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Play Episode Listen Later Jun 5, 2024 84:16

Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike. Grateful DeadJune 3, 1976 (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show: Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later. Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus. INTRO: Might As Well Track #1 1:15 – 2:50 “Take that ride again” Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976. It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music. The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America. Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends. Later made into a movie Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped) during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin. Here, it is played as the show opener. Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune. Played 111 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW 19 times that year Last: March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91 SHOW No. 1: Lazy Lightning Track #6 0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number. Unfortunately, dropped from the repertoire in 1984. I got to hear it three or four times. A fun number. Played: also played 111 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA MUSIC NEWS – Intro music: In A Gadda Da Vida: IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo. Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along. The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78. He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71. Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show. SHOW No. 2: Supplication Track #7 2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played: 111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3: Dancin In the Streets Track #11 0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration. A really fun concert tune. The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst: July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69. Legendary cultivator who created the best strain of marijuana I ever smoked. We just called it Blake weed and put it up against any other strain, anywhere, any time. Folks would say they had the best weed until I let them smoke some of the Blake weed. They never failed to concede. Eccentric, temperamental, hospitable, mentor and good friend. And self titled “best joint roller in the worlds.” Was one of my Bulls season ticket partners during the Jordan era. Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke. With four of us in the room, he would have 3 joints circulating at all times. With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself. Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI. They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them. Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2. Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3. CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4. Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill SHOW No. 4: Samson and Delilah Track #12 0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .” Played: 365 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOWLast: July 9, 1995 at Soldier Field OUTRO: The Wheel Track #22 2:48 – 4:30 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations. “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s. “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972. “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music. Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set. Here it is the encore which is more of a rarity. Played 259 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW Last: May 25, 1995 at Memorial Stadium, Seattle, WA .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

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Neil Young's Postponed Concert and a Look Back at 1989

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Play Episode Listen Later May 27, 2024 81:36

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995). Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty Of Credence Clearwater Revival fameLos LobosJoe Satriani an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO: Althea Track #3 4:51 – 6:21 From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece. Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story. Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst: August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast: July 8, 1995 at Soldier Field, Chicago The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end. It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money. Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing. The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business. Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town. By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time. There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group. Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions. There is a You Tube video of the entire Fogerty set that I encourage you to view. Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs. John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty. Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind. On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage. Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance. On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1: Down On The Corner (and Band introductions) John Fogerty (w. Jerry and Bobby) JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com) 10:49 – 12:42 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits. The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs. As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes. Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance. However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend. MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis. I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time. If so, there will be a big report in two weeks. Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album SHOW No. 2: Iko Iko w/Clarence Clemmons Track #5 5:09 – 6:11 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax. Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show. In '89 the Boss was as big as ever and Clarence was a big part of that success. But he enjoyed playing in the improv style embraced by the Dead. Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater. He also played a number of times with JGB. And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back. When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.” SHOW No. 3: Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence Track #6 2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead. Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First: March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast: April 2, 1995 at The Pyramid Arena, Memphis, TN, USA MJ NEWS SHOW No. 4: Blow Away Track #11 7:37 – 9:10 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song) When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst: June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast: July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent OUTRO: Wharf Rat Track #17 3:59 – 5:26 Not the closer this night, or most nights, but it could have been a perfect closer. Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

united states tv american university new year world friends chicago power english starting news san francisco philadelphia ny tennessee nashville dead band boss touch concerns mobile studio concerts genius benefit oakland tower tn bay area garcia aids eyes played yellow bob dylan similar billboard northern california grammy awards aa wi gateway american idol ballad frost masterpiece new beginning granted chapman corner goose blonde neil young rs grateful dead sphere chronicle mick jagger mcgee postponed amnesty international bayou ringo starr jellyfish hummingbirds pensacola alcoholics anonymous go to heaven keith richards phish deep purple weir carlos santana big man coliseum huey lewis huey nineties billboard hot ween eighties knick tracy chapman luke combs sweetwater soldier field greatest stories jerry garcia shoreline columbia records creedence clearwater revival marin county steve vai los lobos rothman john fogerty clemons deadheads joe satriani g3 e street band squadcast fast car thin man west florida randy jackson werks bob weir kirk hammett fortunate son hard rain oakland coliseum billy strings better than before narcotics anonymous ritchie blackmore stuck inside creedence bill graham widespread panic ruben blades bassnectar steve jordan capitol theatre david nelson charlie hunter greatest hits vol robert hunter umphrey blow away rolling thunder revue narada michael walden clarence clemons fogerty alex skolnick disco biscuits satriani rfk stadium string cheese incident port chester joel selvin andy timmons dixie cups john barlow jgb fantasy records iko iko all starr band bob johnston give me one reason east troy desolation row huey lewis and the news poor boys dead co touch of grey northerly island shoreline amphitheater wharf rat estimated prophet august west

Nicki Minaj was arrested! South Park Ozempic Special. Robert De Niro on Trump. EDC crazy prices Beetlejuice will finally return! WNBA in Las Vegas. Morgan Spurlock dies at 53. Dead & Co at the Sphere.

Dr WhoEver

Play Episode Listen Later May 26, 2024 32:44

Nicki Minaj was arrested! South Park Ozempic Special. Robert De Niro on Trump. EDC crazy prices Beetlejuice will finally return! WNBA in Las Vegas. Morgan Spurlock dies at 53. Dead & Co at the Sphere. drwhoever.com --- Support this podcast: https://podcasters.spotify.com/pod/show/drwhoever/support

Nicki Minaj was arrested! South Park Ozempic Special. Robert De Niro on Trump. EDC crazy prices Beetlejuice will finally return! WNBA in Las Vegas. Morgan Spurlock dies at 53. Dead & Co at the Sphere.

Dr WhoEver

Play Episode Listen Later May 26, 2024 32:44

Nicki Minaj was arrested! South Park Ozempic Special. Robert De Niro on Trump. EDC crazy prices Beetlejuice will finally return! WNBA in Las Vegas. Morgan Spurlock dies at 53. Dead & Co at the Sphere. drwhoever.com --- Support this podcast: https://podcasters.spotify.com/pod/show/drwhoever/support

donald trump las vegas dead prices wnba arrested nicki minaj robert de niro south park beetlejuice ozempic sphere edc morgan spurlock dead co

Deep Purple 50th-anniversary edition of ‘Machine Head', Santana / Dead & Co. both add additional dates to their respective Las Vegas residencies, Rock & Metal 2024 Grammy winners... Week of 2/12/24

Rock News Weekly Podcast

Play Episode Listen Later Feb 12, 2024 60:22

Major tour announcement coming from AC/DC this week, Deep Purple to release a special 50th-anniversary edition of their legendary album ‘Machine Head', Santana as well as Dead & Co. both add additional dates to their respective Las Vegas residencies, The full rock & metal list of 2024 Grammy winners is out and we'll go over who we thought should have won & more… PLUS this week in Rock & Roll History Trivia, Weekly WTF & so much more! Everything is up at www.rocknewsweekly.com Watch us LIVE, chat with us & more… Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweekly Watch all of our videos & interviews on demand at Youtube.com/@rocknewsweekly Follow us online: Instagram.com/rocknewsweekly Facebook.com/rocknewsweekly Twitter.com/rocknewsweekly All of our links are up at www.rocknewsweekly.com every Monday, where you can Check it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts) #rock #news #rocknews #rocknewsweekly #rocknewsweeklypodcast #podcast #podcasts #metal #heavymetal #alt #alternative #classicrock #70s #80s #90s #indie #trivia #acdc #deeppurple #machinehead #santana #lasvegas #deadandco #gratefuldead #grammys #grammywinners #grammys2024

live rock las vegas dead grammy winners dates 50th ac dc anniversary edition deep purple grammy winner machine head residencies respective amazon audible rock metal dead co

The Dead Warm Up A Cold Iowa Night in 1978. Dead & Co scheduled to play the Shere. Alcohol v. Cannabis v. Tobacco – You already know the answer to this one!

Play Episode Listen Later Feb 5, 2024 68:53

"Uni Dome Bliss: Jerry's Guitar Magic Illuminating Iowa Nights"Larry Mishkin discusses a Grateful Dead concert from February 5, 1978, held at the Uni Dome at the University of Northern Iowa in Cedar Falls. He emphasizes the exceptional performance, particularly focusing on the Scarlet Begonias and Fire on the Mountain combo, which he compares favorably to the renowned Barton Hall show from May 1977. Larry praises the guitar work of Jerry Garcia and highlights the unique qualities of this less-discussed but outstanding 1978 show. Additionally, he briefly touches on recent music news, including the Dead and Company's residency at The Sphere in Las Vegas and the upcoming Days Between event at Jazz Fest in New Orleans, featuring Government Mule and other legendary musicians. February 5, 1978 (46 years ago)Uni-DomeUniversity of Northern IowaCedar Falls, IowaGrateful Dead Live at Uni Dome, U of Northern Iowa on 1978-02-05 : Free Borrow & Streaming : Internet Archive Show Title: The Dead Warm Up A Cold Iowa Night in 1978. Dead & Co scheduled to play the Shere. Alcohol v. Cannabis v. Tobacco – You already know the answer to this one! INTRO: Bertha Track #1 3:24 – 5:13 Great Jerry solo SHOW No. 1: Samson & Delilah Track # 12 1:30 – 3:10 Bobby's mic not working so they have to improvise and keep jamming Played 365 times, often on Sunday – “It being Sunday . . . “ First played June 3, 1976 Paramount Theater in Portland, OR Last played July 9, 1995 at Soldier Field, Chicago SHOW No. 2: Scarlet Begonias Track #14 3:20 – 5:10 One of the best ever, great jamming SHOW No. 3: Fire On The Mountain Track # 15 7:15 – 9:02 Again, one of the best ever (and one of Rob's favorites!). No lyrics here, just Jerry jamming away SHOW No. 4: The Other One Track # 18 6:10 – 7:40 Loud, solid, Phil!!! OUTRO: Around & Around Track #20 3:58 – 5:35 Not always everyone's favorite, but this is a ripping version, they change the tempo on a dime and rock it out to end the second set. "Around and Around" is a 1958 rock song written and first recorded by Chuck Berry. It originally appeared under the name "Around & Around" as the B-side to the single "Johnny B. Goode". Covered by: Rolling Stones - The Rolling Stones covered the song on their EP, Five by Five and second U.S. album 12 X 5 in 1964. Besides the band members it featured Ian Stewart on piano. In October 1964, they performed the song as part of their first appearance on The Ed Sullivan Show. They played it on a regular basis on their tours in 1964 and 1965. In 1964 the Stones opened their famed TAMI Show with the song. After more than a decade they performed the song again at the Knebworth Fair on August 21, 1976. It was also included on the 1977 live album Love You Live, from the El Mocambo club gig in Toronto. After that, it has only been performed occasionally, most recently during the band's 2012 U.S. tour at Prudential Center in Newark, New Jersey on December 15 David Bowie - English musician David Bowie recorded the song in 1971, produced by Ken Scott, under the title "Round and Round". Originally slated for inclusion on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, it was ousted by "Starman" at the last minute.[4] Regarding the song, Bowie stated in 1972: "It would have been the kind of number that Ziggy would have done onstage...He jammed it for old times' sake in the studio, and our enthusiasm for it probably waned after we heard it a few times. We replaced it with a thing called 'Starman'. I don't think it's any great loss, really. The Animals Eric Burden Pearl Jam Meat Loaf .38 Special Maureen Tucker (Velvet Underground) The Germs (American punk rock band Guided By Voices And more . . . . . . . Dead played it 418 times, very high up in the overall song rankings. First played: Nov. 8, 1970, Capitol Theater, Port Chester, NY Last played: July 6, 1995, Riverport Amphitheatre, Maryland Heights (St. Louis), MO .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Rob Zombie bassist Piggy D leaves the band after 18 years, Dead & Co. confirm Las Vegas residency for later this spring, Zakk Wylde is launching his own music festival & more! S6 E5 - Week of 2/5/24

Rock News Weekly Podcast

Play Episode Listen Later Feb 5, 2024 45:25

Rob Zombie bassist Piggy D leaves the band after 18 years, Dead & Co. confirm Las Vegas residency for later this spring, Zakk Wylde is launching his very own music festival with a ‘Ride For Dime' charity motorcycle ride in honor of the late Dimebag Darrel Abbott & more… PLUS this week in Rock & Roll History Trivia, Weekly WTF & so much more! Everything is up at www.rocknewsweekly.com Watch us LIVE, chat with us & more… Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweekly Watch all of our videos & interviews on demand at Youtube.com/@rocknewsweekly Follow us online: Instagram.com/rocknewsweekly Facebook.com/rocknewsweekly Twitter.com/rocknewsweekly All of our links are up at www.rocknewsweekly.com every Monday, where you can Check it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts) #rock #news #rocknews #rocknewsweekly #rocknewsweeklypodcast #podcast #podcasts #metal #heavymetal #alt #alternative #classicrock #70s #80s #90s #indie #trivia #zakkwylde #berzerkus #blacklabelsociety #alicecooper #robzombie #acdc #robzombie #piggyd #blasko #freaksonparadetour #U2 #grammys #deadandco #deadandco2024 #spherelasvegas #lasvegassphere

live rock las vegas spring dead band zombies launching u2 rob zombie residency music festival confirm bassists piggy zakk wylde amazon audible dead co ride for dime

"Rockin' Yuletide Beats: The Deadhead Cannabis Show's Christmas Special"

Posters in Every Direction

Play Episode Listen Later Dec 25, 2023 74:59

"Tunes of the Season: Phish, Grateful Dead, and Merry Jams"Larry Mishkin discusses Christmas-themed songs performed by various artists, including The Who and Grateful Dead. Larry delves into The Who's rock opera "Tommy," particularly focusing on the song "Christmas" and its critical reception. He transitions to discussing Grateful Dead's rendition of Chuck Berry's "Run, Rudolph, Run" performed at the Felt Forum in 1971 and analyzes its significance in the band's repertoire.Larry further explores the potential residency of bands like Dead & Company at the Sphere in Las Vegas, following U2's shows there. He touches on Phish's upcoming performances at the same venue and discusses the difficulty in acquiring tickets for these highly anticipated shows.Later, Larry reminisces about New Year's Eve shows by various bands, specifically mentioning Grateful Dead's memorable performances during the countdown. He also features unconventional Christmas renditions by Phish and Jerry Garcia with David Grisman..Produced by PodConx Theme – Rock n Roll ChristmasIf you were in the Mishkin household earlier this morning, you might have heard this blasting out of the speakers:INTRO: ChristmasThe WhoFebruary 14, 1970University of Leeds, Leeds, England aka “Live At Leeds”The Who - Christmas - Live At Leeds (with Footage) (youtube.com)2:00 – 3:17 "Christmas" is a song written by Pete Townshend and is the seventh song on The Who's rock opera Tommy. On the original LP, it opens the second side of the album. Tommy is the fourth studio album by the English rock band the Who, first released on 19 May 1969.[2] Primarily written by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of Tommy Walker and his experiences through life. The song tells how on Christmas morning, Tommy's father is worried about Tommy's future, and soul. His future is jeopardized due to being deaf, dumb, and blind.[2] The lyrics contrast religious themes such as Christmas and Jesus Christ with Tommy's ignorance of such matters. The rhetorical question, "How can he be saved from the eternal grave?" is asked about Tommy's condition and adds speculation as to the nature of original sin and eternal salvation. In the middle of the song, "Tommy can you hear me?" is repeated, with Tommy responding, "See me, feel me, touch me, heal me." "Christmas" was praised by critics. Richie Unterberger of AllMusic called it an "excellent song."[5]Rolling Stone's Mac Randall said it was one of several "prime Pete Townshend songs" on the album.[6] A review in Life by Albert Goldman considered it beautiful and highlighted the song's "croaking chorus".[7] James Perone said it was "perhaps one of the best sleeper tracks of the collection." Townshend came up with the concept of Tommy after being introduced to the work of Meher Baba, and he attempted to translate Baba's teachings into music. Recording on the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. Tommy was acclaimed upon its release by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. The Who promoted the album's release with an extensive tour, including a live version of Tommy, which lasted throughout 1969 and 1970. Key gigs from the tour included appearances at Woodstock, the 1969 Isle of Wight Festival, the University of Leeds, the Metropolitan Opera House, and the 1970 Isle of Wight Festival. The live performances of Tommy drew critical praise and revitalised the band's career. Live at Leeds is the first live album by English rock band the Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The album was released on 11 May 1970 by Decca and MCA in the United States,[2] and by Track and Polydor in the United Kingdom. It has been reissued on several occasions and in several different formats. Since its release, Live at Leeds has been ranked by several music critics as the best live rock recording of all time SHOW No. 1: Run Rudolph RunGrateful DeadFelt Forum at MSG, NYCDecember 7, 1971Track No. 10Grateful Dead Live at Felt Forum, Madison Square Garden on 1971-12-07 : Free Borrow & Streaming : Internet Archive0:11 – 1:54 Run Rudolph Run"[2][3][4] is a Christmas song written by Chuck Berry but credited to Johnny Marks and M. Brodie due to Marks' trademark on the character of Rudolph the Red-Nosed Reindeer.[5][note 1] It was published by St. Nicholas Music (ASCAP) and was first recorded by Berry in 1958, released as a single on Chess Records.It has since been covered by numerous other artists, sometimes with the title "Run Run Rudolph".[16] The song is a 12-bar blues, musically similar to Berry's popular and recognizable song "Johnny B. Goode", and melodically similar to his song "Little Queenie", the latter of which was released shortly after, in 1959.During its initial chart run, Berry's 1958 recording peaked at number 69 on the Billboard Hot 100 chart in December 1958.[22] Sixty years later, the single re-entered the Hot 100 chart at number 45 (on the week ending January 5, 2019), reaching an overall peak position of number 10 on the week ending January 2, 2021, following its third chart re-entry, becoming Berry's third top-ten hit and his first since 1972's "My Ding-a-Ling". In doing so, it broke the record for the longest climb to the top 10 since its first entry in December 1958, at 62 years and two weeks.This Ciip:Out of Brokedown Palace and into You Win AgainPlayed a total of 7 times.This was the first timeLast: December 15, 1971 Hill Auditorium, Ann Arbor, MI SHOW No. 2: Little Drummer BoyPhishJuly 3, 1999Coca Cola Lakewood Amphitheatre, Atlanta, GAPhish - The Little Drummer Boy - 7/3/1999 - Atlanta, GA (youtube.com)Start to 1:30 Out of Contact to close the second set. Played it again as the first encore (into, Won't You Come Home Bill Bailery starring Page's dad, Jack, on vocals and kazoo. "The Little Drummer Boy" (originally known as "Carol of the Drum") is a Czechoslovakian popular Christmas song written by American composer Katherine Kennicott Davis in 1941.[1] First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since.[2] In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, "I played my best for him" and "He smiled at me". Phish has only performed the song three times during the month of December – the debut performance segueing out of “Mike's Song” and into “Whipping Post,” a tease during the 12/28/94 “Weekapaug Groove,” and jammed out of the “YEM” vocal jam (12/2/99) (which melted down until Jon was left singing it to close the set). But the song was jammed out of season during “My Friend, My Friend” (3/18/93) and “Stash” (7/15/93), and teased during “Weekapaug Groove” and “Big Ball Jam” (4/9/94), “Wilson” (8/13/97), “Silent in the Morning” (7/4/99), and "Wilson" (4/16/04). This version is generally considered to be Fishman's most memorable version. SHOW No. 3: God Rest Ye Merry GentlemenJerry Garcia and David GrismanNovember 9, 1991Warfield Theater, S.F.God Rest Ye Merry Gentlemen - Jerry Garcia - Bing videoStart – 1:37Out of The Two Sisters to close second set "God Rest You Merry, Gentlemen" is an English traditional Christmas carol. It is in the Roxburghe Collection (iii. 452), and is listed as no. 394 in the Roud Folk Song Index. It is also known as "Tidings of Comfort and Joy", and by other variant incipits. An early version of this carol is found in an anonymous manuscript, dating from the 1650s it appeared in a parody published in 1820 by William Hone. Story here is the way Jerry and David play so tight, trading off leads and filling in gaps. A great sound for a traditional tune. There are many sides of Jerry and we don't get to see all of them. Nice to take a break from the traditional Dead stuff and take a look in at what else Garcia was doing during that creative period of his life. SHOW No. 4: Stagger LeeGrateful DeadDecember 30, 1985Track No. 6Grateful Dead Live at Oakland Coliseum on 1985-12-30 : Free Borrow & Streaming : Internet ArchiveStart – 1:32 As is made clear by the opening lyrics, this is a tale about events that unfolded and played out on Christmas: “1940 Xmas Eve with a full moon over town”. On some occasions, Jerry was known to substitute in “Christmas” Eve. "Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the Billboard Hot 100 in 1959. The historical Stagger Lee was Lee Shelton, an African-American pimp living in St. Louis, Missouri, in the late 19th century. He was nicknamed Stag Lee or Stack Lee, with a variety of explanations being given: he was given the nickname because he "went stag" (went to social events unaccompanied by a person of the opposite sex); he took the nickname from a well-known riverboat captain called Stack Lee; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution.[2] Shelton was well known locally as one of the Macks, a group of pimps who demanded attention through their flashy clothing and appearance.[3] In addition to those activities, he was the captain of a black Four Hundred Club, a social club with a dubious reputation. On Christmas night in 1895, Shelton and his acquaintance William "Billy" Lyons were drinking in the Bill Curtis Saloon. Lyons was also a member of St. Louis' underworld, and may have been a political and business rival to Shelton. Eventually, the two men got into a dispute, during which Lyons took Shelton's Stetson hat.[5]Subsequently, Shelton shot Lyons, recovered his hat, and left.[6] Lyons died of his injuries, and Shelton was charged, tried, and convicted of the murder in 1897. He was paroled in 1909, but returned to prison in 1911 for assault and robbery. He died in incarceration in 1912. The Grateful Dead frequently played and eventually recorded a version of the tale which focuses on the fictionalized hours after the death of "Billy DeLyon", when Billy's wife Delia tracks down Stagger Lee in a local saloon and "she shot him in the balls" in revenge for Billy's death. Based on the traditional song "Stagger Lee", "Stagolee" or "Stack O'Lee." Robert Hunter wrote a version that he performed solo, and Jerry Garcia subsequently re-ordered the lyrics and rewrote the music for the Grateful Dead's version. More recently Bob Weir has also been performing some of the older traditional versions with Ratdog. Dead released it on Shakedown Street, Nov. 8, 1978 Played 146 times by the Dead1st: August 30, 1978Last: June 18, 1995 Giants Stadium OUTRO: Santa Clause Is Coming To TownBruce Springsteen and the E Street BandCW Post University, Greenvale, NYDecember, 19756Santa Claus Is Comin' to Town (Live at C.W. Post College, Greenvale, NY - December 1975) - Bing video2:15 - 4:00 Santa Claus Is Comin' to Town" is a Christmas song featuring Santa Claus, written by J. Fred Coots and Haven Gillespie and first recorded by Harry Reser and His Band.[1] When it was covered by Eddie Cantor on his radio show in November 1934 it became a hit; within 24 hours, 500,000 copies of sheet music and more than 30,000 records were sold.[2][3] The version for Bluebird Records by George Hall and His Orchestra (vocal by Sonny Schuyler) was very popular in 1934 and reached the various charts of the day.[4] The song has been recorded by over 200 artists including Bing Crosby and the Andrews Sisters, the Crystals, Neil Diamond, Fred Astaire, Bruce Springsteen, Frank Sinatra, Bill Evans, Chris Isaak, the Temptations, The Pointer Sisters, the Carpenters, Michael Bublé, Luis Miguel, and the Jackson 5 A rock version by Bruce Springsteen & the E Street Band was recorded on December 12, 1975, at C. W. Post College in Brookville, New York, by Record Plant engineers Jimmy Iovine and Thom Panunzio.[14][15] This version borrows the chorus refrain from the 1963 recording by the Crystals.[16] It was first released as a track on the 1981 Sesame Street compilation album, In Harmony 2, as well as on a 1981 promotional, radio-only, 7-inch single (Columbia AE7 1332).[17][18] Four years later, it was released as the B-side to "My Hometown," a single off the Born in the U.S.A. album.[19] Springsteen's rendition of the song has received radio airplay perennially at Christmastime for years; it appeared on Billboard magazine's Hot Singles Recurrents chart each year from 2002 to 2009 due to seasonal air play. Live performances of the song often saw the band encouraging the audience to sing some of the lyrics with—or in place of—the band's vocalists (usually the line "you'd better be good for goodness sake", and occasionally the key line "Santa Claus is Comin' to Town" as well). Sometimes, concert crowds would sing along with the entire song, and the band, who were known to encourage this behavior for the song, would do nothing to dissuade those audiences from doing so, instead welcoming the crowds' enthusiasm. This version remains a Springsteen concert favorite during the months of November and December (often concluding the show), and the band is among the few that keep it in their roster of songs during the holidays. Dead & Co at the Sphere?Phish – sold out fast Merry ChristmasHappy Holidays .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

christmas united states jesus christ american new york university new year live english las vegas england song story united kingdom african americans dead track missouri run comfort christmas eve ga cannabis rolling stones recording beats silent christmas special santa claus garcia played billboard bruce springsteen leeds gentlemen lp won frank sinatra woodstock drum u2 isle magi temptations madison square garden infants sesame street bing crystals rudolph msg christmastime tunes nativity rockin ann arbor lyons grateful dead sphere footage baba sixty shelton ling subsequently chuck berry stash yuletide phish bing crosby neil diamond luis miguel carpenters billboard hot fishman red nosed reindeer fred astaire jerry garcia mca two sisters michael bubl simeone bill evans tidings deadheads e street band pete townshend squadcast pennsylvanians roger daltrey pointer sisters little drummer boy keith moon chris isaak decca all music bob weir jimmy iovine xmas eve his orchestra oakland coliseum johnny b goode polydor alan lomax andrews sisters townshend macks robert hunter czechoslovakian john entwistle chess records eddie cantor tommy walker metropolitan opera house lloyd price santa claus is comin david grisman in harmony brookville stagger lee mishkin my hometown wight festival his band record plant shakedown street meher baba dead company yem whipping post dead co greenvale run rudolph run fred waring brokedown palace ratdog george hall run run rudolph ny december little queenie richie unterberger podconx haven gillespie weekapaug groove

Episode 26: I'm flesh and Bone: Artist Interview with Helen Kennedy

Play Episode Listen Later Nov 19, 2023 63:02

We had the BEST time chatting with the amazing Helen Kennedy aka @zazzcorp about all things art, music, pizza and grilled cheese. Helen is from CT and got her start in the gig community by creating custom buttons to share at the Grateful Dead shows she was attending. Her passion for the Dead and its music started her down the path of gig art and she now has created art for iconic bands such as the Dave Matthews Band, Billy Strings, Dead & Co, Tedeshi Trucks Band and so many more! We loved getting to know Helen, and can't wait to come visit her in CT to grab some New Haven style pizza! Hope you enjoy the conversation~ You can find Helen's work at her socials @zazzcorp and website www.zazzcorp.com.

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KSP #52 - Decade of The Dead Co-Director, Fairai Richmond, Talks About How Films Saved His Life

Talk Story w/ Gaven Sugai

Play Episode Listen Later Oct 9, 2023 140:13

On today's show, we have a returning guest. On our previous episode with this guest, we talked about his proof of concept film, Higher, which was becoming popular during a time where Hawaii movies needed more representation. Since then, he has been actively involved in creating short films, music videos, commercials, and supporting more of the film industry in Hawaii. He now works for Sight and Sound Productions, and is here today to talk about his first upcoming feature film, Decade of the Dead, in which he co-directed. Please join me in welcoming, actor, producer, director and storyteller, Fairai Richmond!We talk about Fairai's love for films, the process of making Decade of the Dead, what he has learned as a filmmaker, his experience directing a film in which his family was acting and actively a part of, how important it is to encourage the filmmakers in Hawaii to continue creating, and much more. HUGE mahalo to Fairai for being an amazing guest on the show!If you enjoyed this episode, please like, comment, and subscribe to the Kampai Sugai Podcast.Follow Fairai on various platforms:IG: @fbrfilmsIMDB: https://www.imdb.com/name/nm3052790/Decade of the Dead website: https://www.deadseasonfilm.comKHON 2 Spotlight: https://www.khon2.com/living-808/decade-of-the-dead-a-hawaii-zombie-film/Editing by: Kelsey Sugai | @jedi_sugaiMusic By:Sunset Drive - Isaac De La Cruz | IG: @fiddlepino℗ 2021 Isaac De La CruzReleased on: 2021-12-09Artwork By:Sarah Marquez| IG: @trisarahtops_illustrationsInstagram: kampai_sugai_808Youtube: https://www.youtube.com/channel/UCjAXiyRRg5gboZTHRZt7ebQ

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Episode 61: Jason Timpf On The Damian Lillard Trade, The New Look Celtics, And What To Expect From The NBA This Season

The Mark Titus Show

Play Episode Listen Later Oct 3, 2023 69:22

Subscribe to Mostly Sports with Mark Titus and Brandon Walker on Youtube: https://www.youtube.com/@MostlySportsTitusandWalker?sub_confirmation=1 On today's episode Jason Timpf returns to the show to talk all things NBA season preview. The Damian Lillard trade, the new look Celtics, Lebron's plan, and what to expect fromt the rest of the league's top contenders. Plus some Dead & Co talk. On the back half of the episode Mark Ryder Cup, his paths crossing with Lebron, TJ's subathon and more. Jason Timpf is the host of Hoops Tonight on the Volume Sports Network. He is a self proclaimed basketball junkie who's specialty is hopping on the mic late night for instant reactions to the NBA's biggest games. Follow Jason on Twitter: https://twitter.com/_JasonLT Follow Jason on Instagram: https://www.instagram.com/jtimpf15/?hl=en Show note: We'll be back with a new episode Thursday as we continue our offseason schedule of Tuesday/Thursday episodes. Follow the show on all socials @MarkTitusShow

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Giants Stadium Dead: Larry and guest Christian Sauska break down 8.4.94 and the 'new song' era

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Play Episode Listen Later Jul 24, 2023 65:15

Tips for guessing within two years when a song was played.Larry Mishkin reviews the Grateful Dead concert from August 4th, 1994, at Giant Stadium. He discusses the show and welcomes guest Christian Sauska, who attended that concert and shares his love for New Orleans-style music and his journey as a Deadhead. The conversation delves into the 80s and 90s eras of the band, and they discuss their musical backgrounds and the band's new music.Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntChristian Sauska - https://www.linkedin.com/in/christian-sauska-5aab2310/Jay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast Grateful DeadAugust 4, 1994Giant's StadiumEast Rutherford, NJTraffic opened the show Jerry sits in with Traffic on Dear Mr. Fantasy and Gimme Some Lovin INTRO: Box of Rain Track No. 2 3:42 – 4:51 SHOW #1: Jack Straw Track No. 3 5:00 – 6:09 SHOW #2: Eternity Track No. 7 0:36 – 1:45 A “new” Bob Weir song, music by Bob and Rob Wasserman and lyrics by Willie Dixonfirst played on February 21, 1993 at Oakland Alameda County Coliseum Played 44 times in concert Last played July 8, 1995 at Soldier Field – second to last show Released on Dead's first post-Jerry box set, So Many Roads Rob Wasserman (Rat Dog with Bobby) Wasserman started playing violin, and graduated to the bass after his teenage years. He studied at the San Francisco Conservatory of Music where he studied composing with John Adams and double bass with San Francisco Symphony bassists.[5]He worked with Van Morrison, Oingo Boingo, and David Grisman. His 1983 album Solo won Down Beat magazine's Record of the Year award. On the albums Duets and Trios, he worked with Bobby McFerrin, Rickie Lee Jones, Cheryl Bentyne, Lou Reed, Stéphane Grappelli, Jerry Garcia, Brian Wilson, Willie Dixon, Branford Marsalis, Bob Weir, Edie Brickell, Les Claypool, Neil Young, and Elvis Costello.Duets was nominated for three Grammy Awards. Bobby McFerrin won for "Brothers", which was performed with Wasserman. Wasserman also won Holland's Edison Award for Record of the Year.His 2000 album, Space Island, incorporated more contemporary musical elements. RatDog, which he co-founded with Bob Weir from the Grateful Dead, occupied much of his time. He toured extensively with Lou Reed.Wasserman was a judge for the sixth-tenth annual Independent Music Awards.[8]Rob Wasserman died on June 29, 2016. Cause of death was cancer.[9] Entombment was made in Salem Memorial Park and Garden at Colma, California.[10] Willie Dixon (1915-1992) was one of the preeminent blues songwriters and performers of all time. The Grateful Dead covered a fairly lengthy list of his songs, attesting to his influence on the band: “Down in the Bottom,” “I Ain't Superstitious,” “I Just Want to Make Love To You,” “Little Red Rooster,” “The Same Thing,” “Spoonful,” and “Wang Dang Doodle.” The song was written during the sessions for Rob Wasserman's Trios album. “Guitar Player” magazine ran an interview with Weir in 1993:“I had this chord progression and melody that I wanted to run by Willie to see if he liked it .... he did, so he started dashing off words. He wanted me to run a certain section by him again and stuff like that, and we started working on a bridge. Then he dashes off this sheet of lyrics and hands it to me. Now I'm really stoked to be working with the legendary Willie Dixon and I'm prepared for just about anything.“He hands these lyrics to me and I'm reading through them. And they seem, you know, awfully simplistic. Like there wasn't a whole lot to them....“....Now he wants me to read through it and sing the melody I have and see if they fit. And so I started singing through these simplistic lyrics, and that simplicity takes on a whole other direction.“By the time I had sung through them, it's like my head is suddenly eons wide. I can hear what's happening just sort of echoing around in there and I'm astounded by the simple grace of what he has just presented to me. I'm sitting there with my mouth open literally, and Willie's laughing. He's just sitting there laughing, saying, 'Now you see it. Now you see it. That's the wisdom of the blues.'” David Dodd (author of Complete Grateful Dead Annotated Lyrics) – “Weir's songs from this era (anything from “Victim or the Crime” forward) seem aggressively innovative, shall we say. The rhythmic patterns, the big multi-layered chords, the changes in meter and tone, all add up to something that seems calculated to disrupt any comfort we might have been sinking into. OK, I didn't say that very well, but anyone who has struggled with these late-period Weir songs knows what I mean.” SHOW #3: Childhood's End Track No. 8 3:10 – 4:15 A “new” Phil tune, first played July 24, 1994 at Deer Creek Music Center, Noblesville, IN Played 11 times in concert Last played July 9, 1995 at Soldier Field – last show Never released on a studio album “Childhood's End” on 7/20/94 – the last original Grateful Dead song to enter the live repertoire, written and sung by Phil Lesh. Per John Hilgart of 4CPComics, the background story is that Lesh (and perhaps the others) felt that new songs would help fuel Garcia engagement in a period when Jerry was headed in the same direction as in the mid-1980s, when his drugged-out-bad-health put him in a coma that he narrowly survived – living on to drive the 1989-onward renaissance of the band. In the 1995 remake, Jerry died. The big musical difference between those two episodes is that everyone else in the band had their shit together in 1994, whereas the whole band was a mess in 1986. John's general take on post-Brent 1990's Dead is that they were not to be dismissed – a band that had stopped depending on Garcia's leadership to determine the musical outcome, but who were always therefore also ready when Garcia was feeling spry. Weir has said something to that effect. And when Garcia was feeling spry, it was just as you would wish it to be. SHOW #4: Way To Go Home Track No. 14 2:59 – 4:12 A “new” Vince song music by Vince and Bob Bralove, lyrics by Robert Hunter. First played February 23, 1992 at Oakland-Alameda County Coliseum Played 92 times Last played June 28, 1995 at The Palace of Auburn Hills, Auburn Hills Also wrote Samba In The Rain for the Dead. Bob Bralove is a keyboard–synthesizer player who worked as a sound technician with the Grateful Dead from 1986 to 1995. Throughout his tenure, he performed as an auxiliary musician throughout "Drums" and "Space", the band's signature aleatoric music segments.[1]Accordingly, he played a key role in their integration of MIDI technology (Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music.[1] ; Before the development of MIDI, electronic musical instruments from different manufacturers could generally not communicate with each other. This meant that a musician could not, for example, plug a Roland keyboard into a Yamaha synthesizer module. With MIDI, any MIDI-compatible keyboard (or other controller device) can be connected to any other MIDI-compatible sequencer, sound module, drum machine, synthesizer, or computer, even if they are made by different manufacturers.), first working with drummers Mickey Hart and Bill Kreutzmann, keyboardist Brent Mydland, and later guitarist Bob Weir and synthesizer/piano player Vince Welnick. He also co-wrote several songs with Weir and Welnick, including "Picasso Moon" on Built to Last (1989) and "Way to Go Home" and "Easy Answers", which were slated to appear on the band's unfinished fourteenth studio album. (A live reconstruction, Ready or Not, was ultimately released in 2019 and contains both songs.) Perhaps his most significant project with the band was curating excerpts from "Drums" and "Space" on Infrared Roses, a 1991 compilation album. "Parallelogram" and "Little Nemo in Nightland" are some of his most notable "compositions" from this release.Bralove was also a member and producer of the Psychedelic Keyboard Trio, along with Welnick and fellow former Grateful Dead keyboardist Tom Constanten.[2] Bralove and Constanten also collaborated as Dose Hermanos, a showcase for their improvisational keyboard work; since 1998, they have toured irregularly and released five albums under the moniker. Bralove also worked with Stevie Wonder, setting up and programming Wonder's synthesizers including while he was touring.[3] OUTRO: Days Between Track No. 20 5:55 – 7:24 “new” Jerry tune First played February 22, 1993 at Oakland-Alameda County Coliseum Arena Played 42 times by the Dead Last played June 24, 1995 at RFK Stadium in D.C. It has become a favorite of the surviving band members, played the third night at the 50th Anniversary Shows at Soldier Field in 2015 and frequently played by Dead & Co. with Bobby singing, Also played by Bob Weir and Wolf Bros. and Phil and Friends. Great tune to end this episode. David Dodd: “Days Between” has come to be an anthem that makes us remember Garcia in a particular way, and, in particular, the days between his birth date of August 1 and his death date of August 9. It's a fitting song for such thoughts, with its big sweeping chords and its lyrics heavy with nostalgia and longing.There's a word in German, sehnsucht, that lacks a proper emotional counterpart in English, but which means, roughly, “longing.” It carries a sense of wishing you could see something—see something again, see something at all—that something is missing from your eyes and from your presence. I find that “Days Between” belongs with a raft of songs that induce this feeling in me.“Days Between,” a late song in the Robert Hunter / Jerry Garcia songbook, was perhaps their last collaboration on a big, significant song, one that ranks with “Dark Star” and “Terrapin Station” as ambitious and intentionally grand. (I was talking the other day with a friend, about Garcia's playing and songwriting, and the thought came up that Garcia, like few others, was unafraid of grandeur, and could successfully pull it off. Same with Hunter.) During its relatively short time in the live repertoire, they played it 41 times, always in the second set, and fairly frequently rising out of the Drums. Phil: “I don't know whether to weep with joy at the beauty of the vision or with sadness at the impassable chasm of time between the golden past and the often painful present.”

4PM: Lets The Shareholders Draft

Scalzo & Brust

Play Episode Listen Later Jul 20, 2023 49:27

Alex Strouf in for Ben Brust. Greg and Stroufy start the show talking about the Packers finacancials release, and wonder if they do enough for Packers fans, and Wisconsin. Should Shareholders be able to make draft decisions? Greg and Joshy teach Stroufy about Dead & Co. The guys recap the 2 years since the Bucks won a championship.

Bonding over the new RHONY, Below Deck Sailing Yacht Recap and Jenna's time at Dead & Co's final show!

Bonded by Bravo with Amy & Jenna

Play Episode Listen Later Jul 20, 2023 53:40

After recapping Jenna's time at the Dead & Co show, Amy and Jenna jump right in to their thoughts on the new RHONY, recap Below Deck reunion and more of Amy's Celebrity sightings! Follow up on IG @bondedbybravopod and listen to new episodes every Thursday! --- Support this podcast: https://podcasters.spotify.com/pod/show/bondedbybravo/support

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The Dead Back Dylan: July, 1987. Frog Brigade Covers Animals

Play Episode Listen Later Jul 10, 2023 66:44

Grateful Dead and Bob Dylan, July 10, 1987, JFK Stadium, Philadelphia, PAhttps://archive.org/details/gd87-07-10.senn.lai.3859.sbeok.shnf/gd87-07-10d1t108.shnDead played first set.Dylan backed by Dead played second setJFK big old concrete stadium in Philly. Opened on April 15, 1926. Hosted the Army Navy football game for many years. Last live performance of any kind was Dead on July 7, 1989 with Bruce Hornsby and the Range opening. Stadium was literally falling apart with dangerous chemicals exposed as well as electrical wiring. Only reason they allowed the show to be played was because by the time the city inspector realized what was going on, stadium was already full of Deadheads. Supposedly, there was a very strict no smoking policy enforced because of the hazards. I'm guessing Deadhead's found a way to catch their buzz during the who. Final tune: Knocking on Heaven's Door. Very appropriate. On September 23, 1992 the stadium was finally demolished.I was only there once, in September 1981 for the opening show of the Rolling Stones Start Me Up tour. Went with good buddies H, Mills and Lieby thanks to Uncle Dave. George Thorogood and the Delaware Destroyers opened (One Bourbon, One Shot and One Beer), then Journey for maybe 45 minutes. Fans got bored and started booing. Finally the Stones – opened with Under My Thumb, they released balloons and well into the show H was convinced he could still see one or two of them. Could have just been the shrooms we (most of us) were trying out for the first time. Still almost a year before my first Dead show. But psychedelics seemed very appropriate for a Stones shows made this one very memorable.INTRO: I Need a Miracle Track No. 13 1:45-2:50 Mostly featuring the stuff with Dylan but wanted to get one Dead song in and this is an exceptionally great version of this song. “Go right through the book and break each and every law” – another great Barlow lyric. Was released as part of Shakedown Street (Nov. 15, 1978). Always a high energy tune and maybe the highlight of the Dead's lone set.Dylan – set II with Dead backingSHOW #1: Tangled Up In Blue Track No. 17 :20 – 1:36 From: Blood on the Tracks Released: January 20, 1975 This may be everyone's favorite Dylan tune. Jerry loved it, a staple of the JGB, usually played as a set closer. I love it here as the opener of the Dead's set with Dylan, a well known tune, Jerry jamming hard, and Dylan feeling the energy, love those excited vocals. Sounds like he's have a great time. Ok, Dylan's voice is not great BUT, it is much better than it is now AND it's the DEAD backing him (it was one thing to hear Jerry play it, but not often that the Dead played the tune! Took a minute or two to adapt to that set up. Start off strong, get everyone comfortable and fire up the crowd. Mixed feelings in the crowd because folks realized Dead were only playing one set, but Dead were backing Dylan, and Dylan's voice may suck, but with the Dead the songs sound fresh and lively in a manner not normally seen at your standard Dylan show (except when he had Larry Campbell playing with him – he rocked too).SHOW #2: I'll Be Your Baby Tonight Track No. 18 0:00 – 1:14 From: John Wesley Harding December 27, 1967 Not necessarily my favorite Dylan tune, but anytime Jerry plays pedal steel it's worth noting and listening to. The crowed realizes it and goes crazy. I never got to see Jerry play that instrument and understand I missed something special. So go back and listen to this tune again and focus on the pedal steel. Well worth it. SHOW #3: Joey Track No. 27 :38 – 1:52 From: Desire Released: January 5, 1976 "Joey" is an epic story-song from Bob Dylan's 1976 album Desire. It was written by Dylan and Jacques Levy, who collaborated with Dylan on most of the songs on the album. Like another long song on the album, "Hurricane", "Joey" is biographical. It tells the story of the life and death of mobster Joey Gallo, who was killed on his birthday at Umberto's Clam House in Little Italy, on April 7, 1972. The song's legacy remains mixed: a USA Today article ranking "all of Bob Dylan's songs" called it "forgettable" and lamented that it had replaced "Abandoned Love" on Desire's final track list[10] but in a readers' poll conducted by Mojo, "Joey" was rated the 74th most popular Bob Dylan song of all time.[11]Jerry Garcia, who was responsible for getting Dylan to start performing it live in 1987, considered it a "great song"[12] and Dylan himself characterized it as "Homeric" when discussing his Nobel Prize in Literature win with Edna Gundersen in 2016.[13] Critic Paul Zollo, writing in American Songwriter magazine, called it a "beautifully detailed and cinematic" song and a "masterpiece" in 2021.[14] I started listening to it when they released the Dylan And The Dead album released February 6, 1989 featuring songs from this July, 1987 tour. :::SHOW #4: Watchtower Track No. 28 1:56 – 3:26 From: John Wesley Harding December 27, 1967 A great tune that the Dead rocked to. We've talked about this song before, but Bobby really took off with it once they started playing it (first performance was a month before this tour, June 10, 1987 at the Greek. Then played up until June 22, 1995 at the Knickerbocker Arena in Albany. Great to hear the Dead rock it hard for Dylan. Interestingly, the show's encore was Touch of Grey which had not yet been officially released but was on In The Dark on July 6, 1987. So four days before this show. The Deadheads already knew it well – Dead started playing it in concert towards the very end of 1982. I first heard it in April 1983 in Morgantown WV. Not yet well known to the general public so no crazy crowd problems but they were just around the corner.All in all, a fun show. Some good Dead. Lots of good Dylan. And a fun collaboration for the Deadheads.OUTRO: U. S. Blues Goose July 4, 2023 Stone Pony Summer Stage Asbury Park, N.J. (The Boss's “home”) Goose - US Blues 7/4/23 Stone Pony - Asbury Park, NJ - YouTube O:00 – 1:10 First time played by Goose. Solid performance, but a little too close to the vest for me But with time, I have no doubt they can make it their own. And credit for covering the Dead. Not many bands will do that, ahem, “calling Phish?” So this is two weeks in a row ending with this tune, but this is the one Goose covered (on the 4th after all) so this is what we get. All in all, not a bad deal. NEWS:On July 10, 1986, Jerry slipped into Diabetic Coma. As a result, the Dead had to cancel two shows scheduled for the Fox Theater in St. Louis later in the month. I was devasted to hear the news about Jerry, we all wondered if this was it. And I was bummed to miss the Fox Theater shows. As we have discussed, in the late ‘60's and early ‘70's it was one of the Dead's favorite theaters to play, but they had not played there since 1972. Folks out of town for the weekend, lots of friends and Deadheads all coming to St. Louis for the shows. I had never seen the Dead in St. Louis and ultimately, did not until July, 1995 at the very end. And I had second row, orchestra, center – best seats I ever received from mail order. Then Jerry got sick and that was that. Ultimately, Jerry survived, relearned the guitar and all the Dead songs and by December 15th he was back. Very amazing. July 3, 2023Dead & Co at Folsom Field. Dave Matthews joins at the end of the second set for Watchtower/Not Fade/Knocking on Heaven's Door/The Weight. Great drones creating cool visuals like the Steal Your Face logo. Got good reports from Alex and Andy – she is EVERYWHERE these days! Dead & Co. down to the Gorge (just played this last weekend) and then July 14, 15 and 16 at Oracle Park in S. F. (Giants' home stadium). Then, ??????????????? July 2, 2023 – my first Les Claypool and Frog Brigade show at the Salt Shed in Chicago. Went with good buddy Rob. Very impressed with the band - when the show opens with a cover of King Crimson's Thela Hun Ginjeet – you know it's going to be a good night. Their songs after that were solid and everyone was very much enjoying the scene and that was before they blew us away with their cover of the Pink Floyd album, Animals (Jan. 21, 1977). Entire album start to finish. Then some more Frog Brigade and a fun night for all. I will be back to see Frog Brigade and Primus (and Oysterhead – we should all be so lucky) MJ news to follow

Dead Show/podcast for 6/30/23

Andy Cohenâ€™s Daddy Diaries Podcast

Play Episode Listen Later Jun 30, 2023 70:26

This week is a first for the Deadpod as I've decided to bring you a fine audience recording of one of the recent Dead & Company Final Tour shows. This is from Philadelphia on June 15, 2023. I think this tour has to rank among one of, if not the best, run that Dead & Co. has performed, and since they do not plan to tour after this I felt it worthwhile to try and document at least one of these fine performances. I'm not claiming this is the finest show on the tour - I haven't had the chance to hear all the shows, but it is a very fine recording thanks to Jeff Travitz who recorded the show. I do hope you enjoy it. I'll play set 2 next week. Dead & Company Citizens Bank Park Philadelphia, PA, Thursday 6/15/2023 Set 1: Man Smart, Woman Smarter (King Radio cover) (tour debut) Shakedown Street (Grateful Dead cover) (>) Cold Rain and Snow (Obray Ramsey cover) Jack Straw (Grateful Dead cover) Brown-Eyed Women (Grateful Dead cover) Dark Star (Grateful Dead cover) (verse 1) (>) El Paso (Marty Robbins cover) (Weir on acoustic) (tour debut) Don't Ease Me In (Henry Thomas cover) You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod063023.mp3 My sincere thanks for your kind support. Have a very Happy and Safe 4th of July!

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Deep on Dead & Company & Shallow with Tiffany Haddish

Play Episode Listen Later Jun 29, 2023 42:04

Tiffany Haddish is here to talk about the new season of 'The Afterparty,' those rumors about who she's been kissing, and the DM's she is happy to solicit for. Plus, all about my journey to see Dead & Co last week. Then later, Sarah Jessica Parker drops by our studio and we talk about that Kim Cattrall news she even kept from me. (I'm not mad. I don't think?) For more interviews and behind-the-scenes tea, tune in to Andy Cohen Live weekdays on Radio Andy by subscribing to SiriusXM. Use my code siriusxm.com/radioandytrial for a free trial!

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Grateful Set List #224

Cannabis Coffee Hour

Play Episode Listen Later Jun 23, 2023 46:04

Rob has some Indonesian single origin beans and talks about Dead Co. Citi-Field shows set lists, the NYC legal Cannabis scene and recent pop up comedy shows. IG @rob88cantrell

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067: ARI TEITEL [guitar/vox - THE RUMBLE, solo, Tony Hall, ex-Cha Wa] + Summer Tours '23 Preview w/ J.A.

The Upful LIFE Podcast

Play Episode Listen Later Jun 3, 2023 158:57

On the heels of a fantastic NOLA Jazz Fest 2023, please welcome New Orleans-based guitarist/vocalist ARI TEITEL (The Rumble) to Episode 067. I've been keepin' ears and eyes on Ari for the past few years as he continually makes waves in this country's greatest musical city. With numerous irons in the fire, as well as a laundry list of colossal collaborators, it was high time that I catch up with the young axe-slinger and hear all about his musical journey thus far. 2:30 - The Upful Update: Irmzie injury, NOLA Jazz Fest 2023 14:00 - introducing ARI TEITEL 18:25 - INTERVIEW w/ Ari Teitel (73 mins) 1:32:40 - aftermath/reflections 1:36:20 - Vibe Junkie JAM 1:44:30 - BONUS- Summer Concert Tours Preview w/ J.A. (50 mins). Please consider $upporting the Upful Life Podcast Ari Teitel - Bio GRAMMY nominated Ari Teitel began his career at 11 years old on stage sitting in with Robert Randolph at the Michigan Theater in his hometown of Detroit. Leading a band in the Motor City by age 12, Ari immersed himself in the musical heritage of the city. Studying and adhering to the traditions with the deepest respect. After graduating from Michigan State in 2016, he made the pilgrimage to American-music mecca New Orleans, Louisiana. He earned a GRAMMY nomination as musical director of Mardi Gras Indian Funk band Cha Wa, and worked alongside contemporary groove gurus Eric “Benny” Bloom & Nigel Hall of Lettuce. In 2022, Teitel co-founded The Rumble, a new and improved take on the funk band steeped in NOLA's sacred masking traditions. Also last year, Ari dropped a phenomenal solo LP, I Got My Thing. Now a staple on the Crescent City scene, Teitel has recorded or performed with PJ Morton, Iggy Pop, Mononeon, Cyril Neville, Ivan Neville, the New Orleans Jazz Orchestra, George Porter Jr, Dee Dee Bridgewater, Nicholas Payton, Big Chief Monk Boudreaux, Davell Crawford, Herlin Riley, Papa Mali, Quiana Lynell, Roosevelt Collier, Bill Summers (Herbie Hancock), Erica Falls, Russ Liquid, Adam Deitch, Alvin Ford Jr (Pretty Lights), and Jamison Ross (Snarky Puppy). Ari Teitel - Instagram Ari Teitel - website Ari Teitel - Link Tree Vibe Junkie JAM “Burn Rubber” The Nth Power & Friends (feat. members of Dumpstaphunk & more!) Tribute to The GAP Band. April 28th, 2023 late night. Toulouse Theater. NOLA Check out B.Getz's annual NOLA Jazz Fest wrap up on L4LM BONUS: 2023 Summer Concert Tours Preview with very special guest, the return of J.A. from The Rock n' Wrestling Podcast, one of my hometown homies and oldest friends. His first Upful LIFE podcast appearance in about 2 years! Since this episode came in a couple weeks late due to life stuff, I wanted to throw in some bonus content for the people! So great to reconnect with Jason and talk about some of our favorite topics du jour including - but not limited to - The Phish from VT, the geopolitical lens b/o pro wrasslin', Erykah Badu, Metallica, Billy K. leaving Dead & Co. just days before their "Final Tour", plus riffing on Taylor Swift-mania, Blink-182/Turnstile, The Cure, Motley Crue/Mick Mars drama, & some hearty laughs too. EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE

The Politics of Tipping

The Smerconish Podcast

Play Episode Listen Later May 9, 2023 31:25

Michael opens reminiscing on last evening listening to Dead & Co live from Barton Hall on SiriusXM's Grateful Dead Channel 23, then focuses on a story out of Colorado that's garnering a lot of buzz: A proposed bill to ban employers from preventing employees from accepting tips on the job. A wide-ranging conversation on tipping customs and etiquette...has it gotten out of hand? Original air date 9 May 2023.

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Introducing D&C in 23 - 5/6/23 Dead & Co at New Orleans Jazz Fest

Workingman's Pod

Play Episode Listen Later May 9, 2023 52:41

Dead Heads Alex and Dave introduce a new type of episode, D&C in 23... with WP! This summer, we'll be with you for every stop of Dead & Company's final tour. The day after each show, we'll be posting an episode recapping the previous night's show and previewing the next stop on the Golden Road. This episode, we introduce the concept and discuss Dead & Company's show from the New Orleans Jazz Fest on May 6, 2023! Where are Dead & Co as a group heading into this summer's tour? What songs do we think the band will play at their tour-opening show in LA? Get on the bus with Workingman's Pod to find out!Links:To play #EstimatedProphets with us this summer, hit us on any of our social media channels or via email at workingmanspod@gmail.comBruce Sunpie Barnes biography - https://encyclopediaofarkansas.net/entries/bruce-sunpie-barnes-8139/

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All That Jam Week Of April 24th 2023 Natalie Brooke

All That Jam

Play Episode Listen Later Apr 24, 2023 31:25

Kevin and Amanda talk: Bill Kreutzmann retires from Dead & CO. Eddie Van Halen's Guitar sells for 4 Million OK Go sued by Post Cereal and our interview with Natalie Brooke about Infinity Tribe, her progression as a songwriter, Wolf Mother, plus all about the local DC music scene @allthatjampod on IG, FB, and Twitter - Subscribe - leave a review - tell a friend. All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran.

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Classic Rock Report Dead And Company April 28 2016

Arroe Collins

Play Episode Listen Later Nov 25, 2022 1:09

Dead & Company is Grateful Dead members Mickey Hart, Bill Kreutzmann and Bob Weir; singer/guitarist John Mayer; Allman Brothers' bassist Oteil Burbridge; and “Fare Thee Well” and RatDog keyboardist Jeff Chimenti. In October of 2015 the band took to the stage for their inaugural nationwide tour, kicking off with three sold-out concerts at the legendary Madison Square Garden (including Halloween) and ending the year with two sold-out performances at the “Fabulous” Forum (the final was New Year's Eve). Drawing on the tremendous success of the band's 2015 tour, Dead & Company are launching their highly-anticipated new tour on Friday, June 10, 2016 (a full listing of tour dates can be found below). 2016's tour finds the celebrated group playing (among many other shows) two nights at Citi Field in New York; a two show independence day weekend celebration at Folsom Field in Boulder, Colorado; two nights at the famous Alpine Valley Music Theatre in East Troy, Wisconsin; and two shows at Boston's iconic Fenway Park on Friday, July 15 and Saturday, July 16. Dead & Company will play two sets at Bonnaroo on June 12. At each show, Dead & Company will perform two sets of music drawn largely from the Dead's historic catalog of songs. Tickets are on sale now for the 2016 summer tour. Check www.deadandcompany.com for complete ticketing information. On Wednesday, May 11 at 7:00 p.m. local time, “Grateful Dead Meet-Up at the Movies 2016,” comes back to the big screen for the 6th annual event. This special cinema event features the previously unreleased Grateful Dead Dead (Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland and Bob Weir) concert from Sullivan Stadium in Foxboro, Massachusetts on July 2, 1989. This event also features live concert footage of Dead & Co. from their 2015 tour. The Dead reunited in the summer of 2015 for the Fare Thee Well tour that included five shows in Chicago and Santa Clara, California, celebrating their 50th anniversary. Dead & Company 2016 Tour Dates: Fri Jun 10 Charlotte, NC PNC Music Pavilion Thu Jun 16 Cincinnati, OH Riverbend Music Center Fri Jun 17 Noblesville, IN Klipsch Music Center Mon Jun 20 Camden, NJ BB&T Pavilion Tue Jun 21 Saratoga Springs, NY Saratoga Performing Arts Center Thu Jun 23 Bristow, VA Jiffy Lube Live Sat Jun 25 Flushing, NY Citi Field** Sun Jun 26 Flushing, NY Citi Field** Tue Jun 28 Hartford, CT Xfinity Theatre Sat Jul 02 Boulder, CO Folsom Field** Sun Jul 03 Boulder, CO Folsom Field** Thu Jul 07 Detroit, MI DTE Energy Music Theatre Sat Jul 09 East Troy, WI Alpine Valley Music Theatre Sun Jul 10 East Troy, WI Alpine Valley Music Theatre Wed Jul 13 Pittsburgh, PA First Niagara Pavilion Fri Jul 15 Boston, MA Fenway Park** Sat Jul 16 Boston, MA Fenway Park** Fri Jul 22 Portland, OR Moda Center Sat Jul 23 George, WA Gorge Amphitheatre Tue Jul 26 Irvine, CA Irvine Meadows Amphitheatre Wed Jul 27 Chula Vista, CA Sleep Train Amphitheatre Fri Jul 29 Wheatland, CA Toyota Amphitheatre Sat Jul 30 Mountain View, CA Shoreline Amphitheatre Tickets are available through Ticketmaster, unless otherwise noted. **Tickets are not available through Ticketmaster for these concerts: Citi Field concert tickets available HERE. Folsom Field tickets available HERE. Fenway Park tickets available HERE.

Classic Rock Report Dead And Company April 28 2016

Arroe Collins

Play Episode Listen Later Nov 25, 2022 1:09

Dead & Company is Grateful Dead members Mickey Hart, Bill Kreutzmann and Bob Weir; singer/guitarist John Mayer; Allman Brothers' bassist Oteil Burbridge; and “Fare Thee Well” and RatDog keyboardist Jeff Chimenti. In October of 2015 the band took to the stage for their inaugural nationwide tour, kicking off with three sold-out concerts at the legendary Madison Square Garden (including Halloween) and ending the year with two sold-out performances at the “Fabulous” Forum (the final was New Year's Eve). Drawing on the tremendous success of the band's 2015 tour, Dead & Company are launching their highly-anticipated new tour on Friday, June 10, 2016 (a full listing of tour dates can be found below). 2016's tour finds the celebrated group playing (among many other shows) two nights at Citi Field in New York; a two show independence day weekend celebration at Folsom Field in Boulder, Colorado; two nights at the famous Alpine Valley Music Theatre in East Troy, Wisconsin; and two shows at Boston's iconic Fenway Park on Friday, July 15 and Saturday, July 16. Dead & Company will play two sets at Bonnaroo on June 12. At each show, Dead & Company will perform two sets of music drawn largely from the Dead's historic catalog of songs. Tickets are on sale now for the 2016 summer tour. Check www.deadandcompany.com for complete ticketing information. On Wednesday, May 11 at 7:00 p.m. local time, “Grateful Dead Meet-Up at the Movies 2016,” comes back to the big screen for the 6th annual event. This special cinema event features the previously unreleased Grateful Dead Dead (Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland and Bob Weir) concert from Sullivan Stadium in Foxboro, Massachusetts on July 2, 1989. This event also features live concert footage of Dead & Co. from their 2015 tour. The Dead reunited in the summer of 2015 for the Fare Thee Well tour that included five shows in Chicago and Santa Clara, California, celebrating their 50th anniversary. Dead & Company 2016 Tour Dates: Fri Jun 10 Charlotte, NC PNC Music Pavilion Thu Jun 16 Cincinnati, OH Riverbend Music Center Fri Jun 17 Noblesville, IN Klipsch Music Center Mon Jun 20 Camden, NJ BB&T Pavilion Tue Jun 21 Saratoga Springs, NY Saratoga Performing Arts Center Thu Jun 23 Bristow, VA Jiffy Lube Live Sat Jun 25 Flushing, NY Citi Field** Sun Jun 26 Flushing, NY Citi Field** Tue Jun 28 Hartford, CT Xfinity Theatre Sat Jul 02 Boulder, CO Folsom Field** Sun Jul 03 Boulder, CO Folsom Field** Thu Jul 07 Detroit, MI DTE Energy Music Theatre Sat Jul 09 East Troy, WI Alpine Valley Music Theatre Sun Jul 10 East Troy, WI Alpine Valley Music Theatre Wed Jul 13 Pittsburgh, PA First Niagara Pavilion Fri Jul 15 Boston, MA Fenway Park** Sat Jul 16 Boston, MA Fenway Park** Fri Jul 22 Portland, OR Moda Center Sat Jul 23 George, WA Gorge Amphitheatre Tue Jul 26 Irvine, CA Irvine Meadows Amphitheatre Wed Jul 27 Chula Vista, CA Sleep Train Amphitheatre Fri Jul 29 Wheatland, CA Toyota Amphitheatre Sat Jul 30 Mountain View, CA Shoreline Amphitheatre Tickets are available through Ticketmaster, unless otherwise noted. **Tickets are not available through Ticketmaster for these concerts: Citi Field concert tickets available HERE. Folsom Field tickets available HERE. Fenway Park tickets available HERE.

Dead Show/podcast for 10/21/22

A Drink & A Joint Podcast

Play Episode Listen Later Oct 21, 2022 73:51 Very Popular

We're going to close out the month of October with a great show from 1977. This one comes to us from Kansas City KS, on October 28, 1977. This week's first set is very melodic throughout, with a nice laid back rhythm for the most part. Promised Land is the opener (don't fear -the audience splice only lasts a few moments), then a sweet 'They Love Each Other'. One of the things I love about this recording is the clarity of each instrument - which is evident especially in the 'Cassidy' that follows. This entire set is quite well done, but I would draw your attention to the 'Supplication' and 'Deal' that closes the set - there is some really fine jamming going on there! Grateful Dead Soldier's And Sailors Memorial Hall Kansas City, KS 10/28/1977 - Friday One The Promised Land [4:16] ; They Love Each Other [7:10] ; Cassidy [4:33] ; Tennessee Jed [8:59] ; Mexicali Blues [3:05] > Big River [5:47] ; Brown Eyed Women [5:01] ; Lazy Lightnin' [3:13] > Supplication [5:48] ; Deal [6:19] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod102122.mp3 I'll play the second set next week. Thanks to Steve for this fine suggestion. Hope you got whatever Dead & Co. tickets you wanted... Be well and don't let the crazy noise this time of year get to you :)

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Ep.197- Dead & Co is Dead!

Play Episode Listen Later Sep 28, 2022 279:14

It's official LINKS: Real Bird: https://realbird.company.site Patreon: https://patreon.com/tobyanddavvy Spotify: https://open.spotify.com/artist/2C2jHZT76IOsKF7xPSiGmY?si=zIXWFQvnS7aR-SMnh7J-3Q Distrokid 7% off: https://distrokid.com/vip/tobyanddavvy Express VPN 3 months free: https://expressvpn.com/tobydavvy #gratefuldead #deadandcompany #podcast --- Send in a voice message: https://anchor.fm/a-drink--a-joint/message

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Thursday 9/1/22 - The History of Vinyl Records

Chicago Dog Walk

Play Episode Listen Later Sep 1, 2022 52:42

Kyle Matthiesen from Black Box Record Club joins the show to talk about vinyl. We get into how his company does their sales, the statistics of vinyl listeners throughout history, the time Kyle ran into White Sox Dave at a Dead & Co. concert, and more.

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Jaclyn Passaro

Wild Nights with Rocky Powell

Play Episode Listen Later Jul 11, 2022 33:47

Rocky goes to a Dead & Co show. Plus, Casper the "Friendly" Ghost is off the Zaddy's list, what is freedom, and Cousin Skeeter. Comedian Jaclyn Passaro drops by to join The Party God Squad with a story that will make us all think twice before trusting a stranger!

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Dead Show/podcast for 6/24/22

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Play Episode Listen Later Jun 24, 2022 90:40 Very Popular

Prepare to be psychedelicized this week as we listen to set 2 of the Dead's performance at the Fillmore West in San Francisco on June 7, 1970. The boys take us right to the deep end with a Cryptical to open set 2, then blow into a great Other One, and back into Cryptical. Drums then take us into a rare 'The Main Ten' jam before we get to hear the very first 'Sugar Magnolia'. Pigpen is in fine form on 'It's A Man's World' (and later on the set closing Good Lovin'). Sittin' On Top of the World is a treat to my ears, and who doesn't smile when they get to hear 'Cosmic Charlie'? I think you'll enjoy this one from a year that we have far too few good recordings. There are a few cuts, but hey, its 52 years ago... Grateful Dead Fillmore West San Francisco, CA 6/7/1970 - Sunday Two - 1:29:56 Set Two: Electric Cryptical Drums The Other One Cryptical Drums The Main Ten Sugar Magnolia Louie Louie It's A Mans World Mama Tried Sitting On Top Of The World Cosmic Charlie Casey Jones Good Lovin Drums Jam-Good Lovin You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod062422.mp3 Thank you for listening and your kind support! I'll be a Pine Knob this coming week to see Dead & Co. Hope some of you have had that chance or are going to be able to catch them!

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WP in 30 - Dead & Co 6/22/22 in Cincinnati, OH

Workingman's Pod

Play Episode Listen Later Jun 23, 2022 33:25

Dead Heads Dave and Alex are back with a 30 minute episode discussing the 2022 Dead & Company summer tour, and a breakdown of the phenomenal show D&C played at Cincinnati's Riverbend Music Center on June 22.Links:Dead & Co, 6/22/22 on Live Music Archive - https://archive.org/details/dac2022-06-22.AKGmix.toaste.flac16/dac2022-06-22.AKGmix.s2t01.flacAlex's photo of Riverbend Music Center's "paint by numbers" sky - https://twitter.com/WorkingmansPod/status/1539933855838343169?s=20&t=07mPgCHIMwv0YWImWa4SfQSupport the vendors! - https://www.holymolymischief.com/ AND https://www.instagram.com/noladead/ AND https://www.etsy.com/shop/phorbinscloset/?etsrc=sdt AND so many more! You've just gotta poke aroundDeadyversion, to vote on your favorite D&C songs - https://www.deadyversion.com/homeThis episode of the show on YouTube - https://youtu.be/yI28bHhUN2Q

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N.C. Winters - Rock Poster Artist and Rock Docs Logo Creator

Rock Docs

Play Episode Listen Later Apr 26, 2022 41:28

Rock Docs: A Podcast About Music Documentaries Today's episode is an interview with N.C. Winters, who is celebrated worldwide for having created the Rock Docs podcast logo, but also has a career as a professional music poster artist. He's worked with huge bands like Metallica, Dead & Co., Nine Inch Nails, Primus, Dave Matthews Band, and more. N.C. tells us how he got into the world of music poster creation, what that subculture is all about, and explains his creative process. Check out his community on Facebook - fansofncwinters - and enjoy his art on Instagram @ncwintersart - and buy his stuff, people! Thanks for doing this, N.C., you're the best! Hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod Instagram: @RockDocsPod Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt

Ep.173.1- Dead & Co NO MORE

A Drink & A Joint Podcast

Play Episode Listen Later Apr 12, 2022 162:30

Were just gunna watch tiktoks. Venmo: @davvyplaydead PayPal: tobyanddavvy@gmail.com #WillSmith #Illuminati #Comedy Email: TobyandDavvy@gmail.com https://realbird.company.site NEW Patreon $2 TIER: https://www.patreon.com/tobyanddavvy --- Send in a voice message: https://anchor.fm/a-drink--a-joint/message

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Yesterday's Concert: Does Jerry Approve of Dead & Company?

Rock N Roll Pantheon

Play Episode Listen Later Mar 29, 2022 21:03

Dead & Co.: June 15, 2019, Chicago, IL, Wrigley FieldA thick fog hung in the air. It wasn't daunting or menacing, but "conductive of all things; of light and color and sound and excitement." The music poured from the stage, unlike the rain that never came. And when it was over a lady told me, "You know, Jerry was here tonight?" yesterdaysconcert.comPart of Pantheon Podcasts.com

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Ep. 61: Michal Menert — Producer, Dead & Co. Sound Designer, and Pretty Lights Collaborator

Weird Music Podcast

Play Episode Listen Later Mar 21, 2022 32:08

Ep. 61: Michal Menert Michal Menert is a revolutionary EDM/hip-hop/soul producer who many consider to be a musical pioneer. Menert has toured with Dead & Co. as their Sound Designer, co-produced Pretty Lights chart-topping album Taking Up Your Precious Time, and he is coming out with his own album, Body Hi, on March 25th with Philos Records. In this episode, Michal and Cam talk in-depth about music theory, dynamics, and how different types of sounds affect the mind & heal the body. Michal also discusses working with Mickey Hart from The Grateful Dead, his near-death experience, resilience, and how his experiences have shaped his perspective on life. This is the Weird Music Podcast, where our host Cam Elkins explores the minds of the most creative and influential people involved in the music festival scene. We are very grateful for our generous listeners & sponsors that make this show possible. If you'd like to contribute, feel free to give a tip on Venmo — @Cam_Elkins Produced by: Katie Daly Sponsored by: SEM Tickets (https://semtickets.com) Hemp Relief CBD (https://hemp-relief.com) Devil Wind Brewing (https://www.devilwindbrewing.com)

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Ep.160- Dead & Co Cancelled

A Drink & A Joint Podcast

Play Episode Listen Later Jan 17, 2022 278:27

Uh oh. What happens next? Email: TobyandDavvy@gmail.com https://realbird.company.site NEW Patreon $2 TIER: https://www.patreon.com/tobyanddavvy #DeadAndCo #PlayingInTheSand #JohnMayer --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/a-drink--a-joint/message

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Discernment

BreakLines

Play Episode Listen Later Nov 9, 2021 24:45

Ailing from information overload and mass consumerism, Americans are growing less discerning. What are the societal implications? Halloween social experiment (1:19) Dead & Co. concert (3:30) Travails in gender studies (5:54) Discernment (11:40)

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Episode 166 - Grateful Poop

Wicked Funny Podcast

Play Episode Listen Later Sep 21, 2021 55:49

This week, we talk a lot about poop and discuss the Dead & Co. concert that Frank and Brian went to. Also, Katie learns how to make a fire while worrying about what to wear to Frank his Mexican Wife's wedding reception. Buy merch or subscribe to our PATREON for exclusive content! www.WickedFunnyPodcast.com

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Steve Gunn

Brokedown Podcast/Osiris Media

Play Episode Listen Later Sep 14, 2021 140:05

Greetings Dead Freaks!Here on the latest episode, I speak with Steve Gunn about his latest album, "Other You", the benefits of collaboration, and moving effortlessly between songcraft and improvised music. You'll hear a cut from the new record as well as a hefty slab of Grateful Dead."Other You" is out now on Matador Records. You can find it wherever records are sold and/or streamed as well as on the Matador Record Website and Steve Gunn's bandcamp: stevegunn.bandcamp.com.His most recent Gunn/Truscinski Duo album, Soundkeeper, can be found via Three Lobed Recordings, also on bandcamp.Steve Gunn's thoughts on the passing of Michael Chapman can be found on the always excellent Aquarium Drunkard: here.As I mentioned on the show, please don't hesitate to reach out, via email, twitter, or in the comments below, if you have listening recommendations from the current Dead & Co. tour. I look forward to hearing from you.Allow me to remind you that the Brokedown Podcast is part of the Osiris Media. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. Check out OsirisPod.com to stay in the loop.Also, if you would like a BrokedownPod t-shirt or sticker or other merch in that vein, please head over to my Redbubble virtual merch table. All proceeds go straight toward hosting costs and are much appreciated.Don't forget to follow the @BrokedownPod twitter account for regular news, live tweetstorms of shows as I listen, and other minutiae. We also have an Instagram account with the same handle. If you like pictures of things, you can find that here: BrokedownPod Instagram. Also, if you use Apple Podcasts, please consider posting a review as it really help get the word out.Also, please keep sending your metaphorical cards and letters. Leave a comment on the blog or hit me up on any of the above social media. Let me know what I'm doing right, wrong, or horribly wrong.

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Episode 165 - Pierce Brasanan

Wicked Funny Podcast

Play Episode Listen Later Sep 14, 2021 58:50

This week, Brian is stressed about car insurance and does a fantasy football draft while we record. We talk about the Dead & Co. concert we're going to and Frank reads Brian's review of a Train concert. Then Frank falls out of his chair. Buy merch or subscribe to our PATREON for exclusive content! www.WickedFunnyPodcast.com

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Dead Show/podcast for 9/10/21

The Sound Podcast with Ira Haberman

Play Episode Listen Later Sep 10, 2021 94:33

This week's Deadpod features a wonderful recording of the band's performance in Paris France on September 20, 1974. This is a splendid recording, and a very interesting performance. The band opens with a spirited 'Cumberland Blues' followed by a nice 'Jack Straw'. The first-set 'Scarlet Begonias' features some very nice Phil leads. Bobby's vocals are top-notch on the 'Black Throated Wind' that follows. The 'Friend of the Devil' that is performed afterwards, is one of the last 'fast' versions the band played. We get to hear a full 'Weather Report Suite' highlighted by some nice keyboard work by Keith. Jerry follows with a soulful 'Stella Blue'. The 'Around and Around that closes the set has a unique feel to it.. Grateful Dead Palais des Sports Paris, France 9/20/74 - Friday One Cumberland Blues [5:45] Jack Straw [5:10] It Must Have Been The Roses [5:26] Beat It On Down The Line [3:15] Scarlet Begonias [9:52] Black Throated Wind [6:22] Friend Of The Devil [3:58] El Paso [4:30] Row Jimmy [8:55] Weather Report Suite Prelude [1:15] > Weather Report Suite Part 1 [3:50] > Let It Grow [10:35] > Stella Blue [8:15] Around And Around [4:50] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod091021.mp3 As always, a big thank you for your support of the Deadpod! I'll be in Clarkston tonight for Dead & Co. - looking forward to it!

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The Sound Podcast with Eggy - September 6, 2021.

Play Episode Listen Later Sep 6, 2021 117:55

Phish Summer Tour Wraps Up at Dick's, Lots more Dead @ Co. Tour, would you buy old studio gear?, Shout out to NOLA and more. Segment 1: Phish - Mike's Song > The Man Who Stepped into Yesterday > Aveinu Malkenu > Weekepaug Groove - 09-01-21 - Shoreline Amphitheatre - Mountain View, CA Link: https://bt.etree.org/details.php?torrentId=613665 Segment 2: Jimmy Herring and Circles Around the Sun - Bird with No Name Link: https://open.spotify.com/album/2ta6jEw57IeEqT38ZJtg11?si=2H13L8I5Q0eZsrO7faO7-w&dl_branch=1 Segment 3: Eggy - Mission in the Rain - Eggy Plays the Dead Live from the Egg Crate - 05-06-20 Link: https://www.nugs.net/live-download-of-eggy-eggy-plays-the-dead-the-egg-crate-ct-05-06-2020-mp3-flac-or-online-music-streaming/26832.html Segment 4: Eggy - Shells - The Peach Music Festival - Scranton, PA Link: https://www.nugs.net/live-download-of-eggy-the-peach-music-festival-scranton-pa-07-01-2021-mp3-flac-or-online-music-streaming/26844.html?cgid=ARTIST-1440#start=1 Eggy - Time Loves a Hero (Little Feat) - Levitt Pavillion for the Performing Arts - Westport, CT Link: https://www.nugs.net/live-download-of-eggy-levitt-pavillion-for-the-performing-arts-westport-ct-07-15-2021-mp3-flac-or-online-music-streaming/26845.html#q=Eggy&lang=default&start=1 See omnystudio.com/listener for privacy information.

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43: Mom's Shady Boots

Not Tonight with Linda and Brenda

Play Episode Listen Later Aug 26, 2021 107:05

In this week's intro we do some sister catching up on Linda's encounter with some hot security guards and our love for @hellotefi. Then, our Mom joins us for the “Pop, Lock, & Drop It” segment to give some hot takes on Britney's Instagram, Lil Nas X, Ashton & Mila's fear of showers, the Real Housewives (NY & Potomac), Quentin Tarantino, True Crime podcasts, Dead & Co. concerts, and Gypsy Sister (adjacent) encounters. Finally, Brenda gives a sneak peek into next week's “Annie, Are You Ok?” segment about Hollywood murd- I mean- accidental deaths. *our fault* Special shoutout to Ireland - y'all in da building. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/nottonight/message

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Dead Or Alive - Day 5 (05/28/2021)

Play Episode Listen Later May 28, 2021

Dead Or Alive - Day 5 (05/28/2021) - Kelley & Ray finish their new game strong & give out a pair of tickets to see Dead & Co. at Ruoff Home Mortgage Music Center on September 15th.

Dead Or Alive - Day 4 (05/27/2021)

Play Episode Listen Later May 27, 2021

Dead Or Alive - Day 4 (05/27/2021) - Kelley & Ray have a Double-Double Play as 4 separate people try to win tickets to see Dead & Co. at Ruoff Home Mortgage Music Center on September 15th.

Dead Or Alive - Day 3 (05/26/2021)

Play Episode Listen Later May 26, 2021

Dead Or Alive - Day 3 (05/26/2021) - You win some & you lose some in Kelley & Ray's game for tickets to see Dead & Co. at Ruoff Home Mortgage Music Center on September 15th.

Dead Or Alive - Day 2 (05/25/2021)

Play Episode Listen Later May 25, 2021

Dead Or Alive - Day 2 (05/25/2021) - Kelley & Ray have another person guess who is or is not dead for tickets to see Dead & Co. at Ruoff Home Mortgage Music Center on September 15th.

Dead Or Alive - Day 1 (05/24/2021)

Play Episode Listen Later May 24, 2021

Dead Or Alive - Day 1 (05/24/2021) - Kelley & Ray play a new game for tix to see Dead & Co. at Ruoff Home Mortgage Music Center on September 15th.

Why is Everyone Making a DnD Podcast?

Who's Who?

Play Episode Listen Later Dec 25, 2020 45:58

as the gang plans their next move after stopping a terrorist attack in Sharn, they take a minute to introduce themselves to Nyllestra and their new compatriot, Gill Applebaum. Music used in this episode: Drifting Minds by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Faster Does It by Kevin MacLeod Source: http://incompetech.com/music/royalty-... Artist: http://incompetech.com/ Noir #1 - Music by Pedro https://www.youtube.com/watch?v=84ANGsQS_7w My Sins Alone Will Wake the Dead- CO.AG Music https://www.youtube.com/watch?v=vspHqLLUQXE licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/...)

music artist noir alexander nakarada sharn faster does it dead co

PFDW #24 Interview with George Romero's The Living Dead co-author Daniel Kraus

Postcards from a Dying World

Play Episode Listen Later Nov 16, 2020 91:50

In this episode of Postcards from a Dying World we speak with Daniel Kraus the man hired by the Romero estate to finish the novel George A. Romero was writing at his death. The director of Night of Living Dead, Dawn of the Dead and many more created the zombie genre in 1968 and this novel The Living Dead will serve as his final statement. In this interview, we talk about the influence of Romero, How Kraus came up as an author, working with two famous masters of horror and the nuts and bolts of taking Romero's unfinished novel, and the hard work it took to finish the 700-page book. Daniel Kraus is a New York Times bestselling author. With Guillermo del Toro, he co-authored The Shape of Water, based on the same idea the two created for the Oscar-winning film. Also with del Toro, Kraus co-authored Trollhunters, which was adapted into the Emmy-winning Netflix series. Kraus’s The Death and Life of Zebulon Finch was named one of Entertainment Weekly‘s Top 10 Books of the Year, and he has won two Odyssey Awards, YALSA Best Fiction for Young Adults, and was a Bram Stoker finalist. •You can find my books here: https://bookshop.org/contributors/david-agranoff Amazon-https://www.amazon.com/David-Agranoff/e/B004FGT4ZW •And me here: Goodreads-http://www.goodreads.com/author/show/2988332.David_Agranoff Twitter-https://twitter.com/DAgranoffAuthor Blog-http://davidagranoff.blogspot.com/

BEER Ep 16 Josh Warner Good Art

Because Everybody Enjoys Roadrunners

Play Episode Listen Later Sep 28, 2020 149:01

Meet Josh Warner a pirate of the silver seas of jewelry, art and his company @GoodArtHLYWD based in Los Angeles, CA. Jarod and Josh talk about his company, his art, being an Angelino, stick around because they get into some amazing conversations about life, joy and yes deeper they talk Grateful Dead, Dead & Co., John Mayer and more... Enjoy meeting another amazingly talented Roadrunner Josh Warner...

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On The Rampage w/ Don Lichterman, Kasie DC & Santa Claus, Adding States & Dems must learn how to win

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Play Episode Listen Later Sep 23, 2020 55:58

On The Rampage w/ Don Lichterman discusses how Kasie DC on Way Too Early says that Santa Claus may not have a home soon as the arctic circle ice has biggest loss of ice ever, how the Dem's need to learn how to win elections while also needing to shut the hell up about adding states and carrying out stupid tactics, Human Beings, Texas, Civil War, Chuck Schumer, Below Deck, Dead & Co., Mueller Investigation and 'It Could be, It could be, It might not be' and how that offsets to mean nothing...Plus, much more things are discussed today!

Dead Show/podcast for 4/24/20

Your Wealth & Beyond: The Financial Planning Podcast

Play Episode Listen Later Apr 24, 2020 93:48

This week we feature the second set from a fine late '89 Grateful Dead show - from the Great Western Forum on Sunday, December 10, 1989. In my opinion the meat of this set comes right out of the gate with a exquisite 'Jack Straw' followed by a wonderful, driven 'China Cat Sunflower'. The 'I Know You Rider' is no slouch either and the combo is, in my opinion the highlight of this set. The always-fun 'Man Smart, Woman Smarter' leads into a rather lengthy Drums and Space. The 'Wheel' comes out of space, but it lacks the spark of some versions. 'I Need a Miracle' follows and despite some hiccups, Jerry brings out 'Stella Blue' and does a respectable version here. 'Good Lovin' closes the set with the crowd on their feet, and the boys leave us with an excellent 'It's All Over Now, Baby Blue' to close out the evening. Grateful Dead 1989-12-10 Great Western Forum - Inglewood, CA - Sunday Two Jack Straw [5:31] > China Cat Sunflower [6:52] > I Know You Rider [7:05] % Man Smart (Woman Smarter) [8:31] > Drums [12:20] > Space [7:21] > The Wheel [5:16] > I Need A Miracle [4:53] > Stella Blue [9:07] > Good Lovin' [7:00] Encore It's All Over Now, Baby Blue [6:09#] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod042420.mp3 Don't forget to follow us on facebook - there I post the info on events such as the Dead's 'Shakedown Street' series of live concerts on Nugs net on Friday night and this week, Dead & Co. from CitiField with Meyer on the Wolf... be safe and take care of yourselves and others.. thanks for being here

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Super Duper!

Tweezer Tonight

Play Episode Listen Later Apr 22, 2020 79:47

Episode 85 was recorded before and during Phish's 5th installment of Dinner and a Movie, 7/9/19 at Mohegan Sun. Radiohead sweats Phish, the Met show was released on LivePhish and Dead & Co cancelled their tour. Are we on the brink of 4.0??? Our featured Tweezer is from the dawn of 2.0, 1/3/03. We hope you enjoy

movies dinner radiohead phish super duper mohegan sun tweezers dead co livephish

What the Grateful Dead can Teach us about Business with Brian Mohr

Play Episode Listen Later Feb 20, 2020 49:46

Though many simply think of them as a jam band, the Grateful Dead are one of America’s longest-enduring, most unique, and best-performing businesses. Over the course of a career that has lasted over five decades, they have created a culture, a highly profitable business, and a mindset out of organized chaos. Furthermore, they have survived as a leaderless organization and cemented their legacy in the decades following the death of founding guitarist and effective bandleader Jerry Garcia in 1995. If you want to look to numbers for proof, consider the fact that the band made over $50 million almost exclusively from touring and merchandise sales in 1994, and that Dead & Co., the band’s current incarnation led by John Mayer, grossed over $40 million from ticket sales alone, not including merchandise, in 2019. Joining me on today’s podcast is fellow Deadhead Brian Mohr. He’s the founder of Mohr Impact Group, a consulting firm focused on organizations who want to unlock the potential of their people by honing in on the importance and power of human connection in the workplace, and we’re digging deep into the business lessons that anyone can learn from the Grateful Dead. So, even if you’ve never connected with their music, throw your preconceived notions out the door as we dive into a conversation about how to develop prestigious brands, create customers for life, and build small businesses thinking seriously about conscious capitalism into massive, life-changing organizations. In this podcast interview, you’ll learn: Why the Grateful Dead letting fans tape and share recordings of their concerts was an early and extremely effective form of content marketing. How Jerry’s death and the subsequent infighting between band members mirrors when founders exit - and how John Mayer has stepped into Jerry’s role in a leaderless way while breathing new life into the band and its business. How the Grateful Dead used their mailing list to create an extraordinarily effective marketing machine that fostered a massively inclusive community and treated them right. Why psychological safety and feeling connected is crucial to being vulnerable enough to take risks and achieve the biggest successes in business. How technology leaves us feeling both more connected and isolated than ever before - and what business leaders and managers can do to address these issues.

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Completely Conspicuous 526: Go to Heaven

Completely Conspicuous

Play Episode Listen Later Feb 11, 2020 51:12

I'm joined by guest Phil Stacey as we discuss the Grateful Dead album Go to Heaven. Show notes: - Recorded at CompCon world HQ - The Dead transitioning into a new decade, the '80s - Cover may have given fans the wrong idea - Short outing at only 38 minutes - One of the least favorite studio albums among Dead fans - Phil: A real mish-mash - Contractual obligation: Third studio album in four years - AOR was getting big - The Godchauxs were gone - Brent Mydland brings a smooth Michael McDonald vibe that is off-putting - Grateful Dead keyboard players : Spinal Tap drummers - Some Dead classics on this album: Alabama Getaway, Althea - Didn't make another studio album for seven years - Jay might go see Dead & Co. with Phil at some point - Phil: This is their second-worst album - Lost Sailor doesn't work - Three straight Weir/Barlow songs - Saint of Circumstance could be an '80s sitcom theme song - Bob Weir loves the short shorts - Hey, we used to wear them, too - Mickey Hart eventually got into world music - Mydland's Easy to Love You could have been a pop hit - Album ends with a rave-up cover of Don't Ease Me In - Phil: In defense of U2's Zooropa - When we next convene, we'll talk about late '80s Dead Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

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Completely Conspicuous 525: Shakedown Street

Completely Conspicuous

Play Episode Listen Later Feb 4, 2020 48:10

I'm joined by guest Phil Stacey as we discuss the Grateful Dead album Shakedown Street. Show notes: - Recorded at CompCon world HQ - First ep of the new decade - Shakedown Street came out in '78 - Lots of musical stuff happening: Disco, punk, new wave, hard rock - Disco wasn't as bad as everyone made it out to be - Jay: No guilty pleasures: If you like it, you like it - The Dead were coming off a triumphant '77 - This was a contractually obligated studio album - Lots of influences thrown in: Funk, disco, African jazz, rock - Met with savage reviews - The version of "Good Lovin'" here pales in comparison to the live version, especially when Pigpen sang it - The last album with Donna and Keith Godchaux - Title track gets slagged as bad disco, but we dig it - Shakedown Street is now the name of the merch area at Dead & Co. shows - Pressure was on from Clive Davis for them to have hits - This album was produced by Lowell George of Little Feat - Seen as a disco album, but it's pretty diverse musically - The Dead weren't a great studio band - Mickey Hart stepped up with three songs - Phil: "I Need a Miracle" might be the best song on the album - "Stagger Lee" has an interesting history; versions were covered by many different artists - Jay: The Nick Cave version is the best, and the most profane - Album was scattered because of different influences plus substances - "All New Minglewood Blues" is a pretty rockin' cover - Dead appeared on SNL that year - Ends with a Garcia-Hunter love ballad that works - Jay: Liked about half the songs on the album - Next: 1980's Go to Heaven Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Decade of EVE: 2010-2015

Talking in Stations

Play Episode Listen Later Dec 30, 2019 130:05

In the first of this two part series, Matterall, Dirk MacGirk, Maccloud and Elise Randolph talk about events that took place between 2010 – 2016. Matterall announces 2019’s Most Influential Player (Katia Sae), Group (Trigger Happy) and Event (Blackout). Most Influential Players – 2019 Player Kendarr Olmecca Gold Vily Gobbins Elo Knight Seddow Katia Sae Group Trigger Happy Chinese and Korean Players Inner Hell Streamfleet TEST/Legacy Event Blackout Battle of O1Y-ED Snuff vs Dead Co. Pitts failed dreadbomb against TEST and the sinking of the Locustina Treaty of Amarr and Minmatar (Faction War) Ms Rabbit & Ranger Regimine Death of...

history decade pitts trigger happy dead co amarr elise randolph katia sae

INIT. and Dead Co. on the Upcoming War

Talking in Stations

Play Episode Listen Later Nov 19, 2019 61:27

This episode, Ron and Silver sit down with Sort Dragon, Alliance XO of Dead Coalition and Pandoralica, one of the most prominent fleet commanders in The Initiative. The Initiative made news by formally allying with Dead Coalition against the encroaching movement of Northern Coalition. They discuss current events in the Branch and Tenal regions as well as the narratives generated on various eve media platforms. Guests: Pandoralica (DEFCON. [The Initiative.]) Sort Dragon (Resilience. [DARKNESS.]) TIS Crew: RonUSMC (Dreddit [Test Alliance Please Ignore]) Silver Suspiria (Mecha Enterprises Fleet [Federation Uprising])

darkness silver initiative branch dead co

Completely Conspicuous 518: Terrapin Station

Completely Conspicuous

Play Episode Listen Later Nov 12, 2019 37:03

I'm joined by guest Phil Stacey as we discuss the Grateful Dead's 1977 album Terrapin Station. Show notes: - Recorded at CompCon world HQ - The Dead's 9th studio album - Band had signed with Clive Davis and Arista - Album was produced by Keith Olsen, later known for slick AOR albums by Eddie Money, Rick Springfield, REO Speedwagon, Heart - Phil: Would get a tattoo of the Terrapin cover - Cover of "Dancing in the Streets" is pretty lame - Live, the cover turns into a long jam (duh) - Donna Godchaux was featured a lot on this record - Side 2 is an side-long suite written by Hunter and Garcia - Band didn't tour for this album after Mickey Hart got in a car accident - The tour before this album was legendary for Dead fans - Tried songs out live before they made it to studio recordings - Side 1 closes out with a Donna G. song that sounds nothing like anything else the Dead has done - The Godchaux marriage was splitting up while they were in the band - Olsen erased Hart's drums on one song and replaced them with strings - Lyrics on Terrapin Station are pretty dense - Relatively short album for the Dead at 35 minutes - Phil: These songs got better in the live setting - Jay: A lot of filler on side 2 - Album feels like a contractual obligation - Dead & Co. plays part of the title suite now - Phil: Not a John Mayer fan, but he's a good guitarist - Jay: Not a fan of this album - Next: Cornell 5/8/77 Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

On The Rampage w/ Don Lichterman, 1st Grateful Dead show, Jack Ryan, Lindsey Graham, John Mayer...

Play Episode Listen Later Nov 6, 2019 158:00

On The Rampage w/ Don Lichterman talks about his first Grateful Dead show ever that was 40 years ago from yesterday, Jack Ryan's 2nd Season, Dead & Co. with John Mayer, Lindsey Graham, Live Jam 107 Schedule this week, Original Black Pantah is the Sunset artist of the week, Ranger Road is an album perfect for Veterans Day, Maryland Terps win big in opener, Kentucky vs Michigan State matchup and much more... Jalen Smith Postgame, Homecoming 2019, Fayetteville State Postgame Press Conference, Commercial for the #4 Women's Basketball Team vs #8 South Carolina & Boomer's Message To The Team at Terps TV! ONE BILLION views of awareness on our Hope For Paws channel! Laura Clery's interview with gastroenterologist Dr. Angie Sadeghi, Dissection in Reverse & the Exclusive Video: Fatal Injury of Mongolian Groom at Breeders’ Cup Race at Official PETA TV! Bill McKibben on U.S. Withdrawal from Paris Accord, Lebanon’s Prime Minister Hariri Resign, as Rich Hire Private Firefighters, Housekeepers Go to Work in Fire Zone & Prisoners Fight CA Blazes, “This Is a Win for Our City”: Chicago Teachers Celebrate End of Historic Strike After 11 Days, Chesa Boudin, Son of 1960s Radicals, Runs for San Francisco DA on Criminal Justice Reform Platform, Housing prices are on the rise in California — and so is homelessness & Emboldened by Bolsonaro, Illegal Loggers in Amazon Kill Indigenous Leader Paulo Paulino Guajajara...

On The Rampage w/ Don Lichterman, Killed Like A Dog, Jalen Ramsey, USDA, Nosey & Call to Action!

halloween dogs new jersey killers killed elephants rams bengals gov rampage usda call to action citibank jalen ramsey phish mullins royal albert hall nosey live jam dead co

Play Episode Listen Later Oct 28, 2019 41:34

On The Rampage w/ Don Lichterman wonders what killing someone like a dog means, Jalen Ramsey apologizes for being bored in Rams win vs Bengals, Death Penalty Focus Awards & Private Prisons, Elephant in the Room, USDA forbids Liebels from owning animals, Live Jam 107 features The Killers live from the Royal Albert Hall, Get the Led Out Live, Phish live from Mullins, Dead & Co live from Citibank, what music to see this week on Halloween and over the weekend, the Top 10 sellers in The Vending Lot and our on air call to action phone call to Gov. Murphy of New Jersey!

On The Rampage w/ Don Lichterman, Show Dilemma, Trump's Syria/Turkey Circular Logic, Hunter Biden!

Ken Dashow's Beatles Revolution

Play Episode Listen Later Oct 15, 2019 120:00

On The Rampage w/ Don Lichterman asks why cops are walking into people's houses and killing the people that live there, and his dilemma with regard to seeing what music the week of and after Halloween... Nat Cressman is playing with James casey the same weekend as Dead & Co at Hampton in Virginia and/or do we go to the Dead & Co on Halloween in NYC at the Garden or do we see Tiesto at the Premier Club in Atlantic City with Umphrey's McGee playing at the Fillmore in Philly, the Dead & Co playing Nassau on Long Island the same night (day one of Nassau) as when The Last Waltz opens its tour at the Capitol Theatre in Portchester, New York...(FYI, another antidote is that I have never been to the Cap Theatre yet)... Kurdish, Rojava and how Trump unilaterally pulls out of Northern Syria making that decision urduran only to now wanting to impose sanctions while trying to mediate in between the Turk's and the Kurds...which is maddening circular logic at its worst.... Hunter Biden speaks out in an interview just posted on ABC News. The debate tonight for the Democratic Party Primary features 20 Candidates, the most in Debate History! My niece and nephew and I were singing The Final Harrah by Kasvot Vaxt and Phish at dinner and the big Phish announcement looks like its about an Oysterhead reunion (Trey Anastasio (Phish), Stewart Copeland (The Police) & Les Claypool (Primus))...The Top 10 sellers in the Vending Lot over the last week include popular brands like Hot Wheels, Pokemon, The Office and more...The Island Dancehall Party CD is featured at SSM while Han Drabur isd named the Sunset artist of the week and a new track listened to by Josiah 'Teddy' Kinlock who is at the International Cultural Festival in the Bahamas this week! Animal Testing Weekly, Michigan's HB 5090, Echo, Double Trouble, "Stop Animal Testing', Freedom Fest Live Jam 107, the world's first and only 'all live' radio formatted station is the best ever and a ton of Sunset Daily News at Sunset TV!

new york halloween new york city donald trump office joe biden gardens dilemma pokemon long island echo sunsets candidates bahamas abc news hunter biden rampage hampton atlantic city tiesto phish double trouble hot wheels turk kurds nassau fillmore last waltz rojava northern syria capitol theatre ssm syria turkey umphrey's mcgee dead co trump's syria circular logic trey anastasio phish kasvot vaxt

Today In EVE Online (Sept 13, 2019) Faction Ships

Today in EVE Online

Play Episode Listen Later Sep 13, 2019 85:01

Faction ships, Invasions change daily, Ron USMC beats Elo Knight in skirmish, NC limited deployment to Dead Co, Killah Bee, Apollo428, Ron USMC, Ashterothi

invasion ships faction eve online dead co ashterothi

Talking Songwriting With Warren Haynes Of Gov't Mule

Play Episode Listen Later Jun 28, 2019 48:57

Ken Dashow and producer Andrew discuss HOW a song gets written. Then we analyze the genius of John Lennon and Paul McCartney with the legendary Warren Haynes (Gov't Mule, Allman Bros. Dead & Co and more).

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Talking Songwriting With Warren Haynes Of Gov't Mule

Ken Dashow's Beatles Revolution

Play Episode Listen Later Jun 28, 2019 48:57

Ken Dashow and producer Andrew discuss HOW a song gets written. Then we analyze the genius of John Lennon and Paul McCartney with the legendary Warren Haynes (Gov't Mule, Allman Bros. Dead & Co and more).

rock brothers beatles classic john lennon paul mccartney songwriting haynes mule govt allman warren haynes gov't mule dead co allman bros ken dashow

018: JON PHILLIPS (Silverback Mgmt: Stoopid, Fishbone, GPJ. Dumpsta, ex-Sublime) / SAM D'ARCANGELO (Cannabis Voter Project, Headcount, Journalist)

The Upful LIFE Podcast

Play Episode Listen Later Jun 7, 2019 125:44

Episode 018 of *The Upful LIFE Podcast* returns with very special guest JON PHILLIPS, founder of Silverback Music, a management company based in Southern California. Jon is the former manager of Sublime- going back to the early 90's - and currently works with George Porter Jr., Fishbone, Dumpstaphunk, The Grouch and Eligh, Slightly Stoopid, among other successful contemporary artists. Jon and I have a little bit of a personal friendship and professional relationship over the past few years, but I don't really know him well at all. As such, it was like a class in session, as Jon took me back to the beginning of his long, strange trip in the music industry. Jon tells the tale of how he has carved his own lane in the game, doing so based on super-solid relationships, an ear for what's next, his penchant for putting the artist first, and he reflects on a humble and efficient approach to managing his eclectic roster at Silverback. Episode 018 begins with a short tribute to JamBase.com on the occasion of their 20th anniversary. Just wanted to take a few minutes to reflect on the impact that JamBase had on my life, my career, the culture, and so many other fantastic individuals who were crucial to La Costa Nostra for many moons. JamBase remains a crucial part of chronicling the culture and it was an absolute joy to celebrate their two decades of covering various jam scenes. JON PHILLIPS INTERVIEW STARTS AT 17:00 We begin with a bit about the city of New Orleans, and Jazz Fest, as that was where and when this interview was taking place. In addition to his personal history going to NOLA, Jon touches on the cosmic connection between Grateful Dead culture and New Orleans, from the Neville Brothers to getting busted on Bourbon and many points between. We also spoke a bit of the evolution of Jazz Fest as an event, and a culture unto itself. This was an interesting launching off point that connected our talk to Fest culture and NOLA funk, but allowed us to branch out as the conversation rolled on. We would return to NOLA a few times throughout the convo. Jon's experience in the music business had humble and serendipitous beginnings in SoCal, as he first connected with Bradley Nowell and Sublime. Jon was a major cog in the young band's operation as they rocketed towards success. He was personally asked by Bradley to be their manager, and he made it his personal mission to get Sublime signed, after much effort they made it happen at Gasoline Alley. Phillips was somebody who helped light the fuse for Sublime's meteoric rise to stardom, a gargantuan level of success, not just unprecedented but also something that Bradley sadly didn't live to enjoy. From the magic of the early days, to the special nature of his relationship with Nowell, to the warning signs and demon fears, when KROC first played “Date Rape” to Sublime trying to refuse to play the song at the KROC Weenie Roast, Jon takes us all down an emotional memory lane. Inevitably we discuss Bradley's tragic death from an overdose in May of 1996, and Jon is brutally honest about the way it all unfolded. Jon keeps it classy and places a focus on the triumph of the music that cannot and will not ever be denied. This is a powerful segment from someone who saw it all from the front lines. He pulls no punches yet at the same time shows such reverence for his fallen friend and his musical legacy. This is some of the realest shit this show has ever spoken. Rest in Power Bradley Nowell. From there he embarks on his life's work with Silverback Music, creating the company, signing the legendary Fishbone, and then setting out to develop another young band's career, this time with Slightly Stoopid, who came out of the Sublime diaspora. What Jon has overseen with the evolution of Stoopid is remarkable, and he explains a little bit of the grassroots nature of how the band built an empire, while the rest of the music industry chased it's tail in changing times. Stoopid has stayed ahead of the curve in developing their scene, their brand, and their culture, by staying true to themselves as fads come and go. Jon pulls back the curtain a little bit on how this band has set the bar for independent music, in so many creative ways. We also discuss his NOLA clients like Dumpstaphunk, and his long-standing relationship with Ian and Ivan Neville. And of course we had to touch on George Porter Jr, who Jon has been working with for several years as well. Jon takes us through the blow-by-blow of how Foundation of Funk with Eric Krasno beckoned Phil Lesh to jam at the House of Blues in NOLA, and what Phil was like to hang with late night at Jazz Fest. Not to mention a bit about the Funk & Co LOCKN set that featured George, Zigaboo, Ivan and Cyril Neville. Finish strong with a quick reflection on his clients The Grouch & Eligh, a West Coast underground hip-hop institution. Large up to Jon Phillips of Silverback Music for the phenomenal history lesson and engaging storytelling. SAM D'ARCANGELO of CANNABIS VOTER PROJECT : 1hr 11mins From there we transition to SAM D'ARCANGELO, Director of the Cannabis Voter Project, an arm of Headcount.org. Sam is a journalist and activist, and a Masters student at University of Texas in Austin. Sam also is a Louisiana native, and spent many years of his life in and around NOLA. Sam and I discuss Austin and the Crescent City early in the convo, before transitioning to the political process, cannabis law, and of course cannabis politics. Sam breaks down Headcount's Participation Row, and his role in the Cannabis Voter Project, which is on the road with Dead & Co, and has worked with Lettuce, among others. He and I have a spirited discussion around legalization that doesn't go precisely how you'd think. Stoked to be able to offer a platform to people like Sam, and organizations like Headcount and Cannabis Voter Project. *Vibe Junkie JAM of the Week* I received the news of Dr. John's passing just before this podcast went live. Scrapped the original Vibe Junkie JAM and instead we will have a tribute to Mac Rebennack, aka the Night Tripper. Please enjoy "Gris Gris" live from the Piknic Dutch Festival in Velsen, 1970. Condolences to Dr. John's family, friends, and millions of fans around the world. His music and legacy shall live on in the hearts and minds of all who were blessed to enjoy his myriad gifts. Malcolm John Rebennack (November 20, 1941 – June 6, 2019) Upful LIFE says *THANK YOU* to the great CITY OF NEW ORLEANS! The Upful LIFE Podcast is available on iTunes! Theme Song: Mazel Tov by CALVIN VALENTINE

Imperium Invades Tribute

Talking in Stations

Play Episode Listen Later May 18, 2019 105:45

The Imperium marches north, their goal, destroy the home of Northern Coalition. and Pandemic Legion in Tribute. We talk with commanders Vily and Pandoralica for their analysis, and we check in with Imperium FC Apple Pear on developments from the move op. Sort Dragon, leader of Dead Co. makes an appearance to illuminate his position in the conflict. Matterall Destructive Influence Corporation [Northern Coalition] Carneros Ancient Hittite Corporation Corporation [The Bastion] Dunk Dinkle Brave Newbies Inc. [Brave Collective] Apple Pear Hogyoku Corporation [Goonswarm Federation] Pandoralica DEFCON. Corporation [The Initiative] Vily Spartan Vanguard Corporation [TEST Alliance, Legacy Coalition] Sort Dragon Resilience....

tribute invades imperium dead co pandemic legion

Episode 27: John Mayer, "Continuum"

The Radio Ga Ga Podcast

Play Episode Listen Later Mar 12, 2019 80:01

"Continuum" is the album that changed John Mayer's trajectory in the best way. I'm covering a lot of ground in this episode, including which song on "Continuum" single-handedly turned me into a fan of his (and why I wasn't for the longest time), how "Back to the Future" inspired Mayer to play the guitar, and the medical condition that made him think he might never sing again. We'll talk Dead & Co., all of Mayer's relationships and the songs they inspired, and what's on the horizon for him in 2019.

back to the future mayer john mayer acoustic continuum dead co

#11 Dave Waite

Ticket Stub Stories with Jimmy Roberson

Play Episode Listen Later Oct 30, 2018 38:02

Jimmy & Dave talk Dead & Co., Pearl Jam, and Pink Floyd!

pink floyd pearl jam dave waite dead co

#158: Never Pegged Step

Chubstep

Play Episode Listen Later Jul 19, 2018 47:25

On this week’s Chubstep Pat and Jahred discuss on the beach dining in Chicago, breaking the wall in a bathroom, Jahred attending a private screening for an unforgettable movie, Home Run Derby vs Dunk Contest, a Guy Fieri correction, Instagram traps instead of tourist traps, cardboard signs promoting real estate investing, listener emails including everything Jahred got wrong with Dead &Co., ‘Trust’ in the ‘Brendan Fraser Movie Review’, Japan looking for Ninjas, and mountain bike safaris in ‘Tanzania News’

trust chicago japan club cowboys ninjas fraser shore home run derby guy fieri dunk contest swank pegged dead co jahred

Dead Show/podcast for 6/1/18

Consumed with Scott Porch

Play Episode Listen Later Jun 1, 2018 62:18

As we head into June and the Summer concert season I decided to bring you a show from one of the favorite venues for summertime Dead - the Deer Creek Music Theater in Nobelsville Indiana, from June 6, 1991. I like the balance on this recording - everyone's sound seems well blended and no keyboards overpower the music. The 'Jack Straw' opener is especially bright and snappy.. other favorites for me in this set include Row Jimmy and Big Railroad Blues. I admit I have always enjoyed what Hornsby brought to the band, and to Garcia.. I think this is a great example. Grateful Dead Deer Creek Music Center Noblesville, IN 6/6/91 - Thursday One Jack Straw [5:47] ; They Love Each Other [9:18]; Wang Dang Doodle [7:28] ; Row Jimmy [9:34] ; Black Throated Wind [5:46] ; Big Railroad Blues [5:15] ; Cassidy [6:41] ; Might As Well [6:03] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod060118.mp3 To those of you attending Dead & Co summer shows - Best wishes for a safe and wonderful time!! My thanks for your support of the Deadpod - much appreciated..

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AMC's ‘Fear the Walking Dead’ • Co-Star Garret Dillahunt

Play Episode Listen Later Apr 13, 2018 19:07

Garret Dillahunt joins AMC’s Fear the Walking Dead this season as a series regular. --- Support this podcast: https://anchor.fm/consumed/support

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The Platinum Edition

Tweezer Tonight

Play Episode Listen Later Feb 16, 2018 73:10

On this week's episode we discuss Trey's acoustic tour/story-telling, Ticketmaster Platinum tickets, #merch and our undercover link to Dead & Co in Mexico. Dan and his family recently lost a family member to an overdose and we hope that anyone listening to this will seek help for themselves or loved ones - our friend Mike Ferguson (@Mik3Ferguson on Twitter) operated FBHC Advisors, working with families all over the world helping to design and implement treatment plans. He is happy to help with resources, counseling, therapy, treatment or simply guide you in the right direction. Their main number is 1-800-624-2650 or you can e-mail them at info@fbhcadvisors.com or DM Mike on Twitter. If you or a loved one need immediate resources day or night, please call the Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline 24-hour-a-day, 365-day-a-year, service at 1-800-622-4357. This is a confidential, free help line available in English and Spanish for individual and family members facing mental and/or substance use disorders. This service provides referrals to local treatment facilities, support groups and community-based organizations. National Suicide Prevention Hotline: 1-800-273-8255 Crisis Text Line: Text "Home" to 741741 If you are at a Phish show and want to talk to someone sober, find the Phellowship table (look for the yellow balloons!). There is an incredible community of people who see shows sober and are always happy to talk and provide a safe space.

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059: CHRIS ADAMSON/Production Manager/Tom Petty & The Heartbreakers, John Mayer, Pink Floyd

Roadie Free Radio

Play Episode Listen Later Aug 14, 2017 70:31

For over fifty years Chris Adamson has led the kind of career most people would dream of. As one of the most sought after Production Manager’s in the business, he’s the guy who makes sure every piece of gear and all personnel gets from one part of the world to the other safely, on time, and that the show will certainly go on. Having spent considerable time with Pink Floyd, he has the distinction of being the first voice heard on the album Dark Side of the Moon, and was recently able to relive some of his memories with the band by visiting the current Floyd exhibition at the Victoria and Albert Museum in London. Chris and I caught-up in Forrest Hills, NY just prior to Tom Petty & the Heartbreakers taking the stage on their 40th anniversary tour, and he graciously shared his experiences with Fleetwood Mac, Emerson, Lake, & Palmer, The Byrds, Steely Dan, John Mayer, and Dead & Co.

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Dead Show/podcast for 6/16/17

Play Episode Listen Later Jun 16, 2017 107:28

This week's Deadpod features a classic from the Wall of Sound era - June 23rd 1974 - from Miami FL. This is a great big first set, to go with that great big sound stage - clocking in at over 1:47, and featuring some excellent versions of Dead standards along with the only time they ever played the great 'Let It Rock'. The sound is a bit muffled at first, but clears up fairly nicely, there are some anomalies here and there -this setup had its issues - but overall it sounds great. There's a fine lead in to Mississippi Half-Step and Jack Straw is really rockin'. Jerry does an excellent version of 'To Lay Me Down' and getting the entire 'Weather Report Suite' is a treat. A China Doll closer to set 1 shows us just how unusual this first set was.. Jai-Alai Fronton, Miami, FL (6/23/74) One Ramble on Rose Black-Throated Wind Mississippi Half-Step Beat it on Down the Line Row Jimmy Jack Straw Let it Rock Cumberland Blues El Paso To Lay Me Down WRS Prelude WRS Part 1 Let it Grow China Doll You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod061617.mp3 Hope you are having a marvelous summer! I'm envious of those of you getting to see Dead & Co! Enjoy! Remember the Deadpod relies on your support to publish each week .. Thank you!

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Dead Show/podcast for 6/2/17

Play Episode Listen Later Jun 2, 2017 91:41

Once in awhile I stumble upon a request that for some odd reason or other I never got around to playing .. that's what happened this week and that chance discovery leads to the happy selection for this week's Deadpod, June 19th, 1976 from Passaic New Jersey. While this concert was broadcast on FM radio, and many of you may have had it on tape, I think the quality of the performance merits its' selection for the Deadpod. The band, recently coming out of its 'retirement', performs most of these songs flawlessly. I really enjoy the exploration in 'Slipknot' and Garcia throughout. Certainly they are tighter and more controlled during much of this first set, but the 'Playin' in the Band' which closes this first set and clocks in at just under 18 minutes, brings back the great jamming of the earlier 70s Dead. Grateful Dead Capitol Theatre Passaic, NJ 6/19/76 - Saturday One Help on the Way Slipknot! Franklin's Tower Music Never Stopped Brown Eyed Women Cassidy They Love Each Other Looks Like Rain Tennessee Jed Playin' in the Band You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod060217.mp3 Wishing you a wonderful start to the Summer! Those of you lucky enough to catch Dead & Co. know I envy you! Thanks to my friends who are kind enough to help support the Deadpod! and don't forget to join us on our facebook page and/or send me your requests!

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Dead Show/podcast for 8/19/16

Play Episode Listen Later Aug 19, 2016 72:38

This week I'm going to try something a little bit different on the Deadpod and bring you a sample of this summer's Dead & Company tour. Personally this happened to be the only show I had the opportunity to attend, but I thoroughly enjoyed it and since I've had some requests for this material I thought I'd share some with you... This is the first set of Dead & Co's show at the DTE Energy Theater in Clarkson MI on July 7th, 2016. It was a beautiful night and the scene was quite relaxing and kind. I wasn't entirely sure what to expect but I was quite pleasantly surprised, and while you may have heard some of this band before I am hoping you'll enjoy this selection. Dead & Company July 7, 2016 DTE Energy Music Theater Clarkston, MI set 1 Jack Straw Big Boss Man When I Paint My Masterpiece Friend of the Devil Minglewood Blues Sugaree Don't Ease Me In You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod081916.mp3 Enjoy and be kind to somebody today!

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Dead Show/podcast for 7/8/16