Podcast appearances and mentions of trey anastasio phish

For more than four decades, the Vermont jam band Phish has cultivated an incredibly successful career, but more importantly, an incredibly successful relationship with their audience. Lead singer and guitarist Trey Anastasio joins Tom to discuss that relationship, the early days of the band, and why it's so important to be best friends with your bandmates.

On The Rampage w/ Don Lichterman asks why cops are walking into people's houses and killing the people that live there, and his dilemma with regard to seeing what music the week of and after Halloween...   Nat Cressman is playing with James casey the same weekend as Dead & Co at Hampton in Virginia and/or do we go to the Dead & Co on Halloween in NYC at the Garden or do we see Tiesto at the Premier Club in Atlantic City with Umphrey's McGee playing at the Fillmore in Philly, the Dead & Co playing Nassau on Long Island the same night (day one of Nassau) as when The Last Waltz opens its tour at the Capitol Theatre in Portchester, New York...(FYI, another antidote is that I have never been to the Cap Theatre yet)...   Kurdish, Rojava and how Trump unilaterally pulls out of Northern Syria making that decision urduran only to now wanting to impose sanctions while trying to mediate in between the Turk's and the Kurds...which is maddening circular logic at its worst....   Hunter Biden speaks out in an interview just posted on ABC News.   The debate tonight for the Democratic Party Primary features 20 Candidates, the most in Debate History!   My niece and nephew and I were singing The Final Harrah by Kasvot Vaxt and Phish at dinner and the big Phish announcement looks like its about an Oysterhead reunion (Trey Anastasio (Phish), Stewart Copeland (The Police) & Les Claypool (Primus))...The Top 10 sellers in the Vending Lot over the last week include popular brands like Hot Wheels, Pokemon, The Office and more...The Island Dancehall Party CD is featured at SSM while Han Drabur isd named the Sunset artist of the week and a new track listened to by Josiah 'Teddy' Kinlock who is at the International Cultural Festival in the Bahamas this week!   Animal Testing Weekly, Michigan's HB 5090, Echo, Double Trouble, "Stop Animal Testing', Freedom Fest   Live Jam 107, the world's first and only 'all live' radio formatted station is the best ever and a ton of Sunset Daily News at Sunset TV!

A never before heard interview with Trey Anastasio from 1993.Trey Anastasio transcript can be found here.I have a long, strange history with Phish. I’m an admirer—nobody dares do what Phish does routinely, which is to play a completely different show and challenge its audience—and a skeptic, because sometimes, they step on their dicks.In 1997, after the August 10 Phish concert at Deer Creek Music Center in Noblesville, Indiana, I wrote one of the most negative reviews I ever wrote about anyone. The oft-quoted line is this: “To be blunt (and paraphrase the title of a popular book), Phish could urinate in its fans' ears and tell them it's music. The fans, in turn, would be there with tape recorders to capture the moment.”There was not much Internet to speak of at the time, so the review made its way around the Phish world slowly. Angry letters trickled in for the next year or so.But to his everlasting credit—and one of the reasons I’ll always be a Phish fan—Trey Anastasio responded like this.[See link below]At the time of this interview, in 1993, I was strictly an admirer, and Trey and I had a great conversation. The band had put out “A Picture of Nectar,” its third studio album, the previous year, and was about to play in Indianapolis at the 2,400-seat Murat Theatre. But most of our talk was about jamming and taping and the phenomenon that Phish was about to become. In rereading the transcript after all these years, it’s funny to think that Phish was, at the time, being compared with the Spin Doctors, a band that bit the dust (commercially) not long after. With the benefit of hindsight, we now know that no one compares with Phish.Trey's response to Marc Allan's reviewFor more info please visit our website.The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit Osiris. See acast.com/privacy for privacy and opt-out information.

This week's featured artist is Matt "Varnish" Taylor, the Grammy Award winning founder of Varnish Studio. We came to learn of Matt through his work with Brouwerij West, but his portfolio is rocking and vast including the likes of Trey Anastasio (Phish), Red Hot Chili Peppers (won his Grammy for Stadium Arcadium album art), The Bruery, Lost Abbey, Coda Brewing, World of Warcraft, Paris Hilton, Roadhouse Brewing, Flying Machine Brewing and honestly so much more including Tim Burton to name drop a few. Matt is a proud father whose story shows that through hard work and passion you can do great things. He is a natural story teller and some of them are great insights and behind the scenes that mix dedication, luck, life and passion to create a great story of a designer who loves his family and his job and is following his path to bring all of these things to life. His crazy wearing a ton of hats photo had me wondering what was to come of this episode but it's perfect for our 90th. Great insight for those who are starting out as well as those of you who are in the thick of it. Inspiration is all over this one. Have a great weekend. Enjoy this one and thank you all for being a part of this journey together. Look for the announcement soon on our 9th Season of artists and don't be a stranger.

Leon Bridges discusses the making of his highly-anticipated album Good Thing with Bill Murphy. Contributing writer Jesse Jarnow reviews Bob Weir & Phil Lesh's recent tour, where they "stripped-down" the Grateful Dead catalog with guests Trey Anastasio (Phish) and Larry Campbell (Bob Dylan). Phish's songwriter Tom Marshall, along with RJ Bee, explain their new venture, the Osiris Podcast Network. Hosted by producer Jesse Lauter. Music contributions by WOLF! and DRKWAV, courtesy of The Royal Potato Family. Theme music by Marco Benevento.

Ten down-on-their-luck Texans gather on a car lot to compete for a cherry red Nissan pickup. They must lay their gloved hands upon the truck and, except for scheduled breaks every six hours, never let go. The last person standing wins. That’s the premise behind Hands on a Hardbody, a 2012 musical now in its Bay Area premiere run at Napa’s Lucky Penny Community Arts Center. Based on a 1997 documentary that followed 24 contestants in an actual endurance competition, Pulitzer Prize-winning playwright Doug Wright trimmed the number of contestants to ten and Trey Anastasio (Phish) and Amanda Green composed a Tony-nominated score to tell their backstories. For those who don’t think there’s enough here for a full-length musical, Benny Perkins (Brian Watson) makes it clear to the audience that it’s a “Human Kind of Thing”, and then each contestant explains what they’d do “If I Had This Truck”. Benny’s won the contest before but since lost the truck and his wife. Ronald (Michael David Smith) thinks his all-Snickers diet is the ticket to victory (he’s mistaken.) J. D. (Barry Martin) sees the truck as a way to regain his virility. Greg (Ryan Hook) and Kelli (Kirstin Pieschke) meet cute and then make plans to drive away to Hollywood together. Janis (Lucinda Hitchcok Cone) is doing it for her kids. Jesus (Alex Gomez) could use some help putting himself through veterinary school. Chris (Michael Scott Wells) is a military vet who’s looking to make his son proud. Heather (Jenny Angell) may have the inside track, but Norma (Daniela Innocenti Beem) has God on her side. Benny is the ostensible lead, but it’s a true ensemble piece with each character, including the non-contestants involved (spouses, the car dealers, a radio DJ) having their moments. Credit to director Taylor Bartolucci for assembling a talented, diverse cast to explore the themes beneath the surface and to choreographer Staci Arriaga for figuring out how to make the cast move with one hand attached to a truck at all times (well, mostly.) By the way, the truck is on rollers and is frequently spun by the cast, so no one section of the audience spends the bulk of the show staring at the back end of a truck (or cast member.) Musical director Craig Burdette leads a four-piece band in the heavily country and western-influenced score whose musical highlight is the raucous gospel number “Joy of the Lord”. Basically, it’s A Chorus Line with a truck and at two and a half hours it runs a bit long, but by the end you’ll be giving a hand to this Hardbody. ‘Hands on a Hardbody' plays Thursdays through Sundays through June 17 at the Lucky Penny Community Arts Center in Napa. Thursday performances are at 7pm; Fridays and Saturdays are at 8pm; the Sunday matinee is at 2pm. For more information, go to www.luckypennynapa.com

Halloween Scene 2017

This week Mona has a conversation with her friend Stomp NYC cast member Jesse Armerding. Jesse talks about the importance of creativity in his own life and career. The conversation muses about who is “creative,” the importance of being in the present moment, our human capacity to wander and wonder, and the idea of art as a search for God.   Interview with Stomp NYC Cast Member Jesse Armerding (00:40) RELEVANT LINKS  Stomp - Jesse Armerding’s Bio, Tour Dates,   Primus (band)   Danny Elfman (composer)   Jeff Buckley - Wiki Page, Jeff Buckley Interview   Kevin Smith - Wiki Page, Kevin Smith on art (video), What Makes You A Filmmaker? (video)   Obama signs new K-12 education law that ends No Child Left Behind (article   Finding Your Element: How to Discover Your Talents and Passions and Transform Your Life by Ken Robinson (book)   You Made it Weird #152: Rob Bell (podcast episode, Pete Holmes interviewing Rob Bell)   Episode 26 | The Pete Holmes Experience (podcast episode, Rob Bell interviewing Pete Holmes)   Tom Waits (singer-songwriter, composer, and actor)   Modern Masters: Pablo Picasso (Documentary)   Billy Martin - Wiki Page, Wandering by Billy Martin (book)   Trey Anastasio (Phish guitarist) THANK YOU A special thank you to Jesse Armerding for joining us this week!   Thank you to Mike Golin for our intro and outro music.  Check out his band Soulwise. WE WANT TO HEAR FROM YOU Thank you for supporting the podcast!  Your ratings, reviews and feedback are not only encouraging to us personally, but they help others find the show.  If you appreciate the content we provide please rate, review and subscribe to the podcast on iTunes and Stitcher.   Join our conversations on faith and culture by interacting with us through the following links:   Read Us on our blog An Irenicon Email Us at podcast@irenicast.com Follow Us on Twitter and Google+ Like Us on Facebook Listen to Us on iTunes, Stitcher, SoundCloud and TuneIn Speak to Us on our Feedback Page Love Us

In this podcast I talk to Russ Lawton, who is best known for his work as a co-writer and drummer for the Trey Anastasio (Phish) band.  Russ Lawton grew up in the Boston area where he began drumming professionally,and studying with Gene Roma. Early in his career, Russ toured with the Afro-fusion band Zzebra, formed […] The post 102 – Jamming with purpose with Russ Lawton (Trey Anastasio Band) appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..

For the last few years, Char and Gordon Mayer of Mya-Moe Ukuleles have combined creating stunning ukuleles with an interesting business model. They hope, quite simply, to be the Collings or Benedetto of high-end, American-built ukes. In this week's podcast, we talk to the couple about how they got started making ukuleles, the incredible growth their company has seen in just a few years and just how they get ukes into the hands of some of the music world's biggest artists. In addition to being used by Pearl Jam's Eddie Vedder (who will be appearing on the cover of Fretboard Journal #24), Mya-Moes have been embraced by Dave Matthews, Florence & the Machine, Ben Harper and Trey Anastasio (Phish), to name a few. It's an interesting half-hour talk with one of the ukulele world's newest makers.