Podcast appearances and mentions of suzanne lacy

Gewalt gegen Frauen ist weit verbreitet. Nun widmet sich eine Ausstellung der amerikanischen Künstlerin Suzanne Lacy, einer Pionierin der feministischen und aktivistischen Performancekunst, dem Thema. Dabei lässt sie nicht Frauen sprechen - sondern Männer.

We speak with Tim Ridlen about his new book, Intelligent Action: A History of Artistic Research, Aesthetic Experience, and Artists in Academia (Rutgers University Press, 2024). Ridlen holds a PhD in Art History from the University of California, San Diego and is currently Associate Teaching Professor in the Department of Film, Animation, and New Media at the University of Tampa. In Intelligent Action, Ridlen challenges dominant readings of mid-20th Century art preoccupied with critiques of the commodity form by shifting critical focus from the familiar scenes & spaces of the gallery & museum to the contested scenes of US higher education. Through archival research and analysis of artworks by Gyorgy Kepes, Allan Kaprow, Mel Bochner, and Suzanne Lacy, among others, Intelligent Action examines how these artists brought alternatives to dominant conceptions of research and knowledge production. The book is organized around specific institutional formations—artistic research centers, proposals, exhibitions on college campuses, and the establishment of new schools or pedagogic programs. Formal and social analysis demonstrate how artists responded to ideas of research, knowledge production, information, and pedagogy. Works discussed were produced between 1958 and 1975, a moment when boundaries between media were breaking down in response to technological, cultural, and generational change. In the context of academia, these artistic practices have taken up the look, feel, or language of various research and teaching practices. In some cases, artists bent to the demands of the cold war research university, while in others, artists developed new modes of practice and pedagogy. Reading these works through their institutional histories, Ridlen shows how artistic research practices and artistic subjectivity developed in the long 1960s within and alongside academia, transforming the role of artists in the process.During our discussion, we consider the significance of Ridlen's theorization of "intelligent action," a phrase borrowed from John Dewey, for a democratic politics centered around public money, educational provisioning, and aesthetic experimentation. Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula: www.nahneenkula.com

Can artists shield themselves from the demands of politics and polarized discourse or—in places and periods where activism puts their life and liberty at risk—from bodily danger? Does all their work, in a moment of crisis, have to address that crisis? And how can they know when that moment has come? Two women artists—social-practice artist Suzanne Lacy and photographer Catherine Opie—discuss the role they see themselves, their work, and their peers playing in sustaining, enhancing, or even strengthening democracy when it feels like everything is going up in flames. Moderated by Karen Mack, Founder and Executive Director of LA Commons. This program was co-presented with the Thomas Mann House and Los Angeles Review of Books as part of “Arts in Times of Crises: The Role of Artists in Weakened Democracies,” on November 18, 2023. Follow Zócalo: X: twitter.com/thepublicsquare Instagram: www.instagram.com/thepublicsquare/ Facebook: www.facebook.com/ LinkedIn: www.linkedin.com/company/z-calo-public-square

What does art make happen, and what can art make happen? Artists have adapted a variety of forms to encourage equity and advancement, creating art that serves as a forum for shared experience and growth as they spur new dynamics between creator and audience.This episode explores what feminist social practice has meant for Suzanne Lacy, particularly in her early performance work, and for Juana Alicia in her murals and paintings. Show Notes and Transcript available at www.aaa.si.edu/articulated

Episode No. 554 features artists Andrea Bowers and Suzanne Lacy.  The Hammer Museum, Los Angeles is presenting a retrospective of Bowers' work. The exhibition reveals how Bowers has combined her artistic practice with activism. Both focus on structural inequities, elevating and celebrating the work of activists trying to create a more just nation and world, and tying present day struggles to historical movements such as the global labor movement. The show features about 60 works reflecting Bowers's use of many media, including drawing, installation, video and sculpture. "Andrea Bowers" was curated by Connie Butler and Michael Darling. After debuting at the MCA Chicago, it's on view at the Hammer through September 4. The excellent exhibition catalogue was published by DelMonico Books in association with the two museums. Indiebound and Amazon offer it for $40-60.  On the second segment, our 2019 conversation with Bowers' sometime-collaborator, Suzanne Lacy. The program was recorded when the San Francisco Museum of Modern Art and the Yerba Buena Center for the Arts jointly presented the retrospective “Suzanne Lacy: We are Here.” The exhibition explores Lacy's roots in early conceptualism and her emergence as a pioneer of what has become known as social practice, the use of community organizing and media-focused strategies to prompt events and discussions. The exhibitions are on view in San Francisco through August 4. Suzanne Lacy is best known for her ambitious Three Weeks in May (1977), a project that exposed the extent of reported rapes in Los Angeles. It was the first of Lacy's large-scale works that addressed violence against women and that revealed Lacy's strategies for melding art and organizing practices. Links and images to artworks Lacy discusses are at Episode No. 393.

Please visit the websites for Whitworth Art Gallery, Manchester Art Gallery, Decentralizing Political Economies, and Arte Útil to learn more.2:00 Evolution Whitworth and Manchester Galleries' mission4:30 Use of art as a process for social change5:00 Manchester Art Gallery5:45 Whitworth Gallery6:50 Healthy mind, body and spirit agenda7:50 Platt Hall redevelopment12:00 Pub as art center in Cumbria14:00 Museum 3.016:30 Arte Útil and Cuban Artist Tania Bruguera 18:10 Whitworth's Office of Arte Útil20:00 Aplicación Legal's use of legal loopholes20:58 Núria Güell's Degenerate Art Protocol22:00 Núria Güell's project involving loophole that allowed occupation of Tower block in Spain after removing doors23:30 Decentralizing Political Economies research platform23:50 Joy Forever exhibition – based on Social Reformer John Ruskin's 1857 two-day lecture on economy as making the right conditions for living 24:55 Interplay between art and economy is fundamental to the way we develop society - how to see the world truthfully and then act ethically 25:25 Art defined as what's done with care and consideration 26:05 Economics the Blockbuster exhibition26:35 Reclaiming art as the operating system for our living conditions, as good housekeeping27:50 Decentralizing Political Economies platform28:30 NFT of William Blake's The Ancient of Days30:40 Proceeds of Blake NFT to be used for social programmes31:41 Story of NFT to be used in exhibition 33:15 U.S. Artist Suzanne Lacy's current show at The Whitworth34:05 SF MoMA's version of a Suzanne Lacy retrospective34:35 Lacy's What Kind of City? A Manual for Social Change36:10 Lacy's Oakland Projects to be used for a new project in Manchester to give youths agency37:55 Lacy's Uncertain Futures project to be used for better working rights for women over 50 years old 39:10 Capacity for change with individuals involved in and benefiting from these projects 42:30 These projects are elegant demonstrations of why art matters42:50 Art world individuals who have a vested interest in the status quo are sometimes the ones who criticize these types of projects43:20 Social justice at the center of these projects 43:50 The Whitworth and Manchester Galleries' design as social instruments 44:10 The beauty of ethics and equitable relationships 45:00 Use of museums' cultural powerTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2021]For more details about joining the monthly discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Hope to see you there!

American artist Suzanne Lacy has taken on urban social issues for 50 years. And she's recently shifted her focus to Manchester, with what's becoming her biggest presentation ever in the UK. Nathan Jones, Lecturer in Fine Art: Digital Media 00:35 #SuzanneLacy #Exhibitions #Art

On this episode of Showcase; Suzanne Lacy: What Kind of City? 00:02 Nathan Jones, Lecturer in Fine Art: Digital Media 00:35 'Flee' 09:20 Life and Work of Frida Kahlo 12:07 Shortcuts 15:09 Lubitsch's 'The Shop Around the Corner' 16:15 Benin Bronzes as Accessories 21:09 Kazuhisa Kusaba's Social Distancing Umbrellas 22:42 Hello Teddy! Exhibition 24:04 #SuzanneLacy #ErnstLubitsch #FridaKahlo

As her first major retrospective in the UK opens in Manchester, the distinguished American artist Suzanne Lacy discusses a career which has seen her standing at the junction of aesthetics and activism, filmmaker Camille Griffin on her Christmas comedy horror - Silent Night, and a postcard from Bishop Auckland as the town undergoes a philanthropic arts transformation. Presenter: Nick Ahad Studio Engineers: Phillip Halliwell and Jonathan Esp Production Co-ordinator: Lizzie Harris Producer: Ekene Akalawu Photo: Presenter Nick Ahad outside the Spanish Art Gallery in Bishop Auckland

Suzanne Lacy talks to us about the role of art in the pursuit of social justice, and how to navigate the lines between art, activism, design and space.

Tom Stoppard discusses the new production of his "dishevelled comedy" Travesties, Brexit and his desire to write a new play about the migrant crisis.The Girl on The Train, Paula Hawkins' thriller about a divorced alcoholic who becomes caught up in a missing person investigation, has sold 11 million copies worldwide and been turned into a film starring Emily Blunt. But has the transition onto the silver screen and the move from London to New York worked? Mark Eccleston reviews.We report from Shapes of Water, Sounds of Hope, a mass participatory performance artwork, led by the distinguished American artist Suzanne Lacy which took place in Pendle, Lancashire this weekend.As a new exhibition opens exploring the Feminist Avant-Garde of the 1970s, artist Lynn Hershman Leeson and historian Professor Hilary Robinson look back at those years and ask if there's still a need for feminist art today?And we remember the conductor and violinist Sir Neville Marriner, who has died aged 92. Presenter: Samira Ahmed Producer: Rachel Simpson.

Lauren Bon & The Metabolic Studio offer the Explorer’s Club to share meaningful journeys, encounters and projects in an intimate setting at the Metabolic Studio. Let’s tune in, connect and listen! Session 5 | February 18, 2016 Features Suzanne Lacy presenting Dialogues in an Ecuadorian Bull Ring. We hoped you enjoyed our latest Explorer’s Club Session. For more information, please visit metabolicstudio.org --- and Thank you!

Prostitution Notes (1974-2010) (19:00) from Suzanne Lacy on Vimeo.   St. Patty's recap Complete previous Monday story Mom update Sister update Situation update AM I drepressed? 110 in the Shade (2007) - Everything Beautiful Happens at Night MOCA

Chris Johnson studied photography with Ansel Adams, Imogen Cunningham and Wynn Bullock and has been the recipient of grants from the Rockefeller Foundation (w/Hank Willis Thomas); In 1994, he co-produced and directed “The Roof is on Fire” with Suzanne Lacy, which was broadcast on KRON. His fine art photography has been widely exhibited and published. Johnson is a full Professor of Photography at the California College of the Arts http://www.chrisjohnsonphotographer.com/Eric Doversberger is a manager and technology strategist on Google's People Analytics team, with deep specialization in interactive data visualization.Outside of Google, Eric is a technology advisor for social change organizations and co-creator (with Wendy Levy and Tomorrow Partners) of Sparkwise: an open source and online, social change impact reporting platform. Before joining Google in 2007, Eric was a NSF-funded researcher at the Mathematics Department of Brown University: www.ericdoversberger.com To participate visit: http://bit.ly/174fXVL An interview with acress/singer Tiffany Mann follows. She is "Blues Woman" in San Jose Rep's "One Night with Janis Joplin" (9/5-29). We close with an interview with artist/entrepreneur Martin Luther, with music of: Meklit Hadero "Walls," and Meklit & Quinn "Light"; Damu Sudii Ali's "Blessings" from UMOJA. Tracks from Question Bridge soundtrack: http://questionbridge.com/

This week: Artist, educator, and activist Suzanne Lacy. Suzanne Lacy (born 1945) is an internationally known artist, educator, writer, and former public servant. She describes her work, which includes "installations, video, and large-scale performances", as focusing on "social themes and urban issues.” She also served in the education cabinet of Jerry Brown, then mayor of Oakland, California, and went on to become an arts commissioner for the city

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Suzanne Lacy discusses her 1980s "Boycott Performance", a multi-layered project that used a series of potlucks and banquets in New Orleans to rally support for the Equal Rights Amendment.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Suzanne Lacy discusses her 1979 participatory performance International Dinner Party, where the artist engaged with women around the globe through some 200 dinners that took place over 24 hours across Africa, Asia, Europe, and North and South America.