POPULARITY
Hosted by Tom Marshall
87 episodes with Tom Marshall
18 episodes with Tom Marshall
22 episodes with Tom Marshall
43 episodes with Tom Marshall
11 episodes with Tom Marshall
7 episodes with Tom Marshall
6 episodes with Tom Marshall
7 episodes with Tom Marshall
10 episodes with Tom Marshall
9 episodes with Tom Marshall
9 episodes with Tom Marshall
7 episodes with Tom Marshall
3 episodes with Tom Marshall
11 episodes with Tom Marshall
3 episodes with Tom Marshall
2 episodes with Tom Marshall
2 episodes with Tom Marshall
This week, we sit down with bestselling author Tom Marshall, the mind behind the gripping military thriller Close and Destroy. We dive deep into the real-life inspirations, military history, and tactical insights that shaped his intense, action-packed novel. Whether you're a fan of military fiction, war novels, or insider perspectives on special operations, this is a conversation you won't want to miss.Tom shares how his background influenced the narrative, why authenticity matters in combat storytelling, and what readers can expect from the Close and Destroy series going forward. We also explore themes like leadership under fire, the moral complexity of modern warfare, and the psychological toll on soldiers.
Find out more about Tom Marshall at https://electtommarshall.com/ For information about voter registration, voting locations, sample ballots, and more go to https://elect.hamiltontn.gov/ For more civic resources visit ChattanoogaCivics.com To support the show go to patreon.com/ChattCivics Chattanooga Civics is a member of the PodNooga Network. To find more great podcasts from local creators, find Podnooga on facebook and instagram or on the web at podnooganetwork.com Music credits: Loopster by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4991-loopster License: http://creativecommons.org/licenses/by/4.0/ Funk Game Loop by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3787-funk-game-loop License: http://creativecommons.org/licenses/by/4.0/
From 2011 to 2014 there was an amazing Phish podcast called Analyze Phish hosted by Scott Aukerman and Harris Wittels. Once it ended, Tom Marshall, saw an opportunity for another Phish podcast and launched Under the Scales in 2016. In this episode, Tom interviews one of the Analyze Phish hosts, Scott Aukerman. This episode contains clips from the Analyze Phish podcast: https://www.earwolf.com/episode/a-different-angle/ https://www.earwolf.com/episode/phish-live-in-ny/ Special thanks to Scott Aukerman, RJ Bee and Earwolf's friendly staff. Thanks to producers Nick Ruffini and Kirsten Cluthe of RevoiceMedia.com. Originally released in 2019. Please support our work by visiting OsirisPod.com/Premium.
In the first part of The Great Engine Caper, Thomas is upset when Duck is chosen for a special special instead and feels second best, but a chance to save the day presents itself when Duncan is lost at sea.Starring Jay, Hannah Louise, Tom Allmark, the_chairlord, TramEngineStudios, Tom Marshall, Joel Hunter, The Buried Truck, GoYourOwnWay196, Mel Shiri, David Malinsky, Retro-Locomotive, SeaSwine9, Mainland Studios, andersonsound, VicarstownandVenom, TheChattyEngine, Mike Park, Ryan H and Tom DenhamNarrated By Ben GoslingWritten By Tom DenhamMusic Composed by Seby MGOther Music By Carson Marenka, Silver Dragon TV, NorrambyBranch, Liesch Waten, UpsideNow and Epidemic Sound'Navigation' By Headmaster Hastings & Ed Welch Hosted on Acast. See acast.com/privacy for more information.
In the thrilling second part of The Great Engine Caper, Thomas meets Sandy, Charles Ruffey Junior puts on Sir Topham Hatt's hat and Katie returns Duncan back home with help from an unlikely magical friend. Starring Jay, Hannah Louise, Tom Allmark, the_chairlord, TramEngineStudios, Tom Marshall, Joel Hunter, The Buried Truck, GoYourOwnWay196, Mel Shiri, David Malinsky, Retro-Locomotive, SeaSwine9, Mainland Studios, andersonsound, VicarstownandVenom, TheChattyEngine, Mike Park, Ryan H and Tom DenhamNarrated By Ben GoslingWritten By Tom DenhamMusic Composed by Seby MGOther Music By Carson Marenka, Silver Dragon TV, NorrambyBranch, Liesch Waten, UpsideNow and Epidemic Sound'Navigation' By Headmaster Hastings & Ed Welch Hosted on Acast. See acast.com/privacy for more information.
A Festival Odyssey: Phish, Mondegreens, and Moments with My SonLarry Mishkin reflects on his recent experience attending the Mondegreen Festival, a Phish festival in Dover, Delaware, with his son and friends. He shares his enthusiasm for the event, highlighting the performances and the significance of certain songs, including "The MoMA Dance" and "NICU," which have deep ties to Phish's history and fan culture. Larry provides a detailed history of Phish festivals, from the Clifford Ball in 1996 to the most recent Mondegreen Festival, noting memorable moments, attendance figures, and unique aspects of each event. The episode also includes a brief discussion on the 60th anniversary of The Beatles' performance at Red Rocks Amphitheatre in Denver, Colorado. Larry expresses his excitement about attending the festival with his son and reminisces about the special bond they shared during the event.MONDEGREENPhishAugust 15 – 18, 2024The WoodlandsDover Delaware Band's 11th festival, NOT counting Curveball set for 2018 that was canceled at the last minute due to contaminated water supply due to heavy rains and flooding. Nine year gap between MagnaBall in March, 2015 and Mondegreen, biggest gap between festivals in band's history. INTRO: Moma Dance Night One, August 15, 2024 First Night, First Set, First Song (into Back On The Train) Phish @ The Woodlands, Mondegreen Festival, Dover DE 2024-08-15 : Free Download, Borrow, and Streaming : Internet Archive Track #2 2:31 – 4:05 By: Anastasio/Fishman/Gordon/McConnell/MarshallPlayed:First Played: 6/30/98 in Copenhagen, DenmarkMost recent: August 15, 2024 (Mondegreen)Current Gap: 3 shows The title of “Moma” is another example of Phish Phonetics, cleverly transforming the moment ends lyric into a reference to a display of “The Rhombus” at New York City's Museum of Modern Art (MoMA).Mondegreen: are they saying, “The Moma Dance” OR “the Moment Ends”?? SHOW No 1: NICU Night One, August 15, 2024 First Set, 6th song (out of Roggae and into A Wave of Hope) Phish @ The Woodlands, Mondegreen Festival, Dover DE 2024-08-15 : Free Download, Borrow, and Streaming : Internet Archive Track #7 3:00 – 4:56 By: Anastasio/MarshallPlayed 156 timesFirst Played: 3.6.92 at The Music Hall in Portsmouth, NHMost Recent: August 15, 2024 (Mondegreen)Gap: 3 shows Has any Phish song had as many names with as many explanations as “NICU”? At its debut in Portsmouth, New Hampshire, Trey introduced the song as “In an Intensive Care Unit.” Shortly thereafter, the name was changed to “NICU,” which some considered a play on a line from the backing vocals in the chorus (“and I see you”) and others noted was the abbreviation for the Neonatal Intensive Care Unit.Shortly thereafter, the “controversy” began, as controversy can only begin among rabid Phish fans. Some called the song “And I See You.” Some stuck with the original “In an Intensive Care Unit.” Other interesting theories developed, including one from the Internet where a fan noted that the elements Nickel (NI) and Copper (Cu) are side-by-side on the Periodic Table and that the title “NICU” may thus be a reference to nickels and pennies or, more likely, small change. Title is a Mondegreen for “And I See You” Music News (from Mondegreen) Matthew's crew: Matthew, me, Donny, Jake, Dave and Seth Michigan Crew: ??? NYC Crew: Max & Jess, Joey and Darby, Darby's brother, Brad and Sam, Dan the drummer (and?), Dude from Florida and girlfriend (??), Tesh,WHO ELSE SHOULD I MENTION? CLEVELAND CREW: Kevin, two buddies? Aaron Anyone else? Hot and humid/ AC unitsTents v. RV's/bathrooms/food/water and ice/maintenanceStorm – cut Sunday short Modern weather technology – good and bad Just like 2022 Sacred Rose Festival Secret Set on Aug. 16th second night Driving 12 hours each way SHOW No. 2: I Am Hydrogen > Weekapaug Groove Night 3, August 17, 2024 – Second set opener traditional Mike's Groove>Theme From The Bottom November 11, 2012, MSG, NYNY Mike's>Chalk Dust Torture>I Am Hydrogen>Weekapaug Phish | 12.29.11 | Mike's Song → Chalk Dust Torture → I Am Hydrogen → Weekapaug Groove - YouTube 15:44 – 17.43 I Am HydrogenBy: Daubert/Marshall/AnastasioPlayed: 350 timesFirst: April 6, 1985 at Finbar's in Burlington, VTMost Recent: August 17, 2024 (Mondegreen Night 3)Gap: 1 show The story of “I Am Hydrogen” is a love story. Conceived by Tom Marshall and Marc Daubert around 1984-85 on piano and acoustic guitar, they brought their creation over to Trey's house, where it was recorded. Trey added a harmony to it on his electric guitar, and the “Hydrogen” we have come to know was born. Initially intended for Tom, Marc, and Trey's band Bivouac, “Hydrogen” ended up in the Phish lineup and made its debut, all alone, on 4/6/85. After a few years, it became the connector between Mike's Song and Weekapaug Groove. Into Weekapaug GrooveBy: Anastasio/Fishman/McConnell/GordonPlayed: 523 timesFirst: 7.23.1988 at Pete's Phabulous Phish Phest in Underhill, VTMost Recent: August 17, 2024 (Mondegreen Night 3)Gap: 1 show “Weekapaug Groove” takes its name from the town of Weekapaug, located on the shores of the Atlantic Ocean in southwestern Rhode Island. According to Mike, the song's lyrics (“Trying to make a woman that you move, sharing in a Weekapaug Groove”) are meaningless. As Mike said in a 9/9/97 interview with Parke Puterbaugh: “So we came back to Boston [from Weekapaug, after playing a gig there at a yacht club], and I guess we were in the van or the Voyager we used to drive in, and that song “Oh What a Night” came on the radio. You know that one? That awful Four Seasons song? We just constantly listened to songs and changed around the words as to what they might sound like. I always had a particularly hard time hearing lyrics anyway, so I always would sing a song on the radio, sing along with the wrong words. So the bridge of that song goes ‘Oh I-I-I trying to something,' but I was singing it, ‘Oh I-I-I trying to make a woman that you move,' which means nothing, 'sharing in a Weekapaug groove.' So we all just started singing that, as complete nonsense: ‘trying to make a woman that you move.' It never occurred to any of us that it had any meaning, ever. There was a period of time that we were singing it, and I used to just yell out the lyrics, between singing them I would just yell them out as if I was preaching them, just to sort of make it more ironic that they have no meaning.” SHOW No. 3: Yamar Night 4, August 18, 2024 – First set 10th song out of Stash and into Timber August 17, 1996, Clifford Ball, Plattsburgh AFB, Plattsburgh, NY (1st Phish Festival) into It's Ice Phish-Ya Mar-Clifford Ball (youtube.com) 0:13 – 1:45 By: Cyril Ferguson 27th November 1951 - Cyril 'Dry Bread' Ferguson was born in Nassau, New Providence, Bahama Islands.Ferguson was a Bahamian musician and entertainer. He composed songs in the genres of goombay, calypso and Bahamian pop music.Some of his more popular songs include: Ya Mar, Sunshine On My Body, Bahamian Music and Don't Squeeze The Mango.Ferguson died of complications related to diabetes on 9th April 2009. “Ya Mar” resides as a favorite in the hearts of many fans. It represents one of Phish's few forays into calypso and is among the most playful and danceable songs in the band's repertoire. And anytime Trey screams for Page to take the reins – “Play it, Leoooooo!” – the crowd is apt to go wild. Page's nickname actually comes from this line in the original, where The Mustangs urged their own piano man to step into the spotlight. The title seems to reference the slurred interpretation of “your ma,” as the singer recounts the disdain his lover's family has for him. Phish put their own unique stamp on it by often changing the “no good pa” lyric in the chorus to mimic their own “oh kee pa” phrase. Played: 232 timesFirst: 2.21.1987 at Slade Hall, UV, Burlington, VTMost Recent: 8.18.2024Gap: 0 shows Marijuana News Senator Says Harris Will ‘Be Ready To Sign' Marijuana Reform Bills If Elected PresidentGOP Senators Claim Marijuana Is A ‘Gateway Drug' As They Oppose Rescheduling And Legalization3. People Who Use Marijuana Are Less Likely To Be Obese, New Study Shows SHOW No. 4: Simple Night 4, August 18, 2024 – First set second to last song of Izabella and into Golden Age July 27, 2024, Alpine Valley, East Troy, WI second set out of Sigma Oasis and into The Howling Phish - 7/27/2024 - Simple (4K HDR) (youtube.com) 0:18 – 1:28 By: GordonPlayed: 209 timesFirst: 5.27.1994 at the Warfield Theater in San FranciscoMost Recent: August 18, 2024 (Mondegreen Night 4)Gap: 0 shows "Simple" was first written and recorded by Mike Gordon in a four-track medium in the Doo-wop style and introduced to the band during the studio sessions forHoist. This version reflected the country and bluegrass writing style of many previous Gordon compositions. The song was left off of the albumand the band showed hesitation in performing it live. Then, on 5/27/94, “Simple” debuted in a very strange and raw fashion during the “Mike's Song” at the Warfield in San Francisco. In contrast to the song we know today, the debut version of “Simple” was Mike's original lyrics sung by the band members over a jam that had emerged from “Mike's.” Three weeks later, “Simple” was played for a second time at the historic 6/17/94 gig, the same night that much of the country was watching the low-speed police chase of O.J. Simpson's white Ford Bronco through L.A. This version was significantly reworked and sounded much like the “Simple” we are accustomed to hearing today, with the exception of a minor humoristic augmentation providing the line “We've got O.J., cause we've got a band.” Mondegreen: We've got a cymbal (simple) cause we've got a band OUTRO: Twee Pri Night 3, August 17, 2024 – Encore out of YEM into end of show April 20, 2024, The Sphere, Las Vegas, NV Encore out of A Life Beyond the Dream into end of show Tvidler 202202 11 by Ryan Maguire (youtube.com) 0:00 – end By: Anastasio/Fishman/Gordon/McConnellPlayed: 321 tiesFirst: 2.1.1991 at Alumnae Hall, Brown University — Providence, RIMost Recent: 8.17.2024 Mondegreen Night 3Gap: 1 show A "reprise" is a sort of musical afterthought – basically a reintroduction of and variation on the main theme of a piece of music. Thus, “Tweezer Reprise” is a slight variation – a condensation of sorts – of “Tweezer.” As it does on the album A Picture of Nectar, the “Reprise” often follows “Tweezer” in concert, most frequently as an encore song. It is also common as a second set closer following an earlier “Tweezer.” A few times, the “Reprise” has even been spewed out of some long, monster “Tweezer,” serving as the thrilling exclamation point at the end of a raging, set-long sentence (e.g. 5/7/94, 6/22/95).On occasion, “Tweezer Reprise” has shown up as a surprise in a show where there has been no performance of “Tweezer” proper. Although usually this occurs because the “Reprise” will be referring back to a non-reprised “Tweezer” at the previous night's show (e.g. 12/30/96's “Tweezer” was reprised on 12/31/96), the song has been known to appear, albeit rarely, completely free from its Granddaddy counterpart, like on 9/29/99. The most interesting example of this, and perhaps the most unusual “Tweezer Reprise” ever performed, was on 12/8/99, which featured an a cappella version that came out of a “YEM” vocal jam to close the second set. The band later finished off the show with a traditional “Tweezer Reprise” to end the encore. Other interesting versions include 10/27/94 and 10/21/95. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Join us for this special report, where Tom and Benjy talk through the new songs. This is part 2! Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd.
Join us for this special report, where Tom and Benjy talk through the new songs. This is part 1. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd.
Tom shares his unique journey through the intersection of marketing and sales in the healthcare industry, highlighting the importance of relationship-building and strategic outreach in driving success.
2 + Hours of Crime on a TuesdayFirst a look at this day in History.Then Gang Busters, originally broadcast June 4, 1949, 75 years ago, The Case of the Date with Death. A petty crook who holds up taxi drivers ends up killing a cop. Followed by Boston Blackie starring Dick Kollmar, originally broadcast June 4, 1946, 78 years ago, Three Witnesses. Three people each have a motive for killing Tom Marshall, an old man, even though he seems to have died a natural death. Then three people are killed within 5 hours...with the same knife!Then the news from 78 years ago, then Inner Sanctum Mysteries, originally broadcast June 4, 1946, 78 years ago, Eight Steps to Murder starring Berry Kroeger. A newsman plans to murder a Broadway producer and marry the man's wife. Followed by Calling All Cars, originally broadcast June 4, 1935, 89 years ago, The Innocent Bride. A bank has been held up in Long Beach. A Russian immigrant proposes marriage and spends lavishly. Finally Superman, originally broadcast June 4, 1941, 83 years ago, Mr Deutch and the Radium Mine. Clark Kent discovers Jimmy Olsen in his cell on Volcano Island. Thanks to Richard for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCivil defense info mentioned on the show can be found here: http://www.civildefensemuseum.com/docs.html
Summer has arrived and so has a new episode of Good, but not the best... a Dancing Gnome podcast! No new reviews for this month so we jump right into a Look Back and a Look Ahead. Andrew tells us about travelling to Georgia for their collab with Creature Comforts, we talk about Lustra Day/weekend and some of the new beers DG will be releasing in June. Next, we are joined by our guests, Nick Jones and Tom Marshall of New France Brewing Co. The guys tell us about being a part of the unique project where they will be one of three breweries located in the same building in Hazelwood. We talk about some of the beers they plan to release, the unique layout for each brewery and much more. Nick and Tom hang around as we close out the episode with a round of Watch, Listen, Learn. Thanks for listening!Intro & Outro music by: Kabbalistic VillageBreak music by: Kevin MacLeod
Phish may be known for their 30-minute live jams, but turns out you can distill their best qualities into a song one-tenth that length. To that end, Kirk picks apart and reassembles their 1998 studio recording of "Limb By Limb" in all its polyrhythmic, guitarpeggiated glory.Music by: Trey Anastasio, with Page McConnell, Mike Gordon & Jon FishmanLyrics by: Tom Marshall & Scott HermanAlbum: The Story of the Ghost (1998)Listen/Buy via SongwhipALSO REFERENCED/DISCUSSED:"You Enjoy Myself" by Trey Anastasio from Junta, 1989"The Story of the Ghost" and "Guyute" from The Story of the Ghost, 1998"Little Wing" by Jimi Hendrix from Axis: Bold as Love, 1967Excerpts from a 2017 episode of Tom Marshall's "Under The Scales," feat. Scott Herman----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------APRIL 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyAPRIL 2024 HALF-NOTE PATRONSMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloMichael YorkLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan Laserbrian john peterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyThirteen71Alan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMel DEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo
Phil Lesh's Triumphant Return: A Musical Journey 25 Years Ago TodayLarry Mishkin provides a retrospective analysis of a significant musical event from April 15th, 1999, focusing on Phil Lesh's return to the stage after surgery, marking the first Phil and Friends show. He discusses the lineup, including Trey Anastasio and Paige McConnell from Phish, and highlights their performance of various songs, notably "Viola Lee Blues" and "Hello Old Friend." The discussion also touches on recent music news, including the cancellation of the Skull and Roses festival and a tribute event for Jimmy Buffett featuring Paul McCartney and the Eagles. Additionally, it anticipates Fish's upcoming performances at the Las Vegas Sphere venue. Phil Lesh & FriendsApril 15, 1999 (25 years ago)Warfield Theater, S.F.Phil Lesh and Friends Live at Warfield Theater on 1999-04-15 : Free Download, Borrow, and Streaming : Internet Archive Lineup:Phil Lesh - BassSteve Kimock - GuitarsJohn Molo - DrumsTrey Anastasio - GuitarPage McConnell – Keys INTRO: Hello Old Friend Track # 1 0:10 – 1:47 25 years ago, Phil Lesh & Friends featuring guitarist Trey Anastasio and keyboardist Page McConnell of Phish kicked off their landmark three-night run at The Warfield in San Francisco on this date in 1999. Guitarist Steve Kimock and drummer John Molo rounded out the lineup of one of the most memorable collaborations the jam world has seen.This was the first ever performance of Phil & Friends and quite a memorable group of Friends to be playing with at a storied S.F. music venue.The shows also marked Lesh's return after undergoing liver transplant surgery at the age of 58 due to chronic hepatitis C infection. The April 15 concert kicked off with Phil and his sons Brian (??) And Grahame Lesh (12), backed by guitarist Steve Kimmock, in front of the curtain, performing Eric Clapton's “Hello Old Friend” as a fitting first song back for Phil. Both boys are strong musicians and Grahame, who graduated from Stanford in 2010 with a music degree, is a regular touring member of Phil and Friends in addition to playing with his own band, Midnight North.Phil Lesh's surgery took place at the Mayo Clinic in Jacksonville, Florida on December 17, 1998, barely 4 months earlier. Lesh, who was 58 at the time, had been suffering from internal bleeding caused by hepatitis C, which he was diagnosed with in 1992. He received the liver of a young man named Cody and his since started encores of his concerts by preaching the importance of becoming an organ donor."Hello Old Friend" is a country rock song, written and recorded by the British rock musician Eric Clapton. The track was released in October 1976 as the first of two singles from Clapton's 1976 studio album entitled No Reason to Cry. the AllMusic critic William Ruhlmann notes, "Hello Old Friend" is the best pop/rock song on the album. He goes on describe the title as a "identifiable" Clapton piece of music.[2]Rolling Stone journalist Dave Marsh called the song "a whimsical and silly slice of attempted innocence".[3]Billboard said that it has a reggae feel similar to that of "I Shot the Sheriff."[4]Record World called it "a midtempo number constructed around a network of acoustic and slide guitars.” The Grateful Dead never played the song in concert. The five-piece then showed off its firepower with a 34-minute “Viola Lee Blues.” SHOW No. 1: Viola Lee Blues Track # 2 31:30 – 33:01 In a 1999 interview with Jambands.com, Lesh revealed that it was Anastasio's idea to do “Viola Lee” and talked about how he started listening to Phish and also how the collaboration came about. Read an excerpt below:“[Phish's music]…was absolutely entrancing, it was just gorgeous…but I couldn't hear the piano well on the live tapes, so I went back to the CD's and started listening to Page and what he was doing, and so I said “Well…” and my wife said “Come on, Come on, give them a call.” Somehow I got their phone numbers, and I gave them both a call. We talked about it, and they said we'd love to do it, and so we set a date, and we started calling back and forth, and like I said earlier they brought in a dozen Grateful Dead tunes I never would have thought of doing, but they wanted to [do] them. And we got together at rehearsal and the first thing we did together was “Viola Lee Blues,” and from there on out it was like now let's do this one, and let's do this one. It was real rehearsal in the sense that the Grateful Dead rarely was. Grateful Dead rehearsals were kind of comical. We believed in public rehearsals.” A long time favorite of Phil's, he picked it as one of the live tunes for the GD album, Fallout From The Phil Zone – a collection of some of Phil's favorite live tracks of various Dead tunes released on June 17, 1997. In the liner notes he said this of the song: “The definitive early Grateful Dead jammin' tune, the first one we ever really stretched out beyond all recognition, by using what we called then “shifting gears” – which is really nothing but a twenty minute accelerando, influenced by the North Indian music that we were listening to a lot at that time.” Played only 44 times by the BandFirst: March 19, 1966 at Carthay Studios, Los Angeles, CA,Last: October 31, 1970 at Stony Brook Gymnasium in Stony Brook, NY Also played June 27, 2015 at Levi's Stadium, Santa Clara, CA, USA 50th Anniversary shows MUSIC NEWS:Skull and Roses called off, no refunds After the exploratory, bar-setting, “Viola Lee,” the quintet would run through more material from the Dead canon with Trey and Page harmonizing on “Big Railroad Blues,” Phil singing “Jack-a-Roe” and Phil, Trey and Page harmonizing on “Cosmic Charley” SHOW No. 2: Cosmic Charlie Track #5 3:25 – 5:12 Old Time Music and Hope Barnett: Grateful Dead was known for their unique and poetic songwriting style, and “Cosmic Charlie” is no exception. Released in 1969 on their album “Aoxomoxoa,” this song has captivated fans for decades with its enigmatic lyrics and psychedelic sound. Exploring themes of spirituality, love, and the human experience, “Cosmic Charlie” takes listeners on a sonic journey unlike any other. The meaning behind “Cosmic Charlie” is open to interpretation, as with many of the band's songs. Some believe it was inspired by the vision of a fictional character named Cosmic Charlie, who travels through different dimensions, spreading joy and love. Others see it as a metaphor for the human longing for connection and transcendence. The lyrics, although cryptic at times, convey a sense of wonder and mystery that invites listeners to delve deeper into their own consciousness. The overall message of “Cosmic Charlie” seems to be one of embracing the cosmic and spiritual aspects of life. It encourages listeners to let go of their inhibitions, explore the unknown, and seek connection with the universe. The song invites individuals to tap into their inner selves and discover the hidden realms of existence. While “Cosmic Charlie” was never released as a single and did not enjoy mainstream success, it holds a special place in the Grateful Dead's discography and the hearts of their fans. Its eclectic and unique style showcased the band's experimental tendencies and cemented their reputation as pioneers of the psychedelic rock genre. Love hearing Trey and Page singing along on this old timey Dead gem. Played 45 times by the Dead (38 in 1969 and 1970, 1 in 1971 and, inexplicably, 6 in 1976.First: January 17, 1969 at Robertson Gymnasium, University of California Santa Barbara Campus, CA, USALast: September 25, 1976 at Capital Centre, Landover, MD, USA 1984 Deadheads would pass around a petition asking the band to play the song again and also pass out cards before the show with the lyrics just in case they played it. Finally, for the Phish fans in the crowded Warfield, the first Phish tune of the run (and only one that night), “Wolfman's Brother.” SHOW No. 3: Wolfman's Brother Track # 6 1:30 – 2:58 On this one, writing credit goes to the entire band plus long time Phish lyricist, Tom Marshall.Released on Hoist (stylized as (HOIST)) is the fifth studio album by the American rock band Phish, released on March 29, 1994, by Elektra Records. At the time of its release, Hoist was Phish's best selling album to date, peaking at No. 34 on the Billboard 200 albums chart. The album was certified gold by the RIAA on August 19, 1996, and remains the band's best-selling studio release, outsold in their discography only by the platinum-certified A Live One.Old Time Music: Mike WellsMusic has a unique way of connecting with our emotions, memories, and experiences. It has the power to transport us to a different time and place, evoking feelings we may have long forgotten. One song that has always resonated deeply with me is “Wolfman's Brother” by Phish. This track, featured in their 1994 album “Hoist,” holds a special meaning and significance for both the band and their dedicated fanbase. the lyrics of “Wolfman's Brother” have a universal appeal. They invite listeners to reflect upon their own encounters with enigmatic figures or forces that have left a lasting impact. It encourages us to confront the demons that haunt us and search for understanding and resolution.Listening to “Wolfman's Brother” live is an entirely different experience. The band's extended jams and improvisations add a new layer of depth and intensity to the song. It becomes a collective experience, with the audience joining in as the lyrics are chanted by thousands of voices.Phil spoke with Jambands.com about wadding into the Phish catalog:I had thought maybe we would do this tune or that tune, and in the end, we only ended up doing one tune that I thought we would do, and that was “Prince Caspian,” and then they brought up those other three, “Wolfman's Brother,” which I had never heard, and “Down With Disease” and “Chalkdust Torture,” which I hadn't heard either until we played them at the rehearsal, and then I went and got the CD's and checked them out. But then I started listening to their other stuff, their other stuff is real interesting, but you can tell by listening to that that they need their forty hour weeks, because they really need to get that shit down. Never played by the Dead. MJ NEWS – One Toke Over The Line!!! STRAINS: Strawberry Shortcake – a wonderful nighttime indica strain that that has a tart strawberry taste and leaves you with a good face melt and some couch lock. Wait until you get home before diving in. No great if you are with a group of people who are looking for your active participation in whatever they are doing! But wonderful to relax and get ready for a good night's sleep. Blue Dream – every now and then I swing back to one of the all time greats. Nice for daytime and early evening use. Just have to be sure that whatever they are calling Blue Dream is really Blue Dream. It does have a fairly distinctive taste and smell so if you are familiar with the strain, you should be able to tell if you have the real stuff. Tang – a wonderful sativa that is energetic without providing the standard “sativa crash” as it wears off. Also nice because of it's ability to “cut through” any buzz you may already have and provide a new uplifting effect. After a first set-closing “Uncle John's Band,” the second frame got underway with Lesh leading on “Alabama Getaway” and “Sugaree,” the latter of which featured the band taking things out again and stretching the song to over 20 minutes. Phil once again stepped to the mic for a cover of the Bob Dylan classic “Like A Rolling Stone” that saw Trey and Page joining him on the chorus – I love that tune, the first Phil & Friends show I ever saw, featuring the Quintet, at the Riviera Theater in Chicago with good buddy Jimmy they opened with a 15 minute version of this tune into a 30 minutes cover of Low Spark of High Heeled Boys, just too many other good tunes from this show - and led into a spirited “I Know You Rider.” Anastasio then fronted the quintet on a sweet version of “Row Jimmy” SHOW No. 4: Row Jimmy Track #12 2:10 – 3:55 Garcia/Huner tune, Wake of the Flood is the sixth studio album (and tenth album overall) by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Recordslabel. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.[8]The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching No. 18. After three live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense." Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered:Jerry brought "Row Jimmy" into us one day, and it was really difficult to get a grip on it at first. It has a slow tempo, which makes it seem like it would be easy, but it calls for a slight reggae groove layered over a ballad. Rhythmically, the lengths aren't traditional. They're not just twos and fours. It's deceiving. Basically, you have to play the song in half-time with a double-time bounce on top. It's trickier than it sounds. But once I locked into it, "Row Jimmy" became one of the best songs in our repertoire. Played 274 timesFirst: February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USA, a show we featured earlier this year.Last: June 21, 1991 at Knickerbocker Arena in Albany Cannot say enough about Trey's strong vocals on this tune. This is 16 years before the 50th reunion shows where Trey would play lead guitar for all five shows (2 in Santa Clara and 3 at Soldier Field). And at this point, Phish had only covered one Dead tune in concert: Terraping Station on August 9, 1998 at the Virginia Beach Amphitheater on the third anniversary of Jerry's death. Since that point, it is still the only time Phish has covered a Dead tune in concert. Why only that one? Who knows. Trey is certainly more than qualified to cover any Dead tune and the other guys have all played with various Dead members from time to time. One of the great mysteries of the Phish world (at least for me). This was followed by a crowd-pleasing “Shakedown Street” which saw the band stretching their legs once again for a nearly 20-minute excursion. Next, “The Wheel” led into a 15 minute version of the classic closer “Not Fadeaway” to bring set two to a conclusion. After Phil's donor rap and band intros, Phil & Phriends closed out Night One of the run with Phil singing lead Dylan's “Mr. Tambourine Man,” which they did in the style of The Byrds. OUTRO: Mr. Tambourine Man Track #18 0:00 – 1:28 Leave you with one of my favorite Bob Dylan tunes. "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song. The song has been in Dylan's live concert repertoire since it was written,[10] usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, perhaps the song's live debut, recorded at London's Royal Festival Hall on May 17, 1964. Great version, again with Trey and Page joining in. I think Phil surprised them with pace of the tune right at the start, but everyone catches up and it's a fun song to hear in concert. Great way to close out night 1 of this 3 night return to the stage run for Phil. Best part is that 25 years later he is still going strong at 84! Phil and Friends have covered it 6 timesFirst: at this show!Most recent: October 5, 2000 at Orpheum Theatre, Boston, MA, USA (doesn't seem correct to me because I'm fairly certain I've seen Phil perform this live since 2000, but so far cannot seem to come up with the place, date or folks he was playing with. Happens sometimes! Finally, this show marks the first instance of Phil's famed “Donor Rap” that precedes the encores of all of his shows .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Throughout this episode, our experts will discuss the intricacies of merging and acquiring businesses and the importance of the Integration Triangle, a framework we have developed to ensure successful outcomes. Host Cristina Barquero is joined by Phil Roux, a partner with 20 years of experience in M&A, and Tom Marshall, a principal in L.E.K. Consulting's Organization and Performance practice, who share their expertise in creating sustainable value for clients and driving synergy value realization. The discussion explores the criticality of taking a pragmatic stance in mergers, the elements of the Integration Triangle, potential issues if those elements are not well integrated and best practices to follow.Key points/topics covered:The critical need for a pragmatic stance in M&A to ensure value creationOverview of the Integration Triangle framework, encompassing value creation, the combined operating model and integration strategyChallenges and risks that arise when there is a lack of alignment between value creation objectives, the combined operating model and integration strategyBest practices for leveraging the Integration Triangle, including early planning, continuous refinement and comprehensive ownership of all three elementsThe expected outcomes of adopting an effective approach to integrating the elements of the Integration Triangle, such as increased value creation, broader buy-in and improved negotiation stanceConnect with our experts on LinkedIn:Phil Roux, Partner, L.E.K. Consulting: https://www.linkedin.com/in/pgdroux/Tom Marshall, Partner, L.E.K. Consulting: https://www.linkedin.com/in/tom-marshall-1078671b/Cristina Barquero, Practice Manager (O&P), L.E.K. Consulting: https://www.linkedin.com/in/cristina-barquero3108/ Visit L.E.K. Consulting at https://www.lek.com/
Guy Garrick by Arthur B. Reeve audiobook. Private detective Guy Garrick is at the dawning age of modern criminal forensics in the early twentieth century. He and his friend and assistant, Tom Marshall, come to the assistance of both a police commissioner and an insurance investigator trying to solve a murder mystery tied to gambling and corruption in New York. Insightful and innovative thinking will of course rule! Learn more about your ad choices. Visit megaphone.fm/adchoices
For more info: https://balancemusic.com.au @marshmusician Some artists exude total and unapologetic passion for their craft. Full immersion, absolute dedication and complete commitment; a calling much more than a career, a love much more than a labour, the realisation of a lifelong ambition. An ambition like Tom Marshall's. A fan favourite on the roster of renowned UK label Anjunadeep and one of the breakout stars of the melodic house scene, Marsh has sculpted a distinctly warm, emotional sound since he first emerged in the mid-2010s. Inspired by his teenage love of the emotionally rich, early 2000s trance sound and the musicality of crossover drum & bass acts like Pendulum, he's distilled these disparate influences into a captivating and soulful signature style.
The following is an audiobook teaser of The Life of Tom Marshall, narrated by Fenix Aurora. This publication by Jim Stumm covers all we know of the chronology and life of Tom Marshall, the pseudonymous Rayo. ORDER THE PAPERBACK: LIBERTYUNDERATTACK.COM/LIFEOFTOM The full audiobook will be released sometime in the future,… The post The Life of Tom Marshall [Audiobook Teaser] appeared first on The Vonu Podcast.
Phish Lyricist & Osiris Co-Founder Tom Marshall has some of the best stories a Phish fan could ever hear, and we hardly talk about Phish. Tom talks King Crimson, Yes and his buddy Trey on this episode of Best Show Ever. Recorded 8/15/23 Best Show Ever is created, hosted and produced by Cam Herdt. Produced and distributed by Osiris Media.
Today we bring you a special report, looking at the new songs played during Phish's Summer 2023 Tour, with Tom sharing insights about some of the songs he wrote with Trey. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd.
The show Ted Lasso has truly become a feel-good TV phenomenon for Apple TV+. With tons of new subscribers after its premiere in 2020, it saved the brand-new streaming service and was Apple TV+'s top comedy in 50 countries. Ted Lasso seemed to tap into what many people needed during the pandemic. It's a positive and uplifting show about Ted, a fish out of water determined to spread joy and inspire confidence while coaching the AFC Richmond football (soccer) team in England. Cinematographer David Rom has been shooting Ted Lasso since the pilot. He and co-creator/star Jason Sudeikis worked out the look of the show together with the production designers. They wanted to find a look that was clean, bright and saturated, but not look like a network comedy. It was a challenge to make so many offices and locker rooms look interesting because they had to be lit from above. David and director Tom Marshall used the sports films Moneyball and I, Tonya as references for the pilot episode. David chose to shoot with the ARRI Alexa LF with Tokina lenses to get the big, colorful look. The show frequently uses a single camera, handheld approach even though they often need several cameras to cover the action. Many of the scenes are rewritten, changed or improvised in the moment, so both David and fellow cinematographer Vanessa Whyte have to be ready to think on their feet. DOP Vanessa Whyte joined Ted Lasso in season 2. As the seasons of the show have progressed and the characters deepen, the look of Ted Lasso has also progressed, with room for experimentation in a few episodes. For example, in the episode “Beard After Hours,” Vanessa got to have fun with more psychedelic and dreamlike camera work as Coach Beard parties his way around London after a team loss. Vanessa also found that each season has a lot of episodes that refer back and tie in to previous episodes. With help from the show's DIT, she would reference these previous scenes, in order to match up the shots and storylines neatly. She finds that the fans of Ted Lasso notice and appreciate when they're able to recognize a callback. Ted Lasso IS about football, and for all of the football sequences, the show has a special second unit for shooting the games. David and Vanessa use a large crew to shoot on the field, with many extra cameras. The crew is not allowed to shoot on any actual football pitches, and all of the stadiums where the games are played are recreated with computer graphics, and a CGI crowd. Most of the practices and games are actually shot on the Hayes and Yeading Football Club pitch. A few small greenscreens are strategically placed on the field and behind the goals, and the CGI team does their magic to turn it into a stadium. For both David and Vanessa, shooting in the UK can be a nightmare with the unpredictable British weather. Vanessa says that it's definitely part of the training for any European cinematographer. The weather regularly shifts from clouds to sun to clouds and rain. They always need to build in more time to shoot, and have plenty of lights as backup with color grading in post to correct for drastic light and shadow changes. After season 1, the crew built a set instead of using a real location for Rebecca's office, since it was so difficult to control the lighting in the south-facing windows. Ted Lasso is streaming on AppleTV+. Find David Rom: http://www.davidrom.com/ Instagram: @davidrom_dop Find Vanessa Whyte: https://www.vanessawhyte.com/ Instagram: @noodlle Sponsored by Hot Rod Cameras: www.hotrodcameras.com Sponsored by Greentree Creative: www.growwithgreentree.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
This is the end of the Island Tour! And finally, the end of season 4. If you wanna take off, take off, but we encourage you to stick around…for 4/5/98. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We've switched islands, but don't worry, we're still talking Phish. Join us for this dive into 4/4/98. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd Hosted on Acast. See acast.com/privacy for more information.
Today we keep the Island Tour rolling along, this time diving into the epic 4/3/98. If you haven't seen it, here's Amar Sastry's Anatomy of a Jam video on the Roses Are Free. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Is it still 1997? Depends on who you ask. Today we're getting back to the end of season 4 and talking in depth about the Island Tour. Four episodes, starting today with 4/2/98. Thanks for coming back. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
New York, New York! We cap off the New Year's 97 run with a look at 12/31/97, an extended discussion about encores, and a look forward to 1998. Thanks for tuning in. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
An udder ball, Hannibal Lecter, an outrageous jam (or many), and a lot more. Welcome to 12/30/97. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
The bus has arrived in the Big Apple, and we're ready to tackle 12/29/97. Enjoy. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We're back! Picking up where we left off, we're going to be releasing episodes on all 4 New Year's run ‘97 shows, and then we'll bring you episodes on the Island Tour after Phish's Spring 2023 tour. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, and Benjy Eisen. Edited by Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
To cap off the last night of Albany, 12/13/97, we have someone who played that night—John Kasiewicz of J. Willis Pratt and We're Bionic. They opened for Phish that night, and John talks about their show, and the amazing Phish show that follows. A few things to check out: a documentary about Willis and his longtime friendship with Jon Fishman, some audio from the opening set on 12/13/97, and the first band gig with Fishman post-Albany ‘97, from 4/29/98. Finally, the Relix article with Fishman recounting the Kiss experience.Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We have arrived in Albany for the last couple nights of the tour, and we're grateful to Scott Bernstein of JamBase to talk to us about 12/12/97. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Rochester! Writer and podcaster Jesse Jarnow joins us to talk about this legendary show on 12/11/97. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
As we head toward the Northeast for the final leg of the tour, we talk with Benjy and RJ, who were both at the show, about how University Park on 12/9/97 stacks up. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We're heading to Dayton to talk 12/7/97 with Andy Gadiel! Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Today we're thrilled to be talking about 12/6/97 with Ryan Stasik of Umphrey's McGee. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
The guest today for the 12/5/97 show from Cleveland is our very own RJ Bee. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Our guest today is Bugs.net founder and CEO Brad Serling. Brad chats with Tom and Benjy about seeing Phish in the early 90s as a Grateful Dead fan, his voyage from taper to a career in live music, and of course the amazing show on 12/3/97 at The Spectrum in Philly. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Today we have a conversation with Marc Brownstein of The Disco Biscuits, who talks about the Philadelphia show on 12/2/97, and a whole lot more about his band, Phish, and the 90s. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We wrap up the Worcester run by focusing on the last night, 11/30/97, with guest Carla Ngo. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We are on to the weird and wild second night of Worcester, 11/29/97, with our guest Jeremy D. Goodwin. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We have David Goldstein as our guest to talk about the first night of Worcester, 11/28/97. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We have Scott Marks back again to talk with us about his first show, 11/26/97. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Never miss a Sunday show, especially during the Fall ‘97 tour. Today we talk with Brian Brinkman about 11/23/97. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Today we're joined by Scott Bernstein of JamBase to talk about 11/22/97 from Hampton. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
It's on to Phish's first two-night stand at the mothership. We talk with guest Craig Hillwig about 11/21/97 in Hampton. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
In a special bonus episode, Joel Cummins of Umphrey's McGee talks with Benjy about his experience at the Phish show on 11/19/97 and how it influenced his decision to become a professional musician. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We're in Champaign for 11/19/97, with Andy Kahn of JamBase. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
For one of the best shows of Fall ‘97, we could only have one person revisit it with us. Trey joins us to talk about 11/17/97, memories of the tour, and what led to this different musical style. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
It's the first night of Denver, 11/16/97, and we're joined by guest Scott Galbraith. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We're on to Salt Lake City for the second show of the tour, 11/14/97, joined by guest Dom Deluca. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
We've finally arrived in Las Vegas for the kickoff of Fall ‘97. Drew Hitz and Charlie Dirsken join us to recap the tour opener, 11/13/97. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support. Thanks to our partners at Green Future Wealth—they can help with all of your financial planning needs. And thank you to our sponsors at Smartwool, Passion House, and CashorTrade. Undermine is brought to you by Osiris Media. Executive Producers are Tom Marshall, RJ Bee, Brian Brinkman, Matt Dwyer, and Benjy Eisen. Produced and edited by Brian Brinkman and Eric Limarenko. Mixed and Mastered by Matt Dwyer. Production assistance from Christina Collins and Nick Cejas. Original Music by Amar Sastry. Art by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
© 2020-2025 Ivy Podcast Discovery LLC
