Podcasts about zeiss otus

In this episode, we welcome Steven C. Miller. Steven is a veteran director with credits including Werewolves, Line of Duty, First Kill, Marauders, Silent Night, and Under the Bed. In our chat, he shares about his early days, education, and pathway into filmmaking. He also takes us behind-the-scenes of creating his recent horror film, Werewolves, starring Frank Grillo, Katrina Law, and Lou Diamond Phillips. In addition, Steven offers many insights for filmmakers getting in the game and working their way up. “The Making Of” is presented by AJA:Explore AJA's New Solutions for Next-Gen Production and BroadcastAhead of NAB 2025, AJA debuted innovative solutions for production and broadcast professionals, including the BRIDGE LIVE 3G-8 IP video bridge for remote workflows/streaming/backhaul, the DANTE-12GAM IP audio embedder/disembedder, and KUMO 6464-12G compact SDI router. Find out how your facility, pipeline, or project can benefit from the flexibility these new tools provide here.OWC Powers Indie Horror-Comedy ScreamboatFrom set to post, the Screamboat team trusted OWC to keep their horror-comedy production running smoothly. Atlas media cards captured the action, while Envoy Pro FX and ThunderBlade drives enabled fast offloads. In post, the ThunderBay Flex 8 anchored their workflow with high-capacity, high-performance storage. Explore how OWC powered this ambitious indie project every step of the way. Read more hereFeatured Filmmaking Book: Kubrick: An OdysseyThe definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker.The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years.Stanley Kubrick: An Odyssey fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick's personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. Read more hereZEISS Introduces the Otus ML:The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.Learn more hereA New Solution from Videoguys:The SanDisk Extreme Portable SSD is built for adventure, fitting seamlessly into your mobile lifestyle while delivering blazing-fast NVMe performance with read speeds up to 1050MB/s and write speeds up to 1000MB/s. Designed for content creators and on-the-go professionals, this high-capacity drive is tested and compatible with iPhone, making it easy to free up space on your smartphone. Its rugged design offers up to three-meter drop protection, IP65 water and dust resistance, and a durable silicone shell for extra security. Backed by a 5-year limited warranty, the SanDisk Extreme Portable SSD is now available in an impressive new 8TB capacity at Videoguys.com. Check it out hereFeatured Event:Cine Gear Expo LA | Universal Studios LotJune 6-7, 2025A revered film and television production mecca, Universal Studios Lot is known for their legendary stages, beautifully appointed theatres, and outdoor city streets, parks & squares— seen in countless film and television spectacles. "We are excited to welcome the Cine Gear community to this iconic destination," announces Cine Gear Expo Co-Founder/CEO Juliane Grosso. “The Universal Lot offers an abundance of everything we look for to create a valuable and unforgettable experience."A crossroads of filmmakers and cutting-edge technology, Cine Gear Expo is known globally as the best place in filmmaking to discover groundbreaking innovations, connect with top-tier creatives, and discover the latest gear from mainstay brands and next-gen innovators at hundreds of industry booths. Attendees can hone their skills at hands-on equipment demos, pick up tips at filmmaker panels, and enjoy educational sessions, screenings, and guild & association presentations — topped off by world-class mingling with friends & colleagues. Beyond the expo, other offerings include Cine Gear's Film Series Screenings and a Master Class featuring renowned filmmaker instructors.Register here Podcast Rewind:April 2025 - Ep. 74…“The Making Of” is published by Michael Valinsky.Advertise your products or services to 152K filmmakers, video pros, TV, broadcast and live event production pros reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

In this episode, we welcome Ian Seabrook. Ian is a leading Underwater Director of Photography who has worked on films including Mission: Impossible - Ghost Protocol, The Cabin in the Woods, Man of Steel, Aliens vs. Predator: Requiem, Godzilla, Batman v Superman: Dawn of Justice, Pirates of the Carribean: Dead Men Tell No Tales, Deadpool 2, Glass, It Chapter Two, Indiana Jones and the Dial of Destiny, The Rescue, and Last Breath. In our chat, he shares about his roots, education, and early days in filmmaking on through working on many of the biggest Hollywood productions today. He also speaks at length about camera technology — and offers recommendations for emerging filmmakers.“The Making Of” is presented by AJA:How Cromorama solves HDR production challenges with AJA ColorBoxCromorama is transforming HDR workflows for live production across the globe, using AJA ColorBox and its integrated ORION-CONVERT pipeline to power SDR/HDR transforms, quality control checks, and more for high-stakes productions like the UEFA EURO 2024 Championship. Find out how in this interview with Cromorama CEO and CTO Pablo Garcia hereIgelkott Studios: Redefining Driving PlatesSay goodbye to the limitations of array rig plates. Igelkott's precision-crafted single-lens driving plates deliver perfect parallax, seamless stitching, and true-to-life depth—no mismatched angles or post headaches. The choice of top filmmakers for flawless in-camera realism. Experience the future of driving plates at www.igelkottplates.comOscars Night Puts OWC Jellyfish in the Middle of the ActionOWC Jellyfish was front and center on Oscars night, supporting the behind-the-scenes editing and post workflows that brought the evening to life. From pre-show prep to real-time content delivery, discover how OWC's high-performance shared storage powered the Academy's digital team. See how professionals rely on Jellyfish when the pressure's on—and the world is watching.Read the full story »A Special Offer on Avid Media Composer:Save 20% on Avid Media Composer Ultimate 1-Year Subscription! Whether you're a seasoned video editor or just starting your career, get unmatched speed and creative freedom to tell more inspired stories. Do your best work with Media Composer's award-winning toolset, the go-to choice of professional editors. Hurry though, this offer expires on 3/31/2025 and is available at Videoguys.comLearn more hereZEISS Introduces the Otus ML:The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.Learn more herePodcast Rewind:March 2025 - Ep. 72…“The Making Of” is published by Michael Valinsky.To advertise your products or services to 145K filmmakers, video pros, TV, broadcast, live event production pros, & photographers reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Sigma announced a very unusual L-mount camera, as well as a new 300-600mm f/4 lens. Also, Zeiss is getting back into making lenses? There are lots of strange things happening in the camera world right now, and we're here to talk in way too much detail about them. If you enjoy the show and want to contribute to our hosting costs, we'd welcome your support on Patreon. You can check it out here: https://www.patreon.com/cameragearpodcast Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: Fuji firmware update (X-H2S) Zeiss Otus ML 1.4/50 [Zeiss] Zeiss Otus ML 50mm f/1.4 First Impressions [PetaPixel] Zeiss article about “micro contrast” Sigma announces the BF camera [L Rumors] Sigma BF [B&H] Sigma 300-600mm F4 DG OS [Sigma] Sigma 300-600mm f/4 DG OS [B&H]

In this episode, we welcome back Andrew Hutton, Head of Product at Anton/Bauer. Recently, the company released one of its latest innovations, EDEN. In our conversation, Andrew gets us up to speed on everything cooking at Anton/Bauer batteries recently — and all about this new, groundbreaking power solution. “The Making Of” is presented by AJA:How Cromorama solves HDR production challenges with AJA ColorBoxCromorama is transforming HDR workflows for live production across the globe, using AJA ColorBox and its integrated ORION-CONVERT pipeline to power SDR/HDR transforms, quality control checks, and more for high-stakes productions like the UEFA EURO 2024 Championship. Find out how in this interview with Cromorama CEO and CTO Pablo Garcia hereIgelkott Studios: Redefining Driving PlatesSay goodbye to the limitations of array rig plates. Igelkott's precision-crafted single-lens driving plates deliver perfect parallax, seamless stitching, and true-to-life depth—no mismatched angles or post headaches. The choice of top filmmakers for flawless in-camera realism. Experience the future of driving plates at www.igelkottplates.comExplore the OWC Jellyfish Nomad:Discover how the OWC Jellyfish Nomad turned a desolate location in the Utah Salt Flats into a fully equipped, mobile production studio. This compact, powerful device allows video professionals to manage, share, and collaborate on high-resolution projects in remote environments. Click through to see how you can streamline your workflow, no matter where your next shoot takes you! Read hereA Special Offer on Avid Media Composer:Save 20% on Avid Media Composer Ultimate 1-Year Subscription! Whether you're a seasoned video editor or just starting your career, get unmatched speed and creative freedom to tell more inspired stories. Do your best work with Media Composer's award-winning toolset, the go-to choice of professional editors. Hurry though, this offer expires on 3/31/2025 and is available at Videoguys.comLearn more hereZEISS Introduces the Otus ML:The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.Learn more herePodcast Rewind:March 2025 - Ep. 71…“The Making Of” is published by Michael Valinsky.To advertise your products or services to 130K filmmakers, video pros, TV, broadcast, live event production pros, & photographers reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

In this episode, we welcome three-time Oscar-Winning Costume Designer Jenny Beaven. Jenny has brought her talents to films including A Room with a View, Howards End, Swing Kids, The Remains of the Day, Sense and Sensibility, Jane Eyre, Gosford Park, The Gathering Storm, Alexander, Defiance, Sherlock Holmes, The King's Speech, Mad Max: Fury Road, Cruella, and Furiosa: A Mad Max Saga. In our chat, she shares about her upbringing, path into costume design, and her experiences working on a variety of award-winning films. In addition, Jenny reveals many of her influences — and offers advice for up-and-coming Costume Designers today. “The Making Of” is presented by AJA:How Cromorama solves HDR production challenges with AJA ColorBoxCromorama is transforming HDR workflows for live production across the globe, using AJA ColorBox and its integrated ORION-CONVERT pipeline to power SDR/HDR transforms, quality control checks, and more for high-stakes productions like the UEFA EURO 2024 Championship. Find out how in this interview with Cromorama CEO and CTO Pablo Garcia hereIgelkott Studios: Redefining Driving PlatesSay goodbye to the limitations of array rig plates. Igelkott's precision-crafted single-lens driving plates deliver perfect parallax, seamless stitching, and true-to-life depth—no mismatched angles or post headaches. The choice of top filmmakers for flawless in-camera realism. Experience the future of driving plates at www.igelkottplates.comExplore the OWC Jellyfish Nomad:Discover how the OWC Jellyfish Nomad turned a desolate location in the Utah Salt Flats into a fully equipped, mobile production studio. This compact, powerful device allows video professionals to manage, share, and collaborate on high-resolution projects in remote environments. Click through to see how you can streamline your workflow, no matter where your next shoot takes you! Read hereIntroducing Atomos Sun Dragon: A Rope Light Made for Filmmakers.The world's first full sun-spectrum rope light, Sun Dragon offers creatives more options. It's uniquely flexible, so it fits into places other lights can't. You can wrap it around objects for creative highlighting and special, colour-controllable effects including dramatic underlighting. The world's first sun spectrum, HDR, waterproof, DMX controlled, 2000 lumen 5-color LED, mount-anywhere, lightweight flexible production and cinema rope light.Learn more hereCSS Music Presents Your 1-Stop Source for Royalty Free Music:Unlimited Uses In Unlimited Productions — 8 Power Searches including 2 AI applications, Pay As You Go pricing or choose from 2 subscription plans with rollover feature, a Playlist Tool, and E-Z Cue Sheet App.Browse here or call 1.800.468.6874ZEISS Introduces the Otus ML:The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.Learn more herePodcast Rewind:March 2025 - Ep. 70…“The Making Of” is published by Michael Valinsky.To advertise your products or services to 130K filmmakers, video pros, TV, broadcast, live event production pros, & photographers reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

In this episode, we welcome Shamir Allibhai. Shamir is the co-founder of Eddie AI, a revolutionary new AI-powered software for filmmakers, editors, and content creators. In our chat, he shares about his early days, career working in production and post, and about the creation of his company, Eddie AI. He also deep dives on the solutions it provides — and other insights on the industry and production workflows.“The Making Of” is presented by AJA:How Cromorama solves HDR production challenges with AJA ColorBoxCromorama is transforming HDR workflows for live production across the globe, using AJA ColorBox and its integrated ORION-CONVERT pipeline to power SDR/HDR transforms, quality control checks, and more for high-stakes productions like the UEFA EURO 2024 Championship. Find out how in this interview with Cromorama CEO and CTO Pablo Garcia hereIgelkott Studios: Redefining Driving PlatesSay goodbye to the limitations of array rig plates. Igelkott's precision-crafted single-lens driving plates deliver perfect parallax, seamless stitching, and true-to-life depth—no mismatched angles or post headaches. The choice of top filmmakers for flawless in-camera realism. Experience the future of driving plates at www.igelkottplates.comIntroducing Atomos Sun Dragon: A Rope Light Made for Filmmakers.The world's first full sun-spectrum rope light, Sun Dragon offers creatives more options. It's uniquely flexible, so it fits into places other lights can't. You can wrap it around objects for creative highlighting and special, colour-controllable effects including dramatic underlighting. The world's first sun spectrum, HDR, waterproof, DMX controlled, 2000 lumen 5-color LED, mount-anywhere, lightweight flexible production and cinema rope light.Learn more here Explore the OWC Jellyfish Nomad:Discover how the OWC Jellyfish Nomad turned a desolate location in the Utah Salt Flats into a fully equipped, mobile production studio. This compact, powerful device allows video professionals to manage, share, and collaborate on high-resolution projects in remote environments. Click through to see how you can streamline your workflow, no matter where your next shoot takes you! Read hereZEISS Introduces the Otus ML:The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.Learn more herePodcast Rewind:Feb 2025 - Ep. 69…“The Making Of” is published by Michael Valinsky.To advertise your products or services to 128K filmmakers, video pros, TV, broadcast, live event production pros, & photographers reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

「＜CP＋＞コシナ、ZEISS新シリーズ「Otus ML」発表。2本のレンズを参考出品」　カメラを中心とした展示会「CP＋2025」が開幕。3月2日まで、多くのカメラ、写真、映像関連のメーカーが神奈川県・パシフィコ横浜に集っている。

In this episode, we welcome Jimmy Chin. Jimmy is an inspirational mountain climber, award-winning photographer, and Oscar-winning filmmaker with projects including Meru, Free Solo, The Rescue, Return to Space, Wild Life, Nyad, and Endurance. He is also a longtime Canon Explorer of Light. In our conversation, we hear about his upbringing in Minnesota, path into photography, adventures in filmmaking, and all about his first foray into narrative work with Nyad. In addition, Jimmy talks about what keeps him inspired — and other thoughts on a life on the edge of adventure.This episode was recorded live at Canon HQ in Melville, NY.“The Making Of” is presented by AJA:How Cromorama solves HDR production challenges with AJA ColorBoxCromorama is transforming HDR workflows for live production across the globe, using AJA ColorBox and its integrated ORION-CONVERT pipeline to power SDR/HDR transforms, quality control checks, and more for high-stakes productions like the UEFA EURO 2024 Championship. Find out how in this interview with Cromorama CEO and CTO Pablo Garcia hereExplore the OWC Jellyfish Nomad:Discover how the OWC Jellyfish Nomad turned a desolate location in the Utah Salt Flats into a fully equipped, mobile production studio. This compact, powerful device allows video professionals to manage, share, and collaborate on high-resolution projects in remote environments. Click through to see how you can streamline your workflow, no matter where your next shoot takes you! Read hereIntroducing Atomos Sun Dragon: A Rope Light Made for Filmmakers. The world's first full sun-spectrum rope light, Sun Dragon offers creatives more options. It's uniquely flexible, so it fits into places other lights can't. You can wrap it around objects for creative highlighting and special, colour-controllable effects including dramatic underlighting. The world's first sun spectrum, HDR, waterproof, DMX controlled, 2000 lumen 5-color LED, mount-anywhere, lightweight flexible production and cinema rope lightLearn more hereNetflix Feature “Let Go” Showcases Igelkott Studios' Masterful Visual FXNetflix's Let Go (2024) tells a heartfelt story with beautifully crafted visuals. Igelkott Studios contributed to the car and airplane sequences using advanced In-Camera Visual FX. Led by Eric Hasso, we focus on authenticity and innovation. Watch Let Go on Netflix and learn more at Igelkott Studios.Explore hereFrom our Friends at Anton/Bauer:Today's episode is also powered by Anton/Bauer — batteries built with no compromise for filmmakers and creators. From blockbuster sets to solo projects, Anton/Bauer batteries deliver high-performance power with unmatched reliability so your story never misses a beat. Trusted by industry pros worldwide, Anton/Bauer keeps your gear ready when it matters most. Visit hereZEISS Introduces the Otus ML:The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.Learn more herePodcast Rewind:Feb 2025 - Ep. 68…“The Making Of” is published by Michael Valinsky.To advertise your products or services to 125K filmmakers, video pros, TV, broadcast & live event production pros reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

If you told me years ago that nearly every lens on the market made today would be super sharp wide open, I'd be incredibly excited. But if you also told me that a lens could be too sharp, I wouldn't believe you. I mean, how is that possible? Years ago, you'd just consider the best fstop on a lens based on sharpness. And these days, that's not necessarily the case. Photography has changed, and people want something different. So, with over 12 years of testing lenses under our belt, we're going to talk more about the best fstop and how it's changed over the years. How it Used to Be: The Story of the Best Fstop When I first started the Phoblographer over 12 years ago, lenses were much different. They were mostly developed for film cameras and then were ported over. Very few were developed with the idea of being digital first. And back then, you used to have to stop the lens down to get to the best fstop. On full-frame 35mm, it used to be around f8 to f11. It varied based on which medium format option you were using, but you'd try to get the same equivalent. This also applied to APS-C and Four Thirds sensors. Shooting a lens wide open set you up for a host of problems back then: Your lens would be very soft wide open, which is nice these days. Your lens could have a whole bunch of color fringing, which can be seen as lens character these days. Vignetting was abound, which is easily correctable these days. You'd also probably not get your subject in focus because DSLR and Film SLR autofocus wasn't so great. Then things changed. And Then The Zeiss Otus Line Happened I remember that there was a short period of time where a lot changed. A bunch of tsunamis and storms destroyed lots of factories out there. Then, oddly enough, the industry bounced back with curiously good optics. They came to Zeiss and Sigma first. The Zeiss Otus lens lineup was pretty much unbeatable. The Sigma Art lens lineup was also unbeatable for image quality. Then Sony got it, Tamron caught on, Nikon, Tokina, etc. Optics just got a ton better. This was incredibly curious because Zeiss specifically started to market that you didn't necessarily need to stop the Otus lens lineup down. They went about showing the press tons of MTF charts where the Zeiss 55mm f1.4 Otus lens would have equivalent sharpness of the nearest competing lenses. However, the Otus was doing it wide open while the competition was doing it at f5.6 or f8. It was remarkable technology; if not incredibly flawed. Zeiss did what they do with an insane price tag, no weather sealing, and a few other things. Then Sigma's 50mm f1.4 Art started to outdo the Otus. Sigma has always been strong with clinical image quality at the cost of build quality, character, and autofocus speed. It was the same back then as it is today. So by all means, back then, Zeiss started to say that the best fstop is shot wide open. That started to change the rest of the industry. Combine this with the rising megapixel count on camera sensors and improved flash technology and you've got a winner. Today, What is the Best FStop? It's hard today to find a lens that isn't sharp wide open. Lensbaby purposely does this, and that's awesome. But otherwise, all the other camera and lens manufacturers strive to get sharp wide-open performance. By all means, the best fstop and all it means has changed since then. There used to be the idea of the sweet spot: which referred to when the lens was at its sharpest. And today, arguably, it's more about a balance between pleasing bokeh and sharpness. It depends on what sensor format you're using. But generally speaking, most photographers think the best fstop is either wide open, f4, or f5.6. Lenses are super sharp wide open, and honestly, most of us on staff here rarely have good reasons to want to stop down unless the exposure calls for it. High megapixels on camera sensors mean that much more value is given to a lens. Combine that with flash and what specular highlights do, and you've got a wi...

The Sony FE 24mm f/1.4 G Master is incredible for Astrophotography. Available from B&H https://goo.gl/HjL1Kc This weekend I was invited to Sedona, AZ for a Sony trip to use the 24mm f/1.4 gm to shoot the night sky. This lens is absolutely incredible - I've had the chance to use it before, but not in an astrophotography setting. I compared the Sony 24mm against the Sigma 24mm f/1.4 Art and the Zeiss Otus 28mm f/1.4 We were joined by Stan Moniz and José Francisco Salgado - be sure to check out their work! Stan Moniz https://www.youtube.com/channel/UCthsmh56Kag8qnslXD4vd6g José Francisco Salgado http://josefrancisco.org/ What I love about the Sony 24mm f/1.4 G Master • Excellent low-light performance • beautiful depth of field • almost no sagittal coma flare • very low chromatic abberation even wide open • light weight • fast auto-focus • reasonable price point - performs better than lenses 5 times as expesive Check out my other videos: • Sony 24mm f/1.4 G Master https://www.youtube.com/watch?v=aW-xRCrZXIc • Why Sony is Killing It Right Now https://www.youtube.com/watch?v=1hYMgDT_iAI • How Good Are Sony Lenses? https://www.youtube.com/watch?v=RLJQG_pU3J4 • Sony 400mm f/2.8 G Master https://www.youtube.com/watch?v=7Pix0A5TGn8 Music is from Epidemic Sound. If you need music for your videos, Epidemic is simply the best in the business. Check them out here: https://goo.gl/v5wWKr * Sony invited me to Arizona and payed for my flight. There was no financial compensation and the opinions here are my own.

First up is a question about third party lenses. Is it really worth spending all that money on the name brand? What should you be thinking about before making a decision?Next up is a question about online backup. How does it really work? We also touch on backup strategy in general, which is always an important discussion.Some of the items mentioned in this episode include:Sigma 50mm F1.4 DG HSM Art Lens for Canon CamerasZeiss Otus 85mm f/1.4 Apo Planar T* ZE Manual Focus Lens (Canon EOS-Mount)Tamron SP 24-70mm Di VC USD Canon Mount AFA007C-700 (Model A007E)Lensrentals BlogBackBlaze online backupCrashplan online backup4TB Seagate USB 3 External Hard Drive

The New Zeiss APO Lenses for Close-up Work   This is a look at the new Zeiss APO lenses, the Zeiss Otus 55mm APO, the Zeiss 135mm APO, and the Zeiss Otus 85mm APO as the can be used for close-up photography. Lots of images and detailed discussion, as well as comments on using these lenses for stacking focus or one-shot photos. With Photographer Michael Erlewine from MacroStop.com.

http://www.adorama.comAdoramaTV presents the new Zeiss Otus f1.4/55mm Lens. In this first look, Diane Wallace shows us the features of the new Zeiss Otus f1.4/55mm professional lens, designed for high-resolution DSLR cameras.AdoramaTV features talented hosts including: Mark Wallace, Gavin Hoey, Joe McNally, Joe DiMaggio, Tamara Lackey, Diane Wallace, Bryan Peterson and Rich Harrington.Related Products: Zeiss OTUS 55mm F/1.4 Apo Distagon T* ZE Lens for Canon EOS Camerashttp://www.adorama.com/ZI5514ZE.html?refby=videoZeiss OTUS 55mm F/1.4 Apo Distagon T* Zf.2 Lens for Nikon F (AI-S) Bayonet SLR Systemhttp://www.adorama.com/ZI5514ZF2.html?refby=videoNikon D800E Digital SLR Camerahttp://www.adorama.com/INKD800.html?refby=videoCanon EOS C100 Cinema Camcorderhttp://www.adorama.com/CAC100EF.html?refby=videoIf you have questions, share them with us at: adotv@adorama.com