Podcasts about noblesville

“Cool heads and warm hearts is a balance for rational thinking and compassion.”Rhonda Parker Taylor Top Five Tips To Embrace Emotional Intelligence in Leadership 1.      Pause Before You Proceed2.      Empathy Unlocks Clarity3.      Feel First, Act Wisely4.      Separate Signal from Noise5.      Decisions Rooted in ValuesTIME STAMP SUMMARY 01:34  Emphasizes pausing, empathy, feeling first, separating signals, and value-based decisions08:41  Explanation of empathy beyond "feeling sorry"11:36 Emphasis on understanding employee perspectives19:22 Discussion on maintaining organizational integrityWhere to find Rhonda?Website       https://rhondaparkertaylor.com/ LinkedIn      http://linkedin.com/in/rhondaparker1 Rhonda Parker Taylor Bio Rhonda Parker Taylor is an American writer, entrepreneur, and academic researcher. Born on October 18, 1964, in Noblesville, Indiana, she is the second youngest of five children to Anita and William Parker, founders of a steel manufacturing company. Rhonda's childhood was spent in the midst of cornfields and cows, attending Heritage Christian School in Indianapolis.After completing a fashion merchandising program at Bauder College in Arlington, Texas, Rhonda returned to Indiana, where she eventually found her passion for writing. Her debut novel, “Crossroads,” a suspenseful masterpiece, was released in February 2023. Endorsed by bestselling author J.J. Hebert and Golden Globe-nominated actress Mariel Hemingway, the novel has been hailed as a captivating crime thriller that keeps readers intrigued from start to finish. While pursuing her academic explorations, Rhonda attended the University of Phoenix for a doctoral program in business and earned an MBA and a bachelor's in science management from Indiana Wesleyan University. Rhonda's diverse writing spans from educational works to fiction, and she is well-known for her research on emotional intelligence. Her academic achievements extend to being a prominent leader presented at the United Nations Global Compact Committee.Beyond her writing, Rhonda has an extensive background in teaching and training, with a decade of experience in business, management, and leadership education. She has taught a wide range of business courses at various institutions, including the University of Indianapolis, Oakland City University, National College, and others. As an entrepreneur, Rhonda founded Intelligence Solutions, providing training, development, academic research, and business writing services. Prior to this, she served as Campus Director and Professor at National College and co-directed a small to midsize advertising agency named Partnership Plus Design Studio.Outside of her professional endeavors, Rhonda is an avid lover of nature, enjoying the outdoors, animals, birds, and mountains. She is a music enthusiast with an appreciation for various genres, and she loves cooking for others while exploring different foods and recipes. Reading and writing hold a special place in her heart, spanning from academic works to fiction and poetry. Traveling is one of Rhonda's passions, and she has extensively explored North America, as well as travelled abroad to various countries, including England, Scotland, Italy, Greece, and others.Overall, Rhonda Parker Taylor is a multi-talented individual who continues to inspire and impact others through her writing, academic achievements, and entrepreneurial ventures, all while embracing life's adventures with her husband and three dogs.

A new covenant—better than the old, built on better promises. Hebrews lays out the contrast between what came through Moses and what is fulfilled in Christ. The old was temporary; the new is eternal. If we're still clinging to shadows, this calls us to step into the light.  The Rev. Jacob Hercamp, pastor of Christ Lutheran Church in Noblesville, IN, joins the Rev. Dr. Phil Booe to study Hebrews 8:1-13.  For centuries, God spoke through prophets, in visions, through fire and thunder on Mount Sinai. But now, Hebrews tells us, He has spoken fully and finally in His Son. This book isn't just another epistle—it's the key that unlocks the Old Testament, revealing how everything was always pointing to Christ. The prophets, the angels, the priesthood, the sacrifices—all find their fulfillment in Him. Over the next several weeks, we'll walk through Hebrews, uncovering its depth, its urgency, and its breathtaking vision of Jesus as the great High Priest, the perfect sacrifice, and the One who is greater than all who came before. If you've ever wondered how the Old and New Testaments connect, how the shadows become substance, this is the book to study. Thy Strong Word, hosted by Rev. Dr. Phil Booe, pastor of St. John Lutheran Church of Luverne, MN, reveals the light of our salvation in Christ through study of God's Word, breaking our darkness with His redeeming light. Each weekday, two pastors fix our eyes on Jesus by considering Holy Scripture, verse by verse, in order to be strengthened in the Word and be equipped to faithfully serve in our daily vocations. Submit comments or questions to: thystrongword@kfuo.org.

In this episode of Inside INdiana Business with Gerry Dick, we spotlight the Indiana-based startup MakeMyMove, which is luring remote workers from across the U.S. to cities like Noblesville, South Bend, and Evansville. Offering cash incentives, perks, and community engagement opportunities, the program has already helped more than 2,000 remote workers relocate, fueling economic growth and helping Indiana address its talent shortage. Plus, northeast Indiana is aiming to become a global gateway for med tech companies. Fort Wayne's Parkview Mirro Center for Research and Innovation is launching an initiative to attract international med tech firms by easing their entry into the U.S. market and leveraging the region's $19 billion medical device ecosystem. Also in this episode: Cadillac brings Formula 1 to Fishers: Construction is underway on a $200 million racing headquarters expected to create 300 new jobs. Hypersonic tech in southern Indiana: Kratos Defense is investing $50 million in a hypersonic testing facility near NSWC Crane, creating up to 100 jobs and strengthening Indiana's defense sector. Indiana's hunger fight: Leaders from agriculture and food industries unite at the first Indiana Hunger Summit to combat food insecurity, which affects 1 in 8 Hoosiers. University of Evansville's farm-to-classroom innovation: A unique container farm initiative is helping educate students and feed the Evansville community year-round. Recycling revolution in Indy: Republic Services and Blue Polymers invest $180 million in a state-of-the-art plastics recycling complex, a first in North America, creating 125 jobs and setting a national precedent. Join us for an in-depth look at how Indiana is growing its workforce, driving innovation, and addressing critical community needs, one bold initiative at a time.

In this episode of Inside INdiana Business with Gerry Dick, we spotlight the Indiana-based startup MakeMyMove, which is luring remote workers from across the U.S. to cities like Noblesville, South Bend, and Evansville. Offering cash incentives, perks, and community engagement opportunities, the program has already helped more than 2,000 remote workers relocate, fueling economic growth and helping Indiana address its talent shortage. Plus, northeast Indiana is aiming to become a global gateway for med tech companies. Fort Wayne's Parkview Mirro Center for Research and Innovation is launching an initiative to attract international med tech firms by easing their entry into the U.S. market and leveraging the region's $19 billion medical device ecosystem. Also in this episode: Cadillac brings Formula 1 to Fishers: Construction is underway on a $200 million racing headquarters expected to create 300 new jobs. Hypersonic tech in southern Indiana: Kratos Defense is investing $50 million in a hypersonic testing facility near NSWC Crane, creating up to 100 jobs and strengthening Indiana's defense sector. Indiana's hunger fight: Leaders from agriculture and food industries unite at the first Indiana Hunger Summit to combat food insecurity, which affects 1 in 8 Hoosiers. University of Evansville's farm-to-classroom innovation: A unique container farm initiative is helping educate students and feed the Evansville community year-round. Recycling revolution in Indy: Republic Services and Blue Polymers invest $180 million in a state-of-the-art plastics recycling complex, a first in North America, creating 125 jobs and setting a national precedent. Join us for an in-depth look at how Indiana is growing its workforce, driving innovation, and addressing critical community needs, one bold initiative at a time.

In this episode of “At Your Convenience,” CSP Editor Diane Adam talks with Damian Wyatt, vice president of retail, purchasing and merchandising for Greenfield, Indiana-based Leo's Market & Eatery. The podcast was recorded inside the retailer's new c-store location in Lafayette, Indiana. Other Leo's are located in Greenfield, Noblesville, McCordsville and Indianapolis, Indiana. Wyatt talks about the new store's features, including chef-prepared meals, a drive thru and Leo's signature kolaches. An industry veteran, Wyatt previously worked with convenience-store retailer MAPCO for nearly 20 years.

After the release of Episode 229 in which the Buf discusses a unique low-power radio station in Noblesville, Indiana, Rafe goes on the hunt to make contact, somehow, with the people at the station.Following some internet leads, he eventually reaches the creator, owner, and operator of 106.3 FM WEPB-LP radio, this week's Big Brain Smart Head™ guest Mickey Guffey.Mickey joins the Buf this week to discuss all things related to low-power radio and the joys and sorrows related to literally running a radio station out of your backyard.*****As always, you can reach the Buf at bufnagle@bufnagle.com*****As you know, this is an independent podcast so your hosts also carry all the expenses of running this podcast. As such, some of you have asked how you can help out. Well, here's the answer: support us on Buy Me a Coffee:https://buymeacoffee.com/bufnagleOn this page, you can do a really nice thing like send us a couple dollars to help cover the cost of recording and hosting and microphones and research and all that. Any little bit really helps! Thank you in advance!!!

ISC Sports Network’s Greg Rakestraw joins to recap Fisher’s 55-46 Sectional Championship win over Noblesville. Indiana High School Sports’ Brad Huber discusses Lawrence North’s 74-59 win over North Central. Matt Luce from Wapahani recaps their win over Madison-Grant. Matt Moore from Warsaw recaps Warsaw’s 78-74 overtime win over Northridge. Seve Beach from South Ripley discusses their 75-60 win over Southwestern (Hanover).See omnystudio.com/listener for privacy information.

We focus our attention on Christ as "Alpha and Omega" once again this week on "Encounter God's Truth"—also applying that reality in ways that will help us serve Him in these distressing times.Host Wayne Shepherd guides us in listening to portions of three different presentations by Dr. John Whitcomb. Together, they offer a brilliant demonstration of the fact that God's Word is true from the beginning to the end.First, we consider the outworking of our faith in Christ as "Alpha and Omega" by studying the strategy offered in 2 Timothy 2, by which we endeavor to teach the entirety of Scripture to the whole world.Next, we hear questions posed to Dr. Whitcomb on both creationism and prophecy, followed by an exhortation that will motivate us to serve the Lord at this crucial hour.With thanks to Victory Baptist Church in Whiteland, Ind., and Prairie Baptist Church in Noblesville, Ind., for portions of this audio, we offer this broadcast with prayers that many will hear and share its gospel message.

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"Job, you've been demanding a hearing before God. You've said He won't answer you. But what if He's been speaking this whole time—and you just haven't recognized His voice?" That's the challenge Elihu brings in Job 33. He steps forward, claiming he has something new to say—something Job's friends failed to understand. Elihu insists that God does answer people, but not always in the ways they expect. Sometimes He speaks through dreams, sometimes through suffering, sometimes through a mediator who intercedes on our behalf. Is Elihu on the right track? Speaking of a mediator, does he have Jesus in mind?  The Rev. Jacob Hercamp, pastor of Christ Lutheran Church in Noblesville, IN, joins the Rev. Dr. Phil Booe to study Job 33.  Why do the righteous suffer? That's the burning question at the heart of the book of Job—one of the most profound and challenging books in all of Scripture. From a Lutheran perspective, Job's story isn't just about a man enduring unimaginable hardship; it's about wrestling with God's will, grappling with well-meaning but misguided advice, and ultimately finding comfort in God's grace rather than human understanding. As Job's friends offer simplistic answers, Job demands the truth, and God's response reminds us of His infinite wisdom and mercy. Through it all, we see glimpses of Christ—the truly innocent sufferer—who redeems our pain and points us to the cross, where suffering meets salvation. Join us as we journey through Job, confronting tough questions about faith, suffering, and God's mysterious ways with hope grounded in Christ alone.  Thy Strong Word, hosted by Rev. Dr. Phil Booe, pastor of St. John Lutheran Church of Luverne, MN, reveals the light of our salvation in Christ through study of God's Word, breaking our darkness with His redeeming light. Each weekday, two pastors fix our eyes on Jesus by considering Holy Scripture, verse by verse, in order to be strengthened in the Word and be equipped to faithfully serve in our daily vocations. Submit comments or questions to: thystrongword@kfuo.org.

After a scoreboard update from Brendan King, coach begins the final hour talking with Rich Schelsky the head coach of Parke Heritage as they defeated Seeger 67-51. He then moves over to Noblesville as he talks with the Head Coach there in Scott McClelland as they defeated Avon 49-46 in overtime. We also hear from Andy Weaver at Plainfield as they saw out a win versus Franklin 70-62. Kip Wesner of the Hoosier basketball magazine then joins the show to discuss the Fishers/Zionsville matchup as well as the magazine. He finishes the show out with Grant Pugh of WTWO who had the privilege of having many games today including Northview beating Terre Haute North 58-56. See omnystudio.com/listener for privacy information.

Batesville Head coach, Garret calls in to talk about one of his players who had an absolute huge highschool scoring landmark. He talks about how he was able to do it and how he is off the court. Roger calls in to talk about two sectionals we had tonight, first was Northridge vs. Goshen. The second game he covered was Warsaw vs. Elkhart, where Warsaw came away with the win. Tom Lee joins the show to talk about the North Knox vs. West Vego, where Knox wins 53-50. Talks about how Knox was able to get out of the gate early and kept going. Nathaniel Finch calls in to talk about a battle of Noblesville vs. Westfield, 61-52. He talks about them moving forward in an even harder game coming up. Brian Sullivan calls in for the Bedford vs. New Albany, the score for that was 58-48. Bedford comes off of winning how many sectional games? Scott Agnes calls in to talk about the famous NBA trade that happens this week. He also touches on how the pacers are doing and what is helping them. Rob Blackmon calls in to talk Purdue basketball to round out the show.See omnystudio.com/listener for privacy information.

Coach Moorehead calls in to talk about Howser getting a big win against Decatur South, 79 to 25. He talks about his key players to get that done as well and what their near future looks like. Coach Matt calls in to talk about Wap Ahani who beat Delta, 44 to 38. He talks about this being the second win against this team this year. He talks about how it was a great defensive game with a big offensive performance from one player. Chris Ames joins to talk about his Clay City vs. North Davies, 41-24. He talks about not being able to score well but having impeccable defense to hold them to 24. He talks about a surprise guest for tonight's game. Scott Mccleland from Noblesville against HSC, 54-49. He talks about how the other team was better in the first half but made the adjustments needed in the second half. Bobby Allen calls in to talk about their win against Lafayette Catholic, 67-38. He talks about his half-time strategy to turn the game in their direction. He also calls out some of the stars from tonight's game. John Herrick joins the show to talk about the IU vs. The Notre Dame game tonight, it was a very close game with great energy for a Midwest classic. Brian Sullivan calls in to talk about the Evansville North and New Albany game. He tells us the score was 59-55 New Albany squeezing it out. Kip joins in to talk about some Hoosier basketball mixed in with some recent and far history.See omnystudio.com/listener for privacy information.

Some people speak with such certainty that it's almost intimidating. How can anyone be so sure, so confident, and so…wrong. That's Bildad. He's convinced he knows how God works: “If you're suffering, it must be your fault. Repent, and everything will go back to normal.” It's a tempting way to think—simple, neat, and entirely misguided. But Job pushes back. He doesn't deny God's justice, but he questions how anyone—especially someone so broken—can stand before a holy and powerful God.    The Rev. Jacob Hercamp, pastor of Christ Lutheran Church in Noblesville, IN, joins the Rev. Dr. Phil Booe to study Job 8 and 9. Why do the righteous suffer? That's the burning question at the heart of the book of Job—one of the most profound and challenging books in all of Scripture. From a Lutheran perspective, Job's story isn't just about a man enduring unimaginable hardship; it's about wrestling with God's will, grappling with well-meaning but misguided advice, and ultimately finding comfort in God's grace rather than human understanding. As Job's friends offer simplistic answers, Job demands the truth, and God's response reminds us of His infinite wisdom and mercy. Through it all, we see glimpses of Christ—the truly innocent sufferer—who redeems our pain and points us to the cross, where suffering meets salvation. Join us as we journey through Job, confronting tough questions about faith, suffering, and God's mysterious ways with hope grounded in Christ alone.  Thy Strong Word, hosted by Rev. Dr. Phil Booe, pastor of St. John Lutheran Church of Luverne, MN, reveals the light of our salvation in Christ through study of God's Word, breaking our darkness with His redeeming light. Each weekday, two pastors fix our eyes on Jesus by considering Holy Scripture, verse by verse, in order to be strengthened in the Word and be equipped to faithfully serve in our daily vocations. Submit comments or questions to: thystrongword@kfuo.org.

On Jan. 21, 2007 the Indianapolis Colts faced the New England Patriots in the AFC Championship. The Colts had a history of losing to Tom Brady and the Patriots, but this year was different.Late in the game, Colts cornerback Marlin Jackson intercepted Brady's pass to seal the win and send the Colts to the Super Bowl.Nearly two decades later that play is still one of the greatest in franchise history. Now, the former Indianapolis Colts player is using his winning moment to help the community.Jackson, who now lives in Noblesville, founded an organization called Fight for Life. The nonprofit partners with educators to provide space for youth to process their experiences and circumstances so they can have winning moments. Through that organization a new campaign has been started to help local students and schools.You can be a part of the #winningmoments campaign as well. The campaign works with youth and educators to look for personal winning moments, both on an individual basis and from within the community.Marlin stopped by the Life.Style.Live! set to discuss the organization and the campaign.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our guest this week is Scott MacGregor of Fishers, IN who is Executive Director of Content and Storytelling at Eli Lilly and Company and father of three including one with Down Syndrome.Scott and his wife, Sara, have been married for 23 years and are the proud parents of three living children: Ainsley (16), Jack (18) and Abby (21) who has Down Syndrome.  Very sadly, their son Owen who had Trisomy 13, was still born in 2011. We learn about a wide range of organizations Abby has benefited from, including: Gigi's Playhouse,, Unified Track, Kids Dance Outreach and First Steps as well as DADS (Dads Appreciating Down Syndrome).Scott supported his wife Sara as she co-founded Same As U, a nonprofit organization, located in Noblesville, IN established in 2019 to serve young adults with developmental disabilities and to help them live the life they imagine.  Same As U is filling a need for more meaningful activities and programming that often stop upon leaving the traditional school system.We'll hear all about that school, Scott's gift of story telling and his commitment to family all on this episode of the SFN Dad to Dad Podcast.Show LinksPhone – (317) 440-4699Email – jsmacgregor@lilly.comLinkedIn –  https://www.linkedin.com/in/jscottmacgregor/Website - https://www.sameasu.org/Same As U - Vimeo - https://vimeo.com/957878602DADS. Dads Appreciating Down Syndrome  https://www.dadsnational.org Gigi's Playhouse https://gigisplayhouse.org Special Fathers Network - SFN is a dad to dad mentoring program for fathers raising children with special needs. Many of the 800+ SFN Mentor Fathers, who are raising kids with special needs, have said: "I wish there was something like this when we first received our child's diagnosis. I felt so isolated.  There was no one within my family, at work, at church or within my friend group who understood or could relate to what I was going through."SFN Mentor Fathers share their experiences with younger dads closer to the beginning of their journey raising a child with the same or similar special needs. The SFN Mentor Fathers do NOT offer legal or medical advice, that is what lawyers and doctors do. They simply share their experiences and how they have made the most of challenging situations.Check out the 21CD YouTube Channel with dozens of videos on topics relevant to dads raising children with special needs - https://www.youtube.com/channel/UCzDFCvQimWNEb158ll6Q4cA/videosPlease support the SFN. Click here to donate: https://21stcenturydads.org/donate/Special Fathers Network: https://21stcenturydads.org/  

Rhonda Parker Taylor is an American writer, entrepreneur, and academic researcher. Born on October 18, 1964, in Noblesville, Indiana, she is the second youngest of five children to Anita and William Parker, founders of a steel manufacturing company. Rhonda's childhood was spent amid cornfields and cows, attending Heritage Christian School in Indianapolis. After completing a fashion merchandising program at Bauder College in Arlington, Texas, Rhonda returned to Indiana, where she eventually found her passion for writing. Her debut novel, “Crossroads,” a suspenseful masterpiece, was released in February 2023. Endorsed by bestselling author J.J. Hebert and Golden Globe-nominated actress Mariel Hemingway, the novel has been hailed as a captivating crime thriller that keeps readers intrigued from start to finish. While pursuing her academic explorations, Rhonda attended the University of Phoenix for a doctoral business program and earned an MBA and a bachelor's in science management from Indiana Wesleyan University. Rhonda's diverse writing spans from educational works to fiction, and she is well-known for her research on emotional intelligence. Her academic achievements extend to being a prominent leader presented at the United Nations Global Compact Committee. @https://rhondaparkertaylor.com/ https://www.facebook.com/rhonda.parker.967 https://twitter.com/RhondaParkerTa1 https://www.pinterest.com/rhondaparkertaylor/ https://studio.youtube.com/channel/UC2RS1n3r_33_Ge90ivqtwpw https://www.instagram.com/rhondaparkertaylor/ #findingjoy#RhondaParkerTaylor#MentalHealthMatters#EmotionalWellness#PositiveMindset#ResilienceAndHope#MindsetShift#FindingHappinessWithin#InspirationForLife#EmbraceTheMoment

#139 - Rhonda Parker Taylor's journey from small-town beginnings in Noblesville, Indiana, to becoming the author of the best-selling novel "Crossroads" is nothing short of inspiring. Rhonda reflects on her unique educational experiences and the challenges she faced growing up, which shaped her perspective and fueled her passion for storytelling. Her story is a testament to the power of living authentically and embracing each moment, whether you're in a mansion or a tent. Join us as we explore how these experiences influenced the creation of her gripping novel and the accompanying life workbook, which delves into the 13 dimensions of personal balance.Listen in as Rhonda shares how her interactions with crime watch groups and personal encounters with the legal system in Indianapolis inspired "Crossroads." Discover the compelling tale of Paris Pennington, an executive whose life takes unexpected turns during jury duty, unraveling the complexities of the legal system. Rhonda opens up about the fears she overcame in publishing her work and the invaluable support she found in a hybrid publisher. Her journey culminated in a thrilling endorsement from Meryl Hemingway, which was both exhilarating and humbling, marking a significant milestone in her career.This episode captures the highs and lows of the publishing world, as Rhonda candidly discusses embracing imperfections and the importance of persistence and self-validation. The celebration of her book launch, marked by a memorable event at Barnes & Noble, stands as a testament to her dedication and resilience. Through personal stories of adventure and resilience, Rhonda emphasizes the significance of acknowledging and managing emotions, using humor and self-awareness to navigate life's challenges. Her insights into work, travel, and cultural learning underscore the importance of living a fulfilling and authentic life.To learn more about Rhonda and her book, Crossroads please visit her website www.rhondaparkertaylor.com. You can also follow her on Instagram @rhondaparkertaylor. I would love it if you could follow me on Instagram as well @journeywithjakepodcast. I am also on YouTube @journeywithjakepodcast.Want to be a guest on Journey with Jake? Send Jake Bushman a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/journeywithjake To sign up for my newsletter and a chance to win a Sacred Spaces Gift Box please visit www.journeywithjake.net/newsletter. To learn more about Sacred Spaces Volume 3 please visit www.colleenaviscoaching.com/events. Visit geneticinsights.co and use the code "DISCOVER25" to enjoy a sweet 25% off your first purchase.

Rhonda Parker Taylor: Author, Entrepreneur, and Academic Pioneer   Rhonda Parker Taylor is a celebrated American writer, entrepreneur, and academic researcher whose journey reflects her passion for storytelling and leadership.   Born on October 18, 1964, in Noblesville, Indiana, she grew up among cornfields and cows as the second youngest of five children to Anita and William Parker, founders of a steel manufacturing company.   She attended Heritage Christian School in Indianapolis before pursuing a fashion merchandising program at Bauder College in Arlington, Texas.   Rhonda's career trajectory shifted upon discovering her love for writing.   Her debut novel, Crossroads, released in February 2023, is a suspense-filled crime thriller that has garnered praise from bestselling author J.J. Hebert and Golden Globe-nominated actress Mariel Hemingway.   The novel continues to captivate readers with its intricate plot and gripping narrative.   In addition to her literary pursuits, Rhonda has a strong academic foundation. She earned an MBA and a Bachelor of Science in Management from Indiana Wesleyan University and furthered her studies through a doctoral program in business at the University of Phoenix.   Her academic research focuses on emotional intelligence, a topic she has presented to distinguished audiences, including the United Nations Global Compact Committee.   Beyond her writing and academic achievements, Rhonda's work spans educational publications and fiction, demonstrating her versatility as a thinker and creator.   She stands as a trailblazer in blending storytelling with impactful leadership, inspiring readers and scholars alike.   Learn More Here: https://rhondaparkertaylor.com/ .... Want to be a guest on WITneSSes? Send Elisha Arowojobe a message on #PodMatch, here: Want to be a guest on WITneSSes? Send Elisha Arowojobe a message on #PodMatch, here: https://www.podmatch.com/member/ambelisha   Elevate your business with Anastasia's expert consulting. Use code Elisha3 for an exclusive offer and transform your business today! https://resurrectionmentor.wixsite.com/so/42PDEPEB8?languageTag=en  

Doubt. Fear. Locked doors. These are the marks of the disciples after the resurrection who are hiding behind locked doors. Then, Jesus enters the room, and we are made witnesses of the risen Christ as he brings peace to his fearful disciples. Thomas, wracked with unbelief, demands proof of Jesus' identity. In love, Jesus grants his request after which God blesses Thomas with a faith that proclaims, 'My Lord and my God!' Thomas believes after he encounters Jesus in the flesh, but as Jesus points out, “Blessed are those who have not seen and yet have believed.”  The Rev. Jacob Hercamp, pastor of Christ Lutheran Church, Noblesville, IN, joins the Rev. Dr. Phil Booe to study John 20:19-31.  The Gospel of John takes us on a journey through the Good News of Jesus in a unique way. It reveals Jesus as the incarnate son of God from eternity.  From His miraculous signs to His profound "I Am" statements, we witness Jesus offering living water to the thirsty, light to those in darkness, and life to the dead. But this is also a story of conflict: Jesus is relentlessly pursued by those who reject Him, yet He willingly goes to the cross, showing the depths of God's love. As we travel from His first miracle to His ultimate victory over death, John invites us to see and believe—that in Jesus, we find eternal life and the very presence of God among us. Connect to God's revealing Word in this series that uncovers the rich, layered truths of John's Gospel and the unshakable hope it offers.  Thy Strong Word, hosted by Rev. Dr. Phil Booe, pastor of St. John Lutheran Church of Luverne, MN, reveals the light of our salvation in Christ through study of God's Word, breaking our darkness with His redeeming light. Each weekday, two pastors fix our eyes on Jesus by considering Holy Scripture, verse by verse, in order to be strengthened in the Word and be equipped to faithfully serve in our daily vocations. Submit comments or questions to: thystrongword@kfuo.org.

The Tip Off Classic at Southport and the Champions of Character Classic at Grace College, featuring many of the top teams in the state, were both on Saturday. WE HAVE YOU COVERED! Also, Noblesville had an incredible weekend, but it might signal a Fishers juggernaut. Weekly Features: Recruiting updates Best Game/Team Best Player Performance Surprises Locks! Games we're watching Hosts: Dominique Neely Jim Reamer Kyler Staley Zak Tyler Patrick Wooley Thank you for listening to Courtside Indiana podcast.  If you listen every week, we appreciate it.  If not, please hit the subscribe or add button on your podcast app to get them delivered straight to your phone tablet or desktop.  As always, we'd appreciate a rating and review, and you can reach us directly on our Courtside Indiana Twitter and Instagram Follow us on both platforms at: @Courtside I N D Sponsors: Box Out Sports is the leading online graphics solution giving you the ability to create professional content in seconds to highlight your team and student-athletes this season. You can sign up for a free demo at BoxOutSports.com Spotify: https://open.spotify.com/show/1F6ay4eVjjfEdksodpaZsA?si=mY7b4OO-SNGYoFatjvo7bQ Apple Podcasts: https://podcasts.apple.com/us/podcast/courtside-indiana-podcast/id1506939265 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy8xYTczZTcwOC9wb2RjYXN0L3Jzcw Or listen on your computer at: https://anchor.fm/courtside-indiana --- Support this podcast: https://podcasters.spotify.com/pod/show/courtside-indiana/support

From New Orleans High School we had Tom Bradley join the show to talk about his dominant squad. He talks about how he has got his team to buy into the little things which have been the recipe for their success. He also previews their future being the best and moving forward. John calls in Shelbyville overtaking New Castle, 70-61. He talks about what they can do to continue their success. Andy hops in to tell about his win tonight and how they have been playing at a high level for quite some time. Andy talks about some young talent he has and how they were able to contribute to this win and the role they will play. Scott Mcclelland joins from Noblesville talks about his win tonight and preparing to play a much different team tomorrow in Jeffersonville. He says what they can do to prepare for these close games on dates. Matt Loose joins to talk about beating Lapel. He talks about how this has grown into a rivalry over the last 18 years. Rich Shelsky from Park Heritage joins to talk about the respect he has for the coach he was able to get the W against tonight. Brian Sullivan joins to talk about Rock Creek Christian and their win over Christian Academy. He talks about free throw trouble, rebounding, and clutch shots in his games this weekend. We round out the show hearing from Nate Hawkins and Rick Johnston to give some recaps of their game.See omnystudio.com/listener for privacy information.

Rhonda Parker Taylor is an American writer, entrepreneur, and academic researcher. Born on October 18, 1964, in Noblesville, Indiana, she is the second youngest of five children to Anita and William Parker, founders of a steel manufacturing company. Rhonda's childhood was spent in the midst of cornfields and cows, attending Heritage Christian School in Indianapolis.After completing a fashion merchandising program at Bauder College in Arlington, Texas, Rhonda returned to Indiana, where she eventually found her passion for writing. Her debut novel, “Crossroads,” a suspenseful masterpiece, was released in February 2023. Endorsed by bestselling author J.J. Hebert and Golden Globe-nominated actress Mariel Hemingway, the novel has been hailed as a captivating crime thriller that keeps readers intrigued from start to finish.While pursuing her academic explorations, Rhonda attended the University of Phoenix for a doctoral program in business and earned an MBA and a bachelor's in science management from Indiana Wesleyan University.Rhonda's diverse writing spans from educational works to fiction, and she is well-known for her research on emotional intelligence. Her academic achievements extend to being a prominent leader presented at the United Nations Global Compact Committee.Beyond her writing, Rhonda has an extensive background in teaching and training, with a decade of experience in business, management, and leadership education. She has taught a wide range of business courses at various institutions, including the University of Indianapolis, Oakland City University, National College, and others.As an entrepreneur, Rhonda founded Intelligence Solutions, providing training, development, academic research, and business writing services. Prior to this, she served as Campus Director and Professor at National College and co-directed a small to midsize advertising agency named Partnership Plus Design Studio.Outside of her professional endeavors, Rhonda is an avid lover of nature, enjoying the outdoors, animals, birds, and mountains. She is a music enthusiast with an appreciation for various genres, and she loves cooking for others while exploring different foods and recipes. Reading and writing hold a special place in her heart, spanning from academic works to fiction and poetry.Traveling is one of Rhonda's passions, and she has extensively explored North America, as well as traveled abroad to various countries, including England, Scotland, Italy, Greece, and others.Overall, Rhonda Parker Taylor is a multi-talented individual who continues to inspire and impact others through her writing, academic achievements, and entrepreneurial ventures, all while embracing life's adventures with her husband and three dogs https://www.facebook.com/rhonda.parker.967 https://twitter.com/RhondaParkerTa1https://www.pinterest.com/rhondaparkertaylor/ https://studio.youtube.com/channel/UC2RS1n3r_33_Ge90ivqtwpw https://www.instagram.com/rhondaparkertaylor/ https://www.linkedin.com/in/rhondaparkertaylor/ https://www.tiktok.com/@authorrhondaparkertaylor  Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

This special St. Nicholas Day edition of Headlines features multiple rounds of holiday-themed headlines, with two fabricated by the host and one real headline. The guest's challenge is to identify the real headline, which serves as a springboard for a deeper theological discussion. We'll cover the use of AI in the church, the dating of Christmas, and strange Christmas traditions. The conversation weaves together humor, insight, and reflections on the holiday season.  The Rev. Jacob Hercamp, pastor of Christ Lutheran Church, Noblesville, IN, joins the Rev. Dr. Phil Booe to explore holiday headlines.  The headlines mentioned in this episode:  https://nypost.com/2024/11/20/tech/this-church-has-an-ai-jesus-for-confessions-it-gave-me-so-much-advice/  https://apnews.com/article/russia-ukraine-war-christmas-orthodox-church-calendar-b658c9ebecc91a470866c34b1c1847eb  https://witness.lcms.org/2022/why-december-25/  Thy Strong Word, hosted by Rev. Dr. Phil Booe, pastor of St. John Lutheran Church of Luverne, MN, reveals the light of our salvation in Christ through study of God's Word, breaking our darkness with His redeeming light. Each weekday, two pastors fix our eyes on Jesus by considering Holy Scripture, verse by verse, in order to be strengthened in the Word and be equipped to faithfully serve in our daily vocations. Submit comments or questions to: thystrongword@kfuo.org.

This special St. Nicholas Day edition of Headlines features multiple rounds of holiday-themed headlines, with two fabricated by the host and one real headline. The guest's challenge is to identify the real headline, which serves as a springboard for a deeper theological discussion. We'll cover the use of AI in the church, the dating of Christmas, and strange Christmas traditions. The conversation weaves together humor, insight, and reflections on the holiday season.  The Rev. Jacob Hercamp, pastor of Christ Lutheran Church, Noblesville, IN, joins the Rev. Dr. Phil Booe to explore holiday headlines.  The headlines mentioned in this episode:  https://nypost.com/2024/11/20/tech/this-church-has-an-ai-jesus-for-confessions-it-gave-me-so-much-advice/  https://apnews.com/article/russia-ukraine-war-christmas-orthodox-church-calendar-b658c9ebecc91a470866c34b1c1847eb  https://witness.lcms.org/2022/why-december-25/  Thy Strong Word, hosted by Rev. Dr. Phil Booe, pastor of St. John Lutheran Church of Luverne, MN, reveals the light of our salvation in Christ through study of God's Word, breaking our darkness with His redeeming light. Each weekday, two pastors fix our eyes on Jesus by considering Holy Scripture, verse by verse, in order to be strengthened in the Word and be equipped to faithfully serve in our daily vocations. Submit comments or questions to: thystrongword@kfuo.org.

Brownfield's Erin Anderson visited with Kelli Werling, of the Indiana State Department of Animal Health, at the Midwest Pork Conference in Noblesville, Indiana.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brownfield's Erin Anderson visited with Stacy Hull at the Midwest Pork Conference in Noblesville, Indiana.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hoosiers will spend slightly less on their Thanksgiving meals compared to last year, according to the Indiana Farm Bureau's annual survey. Noblesville closed all of the district's schools on Tuesday after receiving a threat. School districts across Indiana are facing increased cybersecurity threats. Several advocacy groups have stressed the importance of bolstering the state's healthcare workforce. Want to go deeper on the stories you hear on WFYI News Now? Visit wfyi.org/news and follow us on social media to get comprehensive analysis and local news daily. Subscribe to WFYI News Now wherever you get your podcasts. Today's episode of WFYI News Now was produced by Drew Daudelin and Abriana Herron, with support from News Director Sarah Neal-Estes.

Soon after revealing to us how Jesus proclaimed Himself to be the Light of the World, John now shares an example of that light in action. In this chapter, Jesus heals a man born blind, demonstrating His divine authority and compassion. This miraculous act not only restores physical sight but also leads the man to spiritual enlightenment, even as it exposes the spiritual blindness of the Pharisees who are angered by Jesus. The Rev. Jacob Hercamp, pastor of Christ Lutheran Church, Noblesville, IN, joins the Rev. Dr. Phil Booe to study John 9.  The Gospel of John takes us on a journey through the Good News of Jesus in a unique way. It reveals Jesus as the incarnate son of God from eternity.  From His miraculous signs to His profound "I Am" statements, we witness Jesus offering living water to the thirsty, light to those in darkness, and life to the dead. But this is also a story of conflict: Jesus is relentlessly pursued by those who reject Him, yet He willingly goes to the cross, showing the depths of God's love. As we travel from His first miracle to His ultimate victory over death, John invites us to see and believe—that in Jesus, we find eternal life and the very presence of God among us. Connect to God's revealing Word in this series that uncovers the rich, layered truths of John's Gospel and the unshakable hope it offers.  Thy Strong Word, hosted by Rev. Dr. Phil Booe, pastor of St. John Lutheran Church of Luverne, MN, reveals the light of our salvation in Christ through study of God's Word, breaking our darkness with His redeeming light. Each weekday, two pastors fix our eyes on Jesus by considering Holy Scripture, verse by verse, in order to be strengthened in the Word and be equipped to faithfully serve in our daily vocations. Submit comments or questions to: thystrongword@kfuo.org.

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Jake and Tony revisit the first of Lead222's 9 Markers of a Healthy Youth Ministry, Vision & Alignment, as they sit down and talk with the Executive Director of Wayfinders, Brandon Faust. This is a longer one than usual but it is full of rich wisdom from Brandon! Take a listen as they discuss the role that Wayfinders plays for leaders, practical steps on setting vision, and Tony starts off with sharing the IWU lore of Brandon.  Bo Challenge: Get your leaders and students to buy in and own your vision! Don't just make it a statement that never gets traction.  Episode Breakdown:  00:00 - 01:50 // Intro 01:50 - 14:50 // Brandon Faust, his Youth Ministry story, and Wayfinders founding  14:50 - 23:00 // Mission vs. Vision vs. Strategy  23:00 - 42:40 // Challenges that Brandon sees Youth Leaders struggling in  42:40 - 47:05 // Final thoughts, Bo Challenge! DON'T FORGET TO GET TO THE SUMMIT! November 12-14 in Noblesville, IN!  FOLLOW US ON INSTAGRAM: @lead.222 ------- Did this conversation resonate with you? Do you have a suggestion for a future episode? We want to hear from you! Write us at info@lead222.com  Help us grow the community! Subscribe, share, and leave a review. For more information about Lead222 or find a community of leaders in your area: ⁠⁠⁠www.lead222.com ⁠⁠⁠ Lead222 Youth Ministry Staffing www.Lead222/⁠⁠⁠staffing.com⁠⁠⁠

About Rhonda Parker Rhonda Parker Taylor wanted to write a book to prove to herself that she could. For many, like Parker Taylor, writing is a difficult task. Growing up, she wasn't a good student in English, reading or writing. She struggled with McGuffey Readers. And the phonetic concepts escaped her as a child. But she was still drawn to books, mostly encyclopedias, where she could read about the world, daring young women and journeys away from her small hometown of Noblesville. So, writing became about telling a story that was within her. https://rhondaparkertaylor.com/ https://www.linkedin.com/in/rhondaparkertaylor/ --------------------------------- About Marie Birtel I published my book in German and English beginning of 2024 about narcissistic abuse in family-systems. The name of my heroine is Emma. In fact it is my story: Emma grows up in the illusion of a perfect family, shielded by external prosperity and a façade of good upbringing. However, behind closed doors, a toxic family system thrives - led by a covertly narcissistic mother and a narcissistic-sadistic father. In "I love you when...", you embark on a captivating journey through the seemingly idyllic family's own world, unraveling the intricacies of manipulative tactics woven over decades. https://mariebirtel.com/ https://www.instagram.com/i_am_maryc/ ---------------------------------- About David Doss David Doss is the visionary Founder of CKC.Fund, an asset management consulting firm that bridges the gap between traditional finance and emerging technologies like blockchain. With over a decade of experience in corporate development, strategic planning, and investment management, David has held pivotal roles at top-tier institutions such as Citi, Saks Fifth Avenue, and Gemini, where he honed his skills in wealth creation, financial innovation, and growth marketing. David's mission is to empower individuals and businesses by providing them with the tools and knowledge they need to navigate the complexities of the modern financial world. He excels in breaking down intricate financial concepts, making them accessible and actionable for his audience. Whether advising on building diversified investment portfolios, navigating the regulatory landscape of cryptocurrency, or exploring blockchain's potential in real estate, David's insights offer clarity in an increasingly digital and fast-paced world. https://ckc.fund/ https://www.linkedin.com/company/53417980/admin/feed/posts/ ---------------------------------- When It Worked Podcast https://getoffthedamnphone.com/podcast

E. D. v. Noblesville School District

Earth— A mighty angel descends from heaven, declaring the complete and final fall of Babylon, the great city, whose destruction marks the end of her worldly power. As Babylon collapses, the inhabitants of the earth mourn over the loss of her wealth, luxury, and splendor. Merchants, kings, and all who benefited from her trade stand at a distance, weeping over the sudden ruin of the once-glorious city. How does knowing the future of those who engage in immorality change your priorities?  The Rev. Jacob Hercamp, pastor of Christ Lutheran Church, Noblesville, IN, joins the Rev. Dr. Phil Booe to study Revelation 18:1-24.  Shrouded in mysterious visions of cosmic battles, plagues, and catastrophic events, the Apocalypse of St. John, or as it's more commonly known--the Book of Revelation, paints a haunting picture of the end times. Cryptic symbols of beasts, the rise of the Antichrist, and the final judgment unfold with unsettling intensity, revealing the ultimate clash between good and evil. Yet, beneath its terrifying imagery, Revelation is also a deeply personal letter, offering comfort to early Christians facing persecution. It reassures them—and believers today—of God's control over history, His promise of redemption, and the certainty of Christ's victory. 

Jake and Tony kick off a new series of podcasts centered around Lead222's 9 Markers of a Healthy Youth Ministry! Take a listen as they discuss vision, how to get your entire ministry on the same page, and how sickness is an inevitable part of being a parent to a toddler. Bo Challenge: Find a way to encourage your parents or leaders with wins that are connected with your vision for your student ministry!  GET TO THE SUMMIT! November 12-14 in Noblesville, IN!  Also - don't forget to send us your Amazon shopping cart images! Winner gets a gift card at The Summit!  FOLLOW US ON INSTAGRAM: @lead.222 ------- Did this conversation resonate with you? Do you have a suggestion for a future episode? We want to hear from you! Write us at info@lead222.com  Help us grow the community! Subscribe, share, and leave a review. For more information about Lead222 or find a community of leaders in your area: ⁠⁠⁠www.lead222.com ⁠⁠⁠ Lead222 Youth Ministry Staffing www.Lead222/⁠⁠⁠staffing.com⁠⁠⁠

David Dawson from Noblesville joins Kendall and Casey to discuss his run for Noblesville School Board.See omnystudio.com/listener for privacy information.

This week we sit down with one of our new cohosts - Carmen! We dive into her experience at SI, being a Noblesville kid at Impact, her faith and so much more!

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Hosea has painted a powerful picture of Israel's betrayal through idolatry and unfaithfulness, with God calling Hosea to his own turbulent marriage as a metaphor. Chapters 13 and 14 bring this theme to a climax with a stern warning of God's judgment but also a tender call for repentance. God's righteous anger is balanced by His deep desire to heal and restore His people if they turn back to Him. The tension between divine judgment and mercy runs throughout, ultimately offering hope for renewal and forgiveness.  The Rev. Jacob Hercamp, pastor of Christ Lutheran Church in Noblesville, IN, joins the Rev. Dr. Phil Booe to study Hosea 13 and 14.  Hosea tells the powerful story of a prophet commanded to marry an unfaithful woman, Gomer, as a living symbol of God's boundless love for Israel despite its repeated betrayals. Through heartbreak and redemption, Hosea's marriage becomes a vivid portrayal of how deeply God desires His people to return to Him, even when they chase after idols. Packed with raw emotion, prophetic warnings, and a message of divine mercy, this book captures God's relentless pursuit and offers a stirring reminder that restoration is always possible—through Jesus--no matter how far one has wandered. 

In this riveting episode of the Millionaire Car Salesman Podcast, host Sean V. Bradley invites Ace Barrow, an Acquisition Specialist at Ed Martin Toyota, for an in-depth discussion on the art and strategy of acquiring cars directly from the public! Sean and Ace delve into the unique role of a full-time car buyer, discussing innovative techniques for vehicle acquisition, the importance of building a personal brand within the dealership, and strategies to expand inventory without relying solely on auctions and trade-ins. The conversation also touches on the significance of proactive customer engagement and how creating robust referral networks can significantly boost a dealership's inventory and overall success! Ace shares insightful details on his day-to-day operations, balancing customer interaction in the service lounge with strategic outreach to potential sellers. He reveals his approach to seamlessly integrating acquisition conversations during routine service appointments and the effectiveness of consistent follow-ups. Sean and Ace also brainstorm on scaling these efforts through technology and digital marketing, highlighting software like VINCUE and strategies inspired by successful dealerships like Country Hill Motors. This episode offers invaluable insights for dealerships looking to refine their acquisition techniques and leverage public sales for greater financial efficiency!   Key Takeaways Proactive Vehicle Acquisition: The importance of having a dedicated professional to actively seek out vehicle purchases from the public, rather than solely relying on auctions and trade-ins. Customer Interaction Techniques: Practical tips on how to approach and engage customers in the service lounge about selling their vehicles, ensuring a non-invasive and positive experience. Building a Personal Brand: Strategies for creating a personal brand within the dealership to enhance the acquisition process and attract more sellers from the community. Leveraging Technology: Recommended tools and software like VINCUE for streamlining vehicle acquisition processes and enhancing efficiency. Expanding Referral Networks: The benefits of creating partnerships with local businesses such as motorcycle and RV dealerships to generate a steady flow of used car inventory.     About Ace Barrow Ace Barrow is a seasoned automotive professional with over five years in the auto industry, currently serving as an Acquisition Specialist at Ed Martin Toyota in Noblesville, Indiana. Prior to his automotive career, Ace enjoyed a rewarding 33-year career in a different field before transitioning into car sales and eventually focusing on the acquisition of vehicles from the public.      Resources: Podium: Discover how Podium's innovative AI technology can unlock unparalleled efficiency and drive your dealership's sales to new heights. Visit www.podium.com/mcs to learn more! Dealer Synergy & Bradley On Demand: The automotive industry's #1 training, tracking, testing, and certification platform and consulting & accountability firm. The Millionaire Car Salesman Facebook Group: Join the #1 Mastermind Group in the Automotive Industry! With over 28,000 members, gain access to successful automotive mentors & managers, the best industry practices, & collaborate with automotive professionals from around the WORLD! Join The Millionaire Car Salesman Facebook Group today! Win the Game of Googleopoly: Unlocking the secret strategy of search engines.     The Millionaire Car Salesman Podcast is Proudly Sponsored By: Podium: Elevating Dealership Excellence with Intelligent Customer Engagement Solutions. Unlock unparalleled efficiency and drive sales with Podium's innovative AI technology, featured proudly on the Millionaire Car Salesman Podcast. Dealer Synergy: The #1 Automotive Sales Training, Consulting, and Accountability Firm in the industry! With over two decades of experience in building Internet Departments and BDCs, we have developed the most effective automotive Internet Sales, BDC, and CRM solutions. Our expertise in creating phone scripts, rebuttals, CRM action plans, strategies, and templates ensures that your dealership's tools and personnel reach their full potential. Bradley On Demand: The automotive sales industry's top Interactive Training, Tracking, Testing, and Certification Platform. Featuring LIVE Classes and over 9,000 training modules, our platform equips your dealership with everything needed to sell more cars, more often, and more profitably!     How to Buy Cars from the Public and Maximize Dealership Profitability Key Takeaways: Building a proactive vehicle acquisition strategy can significantly boost dealership profitability. Creating a brand within the dealership for car acquisition can enhance community reach and streamline the buying process. Utilizing technology and external networks can scale acquisition operations efficiently.     Mastering Vehicle Acquisition: Strategies for Dealerships In the automotive industry, focusing solely on selling cars leaves a significant gap in potential profitability. Buying cars from the public not only saves on auction fees but also increases dealership inventory with well-maintained vehicles. This strategy allows dealerships to control their destiny better. Ace Barrow from Ed Martin Toyota epitomizes this proactive approach, leveraging customer relations and service interactions to buy vehicles directly from the public. Here, we delve into strategic insights shared by Ace and Sean V. Bradley on the Millionaire Car Salesman podcast, highlighting efficient acquisition methods and broader implications for dealerships.     Developing a Proactive Acquisition Strategy Dealerships often overlook the strategic advantage of proactively buying cars from the public. As Ace Barrow explains, "We like to buy cars from customers. Would you mind if I made an offer while you waited?" This simple, direct approach initiates the conversation, removing the pressure of selling. Ace targets about 24 customers daily within the dealership's service lounge, which sees around 110 repair orders per day. "People know me. They like me. They say, 'hi, Ace,' before I introduce myself to them now because they're used to me coming up and in a non-threatening way, giving them an appraisal whether they buy a car or not." However, there's room for scaling this strategy. As Sean V. Bradley suggests, dealerships should explore integrating appraisals into the service process systemically. This could involve preemptively appraising every vehicle that enters for service, attaching a detailed offer, and engaging with the customer proactively.   Enhancing Customer Experience in Service Departments Maintaining positive customer experiences in service lounges is crucial, especially when integrating acquisition efforts. Ace emphasizes a calm, comfortable environment to ensure customers aren't discouraged by aggressive pitches. "We want them to come back for service the next time instead of staying away because of this obnoxious guy who tried to appraise my car." To balance acquisition initiatives with customer satisfaction, dealerships can provide attractive, non-intrusive offers. This tactical blend preserves service department reputation and encourages repeat business, even if customers initially decline to sell their vehicle. Integrating educational materials and digital options, like dedicated kiosks for vehicle appraisals, could enhance this approach.   Building a Brand within the Dealership's Brand Creating a distinctive brand for acquisition specialists within a dealership can amplify outreach and credibility. As Sean advises Ace, having a catchy, specific brand name like "I Buy Cars" or "We Buy Any Cars" not only clarifies the service but also aids in marketing and digital presence. "Step one when you're trying to build your brand within the dealership's brand, you want to be able to kind of personify your brand… We buy used cars. I buy used cars in Indiana." Supporting this brand with dedicated digital assets, such as a specialized website and social media channels, can enhance visibility and attract more customers. Platforms like Upwork and Fiverr are cost-effective solutions for developing logos, social media banners, and branded content, crucial for maintaining a professional image. Further, Ace can draw from the experience of car sales elites like Cody Carter, who has his own site and generates substantial leads independently. Emulating such strategies could see Ace setting up a tailored acquisition website, facilitating digital retailing and broadening his reach beyond current customers.   Utilizing External Networks and Technology Scaling acquisition operations efficiently requires leveraging external networks and advanced technology. Sean underscores the value of partnerships with local motorcycle and RV dealers for referrals. By offering to appraise trade-in vehicles on-site, Ace could tap into a broader market, obtaining vehicles from diverse sources. "Develop relationships with all of the motorcycle dealerships, the Kawasaki, the BMW dealerships, the Harley Davidson dealerships, our sports, ATV's, Jet skis, Sea-doos, RVs, trailers… Those are referral agents." Incorporating tools like VinCue can streamline this process, enhancing tracking, pricing accuracy, and customer relationship management. VinCue integrates functions like Kelley Blue Book Instant Cash Offer and Facebook Marketplace listings, which magnify lead generation capabilities. Combining technology with a robust referral network increases acquisition efficiency, allowing specialists to handle more transactions seamlessly.     Ace's success at Ed Martin Toyota is a testament to the importance of a dedicated acquisition strategy. By proactively engaging with service customers, creating a standalone brand, and leveraging technology, dealerships can significantly enhance their inventory with quality used cars while bypassing the costly auction process. Furthermore, developing local partnerships and utilizing sophisticated software can optimize this process, paving the way for infinitely scalable operations. For dealerships eager to stay ahead, mastering vehicle acquisition is no longer optional—it's a necessity.

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Join us this week on the road for this special bonus episode. We travel to Noblesville, IN to see Rob Zombie/Alice Cooper live! So join us on our road trip as we discuss various ghost stories from rockstars! *Disclaimer*..We recorded this one from our phones so the audio quality isn't the best..

Labor Day Vibes: Grateful Dead, George Thorogood, and MoreA special Labor Day edition featuring a recap of significant events in the music world, particularly focusing on the Grateful Dead's September 2, 1988, concert at the Capitol Center in Landover, Maryland. Larry Mishkin reminisces about the band's history, including the song "Hell in a Bucket," its significance, and its evolution in the Grateful Dead's lineup. There's a detailed discussion about the song "Dire Wolf," including its origins, inspirations, and its role in the band's performances.The episode also features a tribute to Steve Silverman, a renowned science writer and Grateful Dead enthusiast who recently passed away. Silverman was celebrated for his contributions to the understanding of autism and his deep connection to the Grateful Dead community. The tribute highlights his life, his work, and his impact on both the music and science communities.Larry shares reviews of the recent George Thorogood and Journeyman Tribute the Eric Clapton  https://www.georgethorogood.com/https://vilarpac.org/https://journeymantribute.com/ Grateful DeadSeptember 2, 1988 (36 years ago)Capital CenterLandover, MDGrateful Dead Live at Capital Centre on 1988-09-02 : Free Borrow & Streaming : Internet Archive I hope everyone is having a great Labor Day weekend. Night one of a four night run at the Cap Center to kick off 1988 East Coast Fall Tour (played Friday and Saturday, 2 and 3 and Monday and Tuesday 5 and 6).  Took a night off for my wedding on Sunday 4th.  Saturday night show was my rehearsal dinner and they played second encore, final electric Ripple and final Grateful Dead Ripple.  Memorable weekend for all (except for my east coast deadhead buddies at the wedding who were bummed to have missed the Ripple. INTRO:                                 Hell in a Bucket                                                Track #2                                                0:00 – 1:34 David Dodd:  The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. In the case of this song, though, the singer/narrator seems to be wishing a sorry fate on his erstwhile main squeeze, with the argument being that once she has a biker charging up and down her halls on his chopper, she'll realize that the narrator was really pretty good, at least by contrast. “Hell in a Bucket” appeared on In the Dark, released in July 1987.  The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance.  Played:  217 timesFirst:  May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   SHOW No. 1:                    Dire Wolf                                                Track #5                                                2:00 – 3:24 "Dire Wolf" is a ballad by the Grateful Dead, released as the third track on their 1970 album Workingman's Dead. The lyrics were written by Robert Hunter after watching a film adaptation of The Hound of the Baskervilles. The music, containing elements of country and folk music, was composed by Jerry Garcia on the same day. The song tells the story of a man who plays cards with a "dire wolf" on a cold winter's night in "Fennario"; the lyrics have been variously interpreted. The piece became a staple of the Grateful Dead's performances, and was played more than two hundred times between 1969 and 1995. A few months before the release of their album Aoxomoxoa in 1969, Grateful Dead lyricist Robert Hunter and his then-partner Christie Bourne began sharing a house with the band's guitarist Jerry Garcia, his wife, and his step-daughter. Living in close proximity gave an impetus to their collaborative song-writing: Hunter and Garcia wrote every song on Aoxomoxoa.[2] Some time later, Hunter and Carolyn Garcia spent an evening watching a film adaptation of The Hound of the Baskervilles. According to Grateful Dead historian Dennis McNally, Carolyn later remarked that the hound was a "dire wolf".[3] However, according to Hunter himself, as quoted in the Annotated Grateful Dead Lyrics, he and Garcia were speculating about the identity of the hound in the story, and came up with the idea that it may have been a dire wolf.[4] Hunter wrote the lyrics the next morning, based on images that the phrase conjured for him, and Garcia wrote the music to them later that day.[3][4] The location named "Fennario" appears in the folk song "The Bonnie Lass o' Fyvie", including in the Grateful Dead's version of that song. It refers to a fictional location; a friend of the band members commented in an interview that it was the perfect name for a generic place, because it was evocative, and had four syllables.[4] In contrast, music writer Buzz Poole speculated that the name may be derived from Fenrir, a mythical Nordic wolf who was chained up by the gods.[6] The phrase "don't murder me", repeated in the chorus, was a reference by Garcia to his experiences driving around the San Francisco Bay Area at the time that the Zodiac Killer was active.[4] The song became a staple of the Grateful Dead's live performances; the electric version of the song was typically featured on the band's first set.[4][7] According to The Grateful Dead's 100 Essential Songs, "Dire Wolf" was played 226 times between 1969 and 1995, and was played every year, except for 1975. Sixty-three of these performances were in the first two years after the song was written. In later years, the acoustic version of the piece became more common.[7] The structure and pace of the song did not change much over the years. It was sung most often by Garcia, although an early version featured Bob Weir on vocals, with Garcia playing the pedal steel guitar instead.[7] An AllMusic review of this version praised Garcia's "sweet" guitar playing as a "great feature" of the song.[5] Its lyrics have led to it being described as an essential Grateful Dead song by commentators.[7] Played:  229 timesFirst:  June 7, 1969 at Fillmore West, San Francisco, CA, USALast:  June 7, 1969 at Fillmore West, San Francisco, CA, USA  MUSIC NEWS: Steve Silberman passesPhish – Dick'sNeil Young explanation for canceled showsMiracle in MundeleinMiracle in Mundelein 2024 is an unprecedented cannabis and outdoor concert experience taking place at RISE Recreational Dispensary in Mundelein, IL on September 7-8, 202412. Presented by RYTHM Premium Cannabis, RISE Dispensaries, Dayglo, and Deep Cut, this second annual outdoor festival allows legal on-site cannabis consumption2.    SHOW No. 2:                    Althea                                                Track #7                                                3:10 – 4:53 When the Grateful Dead released “Althea” on their 1980 album Go to Heaven, it quickly became a favorite among fans. Robert Hunter, the Dead's legendary lyricist, was known for embedding multiple layers of meaning in his lyrics. “Althea” is no exception. Jerry Garcia's soulful voice brings Hunter's words to life, but it's the lyrics that leave listeners pondering. The name “Althea” itself is rooted in Greek mythology. Althea was the Queen of Calydon, whose actions led to her son's death, reflecting themes of fate and consequence. While the song doesn't explicitly connect to this myth, the allusion to “your fire” might be a subtle nod to Althea's tragic tale. “Althea” was performed live by the Grateful Dead 273 times, making it a staple in their repertoire. Despite McNally's belief that the band overplayed it in the early '80s, fans cherished its live renditions. The song's adaptability and depth allowed it to grow with the listeners, much like a trusted pair of pants with a sturdy elastic waistband. Played:  273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago  SHOW No. 3:                    Scarlet Begonias                                                Track #10                                                0:00 – 2:02 Garcia/HunterFrom The Mars Hotel (July 24, 1974) The group first performed the song live on March 23, 1974, at the Cow Palace in Daly City, California.[1] When "Fire on the Mountain" was incorporated into the band's repertoire in 1977, "Scarlet Begonias" would often be paired with it when played live, resulting in what would be nicknamed "Scarlet > Fire" with the first iteration of this iconic pairing on Friday, March 18th, 1977 at Winterland in S.F.   Interestingly, they played the combo to close the first set.  Almost always a second set opener, once saw them open a show with it. Had to play this because the opening is so special – sends a message to the Deadheads that good things lay ahead, best second set opener in their arsenal.  Nothing like the reaction when you hear the first few notes.  “Scarlet, into Fire, a great 25 minutes of grooving music and wonderful for “mind exercises” you may be experiencing at that time. Played:  317  (Fire played 254 times)First:  March 23, 1974 at Cow Palace, Daly City, CA, USALast: June 2, 1995 at Deer Creek, Noblesville, IN MJ NEWS: Trump Supports Florida adult use measure on fall ballot, but no public smokingDeSantis says “NO” adult use in Florida, opposes TrumpState ballots this fall for MMJ in Nebraska and ArkansasIllinois awards $35 million from MJ taxes to support community reinvestmentCalifornia allows sales of MJ at Farmer's Markets SHOW No. 4:                    All Along The Watchtower                                                Track #17                                                1:50 – 3:53 Bob DylanJohn Wesley Harding "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. Dylan has performed the song live more than any of his other ones, with over 2,250 recitals. Hendrix was a known Dylan fan. He even once cleared a dance floor by demanding that "Blowin in the Wind" be played in a New York club. In a 1967 interview, Hendrix described Dylan's influence on his own songwriting. "I could never write the kind of words he does," Hendrix said. "But he's helped me out in trying to write two or three words 'cause I've got a thousand songs that will never be finished. I just lie around and write about two or three words, but now I have a little more confidence in trying to finish one."Hendrix acquired a copy of John Wesley Harding before the album's official release and instantly knew he had to cover one of the tracks. Initially, he was planning to record "I Dreamed I Saw St. Augustine," but after further consideration he chose "All Along the Watchtower." Hendrix claimed he had a natural gravitation toward the track. "The songs Dylan usually gave me are so close to me that I feel like I wrote them myself," he added. "With 'Along the Watchtower' I had that feeling." Less than two months after Dylan recorded the original, Hendrix was in the studio laying down his version. John Wesley Harding was Dylan's return to his acoustic roots after his motorcycle accident. But rather than bring back the topical lyrics about civil rights and the Vietnam War, he continued the evocative, surreal images that made his previous three records -- Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde -- so groundbreaking, adding biblical imagery that foreshadowed his born-again phase more than a decade later. Dead started playing it while touring with Dylan in the summer of 1987.  Not necessarily their greatest tour, and Dylan was not sharp on a night by night basis, but when they got to this tune, the crowd really responded.  So after the tour ended, the Dead just kept it in their repertoire and played it until their end. Played:  118First:  June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 22, 1995 at Knickerbocker Arena, Albany, NY, USA  OUTRO:                               Black Muddy River                                                Track #20                                                4:15 – 6:34 Garcia/HunterFrom:  In The Dark (1987) Black Muddy River was a song that was a pretty decent “new” song for a while.  Almost always played as an encore, it was a fan favorite in the Twin Cities, St. Louis, Memphis and New Orleans, all situated on or near the Mississippi River.  Sometimes they would play it in those cities and sometimes they would wait to play it until they were in the middle of nowhere with no river around for miles and miles.  Towards the end, Jerry seemed to lose his enthusiasm for it so, for example, when he rose to the occasion at the last show on July 9, 1995 and belted out a So Many Roads for the ages, his Black Muddy River encore left a lot to be desired.  So much so that, as the story goes, Phil decided they could not end the summer tour on such a low note so he pushed in a Box of Rain making that song the last one ever played in concert by the band and a much nicer farewell than that not very good Black Muddy River would have been. This one is “young” and strong, Jerry's voice rings true and you can hear the energy build up inside him as he belts out the final lines of the song.  A song that sent all those at the Cap Center out into the night longing for more without even knowing what awaited them the very next night.  Some were there, some weren't.  That's the story of the Dead and touring (like Phish waiting to Dick's to play Fee!). Played:  66 timesFirst:  December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA Shout outs:                         Wed – my anniversary, and H and Robbin                        Thurs. – JW's anniversary with the lovely Allie                        Bella – birthday on Monday                        Jackie G. in St. Louis on Sunday                        .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Amos delivers a stark warning to Israel, highlighting their complacency and repeated disobedience. Despite the nation's prosperity, they are blind to God's repeated calls for repentance. Through vivid imagery, Amos recounts the hardships sent by God—famine, drought, pestilence—as opportunities for Israel to turn back, yet they persist in their stubborn ways. The chapter culminates in a chilling declaration: prepare to meet your God, Israel.  The Rev. Jacob Hercamp, pastor of Christ Lutheran Church in Noblesville, IN, joins the Rev. Dr. Phil Booe to study Amos 4.  Amos, a simple shepherd and fig tree farmer from Tekoa, was called by God to deliver a powerful message to Israel—a nation steeped in corruption, injustice, and complacency. Unlike the professional prophets of his time, Amos was an outsider, chosen to proclaim a divine warning against the moral decay and social inequalities that plagued the northern kingdom. Through vivid imagery and uncompromising language, Amos called out the wealthy elite for their exploitation of the poor, condemned the nation's empty religious practices, and foretold the impending judgment that would come if they did not repent.  

00:00 – 28:59 – JMV begins the show by discussing last nights preseason finale between the Colts and the Bengals. Anthony Richardson had an up-and-down showing for the Colts, throwing a touchdown but also a pick-6. John tells Colts fans to be ready for more of this type of game from the talented but raw quarterback.   29:00 – 43:23 – JMV speaks to Coach Bob Lovell of the legendary Indiana Sports Talk! Bob and JMV first discuss Hoosier state native Carson Steele, who is making an impact with the Kansas City Chiefs in the preseason. Coach Lovell and JMV dive into the beginning of the high school football season, and what games they're looking forward to!   43:24 – 48:01 – JMV, Chris Hagan of FOX59 and Lindsey Monroe of WTHR wrap up the first hour!  48:02 – 1:12:54 – Joel A Erickson of the IndyStar joins the show to help breakdown the Colts preseason finale against the Bengals! Joel and the gang dive into Anthony Richardson's performance. They look at other players, like Alec Pierce, Kylen Granson and others. They also talk about kicker Matt Gay and his preseason struggles.   1:12:55 – 1:27:33 – JMV talks to Michael from Syd's in Noblesville!   1:27:34 – 1:31:58 – JMV, Chris and Lindsey wrap up the 2nd hour of the show!  1:31:59 – 1:58:46 – Don Fischer, the voice of the Indiana Hoosiers, joins the show! Don and the gang first give their thoughts on new IU head coach Curt Cignetti! They discuss the Hoosier's schedule and what their expectations are for the year!  1:58:47 – 2:12:31 – JMV and the gang keep things rolling at Syd's in Noblesville! John announces the next Tavern Tour stop for the show!   2:12:32 - 2:18:56 – JMV and the group wrap up another edition of the show!  Support the show: https://1075thefan.com/the-ride-with-jmv/See omnystudio.com/listener for privacy information.

00:00 – 21:57– JMV begins a shortened show by discussing tonight's matchup between the Colts and the Bengals in their preseason finale. He also discusses the news that Joey Votta is calling it a career, and if Votta is a Hall of Famer.   21:58 – 36:36 – Lance McAlister of 700WLW in Cincinatti joins the show ahead of tonight's Colts-Bengals preseason game! John and Lance also discuss the retirement news about Joey Votto! John and JMV preview tonight's game, and what we might see in terms of playing time for starters.   36:37 – 40:01- JMV wraps up the first hour of the show!  40:02 – 1:06:56 – Mike Chappell of CBS4 and FOX59 joins the show ahead of the preseason finale for the Colts! Mike and JMV discuss how much we'll see the starters tonight. They also get into the Colts roster, and some of the glaring weaknesses. John and Mike talk tight end Jelani Woods, who again will be missing some time with an injury.   1:06:57 – 1:16:48 – JMV previews tomorrow's Tavern Tour stop at Syd's in Noblesville! He also takes a call from a listener!   1:16:49 – 1:20:49 – JMV wraps up another edition of the show!  Support the show: https://1075thefan.com/the-ride-with-jmv/See omnystudio.com/listener for privacy information.

Jesus delivers powerful and urgent teachings on repentance, judgment, and the Kingdom of God. Using the Parable of the Barren Fig Tree, He underscores the pressing need for genuine repentance. His miraculous healing of a crippled woman on the Sabbath sparks controversy, yet it highlights the primacy of compassion. Through the images of a mustard seed and yeast, Jesus reveals the Kingdom's humble beginnings and unstoppable growth. Yet, Jesus reminds everyone listening that the door to Heaven is narrow.  The Rev. Jacob Hercamp, pastor of Christ Lutheran Church in Noblesville, IN, joins the Rev. Dr. Phil Booe to study Luke 13.  The Gospel of Luke, filled with rich narratives and detailed accounts, offers an inspired and historical perspective on the life and teachings of Jesus. Emphasizing Jesus' concern for the poor, outcasts, and social justice, this Gospel narrates parables and miracles that underscore the theme of God's salvation for all people. Luke's account is unique in its inclusion of the birth of John the Baptist, the parable of the Good Samaritan, and the story of the Prodigal Son, culminating in a vivid portrayal of Jesus' death and resurrection, affirming the universal offer of redemption. This Gospel serves as an invitation to understand the depth of God's love and the breadth of His grace extended to humanity through the life, death, and resurrection of Jesus.

https://rhondaparkertaylor.com/ Rhonda Parker Taylor wanted to write a book to prove to herself that she could. For many, like Parker Taylor, writing is a difficult task. Growing up, she wasn't a good student in English, reading or writing. She struggled with McGuffey Readers. And the phonetic concepts escaped her as a child. But she was still drawn to books, mostly encyclopedias, where she could read about the world, daring young women and journeys away from her small hometown of Noblesville. So, writing became about telling a story that was within her. And that's what she did in her book, “Crossroads,” a suspense novel set in Indianapolis in the early 2000s and released earlier this year. The story is a journey into the life of fictional character, Paris Pennington, a powerhouse in the financial community who is forced to fulfill her civic duty and be a juror in a murder trial involving the death of a 15-year-old. But when Pennington takes the job as the jury foreman, whose name is mistakenly made public, her life begins to be picked apart as people around her start dying. Parker Taylor said she had an idea for the plot before she started writing, and she chose the scene of the crime, too. “I had Chapter One ingrained in my head. All I had to do was write it down. I worry about the mechanics after I get the story and dialogue crafted,” she said. Parker Taylor, whose book is endorsed by Golden Globe-nominated actress Mariel Hemingway, will sign copies this Saturday in Chicago and locally, on June 24, at the Barnes and Noble at River Crossing in Indianapolis. The book is the product of “passion, determination and commitment,” she said. “It took me a year to write and 20 years to introduce it.” Yes, she wrote the book in 2000 but finally got it published this year. She was born in Noblesville in 1964 and will turn 59 this fall. She is the second youngest of five children, the daughter of the late William and Anita Parker, who founded a steel manufacturing company that we know today as Noble Industries. Her sister, Brenda Parker, her best friend, is executive vice president of Noble Industries. Her brother, Gary Parker, is executive consultant of manufacturing. And her brother, Greg Parker, is president of Noble Industries. Parker Taylor spent her childhood in a two-story home surrounded by cornfields and cows in the Craig Highlands neighborhood, attended Prairie Baptist Church and Heritage Christian School, from where she graduated in 1983. Through Noble Industries and her parents' entrepreneurial spirit, the Parkers learned to dedicate themselves to work, family and community. All of the Parker children, she said, were taught to work hard. Most of the kids gained their job experience by working at Noble Industries or for grandparents, Kenneth and Louis (Marrow) Hanna's Ken-Lo Cafeteria (839 Conner St., according to Hamilton County historian David Heighway). Parker Taylor's first job was bagging plastic furniture feet while watching TV and bending steel and working a punch press at Noble Industries (which was started in 1968, making metal aquarium stands part time in a 300-square-foot barn, founded in 1969 and incorporated in 1970, and has since grown to 60 employees and a 110,000-square-foot facility). During high school, she worked at Payless Shoes and Arby's in Noblesville. After graduating high school, she earned a certification in 1984 in Fashion Merchandising in Bauder College, Arlington, Texas. Then, she returned to Indiana. Then several years later, she decided to go back to school. In 2000, she earned a bachelor's degree in Business Science Management; in 2004, a master's of Business Administration from Indiana Wesleyan University; and in 2010, a doctorate in Management and Leadership from University of Phoenix. (In her career, she has mentored students and young professionals, was a National College campus director and professor, co-director of an advertising agency and worked for a student loan management company. In between, she worked in the human resources department of Noble Industries. Currently, she is director of operations for Intelligent Solutions training, developing, academic research and business writing services) Her writing started through academics. “I was a business student who had to write paper after paper.” After writing her book, a publisher in 2000 backed out of a deal with her because she wasn't interested in the business part of the industry. Brenda Parker asked her sister: “What are you afraid of?” Her sister said, “For it to succeed, you must make yourself vulnerable to disappointment.” So Parker Taylor started looking for another publisher who also assisted with the marketing. MindStir and Seacoast walked her through much of the process. Her two family mottos: “If it is meant to be, it is up to me,” and “Every day is great.” She has stuck with those mottos. Writing, for Parker Taylor, is about telling a story with a lesson learned. In “Crossroads,” she used Proverbs' lessons on anger, fury and envy as the motivations for the crime. After her book was finally published, her first book signing couldn't have gone better. “I was blessed by so many people coming out to support me and the book,” she said. “I can't wait to host another one. What I loved about the book signing was it was a time to socialize and fellowship with like-minded people.” Her next signing is at Barnes and Noble Evansville, IN on 9/12 and Barnes and Noble Carmel, IN on October 20. In addition, Parker has done the Fox Indy Now show and approximately 10 Podcasts. While she loves to travel, to cook and all things outdoors, writing a book has always been on her bucket list. What makes her smile is “life and people.” She is inspired by her family and good friends, creating characters like them in her book. “I've been lucky to have lifelong friends that push me to be a better person and to live to my full potential,” Parker Taylor said. She has great support from her spouse, Dana Taylor. “My husband assists me in staying in balance because, much like the main protagonist in ‘Crossroads,' I tend to be a workaholic.” Remember when Parker Taylor shared how she struggled academically in school? Well, she had a special Heritage Christian School teacher, Mrs. Donley, who offered to tutor her over the summer between her junior and senior years. “At the end of the summer, I offered to pay her for the tutoring from the money I made working at Arby's. She would not take a dime. I passed the test. Without her, none of this would have ever happened to me.” Please leave a review or send us a Voice note letting us know what you enjoyed at:Back2Basics reconnecting to the essence of YOU (podpage.com)Follow us on IG and FB @Back2BasicsPodcast

On Friday, April 24, 2020 a passerby called 911 to report a dead body laying in a ditch by the side of the road near Noblesville, Indiana. There were no signs of trauma, no identification, no abandoned vehicles, no witnesses, and toxicology reports weren't much help either... Until they decided to test the stomach contents of David Fouts, that they had a possible cause of death, apparently he'd last eaten bits of poisonous mushrooms. The fungus eventually led to the arrest of David Fouts' wife, Katrina, and his father-in-law's caretaker, Terry Hopkins. “The weirdest thing about this case is the mushrooms,” Lockhart said. “The murder was almost perfect. But there's certain things you can't get away from. They over thought it. They did stupid stuff in the end.”   This episode brought to you by SongFinch songfinch.com/creeper   True Crime Guys YouTube   EVERYTHING TRUE CRIME GUYS:   https://linktr.ee/Truecrimeguysproductions   True Crime Guys Music: True Crime Guys Music on Spotify   OhMyGaia.com Code: Creeper       Patreon.com/truecrimeguys Patreon.com/sandupodcast Merch: truecrimeguys.threadless.com