The Tapes Archive

You can watch the video version here. https://youtu.be/A6GTf6rOepQWe take a look at Black Sabbath's masterful third album Master of Reality. For more information including other credits, articles, and images, please go here. https://bit.ly/385aj2LIf you'd like to support the channel and get a cool Sweet Leaf sticker please go here. (Only $5) https://bit.ly/3OPTlWVTimestamps:00:00 - Start00:43 - Intro01:19 - Evil Woman and Paranoid02:29 - Changing Management03:07 - Jim Simpson is fired03:37 - Sabbath plays Top of the Pops04:22 - Was Sabbath a bubblegum band?05:13 - John Peel hates on Sabbath06:04 - Sabbath's Peel Sessions06:35 - John Peel talks about Sabbath07:05 - Sabbath's ban on singles07:41 - Sabbath and Satan08:54 - First attempt going to the US10:14 - Confusion with Black Widow11:31 - Sabbath using Satan for their benefit13:08 - Coming to America13:55 - The trial of Charles Manson14:35 - Arriving in the United States15:01 - Sabbath's first concert in the United States16:20 - Blowing the Small Faces off the stage16:43 - Playing the West Coast17:02 - Smoking Angel Dust with Joe Walsh17:55 - Was there a parade in Sabbath's honor?18:40 - Ending the year 197020:06 - First day in the studio20:42 - Spanish Sid21:14 - Weevil Women 7121:30 - Paranoid comes out in the United States21:52 - Myponga Festival22:13 - Denied entry to Japan22:44 - The Four Musketeers23:10 - Touring the United States for Paranoid23:50 - Playing Union Catholic High School25:53 - Returning to England26:31 - Ozzy and his first family28:10 - Master of Reality will be heavy29:05 - Tunning down30:17 - Why they called the album Master of Reality30:37 - Sweet Leaf33:51 - Ghost Titles34:28 - After Forever34:49 - Geezer Butler as a priest37:59 - Children of the Grave39:15 - Mars Bringer of War40:13 - The Haunting41:04 - Orchid42:07 - Lord of this World44:14 - Solitude45:52 - Tony Iommi in Jethro Tull47:35 - Into the Void49:09 - Soundgarden does their version of Into the Void51:35 - Various versions of Master of Reality53:25 - Master of Reality Radio promo54:02 - Black Sabbath's Golden Ticket55:01 - Reception of Master of Reality55:46 - Nobody but the public digs Sabbath57:00 - Outro57:36 - Credits See acast.com/privacy for privacy and opt-out information.

Go here to watch the video versionhttps://youtu.be/CH8c4TKrIOoSabotage is the sixth studio album by metal pioneers Black Sabbath, released in 1975. It was recorded in the midst of litigation with their former manager Patrick Meehan. The stress that resulted from the band's ongoing legal woes infiltrated the recording process, inspiring the album's title.This documentary looks at all the drama surrounding the band at the time and how shady managers took advantage of Sabbath's kind nature. The video also examines every song on the album and offers up unearthed facts some fans may have never known.– Intro– Writing and Recording Sabotage– The Tale of the Mangers– Why Sabbath needed to break away from their first manager– Don Arden's thugs– Jimmy Page gets Threatened– Don Arden making moves– The introduction to Patrick Meehan Jr.– Jim Simpson sues the band– Some Sabbath Success– Sabbath starts to crack– Tony Iommi collapses– A religious freak tries to stab Tony– Manipulation by Management– California Jam Festival– Quotes from Ozzy/Geezer/Tony on Meehan– The dark reality of their finances– The worst part– Does Sabbath even need a manager?– Don Arden comes back– The shadow cast from Patrick Meehan– Crap Compilations– Meehan robbing Sabbath– Sabbath is beginning to fracture– Crank it up! “Hole in the Sky”– “Don't Start (Too Late)”– Symptom of the Universe– “Megalomania”– “Thrill of It All”– “Supertzar”– “Am I Going Insane (Radio)”– “The Writ”– The band Queen diss track– “Blow on the Jug”– The Making of Sabotage's Album cover– Reception of Sabotage– One more stick in the gut by Meehan– Closing thoughts– Who made this video?Credits:Editor/Writer/Voice/Producer: Alan BerryCo-Writers:Mark EnochsJason C, aka GodshifterFor all credits go here https://www.thetapesarchive.com/black-sabbath-sabotage-documentary/ See acast.com/privacy for privacy and opt-out information.

In this episode, we have the Ramones' frontman, Joey Ramone. At the time of this interview in 1988, Ramone was 37 years old and was in Japan for a tour.In the interview, Ramone talks about whether he considers The Ramones a punk band, the most exciting time in music history, how most bands lack originality, and whether rock and roll have paid him back for all of The Ramones' contributions. The interview is conducted by Steve Harris. To learn more about Steve, please check out our podcast-only interview with him, which is out now. You can find the podcast at thetapesarchive.com.In the interview, Ramone talks about:The distinctive sound of The RamonesHow most bands lack originalityThe most exciting period for musicHis admiration for David ByrneWhat The Ramones did with their influencesWhy he loved The New York DollsHis thoughts on David JohansenWhether he considers The Ramones a punk bandWhether he considers himself a punkHow the Ramones are commercial without trying to be commercialHow he feels about bands like Bon Jovi and PoisonWhether there is a flaw in the kids that likes that type of musicHow The Ramones are a multi-dimensional bandWhy they wrote "Bonzo Goes To Bitburg" and participated in “Sun City”Ramones AidWhether decades from now will he be still singing “Blitzkrieg Bop”Why the Rolling Stones can go on foreverHow The Ramones are always changingHis reaction to hearing that The Ramones are a big influence in JapanWhether he thinks rock and roll has sufficiently paid him back for all The Ramones' contributions See acast.com/privacy for privacy and opt-out information.

A never-before-published and first known interview with Boston's original singer Brad Delp.At the time of this interview in 1978, Delp was 27 years old and was in the midst of recording Boston's second record.Two years earlier, Boston released what would become the best-selling debut album of all time until Guns ‘N Roses' first album.Full transcript The Tapes ArchiveIn the interview, Delp talks about how the second album is coming along, if the band Boston is a democracy, his feelings on a recent insult from Elvis Costello, and his self-doubt.00:00 - Intro01:04 - Where is the new album? (Start of interview)01:42 - The flooding of Tom Scholz's basement02:59 - Whether the band has recorded any new songs04:28 - What happens when Tom gets a song idea05:22 - How the record company feels about a two-year delay between albums06:51 - Whether he was surprised by the success of the first album07:17 - His self-doubt08:45 - The history of Boston and how he got involved in the band10:40 - The cover songs they played11:08 - His love for the Beatles12:42 - How they got signed to Epic Records14:59 - What type of record deal they got16:14 - Their “horrendous” early concerts17:16 - Playing with Black Sabbath17:59 - What his thoughts on Elvis Costello saying about Boston, “They may sell 9 million records, but they're about as exciting as a plate of tripe.”19:21 - Looking up to Rick Derringer20:40 - How many overdubs were made on the first album22:03 - What kind of an audience Boston has23:30 - How the Beatles got him into music24:16 - Whether the band Boston is a democracy See acast.com/privacy for privacy and opt-out information.

A never-before-published interview with Adrian Belew from 1981.In this episode, we have a multi-instrumentalist and the secret weapon for so many bands, Adrian Belew. At the time of this interview in 1981, Belew was 31 years old and was promoting King Crimson's album Discipline. In the interview, Belew talks about various aspects of playing with the Talking Heads, Frank Zappa, David Bowie, and King Crimson. He goes in-depth on King Crimson's Discipline, he tells the story about when he got jumped by a gang and finishes the interview telling Marc about his deep love for his family.In the interview, Belew talks about:What brought him to King CrimsonWhere is currently with the Talking HeadsHow he expresses his own personality in the bandThe “D” section of Elephant Talk and the meaning behind itHis part in the writing of the albumHow he gets that elephant soundWhat the lyrics in the song Indiscipline representThe song Matte KudasaiWhat Frame by Frame is aboutHow his being in the band frees up Robert FrippHow well Fripp and drummer Bill Bruford get alongIf King Crimson as a band has malice and ill will as a constant part of its daily dietThe dynamics of King CrimsonHis own plans for solo workThe meaning of the song Thela Hun Ginjeet and how he was beaten up by a gangWhy they don't play 21st Century Schizoid ManYounger audiencesWhat he thinks is attracting new fans to King CrimsonWhat his solo albums will be like and who's playing with himHis fascination with rhinosWhere he grew upStarting with David BowieHis assessment of the King Crimson's show at the MetroHow he looks like Mark KnopflerHow he was blasted the night Fripp called himHis surprise when Fripp wanted to call the lineup King CrimsonThe very beginnings of his careerHis first bandIf he is the most famous alumnus from his high schoolIf Frank Zappa was tough to work forHis Bob Dylan impersonationIf had any problems with Zappa's lyricsWhy he left Zappa's bandHis deep love for his family See acast.com/privacy for privacy and opt-out information.

In this episode, we have a founding member of The Who, Pete Townshend. At the time of this interview in 1996, Townshend was 51 years old and was promoting his greatest hits record. In the interview, Townshend talks about his plan to no longer make records, the remixing process of Quadrophenia, what's now important to him, and finding a Jimi Hendrix master in his warehouse. The interview is conducted by Steve Harris. To learn more about Steve please check out our podcast-only interview with him, which is out now.00:00 - Intro01:00 - Start of Pete Townshend interview01:38 - His non-defined image of himself04:19 - His ability to write story-oriented albums05:41 - Why it's very hard to write songs06:51 - His plan to no longer make records08:26 - Why he is releasing a compilation album09:33 - The notion that he hates the Japanese11:30 - Developing Quadrophenia for a concert theater piece12:57 - Which album he thinks is The Who's best15:08 - The backstory of when The Who revived ‘Quadrophenia' for Prince's Trust Concert18:58 - Remastering old Who albums20:23 - Writing chamber plays21:32 - The difficulty of working in movies22:26 - His lack of enjoyment for music theater23:28 - What connects music from the '50s and animation24:37 - What's important to him now26:12 - The remixing process of Quadrophenia26:57 - The previous poor mastering process of Who records28:36 - Finding a Jimi Hendrix master in his warehouse29:38 - The unfinished rock opera “Lifehouse”32:04 - The mods 30 years later33:35 - What he found hypocritical playing Black music37:39 - Chapter 2539:01 - The songwriting that went into “My Generation”41:32 - Kurt Cobain and the song “My Generation”43:18 - Seeing Jimi Hendrix a couple of weeks before he died See acast.com/privacy for privacy and opt-out information.

A never-before-published interview with Roger Daltrey from 1994.In the interview, Daltrey talks about:Whether he has gotten his due from his solo albumsWhich album was a writing breakthrough for himWhy he thinks fans have a hard time accepting him outside of The WhoWhat's great about The Who's musicWhy The Who isn't touringHow hard it is singing Who songsHow anger changes in middle ageIf he feels competitive with Pete TownshendIf he knew Townshend was competing with himHow Tommy really became a hit recordWhy Townshend is the way he is about The WhoWhy it was a constant struggle to make more recordsHow he feels everyone in the band but Pete did not get the recognition they deservedThe chemistry in the bandWhat was something he was proud of from the Carnegie Hall gigPlaying with the Spin Doctors on the Dave Letterman show.How his upcoming concert differs from the Carnegie Hall showWhat Townshend said to him after the Carnegie showThe challenges with the Carnegie Hall concertThe bad sound at Carnegie HallWhen he knew he was going to take the show on the roadWhether he ever considered hitting the road with a three-member rock bandWhether they considered playing Woodstock ‘94The story of how he started spinning the microphoneHow the music biz is so “bloody corporate”Whether he thinks he will ever just sit back and relaxWhether he goes to see his contemporaries in concertWhether he worries he's going to disappoint fansWhy didn't the Who do encores See acast.com/privacy for privacy and opt-out information.

In this episode, we have Guns N’ Roses frontman Axl Rose. At the time of this interview in 1987, Rose was 25 years old and was promoting an upcoming tour of Japan. Appetite for Destruction hadn’t even cracked the top-selling 50 albums, and it would be at least another seven months before the band really took off. In the interview, Rose talks about growing up in Indiana, the making of Appetite for Destruction, whether he murdered a dog, and which band is the biggest sellout. The interview is conducted by Steve Harris. To learn more about Steve, who is new to The Tapes Archive team, please check out our podcast-only interview with him which is out now.In the interview, Rose talks about:Going back home to IndianaHow closed off Indiana isWhat he draws from conservatismHow he left home at age 16Whether he murdered a dogGuns N’ Roses’ early success in EnglandHow the crowds are different in the United States Gaining more confidence as a live bandFred Coury, Cinderella, playing for Steven AdlerHow he stays fit for concertsWhether he’s ready for a long tourPeople he aspires to beMötley CrüeThe recording process for Appetite for DestructionWhat would he change on the albumProducers who were considered before Mike ClinkPaul Stanley of KISS as a potential producerHis vision for the recordWhat success means to himWhether it bothers him to be compared with Faster Pussycat and PoisonHow long it took to get the right lineup for Guns N’ RosesThe tepid response so far to Appetite for DestructionThe limited radio and video play the band was gettingWhat happens if Appetite for Destruction sells poorlySlash drinking and drivingWhat he will do if he leaves the music bizWorking with Izzy StradlinWhen he is happiestWhen he is most frustratedWhy he feels Guns N’ Roses is not getting played on the radioWhat band he thinks is the biggest selloutHis hopes that Sweet Child O’ MIne will be a hitWhether he objects to being labeled as heavy metal His love for the band QueenRobert Plant, Jimmy Page and Pete TownshendHis thoughts on fellow Hoosier John MellencampHow he and Izzy cannot wait to play JapanSome ‘80’s racist comments that were not considered racist at the time See acast.com/privacy for privacy and opt-out information.

Today we are releasing two interviews -- one with Axl Rose and one with the man who interviewed him, Steve Harris. Steve grew up in San Francisco but went to Japan as a college exchange student and loved it there. He felt like it was the place for him. After graduating in 1980, he started to work as a freelance translator in Tokyo. Through one of his college buddies, he got connected to a music magazine that needed an interpreter. This led to Harris conducting interviews himself. Over the next 17 years, Steve would interview the biggest of names in the music world. Recently, we asked if we could publish some of those interviews here on the Tapes Archive and he agreed. Over the next couple of months, we will be publishing some of his most notable interviews. Marc Allan, our usual interviewer, called Steve to talk about his life as an ex-pat working for a Japanese music magazine. They talked about:The magazine Steve worked for and its unique place in the marketHis worst interview and some of his bestHis personal musical hero he was able to interviewHis thoughts on interviews with Axl Rose, David Lee Roth, Pete Townshend, and more.Why he kept these recordings and why he is allowing us to publish themHow some questions would get lost in translation and would lead to awkward moments.His frustrations when he interviewed “slacker genius” BeckWhat led him to leave the music scene in 1997A very funny conversation with Brian Eno about Russian womenHe clears up the question of whether Cheap Trick is big in JapanMarc tells the story of when he was called “old man” at a Rage Against the Machine concert and how he got his job at the Indianapolis Star See acast.com/privacy for privacy and opt-out information.

A never-before-published interview with guitarist Warren Haynes from 1992.In the interview, Haynes talks about:Moving out of Duane Allman's shadowHow it feels to play Duane's licksWhether Duane was an influenceHis connection to Memphis and MotownGoing to see concerts when he was a kidThe musical differences between him and DuaneHis love for fusion rock and what it did for his playingThe difference between his playing and Dickey Betts’ playing on lead and slideHow his older brothers introduced him to jazz and bluesWhat jazz player he would recommend to a young guitar player Whether he had any formal music trainingHis experience with country singer David Allan CoeWhat he learned from country musiciansSome advice for younger guitar playersThe Allman Brothers latest recordThe pleasure of recording liveThe coincidence that happened 21 years earlierA breakdown of whether it’s him or Betts soloingThe similarities between him and Betts and Coltrane and Cannonball AdderlyHow Duane ended up using a slide on DreamsWhether he enjoys playing rhythm as much as leadWho's a good rhythm player?The Les Paul he usesHis Soldano ampsWhat, if any, effects he uses in the studio recordingHow things are going with the bandWhether tension in a band leads to better playingIf he sees The Allman Brothers continuingThe similarities in the Allmans’ fan base and the Grateful Dead’s fan baseTheir next live albumIn this episode, we have The Allman Brothers Band guitarist Warren Haynes. At the time of this interview in 1992, Haynes was 32 years old and was promoting the album An Evening with the Allman Brothers Band: First Set. In the interview, Haynes talks about the similarities and differences with Duane Allman and whether he sees The Allman Brothers Band continuing. He also takes a deep dive into their current live album and he offers advice for young guitar players. See acast.com/privacy for privacy and opt-out information.

A never-before-published interview with guitarist Paul Barrere from 1992.In this episode, we have Little Feat guitarist Paul Barrere. At the time of this interview in 1992, Barrere was 44 years old and was promoting Little Feat’s upcoming concert at Deer Creek Music Center. In the interview, Barrere talks about his fond memories of Little Feat founder Lowell George, how well the band is playing, and what bugs him about the music biz.In the interview, Barrere talks about:Co-headlining with George ThorogoodClassic blues songs he loves to playWhy Little Feat will never be accused of being an alt-rock bandHow he doesn’t want to be the “Vinny Van Gogh” of the radioTheir rockin’ setFriendly competition with George ThorogoodHis new record labelThe joy of playing with Little FeatFond memories of playing with Lowell GeorgeTheories on why Little Feat has never become a major commercial actWhat bugs him about the music businessHis favorite lyric about love See acast.com/privacy for privacy and opt-out information.

A never-before-published interview with Dimebag Darrell from 1992.In this episode, we have metal guitar legend Darrell Abbott, also known as Dimebag Darrell. At the time of this interview in 1992, Dimebag was 25 years old and was out on tour in support of Pantera’s album “Vulgar Display of Power.” In the interview, Dimebag talks about his guitar trick that he wants everyone to learn; how Randy Rhoads, Eddie Van Halen, and Ace Frehley were his influences; how great his dad was; and how Pantera writes their music.00:00 - Intro Dimebag Darrell Interview01:11 - Being banned from a local guitar competition as a teenager03:20 - Whether being from Texas affects his playing04:36 - What he listened to when he was younger05:12 - Being influenced by Randy Rhoads and Ace Frehley07:20 - What guitar scales he knows07:42 - Who taught him to play guitar and the first song he played08:30 - How great his dad was09:42 - Wanting his own guitar tone11:02 - Yelling at his brother to keep it down11:21 - The guitar trick he wants everyone to learn12:40 - His new whammy pedal13:15 - The way he writes solos15:07 - Whether he plays a lot of acoustic guitar15:43 - Whether he thinks he’s a good enough player for thrash music16:45 - How he traded a joint for a guitar pick-up18:07 - His guitar chops18:46 - Why he loves Dean Guitars22:19 - Playing with his brother Vinnie23:34 - Playing the Moscow concert in front of 1.6 million fans26:32 - Whether he’s ever been hurt at a gig27:10 - How Pantera writes their music28:26 - Whether he has any ideas for the next album28:59 - His top five essential guitar albumsThis week’s episode also introduces a new interviewer to The Tapes Archive. The interview you are about to hear was conducted by Pete Prown. Pete is a veteran music journalist and has interviewed the world’s top guitarists for over 35 years. He’s currently Music Editor at Vintage Guitar magazine and editor of the "Legends of Rock Guitar" Facebook page. His work has appeared in Guitar Shop, Guitar for the Practicing Musician, and Guitar Player magazine, among other titles. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Sammy Hagar from 1991.In this episode, we have the Red Rocker himself, Sammy Hagar. At the time of this interview in 1991, Hagar was 44 years old and was promoting Van Halen’s upcoming concert at Deer Creek Music Center. In the interview, Hagar talks about his experience with UFOs, the secret to Van Halen, his father’s death, and his advice for Axl Rose.In the interview, Hagar talks about:His advice for Axl RoseWhat he expects for Van Halen’s latest recordWhy Van Halen fans trust themThe secret to Van HalenThe meaning behind the songs “Man on a Mission” and “Poundcake”The dream that’s overThe guy who’s trying to build a house on the beachWhat an artist’s job isWhen he thinks Van Halen fans accepted himHis prediction for when and if David Lee Roth would reunite with Van Halen His belief in UFOsHis experience being abducted by a UFOWhy he’s adamant that each man should take care of themselves but everyone needs compassionHis father’s deathWhat fans can expect at the Van Halen concertHis Red Rocker clothing lineThe secret song they will be playing in concertWhy they don’t play “Everybody Wants Some”If music is better or worse today See acast.com/privacy for privacy and opt-out information.

A never before published interview with Flea from the Red Hot Chilli Peppers in 1996In the interview, Flea talks about:If it’s strange to think of the Red Hot Chilli Peppers as an arena bandIf this is the band’s best lineupWas it a goal for the band to become this bigWhat made him pick up the bassWhat other instruments he playsThe meaning behind the song PeaWhether he is different offstageHis pro-mosh-pit stanceHow to be a good fatherWhat kind of musician he will be when he’s 50 years old.Where John Entwistle might have gone wrongIf he regrets his past drug useDoes he care if he gets into the Rock and Roll Hall of FameHis love for Iggy PopIn this episode, we have the bassist and founding member of the Red Hot Chilli Peppers, Flea. At the time of this interview in 1996, Flea was 34 years old and was promoting the band’s upcoming concert with new guitarist Dave Navarro. In the interview, Flea talks about what made him pick up the bass, the meaning behind the song “Pea,” and if he regrets his past drug use. See acast.com/privacy for privacy and opt-out information.

https://www.thetapesarchive.com/zappa-plays-sabbathAre you a Black Sabbath or Frank Zappa fan? Or like me both? I would consider myself a super fan of both, yet I just found out that Frank was a big fan of Black Sabbath something I never knew. So I decided to make a video with the backstory including the night that Frank was supposed to play with them. Unfortunately, you will have to go over to our Youtube channel to see and hear the episode. “Zappa plays Sabbath.The reason we cannot release it as a podcast is because of the copyrighted music we use. Over on Youtube, the copyright holders can make their royalties when their music is played where as in the podcast world there is no simple way to do that. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Rick Wakeman of Yes from 1999.In the interview, Wakeman talks about:Going on the 700 ClubWhy he did not go out with Yes’s last tourHow he has never stopped making recordsBeing homelessWorking with independent labelsOwning up to your own truthsWhat he should have done to hold onto his moneyThe cost of making his new albumWorking with Ozzy OsbourneHow Return to the Center of the Earth compares with his new recordWhat he learned from King Crimson’s Robert FrippThe genre of Art RockWho’s better -- Keith Emerson or Rick WakemanHis upcoming tour with EmersonWho would be in his dream band The cost of touring in the 90’sThe cost of touring in the 70’sHis lows in the 80’sIn this episode, we have one of prog rock’s greatest keyboardists, Rick Wakeman. At the time of this interview in 1999, Wakeman was 50 years old and was promoting his new album, “Return to the Center of Earth.” In the interview, Wakeman talks about being homeless, who’s better -- Keith Emerson or him -- what he learned from Robert Fripp, and owning up to your own truths. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Hank Aaron from 1995.In the interview, Aaron talks about:His job at CNNHis involvement with the documentary Chasing the DreamHow much of the film was accurateHow he wants people to remember himSpeaking out on things that are wrong in the worldHow people are uncomfortable with the truthIf he was able to enjoy his accomplishments If we have made progress on race issues in the United StatesThe respect he had for Malcolm XPlaying for the Indianapolis ClownsHis humility His top salary and current ballplayers salariesWhat we have to do to get kids playing baseballHis hunger to play baseballIn this episode, we feature baseball icon, Hank Aaron. At the time of this interview in 1995, Aaron was 61 years old and was promoting the upcoming premiere of the documentary based on his life, “Chasing the Dream.” In the interview, Aaron talks about his hunger to play baseball, the importance of speaking up about wrong in the world, and how he wants to be remembered. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Bill Bruford (Yes/King Crimson) 1980.The challenges of commercial radioThe advantage of making a name for himself in bands like Yes, Genesis, and King CrimsonThe problems with playing in big-name bands vs. as a solo actHis thoughts on touring with GenesisWhat attracts him to the U.S. marketWhat he wants to tell people about his musicWhy he left Yes to join Robert Fripp and King CrimsonHow and why Fripp tried to cancel King Crimson’s July 1, 1974, Central Park concertHow he sees himselfWhether he’s wealthyHis thoughts on progressive rock supergroup UKWhat music he was listening toWhether he would sacrifice a song to sell a million recordsCould there be a record company that existed on goodwill?In this episode, we have one of prog rock’s greatest drummers, Bill Bruford. At the time of this interview in 1980, Bruford was 31 years old and on tour with his solo band supporting his album Gradually Going Tornado. In the interview, Bruford talks about why he left Yes, how Robert Fripp tried to cancel the King Crimson’s 1974 Central Park concert, and the advantage of making a name for himself in bands like Yes, Genesis, and King Crimson. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Neil Peart (Rush) 199400:00 - Intro00:44 - Start of Neil Peart interview01:02 - What kind of difference can one person make?01:44 - The western idea of heroism04:06 - The luxury he enjoys06:04 - How people react to him asking them to think10:42 - What he learned from Paul Simon11:39 - Why he agrees with Frank Zappa that love songs are destructive12:25 - How he’s a dreamer and an idealist13:36 - What characteristic he has that has enabled him to be successful16:01 - His thoughts on Rush Limbaugh18:03 - His play on words that no one gets19:11 - Who he thinks Rush’s audience is21:06 - If he thinks his audience is smart22:24 - Existential questions he asks himself23:33 - Thoughts on Rush’s album progression25:52 - How long it took for him to master the dums27:47 - His pick for young and upcoming bandsIn this episode, we have our third and final interview with Rush’s drummer, Neil Peart. At the time of this interview in 1994, Peart was 42 years old and was promoting Rush’s album Counterparts and their concert in Indianapolis. In the interview, Peart talks about how Rush progressed over its first 18 albums, why he agrees with Frank Zappa that love songs are destructive, and what characteristic he has that has enabled him to be successful. See acast.com/privacy for privacy and opt-out information.

Steve Sybesma, a longtime concert promoter and one of the partners in the creation of Deer Creek Music Center outside Indianapolis. Sybesma hopped on a call with Marc to tell him about his newly created Indiana concert archive website, indianarockhistory.com, and about his concert promotion journeyhttps://indianarockhistory.com/00:00 - Intro00:56 - His new archive website indianarockhistory.com01:54 - Payouts for some of the biggest bands03:03 - The first time he wrote a check for a million dollars04:18 - How he and his partners built their business04:38 - Sunshine Promotions' competitors06:41 - The Rolling Stones role in his career07:28 - Why the Rolling Stones avoided Indianapolis for decades08:01 - More about indianarockhistory.com09:10 - The history of Deer Creek Music Center09:21 - The inspiration to build an outdoor amphitheater12:09 - What he did after leaving Sunshine Promotions12:57 - Why he sold out his shares of Sunshine Promotions15:19 - His plans on writing a book See acast.com/privacy for privacy and opt-out information.

A never before published interview with Angus Young (AC/DC) from 1996.In the interview, Young talks about:- What it’s like to come back after a five-year layoff- The ever-changing landscape of rock ‘n’ roll- The key to AC/DC’s success- How Bob Dylan compares to AC/DC- Why AC/DC was considered a punk band in England- One of his hobbies- The making of the Ballbreaker album- How AC/DC comes up with the setlist for concerts- How the schoolboy outfit came to be- His thoughts on Butt-head from Beavis and Butt-head wearing an AC/DC shirt- His thoughts on the Rock and Roll Hall of Fame.- Can we ever expect an AC/DC rock opera?In this episode, we have the original problem child, AC/DC’s Angus Young. At the time of this interview in 1996, Young was 40 years old and was promoting AC/DC’s album Ballbreaker and their upcoming tour. In the interview, Young talks about how his schoolboy outfit came to be, the reason AC/DC took a five-year hiatus, Beavis and Butthead, and the key to all of AC/DC’s success. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Geezer Butler (Black Sabbath) from 1992.In the interview, Butler talks about:- What happened to his solo career- Why he left the Ozzy band- How he reconnected with Dio- The difficulty in finding a vocalist- The making of the Wayne’s World soundtrack- The bleak outlook of the Dehumanizer album- A rare Black Sabbath press kit- His thoughts on all the Black Sabbath’s critics- Whether he thinks Sabbath was the first heavy metal band- Black Sabbath’s musical influences- Whether it feels right to be in Sabbath at age 43- What he thinks about Ozzy retiring.- Spinal TapIn this episode, we have Black Sabbath bassist and lyricist Geezer Butler. At the time of this interview in 1992, Butler was 43 years old and was promoting Sabbath’s new album and an upcoming concert date in Indianapolis. In the interview, Butler talks about what happened to his solo career, why he left Ozzy’s band, what he thinks about music critics, and the Wayne’s World soundtrack. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Robert Pollard (Guided By Voices) from 1995In the interview, Pollard talks about:- His creative time of the day- Upcoming records to be released- Working with Matador Records- What makes him happy- Giving hope to all other garage musicians- The collectability of his records and “hoarding” a few himself- Luna Music in Indianapolis- The business side to making money in the music biz- His love for The Beatles when they are “goofing around”- Whether he thinks kids are getting dumber- What he has tortured himself with over the years- What it’s like being a musician and living in Dayton, Ohio- Who he thinks is a “fucking creep”- Working in the studio- How the band Ween acted like rock stars- Writing a song for Tom HanksIn this episode, we have one of the most prolific songwriters of the past 30 years, Guided By Voices’ Robert Pollard. At the time of this interview in 1995, Pollard was 37 years old and was promoting an upcoming concert date in Indianapolis. In the interview, Pollard talks about the collectability of his records and “hoarding” a few himself; the business side of making money in the music biz; who he thinks is a creep; and how he gives hope to all other garage musicians. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Vince Welnick (Grateful Dead)In the interview, Welnick talks about:-His love for Bob Marley- If being in the Grateful Dead was anything like he imagined- His vision as a child that came true- What it was like auditioning for the Grateful Dead- The differences between being with The Tubes and being in the Grateful Dead- The time Robin Williams performed with him- How he integrated himself to the Grateful Dead’s way of playing live- His songs that the Grateful Dead will be playing live- If it was tough to fit in- The luxury of being in such a popular band- Working with Todd Rundgren- Bruce Hornsby handing off the “baton” to himIn this episode, we have Grateful Dead and The Tubes keyboardist Vince Welnick. At the time of this interview in 1992, Welnick was 41 years old and was promoting the Grateful Dead’s two sold-out shows at Deer Creek Music Center in Indiana. In the interview, Welnick talks about what it was like auditioning for the Grateful Dead; his former band The Tubes; and how being in the Grateful Dead felt like being a part of a “big, old, wonderful family.” See acast.com/privacy for privacy and opt-out information.

A never before published interview with Paul Stanley (KISS) from 1996In the interview, Stanley talks about:- How the 1996 tour is going to be a better Kiss concert than the 1974 shows.- The familiarity of playing with Ace Frehley and Peter Criss- Parasitic friends and business associates- If there will be more reunion tours- How fast tickets are selling- How KISS fans are the greatest fans in the world- His thoughts on the Rock and Roll Hall of Fame- The founding of the Kiss Army and Bill Starkey, the founderIn this episode, we have the Starchild, Kiss guitarist Paul Stanley. At the time of this interview in 1996, Stanley was 44 years old and was promoting the Kiss reunion tour. In the interview, Stanley talks about the Kiss Army and its founder, Bill Starkey; the familiarity of playing with Ace Frehley and Peter Cross; and how Kiss fans are the greatest in the world. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Kurtis Blow from 1997In the interview, Blow talks about:- Whether he thinks God cares about pop music- How he had it all and now has nothing- What hip-hop fans should go back and listen to- How early hip-hop had a code of ethics not to use swear words- Why he got out of the music business- How he foresaw how big hip-hop would get- The language of a rap- Why rap artist don’t typically have long careers- Why white America has gravitated toward rap- The first time rap was used for a commercial- How Don Cornelius, host of Soul Train, broke Kurtis’ heart- If he became the overlord of music, what the first thing he’d change would beIn this episode, we have hip-hop pioneer Kurtis Blow. At the time of this interview in 1997, Blow was 38 years old and was promoting his three-CD compilation, “The History of Rap.” In the interview, Kurtis talks about how Don Cornelius, host of Soul Train, broke his heart; what hip-hop fans should go back and listen to; and how he foresaw how big rap music would become. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Lars Ulrich (Metallica) from 1997In the interview, Ulrich talks about:- Pat Boone’s version of “Enter Sandman”- Metallica’s songwriting process- How the internet can be a “frightening instrument.”- Being on the Ferrall on the Bench show and whether he and Scott Ferrall are friends- What motivates him- The challenges of touring with a huge stage- The cover art for “Load”- The weirdest encounter he has ever had with a fan- Whether he’s enjoying himself on tour- How he’s looking forward to “some of that horseradish down at the old St. Elmo’s joint” (an Indianapolis insider tidbit)In this episode, we have Metallica’s co-founder and drummer Lars Ulrich. At the time of this interview in 1997, Ulrich was 34 years old and was promoting the band’s concert date in Indianapolis. In the interview, Lars talks about Metallica’s songwriting process, the weirdest encounter he has ever had with a fan, what motivates him, and how the internet can be a “frightening instrument.” See acast.com/privacy for privacy and opt-out information.

A never before published interview with David Crosby from 1998In the interview, Crosby talks about:- Meeting his son after 30 years- Writing and playing music with his newly found son- How he is the happiest “walrus” you’d meet- Why his son is a better musician than he is- His feelings toward The Doors’ Jim Morrison- Mistakes he has made in life- The story behind his new record label, Samson Music- How he doesn’t make music for the money- How Music of Bulgaria is the best record no has heardIn this episode, we have singer-songwriter David Crosby. At the time of this interview in 1998, Crosby was 56 years old and was promoting his tour with his new band, CPR. In the interview, Crosby talks about mistakes he’s made in his life, how he connected for the first time with his 30-year old musician and bandmate son, and how he is the happiest “walrus” you’d meet. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Ringo Starr (The Beatles) from 1992In this episode, we’re celebrating the 80th birthday of Ringo Starr by playing Marc’s interview with the Beatles’ drummer from 1992. At the time of this interview, Ringo was 52 and was on tour with his All-Starr Band. Back in those days, Ringo would do five-minute interviews, so this conversation is much shorter than normal. So let’s skip our normal preamble and get right to the interview. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Robby Krieger (The Doors) from 1991.In the interview, Krieger talks about:- Going all-instrumental without Jim Morrison-What he thought about Oliver Stone’s movie “The Doors”- Why keyboardist Ray Manzarek wanted nothing to do with the film- The truth about The Doors- What it was like making records after Morrison died- Whether he feels the Doors have come to symbolize the ’60s- How the music of today compares with the music of the ’60s- How Jim Morrison should be rememberedIn this episode, we have The Doors’ guitarist, Robby Krieger. At the time of this interview in 1991, Krieger was 45 years old and was promoting his own band, The Robby Krieger Band. In the interview, Krieger talks about his thoughts on Oliver Stone’s movie “The Doors,” why Doors keyboardist Ray Manzarek wanted nothing to do with the film, and how thinks Jim Morrison should be remembered. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Ray Manzarek from 1998.In the interview, Manzarek talks about:The death of Jim MorrisonWhether he feels that he lives in Morrison’s shadowWhether Morrison is in heaven or hellWhether Iggy Pop was considered to replace MorrisonThe early days of touring with the DoorsHow he wants to inform the youth about the ‘60sHis belief in an ancient Egyptian religionHis thoughts on The WhoWhether it was difficult playing bass parts on the keyboardHis feelings about Oliver Stone’s movie about the DoorsIf it’s better to burn out or to rustHis dislike of David CrosbyHis connection to The Knack See acast.com/privacy for privacy and opt-out information.

A never before published interview with Tracy Morgan from 2007.In the interview, Morgan talks about:His new movie with Ice CubeIf Tracy Jordan and Tracy Morgan are the same personThe dynamics of 30 RockWhether he was happy with the 30 Rock episode where Jordan was shown to be illiterateHis famous family membersWorking with white writersIf he feels stereotypedIn this episode, we have Emmy-nominated comedian Tracy Morgan. At the time of this interview in 2007, Morgan was 39 years old and was promoting the TV show 30 Rock and his upcoming movie "First Sunday." In the interview, Morgan talks about the dynamics of 30 Rock, working with white writers, how Tracy Jordan and Tracy Morgan are two different people, and his famous family members. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Peter Buck (R.E.M.) 1989In the interview, Buck talks about:Is R.E.M. commercial or inaccessibleIf the album Green is supposed to be upliftingWhy he is angrier than everHis love for Lou ReedThe misunderstanding of Bruce Springsteen’s “Born in the USA”The trappings of successThe early days in R.E.M.State of radio at the timeHow R.E.M. picks where to recordWhy Athens, Georgia, was a hotbed for bands at the timePaying cash for a new JeepIn this episode, we have R.E.M. guitarist Peter Buck. At the time of this interview in 1989, Buck was 33 years old and was starting to tour for the band’s sixth album, “Green.” In the interview, Buck talks about the early days of R.E.M., his love for Lou Reed, the trappings of success, and whether R.E.M.’s music is commercial or inaccessible. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Keith Emerson from 1992- In the interview Emerson talks about:- How technology has changed the way he plays- If it felt right getting back together with ELP- How the reunion came to be- Why he thinks he was overlooked as a solo artist- The stigma attached to keyboardist- How ELP pioneered the classical rock movement- If he felt competitive with other contemporary keyboardists- How he felt that ELP was not a rock band- How ELP came to play Pictures at an Exhibition- His thoughts on rap musicIn this episode, we have arguably the best keyboardist in rock music history, Keith Emerson. At the time of this interview in 1992, Emerson was 48 years old and was embarking on a reunion tour with his old bandmates, Greg Lake and Carl Palmer. In the interview, Keith talks about how Emerson, Lake, and Palmer came to play Pictures at an Exhibition, the stigma of being a keyboardist, and his belief that ELP was not a rock band. See acast.com/privacy for privacy and opt-out information.

A never before published interview with Little Richard from the year 2000In the interview Little Richard talks about:- Who he really wanted to play him in the movie- His desire that you understanding him- Why he wore make-up- If he considers himself gay- Whether he ever wore a bra- How he was the first African American to be on white radio- What’s accurate and not accurate in the movie- How his Daddy beat him- And more...In this episode, we have one of the pioneers of rock and roll--the recently departed Little Richard. At the time of this interview in the year 2000, Richard was 67 years old and was promoting the TV movie based on his life called “Little Richard.” In the interview, Richard talks about why he wore make-up, if he considers himself gay, how he was the first African American to be on white radio, and how he discovered the Beatles, Jimi Hendrix and, The Rolling Stones See acast.com/privacy for privacy and opt-out information.

A never before published interview with Ozzy Osbourne 1997.In the interview Ozzy talks about:His love for his fansThe legacy of OzzfestHow the Sabbath reunion came to passWhy Bill Ward was not included on the tourHis thoughts on Marilyn MansonHis record label Ozz RecordsBest Buy and censorshipBeing in Howard Stern’s movieIn this episode, we have The Prince of Darkness, Ozzy Osbourne. At the time of this interview in 1997, Osbourne was 49 years old and was promoting his multi-band tour Ozzfest. In the interview, Ozzy talks about his love for his fans, how the Sabbath reunion came to be, Marilyn Manson, and the legacy of Ozzfest.For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with Primus' Les Claypool 1994.In the interview Claypool talks about:Why Rush and Primus makes for a good concertThe hardest bass line for him when he first startedWhat made him wanna play bassHis bass technique Headlining Lollapalooza Pork SodaBest Buy and PrimusHis record label Prawn Song RecordsIn this episode, we have Primus’s frontman and bassist, Les Claypool. At the time of this interview in 1994, Claypool was 31 years old and was promoting his band’s fourth album Pork Soda. In the interview, Les talks about what made him wanna play the bass, headling Lollapalooza, the parallels of Rush and Primus, and his record label.For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with America author Kurt Vonnegut from 2000.In the interview Vonnegut talks about:- If technological progress has been good.- His love for the ACLU.- Posting the ten commandments in schools.- If he believes in God.- His affection for Indianapolis.- Being captured by the Germans in WWII.In this episode, we have American Author Kurt Vonnegut. At the time of this interview, Vonnegut was 77 years old and was in Indianapolis for an ACLU fundraising event. In this wide-ranging interview, Vonnegut talks about freedom of speech and censorship, civil rights and war, God and religion, ethical suicide parlors and dying.For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with John Prine from 1997.In the interview Prine talks about:His record label, “Oh Boy”Why his songs have “simple messages”How at the time of the interview he was in such a good place that he’ll “probably be writing all zippity-doo-da songs”John Mellencamp and other Indiana connectionsHis yet-to-be-made duet albumTouring smaller venuesAnd more...In this episode, we have the great singer-songwriter, John Prine. At the time of this interview in 1997, Prine was 50 years old and was out on tour with Los Lobos. In the interview, Prine talks about his record label, Oh Boy, his Indiana connections, touring, and his yet-to-be-made duet album.For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with John Entwistle, bassist for The Who, from 1996.In this episode, we have the great singer-songwriter, John Prine. At the time of this interview in 1997, Prine was 50 years old and was out on tour with Los Lobos. In the interview, Prine talks about his record label, Oh Boy, his Indiana connections, touring, and his yet-to-be-made duet album.In the interview Entwistle talks about:Why he picked up the bassHis sometimes forgotten contributions to The Who’s musicHow he made his first bassHow he mistakenly developed his bass-playing styleIf he admires any other bass playersHis thoughts on Tommy the broadway showWhat he thinks about the Rock and Roll Hall of FameThe backstory of his hearing problem (It wasn’t from concerts)He indulges Marc and states five of his best songsHis cartoon character artFor transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

In the interview Aykroyd and Belushi talk about:- They talk in-depth about their yet to be made film The Blues Brothers.- How democratic Saturday Night Live is.- The greatness of performing on live tv. - How they met and Second City days.- How the Blues Brother’s look came to be.- Aykroyd reveals how he came up with the SNL skit the Coneheads.- The inspiration for Belushi’s Samurai character.- Auditioning for SNL- Thoughts on one of their next films, 1941.In this episode, we have an interview you might have heard before but probably not. In the crate of Marc's tapes are some unmarked interviews that Marc did not do. One of those tapes has an interview with Dan Ackroyd and John Belushi from 1978. I couldn't find the interview anywhere online, so I thought "this is too good not to be heard" and decided to make it public. At the time of this interview, Aykroyd was 26 years old, and Belushi was 29. In the interview, they talk in-depth about their two upcoming films, “The Blues Brothers” and Stephen Spielberg’s “1941.” Also in the interview, Belushi reveals how he came up with the Samurai character he played on Saturday Night Live, and Aykroyd tells where he found the inspiration for the SNL skit the Coneheads. For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published music interview with Tom Morello (Rage Against the Machine) from 1993.In the interview Morello talks about:- The diversity of Rage Against the Machine’s audience- The band’s intent not to preach to the converted- The pushing of pushing an anti-censorship agenda- The threat of the PMRC- Boycotting record stores that don't believe in in the first amendment- The Lollapalooza t-shirt debacle- And more...In this episode, we have the first of two interviews with Rage Against the Machine’s Tom Morello. At the time of this interview in 1993, Morello was 29 years old and was out on tour supporting his band’s self-titled first record. In the interview, Tom talks about the pushing of an anti-censorship agenda, the Lollapalooza t-shirt debacle, and how Rage Against the Machine is not like Public Enemy for white kids.For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with John Mellencamp from 1991.In the interview Mellencamp talks about:- Hows he’s given up on trying to save the world- How big corporations don’t give a shit about your town- In-depth with his album “Whenever We wanted”- Turning 40 - How the world is run by men we never hear of- His thoughts on a friend that loves Ronald Reagan- The movie he directed what it was like making his first filmFor transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with Alex Van Halen from 1981.In the interview Van Halen talks about:• Van Halen days before being signed• Working with Ted Templeman.• The best heavy metal band he ever saw play live• The future of Van Halen• And more...Show Note: In the interview, Marc asks if it's true that Van Halen has in their rider that there are to be no brown M&Ms backstage. It wasn't until years later that David Lee Roth revealed the real reason behind their no brown M&Ms rule.For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with Izzy Stradlin from 1993. (Formerly w/Guns N' Roses)In the interview Izzy talks about:• Growing up in Indiana.• If he’s still friends with his ex-bandmates.• How he loves the drums.• Recording with the JuJu Hounds• And more...For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with Ace Frehley from 1994.In the interview Frehley talks about:• What “sucks” about rock’n’roll.• His side gig in computer graphics.• The possibility of a KISS reunion.• Playing while sober.• His influence on other guitars players.• And more...For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with Dave Matthews from 1996In the interview Matthews talks about:• His fancy footwork• His band’s first live performance.• Why we should teach children varied philosophies.• The making of his album “Crash”.• Why we want freedom.• Whether he cares or not if he makes it into the Rock and Roll Hall of fame.And more...For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before heard interview with Neal Peart from the band Rush in 1991.In this episode, we have our second of three interviews with drummer Neal “The Professor” Peart of the band Rush. At the time of this interview in 1991, he was 39 years old and was out on tour with Geddy and Alex in support of the band’s 14th studio album Roll the Bones. In the interview, Neil talks about how he has become comfortable with a random universe, the strength of the individual, talking philosophy with his friends, and how he convinced the band to add a rap to one of their songs.For transcripts to this episodeThis episode is brought to you by the award-winning true-crime documentary Dead Man's Line.Watch the trailerWatch for free on Amazon Prime See acast.com/privacy for privacy and opt-out information.

A never before published interview with Frank Zappa from 1991.Transcript for this episode.When I asked Frank Zappa if he had any regrets about the first 25 years of his career, he was blunt, as he always was. "There are certain things I might have said in a different way," he said. "But basically, there it is."And that's why Frank Zappa was and is still revered by his fans—because he said and did what he believed and never let commercial considerations deter him.In this 1991 interview from The Tapes Archive, Zappa, then 50, talked about standing up to the Parents' Music Resource Center and its warning labels on record albums, how he stepped into Eastern Europe to help American businesses establish ties in formerly communist countries, and why he refused to apologize for songs such as “Jewish Princess,” which offended some organizations.There’s also talk about his anti-bootlegging project, “Beat the Boots,” and he tells a classic story about one of his greatest songs, “Black Napkins.”A couple of items that need context:-At the beginning of the interview, when he mentions “swine,” he’s referring to a show at the Indiana State Fairgrounds where he remembered seeing the Swine Barn.-Later, when I refer to “the book,” I’m talking about “The Real Frank Zappa Book,” which was published in 1989.More about Frank Zappa is at https://www.zappa.com/. See acast.com/privacy for privacy and opt-out information.

A never before heard interview with Dweezil Zappa from 1995.Transcript for this episode.In the story I wrote in 1994 based on this interview with Dweezil Zappa, the lead paragraph summed up the conversation pretty well: “His father treated life as if it were a wave of stupidity he could somehow contain. Dweezil Zappa prefers to smirk and ride the tide.”"There's not much use in being negative 24 hours a day," he said. "I can spend a few minutes of my day being negative, but ultimately I like to enjoy things more than I like to promote my disdain for things.”Dweezil was 24 at the time. He was touring with his band Z in support of the record Shampoohorn, and he also has been acting, with roles in a sitcom called “Normal Life” and a cartoon called “Duckman.” We talk about those things, as well as his love for terrible TV shows and movies, and the state of the music industry. Of course, there’s also some discussion about his father, Frank, who died in December 1993, a couple of months before this interview was recorded."You had to be on your toes to talk to him,” Dweezil said. “You didn't want to just talk to him about something unless it was goofy and guaranteed for a laugh. He wanted to learn something every time you talked to him. He was great for that."More about Dweezil is at https://www.dweezilzappa.com/. See acast.com/privacy for privacy and opt-out information.

A never before heard interview with Shannon Hoon of the band Blind Melon from 1995 one month before he died.Shannon Hoon transcript can be found here.When I spoke to Shannon Hoon in September 1995, he and his band, Blind Melon, were on the verge of stardom. Their first album yielded the massive hit single “No Rain,” they had played Woodstock ’94, and they were excited about their new album, “Soup.”We talked about the new album and how different it was from the band’s debut, about his growing up in Lafayette, Indiana, and about parenthood. His girlfriend Lisa Crouse had just given birth to their daughter, Nico Blue, two months earlier. About a month after this interview, Hoon was dead, victim of a cocaine overdose. He was 28.It was hard to understand his death then, and it’s still difficult today—especially after listening to this conversation again. In 1995, Hoon had a great life to look forward to. He was upbeat, funny, and enjoying his family life.Now it’s 2019, and he’s been dead almost as long as he was alive.A few notes:-We discuss Hoon’s friend and fellow musician Mike Kelsey, a great guitarist whose work has long deserved a much wider audience. Check him out at https://www.michaelkelsey.com/-At one point, Hoon brings up a negative review of Soup that appeared in the Indianapolis Star. The reviewer wrote: “With a better singer, this band could have some staying power.”-Hoon references the morning radio team Bob & Tom, which at the time were heard only in the Indianapolis area. Since then, the show has expanded nationally to more than 100 stations.-Blind Melon continued on without Hoon until 1999, when the group disbanded. After an eight-year hiatus, it teamed up with singer Travis Warren for the album “For My Friends.” Over the next 10 years, the band performed occasionally, and in 2018 they decided to get back together permanently. More about Blind Melon is at blindmelon.com.For more info please visit our [website.](https://www.thetapesarchive.com/)The Tapes Archive is part of the Osiris network. For more podcasts and experiences, please visit [Osiris](https://www.osirispod.com). See acast.com/privacy for privacy and opt-out information.