Podcasts about Double Trouble

Today's Mystery: Johnny has to determine which of two men are the long-lost beneficiary to a large life insurance policy.Original Radio Broadcast Date: November 16, 1958Originating from HollywoodStarring: Bob Bailey as Johnny Dollar; Virginia Gregg; Vic Perrin; Sam Edwards; James McCallion; Parley BaerWhen making your travel plans, remember http://johnnydollarair.comBecome one of our Patreon Supporters at https://patreon.greatdetectives.netThank you to our Patreon Supporter of the Day: Phillip, Patreon supporter since December 2019.Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Today's Mystery: Johnny has to determine which of two men are the long-lost beneficiary to a large life insurance policy.Original Radio Broadcast Date: November 16, 1958Originating from HollywoodStarring: Bob Bailey as Johnny Dollar; Virginia Gregg; Vic Perrin; Sam Edwards; James McCallion; Parley BaerWhen making your travel plans, remember http://johnnydollarair.comBecome one of our Patreon Supporters at https://patreon.greatdetectives.netThank you to our Patreon Supporter of the Day: Phillip, Patreon supporter since December 2019.Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Twitter @radiodetectives

DJ Joe Mfalme Presents #TheDoubleTrouble 110 Party Anthems Only

DJ Joe Mfalme Presents #TheDoubleTrouble 110 Party Anthems Only

All In Football FPL Show - Episode 169 - Double TroubleThis week Alex, Barry and Scott discussed fixture changes and how that affects everyone transfer planning due to the DOUBLE GAMEWEEK 26Triple Arsenal, Triple Defence?No Standout Attacker/Midfielder For Arsenal?Trossard Or Madueke Worth A Gamble?Still Just Joao Pedro & Enzo?Chasing Pack Worth A Gamble On Neto?Title Chat & Race For Champions League?Differential 5 A Side Results GW24Differnetial 5 A Side Teams For GW25Captaincy & Fixtures GW25With the "FPL Guru" Alex Rex, "Differential King" Barry Stokes & "Voice of the People" Scott Williams Hosted on Acast. See acast.com/privacy for more information.

Original Air Date: March 02, 1942Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Brace Beemer (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell For more great shows check out our site: https://www.otrwesterns.comExit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

Original Air Date: March 02, 1942Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Brace Beemer (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell For more great shows check out our site: https://www.otrwesterns.comExit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

Got a question or comment? Message us here!This week's #SOCBrief covers a dangerous double-hit: a Microsoft Office security bypass and a Fortinet FortiCloud authentication flaw, both exploited in the wild. Andrew walks through what the CVEs mean, how attackers are abusing trusted tools, and the patching and hunting steps SOC teams should take immediately.Support the showWatch full episodes at youtube.com/@aliascybersecurity.Listen on Apple Podcasts, Spotify and anywhere you get your podcasts.

191 Happy Hippo Podcast - Double Trouble by Happy Hippo

Let's finish off the Donkey Kong Country Trilogy with number 3. Some like it, some don't. But what will I think? Join me as Dixie and Kiddie join forces to save Donkey and Diddy from doom. This week, I am joined by Blaine the Hoagie Man from the Retro Rydas podcast. You can follow me on the following socials: Twitter: @retrowarsuk Instagram: retro_wars_podcast Tiktok: @retrowarsuk Come join the smut squad in our discord at https://discord.gg/xwS47FPfgt Please give the show a 5 star review to help it get shown to others. If you want to help the show financially, you can do at www.patreon.com/retrowars 5% of the Patreon will go to the charity, Get Well Gamers. They are a UK charity who provides children's wards in 150 hospitals with consoles and games for the children to play. Their website can be found here - https://getwellgamers.org.uk/  If you would like to donate any games you can find out how to do this here - https://getwellgamers.org.uk/donate/donate-games/  Follow our artists - Slowspeed run's new channel - Doodle Lounge at https://www.youtube.com/c/SlowSpeedrun 

Double Trouble for Muslims - Supreme Court's Waqf Order | Himanta Calls for Muslims to Leave Assam

Here's a cosmic riddle for you: A blind man and a mod walk into a bar…. Is it a coffee bar, with a make-shift stage on a corner platform, attended by the beatnik intelligentsia?, or is it a sweaty discotheque packed with beautiful people unabashedly swinging their hips?   It's definitely a transmogrifying chamber where the musical output of a sharecropper or convict from the work farm can be turned into sexy jazzbo stylings through the sleight of hand of some nifty cultural appropriation and syncopated finesse. There are many manifestations of the “blues” and here we have two vastly different - practically unrecognizable from each other - masters - Sleepy John Estes (1899-1977), and Georgie Fame (born 1943) - existing across the pond, across generations, and across many layers of lived experience, but bonded by their singular love of this primitive music that started in the Mississippi delta, and went on to conquer the world. SLEEPY JOHN ESTESEverybody thought that Sleepy John Estes was dead because Big Bill Broonzy said so. Blind in one eye, folks called him “sleepy” because of a low blood pressure disorder, or some believed he had narcolepsy. He started recording in the 20's with Hammie Nixon on harp, made some records, went basically “radio silent” throughout the 40s and 50s until Sam Charters rediscovered him in 1962, blind and frail, and kick-started his late in life fame. “Rats in my Kitchen” was recorded at Sun Studios in 1952, but it wasn't until 10 years later that his recording career gained traction, fueled by those he was influencing across the pond, like Robert Plant of Led Zeppelin. Sleepy John always wrote about his life, and this record has an almost journalistic authenticity. GEORGIE FAMEWhat can one say about Georgie Fame? The man has style for days, and it was thus from the very beginning - in shark skin suits, tab collars, and skinny ties. Born in 1943 as Clive Powell, Georgie Fame and his Blue Flames made their bones swinging his Hammond organ in the mod clubs of the early 60s, and had big commercial hits with Yeh Yeh, and The Ballad of Bonnie and Clyde. Recently, he's name checked all over the place, and has done notable collaborations with Van Morrison and others. In Parchman Farm you can hear the undeniable influence of the coolest of the cool white blues men, Mose Allison, and the organ of Booker T and the MGs' Green Onions - a persuasive combination. I'm sure that Bukka White, who wrote this bottle neck Delta blues shouter in 1940 had no inkling that his experience in the Mississippi State Pen would become such a sexy signature tune. You never can tell….

Here are a couple of ladies who span generations and genres. They can rock, swing, and croon like nobody's business, and are renown for their independence. Wanda Jackson is a founding mother of Rockabilly and still partying at 88; She started recording in 1954, and just recently retired. Although she forged the magical fusion elixir that we call Rockabilly, she has also scored hits in the Gospel and Country genres. Sarah Jarosz, 50+ years younger, studied at the New England Conservatory of Music, but remains pure Texas, like Nanci Griffith or Lyle Lovett - indie Americana artists who fuse country with jazz in an irresistible freshness. She has stated that she relishes expansion, collaboration, and experimentation, with a goal toward “honoring the song” and bringing it to life in the most exciting way possible. Both women are accomplished songwriters as well as vocal interpreters, but today we feature them in the latter position - Wanda, from 1962, keens the vertiginous “Whirlpool”, by Fred Burch and Marijohn Wilken, and Sarah crushes Tom Wait's “Come on Up to the House” with a  funky mandolin.SARAH JAROSZI first heard Sarah Jarosz about 10 years ago on Garrison Keillor's radio show, and was smitten immediately. Her tender, and at the same time fluid voice and funky mandolin charms completely - reminding me of the great John Hartford and how he transformed bluegrass to Newgrass.  She continued after Garrison left with successor Chris Thile, teaming up with Sarah Watkins, another star from that ensemble, and Aoife O'Donovan to form the trio I'm With Her. At 34, no longer a prodigy, she has become a contemporary bluegrass goddess, who keeps expanding her range. Here she essays Tom Wait's Come on up to the House, in which she manages to combine spirituality with sex appeal - brilliant. WANDA JACKSONWhirlpool is like a psychedelic Torch Song. Uncharacteristically, Wanda takes the role of a vulnerable, love damaged damsel instead of the Take No Prisoners, kick-ass Rocker she usually projects. Released on Capitol Records and produced by their A&R exec, Ken Nelson, this cut obviously is swinging for the bleachers of commercial Country appeal, but its weirdness kept it from charting. However, it remains a monument to her range and dramatic power. 

This week's Dollar Bin Discovery is all about Double Trouble: That means it's twice the fun and twice the chaos. Mike spun into Web of Spider-Man #117 while Jessika tackled the wonderfully weird Dragonfly and Dragon Man. When comics double up, things get stranger.

Οι Φιλιππίνες είναι μια χώρα γεμάτη φως και παράδοση. Γιορτές όπως το Sinulog, παραλίες με τιρκουάζ νερά στο Boracay, στο Palawan και στο Siargao, και μνημεία όπως η εκκλησία San Agustin στη Μανίλα, συνθέτουν την εικόνα ενός τόπου που μοιάζει σχεδόν ειδυλλιακός.Όμως πίσω από αυτή την ομορφιά υπάρχει ένα σκοτεινό πρόσωπο, βαμμένο με αίμα. Μια ωμότητα και μια αγριότητα που δύσκολα ταιριάζουν με τις καρτ ποστάλ, αλλά αποτελούν καθημερινότητα για πολλούς.Εδώ η ομορφιά και ο τρόμος συνυπάρχουν.ΠΡΟΣΟΧΗ το επεισόδιο περιέχει σκληρές περιγραφές

We are back after a break with the focus on the teams doubling in GW30. We talk about the potential assets from all of the teams doubling in GW30, both the obvious and the potential punts. (Note - this should be valid all week, even if you can't listen ahead of the GW28 deadline!)

BGSSTDY124: Double Trouble Booty Brigade Link to DJ Zbornaak’s Sleigh Me, Jonathan Bailey

635 - Stevie Ray Vaughan & Double Trouble - Couldn't Stand the Weather: Chris, Nick, and Andy break down the title track of the 1984 Stevie Ray Vaughan & Double Trouble album Couldn't Stand the Weather. 

J.R Writer Hell RellDuke Da GodThe project is called DOUBLE TROUBLE . And has been anticipated since the early Dipset daysWhat's your story? Describe your childhood Describe your high school Do you remember your first rhyme?First night jailDid you ever lose hope Last night jail How does it feel to come home?What's the mindset change to stay out of prison?How do you feel about the Internet? What do you want to be remembered for?How was it going into actor mode 4 killa season Exact date on mixtape spoke w jwalker he's ready to lock in a release party. Jr Writer JR Writer is known for lyrics….he might've been the best lyricist of the groupWhy so many mixtapes coming up & not enough albums?What was process to own 100% masters after all that time How was it when you brought lil Wayne to dykman first time Overall will there ever be a real DIPSET reunion tour?Your pen has always been respected, especially by people who really listen. When you think about your career, do you feel your writing was fully seen for what it was?Coming from an era where bars mattered deeply, how did you navigate staying true to that while the industry began shifting toward image and trends? Dipset wasn't just music — it was identity. From your perspective, did the group ever have the structure needed to sustain itself long-term. Duke the God 1. The A&R Vision for Dipset's Sound: As an A&R for Dipset, you helped curate their distinct sound. When sourcing beats, what was the specific "DNA" of a Dipset track—the key elements or feeling—that you looked for to ensure it fit the Harlem aesthetic and the artists' individual styles?2. Maintaining Group Harmony and Brand: With so many strong, creative personalities in the core group, managing the Dipset brand must have been a challenge. What was your most difficult task as an executive in terms of balancing individual solo careers with the overall diplomatic unity?Hell Rell - There was a moment when Dipset had real momentum — not just musically, but culturally. From where you stood, what do you feel was missing to take that moment even further?You've always carried yourself with a strong sense of pride and respect. Looking back now, do you feel that helped protect you in the industry, or did it sometimes limit your options?If you strip away the noise, the politics, and the expectations — what part of your story do you feel people still don't understand?Today, when you look at younger artists coming up, what do you hope they learn from your journey — not just the wins, but the sacrifices?Message to your younger self Message to the youth #podcast #harlem #dipset #newyork #hiphop https://www.sliceofexcellence.org/donate

Today we present two piano instrumentals that explore the mysteries of Mist.  Strictly speaking, a “mist” can be defined by some water vapor that obscures your vision, but how many more evocative instances can you think of where a mist appears in a story or film, usually preceding an arrival of some spiritual manifestation? There was a video game called “Myst” (spelled with a Y) which featured a series of puzzles saturated with a heady whiff of the arcane. Your sight is always obscured; your emotional restlessness is never assuaged.  Erroll Garner and Bix Beiderbecke were two jazz titans writing compositions separated by 30 years that hint at this other-worldly quality inherent in the idea of the Mist. Their music excites the senses and tugs at the heart simultaneously; it's music that lifts off and keeps insinuating an urge to maintain altitude in an unresolved quest for landing, but never deciding on a perch.ERROLL GARNERMost of you probably know Johnny Mathis's version of Misty, with lyrics by Johnny Burke, that was a monster hit of 1959, but Erroll Garner wrote the song as an instrumental 5 years earlier, on a plane flight to Chicago's OHare airport, after seeing a rainbow through the airplane window. That's a fitting image for the complicated feelings invoked here: a glimpse of hope through tears. Influenced by Earl Hines, Garner played with spontaneous timing changes, liquidy octaval melodies, and improvised chordal voicings, and his contribution to jazz evolution was to reconcile the gap between BeBop spontaneity and Orchestral formalism. His style was so free that he was dubbed “the happy man” because this joy he exuded was so palpable. Misty was concocted from the eternal music of the spheres - maybe because his feet were not on the ground when he composed it.BIX BEIDERBECKEThe comet of Bix Beiderbecke's talent was a mystery in itself: dead from alcohol in 1931 at the age of 28, his cornet style and compositional originality continues to fascinate almost 100 years later. A self taught musician, Bix appeared from podunk Iowa and immediately became a ragtime sensation at the height of the Jazz era with The Wolverines, then with Paul Whiteman's orchestra (along with Bing Crosby). He was a white man playing a traditionally black form of music, which was a novelty, and that made him easier to market to middle America - but such genius is color blind.Although renowned for his horn playing, he composed In a Mist on piano in 1927 (he was 24), and it's here that you see the influence of the impressionist composer Claude Debussy, the creator of such sensuous works as Prelude to the Afternoon of a Faun and La Mer. Is this Jazz? How did he do it? Clearly, Bix was in touch with mystical forces beyond human understanding, or maybe, like Robert Johnson, he just made a deal with the devil. Either way, the spiritual quest suggested by these chord changes transports us into a misty continent of emotional confusion.

Given that we lost Brian Wilson recently, and there's been a lot of talk about the elimination of the affordable subcompact, I thought we could reflect a bit upon America's obsession with the automobile. The BIG auto; the POWERFUL auto.  Especially here in Los Angeles - you gotta have wheels - and you'll be judged by what you drive. Once, while stopped at an intersection in my little Saturn, I was heckled mercilessly by some tweens on skateboards.On the other side of the argument sits the Goddess Shania Twain - that Canadian Everywoman who raised her siblings single handedly, then went on to conquer Country Pop music with songs like That Don't Impress Me Much - where she declares that you may have a hot car, Hoss, but, that don't make you a man in her book. She puts it all in perspective.LITTLE DEUCE COUPE / THE BEACH BOYSNowadays, I drive a Prius, but occasionally I'll admire the sleek lines of a Dodge Challenger, and fantasize that I could be that muscle car guy. The Prius is wimpy - ya gotta go for The BIG auto; the POWERFUL auto. I can trace this fascination back to '63, when at the age of 10, I heard Little Deuce Coupe for the first time. I didn't know what Deuce Coupe meant, but that was ok because Brian Wilson sang “You don't know what I got!” I now know that the title refers to a 1932 Ford Coupe, and the whole California culture of the drag race was popularized around the country with the invocation of this souped up Franken-car.There were other mechanical beasts in the Wilson canon: There was the T Bird of Fun, Fun, Fun; the “duel in the sun” opponents - the corvette Stingray vs the Mopar described in Shut Down, Granny from Pasadena's brand new shiny red super stock Dodge, and their anthemic ode to the Chevy 409, but The Deuce Coupe was purportedly Brian's favorite. You can thank Brian's lyricist Roger Christian for these automotive articulations, but Brian knew how to implant them into our hearts and minds with his rhythms, melodies, and harmonies.THAT DON'T IMPRESS ME MUCH / SHANIA TWAINThis is where the macho mechanical mythos gets deflated: Shania lets us know in no uncertain terms what makes a man desirable - it's not your looks, brains, and especially not your car. It's your courage to commit, your ability to listen, your kindness and tenderness. These are the qualities that win you a place at her table and in her bed.Because she doesn't need you.  Next to Taylor Swift, Shania is the most successful female Country recording artist. whose albums have spent 97 weeks as the Top Country Albums chart leader. Former husband/producer Mutt Lange may have helped to craft those catchy Pop hits around an image of an accessible Wonder Woman, but even if she hadn't become a mogul, I have a feeling that Shania's integrity and sense of who she is would never have faltered.

This week on Blues From The Ouse, we explore how the blues is passed down through brothers, bloodlines, and generations, alongside a powerful selection of brand-new releases and listener-chosen favourites.We open the show with the latest new blues releases, including Lil' Magic Sam, Ross Neilson, Mississippi Shakedown, and Angel Ocasio Jr., showcasing modern blues from the USA, Canada and Australia — from gritty Chicago grooves to roots-soaked soul and lap-steel blues.In our first themed feature, Brothers in Blues, we bring together siblings who share more than just a surname — including The Delgado Brothers, The Cinelli Brothers, Robben Ford and the Ford Blues Band, and the legendary Butler Twins — highlighting how family chemistry shapes blues music across continents and decades.We then dig deeper into blues heritage in Bloodlines, featuring artists who followed legendary parents into the blues — including Devon Allman, Big Bill Morganfield (son of Muddy Waters), and Ronnie Baker Brooks (son of Lonnie Brooks), tracing how blues history continues through the generations.Hour two is all about you, with listener requests ranging from Lonnie Brooks and Elles Bailey to The Rolling Stones, Dogshark, Marcus King, and more — plus a packed gig round-up covering York, Leeds, Harrogate, Darlington, Beverley and beyond, including DC Blues, Ryedale Blues Club, Leeds Blues Club and the upcoming York Blues Festival.We wind the night down with modern blues favourites from Joanne Shaw Taylor, Kirk Fletcher, Larry McCray, and a high-energy instrumental from Stevie Ray Vaughan & Double Trouble to close the show.Blues From The Ouse is your weekly home for UK blues, classic blues, modern blues, deep cuts, blues heritage, new releases and grassroots gigs — broadcast on Jorvik Radio and available worldwide as a podcast.Hosted by Paul Winn, Ben Darwin & Angie Howe

The Big Bald Buddies are back at it, taste-testing TWO sweet snacks in one sitting

Bob Illes and I discuss his early years; starting a radio comedy show at USC; Digby Wolfe; winning a contest to write for Tennesse Ernie Ford; Mike Ovitz; writing monologues for Bill Cosby; meeting Groucho Marx and Peter Sellers; writing for the Lily Tomlin special and winning an Emmy; The Super Emmy; writing the Sanford & Son episode, "Lamont, Is That You", The Smothers Brothers NBC reboot; Mickey Rose; Chevy Chase; Don Novello; Joe & Sons, One Day at a Time, getting dressed down by Norman Lear and his mea culpa; What's Happening!!, Captain and Tenille Show, Fernwood Tonight, winning another Emmy for the last year of The Carol Burnett Show, America 2-Night; Peeping Times; The Mary Tyler Moore Hour;       Steve Allen Comedy Hour; Catherine O'Hara, Flo, Private Benjamin, No Soap, Radio; Silver Spoons; Jason Bateman, John Houseman; The Cracker Brothers; Milton Berle; Double Trouble, Sylvan in Paradise, Jim Nabors; Courtney Cox; Jackie Bison Show; Harry Shearer, Stan Freberg; Amen; Sherman Hemsley; favorite episode; getting cancelled by NBC because Johnny Carson retired; age ranges in sitcoms

Ryan & Bec's annual "solo" New Year's show is a DOOZY! Ostensibly presenting a few of their favorite preferred live performances over their studio counterparts, the two hosts go full celebration mode instead, breaking out the booze, and before you know it, Ryan's stretched the parameters of the topic, Bec's forgotten the meaning of the word "live," and they're both having giggle fits over innuendo. For Song of the Week, Bec rings in the new year with a reminder that "There Is So Much World to See" from 1967's "Double Trouble" - and Ryan forgets that Christmas will be over by the time this episode comes out, so we get one more holiday hit tackled, as he discusses the story behind songwriter Michael Jarrett and Elvis's 1971 Christmas cut "I'll Be Home on Christmas Day"  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

In this episode, we look back and pick our favorite classical and jazz recordings from 2025.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 241 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   Russ' Classical Picks   Episode 204: “Anniversaries & Inner Journeys” 3/17/2025 “Hough: Piano Concerto, Sonatina & Partita” (Hyperion) Sir Stephen Hough, The Hallé, Sir Mark Elder https://open.spotify.com/album/6aj6j7obrqKiSJJF9GB51l https://music.apple.com/us/album/hough-piano-concerto-sonatina-partita/1790189101 https://music.amazon.com/albums/B0DSWK94H6   Episode 208: “Elegance & Fire” 4/14/2025 “Prokofiev & Shor” (Alpha) Behzod Abduraimov, Royal Philharmonic Orchestra / Vasily Petrenko https://open.spotify.com/album/6yTib2Mj4XZNvPoC7ILgqR https://music.apple.com/us/album/prokofiev-shor/1792782208 https://music.amazon.com/albums/B0DV5N35H1   Episode 210: “Fluted Grooves” 4/28/2025 “Daugherty: Blue Electra” (Naxos) Anne Akiko Meyers, Albany Symphony Orchestra / David Alan Miller https://open.spotify.com/album/7KeVVROhrOyr7hwyAMc2Od https://music.apple.com/us/album/michael-daugherty-blue-electra-last-dance-at-the-surf/1803167332 https://music.amazon.com/albums/B0DTKSWBX9   Episode 211: “Saxurated Sound” 5/5/2025 “Tales of the Jazz Age” (La Dolce Volta) Florian Noack https://open.spotify.com/album/1pgOmjL6jYB69GOA2aMNxP https://classical.music.apple.com/sg/album/1795617036 https://music.amazon.com/albums/B0DWNBXQ3M   “Ancient Modernity” (Delphian) Louise McMonagle https://open.spotify.com/album/4mYIWqAJAYTqU4ayjzJnsI https://music.apple.com/za/album/ancient-modernity/1799737575 https://music.amazon.com/albums/B0DZ31FWKW   Episode 213: “Sacred Trinity & Swingin' Trio” 5/18/2025 “Alexander Scriabin: Vers La Flamme” (BIS) Yevgeny Sudbin https://open.spotify.com/album/3wYDp7bi9o73xbr9ZzWLrk https://music.apple.com/us/album/scriabin-vers-la-flamme/1803174467 https://music.amazon.com/albums/B0F1Z3KHWL   Episode 218: “A Quarter for Your Tones” 7/7/2025 “Persia & Baroque - Classical Persian Music and European Baroque” (Christophorus) Hamburger Ratsmusik / Simone Eckert, Ulrich Wedemeier, Anke Dennert, Neoclassical Ensemble of Tehran / Arash Mohafez https://open.spotify.com/album/5owCWVmzhFYnjbqZHg4lT0 https://music.apple.com/us/album/persia-baroque-classical-persian-music-and-european/1822952513 https://music.amazon.com/albums/B0F8C7Z8D5   Episode 219: “Border Crossers” 7/14/2025 “Laurent Boutros: Apatride, An Armenian in Paris” (Da Vinci Classics) Antonino Ielo https://open.spotify.com/album/7hQ2upqq5JxHfbJ8yDlX5C https://music.apple.com/us/album/laurent-boutros-apatride-an-armenian-in-paris/1819815810 https://music.amazon.com/albums/B0FCP46QV9   Episode 229: “A Trumpet Junket” 9/29/2025 “Kevin Puts: Concerto for Orchestra, Silent Night Elegy & Virelai” (Delos) Saint Louis Symphony Orchestra / Stéphane Denève https://open.spotify.com/album/3s5T4R7QJKHjgfNHmVy6Vz https://music.apple.com/us/album/kevin-puts-concerto-for-orchestra-silent-night-elegy/1826975431 No Amazon Music   Episode 231: “Bourbon Based” 10/13/2025 “Robert Russell Bennett & Vernon Duke: Violin Concertos” (Chandos) Chloë Hanslip, Singapore Symphony Orchestra / Andrew Litton https://open.spotify.com/album/5SQS6UVFNNBMf7Itmo1JEG https://music.apple.com/us/album/bennett-duke-violin-works/1830974602 https://music.amazon.com/albums/B0FKQ8BJYV   Mike's Classical Picks   Episode 202: “The Spaces Between” 2/24/2025 “The Age of Extremes: W.F. Bach, G. Benda & C.P.E. Bach” (Arcana) Francesco Corti, Il Pomo d'Oro https://open.spotify.com/album/666rWzJgsF6pZo9KyAZ27A https://music.apple.com/gh/album/the-age-of-extremes-w-f-bach-g-benda-c-p-e-bach/1781631697 https://music.amazon.com/albums/B0DN6QFCXM   Episode 207: “Blues ‘n' Bones” 4/7/2025 “Dvořák & Price: Piano Quintets” (Hyperion) Takacs Quartet, Marc-Andre Hamelin https://open.spotify.com/album/1i8Dx19cZUT4y5TcD9bomJ https://music.apple.com/us/album/dvořák-price-piano-quintets/1791744025 https://music.amazon.com/albums/B0DTKP5X5F   Episode 209 “Women on the Open Road” 4/21/2025 “Vox Feminae” (Alpha) Les Kapsber'girls https://open.spotify.com/album/7CMohdNtQxiB83iEMqntc7 https://music.apple.com/us/album/vox-feminae/1793025660 https://music.amazon.com/albums/B0DV5PTBMJ   Episode 212: “From Bach to Boogaloo” 5/12/2025 “Concertos: Pécou, Lazkano, Nante” (Erato) Alexandre Tharaud https://open.spotify.com/album/6bI8HUotFbewV3WMYX0OV0 https://music.apple.com/us/album/pécou-lazkano-nante-piano-concertos/1806217843 https://music.amazon.com/albums/B0F3FG9KJ7   Episode 213: “Sacred Trinity & Swingin' Trio” 5/18/2025 “Clérambault: Te Deum & Histoire de la Femme Adultère” (Château de Versailles Spectacles) Lisandro Abadie, Guy Cutting, Samuel Namotte, Gwendoline Blondeel A Nocte Temporis, Chœur de Chambre de Namur / Reinoud Van Mechelen https://open.spotify.com/album/3kITS98BQIa4cFBjT1NSnH https://music.apple.com/us/album/clérambault-te-deum-histoire-de-la-femme-adultère/1799108129 https://music.amazon.com/albums/B0DYNNF76N   Episode 215 “Doorway to the Horizon” 6/7/2025 “Ni Dufay, Ni Binchois - the Works of Johannes Pullois” (Passacaille) Sollazzo Ensemble https://open.spotify.com/album/4NMrnD08oj20PzLNDHM0rL https://music.apple.com/us/album/ni-dufay-ni-binchois-the-works-of-johannes-pullois/1807330875 https://music.amazon.com/albums/B0F44CTHZL   Episode 224: “Moon Tunes” 8/18/2025 “Bach, Telemann & Albinoni: Concerti” (Alpha) Sophie Gent, Kathleen Kajioka, Ensemble Masques / Olivier Fortin https://open.spotify.com/album/4Z9606TIlzMs2YA6LXiZnP https://music.apple.com/us/album/j-s-bach-telemann-albinoni-concerti/1807001257 https://music.amazon.com/albums/B0F8NM4DPF   Episode 227: “Melodic Reflections” 9/9/2025 “Libro primo” (ECM) Rolf Lislevand https://open.spotify.com/album/3XPfRhPmgp2sTj5rLPPH2I https://music.apple.com/us/album/libro-primo/1826581965 https://music.amazon.com/albums/B0FHJ5H7JV   Episode 229: 2A Trumpet Junket” 9/29/2025 “Martinů String Quartets 2-3-5-7” (Supraphon) Pavel Haas Quartet https://open.spotify.com/album/5LhBAJvYfW3akK0G35B8wh https://music.apple.com/us/album/martinů-string-quartets-nos-2-3-5-7/1832782214 https://music.amazon.com/albums/B0FM474BZ7   Episode 234 “Found Objects & Fresh Air” 11/10/2025 “Martinu Violin Concertos 1 & 2, Stravinsky Divertimento” (Supraphon) Josef Spacek, Prague Radio Symphony Orchestra / Petr Popelka https://open.spotify.com/album/0SKhKsHvwcPZ4OYMtzGRuK https://music.apple.com/us/album/martinů-violin-concertos-1-2-stravinsky-divertimento/1846791139 https://music.amazon.com/albums/B0FTGJLNHZ   “Found Objects / Sound Objects” (Hyperion) Marc-André Hamelin https://open.spotify.com/album/2dGt6QoBUsh75ShmyWOERe https://music.apple.com/us/album/found-objects-sound-objects/1828259285 https://music.amazon.com/albums/B0FJHYS4SJ   Mike's Jazz Picks   Episode 205: “Fragmented Inspirations” 3/24/2025 “South” (Sunnyside) Randal Despommier https://open.spotify.com/album/1EcSKXQuNPs7UIzaTkLl0j https://music.apple.com/us/album/south/1797433088 https://music.amazon.com/albums/B0DTWJSFZJ   Episode 208: “Elegence and Fire” 4/14/2025 “Live at Snug Harbor” (Outside in Music) Leon Anderson https://open.spotify.com/album/34XmNuGwm09hMfwDqaiGyf https://music.apple.com/us/album/live-at-snug-harbor/1792288803 https://music.amazon.com/albums/B0DTWHYQSL   Episode 212: “From Bach to Boogaloo” 5/12/2025 “Steep Steps” (Hobby Horse Records) Carl Winther, Richard Andersson, Jeff “Tain” Watts https://open.spotify.com/album/6mSi775nA3yYvU9Njpd7LV https://music.apple.com/us/album/steep-steps/1796891336 https://music.amazon.com/albums/B0DXFZPK8X   Episode 218: “A Quarter for Your Tones” 7/7/2025 “Nico's Dream” (SteepleChase) Tony Miceli https://open.spotify.com/album/5wUvoUKyZ0mmP87LZT877P https://music.apple.com/us/album/nicos-dream/1828638176 https://music.amazon.com/albums/B0F4DSQMVV   Episode 229: “A Trumpet Junket” 9/29/2025 “Oblivity” (Origin) Shawn Purcell https://open.spotify.com/album/4BdcYHpppD4zNskoxnuP2Z https://music.apple.com/us/album/oblivity/1831093754 https://music.amazon.com/albums/B0FL4V5HPB   Episode 230: “Concertos & Ciphers” 10/6/2025 “Cipher” (PHP Records) Charlie Porter https://open.spotify.com/album/2Nf8PpF9l3pDz6FLn4V18s https://music.apple.com/us/album/cipher/1807658361 https://music.amazon.com/albums/B0F49QRDH5   Episode 233: “Origin-al Recipe” 11/3/2025 “New Outlook” (Origin) Affinity Trio, Eric Jacobson https://open.spotify.com/album/6lhUbkRZQbk93E8rqane5J https://music.apple.com/us/album/new-outlook/1841929457 https://music.amazon.com/albums/B0FSCP685Q   “In the Groove: Live at the Alluvion” (OA2) trumpet, 10/17/2025 Anthony Stanco https://open.spotify.com/album/1eTkEAn2waOoKYJTjGkRyi https://music.apple.com/us/album/in-the-groove-live-at-the-alluvion/1841931160 https://music.amazon.com/albums/B0FSCSVSY6   Episode 235: “Impressions & Connections” 11/17/2025 “Lasting Impression” (Savant/High Note) Brandon Sanders https://open.spotify.com/album/1avyPXf8rP4eqgbfGHnnQN https://music.apple.com/us/album/lasting-impression/1840695827 https://music.amazon.com/albums/B0FRNM61SQ   Episode 240: “Double Trouble” 12/22/2025 “It's On!” (Nervy Nigel Records) Nigel Price https://open.spotify.com/album/0y2Rph1r8YLaqktG90Xxeh https://music.apple.com/gb/album/its-on/1850003081 https://music.amazon.com/albums/B0FY3P1HB4   Honorable Mention   Episode 228: “Synergy, Vocals, and Vibes” 9/22/2025 “Synergy” (SteepleChase) Paul Bollenback, Boris Kozlov https://open.spotify.com/album/59j2rbwlkeEgvAwKTVZz9o https://music.apple.com/us/album/synergy/1843953911 https://music.amazon.com/albums/B0FL5GF4F1   Russ' Jazz Picks   Episode 198: “Serene Screen Time” 1/27/2025 “The Snake Charmer” (Origin) Brad Goode Polytonal Big Band https://open.spotify.com/album/3FGXtQeRDC6i5LQMDTnyDl https://music.apple.com/us/album/polytonal-big-band-the-snake-charmer/1781618413 https://music.amazon.com/albums/B0DNZ5HRRD   Episode 202: “The Spaces Between” 2/24/2025 “Table for Three” (SteepleChase) Alex Norris https://open.spotify.com/album/2l4TGcCJaluGa98MqC8Ht7 https://music.apple.com/us/album/table-for-three/1806266526 https://music.amazon.com/albums/B0DVBDCBXQ   Episode 206: “Timbre Tantrum” 3/31/2025 “LightSide” (A.MA Records) Matteo Pastorino https://open.spotify.com/album/4z1xt1yALoiVkVk4t5vgVi https://music.apple.com/us/album/lightside-feat-dario-deidda-armando-luongo-domenico-sanna/1798791324 https://music.amazon.com/albums/B0DYN9FLW8   Episode 214: “Building Characters & Light Bassoonery” 5/26/2025 “Building Characters” (Cellar Music) Charles Chen https://open.spotify.com/album/5u6CjR2OTU7MjQUU5OOJCZ https://music.apple.com/us/album/building-characters/1795037951 https://music.amazon.com/albums/B0DWG54DLB   Episode 220: “Trans-phonic” 7/21/2025 “Transverse” (Calligram Records) Chad McCullough, Gordan Spasovski, Kiril Tufekčievski, Viktor Filipovski https://open.spotify.com/album/4GsqtJEMpqYfEDF14dxPzu https://music.apple.com/us/album/transverse/1819687910 https://music.amazon.com/albums/B0FCM5H3K5   Episode 222: “Mountain Viewfinder” 8/4/2025 “Viewfinder” (Attica Records) Hugh Pascall https://open.spotify.com/album/7IBrlJsdgj0sY579JDebqT https://music.apple.com/us/album/viewfinder/1825686850 https://music.amazon.com/albums/B0FH2XKXG5   Episode 224: “Moon Tunes” 8/18/2025 “Many Moons” (Third Coast Sound) Markus Rutz https://open.spotify.com/album/4MK0b4KgkFSclrpIqbrF3b https://music.apple.com/us/album/many-moons/1810126274 https://music.amazon.com/albums/B0F61HBSNF   Episode 225: “Chromatic Dreams” 8/25/2025 “Still We Dream” (Posi-Tone) Josh Lawrence https://open.spotify.com/album/3Rybpa0B2Xs4hrB8JBG4yP https://music.apple.com/us/album/still-we-dream/1821713242 https://music.amazon.com/albums/B0FGZMSQDS   Episode 232: “A French Connection” 10/20/2025 “The Dark Forest” (Steeplechase) Chris Byars https://open.spotify.com/album/4kFItljxvnU4JdIln0Wdp4 https://music.apple.com/us/album/the-dark-forest/1844056557 https://music.amazon.com/albums/B0FSG9R8C1   Episode 234: “Found Objects & Fresh Air” 11/10/2025 “A Breath of Fresh Air” (Taylor Christian Records) Sean Mason https://open.spotify.com/album/6mS8l8ZNHCu2CWerK3iBt7 https://music.apple.com/us/album/a-breath-of-fresh-air/1836167990 https://music.amazon.com/albums/B0FP2V4FH2        

In this episode, we discuss recordings of “Orfeo son io” (Deutsche Grammofon) by Rolando Villazón, Christina Pluhar & L'Arpeggiata, “Ravel” (Onyx) by the Nash Ensemble, “Corea, Higdon & Warnaar: Brass Concertos” (Naxos) by Jose Sibaja, Joseph Alessi, Paul Jenkins, Derek W. Hawkes, Steven Brown, Gilbert Long & the Nashville Symphony / Giancarlo Guerrero, “Live at Jazz Dock” (Amplion) by Emil Viklicky & Pavel Hrubý, “It's On!” (Nervy Nigel Records) by the Nigel Price Organ Trio, and “Trade Off” (Pinch Records/La Reserve Records) by Andrew Gould & Sam Dillon.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 240 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Orfeo son io” (Deutsche Grammofon) Rolando Villazón, Christina Pluhar, L'Arpeggiata https://open.spotify.com/album/2EUL0Mi7P7JhXULlyl9B7M https://music.apple.com/gb/album/orfeo-son-io/1844318253 https://music.amazon.com/albums/B0FTZDW6GS   “Ravel” (Onyx) Nash Ensemble https://open.spotify.com/album/0aae9H6vEIcER4VZn2v8Vi https://music.apple.com/gb/album/ravel/1851185696 https://music.amazon.com/albums/B0G149QB1T   “Corea, Higdon & Warnaar: Brass Concertos” (Naxos) Jose Sibaja, Joseph Alessi, Paul Jenkins, Derek W. Hawkes, Steven Brown, Gilbert Long, the Nashville Symphony / Giancarlo Guerrero https://open.spotify.com/album/2Pqx1kOApKg1MvMyxQzG0O https://music.apple.com/gb/album/corea-higdon-warnaar-brass-concertos/1847771828 https://music.amazon.com/albums/B0FQWBPTW4   “Live at Jazz Dock” (Amplion)  Emil Viklicky, Pavel Hrubý https://open.spotify.com/album/5HofMgBh0UkRkPoAmwWtTX https://music.apple.com/gb/album/live-at-jazz-dock/1857095833 https://music.amazon.com/albums/B0G4FBMK9Z   “It's On!” (Nervy Nigel Records) Nigel Price Organ Trio https://open.spotify.com/album/0y2Rph1r8YLaqktG90Xxeh https://music.apple.com/gb/album/its-on/1850003081 https://music.amazon.com/albums/B0FY3P1HB4   “Trade Off” (Pinch Records/La Reserve Records) Andrew Gould, Sam Dillon https://open.spotify.com/album/1lieAQeYiNSWRiEnq34Ms8 https://music.apple.com/gb/album/trade-off/1833380787 https://music.amazon.com/albums/B0FMHVGPSX

Ripley's Believe It Or Not - 1 Minute Episodes xx-xx-xx (387) Died of Double-Trouble

A poor return. Say no more! Wet Sham summary and Anfield MDS Stand or fall!   UTA!  @BrightonRockPod on BlueSky (and Twatter) brightonrockpodcast@gmail.com Part of the Sport Social Podcast Network that can be found in all their glory at this rather suitable address: www.sport-social.co.uk  Please follow us for automatic downloads of new episodes and if you want to make us really happy please rate us five stars on Apple and any other platforms that provide the opportunity to do so! Why not write a review while you are at it?! ;0).  All this helps our rankings and improves our chances of getting exciting guests onto the show. Also we are now on Patreon, so if you happen to be inclined to extreme acts of generosity we'd greatly appreciate any monthly donations, great or small, to help us run the pod as well as we can. Go to www.patreon.com/BrightonRockPod for details and to sign up. NB Our content will remain freely accessible to all listeners regardless. Humble thanks! Learn more about your ad choices. Visit podcastchoices.com/adchoices

B-Team meets more of Tolv's siblings and enters a maze of mining tunnels.Support us directly on Patreon https://www.patreon.com/stinkydragon - get access to ad-free episodes, bonus content like Stinky Dragon Adventures & Second Wind, our patreon-exclusive discord, and more!Check out our new merch at store.stinkydragonpod.com ! Follow us on our socials at https://linktr.ee/TalesFromTheStinkyDragonCast: Gus Sorola, Blaine Gibson, Barbara Dunkelman, Jon Risinger, Chris DemaraisWriter/Editor/Composer: Micah RisingerProducer: Benjamin Ernst Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we feature a Christmas cracker that offers some new perspectives on one of our most treasured holiday traditions - The Xmas Song: First, The Turtles, singing “Christmas is My Time of Year,” then, the esteemed actor, Harvey Keitel, telling an off the wall Christmas story, from the film Smoke.Putting on a favorite holiday tape or CD as you wrap the presents or trim the tree was always a highly anticipated ritual - Frank, Dino, Elvis, or Bing never failed to make the season bright. In the 60's Rock era, of course, Phil Spector's album was a must. Every pop artist has made one, even Bob Dylan. It made Irving Berlin and Mel Torme millions.  It's generally a can't miss proposition. But, I'll bet you never considered these selections. One isn't even a song; and then there's the Turtles number, which is seemingly on the money, but not universally known. THE TURTLES"Christmas is My Time of Year" was written by the jewish Howard Kaylan and the Turtle's bassist and veteran of the Modern Folk Quartet, Chip Douglas. Douglas also produced, populating the recording with such country rock luminaries as Gram Parsons and Linda Ronstadt. The track has a folksy flair with its twangy guitars and dobros. It's military 4 on the floor marching beat gives it an overly perky, trying too hard feel, but it's still a lot of fun - and that's the mark of a good Turtles song. isn't it?: always promoting optimism and good feelings. Even when they're singing dark material like PF Sloan's “Let Me Be” the music counterpoints the dreariness with sunshine.HARVEY KEITEL in SMOKERich threw this curveball into the mix, and I LOVE IT! Mr. Keitel has always been a favorite of ours - and in this clip from Wayne Wang's Smoke he knocks it out of the park with this shaggy holiday story negotiating the mixed up urges of conscience and larceny. At the end of the segment there is a black and white rendering of the story accompanied by Tom Waits, singing “Innocent when you Dream”.And, it's here that the overall theme emerges: Christmas is that time when we aspire to live up to our best selves. But, there are so many contradictory images that interfere with this aspiration. We are exhorted to consume, going into debt for the good of the economy, and to our peril. All around us we might notice that the lonely and disenfranchised are suffering worse than ever during this time. So, we look away, trying not to face the disturbing prospect that it could be us next year. We're only human, after all - but, to be better more than just one day out of the year shouldn't be asking too much. But, how to begin?

Send us a text This week on Wait One Minute!: another light rail stabbing in Charlotte, the growing debate around a Netflix–Warner Bros. merger, rising global tensions tied to Venezuela, and why today's NFL looks nothing like it used to. From public safety and immigration to media power and football culture, this episode is serious, blunt, and unfiltered. If you're paying attention to what's happening in the U.S., press play. 

Zwei Uppsis zum Preis von einem. Flugtaxifails und co zählen halt nicht als Vollwertuppsi ....   Musik: Double Trouble  https://www.youtube.com/watch?v=ln6xoZKBfNA&list=RDln6xoZKBfNA&start_radio=1   Links: https://social.tchncs.de/@Bugspriet/115638702534854349 https://www.zapata.com/airscooter/# https://www.youtube.com/shorts/lxYAJvCqfN4 https://www.youtube.com/watch?v=Ci4MOqNgdpk https://en.wikipedia.org/wiki/Gimli_Glider

Jurandir Filho, Felipe Mesquita, Evandro de Freitas e Bruno Carvalho batem um papo sobre "Donkey Kong Country 3: Dixie Kong's Double Trouble!". O jogo é, sem dúvida, o capítulo mais injustiçado da trilogia clássica de jogos da franquia. Lançado em 1996, ele chegou tarde ao Super Nintendo, praticamente quando todos os holofotes já estavam voltados para o recém-nascido Nintendo 64 e para a febre tecnológica que vinham junto com ele. E isso, mais do que qualquer outra coisa, é o motivo principal de o jogo ter sido tão subestimado na época e até hoje.Apesar de carregar o peso de suceder dois clássicos gigantes, o terceiro jogo da série foi recebido com um certo ar de “cansaço” pelo público. Muitos não entenderam que a Rare estava, na verdade, tentando refinar e expandir a fórmula, não apenas repeti-la. O fato é que a direção de arte de DKC3 é uma das mais vibrantes da trilogia. O jogo aposta em cenários menos óbvios: florestas outonais, lagoas profundas, serrarias, usinas, fábricas abandonadas e até regiões montanhosas. É um jogo que parece outro capítulo da série, não só uma reedição dos anteriores.Ele é o título mais subestimado da trilogia e um dos melhores platformers do Super Nintendo.Esse é mais um episódio da nossa série Remakes!===NORDVPN | Tenha uma conexão segura e acesso conteúdos do mundo inteiro! https://nordvpn.com/99vidasALURA | Ressaca da Black Friday??! Toma aí 20% de desconto na sua assinatura! É grande oportunidade para transformar a sua carreira tech!! https://alura.com.br/99vidas

This episode we covered our 2 for Tunesday theme on Halshack Radio, on Tuesdays we play 2 songs from one band back to back (Dynamic Duos) and 2 same song names from 2 different bands back to back (Double Trouble) 2 for Tunesday theme day is a throw back to old format that Rock 92 used to do here in our local area on Tuesdays! I thought we would be bring that back for you folks but expand it for your musical journey here on the Halshack! Find the original show with the talk context from last year on the podcast feed if you missed it otherwise just jam out with the re tool no talking no host version! Just relive the music! I believe this release caught up to when the first Pop Stop was released so next each Shackjam and Pop Stop retool show will be released together. Many were crossover episodes once both shows became active! Find all show related material at Halshack.com including our 24 hour radio station! Thanks for blasting us around the world! 

Turn up the volume! This is the official #2025PartyAnthems Mix by DJ Joe Mfalme - #TheDoubleTrouble Volume 109. Non-stop vibes, fresh hits, street anthems & club bangers taking over the 254 this year this mix brings together the hottest Gengetone, Afrobeat, Amapiano, Dancehall & Street bangers ruling the clubs and radio in Kenya. Whether you're chilling, driving, pre-gaming or hosting a house party — this is the wrapped soundtrack for the year. Filmed at Black Samurai Lounge by Action Pac Media. Subscribe, Like & Drop a Comment if you're feeling the mix! You can listen to any of my other mixes here

Turn up the volume! This is the official #2025PartyAnthems Mix by DJ Joe Mfalme - #TheDoubleTrouble Volume 109. Non-stop vibes, fresh hits, street anthems & club bangers taking over the 254 this year this mix brings together the hottest Gengetone, Afrobeat, Amapiano, Dancehall & Street bangers ruling the clubs and radio in Kenya. Whether you're chilling, driving, pre-gaming or hosting a house party — this is the wrapped soundtrack for the year. Filmed at Black Samurai Lounge by Action Pac Media. Subscribe, Like & Drop a Comment if you're feeling the mix! You can listen to any of my other mixes here

I hear Jeff Lynne has recently been sidelined by a mysterious infection, and had to cancel some performances. We wish the revered music producer and founder of ELO good health and a quick recovery. Today, Bill and Rich, The Splendid Bohemians would like to celebrate this versatile Rock stylist by playing two cuts separated by decades, from two vastly different incarnations, but somehow identifiable as his, if only by the unique sensibility in which these cuts are marinated: Imposters of Life's Magazine by The Idle Race, and Tweeter and the Monkey Man by The Traveling Wilburys.There are certain tropes that signify this creator's hand: catchy musical themes, thick layers of horns and strings and witty Beatle-esque harmonies - (he even got to work with the resurrected voice of John Lennon when producing the Beatle's ghostly “reunion”tracks Free As a Bird, and Real Love. Like so many of his generation, Jeff came up under the spell of the mop tops, and even this early recording by the Idle Race has that 1967 Psychedelic flavor, pre-dating by a year, but somehow reminiscent of his future Willburys bandmate, George Harrison's song Savoy Truffle. IMPOSTERS OF LIFE'S MAGAZINEThe personnel changes of the several Birmingham beat groups in the mid-sixties are too numerous to recite here, but one group, The Nightriders are notable because they took on a teenaged Lynne as guitarist in '66 - and changed their name to The Idle Race (a more timely handle). Roy Wood of the Move, Jeff's friend and future partner in the formation of ELO, helped the IR get signed, and influential DJ John Peel was an early and strong promoter of the group. Jeff's tenure with IR was short lived however, and in 1970 he founded (with Wood) the legendary Electric Light Orchestra.This early composition has all the hallmarks that would later define Jeff's work: witty, yet Romantic lyrics; hard driving rhythms, but with plenty of surprisingly lush filigree. The ambition of the work, with its startlingly different movements, is impressive for such a young talent - but, at the core is Jeff's unmistakable ear for the “hook” - marking him as one of the most reliable masters of Pop.TWEETER AND THE MONKEY MANTweeter and the Monkey Man, from 22 years later - demonstrates how far the musician had come professionally.  Here Jeff is, arguably the lowest man on the totem pole of The Traveling Wilburys, a Super Group's Super Group (with a Beatle, George Harrison, future Nobel Laureate Bob Dylan, Tom Petty, and Roy - fucking - Orbison…., yet his mark is unmistakeable. This tune, supposedly written by Bob Dylan, who spittingly delivers it like a parody of Springsteen's New Jersey, drenched in a Sopranos sauce - and it's just plain fun. But, the chorus, penned by Jeff with George Harrison, lifts the track to the existential level of a rock opera, giving it “the hook,” the drama and the flair. The layers on this musical cake are delicious - there's George's sly slide work; the Lady Madonna horns, the timpani booms counterpointed by a tinkling piano riff; the building of the strings and horns and oohing and aaahing harmonies… they suck me in every time. Good stuff!

On this November 21st episode, we examine the government's first employment report since the shutdown. The headline payroll figures were strong, but nearly every detail beneath them was troubling. Most of the job growth came from three sectors that are more vulnerable to economic swings and that offer lower compensation, raising questions about the quality and durability of recent hiring. The unemployment rate also edged up to 4.4 percent, adding yet another data point to the fading labor market. We then turn to the market's poor reaction to Nvidia's blowout earnings release. Although Nvidia continues to benefit from vast investment plans in artificial intelligence, the earnings release revealed that it may be the last to be affected if those plans are scaled back. With firms such as ChatGPT burning through enormous amounts of cash, it is far from certain that investors will remain patient long enough for their more ambitious visions to be realized. The result is a market struggling to price the boundary between promise and excess in a technology boom that may already be nearing its top.

Dice Stage Right was performed for a live audience at a local theater in Idaho! Seven episodes total starting with this our introduction episode. If you're interested in DM notes and extra photos from the events check out https://www.patreon.com/jorphdanDice Stage Right stars (from left to right) Matthew Melton, Evencio Bahena, Heather Lyon, and Hannah Jane Austin! Dungeon Master Jorphdan and ‘Wizard on the Soundboard' Alexander Kirk!Our characters are Level 4, and we're playing D&D 2024! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit jorphdan.substack.com

Love comes in many forms - sometimes confrontational. Today's episode is a paean to a couple of dominating dames that lit up the punk scene in the late 70s. Johnny Rotten once stated that the only person that actually frightened him was the gone too soon, Poly Styrene of X-Ray Spex. That product of a Somali father and a British mother railed against consumerist culture, and her band's career might have been short lived, but their single, Oh Bondage, Up Yours! with it's bleating saxophone cavalry charge, blown by band mate Lora Logic, was a battle cry to aspiring Riot Grrls everywhere.The other indomitable mistress we wish to spotlight, Chrissie Hynde of the Pretenders, is still rocking 50 years later. This survivor from America's Midwest by way of England, -  this vegetarian restauranteur/punk legend, who fronted one of the most thrilling acts of the era, scored multiple hits across the pop spectrum, including this classic, Middle of the Road.X-RAY SPEXMarianne Joan Elliot-Said died prematurely at age 53, but she lived abundantly, migrating through several personae. Early on, she was a hippie, sleeping in crash pads and nearly dying from sepsis, which she contracted from stepping on a rusty nail while bathing in a stream. Later, inspired by seeing the Sex Pistols, she had found her calling. Choosing her moniker from the Yellow Pages, wearing braces on her teeth and Day-Glo outfits, she became a sensation. Like a comet, she streaked across the pop firmament and burnt out quickly, being diagnosed with bipolar disorder in 1978. She pursued a gentler and jazzier sound for her subsequent solo recordings, and in '83 became a Hare Krishna and a vegetarian. In February 2011 she revealed that she had been treated for breast cancer that had spread to her spine and lungs. She died later that year, yet in her short life she accomplished the nearly impossible: cultural immortality. THE PRETENDERSThe guitar signature, driven by Robbie McIntosh on 1983's Middle of the Road by The Pretenders creates an irresistible force, defining a clear road map for singer, Chrissie Hynde. It feels like she's behind the wheel, with the high beams on, going 120, roaring through the Ohio night, around the bend of a Rust Belt highway. She was already 33, and a single mother, as she tells us in the song. With one fist held high, she assures us that she'll be a survivor, and there's no shame in that. She's listed by Rolling Stone as 114 on its list of the 200 Greatest Singers of all time, and at 74, she's still going strong - still driving that muscle car of rock. This woman has ageless style and charisma. She is also a citizen of Great Britain, having moved there initially in '73, and almost marrying Johnny Rotten, Sid vicious, and Ray Davies (she has a daughter by the Kink).  After several misfires trying to start a band, her solo demo tape made it's way to Dave Hill, the owner of Real Records who helped her put the original Pretenders line up together, and the rest, as they say is “Herstory”.

Edit Piaf once famously sang “Je Regrette Rien” (I Regret Nothing), and listening to the following heart wrenching live performances, I'm reminded that anyone claiming that spiritual stance must be in denial - or, crowing in battered defiance in order to buttress themselves against the memory of life's cavalcade of pain and tortured conscience. For who can sincerely state that they have no regrets? No harsh word you wish you could have retracted?; No unsubstantiated suspicion that poisoned the well of a friendship or a faithful love?; Are you discounting the abuses large and small that have piled up so high that, somehow, you've become numb to them?; What about the road not taken…?These songs tell tales about the burden of living under the crushing weight of regret. If you don't shed a tear listening to them, your fluids need replenishing. The divine Spanish diva, Luz Casal singing Jackson Browne's “These Days”, accompanied by the writer and his ride or die Sancho Panza, David Lindley on his keening fiddle is like hearing a penitent sinner's weary confession; and, then there's the  incomparable Rufus Wainwright, in a duet with Sara Bareilles, delivering her own anthem with a thrilling operatic intimacy. THESE DAYS / LUZ CASAL, JACKSON BROWNE, AND DAVID LINDLEYThe preternaturally wise Jackson Browne was sixteen when he wrote “These Days” for Nico, who intoned it with a teutonic world weariness that spoke volumes. What did he know then about regrets? Certainly, the intervening years have instructed the now 76 year old songsmith in all the permutations of tragedy, yet somehow, he has managed to valiantly soldier on, staying creative, performing, and advocating for humanity.  There is something almost mystical about the voice of Luz Casal, and the delicacy with which she interprets Jackson's lyrics that transcends her heavily accented pronunciations. The words are sometimes hard to follow - but not the meaning - that's never lost. Time collapses as the message of this song, originally brought into being by the foreign born Christa Paffgen - and resurrected now, almost 60 years later, by this Goddess, comes full circle to enfold the aging songwriter in the arms of his own mortality. SHE USED TO BE MINE / SARA BAREILLES AND RUFUS WAINWRIGHTSara Bareilles wrote She Used to Be Mine as a show stopper for her Broadway musical, Waitress, and it's a barn burner. Here, in combination with the musical magus, Rufus Wainwright it morphs into something entirely different from it's template: it has become a religious act of forgiveness and redemption - an acknowledgment of life's profound losses, and at the same time an appreciation for what was - a ritual of devotion that celebrates living in all its ecstasy and futility - the duality of darkness and light, love and death. First Rufus sings alone, then Sara… but, when they harmonize the full extent of the love that was lost, and yet remains, lifts us up to the realization of the eternal knowledge that love is never lost. It is a requiem.

As the holidays roll around, and daylight retracts, the thoughts also cloud over to infuse the mind with a grayish motif. We're encouraged to gather our loved ones close and practice gratitude for life's bounty. But, what if life's gifts have been obscured by the overwhelming influence of a mortal depression, a reflection of the disconnect between what we see around us - (disease, deprivation, tyranny, man's inhumanity to man, etc.) - and, the opposing commercial messages which exhort us to joyfully consume? Is this dark attitude the result of an imbalance of chemicals in the brain which can be easily adjusted by the ingestion of a pill? Or, is the undertow into hopelessness something more fundamental - an irreconcilable part of our genetic makeup - a part of life we just have to stoically accept and get on with? Great artists reckon with these impulses by creating profound music. Today we celebrate two of the most striking practitioners of this heroic enterprise: Will Oldham and Nick Drake.WILL OLDHAMI See a Darkness is a masterpiece of simple straight talk about the things most of us never say. It expresses an honest representation of the apprehension that a sensitive soul feels, yet mostly keeps to themself about the inevitability of the abyss. Death walks beside us at all times, and, it helps to staunch the bleeding of fear by keeping our blindfolds on. But, sometimes, there is an urgency to share these thoughts with a friend or a counselor, and the monologue of this song invites us into that private conversation. It packs an overwhelming punch. Johnny Cash also interpreted this song near the end of his life as everything in his being boiled down to the basics. Bonnie Prince Billy, aka Will Oldham is a DIY, Kentucky based actor-musician with a diverse resume, featuring projects with many collaborators. He's a married man with a child, and perhaps all this inter-activity has grounded him and kept him productive. This makes sense - there is raw boned sense of the practical inherent in his style that complements the mystical. NICK DRAKEThe doomed, etherial Nick Drake was not so lucky. He stood apart, and was other-worldly from the beginning, always uncomfortable in his own skin. His recorded output was sparse, and number of his performances minimal, yet profound in their influence. Dead at 26 from an overdose of antidepressants, Nick didn't live long enough to see the reach that resonates with his work today, 50 years after his passing. River Man, in 5/4 time plucked on a nylon string guitar, abetted by a serene string arrangement by Harry Robertson, is a mysterious descent into the deep waters of associative imagery. Nothing is overtly stated, but the character of Betty and the narrator going to see the River Man who has the answer to the meaning of life puts me in mind of the Millais' painting of drowned Ophelia, floating in the river, surrounded by flowers. At peace at last.

Grab your British sugar bombs and rake your leaves onto an all new LIVE! What would you double in your life to make things better...or worse? Pat gets caught on camera promoting good manners. Matt fuels his espresso machine with chicken souls. The government demolishes the White House to hide evidence of a secret McDonalds. Plus, has anybody ever masturbated to the show? Is Pat a level 7 susceptible? Why is Matt afraid of energy? First they came for our idiots and we said nothing, and it all happens LIVE!

Stuart Watson, Ross Halls and Mark Heath are back to discuss all things Ipswich Town after their 4-1 win at QPR. The boys reflect on the game and hear from Kieran McKenna and two-goal star man George Hirst. There's also chat about the other brace-bagger Marcelino Nunez, plus Sindre Walle Egeli, Jack Taylor and Cedric Kipre. Then it's onto tomorrow night's home clash with Watford, how many changes we think McKenna will make and our predictions for the game. Kings of Anglia is sponsored by Stardust Spirits. Get 20% OFF with promo code KOA at https://www.stardustspirits.co.uk/ Introducing our new sponsors at Molecular! Get 10% OFF with promo code KOA10 at https://www.molecular-uk.com/ Subscribe on our website to watch the video version of the podcast - https://www.eadt.co.uk/subscribe/ You can shop the KOA range here - (kings-of-anglia.myspreadshop.co.uk) 

The Scarlotta Twins bring their signature humor, energy, and twin chemistry to Michelle Barone RED! Known for their viral social media presence and hilarious content that keeps fans laughing, the twins open up about life online, building their brand, and what it's really like to grow up in the spotlight together. They also share the story behind their The Circle win—where they famously catfished as a girl—and how that experience launched them into a whole new level of fame. Get ready for laughter, chaos, and a whole lot of twin talk!-----------------------------------------------------Support Our Sponsors! Mental Health America of Dutchess County: Dedicated to promoting mental health and providing comprehensive support services to individuals and families. Learn more and find resources at https://mhadutchess.org.WAVA Water: Discover how Wava Water goes beyond hydration to fuel your body and mind. Visit wavawater.com to find your focus and stay refreshed.Pixi Beauty: Discover the natural glow with Pixi Beauty products. Shop now at https://pixibeauty.com and let your skin shine.Derma Laser Center: Schedule your Consultation Now! https://www.dermalasercenterny.com/Mahoney's Irish Pub: Friday nights at Mahoney's Irish Pub are where the vibes are HIGH, the drinks are flowing, and the weekend officially begins!-----------------------------------------------------Subscribe to the podcast now: https://www.youtube.com/@michellebaroneredpodcast  Check out RED on Instagram: https://www.instagram.com/michellebaronered?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==  Follow Michelle Barone Instagram:  https://www.instagram.com/michellebaroneonline/ Tiktok: https://www.tiktok.com/@michellebarone?is_from_webapp=1&sender_device=pc  Follow Ashleigh McPhersonInstagram:  https://www.instagram.com/ashhmcpherson/ Tiktok: https://www.tiktok.com/@ashhmcpherson?is_from_webapp=1&sender_device=pc YouTube: https://www.youtube.com/@Ashmcpherson  Check out RED for more: https://michellebaroneonline.com/

Today's edition of Stand Up for the Truth with guest John Haller focuses largely on the global eyes that are perpetually on Israel. Each week brings more Middle East mayhem, and a lot of it is lost on the US because it's not getting reported. We talk about the danger that Syria has become, the UN and their duplicity, always, when it comes to Israel; the Palestinian state that does and doesn't exist all at the same time; and how any nation can jump on this delusion is mystifying. We dive into the Judea and Samaria dilemma and Trump's take on that; we discuss the 21-point plan floated by Trump and what that might contain. Also on our list is Qatar's double trouble, technology and so much more. John Haller is an in-demand speaker, pastor and has an agile mind that is capable of storing more information than many of us would ever hope to have, and in these times, that is a gift.   Stand Up For The Truth Videos: https://rumble.com/user/CTRNOnline & https://www.youtube.com/channel/UCgQQSvKiMcglId7oGc5c46A

We're talking FAMOUS DUOS in a DOUBLE TROUBLE edition of Plenty of Twenty!See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Happy Thursday, TODAY ON THE SHOW - BOOM - WE WERE OFF THE AIR RIGHT AT 7:20 for the DISNEY GIVEAWAY but don't you worry NOAH HAS IT ALL on backup and you can HEAR THE MOMENT WE CLICK BACK ON, luckily it was just for a few minutes. ALSO, DID JOHNJAY GET EXCUSED FROM JURY DUTY OR IS HE GOIN IN? Plus, Kyle has a rare game DOUBLE TROUBLE to play and there is an ALL NEW WAR OF THE ROSES. On air, off the air, we have a TON of content airing somewhere in the ether today so BUCKLE UP and LETS GOSee omnystudio.com/listener for privacy information.