx: uh, is, is big in that, I forget es han Yeah, yeah,Kyle: es Han's on my team. Actually. Funny. There's a, there's a, there's a employee transfer between us. Han worked for Nater at Brev, and now he, he's on my team.He wasNader: our head of ai. And then, yeah, once we got in, andswyx: because I'm always looking for like, okay, can, can I start at another podcast that only does that thing? Yeah. And, uh, Esan was like, I was trying to like nudge Esan into like, is there something here? I mean, I don't think there's, there's new infant techniques every day.So it's like, it's likeKyle: you would, you would actually be surprised, um, the amount of blog posts you see. And ifswyx: there's a period where it was like, Medusa hydra, what Eagle, like, youKyle: know, now we have new forms of decode, uh, we have new forms of specula, of decoding or new,swyx: what,Kyle: what are youVibhu: excited? And it's exciting when you guys put out something like Tron.‘cause I remember the paper on this Tron three, [00:37:00] uh, the amount of like post train, the on tokens that the GPU rich can just train on. And it, it was a hybrid state space model, right? Yeah.Kyle: It's co-designed for the hardware.Vibhu: Yeah, go design for the hardware. And one of the things was always, you know, the state space models don't scale as well when you do a conversion or whatever the performance.And you guys are like, no, just keep draining. And Nitron shows a lot of that. Yeah.Nader: Also, something cool about Nitron it was released in layers, if you will, very similar to Dynamo. It's, it's, it's essentially it was released as you can, the pre-training, post-training data sets are released. Yeah. The recipes on how to do it are released.The model itself is released. It's full model. You just benefit from us turning on the GPUs. But there are companies like, uh, ServiceNow took the dataset and they trained their own model and we were super excited and like, you know, celebrated that work.ZoomVibhu: different. Zoom is, zoom is CGI, I think, uh, you know, also just to add like a lot of models don't put out based models and if there's that, why is fine tuning not taken off?You know, you can do your own training. Yeah,Kyle: sure.Vibhu: You guys put out based model, I think you put out everything.Nader: I believe I know [00:38:00]swyx: about base. BasicallyVibhu: without baseswyx: basic can be cancelable.Vibhu: Yeah. Base can be cancelable.swyx: Yeah.Vibhu: Safety training.swyx: Did we get a full picture of dymo? I, I don't know if we, what,Nader: what I'd love is you, you mentioned the three axes like break it down of like, you know, what's prefilled decode and like what are the optimizations that we can get with Dynamo?Kyle: Yeah. That, that's, that's, that's a great point. So to summarize on that three axis problem, right, there are three things that determine whether or not something can be done with inference, cost, quality, latency, right? Dynamo is supposed to be there to provide you like the runtime that allows you to pull levers to, you know, mix it up and move around the parade of frontier or the preto surface that determines is this actually possible with inference And AI todayNader: gives you the knobs.Kyle: Yeah, exactly. It gives you the knobs.Disaggregation Prefill vs DecodeKyle: Uh, and one thing that like we, we use a lot in contemporary inference and is, you know, starting to like pick up from, you know, in, in general knowledge is this co concept of disaggregation. So historically. Models would be hosted with a single inference engine. And that inference engine [00:39:00] would ping pong between two phases.There's prefill where you're reading the sequence generating KV cache, which is basically just a set of vectors that represent the sequence. And then using that KV cache to generate new tokens, which is called Decode. And some brilliant researchers across multiple different papers essentially made the realization that if you separate these two phases, you actually gain some benefits.Those benefits are basically a you don't have to worry about step synchronous scheduling. So the way that an inference engine works is you do one step and then you finish it, and then you schedule, you start scheduling the next step there. It's not like fully asynchronous. And the problem with that is you would have, uh, essentially pre-fill and decode are, are actually very different in terms of both their resource requirements and their sometimes their runtime.So you would have like prefill that would like block decode steps because you, you'd still be pre-filing and you couldn't schedule because you know the step has to end. So you remove that scheduling issue and then you also allow you, or you yourself, to like [00:40:00] split the work into two different ki types of pools.So pre-fill typically, and, and this changes as, as model architecture changes. Pre-fill is, right now, compute bound most of the time with the sequence is sufficiently long. It's compute bound. On the decode side because you're doing a full Passover, all the weights and the entire sequence, every time you do a decode step and you're, you don't have the quadratic computation of KV cache, it's usually memory bound because you're retrieving a linear amount of memory and you're doing a linear amount of compute as opposed to prefill where you retrieve a linear amount of memory and then use a quadratic.You know,Nader: it's funny, someone exo Labs did a really cool demo where for the DGX Spark, which has a lot more compute, you can do the pre the compute hungry prefill on a DG X spark and then do the decode on a, on a Mac. Yeah. And soVibhu: that's faster.Nader: Yeah. Yeah.Kyle: So you could, you can do that. You can do machine strat stratification.Nader: Yeah.Kyle: And like with our future generation generations of hardware, we actually announced, like with Reuben, this [00:41:00] new accelerator that is prefilled specific. It's called Reuben, CPX. SoKubernetes Scaling with GroveNader: I have a question when you do the scale out. Yeah. Is scaling out easier with Dynamo? Because when you need a new node, you can dedicate it to either the Prefill or, uh, decode.Kyle: Yeah. So Dynamo actually has like a, a Kubernetes component in it called Grove that allows you to, to do this like crazy scaling specialization. It has like this hot, it's a representation that, I don't wanna go too deep into Kubernetes here, but there was a previous way that you would like launch multi-node work.Uh, it's called Leader Worker Set. It's in the Kubernetes standard, and Leader worker set is great. It served a lot of people super well for a long period of time. But one of the things that it's struggles with is representing a set of cases where you have a multi-node replica that has a pair, right?You know, prefill and decode, or it's not paired, but it has like a second stage that has a ratio that changes over time. And prefill and decode are like two different things as your workload changes, right? The amount of prefill you'll need to do may change. [00:42:00] The amount of decode that you, you'll need to do might change, right?Like, let's say you start getting like insanely long queries, right? That probably means that your prefill scales like harder because you're hitting these, this quadratic scaling growth.swyx: Yeah.And then for listeners, like prefill will be long input. Decode would be long output, for example, right?Kyle: Yeah. So like decode, decode scale. I mean, decode is funny because the amount of tokens that you produce scales with the output length, but the amount of work that you do per step scales with the amount of tokens in the context.swyx: Yes.Kyle: So both scales with the input and the output.swyx: That's true.Kyle: But on the pre-fold view code side, like if.Suddenly, like the amount of work you're doing on the decode side stays about the same or like scales a little bit, and then the prefilled side like jumps up a lot. You actually don't want that ratio to be the same. You want it to change over time. So Dynamo has a set of components that A, tell you how to scale.It tells you how many prefilled workers and decoded workers you, it thinks you should have, and also provides a scheduling API for Kubernetes that allows you to actually represent and affect this scheduling on, on, on your actual [00:43:00] hardware, on your compute infrastructure.Nader: Not gonna lie. I feel a little embarrassed for being proud of my SVG function earlier.swyx: No, itNader: wasreallyKyle: cute. I, Iswyx: likeNader: it's all,swyx: it's all engineering. It's all engineering. Um, that's where I'mKyle: technical.swyx: One thing I'm, I'm kind of just curious about with all with you see at a systems level, everything going on here. Mm-hmm. And we, you know, we're scaling it up in, in multi, in distributed systems.Context Length and Co Designswyx: Um, I think one thing that's like kind of, of the moment right now is people are asking, is there any SOL sort of upper bounds. In terms of like, let's call, just call it context length for one for of a better word, but you can break it down however you like.Nader: Yeah.swyx: I just think like, well, yeah, I mean, like clearly you can engage in hybrid architectures and throw in some state space models in there.All, all you want, but it looks, still looks very attention heavy.Kyle: Yes. Uh, yeah. Long context is attention heavy. I mean, we have these hybrid models, um,swyx: to take and most, most models like cap out at a million contexts and that's it. Yeah. Like for the last two years has been it.Kyle: Yeah. The model hardware context co-design thing that we're seeing these days is actually super [00:44:00] interesting.It's like my, my passion, like my secret side passion. We see models like Kimmy or G-P-T-O-S-S. I'm use these because I, I know specific things about these models. So Kimmy two comes out, right? And it's an interesting model. It's like, like a deep seek style architecture is MLA. It's basically deep seek, scaled like a little bit differently, um, and obviously trained differently as well.But they, they talked about, why they made the design choices for context. Kimmy has more experts, but fewer attention heads, and I believe a slightly smaller attention, uh, like dimension. But I need to remember, I need to check that. Uh, it doesn't matter. But they discussed this actually at length in a blog post on ji, which is like our pu which is like credit puswyx: Yeah.Kyle: Um, in, in China. Chinese red.swyx: Yeah.Kyle: It's, yeah. So it, it's, it's actually an incredible blog post. Uh, like all the mls people in, in, in that, I've seen that on GPU are like very brilliant, but they, they talk about like the creators of Kimi K two [00:45:00] actually like, talked about it on, on, on there in the blog post.And they say, we, we actually did an experiment, right? Attention scales with the number of heads, obviously. Like if you have 64 heads versus 32 heads, you do half the work of attention. You still scale quadratic, but you do half the work. And they made a, a very specific like. Sort of barter in their system, in their architecture, they basically said, Hey, what if we gave it more experts, so we're gonna use more memory capacity.But we keep the amount of activated experts the same. We increase the expert sparsity, so we have fewer experts act. The ratio to of experts activated to number of experts is smaller, and we decrease the number of attention heads.Vibhu: And kind of for context, what the, what we had been seeing was you make models sparser instead.So no one was really touching heads. You're just having, uh,Kyle: well, they, they did, they implicitly made it sparser.Vibhu: Yeah, yeah. For, for Kimmy. They did,Kyle: yes.Vibhu: They also made it sparser. But basically what we were seeing was people were at the level of, okay, there's a sparsity ratio. You want more total parameters, less active, and that's sparsity.[00:46:00]But what you see from papers, like, the labs like moonshot deep seek, they go to the level of, okay, outside of just number of experts, you can also change how many attention heads and less attention layers. More attention. Layers. Layers, yeah. Yes, yes. So, and that's all basically coming back to, just tied together is like hardware model, co-design, which isKyle: hardware model, co model, context, co-design.Vibhu: Yeah.Kyle: Right. Like if you were training a, a model that was like. Really, really short context, uh, or like really is good at super short context tasks. You may like design it in a way such that like you don't care about attention scaling because it hasn't hit that, like the turning point where like the quadratic curve takes over.Nader: How do you consider attention or context as a separate part of the co-design? Like I would imagine hardware or just how I would've thought of it is like hardware model. Co-design would be hardware model context co-designKyle: because the harness and the context that is produced by the harness is a part of the model.Once it's trained in,Vibhu: like even though towards the end you'll do long context, you're not changing architecture through I see. Training. Yeah.Kyle: I mean you can try.swyx: You're saying [00:47:00] everyone's training the harness into the model.Kyle: I would say to some degree, orswyx: there's co-design for harness. I know there's a small amount, but I feel like not everyone has like gone full send on this.Kyle: I think, I think I think it's important to internalize the harness that you think the model will be running. Running into the model.swyx: Yeah. Interesting. Okay. Bash is like the universal harness,Kyle: right? Like I'll, I'll give. An example here, right? I mean, or just like a, like a, it's easy proof, right? If you can train against a harness and you're using that harness for everything, wouldn't you just train with the harness to ensure that you get the best possible quality out of,swyx: Well, the, uh, I, I can provide a counter argument.Yeah, sure. Which is what you wanna provide a generally useful model for other people to plug into their harnesses, right? So if youKyle: Yeah. Harnesses can be open, open source, right?swyx: Yeah. So I mean, that's, that's effectively what's happening with Codex.Kyle: Yeah.swyx: And, but like you may want like a different search tool and then you may have to name it differently or,Nader: I don't know how much people have pushed on this, but can you.Train a model, would it be, have you have people compared training a model for the for the harness versus [00:48:00] like post training forswyx: I think it's the same thing. It's the same thing. It's okay. Just extra post training. INader: see.swyx: And so, I mean, cognition does this course, it does this where you, you just have to like, if your tool is slightly different, um, either force your tool to be like the tool that they train for.Hmm. Or undo their training for their tool and then Oh, that's re retrain. Yeah. It's, it's really annoying and like,Kyle: I would hope that eventually we hit like a certain level of generality with respect to training newswyx: tools. This is not a GI like, it's, this is a really stupid like. Learn my tool b***h.Like, I don't know if, I don't know if I can say that, but like, you know, um, I think what my point kind of is, is that there's, like, I look at slopes of the scaling laws and like, this slope is not working, man. We, we are at a million token con

Si dice “corallo” ogni deposito calcareodi alcuni organismi marini chiamati polipi. Vivendo in colonie, questeminuscole creature delle acque calde assorbono i sali di calcio dal mare,costruendo splendide strutture ramificate, simili ad arbusti, dure come lapietra. Con il tempo, le formazioni di alcuni tipi di corallo possono dareorigine a grandi barriere coralline e alle fondamenta di isole coralline.Esistono diversi colori di corallo: bianco, nero e rosso. Quest'ultimo è il piùcostoso e il più ricercato, sin dall'antichità. Un tempo, Tiro era nota per ilsuo commercio di corallo, che veniva pescato nel Mediterraneo, nel Mar Rosso enell'Oceano Indiano. Dal corallo grezzo, gli artigiani creavano artisticamentevari ornamenti molto apprezzati.Nonostante il pregiato valore delcorallo, conoscenza e saggezza ne superano di certo il valore. Il corallo in ItaliaOggi l'Italia è l'equivalentedell'antica Tiro quanto al corallo. In particolare, la Sardegna è la Regioneprincipale in cui si raccoglie e si lavora.Il corallo di Alghero, noto come CoralliumRubrum o “oro rosso”, è un tesoro naturale che ha reso famosa la cittàcome “Riviera del Corallo”. Questa specie di corallo rosso mediterraneo popolai fondali marini intorno ad Alghero da secoli, ed è legata alla storia, all'economiae all'identità locale.Origini e leggendeLa tradizione della pesca risale almenoal XIII secolo, con un boom dal '700 grazie alla ricchezza dei fondalialgheresi. Secondo le Metamorfosi di Ovidio, il corallo nasce dal sanguepietrificato di Medusa: al contatto con l'aria, assume rigidità e ilcaratteristico colore rosso ramificato.Caratteristiche del coralloCresce lentamente in acque profonde(oltre 40 metri), diventando fra i più pregiati al mondo per compattezza etonalità aranciata o rosso intenso (raro l'80% aranciato). Oggi la raccolta èregolata: solo 25 giorni l'anno (maggio-ottobre), da corallari esperti conattrezzature tradizionali, per evitare la pesca distruttiva del passato.Lavorazione e artigianatoGli orafi algheresi lo tagliano conseghetti e mole per creare gioielli unici, sfruttando la sua durezza chepermette tagli precisi senza danni. È usato in collane, orecchini e monili,spesso combinato con oro o argento.Museo e cultura Il Museo del Corallo, in una VillaLiberty, racconta biologia, storia ed economia di questo simbolo, con visitevirtuali disponibili. Dal 1355, lo stemma di Alghero raffigura il corallo, graziea Pietro IV d'Aragona.  

They marched peacefully. They were fired on. They sang anyway. This week on the Irish & Celtic Music Podcast #749, sixteen artists remind us that protest songs aren't history — they're a mirror. Dropkick Murphys, Wild Colonial Bhoys, Medusa's Wake, House of Hamill and more. From Diggers of 1649, to Bloody Sunday 1972, to Minneapolis 2026. Some songs don't age. They just find new reasons to matter. -- Subscribe now at CelticMusicPodcast.com! Amelia Hogan, Dropkick Murphys, Bealtaine, Ed Miller, Black 47, David Rovics, Wild Colonial Bhoys, Eddie Biggins, The Haar, Marc Gunn & The Dubliners' Tabby Cats, The Secret Commonwealth, Redhill Rats, Scythian, House Of Hamill, Medusa's Wake, Melanie Gruben GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2026 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2-3 weeks. THIS WEEK IN CELTIC MUSIC 0:09 - Amelia Hogan "No Irish Need Apply" from Transplants: From the Old to the New 5:02 - WELCOME 8:14 - Dropkick Murphys "Who'll Stand With Us?" from For The People (Expanded Edition) 12:03 - Bealtaine "Worker's Song" from Factories & Mills, Shipyards & Mines Written by Ed Pickford in the mid-1970s as a direct response to arguments blaming Britain's economic woes on workers rather than the wealthy. That's a typical tactic that continues today. If we want free and fair elections, we will stop letting billionaires buy our politicians. The was first recorded by Scottish legend Dick Gaughan in 1981, it's been taken up by everyone from the Dropkick Murphys to The Longest Johns. 16:22 - Ed Miller "Blood upon the Grass" from Generations of Change In 1977, Scotland traveled to Chile to play a friendly match at the very stadium where, just four years earlier, Pinochet's regime had tortured and killed political prisoners after the 1973 coup. Back in Scotland, a powerful solidarity campaign urged the Scottish Football Association to pull their team from what would become known as the 'Match of Shame.' Folk singer Adam McNaughtan captured that outrage in his song 'Blood Upon the Grass,' and Edinburgh-born singer Ed Miller later recorded it on his album Generations of Change — keeping this powerful story alive for new generations. 19:16 - Black 47 "San Patricio Brigade" from Rise Up and The Secret World of Celtic Rock 24:18 - FEEDBACK The Great Hunger in Ireland took place from 1845 to 1852. Irish immigrants migrated to the U.S. They were treated as second-class citizens. There are still newspapers that refer to them as lazy and criminals, thus the "No Irish Need Apply" song at the start of the show. These were hungry people. They were just looking for opportunities in a new land. Much like the immigrants of today. But they too were treated inhumanely. They were demonized. So when the Mexican-American War broke out from 1846-1848, many Irish looked at how poorly they were treated in America. They found greater kinship to their Catholic cousins in Mexico. That's why the Saint Patrick's Battalion was formed. Interestingly, it wasn't just Irish Catholics. There were Catholics from throughout Europe in the battalion including: German, Canadian, English, French, Italian, Polish, Scottish, Spanish, Swiss and Mexican. These were people who were attacked and belittled for their culture and their faith. It should serve as a warning and a reminder for all of us today. 30:04 - David Rovics "St. Patrick Battalion" from Historic Times 32:58 - Wild Colonial Bhoys "Dying Rebel" from Century A song that reflects on the human cost of rebellion rather than the glorification of the conflict and the martyrdom of its leaders. Here's what history keeps teaching us. People don't start out wanting to fight. They start out wanting to be heard. On January 30, 1972, in Derry, Northern Ireland, somewhere between ten and fifteen thousand people joined a peaceful civil rights march. They weren't armed. They were protesting the British government's policy of locking people up without trial. Sort of like what's happening in America now. British paratroopers opened fire. Thirteen people were killed. Fourteen others were wounded. The incident caused widespread anger and led to a surge in IRA recruitment. The argument was simple and devastating: peaceful protest could no longer achieve change. I hope to God America never comes to that. But peaceful protesters were murdered in Minneapolis. I lost a fan because I took my kids to a peaceful No Kings Protest last summer. When the state fires on and demonizes its own people, it doesn't end the resistance. It just changes its shape. That's the lesson history keeps trying to teach us. I hope we don't need to learn that the hard way. So please keep peacefully protesting 37:46 - BREAK 39:10 - Eddie Biggins "The Rising of the Moon" from Hey, I'm Singing Over Here! 41:29 - The Haar "Óró Sé Do Bheatha' Bhaile" from The Lost Day "Óró sé do bheatha abhaile" sounds like a joyful welcome song — and once, it was. The original Irish tune dates back centuries, used to greet returning chieftains and even Bonnie Prince Charlie. But the version we know today is something altogether fiercer. Around 1910, Patrick Pearse — poet, teacher, and revolutionary — rewrote the lyrics. He replaced the old imagery with a new vision: Gráinne Mhaol, the legendary 16th century pirate queen, sailing home with soldiers to drive the English from Ireland. Pearse was executed after the 1916 Easter Rising. And his words lived on. The song became a rallying cry, a promise that resistance wasn't finished, that Ireland would be free. That's why it's still sung today. Not as nostalgia, but as defiance. Every generation that lifts their voice in this song is answering Pearse's call across more than a hundred years. 48:04 - Marc Gunn & The Dubliners' Tabby Cats "Patriot Game" from Irish Drinking Songs: The Cat Lover's Companion In my opinion, "Patriot Game" is one of the best Irish rebel songs ever written. It cuts deeper than most rebel songs because it doesn't glorify. It questions. It was written by Dominic Behan in 1961. The song is based on the true story of Fergal O'Hanlon, an IRA volunteer killed during a 1957 border raid in County Fermanagh. He was just nineteen years old. But Behan wasn't writing a hero's ballad. He was writing a warning. The song is sung in the voice of a young man who died for a cause he barely understood. Seduced by romantic notions of patriotism before he had the wisdom to weigh the cost. That's the same as putting the party over the country. Our politicians have fallen into that trap. So I want to ask you to reach out to your representatives. Tell them you've had enough of this insanity. 51:12 - THANKS Back in December, I got an email from Troy of The Secret Commonwealth. He was letting me know about a man who's been part of his community for over 40 years. His friend is being held by ICE for nearly a year. His friend is hospitalized with a serious infection and awaiting heart surgery, all while being denied adequate medical care and due process. He suffers from a cracked vertebra and a history of cardiac issues, yet remains in unsanitary conditions with limited access to clean water or medical attention. My friend said, 'I'm feeling pretty damn rebellious right now,' and honestly, I am too. I'm also sad that I didn't bring this to your attention sooner, especially in the wake of the murders of Renee Good and Alex Pretti by ICE agents in Minneapolis back in Janaury. These are not abstract political issues. These are real people, real families, real communities torn apart. This next song feels like the right response. 'Till Jamie Comes Hame' features traditional words sometimes credited to Robert Burns, with music written by Rob Campbell of the band. And today, it's for everyone waiting for someone to come home. 58:35 - The Secret Commonwealth "Til Jamie Comes Hame" from Last Call 1:02:45 - Redhill Rats "White, Orange and Green" from Some Heroes 1:06:37 - Scythian "Follow Me Up to Carlow" from Immigrant Road Show 1:10:06 - House Of Hamill "Pound A Week Rise" from MARCH THROUGH STORMS 1:14:12 - Medusa's Wake "War of Independence" from War of Independence 1:17:37 - CLOSING "The World Turned Upside Down" was written in 1975, but it reaches back to 1649 — and maybe even further than that. Leon Rosselson based the song on the Diggers, a radical movement in England led by Gerrard Winstanley. After the English Civil War, they began farming common land, declaring simply that the earth belonged to everyone. Not to kings. Not to landlords. Not to those who had seized it by force and called it theirs. They were destroyed for that idea. But here's something worth sitting with. The Irish language doesn't have a word for "to have." You cannot own anything in Irish. Instead, things exist in relationship with you. A book is at you. Hunger is on you. Joy is on you. Even land. Not mine. Just... with me for now. That's not just a quirk of grammar. It's a completely different way of seeing the world. One where ownership itself is the strange idea. The foreign concept. This the idea that declaring land your private property is an act of violence against everyone else. The Diggers lost. The language nearly did too. But both survived. And this song is proof that the idea refuses to die. 1:20:18 - Melanie Gruben "The World Turned Upside Down" from Like a Tide Upon the Land 1:22:37 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. The Executive Producer for St Patrick's Month is John Sharkey White, II. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Clean energy isn't just good for the planet, it's good for your wallet. Solar and wind are now the cheapest power sources in history. But too many politicians would rather protect billionaires than help working families save on their bills. Real change starts when we stop allowing the ultra-rich to write our energy policy and run our government. Let's choose affordable, renewable power. Clean energy means lower costs, more freedom, and a planet that can actually breathe. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Pub Songs & Stories. This podcast is for fans of Celtic music. It's about diversity of thoughts and beliefs and about helping indie celtic musicians. So if you find music you love, support the artists financially. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. IRISH & CELTIC MUSIC PODFEST AND ARTS MARKET Join us Sunday, March 8, 2026, from 12 to 6 PM at The Lost Druid Brewery in Avondale Estates, Georgia. Enjoy an afternoon of Celtic and folk music from Kinnfolk, The Muckers, May Will Bloom, and Marc Gunn. Bring your family. Grab a pint. Enjoy the music, and share the energy of a true Celtic gathering. It is free to attend. While the music plays, explore our Arts Market filled with handmade crafts, art, and unique gifts from local creators. It's a celebration of music, creativity, and community — all in one place. Come for the songs. Stay for the spirit. We'll see you at The Lost Druid on March 8.

Join the brothers as they discuss the Iron Hands successor chapter, the Sons of Medusa!

(Presented by TLPBLACK: High-fidelity threat intelligence and research tools for modern security teams. From curated Passive DNS and real-time C2 monitoring to actionable IOC feeds and daily malware samples, we help defenders detect, hunt, and disrupt threats faster, with seamless integration into SIEM and SOAR workflows.) Huntress threat intelligence analyst Greg Linares shares insights on the modern ransomware ecosystem, including how crews operate like businesses and why Akira, Medusa, RansomHub, and Qilin cause so much damage. Plus, signs of overlap between ransomware and nation-state activity, what “time to ransom” really means for defenders, and why techniques like ClickFix and credential theft keep working at scale. The conversation also covers the surge in RMM tool abuse, how “living off the land” attacks can unfold without traditional malware, and the basic defenses smaller organizations can prioritize.

In this episode, Anna and Derek chat about the core memories formed from the Medusa sequence, exactly why Thetis is hanging out on Mount Olympus, and much more during their discussion of the Ray Harryhausen showcase Clash of the Titans (1981).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Nicola Cinquetti"Miti greci"Illustrazioni di Desideria GuicciardiniEdizioni Lapiswww.edizionilapis.itChi ha creato i miti? Forse nessuno. O forse tutti.Nati come racconti tramandati a voce, i miti greci attraversano il tempo portando con sé le grandi domande dell'umanità: il desiderio di potere, la paura, l'amore, la ribellione, il coraggio, la trasformazione. In queste storie antichissime, gli dèi hanno passioni e debolezze umane, gli eroi affrontano prove impossibili, e ogni viaggio diventa una conquista di sé.Nicola Cinquetti torna a raccontare il mondo del mito con una raccolta intensa e avvincente, che riporta all'origine del racconto e alle stesse radici da cui sono nati Iliade e Odissea. Zeus, Atena, Poseidone, Demetra, Apollo e Artemide convivono con figure indimenticabili come Prometeo, Pandora, Teseo, Icaro, Orfeo, Medusa ed Eracle, in un vero e proprio pantheon narrativo ricco e armonico.La scrittura, limpida e poetica, colta ma accessibile, parla ai lettori di oggi senza perdere il respiro epico delle origini. Le illustrazioni di Desideria Guicciardini, evocative e potenti, danno volto e corpo al mito, amplificando la forza simbolica ed emotiva di ogni racconto.Un libro per avvicinarsi ai miti greci come a storie vive, capaci ancora di accendere l'immaginazione, di essere lette da soli o raccontate insieme, e di accompagnare bambine e bambini – ma anche adulti – alla scoperta delle grandi narrazioni che sono all'origine della nostra cultura.Età di lettura dagli 8 anniNicola Cinquetti, veronese, laureato in Filosofia e Pedagogia, insegna Storia e Filosofia in un liceo. Autore di testi in prosa e in rima caratterizzati da uno stile poetico e ironico, nel 2020 ha ricevuto il Premio Andersen come miglior scrittore. Tra i suoi titoli pubblicati con Lapis le due riscritture di Iliade e Odissea, illustrate da Desideria Guicciardini, e L'incredibile notte di Billy Bologna, vincitore dei premi Campiello Junior e Letteratura Ragazzi di Cento 2023.Desideria Guicciardini, dopo aver concluso gli studi al Liceo Classico si iscrive alla facoltà di Lettere moderne, ma la sua passione per l'illustrazione la porta presto a cambiare rotta e a seguire i corsi di litografia della Scuola del libro di Urbino e i corsi serali dell'Accademia di Brera. Negli anni Settanta inizia a illustrare libri per ragazzi con Emme e Mondadori, anche grazie al felice incontro con Rosellina Archinto, e da quel momento non si ferma più. Inoltre, lavora nel campo pubblicitario come illustratrice e visualizer. Nel 2014 vince il Premio Andersen come migliore illustratrice. Desideria Guicciardini pubblica con i maggiori editori italiani per bambini e ragazzi. Il suo tratto è limpido, fresco ed elegante.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

ct the terrible wigs, the special effects, the script, the acting, and everything else! We'll get to the bottom of what this show did right and what it did so terribly wrong! Plus we'll bring you TONS of Marvel history and trivia on Black Bolt, Medusa, Maximus, the Terrigen Mists, the city of Attilan, and the secret history of every single Marvel superhero! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

ct the terrible wigs, the special effects, the script, the acting, and everything else! We'll get to the bottom of what this show did right and what it did so terribly wrong! Plus we'll bring you TONS of Marvel history and trivia on Black Bolt, Medusa, Maximus, the Terrigen Mists, the city of Attilan, and the secret history of every single Marvel superhero! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

The Serpent's Strait Ch. 8We find the party all getting up and gathering their things after their long rest, filling each other in on what they've been seeing or hearing all night. It's decided that they should head to the mines and determine what happened to the people. As they head over towards the mines, Bob decides to take a quick detour on his own to do a little shopping. It takes a second for the group to notice, catch up with him, and decide it wouldn't hurt to stock up on supplies, unaware of any dangers that await them ahead. As the party arrives and begins venturing into the mines, the book grows warmer the deeper they go. As they explore more through a maze of stalagmites and rock formations, they come upon a large and disturbing scene. They are reminded of the gruesomeness described on the ship that crashed into port, and this is so much worse. The party steel themselves and decide whether to destroy the effigy or leave it and investigate further.Bob can translate the book, and Ursus begins to read the book, learning of the many names of The King in Yellow, particularly Hastor. At this point, Bob begins trying to take down the effigy, but isn't making so much as a dent. The group decides to feed the book to the altar and see if it triggers something, as the book has been vibrating more and more throughout their time there. Afterwards, when the group felt they had exhausted all the clues and information they'd gathered here, they decided their next course of action was to head to Midmount. As they decide on this, the group realizes they're being watched and finds itself surrounded by the watchers it has been encountering since its arrival, even though it doesn't recall all of them. When Valen uses Mindsplinter to cast Detect Thoughts, he hears many voices saying, "He waits." After a wave of psychic energy emits from around them, Valen and Chan are compelled to begin crying uncontrollably. The rest of the party, unaffected, bring them with them to try to lead them out of the mines. They finally arrive in Midmount shortly afterwards and find out what's been going on in town from the locals, confirming that a warforged priest is very charismatically gathering followers.There's so much happening, and that's where we pick up…Find out what happens next in this episode of the Medusa's Cascade: Blood & Booze!Theme Music is written and performed by EfflorescenceMixed by Thomas Lapierre IIITitle Card by Pierce GraphicsCheck out the show at themedusascascade.com Hosted on Acast. See acast.com/privacy for more information.

A "blood moon" lunar eclipse is happening March 3rd at almost 13° Virgo. This eclipse is comparatively quiet astrologically, making it easier to focus on Virgo themes of order, service, health, and returning to a natural rhythm. This eclipse "rules" for six months and may fully ripen during Virgo season. Protection is a central theme, connected to blood as naturally protective and to the eclipse as a safe container for ritual and self-exploration, especially around vulnerable "maiden" aspects of self. For goddess work, we recommend Medusa as a powerful protector and healer deeply linked to blood magic. Medusa's mythic blood created coral and red serpents. Explore historical protective folk magic in 16th-century English spell jars using one's own urine, blood, and hair with herbs as well as Melinoë a lesser-known goddess, presented in the Orphic Hymn 71. She is the daughter of Persephone, and Melinoë is a dark and luminous Goddess, the "Queen of Nightmares" and "Master of Ghosts," ruling liminal space between life and death and invoked for protection, trauma processing, and relief from fear and night terrors. She parallels this eclipse "portal" energy. Enjoy this potent time of a lunar eclipse and blood magic! If you are loving this podcast and you feel really motivated or compelled to share, please donate to this podcast: Donate here Connect with the Goddesses:  https://www.goddesswitchwomb.com  Follow us on Instagram: https://www.instagram.com/goddesswitchwomb/  Follow us on TikTok https://www.tiktok.com/@goddesswitchwomb

Ep 360 – Slamboree 1999 “Watch Rules and Bones Shattered in the Comfort of Your Own Home” We even got surprised by this one 0:30 - Welcome 11:25 - Slamboree Opening 11:48 - The Four Horsemen (Chris Benoit/Dean Malenko) (w/ “The Enforcer” Arn Anderson) vs Raven and Saturn vs Rey Mysterio Jr and Kidman in a Triangle match for the WCW World Tag Team Championship 21:13 - Stevie Ray (w/ Vincent and Horace Hogan) vs Konnan 25:25 - Brian Knobbs vs Bam Bam Bigelow in a Falls Count Anywhere match 29:40 - Rick Steiner vs Booker T for the WCW World Television Championship 34:34 - “Lil' Natch” Charles Robinson (w/ “The Nature Boy” Ric Flair and Asya) vs Gorgeous George (w/ Team Madness (Macho Man Randy Savage, Miss Madness and Medusa) 38:11 - Buff Bagwell vs Scott Steiner for the WCW United States Championship 41:43 - Rowdy Roddy Piper vs “The Nature Boy” Ric Flair (w/ “The Enforcer” Arn Anderson and Asya) for control of WCW 49:15 - Sting vs Goldberg 52:44 - Kevin Nash vs Diamond Dallas Page for the WCW World Heavyweight Championship 58:00 - Overall Thoughts 1:03:16 - Smarking It Up 1:09:23 - Ready to Rumble – Meanest Man in the World (1943) 1:13:37 - Goodbyes Music from this week's show is the theme from Slamboree and “Wolfpac Theme” by Jimmy Hart/Howard Helm Rate and review us on iTunes, Spotify, YouTube, or wherever you find your podcasts Email – WrestlingHistoryX@gmail.com X – WrestlingHistoX

SolarWinds patches four critical remote code execution vulnerabilities. A ransomware attack on Conduant puts the data of over 25 million Americans at risk. RoguePilot enables Github repository takeovers. ZeroDayRat targets Android and iOS devices. North Korea's Lazarus group deploy Medusa ransomware against organizations in the U.S. and the Middle East. Attackers' breakout times drop to under half an hour.  CISA maintains its mission despite staffing challenges. Russian satellites draw fresh scrutiny. Two South Korean teenagers are charged with breaching Seoul's public bike service. Krishna Sai, CTO at SolarWinds, discusses why leaders should focus less on speculating about an AI bubble, and more on how to quantify AI's tangible contributions. The Pope pushes prayerful priests past predictable programs.  Remember to leave us a 5-star rating and review in your favorite podcast app. Miss an episode? Sign-up for our daily intelligence roundup, Daily Briefing, and you'll never miss a beat. And be sure to follow CyberWire Daily on LinkedIn. CyberWire Guest Today we are joined by Krishna Sai, CTO at SolarWinds, discussing why leaders should focus less on speculating about an AI bubble, and more on how to quantify AI's tangible contributions. Selected Reading Critical SolarWinds Serv-U flaws offer root access to servers (Bleeping Computer) Massive Conduent Data Breach Exfiltrates 8 TB Affects Over 25 Million Americans (GB Hackers) GitHub Issues Abused in Copilot Attack Leading to Repository Takeover (SecurityWeek) New ZeroDayRAT Malware Claims Full Monitoring of Android and iOS Devices (Hackread) North Korean state hackers seen using Medusa ransomware in attacks on US, Middle East (The Record) CrowdStrike says attackers are moving through networks in under 30 minutes (CyberScoop) Shutdown at D.H.S. Extends to Cyber Agency, Adding to Setbacks (The New York Times) From Cold War interceptors to Ukraine: how Russia came to park spy satellites next to the West's most sensitive tech in orbit (Meduza) Korean cops charge two teens over Seoul bike hire breach (The Register) Pope tells priests to use their brains, not AI, to write homilies (EWTN News) Share your feedback. What do you think about CyberWire Daily? Please take a few minutes to share your thoughts with us by completing our brief listener survey. Thank you for helping us continue to improve our show.  Want to hear your company in the show? N2K CyberWire helps you reach the industry's most influential leaders and operators, while building visibility, authority, and connectivity across the cybersecurity community. Learn more at sponsor.thecyberwire.com. The CyberWire is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Priestess, witch, daughter of a brutal king: Medea is the greatest tragic heroine of the classical world. But, as Sunday Times bestselling writer Natalie Haynes reveals, Medea can be so much more than that too. Joining her longtime friend Robin Ince, she reveals her own journey that led her towards classical mythology, and invites modern-day dwellers to revisit the mythical past anew.  From the extraordinary characters of classical heroines such as Medea, Pandora, and Medusa, to how classical myths continue to resonate with the human condition today, Natalie takes us on an epic journey of our own to reimagine the myths we thought we knew. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Medusa and Cam look to tie the threads between a long awaited sequel and it's take on spirituality... but instead just added a fun lil guy! Look at that lil guy! Our Flipped Script: Let's make it a co-op! Intermission: 1:07: -1:19: Suggested Topics: Psyop Your Parents, Shakled to the First Player, Fart Sniffy, AGDQ, Playin' Jazz, CreeEeePy Crawlers 

Strange Tales features a story from Mystery In The Air this week. From September 4, 1947, here's their episode titled, The Mask Of Medusa. Listen to more from Mystery In The Air https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/StrangeTales840.mp3 Download StrangeTales840 | Subscribe | Spotify | Support Strange Tales

A few songs with a Horse theme to mark the Lunar New Year (of The Horse) and some of my all-time favourite music by black artists to mark Black History Month. Then a bunch of local concert previews, and new releases (including the brilliant Canadian string quartet, Medusa). Sadly, a few songs about the darkening of the world as Dementia Donny leads us to the brink of more wars.

The Blooming Court Ch. 1The aftermath of the fight sees Zechs, Turk, and Shanks being brought back up. Turk's magic seems to have left him, as a plume of black smoke leaves him, and Zechs has a white handprint that has appeared on his own hand where Tumra touched him. Turk appears visibly angry with his former patron, and Galahad tries to assess the group. Shanks is brought back from the brink of death, and he awakes, feigning memory loss, to cut the visible tension. Zechs heals Arguile and directs Arguile towards his brother and mother. The family reunites and comforts each other through their grief, then reconvenes with the party before heading back into the city. The party looks over the area to see if there's anything worth grabbing before heading out and finds several things, including armor that they're unsure is cursed, so Turk holds off on putting it on until they can find something better suited for him. The party decides to head to their lodgings rather than Dorna's home, at least until they can be sure it's safe for them to return. As they return, per their usual routine, the drinks begin to pour, and some seem a bit more tense after the fight than others. After checking in on one another and trying to plan their next moves, the group decides to go out on the town to get some tattoos. Shanks, Turk, Glad, Galahad, Arguile, and even Dorna all join in getting tattoos and blowing off some steam. Later that night, Shanks, Turk, and Zechs all divulge what happened to them while they were out of commission, and they all had wild experiences with gods and patrons, which they are shocked by; this is fairly normal for them. There's a bit of inventory sorting and such before heading out to negotiate for Galahad's belt. With some trades, gold, and bartering, he's able to acquire the Belt of Fire Giant Strength. There are plans to pick up their special gear, Glad's boon via airship, and a trip to the Ren Faire for some much-needed revelry after a long few weeks. There's so much happening, and that's where we pick up…Find out what happens next in this episode of the Medusa's Cascade: Collateral Damage! Theme Music is written and performed by EfflorescenceMixed by Thomas Lapierre IIITitle Card by Pierce Graphics Check out the show at themedusascascade.com Hosted on Acast. See acast.com/privacy for more information.

Dale's dipping his toe into the world of sports trading cards… and Amy's already bracing for a full-blown obsession. The Drink of the Week doesn't win Dale over (unless it's extra dirty), and a new slang term making the rounds in their friend group sparks some unexpected self-reflection, and maybe calls a few people out.They also address the 2027 Daytona 500 rumors and recap their Disney Cruise, complete with a Haunted Mansion bar and a Medusa moment that got a little too real, and a few teenage decisions involving skipped school and questionable judgment that absolutely would not hold up today.In #AskAmy, they debate the ideal number of nights in Key West, the go-to hangover breakfast, pets their kids will never be allowed to have, and take a trip down memory lane to Dale's MTV Cribs house. And for more content, check out our YouTube page: https://www.youtube.com/@BlessYourHardtReal fans wear Dirty Mo. Hit the link and join the crew.

Greek mythology has a way of cycling back. Every generation seems to take a turn with these stories, reshaping them to fit the tools and tastes of the moment. With a new version of The Odyssey directed by Christopher Nolan on the horizon, it feels like a good time to revisit a few earlier attempts. Not the definitive versions. Just four films that each capture a different moment in how the myths were staged.Jason and the ArgonautsDirected by Don Chaffey and brought to life by the stop motion work of Ray Harryhausen, this remains the standard for mythological adventure on film.The skeleton fight is still the showcase. Harryhausen animated seven sword fighting skeletons by hand, frame by frame, matching choreography that had already been filmed with live actors. It took months to complete just a few minutes of screen time. The patience shows. The movement has weight and timing that still feels precise.There is also Talos, the bronze giant, who creaks to life in a way that feels mechanical and ancient at the same time. No digital polish. Just careful craft. The film was not a major hit in 1963, but it built its reputation through television airings and revival screenings. Filmmakers like Steven Spielberg and Peter Jackson have pointed to it as an influence.Clash of the TitansNearly twenty years later, Harryhausen returned for what would be his final feature. Released in 1981, the same summer as Raiders of the Lost Ark, it feels like a bridge between eras.Medusa is the standout. Instead of legs she has a serpentine body, and the sequence plays almost like a horror film, full of shadow and flickering light. Harryhausen again handled the creature effects himself, at a time when optical and early digital techniques were starting to change the industry.The cast gives the film a formal tone. Laurence Olivier plays Zeus and Maggie Smith appears as Thetis. There is also Bubo, the small mechanical owl added after the success of Star Wars. Even at the time some viewers were unsure about that addition. It says a lot about where fantasy films were headed in the early 1980s.HerculesDirected by Luigi Cozzi and starring Lou Ferrigno, this version of Hercules leans into spectacle in a way that is sometimes baffling and sometimes charming.Ferrigno had already been known for playing the Hulk on television, so casting him as Hercules made sense on a physical level. The film itself mixes Greek myth with science fiction imagery, including cosmic visuals and creatures that feel closer to Italian fantasy cinema than to Homer.It was part of a cycle of sword and sandal films in the early 1980s, many of them international co productions designed for global markets. The effects are uneven, but there is sincerity here. It commits to its vision without irony.The OdysseyDirected by Andrei Konchalovsky and starring Armand Assante, this two part television adaptation aired in 1997 as an event production.The format allows it to cover more of the journey than most feature films attempt. The Cyclops sequence and the Sirens episode stand out, helped by visual effects that were ambitious for network television at the time. The production won an Emmy for visual effects and reflects a brief period when large scale myth adaptations were being mounted for prime time audiences.Watching it now, you can see both its limits and its effort. It wants to treat the source material seriously, without reducing it to spectacle alone.Taken together, these films show how the same source material can shift with the era. Stop motion craft in the 1960s. Transitional fantasy in the early 1980s. International genre filmmaking. Large scale television in the 1990s.When Nolan releases his Odyssey, it will enter a long line of attempts to translate these myths into something contemporary. Revisiting these earlier versions is a way to see how each generation solved the same problem with different tools.They are worth tracking down. Not because they are perfect, but because each one reflects a moment when someone decided these ancient stories were still worth staging carefully.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Le point sur la découverte du plus long serpent sauvage du monde. An update on the discovery of the world's longest wild snake.Il s'agit d'un python réticulé femelle qui vient de battre un record incroyable en Indonésie, celui du plus long serpent jamais mesuré dans la nature. It is a female reticulated python that has just broken an incredible record in Indonesia, that of the longest snake ever measured in the wild.Et vous allez voir cette découverte dépasse de loin les simples chiffres. And as you will see, this discovery goes far beyond mere numbers.Ce serpent c'est une femelle, baptisée Ibu Barone, trouvée sur l'île de Sulawesi. This snake is a female, named Ibu Barone, found on the island of Sulawesi.Sa taille, et bien le Guinness World Records vient de l'officialiser. Her size, well, the Guinness World Records has just made it official.7 mètres 22 pour 96 kilos, c'est juste énorme. 7.22 meters for 96 kilos, it's just enormous.Et le plus fou, c'est que la mesure a été faite sans anesthésie pour ne pas mettre l'animal en danger. And the craziest part is that the measurement was taken without anesthesia so as not to put the animal in danger.Attention on parle d'un spécimen sauvage, le record précédent il datait quand même de 1999. Keep in mind we're talking about a wild specimen; the previous record actually dated back to 1999.Pour vous donner une idée, le record absolu c'est Medusa, un python en captivité aux États-Unis, mais dans la nature, la nouvelle reine c'est Ibu Barone. To give you an idea, the absolute record is Medusa, a python in captivity in the United States, but in the wild, the new queen is Ibu Barone.Enfin et c'est peut-être le plus important, l'enjeu de la conservation. Finally, and perhaps most importantly, the issue of conservation.Là-bas, les grands pythons comme elle sont souvent tués. Over there, large pythons like her are often killed.Pourquoi ? Parce qu'ils s'approchent des habitations, menaçant le bétail, et ce conflit s'aggrave avec la réduction de leur habitat. Why? Because they approach homes, threatening livestock, and this conflict is worsening with the reduction of their habitat.Ce record met donc un coup de projecteur sur un vrai défi : comment mieux protéger ces géants ? This record thus puts the spotlight on a real challenge: how to better protect these giants? Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Family Matters Ch. 18Locking eyes with Shanks, the necromancer speaks a single word and casts Power Word Kill. Shanks falls dead, and the battlefield goes silent. But only for a moment, and as the battle rages on to its imminent conclusion, Shanks finds himself in the Veil. He is met there by his ancestral God, The Hunter. The two converse on his journey through life and his progress toward balance. Their conversation ended with the awakening of Mind's Eye to its full potential. Meanwhile, the party pushes their enemies toward defeat when the necromancer casts Cone of Cold, dropping Turk unconscious.As he falls, time slows to a stop, and he meets his much-maligned patron, Kas the Bloody-handed. The Vampire questions Turks' resolve and motivations for his pact, ultimately relieving the halfling of his powers after he refuses to do the betrayer's bidding. Turk isn't the only one pushed to the edge by the Cone of Cold. Zechs soon falls unconscious after a strike from the barbarian. The Tabaxi awakes in a vision of the spirit world of his people, the Goddess of the realm at his side. Tumra, the Snow Leopard, helps the Ranger unburden himself through thoughtful conversation and quiet contemplation. As the battle comes to a dramatic close, with Salix performing the revivify spell on Shanks' lifeless body, the archer's time in the Veil draws to a close. He meets the Matron of Ravens, who informs him that his time in the land of the living is not at an end. She, like the party, is opposed to the Constable's plans and wishes for him to take her blessing back to stop the needless loss of life, once and for all. Shanks accepts this gift as everything fades to black.There's so much happening, and that's where we pick up…Find out what happens next in this episode of the Medusa's Cascade: Collateral Damage!Theme Music is written and performed by EfflorescenceMixed by Thomas Lapierre IIITitle Card by Pierce Graphics Check out the show at themedusascascade.com Hosted on Acast. See acast.com/privacy for more information.

No nació monstruo. La hicieron monstruo. Esta es la historia completa de Medusa, la rivalidad entre Atenea y Poseidón, y la misión de Perseo. Una tragedia marcada por la traición, el ego de los dioses y una injusticia que pocos cuentan. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Astrologer Jason Holley joins me again on the podcast today to delve into the 11th house - the house of groups, the polis, mass media, theatre, the audience, 'the people'.It's a rich and far-reaching conversation that, we both felt, got right to the heart of this complex and often misunderstood house that takes us into the entangled world of collective consciousness. Along the way we speak on:• diurnal motion as the lived logic of house meanings• the 11th as context maker for 10th house vocation• Jupiter's joy, morale, and shared vision• theater, polis, and mass media as 11th house arenas• fifth–eleventh polarity of eros and audience• Athena's birth as vision turning into action• Medusa's image as power carried into public life• hopes and dreams versus cynicism and dissociation• worldwork, conflict, and group process as remedies• all our relations beyond humans in the group fieldCover Artwork: James Gurney - Clashing RocksFurther readingHomer — The Iliad (Zeus, “the plan of Zeus”, collective order and fate)Homer — The Odyssey (Athena as Mentor; Telemachus and guidance/destiny)Ovid — Metamorphoses (mythic transformation as a living psychological process)Roberto Calasso — The Marriage of Cadmus and Harmony (brilliant modern retelling/interpretation of Greek myth)Arnold Mindell — Sitting in the Fire (worldwork, group fields, conflict as an intelligence)Jacob L. Moreno — Who Shall Survive? (psychodrama and group dynamics foundations)Join the Newsletter! Podcast Musician: Marlia CoeurPlease consider becoming a Patron to support the show!Go to OnTheSoulsTerms.com for more.

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: Kaytee's San Francisco bookstore adventure and Meredith's Wolf Hall slow read Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: Boss My TBR - helping two listeners prioritize their reading stacks Before We Go: our new segment featuring bookish friend posts and TBR triage Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). .  .  .  :10 Bite Size Intro 1:04 - Currently Reading on Youtube 2:39 - Bookish Moments of the Week 3:13 - City Lights Bookstore 5:00 - Wolf Hall by Hilary Mantel  5:35 - Footnotes and Tangents 07:53 - Current Reads 8:01 - History Lessons by Zoe B. Wallbrook (Kaytee) 11:18 - Sarah's Bookshelves Live 11:52 - Sphere by Michael Crichton (Meredith) 14:21 - Jurassic Park by Michael Crichton 15:58 - The Andromeda Strain by Michael Crichton 16:02 - Timeline by Michael Crichton 16:15 - Outlander by Diana Gabaldon 16:34 - Eager: The Surprising, Secret Life of Beavers and Why They Matter by Ben Goldfarb (Kaytee) 22:12 - The Sleeper Lies by Andrea Mara (Meredith, Blackwell's link) 24:01 - All Her Fault by Andrea Mara 26:11 - Someone in the Attic by Andrea Mara 26:12 - The Other Side of the Wall by Andrea Mara (Blackwell's link) 26:54 - The Dutch House by Ann Patchett (Kaytee) 28:25 - CR Season 2: Episode 22 when Kayytee first brought The Dutch House 29:20 - Commonwealth by Ann Patchett 31:48 - Tom Lake by Ann Patchett 33:30 - Snap by Belinda Bauer (Meredith) 37:30 - Boss My TBR 38:11 - Gretchen's Stack For Whom the Belle Tolls by Jaysea Lynn When the Stars Go Dark by Paula McLain Bride by Ali Hazelwood A Psalm for the Wild-Built by Becky Chambers A Prayer for the Crown-Shy by Becky Chambers Gilded by Marissa Meyer 39:29 - Field Day Books and Bottles 39:35 - Cannon Beach Book Company 43:09 - Lauren's Stack I, Medusa by Ayana Gray Meet the Newmans by Jennifer Niven Fear and Fury by Heather Ann Thompson Leviathan Wakes by James S.A. Corey Dungeon Crawler Carl by Matt Dinniman 44:26 - Fabled Bookshop 44:49 - Blood in the Water by Heather Ann Thompson 48:32 - Before We Go Meredith highlights bookish friend posts from the Facebook group 50:08 - Democracy Awakening by Heather Cox Richardson 50:13 - On Tyranny by Timothy Snyder 51:39 - Nothing Much Happens podcast 52:57 - Currently Reading Patreon 53:14 - Hench by Natalie Zina Walschots 53:39 - Timeline by Michael Crichton Kaytee's TBR Triage: Kaytee brings a book that has been on her TBR for a long time and decides whether to keep and read, or remove from her TBR. 54:28 - The Sinister Booksellers of Bath (Foyles link) 54:31 - Foyle's 54:56 - The Left-Handed Booksellers of London by Garth Nix (Foyles link) Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. February's list is a special romance curated list from Open Door Romance, The Novel Neighbor's Romance adjacent bookstore in Plainville, MA. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

The party splits briefly before reuniting to meet Yurik Strauss, where Arguile, revealed as Sylas Nicks, seeks information about his missing mother, Dorna. Yurik offers aid in exchange for the group helping find his son Enich, and after an intense sparring match with Galahad that ends in a double knockout, the party accepts him as capable enough to travel through the Underdark. They spend time in the Old Quarter striking trade deals, reunite Arguile with Dorna in an emotional reveal, and clarify that Yurik's Enich is not Arguile's alternate-self-turned-Skin-Flayer. After reviewing grim accounts of the siege of Ors Thurmar, the group sets off—only to become trapped in a looping forest around a strange cabin inhabited by a woman named Mal. Through investigation, teamwork, Bahamut's guidance, and deciphering a shift-cipher hidden in her books, they realize they are inside the Endless Maze and escape by pushing straight through.As they camp, a series of night watches deepens bonds within the group. The Turk and Yurik discuss family, Arguile and Zechs address guilt and growth, and Galahad and Shanks confront their looming destinies. Glad severs ties with her former divine patron and embraces her ancestral power, while the party later gathers around the fire to share personal stories. More heartfelt conversations follow the next night as Arguile and Yurik open up, Zechs and The Turk trade histories, and Galahad, Glad, and Salix reflect on divine manipulation and the hard choices ahead.Descending into the Underdark, the party regroups with Shanks, scouts for purple worm tunnels, and prepares for the horrors of Ors Thurmar. They negotiate with intelligent fungi, offering enemy corpses in exchange for information, and tensions rise around the fiendish aura of Yurik's sentient sword. When giant spiders attack in tight quarters, the group prevails but grows increasingly wary of Yurik's behavior. Using telepathy, scouting, and quick thinking, they navigate Myconid territory, skirt a spore ritual that briefly knocks out The Turk, rest, and continue through glowing bioluminescent caverns toward the dangers still awaiting them.There's so much happening, and we pick up with arc 28, “Smash and Grab”. How will the rest of this story unfold? Find out next time on the Medusa's Cascade: Collateral Damage!Theme Music is written and performed by EfflorescenceMixed by Thomas Lapierre IIITitle Card by Pierce Graphics Check out the show at themedusascascade.com Hosted on Acast. See acast.com/privacy for more information.

On today's episode, I'm joined by Emily of @eccarterart, where we talk about spiritual awakening, grief, art as a portal, energetic sensitivity, and what happens when the life you were living can no longer hold who you are becoming.In this episode we explore:Spiritual awakening without the glitterEmily shares her experience of what is often called a “spiritual awakening” and how disorientating, overwhelming, and destabilising it can feel when it first arrives. We talk honestly about the fear of “going mad,” the need for frameworks, and the importance of support, therapy, and grounding alongside spiritual opening.Art as a bridge between worldsEmily speaks about her journey from art teacher, to burnout, to loss, to becoming a spirit painter. We explore how art can become a language for energies, emotions, ancestors, and archetypes that have no other place to land.Emily shares about painting with eyes closed, using colour intuitively, and allowing spirit to lead rather than the rational mind. Art as relationship, trust, and listening.Trust as a lived practiceA central theme of this episode is trust. Trusting intuition. Trusting the body. Trusting what is coming through, even when the logical mind resists.Emily shares how choosing trust led, improbably, to her first solo exhibition and how things began to move once she stopped trying to control the outcome.Energetic sensitivity and hygieneWe spend time talking about energetic sensitivity, particularly in teaching, caregiving, and creative work. Emily reflects on how overwhelming it was to carry other people's emotions in the classroom, and we explore the idea of energetic hygiene as essential, not indulgent.From visual “scraping” practices, to changing clothes, to salt baths and intention, we talk about simple ways of clearing what's not ours to carry.Where the body speaksWe explore how the body communicates information. We talk about where different energies are felt, how meaning shows up somatically, and how over time the body becomes a reliable language rather than something to override.Gods, goddesses, and archetypal alliesEmily shares her relationship with Medusa and Freya, and how these energies have been present throughout her life long before she had language for them.We talk about archetypes not as distant beings to worship correctly, but as energies that walk with us, protect us, challenge us, and help us reclaim parts of ourselves that were silenced or shamed.Nature, mud, and rejecting purity cultureOur conversation ventures into land, forests, the sea, dirt, mud, and the deep discomfort I have with purity culture.We talk about how connection not being about cleanliness or perfection, but touch, mess, play, and remembering that we are of the earth, not above it.From forests and fungi to caves, sound, and ancient art, we explore creativity as a fundamentally human act rather than something reserved for the talented or trained.Coming out without being rejectedEmily speaks candidly about the fear of being seen as “too much” or “too strange” once she began sharing her spiritual and artistic work, and the surprise of discovering that most people were not shocked at all, and how often the fear of being ourselves is far greater than the reality.This is an episode about honouring the slow, unglamorous work of becoming whole.-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --All of the Magick:The A Pinch of Magick App:IPhone - download on the App StoreAndroid - download pn the Google PlayOur (free) magickal Community: Facebook GroupMagickal JournalsExplore on Amazon Rebecca's Author PageWebsiteRebeccaAnuwen.comMagickalHabits.comInstagramFor Magick: Click hereFor a Sacred Pause in Nature: Click hereFor CharmCasting: Click hereFor Merlin, my Dog: Click here

By Natalia Theodoridou, from Issue #450 – Science-Fantasy Month 8 of Beneath Ceaseless Skies Online Magazine—she the ship recalls stories she never read of women and men in rivers weighed down their pockets full of stones—More info »

Wishing you a Happy Galentine's Day season, this episode is dedicated to a thorough look at the concept of feminist love with Esmée Streachailt and Jocelyn Crawley. First up, hear Thistle deliver the podcast greeting before the world news segment with Cat Bradfield featuring stories from the Gambia, Chile, Indonesia and the United States. Next, take a listen to the interview Jocelyn did with Ms. Esmée Streachailt of MedusaRising.org, a wonderful radical feminist organization that engages and inspires young women to join the movement. Esmée and Jocelyn explore patriarchal concepts of love in order to highlight the need for a radical feminist love that uproots and heals. Finally, take a deep dive into the concept of feminist love with Jocelyn's commentary she leaves us with after the interview. Stay tuned 'til the very end for Margaret's explanation of this month's cover art reprinted below. From WLRN's resident graphic designer, Margaret: "I started with the idea of light representing love. Light flowing out of our selves - connecting us. I found a photo of our sun I had captured which showed rays radiating out. I reused some silhouettes I had created for earlier editions, and arranged them to show women in a circle around the source of light, and love, holding hands. For the background I added a NASA image of stars that I altered with colors. Stars across the universe, like our sun, some with the potential for light and love. But it is our earth, and each other which constellates our reality. It is our sun which is the source of light that allows us to live, and to love. It is our selves which bring light and love to each other. Blessed be!"

How does storytelling build authority - and where's the line between authenticity and vulnerability? On this episode of Behind The Numbers With Dave Bookbinder, Dave Bookbinder is joined by Autumn Karen - filmmaker, journalist, ghostwriter, educator, and author of The Surrogate Author - for a deep dive into the power of narrative and the responsibility that comes with it. Autumn explains why “words are power,” how storytelling shapes credibility, and why leaders often misunderstand what it really means to be authentic. The conversation explores how personal and professional narratives are constructed, curated, and sometimes compromised in the pursuit of visibility and influence. Dave and Autumn unpack the craft and ethics of ghostwriting, including empathy-driven collaboration, capturing a client's voice through a method-acting approach, editorial decision-making, contracts, and what business owners should know before hiring a ghostwriter or committing to a book project. They also discuss the current and future role of AI in writing and creative work, mentorship and teaching lessons from the classroom, and why writing a book can bring clarity, confidence, and authority to leaders - when done the right way. Autumn shares insights from her deeply personal animated short Infinity Care, offering a candid look at balancing creative ambition with emotional labor, and explains what readers can expect from The Surrogate Author - a practical, textbook-style guide covering craft, business practices, and ethics for ghostwriters in the age of AI. Learn more about Autumn at autumnkaren.com, and connect with her on LinkedIn, Instagram, and TikTok (@autumnkaren). Subscribe to Behind The Numbers With Dave Bookbinder on your favorite podcast platform so you never miss an episode. If you enjoyed this conversation, please share it with your network and leave a review - it helps more business owners and advisors discover the show. About Our Guest: Autumn Karen is a filmmaker, journalist, ghostwriter, and educator who uses writing to elevate traditionally unheard stories. She's English faculty and QEP Co-Director at High Point University and founder of Woven Lines Publishing and Medusa's Gaze Films. Her comprehensive guide to ghostwriting, The Surrogate Author: The Craft, Business, and Ethics of Ghostwriting in the Age of AI, was published by Kendall Hunt in 2025. Autumn's award winning work as a journalist, author, and screenwriter centers on themes such as systematic oppression, grief, and complex societal relationships.   About the Host: Dave Bookbinder is known as an expert in business valuation and he is the person that business owners and entrepreneurs reach out to when they need to know what their most important assets are worth. Known as a collaborative adviser, Dave has served thousands of client companies of all sizes and industries.    Dave is the author of two #1 best-selling books about the impact of human capital (PEOPLE!) on the valuation of a business enterprise called The NEW ROI: Return On Individuals & The NEW ROI: Going Behind The Numbers.    He's on a mission to change the conversation about how the accounting world recognizes the value of people's contributions to a business enterprise, and to quantify what every CEO on the planet claims: “Our people are this company's most valuable asset.” Dave's book, A Valuation Toolbox for Business Owners and Their Advisors: Things Every Business Owner Should Know, was recognized as a top new release in Business and Valuation and is designed to provide practical insights and tools to help understand what really drives business value, how to prepare for an exit, and just make better decisions. He's also the host of the highly rated Behind The Numbers With Dave Bookbinder business podcast which is enjoyed in more than 100 countries.  

Castmates… After The Murder is BACK, and episode 7 of The Traitors US (Season 4) delivered chaos, couture, and cold-blooded gameplay.Welington is joined by a stellar panel — Jazmine from Channel Surf and Parish, host of Pardon Me With P — to break down the now-infamous banquet that kicked off the episode in full “black dinner” madness. From Lisa Rinna's founding-father-meets-sailor realness to Candiace's Medusa headpiece, we rank the best looks before diving straight into the mess.The faithfuls spiral over the antidote, accusations fly across the table, Natalie goes full fight-or-flight, and the cursed player reveal rocks the castle. Then the game flips again when a brand-new power enters play: the dagger, granting two votes at the roundtable — and Rob gets his hands on it.At breakfast, the turret fractures turn into a full-blown Traitors civil war. Rob refuses to protect Rinna, Rinna checks Colton, and Candiace makes it crystal clear she's not going down quietly. By the time we hit the roundtable, Yam Yam's dying words become a smoking gun, Rob goes way too aggressive, and Candiace delivers a shocking vote that officially launches the endgame.We close with predictions and strategy:

In this episode, Medusa: The Raft of Artistry and Tragedy, we dive into the powerful story behind Théodore Géricault's controversial masterpiece, The Raft of the Medusa. Does The Raft of the Medusa invoke beauty of these true events, or does it reveal a romanticized idealization of something truly tragic? Find out as we explore Théodore Géricault's controversial masterpiece on Exploring Art Podcast.

in this episode, we explore the life and work of Théodore Géricault and specifically delve into his painting "The Raft of Medusa." The painting, a beautiful romantic era oil painting, depicts the tragic events that occurred when more than 150 people were abandoned at sea during a French Naval mission. Only 15 survived and had to resort to cannibalism to do so. It became apparent to the public that these people were only put in this position because of poor leadership by an inexperienced government appointed Naval captain. Gericault painted "The Raft of Medusa" to comment on this and shock the public with his beautiful depiction of such a tragic event. This raises the question "Can Tradgedy Ever Be Beautiful?" Music Davy Ngafoua-Oliva

In this episode, we dive into Théodore Géricault's “The Raft of the Medusa”, a painting inspired by a real shipwreck and full of drama. We talk about the tragic story of the Méduse, the scandal it caused, and how Géricault turned human suffering into an unforgettable work of art. We explore the painting's composition, the emotions it evokes, and how it balances horror with beauty. Our discussion also looks at the tricky question of whether it's okay to make tragedy “beautiful.” Tune in for a conversation about Romanticism, the power of art, and why this painting still fascinates people today.

This was a fun mid-week crossword, built with HI (Human Intelligence), with just a skosh of (non-AI) assistance from Excel. (See the xwordinfo.com entry for the gory details). The theme was, well, punny, and the surrounding clues intriguing. We liked 1D, It goes down in flames, ASH; a reference to a lady desperately in need of Aveda, 5D, Monster whose gaze remained lethal after her death, MEDUSA; and our favorite artist, 47D, Painter Matisse, HENRI. Mais oui!Show note imagery: Your typical Wisconsin ICEHUTWe love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

ARRIVE — A Free 3-Day ReWilding Event → Sign up here   We just opened the doors to the 11th ReWilding Challenge — and this one is truly different. The 2026 FREE ReWilding Challenge begins February 17, on the Fire Horse Solar Eclipse — a rare, destiny-level moment. This is a 3-day, LIVE, free, global journey, open to all, where we gather to arrive fully in ourselves before the next wave of creation begins. Come as you are. No prior experience needed. Just a willingness to show up. This week's astrology (Jan 26–Feb 1) delivers a powerful energetic shift as Neptune enters Aries, the Aquarius stellium peaks, and the Leo Full Moon opens the first doorway into eclipse season. We break down the head–heart alignment, the spiritual-warrior activation, and the soul-level upgrades unfolding right now. Get the insights you need to navigate this threshold with clarity, embodiment, and fierce inner truth. Episode Highlights • Neptune enters Aries, initiating a 15-year spiritual-warrior cycle that changes how we dream, create, and lead. • Mars conjunct Pluto ignites a deep masculine evolution and clears old shadow patterns. • Sun meets Vesta, Medusa & Shiva, activating higher consciousness and temple-level initiation codes. • Leo Full Moon amplifies heart-warrior energy and helps you release outdated ways of being seen. • Eclipse portal opens, accelerating destiny, karmic skip-steps, and your 2026 soul trajectory. Free Resources & Next-Step Journeys  ARRIVE — The Free 3-Day ReWilding Challenge A rare, live global immersion held inside the Fire Horse Solar Eclipse and Zero-Degree Aries creation window — a moment that doesn't repeat. 3 days. Live. Free. Global. Open to all.. → Sign up here   The Path of the Priest/ess In-Person Retreat This is our only in-person Priestess Training offered this year — a 5-day advanced retreat in Ibiza, Spain (22–26 April 2026), limited to 24 participants and available by application only. Early Bird Pricing available through March 1st, 2026. → Details & application here Listen to “Jan 26 Astrology Leo Full Moon“ podcast here… Topics Explored in “Jan 26 Astrology Leo Full Moon” podcast: (Times based off audio version) (0:00) – Jan 26–Feb 1 Astrology: Reprieve Week, Full Aquarius Stellium & Head–Heart Alignment (5:03) – Jan 26: Neptune Into Aries – 15-Year Spiritual Warrior Cycle, Pioneering Energy & One Foot in the New (15:13) – Jan 27: Mars–Pluto Conjunction – Shadow Triggers, Power Resets & Masculine Evolution (19:49) – Moon–Uranus Shockwaves – Radical Emotional Breakthroughs & Nervous System Flashes (21:04) – Jan 28: Sun in Temple Space – Vesta, Medusa & Shiva Initiate Conscious Self Into Higher Frequencies (23:29) – Jan 29: Venus–Mercury Conjunction – Heart–Mind Union, Higher Truth & Neptune's Mystical Half-Square (26:25) – ARRIVE Free 3-Day Challenge: Solar Eclipse & Zero-Degree Aries Creation Point (31:31) – Jan 30: Moon–Jupiter in Cancer Opp Hekate – Witch Day, & Body-Held Wisdom (35:54) – Jan 31: Sun Conjunct Shiva – Higher Masculine Codes, Void States & Spiritual Warrior (37:35) – Feb 1: Full Moon in Leo – Heart Warrior Rising, Authentic Shine & Aquarius Stellium Activation (44:43) – Closing Transmission – Gratitude, Co-Creation & Walking the Path Through Chaos TogetherYou can leave a comment or question for Sabrina on the YouTube version of this episode. Listen to after “Jan 26 Astrology Leo Full Moon”: January 19–25 Astrology: Death–Rebirth Gateway Rick Levine on Saturn–Neptune at 0° Aries: Reality Rewritten (2025–2026) Richard Rudd & the 2026–27 Great Shift | Gene Keys, Dragonfly Codes & the Awakening of Humanity This Year is Different – Jan 1st Astrology 2025's Final Portal | Dec 22–31 Astrology  Snake to Horse Portal Episode Watch Part 1 — “Are You in the First Wave?”  STAY CONNECTED ReWilding Weekly (free, embodied astrology)  IG  Website  Disclaimer: Educational/spiritual perspectives; not medical/mental-health advice. #2025Shift #NewHuman #SpiritualAwakening Welcome to ReWilding with Sabrina Lynn & ReWilding for Women! A gifted facilitator of revolutionary inner work and the world's leading archetypal embodiment expert, Sabrina Lynn is the creator of the groundbreaking ReWilding Way and founder of ReWilding For Women. Sabrina has led more than 100,000 people through programs based on the ReWilding Way, a modality of healing and awakening that strips away the false, the deep wounds from early life, and the fears that hold people back, to reveal their true and unique soul light and help them build their innate capacity to shine it in the world. Her work includes in-person retreats and events, the monthly ReWilding Membership, Living Close to the Bone, Priest/ess Trainings, Mystery Schools, the ReWilding with the Archetypes, and the wildly popular 6 Faces of the Feminine workshop series. Welcome to ReWilding! The post 361 – Jan 26–Feb 1 Astrology | Major Shifts: Neptune in Aries, Leo Full Moon & Eclipse Portal appeared first on Rewilding for Women.

When a dying Sun-like star exhales its final breath, it’s a doozy. The star blows its outer layers of gas into space. That surrounds the star’s dying core with a colorful bubble. The bubble can last for tens of thousands of years before it fades away. One of those bubbles is on the edge of Gemini, which is well up in the east at nightfall. Known as the Medusa Nebula, the bubble is about 1500 light-years away, and it spans more than four light-years. It’s named for one of the Gorgons of Greek mythology. That’s because some of its tendrils of gas have reminded skywatchers of the snakes on Medusa’s head. Those tendrils have been expanding into space for thousands of years. They began their journey when their star could no longer produce nuclear reactions in its core. Gravity squeezed the dying core tighter, making it smaller and hotter. The radiation of the hotter core pushed away the layers of gas around the core. Today, they’re moving outward at more than 30 miles per second. Ultraviolet light from the core “energizes” the gas in the nebula, making it glow like a fluorescent bulb. Different elements glow in different colors. That tells astronomers about the original star, and about the process of its demise. The fate of the Medusa Nebula is shared by all Sun-like stars. So billions of years from now, the Sun will create its own nebula – a colorful bubble blown with its dying breath. Script by Damond Benningfield

Coming to you from the studio at TechTown after a long weekend, today's show is all about what's happening in Detroit's food and drink world — the good, the bad, and the "wait, that closed already?" I'm joined by our engineer of both audio and alcohol, Randy Walker, to dig into some big changes at longtime favorites, why some promising spots didn't make it, and where you should actually spend your money right now. We'll talk rum bars, laptop bans at coffee shops, the future of the Ren Cen, and Randy's first impressions of Medusa in Midtown. The topics: Hygrade Deli in Southwest Detroit is in receivership after loan defaults and building issues, putting the longtime corned beef spot's future in doubt.​ We unpack why some well-regarded restaurants like Carajillo in Ferndale close within a year, from price perception to competition and capital.​ Randy talks about how Port in Ferndale shifted from laid-back rum haven to trendier, simpler drinks and how that changed the vibe.... plus where serious rum fans should go now, from Tocororo to Mutiny, and tease a future Daily Detroit happy hour.​ A new Pizza Cat on East Jefferson shows promise for downtown lunches even as the surrounding Jefferson/Ren Cen area struggles.​ We preview Burns Night with Acroyd Scottish Bakery at Urbanrest, complete with haggis, neeps and tatties, bagpipers, and the "stabbing of the haggis."​ Are you for or against laptops at coffeeshops? Roost Detroit's no-laptop policy sparks a bigger conversation about coffee shop etiquette, remote work, and who these spaces are really for.​ We had a "last lunch" at the Ren Cen Burger King and reflect on the eerie, post-pandemic decline of the complex, and how demolishing two Ren Cen towers and opening the site to the riverfront could match reality better than nostalgia.​ And finally, Randy gives a first-look review of Medusa in Midtown, from standout lamb and cocktails to price point, vibe, and whether it's worth a special night out.​ Feedback as always - dailydetroit -at- gmail -dot- com or leave a voicemail 313-789-3211. Follow Daily Detroit on Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942 Or sign up for our newsletter: https://www.dailydetroit.com/newsletter/  

This January 19–25 Astrology Forecast covers one of the important future-forward shifts taking place in 2026. Every personal planet moves from Capricorn into Aquarius, activating rapid change and new-earth consciousness. Venus, the Sun, Mercury, and Mars all pass through Sedna's death–rebirth gateway. They then meet Pluto in Aquarius, exposing shadow patterns, old power sources, and the places we're being asked to evolve. This week brings clarity, acceleration, and a strong push to choose your 2026 state of being—joy, harmony, aliveness—while releasing the old. If you're feeling the intensity or sensing “it's go time,” this episode offers grounded guidance and support. In this episode, we explore: All planets enter Aquarius, accelerating the shift from old Earth to new Earth. Sedna triggers a potent death–rebirth to release old identities. Pluto in Aquarius exposes shadow power dynamics and what must transform. You're invited to choose your 2026 state of being—joy, harmony, aliveness. Sun–Mercury cazimi delivers clarity, insight, and future vision. Free Resources & Next-Step Journeys The Path of the Priest/ess In-Person Retreat Enter a private retreat space with Sabrina, steeped in the energy of the Goddess, and feel deeply held and supported as you journey the Path of the Priestess.This is our only in-person Priestess Training offered this year — a 5-day advanced retreat in Ibiza, Spain (22–26 April, 2026), limited to 24 participants and available by application only. Early Bird Pricing available through March 1st, 2026. → Details & application here Free 2026 Astrology Deep Dive – grounded, embodied insight into the archetypal forces shaping 2026 — and how those forces are meant to live through your body, relationships, and choices. → Access it for free, here   Free ReWilding Weekly — Embodied Astrology in Your Inbox  → Delivered once a week to keep you updated on the latest astrology. → Click here to sign up! Listen to “January 19–25 Astrology: Death–Rebirth Gateway • Aquarius Stellium“ podcast here… Topics Explored in “January 19–25 Astrology: Death–Rebirth Gateway • Aquarius Stellium” podcast: (Times based off audio version) (0:00) – Jan 19–25 Astrology: All Planets in Aquarius, Sedna Death–Rebirth & Pluto Power Shift (3:40) – State of Being vs Goals: Choosing Joy, Harmony & Your Core Frequency (5:27) – Death-Rebirth Initiation: Sedna, Osiris, Dhumavati & Clarifying Your True 2026 Path (10:59) – Free 3-Day Fire Horse Solar Eclipse Challenge (12:22) – Planting 2026 Seeds: Clarity, Joy, Harmony & Surrender (17:49) – Priestess / Lightworker Training in Ibiza: Channeling Grace in New Energies (20:32) – Jan 19: New Consciousness, Sedna Rebirth & Unplugging from Old Power Structures (26:33) – Venus–Pluto Power Purge & Mars–Uranus Activation: Feminine Shadow + Old-to-New Shift (30:26) – Mercury Into Aquarius: Fast-Thinking Upgrade & Full Aquarius Stellium Activation (33:15) – Jan 21: Sun–Mercury Cazimi, Venus with Vesta & Medusa in Temple Space (36:24) – Jan 22: Mercury Conjunct Pluto – Shadow, Power & Mental Rewiring (37:53) – Jan 23: Sun Conjunct Pluto, Black Moon & Mars into Aquarius – Old Masculine Fuel Runs Out (46:04) – Jan 24 & 25: Vesta Focus, Medusa Codes & Moon Squaring the Aquarius Cluster (49:56) – Closing Transmission: Co-Creating 2026, Holding the Love Line & Walking Through ChaosYou can leave a comment or question for Sabrina on the YouTube version of this episode. Listen to after “January 19–25 Astrology: Death–Rebirth Gateway • Aquarius Stellium”: Capricorn New Moon 28°, Stellium Power Week & Your 2026 Destiny Path This Year is Different – Jan 1st Astrology 2025's Final Portal | Dec 22–31 Astrology  Snake to Horse Portal Episode Watch Part 1 — “Are You in the First Wave?”  STAY CONNECTED ReWilding Weekly (free, embodied astrology)  IG  Website  Disclaimer: Educational/spiritual perspectives; not medical/mental-health advice. #2025Shift #NewHuman #SpiritualAwakening Welcome to ReWilding with Sabrina Lynn & ReWilding for Women! A gifted facilitator of revolutionary inner work and the world's leading archetypal embodiment expert, Sabrina Lynn is the creator of the groundbreaking ReWilding Way and founder of ReWilding For Women. Sabrina has led more than 100,000 people through programs based on the ReWilding Way, a modality of healing and awakening that strips away the false, the deep wounds from early life, and the fears that hold people back, to reveal their true and unique soul light and help them build their innate capacity to shine it in the world. Her work includes in-person retreats and events, the monthly ReWilding Membership, Living Close to the Bone, Priest/ess Trainings, Mystery Schools, the ReWilding with the Archetypes, and the wildly popular 6 Faces of the Feminine workshop series. Welcome to ReWilding! The post 360 – January 19–25 Astrology: Death–Rebirth Gateway • Aquarius Stellium • Power Structures Collapse appeared first on Rewilding for Women.

She helped Jason win the Golden Fleece, betrayed her own family, and became one of the most feared figures in Greek myth. Medea's name has echoed through the ancient world for over two millennia, a byword for passion and revenge but was she really a villain?In this episode of The Ancients, Tristan Hughes is joined by acclaimed classicist and bestselling author Natalie Haynes to unravel the full story of Medea. From her origins in distant Colchis on the edge of the Greek imagination to her unforgettable portrayal in Euripides' tragedy, they explore how the ancient Greeks understood Medea, why her vengeance shocked audiences, and whether she was ever truly the villain of her own story?MOREJason and the ArgonautsListen on AppleListen on SpotifyMedusaListen on AppleListen on SpotifyWatch this episode on our NEW YouTube channel: @TheAncientsPodcastPresented by Tristan Hughes. Audio editor is Aidan Lonergan. The producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit to watch Natalie Haynes new two-part documentary Divine Fury - Demeter and Persephone. Natalie unravels the story of Persephone's abduction and Demeter's fierce response. Filmed across Athens, Eleusis and beyond, the film traces how the myth was transformed into the Eleusinian mysteries, one of the most profound and secretive experiences of the ancient world.Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

To kick off the new year, besties Stacy and Daynah revisit Clash of the Titans — not as nostalgia, but as a cultural artifact. From Medusa's distorted origin story to the unchecked entitlement of male heroes, we unpack how victim-blaming, punishment, and “boys will be boys” logic are baked into Greek mythology. What starts as a fun rewatch quickly becomes a reckoning with who gets punished, who gets excused, and why these stories still shape how we understand power today. If you've ever loved a movie and later realized it aged… poorly, this one's for you. 00:00 | Welcome & framing the rewatch 06:00 | Nostalgia vs. reality 12:00 | Medusa and victim-blaming myths 19:00 | Perseus, privilege, and hero entitlement 26:00 | Monstrosity, beauty, and punishment 33:00 | 1980s ratings, nudity, and blind spots 38:00 | Greek mythology as soap opera 42:00 | Why revisiting old stories matters Find Stacy: ⁠⁠⁠⁠⁠⁠⁠realeverything.com⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠instagram.com/realstacytoth⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠missionmakersart.com⁠⁠⁠ ⁠⁠⁠missionalchemists.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices