Podcasts about Jimmy Chin

Before we roll into this episode full steam, here's some basic information: this interview was recorded in the fall of 2023. That was when a group from the US, including Jimmy Chin and Jim Morrison, planned to approach Mount Everest's north side to attempt to ski the Hornbein Couloir. The project was part of a larger documentary project. This past fall, in 2024, that team made another attempt but was reportedly stymied by poor conditions. All this is to say that back in 2023, skiing the Hornbein popped up in the news cycle. Around then, I reached out to Jeremy Evans for an interview. He's the author of an excellent book I read titled See You Tomorrow: The Disappearance of Snowboarder Marco Siffredi on Everest. This episode of The High Route podcast is that interview with Jeremy Evans, the Tahoe-based author of this good read. We mostly discuss the book and the protagonist, Macro Siffredi. Siffredi was a Chamonix-based snowboarder who arrived on the extreme descent scene with extraordinary flare in the late 1990s. In 2002, Siffredi disappeared as he descended the Hornbein Couloir on Everest's North Side. He was 23 years old at the time. Although the podcast is not a book review if you enjoy climbing and ski/ride adventures and examinations of human nature and what motivates us in the mountains if you pick up the book, you'll find it doesn't disappoint. Further, Thanks to Evans for his incredible patience as we sat on this episode—we got caught up in life and building out The High Route, but we are deeply appreciative of his time and for making the efforts to illuminate more about Siffredi's life.Thanks for listening, and have a good day, The High Route Team.   If you are new to The High Route, we are a reader and listener-supported enterprise focusing on human-powered turn making. Our mission is simple, but it takes real deal calorie burning to piece it all together.We are also excited to announce Issue 1.0 of The High Route magazine is shipping. Fancy paper. Good reads. High-octane photos. And some fine mountain ranges. And turns. You can learn more about our subscription options here.The theme music for The High Route Podcast comes from Storms in the Hill Country and the album The Self Transforming (Thank you, Jens Langsjoen). You can find a link to the album here—there are so many good songs on this album. And if you think you've spotted a UFO in the past or visited the 7th dimension, "Beautiful Alien" is a good tune to start with.  

Doug Workman is a legendary ski guide out of Jackson Hole who cut his teeth climbing in Connecticut before he started traveling the world to guide and ski. From patrolling at JHMR to expeditions to Pakistan, China, Alaska, and Antarctica, to climbing throughout Europe and North America, to working with media outfits like National Geographic, Warren Miller Entertainment, and Teton Gravity Research, Doug has done it all in the ski industry.  His interesting takes on risk, look back on the AK heli wars, the Tsaina Lodge days make this a fun listen.  Tim Petrick asks the Inappropriate Questions Doug Workman Show Notes: 4:00: Nick McNutt, beacons, his work with Mammut on The Barryvox S2 beacon development, and products that saved him 13:00: Skiing in Connecticut, his brother Jed, climbing in wrestling shoes, moving to Colorado and the quintessential 90's climber/skier hippy    19:30: Stanley:  The brand that invented the category! Only the best for Powell Movement listeners.  Check out Stanley1913.com   Best Day Brewing:  All of the flavor of your favorite IPA or Kolsch, without the alcohol, the calories or sugar. Ski Idaho: The best, least crowded, skiing in the world, happens in Idaho 22:30: Pakistan with Jimmy Chin, Simpson House, not skiing at the resort, Jackson Hole Air Force, Doug,, VHSG, and Don Sharif, and heli wars 41:00: Elan Skis:  Over 75 years of innovation that makes you better. Outdoor Research: Click here for 25% off Outdoor Research products (not valid on sale items or pro products) 43:00: Tsaina Lodge, skiing for work, and why it's more fun off the clock, money guiding trips, and close calls 52:00: Death and his interesting take on education vs risk 61:00: Inappropriate Questions with Tim Petrick

Jonathan Retseck founded RXR Sports to work with athletes, explorers and storytellers in outdoor brands. It didn't take long before RXR amassed what is arguably the dream team of athletes under management. Alex Honnold, Jimmy Chin, Rich Roll and many more are part of their stacked roster of talent. But the story goes well beyond the transactional nature of sponsorship - what RXR does to build deep partnerships with intention has led to some incredible media output, the most well known being films like Free Solo and Meru. In this unfiltered conversation with Jonathan, we talk about the founding of the agency and the challenges of maintaining a roster as heavy as theirs. Show Notes: Jonathan Retseck: https://www.linkedin.com/in/jonathanretseck/ RXR Sports: https://www.rxrsports.com/ Jimmy Chin: https://www.instagram.com/jimmychin/ Meru (Film): https://www.merufilm.com/ Free Solo (Film): https://films.nationalgeographic.com/free-solo Kate Courtney: https://www.instagram.com/kateplusfate She Sends Racing: https://www.shesends.it/ RXR Speakers: https://www.rxrsports.com/live Voicing Change Media: https://www.voicingchange.media/ BPC: Brand, Product, Content Shane Parrish - The Knowledge Project: https://www.youtube.com/@tkppodcast Farnum Street: https://fs.blog/newsletter/ Clear Thinking (Book): https://fs.blog/clear/ Small Brand Mentality (Channel): https://smallbrandmentality.substack.com/ Join us on LinkedIn: https://www.linkedin.com/company/second-nature-media Meet us on Slack: https://www.launchpass.com/second-nature Follow us on Instagram: https://www.instagram.com/secondnature.media Subscribe to our newsletter: https://www.secondnature.media Subscribe to the YouTube channel: https://www.youtube.com/@secondnaturemedia

In this episode, we welcome Jimmy Chin. Jimmy is an inspirational mountain climber, award-winning photographer, and Oscar-winning filmmaker with projects including Meru, Free Solo, The Rescue, Return to Space, Wild Life, Nyad, and Endurance. He is also a longtime Canon Explorer of Light. In our conversation, we hear about his upbringing in Minnesota, path into photography, adventures in filmmaking, and all about his first foray into narrative work with Nyad. In addition, Jimmy talks about what keeps him inspired — and other thoughts on a life on the edge of adventure.This episode was recorded live at Canon HQ in Melville, NY.“The Making Of” is presented by AJA:How Cromorama solves HDR production challenges with AJA ColorBoxCromorama is transforming HDR workflows for live production across the globe, using AJA ColorBox and its integrated ORION-CONVERT pipeline to power SDR/HDR transforms, quality control checks, and more for high-stakes productions like the UEFA EURO 2024 Championship. Find out how in this interview with Cromorama CEO and CTO Pablo Garcia hereExplore the OWC Jellyfish Nomad:Discover how the OWC Jellyfish Nomad turned a desolate location in the Utah Salt Flats into a fully equipped, mobile production studio. This compact, powerful device allows video professionals to manage, share, and collaborate on high-resolution projects in remote environments. Click through to see how you can streamline your workflow, no matter where your next shoot takes you! Read hereIntroducing Atomos Sun Dragon: A Rope Light Made for Filmmakers. The world's first full sun-spectrum rope light, Sun Dragon offers creatives more options. It's uniquely flexible, so it fits into places other lights can't. You can wrap it around objects for creative highlighting and special, colour-controllable effects including dramatic underlighting. The world's first sun spectrum, HDR, waterproof, DMX controlled, 2000 lumen 5-color LED, mount-anywhere, lightweight flexible production and cinema rope lightLearn more hereNetflix Feature “Let Go” Showcases Igelkott Studios' Masterful Visual FXNetflix's Let Go (2024) tells a heartfelt story with beautifully crafted visuals. Igelkott Studios contributed to the car and airplane sequences using advanced In-Camera Visual FX. Led by Eric Hasso, we focus on authenticity and innovation. Watch Let Go on Netflix and learn more at Igelkott Studios.Explore hereFrom our Friends at Anton/Bauer:Today's episode is also powered by Anton/Bauer — batteries built with no compromise for filmmakers and creators. From blockbuster sets to solo projects, Anton/Bauer batteries deliver high-performance power with unmatched reliability so your story never misses a beat. Trusted by industry pros worldwide, Anton/Bauer keeps your gear ready when it matters most. Visit hereZEISS Introduces the Otus ML:The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.Learn more herePodcast Rewind:Feb 2025 - Ep. 68…“The Making Of” is published by Michael Valinsky.To advertise your products or services to 125K filmmakers, video pros, TV, broadcast & live event production pros reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Our pal Tom Fleischman is our guest on today's episode of Martins & More! We met Tom through the Unofficial Martin Guitar Forum (UMGF) and have enjoyed many Martinfests together. He's an avid guitar player with a impressive collection of Martin Guitars, and we hope you enjoy our interview.  Tom Fleischman began mixing feature films under the mentorship of New York rerecording mixer Richard (Dick) Vorisek in1979. Since then Tom has mixed nearly 300 features, documentaries, commercials, and television projects and has developed long-term working relationships with many directors including Martin Scorsese, Jonathan Demme, Spike Lee, Ron Howard, Chai Vasarhelyi and Jimmy Chin, and Ken Burns. Tom has had 5 Academy Award nominations, and one win for “Hugo” in 2010. He has also won 5 Emmy's, 7 Cinema Audio Society Awards, and a Career Achievement Award from CAS.

“In that instant they felt an overwhelming sense of pride and accomplishment. Though they had failed dismally even to come close to the expedition's original objective, they knew now that somehow they had done much, much more than ever they set out to do.” Welcome back to another episode of Made You Think! If you love exploration books as much as we do, you'll definitely enjoy this episode. Today, we're talking about Endurance: Shackleton's Incredible Voyage by Alfred Lansing. Join us as we explore Shackleton's legendary expedition, where a crew of 28 men faced nearly two years of extreme conditions after their ship became trapped in ice. We cover a wide range of topics including: How Shackleton's leadership prevented descent into madness Physical vs. mental challenges in extreme survival situations Were previous generations tougher than we are today? Antarctic exploration's parallels to modern space missions The life-or-death decisions in the final rescue attempt And much more. Please enjoy, and make sure to follow Nat, Neil, and Adil on Twitter and share your thoughts on the episode. Links from the Episode: Mentioned in the Show: Equip (1:35) TrueMed (1:39) Gusto (3:15) CrowdHealth (4:16) Ross Sea Party (9:31) SpaceX 'Chopsticks' (14:20) Kerbal Space Program (15:57) Oppenheimer (22:55) Apollo 13 (40:06) The Martian (40:35) Endurance Documentary (43:50) Free Solo (44:34) JD Vance on Joe Rogan (1:14:04) Justin Mares - The Next (1:20:19) Anthony Gustin - The Feed (1:20:43) News article on Epic (1:21:43) Books Mentioned: Colony One Mars (19:21) The Fourth Turning (28:08) (Book Episode)  Dune (33:57) Musashi (34:11) East of Eden (34:12) (Book Episode) (Nat's Book Notes) Lord of the Rings (35:29) The River of Doubt (48:10) (Book Episode) Hatchet (1:02:36) The Lost Men (1:04:17) Where Is My Flying Car? (1:08:07) (Book Episode) Energy and Civilization (1:10:00) (Book Episode) (Nat's Book Notes) How the World Really Works (1:10:03) (Book Episode) The Prize (1:10:44) Oil 101 (1:11:31) The Brothers K (1:12:00) Power to Save the World (1:12:19) How to Drive a Nuclear Reactor (1:12:29) Crypto Confidential (1:29:43) People Mentioned: Ernest Shackleton Alfred Lansing (10:47) Amundsen and Scott (12:19) Alfred Cheetham (19:58) Jimmy Chin (44:20)  Elizabeth Chai Vasarhelyi (44:24) Show Topics: (0:00) After an unintended hiatus, we're back! We begin the episode with a tangent on our favorite blender, health insurance plans, and protein powder. (5:44) We begin our discussion of Endurance by Alfred Lansing. Nat shares a unique perspective, having read the book during his own trip to Antarctica. (09:15) The timeline of Shackleton's expedition spanned from August 1914 to September 1916, marking nearly two years of survival against impossible odds. Later on, Shackleton would help rescue another stranded crew in January 1917. (11:16) Endurance draws from the crew's journal entries, a common practice during the age of exploration when survival wasn't guaranteed. We discuss how these historical records parallel potential Mars missions in the future. (13:46) We explore current Mars exploration initiatives across the globe. China aims for a sample return mission by 2030, SpaceX targets 2028 for their missions, and India continues to advance their rover program. (18:01) The core of Shackleton's story unfolds: an attempted Antarctic crossing, leading to a two-year fight for survival. Despite the world presuming them dead, every crew member survived, with many later serving in World War I, highlighting their extraordinary resilience. (22:11) "Men wanted for hazardous journey. Low wages, bitter cold, long hours of complete darkness. Safe return doubtful. Honour and recognition in event of success." Shackleton's legendary recruitment advertisement exemplified his unique approach to crew selection. Nat, Neil, and Adil also discuss whether the people of previous generations were tougher than we are today.  (30:30) Shifting the conversation to growing up in the pre-Internet era. We reminisce about outdoor adventures, early video games, and how different forms of entertainment shaped our imaginations compared to today. (35:54) The physical hardships endured by the crew were severe, with frostbite being a constant threat. Shackleton's leadership proved crucial, maintaining strict schedules and discipline to prevent the crew from succumbing to despair during their long wait trapped in ice. (39:26) We draw parallels between Shackleton's earlier failures and the Apollo 13 mission.  (42:41) The type of ship they chose for the journey actually had a huge impact on the outcome. Its specific shape made it vulnerable to being trapped within the large blocks of ice. (46:31) National parks and the preservation of nature. There are very few places left in the country where there is no light pollution at all. (49:43) After a year on the ship and another camping on ice, they modified their lifeboats for a perilous journey to Elephant Island. Shackleton's team then faced the task of scaling mountains without proper gear and navigating treacherous waters. (55:12) Nat, Neil, and Adil debate whether the physical or mental challenges were the most difficult to overcome in this expedition. Would you rather have been on the boat with Shackleton, or waiting for the boat to return for rescue?  (1:01:32) The book itself has an interesting publishing history. Though it achieved only modest sales during Lansing's lifetime, it found massive success about a decade after his death. (1:07:49) We reflect on a few other books we've read on energy. If you have any recommendations, send them our way!  (1:13:07) A discussion about current political leadership's understanding of technology and its implications for policy decisions. (1:20:55) The 'Make American Healthy Again' efforts, healthcare system incentives, and potential future programs in the U.S. What is to come under the new administration? (1:24:59) It wouldn't be an episode of MYT without a little crypto and meme coin talk! (1:34:58) That concludes this episode! If you're interested in reading Endurance, you can grab a copy of the book here. Next up on the podcast, we will be reading Musashi by Eiji Yoshikawa. Make sure to stay tuned to our website to see what's next and leave us a book rec! If you enjoyed this episode, let us know by leaving a review on iTunes and tell a friend. As always, let us know if you have any book recommendations! You can say hi to us on Twitter @TheRealNeilS, @adilmajid, @nateliason and share your thoughts on this episode. You can now support Made You Think using the Value-for-Value feature of Podcasting 2.0. This means you can directly tip the co-hosts in BTC with minimal transaction fees. To get started, simply download a podcast app (like Fountain or Breez) that supports Value-for-Value and send some BTC to your in-app wallet. You can then use that to support shows who have opted-in, including Made You Think! We'll be going with this direct support model moving forward, rather than ads. Thanks for listening. See you next time!

Most of us will never reach the pinnacle of our most passionate pursuit, no matter how driven we are. Our guest today has, through dedication, creativity and ingenuity, reached the pinnacle of three of his passions.Beginning with a unique journey to discover climbing and skiing, then the discovery of an interest in photography, which finally led to becoming a premiere feature and documentary filmmaker, Jimmy Chin has forged his path with resilience, empathy, and a desire to tell important stories.Jimmy's accolades and accomplishments speak volumes about a climber and artist who has pushed boundaries and silenced doubters. But it has always been the manner with which Jimmy has achieved that is most impressive. Steve and Jimmy discuss the evolution of his career and the catalyst for picking up a camera in the pursuit of climbing. They dive into the moral qualms Jimmy had shooting Free Solo and how and why he decided to create the award-winning documentary. Tune in for a conversation between two legends of the sport.Check out the companion essay and more information on Voice of the Mountains here:https://uphillathlete.com/voiceofthemountains/

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! National Geography recoge el descubrimiento de Jimmy Chin que, quizá se acerca a resolver el último gran misterio en la montaña de las montañas: Si Irvine y Mallory fueron las primeras personas en alcanzar la cima del Everest. Contactamos con Sebas Álvaro para que nos dejara su impresión sobre el hallazgo dela bota con un calcetín que tiene la inscripción AC Irvine Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Armando Menocal was a civil rights lawyer and climber who helped found the Access Fund. It's safe to say that without Armando's silent but hugely significant contributions, climbing would look very different today. Sadly, Armando recently died at the age of 83 from cancer. Here today to help memorialize Armando is Armando's friend and colleague Brady Robinson. Brady is the former Executive Director of the Access Fund. He is a veteran of numerous expeditions, with first ascents in Pakistan, Patagonia, and Peru. Today he works as the director of philanthropy at the Freja Foundation and is working on conservation projects in South America. But first, your hosts listen to another climbing podcast, get redpilled, freak out, and launch into a conspiracy of our own about Jimmy Chin and Sandy Irvine. Something's afoot on Everest … For today's final bit, climber / musician Jessica Roki Kilroy is back with Right Here Remix. Roki is a climber and musician from Montana, whose experimental, brooding, emotional folk music incorporates the sounds of the natural world, including those that she captured while on El Cap. Show Notes “Remembering Armando Menocal” on Climbing Cuba Climbing Armando Fund on Access Fund Freyja Foundation The Nugget's Instagram Remains of Andrew 'Sandy' Irvine believed to have been found on Everest Rokifolk.com Follow Jessica Roki Kilroy on Instagram Jessica Roki Kilroy Bandcamp Jessica Roki Kilroy on Spotify Become a RunOut Rope Gun! Support our podcast and increase your RunOut runtime. Bonus episodes, AMA, and more will be available to our Rope Guns. Thank you for your support! http://patreon.com/runoutpodcast Contact us Send ideas, voicemail, feedback and more. andrew@runoutpodcast.com // chris@runoutpodcast.com

On the 100th anniversary of George Mallory and Sandy Irvine's death on Mount Everest, I interviewed Dr. Robert Edwards, author of Mallory, Irvine, and Everest: The Last Step But One, which reexamined their mysterious story in extreme detail. Watch my original interview with Dr. Edwards, my most popular interview in 2024. It provides an excellent background for today's interview. Today, Dr. Edwards returns to the WanderLearn Show to discuss Jimmy Chin's surprising October 2024 announcement that he found Andrew Comyn Irvine's foot! Andrew Irvine's nickname was Sandy. Watch the Video Photo by National Geographic Image copyright: National Geographic National Geographic sponsored the expedition and announced the momentous news. The rest of Sandy's body has not been found yet. Sandy died 100 years ago. In 1960, Chinese climber Wang Fuzhou claimed he spotted a dead European climber who had to be Sandy Irvine. Assuming that sighting was accurate, nobody has seen Irvine since then ... until now. Famed mountaineer and photographer Jimmy Chin found Sandy's foot inside the 100-year-old boot.  Robert Edwards wrote his initial impressions of Sandy's discovery on Goodreads.  In this interview, we delve into greater detail, including the map Dr. Edwards made: In the podcast, I struggled to understand why Dr. Edwards thought Sandy's foot may have been found either in pin v1 or v2.  After the interview, I reflected more carefully and realized that the Central Rongbuk Glacier is sliding west (right in the image). I initially assumed it was sliding north (down the image). Excerpt of Dr. Edwards's Goodreads post I can think of at least two scenarios which are consistent with the new discovery: • On June 8, 1924, Irvine fell from somewhere on the North Face of Everest to the head of the Central Rongbuk Glacier. If so, it seems to me that, given the topography of Mount Everest, the start of that fall had to be either within, or to the west of, the Norton Couloir. In that case, Irvine fell at least 500 meters to the west of where Mallory's body was found. • On June 8, 1924, Irvine became immobilised or died in the place where on May 24 or 25, 1960, the Chinese mountaineer Wang Fu-zhou would see the body of “a European in braces” [for North Americans: suspenders]. The Chinese route was along the Northeast Ridge. According to reports of a speech in Leningrad in 1965, Wang saw the body at 8,600 meters (28,215 feet): that is, between the Second Step and the Third Step. If so, the body could only be that of Irvine; and he had died on the descent. In this scenario, at some unknowable date after 1960, natural events carried Irvine's body down the mountain to the head of the glacier. In both scenarios, the implacable creep of the ice carried part of Irvine's remains to the place where Jimmy Chin found them in September 2024. The first scenario excludes the second: for if in 1924 Irvine fell to the glacier, Wang Fu-zhou in 1960 could not have seen a body of any kind at 8,600 meters. No doubt, other scenarios are conceivable. What next? Undoubtedly, the China-Tibet Mountaineering Association will conduct an expedition to find the rest of Irvine's body and any artifacts associated with it; or will permit National Geographic to undertake such an endeavour. The search could possibly be made before the winter; otherwise, the next window will probably be the spring of 2025. Irvine's body and artifacts will surely be found. The Chinese authorities also have the opportunity to examine Irvine's boot for rock particles, which might reveal where he had been before he died. (As far as I can determine, Mallory's boots were never tested in this way.) In either event, we may then know more about the last climb of Mallory and Irvine. Dr. Edwards added in an email to me: In case I didn't explain clearly the difference between the two pins in the Google Earth image: pin v1 is based on ice velocity of 10 meters/year; pin v2 is based on ice velocity of 27 meters/year (based on a range of Chinese estimates for the East Rongbuk Glaicier). In both cases, the pin assumes movement of the remains over 100 years, i.e. assuming that Irvine fell all the way to the glacier in 1924. So Pin v1 is 1,000 meters downstream; pin v2 is 2,700 meters downstream. If Irvine's remains fell after 1960 (which, given Wang's sighting, I'm inclined to think more probable), both pins would be much closer to the head of the glacier. Pin v1 would be at most 640 meters downstream; pin v2 would be at most 1,728 meters downstream. Both pins hug the western rim of the glacier, since I'm inclined to think that objects starting near the rim will remain near the rim. (A glaciologist would know.)   More info You can post comments, ask questions, and sign up for my newsletter at http://wanderlearn.com. If you like this podcast, subscribe and share!  On social media, my username is always FTapon. Connect with me on: Facebook Twitter YouTube Instagram TikTok LinkedIn Pinterest Tumblr My Patrons sponsored this show! Claim your monthly reward by becoming a patron at http://Patreon.com/FTapon Rewards start at just $2/month! Affiliate links Get 25% off when you sign up to Trusted Housesitters, a site that helps you find sitters or homes to sit in. Start your podcast with my company, Podbean, and get one month free! In the USA, I recommend trading crypto with Kraken.  Outside the USA, trade crypto with Binance and get 5% off your trading fees! For backpacking gear, buy from Gossamer Gear.

« C'était jeudi, aux alentours de 20H », raconte l'Orient le Jour. Deux explosions en plein centre de la capitale libanaise. Bilan, toujours provisoire : 22 morts et 117 blessés. Selon l'Orient le Jour, « les médias de l'État hébreu, et une source au sein du Hezbollah », poursuit le journal francophone libanais, « la cible était Wafic Safa, chef de l'appareil sécuritaire du parti chiite ». Mais, sur place, les habitants, comme Ahmad, l'affirment : « Il n'y a pas de Hezbollah ici », dit-il, « il n'y a que des civils ». Jeudi, après s'être assuré que sa famille était saine et sauve, « il est resté sur place pour aider les secouristes qui sortaient des enfants et un bébé, toujours en vie ». Il confie aussi à l'Orient le Jour avoir vu un « sac mortuaire de petite taille », il pense « qu'un adolescent a été tué ». Le quotidien suisse Le Temps s'est également rendu sur les lieux des bombardements israéliens. « Il n'y avait que des civils », assure là encore Eltizam, « des enfants, des vieux, des femmes. Ces morts, c'étaient mes voisins ». Parmi les témoins rencontrés par le Temps, il y a aussi Ibtissam, mère de quatre enfants. Le soir des bombardements, l'un de ses fils lui a dit « Maman, je n'en peux plus, mon cœur va s'arrêter de battre ». « La famille a couru se réfugier au bord de la mer jusque vers 3h du matin ». « Les enfants ne voulaient plus bouger. Ils étaient paralysés », explique leur mère. La famille a décidé de quitter Beyrouth, pour Tripoli, à 80 km au nord de la capitale libanaise. À lire aussiGuerre au Proche-Orient: deux frappes meurtrières dans le centre de Beyrouth« Je ne serai sur aucune photo »À la Une également, le testament de l'opposant russe, Alexeï Navalny, mort dans une colonie pénitentiaire de Sibérie en février dernier. « Je passerai le restant de mes jours en prison et je mourrai ici ». Voici l'un des extraits des mémoires posthumes d'Alexeï Navalny, qui paraîtront dans une dizaine de jours. Extrait publié par le Devoir, au Canada, sur la base d'informations fournies par le New Yorker. « Il n'y aura personne à qui dire au revoir […] Tous les anniversaires seront célébrés sans moi. Je ne verrai jamais mes petits-enfants. Je ne ferai l'objet d'aucune histoire de famille. Je ne serai sur aucune photo » écrivait le principal opposant à Vladimir Poutine le 22 mars 2022. Le Times a lui aussi lu ce récit posthume. Et publie de larges extraits datant de 2021, entrecoupés de nombreuses photos, qui montrent Alexeï Navalny en famille, avec son épouse et ses deux enfants. L'opposant raconte notamment sa grève de la faim, et ironise sur les poursuites dont il fait l'objet. Quatre affaires en cours. « Si on additionne tout cela (...) on arrive à une peine de 23 ans. Bien sûr, on peut trouver autre chose, mais le total maximal autorisé pour toutes les peines imposées à un individu est de 30 ans. Alors ne vous inquiétez pas, je serai libéré au plus tard au printemps 2051 ». Plus cinglant, encore, il s'exclame, dans un extrait repris par le Devoir : « La seule chose que nous devrions craindre, c'est d'abandonner notre patrie au pillage d'une bande de menteurs, de voleurs et d'hypocrites ».Passionnant mystèreEnfin, cette découverte qui nous vient de loin... Un pied dans une chaussure en cuir dont sort une chaussette avec les initiales de son propriétaire AC Irvine. El Païs raconte : « ces vestiges ont été retrouvés en septembre par une équipe du National Geographic dirigée par l'alpiniste et cinéaste Jimmy Chin, au pied de la face nord de l'Everest. 100 ans après la disparition d'Irvin, le 8 juin 1924 ». C'est selon le quotidien espagnol, « le protagoniste du mystère le plus passionnant de l'histoire de l'alpinisme », qui réapparaît ainsi. 100 ans de recherches pour savoir si Irvine et son ami Mallory (dont la dépouille a été découverte en 1999) « ont franchi ou non le sommet de l'Everest ». Une question qui reste toujours sans réponse.

In this episode, the randomizer goes all the way back to 2021 to pick an example of everyone's favorite subgenre of Disney+ content, that's right, another NatGeo documentary! Only this time, it's NOT one of those wretched disposable televised NatGeo specials that's exactly the same as every other NatGeo special, it's a full-fledged NatGeo-branded theatrical documentary feature film from the Oscar-winning directors of Free Solo about the 2018 Tham Luang cave rescue, an inherently compelling true story of unlikely heroes triumphantly overcoming seemingly insurmountable odds in order to save human life, which unfortunately is primarily known to westerners as "that one time Elon Musk called a guy a pedophile on Twitter for no good reason" because everything is dumb and the world is broken. Join Tony Goldmark, Kalani Mitchell, Kit Quinn and Luke Ski as they sadistically sabotage THE RESCUE!  Check out my guests' stuff! KALANI MITCHELL Facebook: https://www.facebook.com/kalani.mitchell  Twitter: https://twitter.com/MitchellKalani KIT QUINN  Twitter: https://twitter.com/missi0nbreakout Podcast: https://anchor.fm/krt-trio LUKE SKI Portfolio: https://www.luke.ski Bandcamp: https://lukeski.bandcamp.com Twitter: https://twitter.com/thegreatlukeski And check out this show on social media! Twitter: https://twitter.com/efvdpodcast Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531 YouTube: https://www.youtube.com/tonygoldmark Hear new episodes early and ad-free by supporting this show on Patreon: https://www.patreon.com/tonygoldmark

Your reader doesn't have to like the protagonist but she does have to empathize with him because if empathy is absent, your story is in trouble. In this episode Melanie and I study conflict triangles and narrative drive, but we also have an interesting side conversation about empathy and likeability. If you're writing an unlikeable character, or if you're writing a quiet, character-driven story, this episode is for you. -V"The protagonist does not have to be likable, but you've got to be careful that you don't place the reader's empathy on another character." - Valerie Francis  For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on X, Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

What's this, not one but two older women with a lot to do? In the same film? There's never been such times. Mick's picked Nyad, the 2023 sports biopic from dream team Elizabeth Chai Vasarheluyi and Jimmy Chin about marathon swimmer Diana Nyad's attempts to swim the 110 miles of open ocean from Cuba to Florida – in her 60s.  But will Hannah and Yosra enjoy this tale of endurance and hubris? And did Annette Bening and Jodie Foster earn those Oscar nods? Find out!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam and Adrian are joined by author Will Cockrell to discuss his new book titled "Everest Inc." Will, who has covered the Mt Everest climbing season as a journalist for nearly 2 decades, chronicles the development of an industry that, each spring, becomes a focal point of the outdoor media.Everest Inc.: The Renegades and Rogues Who Built an Industry at the Top of the WorldFeaturing original interviews with mountain guides and climbers—including Jimmy Chin and Conrad Anker—this vivid and authoritative adventure history chronicles one of the least likely industries on guided climbing on Mount Everest.Anyone who has read Jon Krakauer's Into Thin Air or has seen a recent photo of climbers standing in line to get to the top of Everest may think they have the mountain pretty well figured out. It's an extreme landscape where bad weather and incredible altitude can occasionally kill, but more so an overcrowded, trashed-out recreation destination where rich clients pad their egos—and social media feeds—while exploiting local Sherpas.There's some truth to these clichés, but they're a sliver of the story. Unlike any book to date, Everest, Inc. gets to the heart of the mountain through the definitive story of its greatest the Himalayan guiding industry. It all began in the 1980s with a few boot-strapping entrepreneurs who paired raw courage and naked ambition with a new style of expedition planning. Many of them are still living and climbing today, and as a result of their astonishing success, ninety percent of the people now on Everest are clients or employees of guided expeditions.Studded with quotes from original interviews with more than a hundred western and Sherpa climbers, clients, writers, filmmakers, and even a Hollywood actor, Everest, Inc. foregrounds the voices of the people who have made the mountain what it is today. And while there is plenty of high-altitude drama in unpacking the last forty years of Everest tragedy and triumph, it ultimately transcends stereotypes and tells the uplifting counternarrative of the army of journeymen and women who have made people's dreams come true, and of the Nepalis who are pushing the industry into the future.

Conrad Anker is renowned throughout the world as one of the greatest living mountaineers. Follow him to the Himalayan peaks of northern India to climb the ‘Shark's Fin' of Mt. Meru, a sheer 1,500-foot wall of blank granite, one the hardest, most dangerous and beautiful routes on the planet.  For 30 years the best mountaineers in the world had attempted to climb Mt. Meru and for 30 years one-by-one they were spit off. It was thought that perhaps no one would ever reach its summit. Sacred to four religions, Mt. Meru is known as the abode of the gods. Perhaps it wasn't meant to be climbed. Perhaps it was impossible. But impossible is a word that Conrad doesn't understand. This is the story of that climb. This is the story of the adventure of his life. But it's more than that too. Coming up as a young climber, Conrad was mentored by a man called Mugs Stump, another legend of his day. For Mugs, Mt. Meru represented the pinnacle of mountaineering. Climbing it would be the greatest achievement of his career. Conrad and him made a promise, they vowed that no matter what they would one day reach the top together.  But, tragically, Mugs died before his dream could be realised. After that, climbing Mt. Meru became more than just a mountain or Conrad, it became an obsession. It became the culmination of his life's work. He put a team together, Jimmy Chin – the renowned mountaineer and filmmaker – and a young climber called Renan Ozturk. Together, they travelled to northern India and began the long journey to the summit.  This is a story about what it takes to achieve the impossible. This, is the story of Mt. Meru. Highlights:    Follow the world's best climbers pitch-by-pitch up the hardest climb on the planet. -Hear what it's like to survive for 17 days in a ‘Sea of Gravity', as Conrad calls it, 1000s feet of extreme exposure pulling you down into all sides. -Discover what it takes to survive one of the worst Himalayan storms in 50 years, trapped in a portaledge thousands of feet above the ground, with avalanches raining down all around you -Climb the House of Cards, one of the most dangerous pitches in mountaineering -Hear the wisdom and inspiration that Conrad has learnt from a life in the mountains.The documentary of this climb is called Meru, shot and directed by another legend Jimmy Chin. You can rent it on Amazon, You Tube and elsewhere. You can also follow Conrad on Instagram/Twitter @conrad_anker and on Facebook @conradankerofficial. His website is simply www.conradanker.com  If you enjoy this episode, please check out some of the conservation projects, which Conrad is involved with and support them if you can: www.himalayan-foundation.org and www.alexlowe.org Thanks to Wondrium for sponsoring this episode. Wondrium is the new name for The Great Courses Plus, now expanded with more content: documentaries, world-cinema, tv shows and lots of new courses. You can check it all out for free for one month by heading over to www.wondrium.com/armchair Follow @armchairexplorer podcast on Instagram and Facebook or head over to www.armchair-explorer.com to find more background information on this episode Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello and welcome to an all new episode of Some Like It Scott! On this week's episode, the two Scotts talk about the first comedy blockbuster of the summer, with a review of David Leitch's latest behind the camera, the Ryan Gosling and Emily Blunt starring action-romantic-comedy THE FALL GUY. After discussing Gosling's star power, the homage to stunt work, and the balance of the different genres, the two Scotts turn their attention to news of Jimmy Chin and Elizabeth Chai Vasarhelyi (FREE SOLO, NYAD) working on a new documentary, as well as Glen Powell (again!) being cast in a new legal drama from John Lee Hancock, MONSANTO. See time codes below:   3:48 - THE FALL GUY review  55:35 - Jimmy Chin & Elizabeth Chai Vasarhelyi's next documentary 1:02:16 - Glen Powell in John Lee Hancock's new legal drama   Next time: KINGDOM OF THE PLANET OF THE APES (Theaters)   Patreon: www.patreon.com/MediaPlugPods

In today's episode, I interview director Nick Russell and writer Nick Musgrove, about their short film "Favourites,"  about parents who are forced to make an impossible choice. The film has been showing at festivals including Australia's Flickerfest and the San Diego International Film Festival and will be shown at the Tribeca Film Festival in New York this June.Listen to hear Nick and Nick discuss his how they developed the story for the film together, their incredible crew that they worked with, and one of the craziest dinner parties ever put together on The Oscar Project Podcast.Books recommended in this episode include:Against All Odds by Craig Challen and Richard HarrisAny Ordinary Day: Blindsides, Resilience and What Happens After the Worst Day of Your Life by Leigh SalesFilms mentioned in this episode include:“Favourites” directed by Nick RussellSophie's Choice directed by Alan J. PakulaMr. Black (TV Series)Wake in Fright directed by Ted KotcheffThe Grand Budapest Hotel directed by Wes AndersonSideways directed by Alexander PayneLord of the Rings: The Two Towers directed by Peter JacksonShaun of the Dead directed by Edgar WrightThe Prestige directed by Christopher NolanFight Club directed by David FincherThe Sixth Sense directed by M. Night ShyamalanEternal Sunshine of the Spotless Mind directed by Michel GondryEat Pray Love directed by Ryan MurphyNo Country for Old Men directed by The Coen BrothersBridesmaids directed by Paul FeigJurassic Park directed by Steven SpielbergAladdin directed by Ron Clements and John MuskerStar Wars directed by George LucasLord of the Rings: The Fellowship of the Ring directed by Peter JacksonDune directed by Denis VilleneuveBlades of Glory directed by Josh Gordon and Will SpeckThirteen Lives directed by Ron HowardThe Rescue directed by Jimmy Chin and Elizabeth Chai VasarhelyiFollow the film and Nick Russell on Instagram @favouritesfilm and @nickrussdog and follow Nick Musgrove on Twitter @Nickmusgrove

Mount Everest, the world's highest mountain, faces an environmental crisis, giving us a preview of the devastating effects of climate change. While the ice on its glaciers is melting at a record pace, increasing the risk of floods and other disasters, mass tourism has brought garbage and other pollution issues for local populations.Climbers Conrad Anker and Dawa Steven Sherpa have worked together in the Everest Valley. Today, they are both taking action. In this episode of On Thin Ice, they discuss how climbers and local communities can work together to protect the mountain and its people from climate threats.Conrad is one of the most iconic alpinists of the past three decades, and he has witnessed the dramatic transformations brought by climate change to mountain environments everywhere; he is now working with local communities and experienced Sherpa mountaineers to help make ice climbing safer in the region, as the glaciers become more unpredictable. Dawa, a board member of the Bally Peak Outlook Foundation, is a famed mountaineer, serial entrepreneur and climate advocate, representing a new generation of Nepalis who are trying to develop a sustainable tourism industry–one that respects local traditions as well as the mountains they live off. Dawa has worked relentlessly to develop programs such as “Carry me back”, one of the key projects supported by the foundation, to reduce pollution and other negative impacts of tourism in the Everest Valley.How can the local Sherpa communities handle the tons of trash left behind by tourism? How can climbers mitigate the risks of glacier collapses and avalanches? These are some of the vital questions they address on the mountain on a daily basis, as they look for answers that could also help other alpinists around the world.  On Thin Ice is produced in partnership with the Bally Peak Outlook Foundation.Head to ballypeakoutlook.org/  to learn more about the foundation, which is on a mission to safeguard the world's fragile mountain habitats from the adverse effects of global warming and excessive tourism. Production credits: Original Music: Nadir CassimEditorial advisor: Dave VetterGraphic Design: Guillaume OryVideo editing: Iceworm teamWould you like to suggest guests and projects that we should cover? Do you have feedback or questions? Email paolo@iceworm.media

Today on The Neil Haley Show, Neil "The Media Giant" Haley interviews Director and Producer Matt Hamacheck. Matthew Hamachek is an Emmy-winning documentary filmmaker known for his work as a director, editor, writer, and producer. Most recently, Hamachek directed and executive produced the highly anticipated 10-part docuseries, “The Dynasty: New England Patriots.” The docuseries chronicles the rise and historic 20-year run of the New England Patriots during the Tom Brady, Bill Belichick, and Robert Kraft era and is set to premiere February 16th on Apple TV+. Prior to “The Dynasty,” Hamachek co-directed and produced the Emmy-winning two-part HBO documentary “Tiger,” which offered a revealing look at the rise, fall, and epic comeback of global icon Tiger Woods. He also executive produced Oscar-winning filmmakers Jimmy Chin and Elizabeth Chai Vasarhelyi's documentary “Return To Space.” Hamachek has won two Sundance Film Festival Awards for editing and writing the Oscar and WGA-nominated “If A Tree Falls” and “Gideon's Army.” He also produced, wrote, and edited the acclaimed film “Amanda Knox.” In addition, he edited and produced the Oscar-nominated film “Cartel Land,” and edited the Emmy-nominated “Meet The Patels,” “The Fourth Estate,” “Mistaken For Strangers,” and “Racing Dreams.”

Oscar winners Elizabeth Chai Vasarhelyi and Jimmy Chin discuss Photographer, their new documentary series that zooms in on National Geographic's greatest image makers. And Emmy nominee Carla Gutiérrez goes inside her new film Frida, about the extraordinary Mexican artist Frida Kahlo. Learn more about your ad choices. Visit megaphone.fm/adchoices

From El Capitan in Yosemite to Tham Luang Nang Non cave in northern Thailand and Meru Peak in the Indian Himalayas, Chai Vasarhelyi and Jimmy Chin (her partner in filmmaking and in life) have captured the imagination of audiences worldwide with intimate, non-fiction portrayals of outdoor athletes pushing themselves to extremes. Free Solo, their 2018 film, won the Academy Award for Best Documentary. Their first scripted project, Nyad, boasts Oscar-nominated performances from Annette Benning and Jodie Foster. The film that blew Chai's mind? Michael Winterbottom's 2002 In This World, which blurs the lines of fiction and documentary to convey the story of an Afghani boy's journey from a Pakistani refugee camp to London. She joins Cooper and Tabitha to explore the finer points of Winterbottom's film and dives into questions of truth vs fiction, the nuances of working with real-life characters, and how the relationships she cultivates with her participants are essential to her filmmaking craft. Hosted on Acast. See acast.com/privacy for more information.

La morte di Dean Potter chiude un capitolo ed una leggenda, quella della formazione della storia dell'arrampicata americana di Camp 4, Yosemite. Ma ne apre un altro: quello della storia dell'arrampicata attuale. I due protagonisti più di spicco sono: Tommy Caldwell (cui ho dedicato un podcast nella primissima stagione) e Alex Honnold, noto in tutto il mondo per aver scalato in free solo, cioè completamente slegato, la via Freerider su El Capitan, 1000 metri di via. Il documentario che ne è stato fatto, “Free solo”, per la regia di Jimmy Chin, ha vinto l'oscar nel 2018. Questo libro è attualmente il più bello su questo climber su cui aleggia la domanda: ma come ha fatto? È forse un asperger?

In today's episode, Anna Smith talks to members of the the Girls On Film community about Nyad, starring Annette Bening and Jodie Foster, which tells the remarkable true story of athlete Diana Nyad. An athlete turned journalist, Diana Nyad made an incredible vow when she turned 60. She was determined to become the first person to swim 110 miles from Cuba to Florida, without a shark cage. She was supported by a team including her best friend and coach Bonnie Stoll. Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin, the film has a Best Actress Oscar nomination for Annette Bening as Diana, and Supporting Actress for Jodie Foster as Bonnie. The bond between Diana and Bonnie is beautifully depicted, whether they are sharing witty banter, second guessing each other or finding their strong friendship tested by Diana's relentless and risky ambition. It's the reason that Nyad is nominated for the Female Friendship on Screen award at the 2024 Girls On Film Awards. In partnership with Netflix we arranged a special Girls On Film screening of Nyad, the feature written by Julia Cox, adapted from the memoir Find A Way by Diana Nyad. We invited some of the Girls On Film community to watch this extraordinary true story on the big screen, followed by a discussion about some of the themes of the film, including friendships between women, achieving your goals no matter what your age, and the great pleasure of seeing the story of two complex, older lesbian characters on screen in mainstream cinema. Thanks to our partners for this episode, Netflix UK Other films mentioned in this episode are: Black Panther: Wakanda Forever Blindsight Booksmart Chariots of Fire Free Solo Girl Picture How to Have Sex A League of Their Own Polite Society The Rescue She Said The Silent Twins The Swimmers Thelma and Louise The Woman King Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Archbold Producer: Charlotte Matheson Audio editor: Emma Butt House band: MX Tyrants © HLA Agency

Dean Potter, il leader carismatico degli Stone Monkes, è stata una figura misteriosa (si sa pochissimo della sua infanzia e della sua adolescenza; non ci sono libri su di lui), affascinante ed imprescindibile: con la sua morte (avvenuta nel 2015) si chiude l'epoca della fondazione della storia dell'arrampicata americana - che prosegue poi con tantissimi altri grandi (Tommy Caldwell, Alex Honnold, Jimmy Chin, Mark Synnot, Conrad Anker, Cedar Wright, Ivo Ninov) ma saranno il nuovo capitolo dell'arrampicata americana, quello attuale.

Annette Bening joins the show to talk about her performance in Nyad. Based on real events, the film follows the story of sixty-four-year-old marathon swimmer Diana Nyad (Bening) as she attempts to become the first person ever to swim from Cuba to Florida. Bening recounts her initial reaction to the script, describes her experience meeting and working with Jodie Foster (who plays Diana's best friend and coach Bonnie Stoll), shares what it was like to be directed by Jimmy Chin and Elizabeth Chai Vasarhelyi, and digs into the intense physical challenge that the film presented.  She also breaks down a few of the roles that had a major impact on her, reflects on the current state of the industry, and shares her favorite ways to spend her free time.  Listen to more from Netflix Podcasts.

Oscar-winning documentary co-directors Jimmy Chin & Elizabeth Chai Vasarhelyi decided to go the narrative feature route with their new film NYAD starring Annette Bening and Jodie Foster. Our hosts share their reviews and then ponder the recently announced nominations for the 96th Academy Awards. Recommendations: The Barber of Little Rock, The Last Repair Shop, Knight of FortuneFootcandle Film Society See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

REDIFFUSION. En ce début d'année, on vous propose de (re)découvrir des épisodes pour faire le plein d'énergie ! Cet épisode a été diffusé pour la première fois le 15 mars 2023. Vous avez prévu de courir trente minutes avec un·e ami·e ce matin. Vous courez trente minutes et vous vous arrêtez, tandis que votre partenaire de course décide de repartir pour une heure supplémentaire. Il pleut, c'est le week-end et en rentrant chez vous pour faire la sieste, vous vous demandez : de quoi est faite cette personne qui semble ne jamais avoir la flemme ? Qui sont celles et ceux qui se fixent constamment des objectifs ? Comment ces personnes alimentent-elles leur moteur intérieur ? Et est-il toujours souhaitable de repousser ses limites ? Pour répondre à ces questions, la journaliste Marion Bothorel rencontre Johan, un triathlète de 27 ans qui s'est relevé d'une blessure de manière spectaculaire et Dorith, que la spirale de la compétition au travail a mené à devenir meilleure vendeuse de France. Elle échange avec Jérôme Laurin, enseignant-chercheur en physiologie de l'exercice et neurosciences à la faculté des sciences du sport, à l'Université d'Aix-Marseille. Elle discute aussi avec Marie-Claire Villeval, chercheuse et spécialiste du travail. Pour aller plus loin : Le documentaire “Meru”, réalisé par Jimmy Chin et sorti en 2018L'ouvrage “Haro sur la compétition” d'Hugues Bersini, paru en 2010 aux éditions PufMarion Bothorel a écrit, tourné et monté cet épisode. Clémence Reliat était à la réalisation sonore. Lena Coutrot est en charge de la production d'Émotions, accompagnée d'Elsa Berthault. Nicolas de Gélis a composé la musique du générique d'Émotions, et il a été réalisé par Anna Buy. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This episode features directing duo Jimmy Chin and Elizabeth Chai Vasarhelyi, who joined us to discuss the making of their latest film and first narrative feature Nyad. Listen now to learn about their transition from documentary to drama, the challenges of shooting in and underwater, and portraying the real Diana Nyad.

This discussion followed the screening of Oscar-winning filmmakers Chai Vasarhelyi and Jimmy Chin's extraordinary film "Wild Life". The film is a story of love, wildness, and restoration in Chile and Argentina, recording the life of Kris Tompkins through an epic decades-spanning love story as wild as the landscapes she dedicated her life to protecting. Special guests in this conversation include Kris Tompkins and Chai Vasarhelyi, with guest curator Geralyn Dreyfous and HDS writer-in-residence Terry Tempest Williams. This event took place November 13, 2023. For more information: https://rpl.hds.harvard.edu/ A transcript is forthcoming.

No Cinemático 403, Carlos Merigo e Ieda Marcondes conversam sobre "Nyad", dirigido por Elizabeth Chai Vasarhelyi e Jimmy Chin, filme da Netflix cotado ao Oscar pelas atuações de Annette Bening e Jodie Foster.SIGA @CINEMATICOPODTwitterInstagramCRÉDITOSApresentação: Carlos MerigoPauta e Co-Produção: Bia FiorottoProdução: Alexandre PotascheffEdição: Gabriel PimentelAtendimento e Comercialização: Camila Mazza e Telma Zennaro Hosted on Acast. See acast.com/privacy for more information.

With the holidays rapidly approaching, films related to Thanksgiving and Christmas can an offer a touch of nostalgia while telling an emotional story. Think "Planes, Trains and Automobiles" and "A Christmas Story." This year, directory Alexander Payne ("Election," "Sideways," "Nebraska") brings us "The Holdovers" starring Paul Giamatti as teacher Paul Hunham, Dominic Sessa as student Angus Tully and Da'Vine Joy Randolph as school cook Mary Lamb. The story centers on students that can't go home for Christmas break and a teacher that is forced to chaperone the group. Co-host Bruce Miller gives his thoughts on the film, and we have interview clips with Payne, Randolph, Sessa, writer/producer David Hemingson and producer Mark Johnson. Miller also shares his thoughts on the Netflix film "Nyad," starring Annette Bening as endurance swimmer Diana Nyad and Jodie Foster as her coach, Bonnie Stoll. It tells the story of Nyad's swim through shark-infested waters between Havana, Cuba and Key West, Florida. The film is directed by Elizabeth Chai Vasarhelyi and Jimmy Chin. The pair co-directed the Oscar-winning documentary "Free Solo." Where to watch and more coverage "The Holdovers" in theaters Nov. 10 "Nyad" on Netflix Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Holiday Films for Families Streamed and Screamed podcast about movies and TV from Lee Enterprises Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce Miller: I'm a holdover. Terry Lipshetz: You're a holdover. You've been here forever. You are a holdover. Bruce Miller: I am. I remember when Alexander Payne wasn't making movies. How's that for a connection? But, yeah, we are getting into Thanksgiving season. So this means that you're going to get films that maybe the whole family would go to. Because, come on, what else is there to do over Thanksgiving holiday? Eat and go to the movies, right? Terry Lipshetz: Yeah. Bruce Miller: And so you're going to start seeing some of those ones that are a little more like Planes, Trains and Automobiles. Back in the day, that was a big kind of holiday. Let's go see it because it's entertaining, and that's what we'll be getting now. I think you'll be seeing some of those before the Christmas rush and then the Oscar run, so look for the fun ones. And one that I really loved was the Holdovers. That's the newest Alexander Payne film. It's set in 1970, and it's set at a private boys' school in the East Coast. And, apparently all kids didn't go home. Some had a reason. Their parents were off on a ski trip and they didn't want to take the kid home or they didn't have the ability to get them home or whatever. And so those kids were called the Holdovers. They stayed at school, and then as a result, they had to put up with whoever they threw in their face. There was usually a teacher who got punished to be with those kids because who wants to be at home during the holidays? Nobody. Terry Lipshetz: Nobody. Bruce Miller: So, the one who gets stuck, even though he did it the year before, is played by Paul Giamatti, and he plays an ancient history teacher that nobody likes. They just hate him. He gives them all F's. He thinks that they're lazy and they don't really live up to their expectations. And this is 1970. Remind you. And so the Kids that are left back think, oh, God, this is going to be just terrible. And he plans classes for them, exercise, situations for them. And then they have all the bad food that's left over, and the cook is there, and she is going to keep him occupied over the holidays when he isn't. So it's like the worst situation you could think of. And then a group of them gets the opportunity to go on a ski trip. Except one student, he's stuck at the school with the bad teacher and the cook. And so the three of them have what they call their holiday experience. Terry Lipshetz: Sounds almost like my college. I went to a smaller private university in New Jersey. so you couldn't stay over during the winter break. They closed the dorms. They basically kick you out unless you were basically stuck there because you were, let's say, a foreign exchange. Bruce Miller: Foreign students. Terry Lipshetz: Yeah, that was it. That was it. They were the holdovers, and they got to stay in the dorms through the holidays. But that was it. Bruce Miller: I never was a holdover. God, it was, like, icy as hell. And I would still force somebody to come and pick me up because I thought, the last thing I want to do is be stuck here. So I was good. I got out. But I can imagine it would be dreadful because you see this? And this was during my time. It's set during the. That's about my period. And you go, oh, my God. They have captured so many things that are so specific. They have a pinball machine. And, the young man who is stuck back wants to play the pinball machine. Now, what they did was they put their order, their dime, whatever it cost, on the top of the pinball machine. And then that meant they were next. And the kid gets in a big fight with this guy who says, no, you're not next. My friend is next. And you think, oh, that is. I remember that. Who would have thought that that would be a part of it? But they've done a great job of capturing all those little things, even down to the clothes. And Alexander Payne said that when he was casting, he was particularly looking for young actors who had the right haircuts because he didn't want them to look like they were contemporary. They needed those 70s haircuts. And they do have those 70s haircuts. Terry Lipshetz: Kind of the moppy. Bruce Miller: Yeah, it's not quite mullet yet, because that wasn't in style. Terry Lipshetz: That's more 80s. Bruce Miller: Yeah. This was just kind of a head of hair that's post-Vietnam, where you just wanted to grow your hair out in those days. Can I tell you? I had hair that was down to the back of my shoulders. I had long, long hair because I didn't want to cut it. And my dad would always make a huge stink about that hair. He says, when are you going to cut this hair? And so I pull my hair back and hide it in the collar of my shirt. And every night at dinner, he would pull the hair out and say, you got to cut this. That kind of sentiment. That hair was a big issue for people back in those days. Terry Lipshetz: It was, yeah. I've seen photos of my parents back in the. It was an interesting time with hairstyles. Now, in 1970, that would have made me, let's see, about negative five years old. So I wasn't present at that time. Bruce Miller: You were not breaking any of those rules? Terry Lipshetz: No, I was not. Bruce Miller: But I was edging into the college years. It was a different world, a much different world. And you notice that, too, how social media and the Internet and all that has changed so much here. The kids have to look things up. And do they want to look things up? No, they do not. I think that the attitudes are still the same. You still press up against authority. But it's fascinating to see how the friendships develop. And I don't know that I would ever have been friends with a teacher of mine, but when you're forced to do it, you become a little closer. Adversity breeds friendship. Maybe that's the moral of the story. Yeah. Terry Lipshetz: and it's diverse, too. You've got different people of different eras. Bruce Miller: Da'Vine Joy Randolph, she plays the head cook at the thing. And her son, you find out early on, her son went to school there. She agreed to be the cook at the school so that her son would be able to get a good education, which is what she was hoping for. And when the movie begins, you learn very quickly that her son has died. And so she's dealing with grief over the holidays. The young man is upset because his parents aren't taking him home. And the teacher is, not liked, as they openly. Nobody likes you, so why should we? So they all have a reason to fight for something. Terry Lipshetz: But ultimately, the odd couple comes together. I can only presume. Bruce Miller: I enjoyed it so much. It has been kind of testing the market throughout. Okay. And so it has had pre screenings or previews or whatever before it actually opens this week. So you can see the audience. It kind of had a little taste of what it was all about, how they react. And I think the reaction is good. It's heartfelt. And it reminded me a lot of Green book. Terry Lipshetz: Okay. Bruce Miller: Where kind of unlikely people are thrust together and how they build a friendship out of that. You remember that with, the driver and the musician. And the musician couldn't go in certain restaurants. He wasn't allowed in certain hotels. So there was definitely a different time. And you see that same reflection here in the holdovers. Terry Lipshetz: Interesting. So you mentioned at the top of this podcast, planes, trains, and automobiles, which is to me, one of my favorite movies of all time. And we did a whole episode on John Hughes movies to begin with quite a ways back. But that one in particular is one that it's almost like a tradition in the family. Got to throw planes, trains, and automobiles on. And it's in some ways because there's not a whole lot of Thanksgiving specific movies tend to get Christmas movies, not necessarily Thanksgiving, but it was that kind of story where Steve Martin's character, John Candy's character, are two very different people, but they're put in a very strange circumstance together, and they kind of come together. It almost feels like this movie takes some of that as well. Bruce Miller: Very much so. The other thing that's interesting is that those were people who wanted to get home, right. And here's ones who can't. There isn't a home, so they have to create a home, and they bring a tree, they do presents. It's very, touching how they kind of make a family, even though there isn't a family. All three of the actors are potential Oscar nominees. That's why. Terry Lipshetz: Wow. Do you see this becoming like a traditional holiday classic? The one that we pop on Christmas. Bruce Miller: Story, playing Dominic Sessa, who plays, the young man, has never acted in films before. Terry Lipshetz: Right. Bruce Miller: Found him at a school, and we're looking for somebody who kind of fit. Again, the hair was a big thing fit the identity that they were looking for. And they were blown away by how good he was at kind of capturing that attitude that's kind of there. And, you see it. He is easily the glue that holds this together and a really good young actor. I think someday we'll look back and we'll say that was his first film and look at how good he was. Terry Lipshetz: This film is directed by Alexander Payne, and he's, of course, known for doing a lot of kind of quirky movies like Nebraska. Bruce Miller: Yeah. Do you remember? Election was kind of the one that put him on the map, with Reese Witherspoon as that kind of dreadful girl who wanted to be student body know. She was determined. And the advisor to the student council, played by Matthew Roderick, did not want her to win and did whatever he could to try and derail her campaign by putting another student in her way. Chris Klein played that role. He shot it all in Omaha, which is where he's from. And it was very similar to this, where he went looking for real people to play these parts and look what happened to their careers. Reese Witherspoon, she won an Oscar. And Chris Klein had a long career. Look at American Pie. I mean, he has some pretty good credits behind. She wasn't necessarily, but the other ones that fill in the film. And if you go back and look at election, you'll see actor, young actors in that that have had lots of work. Terry Lipshetz: Right. Bruce Miller: It was supposed to be a two hander between Reese Witherspoon and, Matthew Broderick. And some of those other ones are making a real big splash in that first film. So I wouldn't doubt that we'll see the same thing happen with this one. Terry Lipshetz: Yeah. And even like a movie like Sideways, there's another one where. And he did it with Paul Giamatti, and that was Paul Giamatti. He's done so many movies and he's always so good in what he does, but it almost took until sideways to really get him out there. Bruce Miller: He was a great character actor who had bit parts or small parts in films and then suddenly blew up. And he was in John Adams and he was in, sideways. And. Yeah, now he's kind of your go to. If you want one of those kind of erudite people that are in your film, we'll call Paul. Terry Lipshetz: I know you weren't able to get any interviews with this film, but through the magic of you and the promotion, I happen to have know just out of the box right here. So we're going to go now to, Alexander Payne, the director of the film. Alexander Payne: Christmas break is upon us. And every year there's a number of boys with nowhere to know. The kids from foreign countries and the ones with divorced parents and stuff like that. And this year there's a boy, he's a junior and kind, of a troublemaker, kind of troubled. Damaged and troubled, but a smart kid underneath. And, his mother calls him last minute to say she's widowed, has been widowed. She has just remarried and they want to use this Christmas vacation as their honeymoon. You understand, don't you, darling? Stanley's been working so hard. The teacher selected this year to stay behind with the boys is a very disliked, curmudgeonly, ancient history teacher, Paul Giamatti. Through a kind of Deus ex machina, script, device, all the other boys find somewhere else to go at some point. And it's down to just this teacher played by Paul Giamatti and this boy and the head cook at the school. She's a single mom, and her, son attended this very same school on a charity scholarship. But did not have the wherewithal to go to college and has just been killed in Vietnam. So this movie is about the adventures of these three kind of shipwrecked people during a very snowy two weeks in Massachusetts in 1970. I've been an admirer of school, movies, loneliness of the long distance Runner and if and Peter Weir's movie. And I had seen a companion of those films, a somewhat underknown French film by a great director, but, from 1935 or 36 called Merloose by Marcel Panol. And it had that same basic premise. I saw that ten or twelve years ago and it never left me. I thought, you know, that's a pretty good premise for a film. But I personally didn't have the wherewithal to actually, I didn't have the life experience of a private school and so forth. I'm from Omaha. Nor did I have really the discipline to go research it. But a pilot came my way, set in a prep school, and it was a very fine pilot. And I called up the writer and said, thank you for sending me this wonderful script. I don't want to read it. Would you consider taking on an idea of mine? And so it was David Hemingson. That's how David Hemingson, the fine screenwriter, came into my life. So, typically I've written my own scripts and certainly I was involved in rewriting this one and conceiving it. But David Hemingson really, did an outstanding job writing it. That's what attracted me to it. It sounds hyperbolic and I'm sure it is, but I just think Paul Giamatti is the greatest actor. There's nothing he can't do. From the moment I first met him when he auditioned for sideways for me going on 20 years ago, I thought, this guy can make even bad dialogue work and he can, no matter what the dialogue. I had him in Omaha, for a public interview, and I said, you know, Paul Giamani, you can really make bad dialogue work. I'll bet you could even read the phone book. Like they say, read the phone book and make it compelling. And he laughed. And I leaned over and I pulled out the Omaha phone book and I handed it to him. I said, would you please just open up to a page? He started reading it and brought the house down. That's why I like Paul Giamatti. And he's just a lovely guy, brilliant guy, most well-read human I know and, a delight to work with. Terry Lipshetz: Up next, let's hear from Da'Vine Joy Randolph about her role. In this film. Da'Vine Joy Randolph: It's wonderful working with Paul Giamatti. He has such character as a human being, but also with what he brings to the table. And, he's so great because, know, when you work with actors, those who you really revere, for being so talented, can be very serious sometimes and stuffy. And, what is so amazing, and I think speaks even more to his talent is that he's able to snap in and out of the character. It's very seamless. But I love right before they say action, I'll peek a look, and you'll see him just, like, morph and fall into place into his character. Dominic is quite special, for having never done it before. I would say what's more impressive, even outside of his talent, which is quite natural and just very present, and non-stereotypical, I don't know if I could have done it to play this hurt, damaged teenager. Right. And it not just be this one dimensional screaming kid every 5 seconds. He's really found, the nuances, to all of it. But I would say what I'm the most impressed with is the human being that he is. He's so kind and gentle and, very intelligent. And there's an old soul about him where it feels as if he's been here before. You can tell there's a real desire to learn this industry and how things work, and he's very quick. I remember in the very beginning when we were just doing table reads, and we still had at least two, if not three weeks before filming, he was already off book. I was not off book, so I was very impressed. We're just seeing two, three individuals, which I wonder, if they weren't, under these circumstances, if they would have had the opportunity to really get to know one another and to be an unpredicted vessel of support for one another. And I think what's beautiful about that is, in this movie, in a way, it transcends ageism, racism, genDer, and that these three individuals, due to the loss and pain that they have, it's like sometimes when you've hit rock bottom, you're open to anything to seek relief wherever you can. Terry Lipshetz: We also have another star from the film, Dominic Cessa, talking about what turned into his first major film appearance. Dominic Sessa: I went in for my first audition, and, I was pretty relaxed because I wasn't expecting much out of it. And they called me back later that day, and I did some more reading. And, eventually Alexander came to my school to come meet me and audition, with him. And yeah, for the next two months it was a lot of just touch, and go email, Zoom calls and all that stuff. And by the time I had my last audition, I didn't know it was my last audition. I thought it was going to know do that two weeks later for the next one. But we sat there and it was me, Paul and Alexander on a Zoom call. And we just read the whole script through. And Paul would read the parts, know, in a scene where I was in, but he wasn't in. I would read parts for him in other scenes and by the end I got the role that day. So, yeah, it was really surreal and exciting and didn't really know what to think or what to expect. But, it was nice. The biggest challenge for me, working on a film for the first time would be, the turnaround on notes, personally, because I've done a lot of live theater before. It's all I've done before is the shows at my school. And we have after school, like two, three hour rehearsals. And you receive your notes at the end and you have your journal and you can go back to your room and internalize them and think about them for the next rehearsal or the show or whatever's coming. But in this, it's really a matter of coming in, knowing your lines and not really knowing. Maybe having an idea of how the scene may pan out, but not having the clarity that you might have in a theater setting. So, yeah, I mean, that was the hard, that's the hardest part for me, really doing this the first time doing something, receiving a note and then okay, rolling, go. So, yeah, for me, but I think I've adjusted pretty well to it. And obviously I have a lot of people around me who have been helping me prepare for that sort of thing. Being in a film with Alexander and working on one of his movies, it's incredible working with him personally. Having, the director who's sitting right there at the camera and sitting right next to you and comes up to you after every take and is in your ear. You can feel his presence and it's comforting in that sense. But I think. I don't know, outside of that, he just attracts a lot of professionalism to his movies and his work. I think, just him being a part of it. Everyone around him, sort of is extra professional and is extra hard at work and is really on top of it and more so excited about working on it because of the type of person he is. My character, Angus Tully, say, definitely very damaged kid. He's been through a lot. Yeah. Being at a boarding school, I can understand, how heartbreaking that would be to be ready for break and then have your own parents tell you that you can't come home for Christmas. I feel like, for him, he's got a lot of these, things in the past that have happened to him and, these experiences, obviously, with his father and his mother and his mother's boyfriend. And it's not explicitly said what goes on. But you can sort of understand that there's a broken family dynamic there that's going on behind the scenes for him. And yeah, I think that really comes out with his character and his daringness to say some of the things he says and to pull off some of the things he tries to pull off. But at the same time charming and innocent. And it's one of those people you love to hate because you love them. Terry Lipshetz: Up next, we have writer producer David Hemingson. David Hemingson: Alexander read a pilot that I wrote about four years ago that, was set in a prep school in 1980. And he kind of called me up out of the blue and having read it and was like, I love this pilot. And I was like, incredibly flattered because he's like a personal hero of mine, he's a brilliant director. So I was like, blown away. And then he said, but I don't really do TV. But I have this feature I want to do that's set in that world in 1970. I said, okay, sure. And I said, what is he? Well, basically I really want to do this sort of optically challenged, kind of odiferous professor, that gets stuck, at a prep school, over Christmas break, 1970 to 71, with a group of students, one of whom has sort of been stranded by his family, most definitely. And this relationship kind of evolves over the course of the movie. And so that was sort of. The genesis of the whole thing. He's a brilliant, brilliant director. And I kind of feel like I went to film school on Alexander's back in that he would make these references. He'd, want something kind of tonally or visually or he'd kind of want a narrative moment that as opposed to try to unpack it verbally, he'd just be like, John Garfield. All right, Michael Curtis pointed overturn 1950, midpoint. Forward click. Like what? Hello? And I'd have to figure out, oh, okay. He wants sort of tonally, this kind of thing. He wants to be able to, evoke certain moods, and I think for him, it's got to be the organic evolution of the characters over the course of the narrative. And so I think the reason he doesn't get specific in terms of distinct turns he wants is because he wants me to find it and then for him to reflect upon it, I mean, that's been our working relationship, and I hope to God it continues for many, many decades to come, because I would kill to work with him again. I think he's a brilliant guy. We're so blessed. I mean, Alexander can cast. I mean, he topped the bottom. The actors in this show are amazing. I love my holders. I love all those kids. Those kids are all amazing, and funny and genuine and real. I think reality is sort of one of the hallmarks of an. You know, it just feels real, and it's heightened. And he takes you on a journey, and there's a fun narrative. I mean, you have a good time. And I think that's one of his imperatives. Like, he wants people to be entertained, but he wants people to be entertained by the human comedy, by the reality of it, by the landscape of people's souls. Like, he wants you to take that journey. And that's kind of what we do. In this movie, I think. Terry Lipshetz: And now let's hear from producer Mark Johnson. Mark Johnson: I think it was very much a story about family. It's a very clever script. It's deceptive. It's deceptive. And then it's about much more than you would think at first. And it's also extremely funny. And for me, as a, time Alexander Payne Fan, I think it is arguably his most emotional movie to take what he does with his characters, sort of, the uniqueness of his characters and to put them in this situation, it was an undeniable script. Paul Giamatti is one of those wonderful actors, is really a chameleon. And he can play any number of people. So we've seen him a bunch of movies and television shows, but I don't know that I've ever seen Paul Giamatti play, the same character twice. And so he is somebody who can both put you off and yet bring you in at the same time. Dominic Cessa, who plays Angus. This is his first movie. He had been a drama student or in school, in boy school, but, didn't have an agent, didn't have a manager. We had this wonderful casting director, Susan Shopmaker, who decided to go out and find a discovery. And one of the smart places she went was the private boys school's drama department and say, all right, who do you have? Who do you offer up? And that's how Dominic came in. He didn't come in through any orthodox means. It was really from out of nowhere. And I don't know what the number is. She probably saw 600, 700 boys for this part. And Dominic, early on, we said, well, wait a minute. This is somebody to pay attention to. And Alexander put him through the paces. He had him, sort of try out and test a number of times. And finally he tested with Paul, Giamatti. And I think Alexander, Paul, all the rest of us said, no, this is the guy. I think Dominic's a good choice to play this part because he has no tricks. He's a very honest actor. He's playing it as honestly as he can. And consequently, he's completely believable. I never, in looking at the finished film and quite frankly, in all the dailies, I don't see any false moments. I don't see him at some point pretending to be something. He always seems to be that divine. Mark Johnson: Joy Randolph is an actress who's been around for a while. That makes it sound like she's been doing it for years. She's just somebody who is doing features and television right now at, quite a clip. And the interesting thing is she normally plays a comedic character. And not that she's very funny in the holdovers, but I wouldn't describe her character as Mary, lamb, as somebody who's comedic. She actually has quite a, quite amount of sorrow in her. And, is a mother who's gone through a real tragedy. We knew she had the acting chops not just because she'd gone to the Yale School of drama. But as soon as we tested her, it was clear that she knew how to play this character. And, it was great to watch her because as an actress, she discovered who Mary Lamb was. She started at one place and built the character. And you could see her do it. And she ended up with an accent that was quite original to divine, but also quite true to where her character came from. Terry Lipshetz: All right, Bruce. So we had an. Bruce Miller: You know, I got a chance to talk to Alexander Payne and David Hemingson and also some of the, behind the scenes people about this. It's based sort of, on the writer's life, sort of. It was not written by Alexander Payne, just directed by him. And he kind of understood the sensibility of this, but there is a tie. And if you look at this on a shelf, there is a statue that was also in sideways. And so it's one of those little spoiler things. If you look, it's on a shelf in, I believe it's Paul Giamatti's office. And you'll also remember that it was in sideways if you look very carefully. They had one hell of a time trying to find enough blazers that were from the 70s for all the boys in the film. Terry Lipshetz: Double knit only goes so far. Bruce Miller: A big challenge. Yeah, they have a big challenge. And so they look the right way. Yeah. So for them, a lot of them have worked with Alexander Payne for a number of films, and they kind of know his shorthand and what he's looking for, so they can anticipate what a potential problem might be or what might be looming. Wow. Terry Lipshetz: Good stuff. So, yeah, I'm looking forward to this. It wasn't really on my radar until I saw it was probably during the summer. One of the movies I saw at least had a trailer to it. It looked pretty interesting, but I wasn't sure. Is this going to be good? Isn't it? But now that you're singing its praises. Bruce Miller: Watch the ads for it, because the ads are done in 70s style. Terry Lipshetz: Okay. Bruce Miller: See them? It's like, is this an old film that they're just throwing up whenever you see those on TCM? Oh, look at the trailers they used to do for these things. Well, they want it to look like that so it looks like the 70s. So you get that whole vibey feeling. And there's one shot in the film that reminds me. Exactly. Of the graduate. Exactly. And you'll see that shorthand that he uses, and you'll think, yes, I get what you're. Gail. I see it. I understand what's happening here. There's another one I'd like to talk about is called Nyad. Okay. And this is going to be one of those ones that you'll hear the names bandied about for acting prizes. Annette Benning plays Diana Nyad. If you remember her, she was a long distance swimmer who wanted to swim from Cuba to Florida. And, everybody said, oh, you're crazy. You can't do it. You're in your 60s. You're not going to be able to do this. And she was determined that she needed to make her mark, so she got a crew together and tried it and failed. And she tried it again and failed. And she tried it again and failed. And you think after this many times, give up. It's not going to happen. But you see in the film, which will be on Netflix, the kind of drive and fortitude she had and determination, and a lot of that is fueled by her best friend, who serves as kind of the coach, so that she's in the boat while Diana is swimming by the side of the boat, and she's, like, feeding her, giving her any kind of, if she gets sick, if she needs medicine, hydrating her, and then when she starts to kind of wane, she's giving her those pep talks. And, Jodie Foster plays that role, and Jodie is. Where has she been all these years? It's like, let's get back to work. I want to give her that kind of a pep talk because she steals the film right out from underneath. Annette Benning. Fascinating, fascinating partnership. And the film was directed by the people behind Free Solo, if you remember free solo. it was about the mountain climber. Terry Lipshetz: Right. Bruce Miller: Won the Oscar for Best documentary. Yeah. Now, they're trying, the same kind of feel, but with a fictional film or dramatization. Yeah. With actors. And they do take, risks, and they also do take some liberties, with the reality of the Diana Nyad story, but they still are able to capture those beats that you're looking for. It's kind of fascinating to see how they can make swimming really interesting, because when you're just watching somebody swim laps near the side of a boat, are you interested? Do you care? You got to give it to Ned Benning for just being able to do the swimming that you need to do to pretend like you're falling. Diana, Nyad, is not a person that you could hug. I really do not think she's embraceable, even though she has that drive that you see in a lot of athletes. But, boy, Annette Benning captures that aspect really well. You think, why would I work with you? I don't want to do anything with you if you're going to be this kind of obnoxious and mean and kind of self-centered. Terry Lipshetz: Sure. Bruce Miller: And yet it works. And at the end of the film, they do show you actual footage, of her. And, man, she captures her. She's right there. Terry Lipshetz: Now, was this film mostly in the water, then? Bruce Miller: If there's a lot in the water, could it be in a pool? It could have been in a pool, because a lot of the scenes take place at night, and you realize that they had to worry about sharks because she did not want to be in a shark cage. She didn't feel that was bare. But there was a red light that apparently sharks know this for the future, if you need this. Terry Lipshetz: Okay. Bruce Miller: Sharks do not come near red light. They somehow see that as a warning to them. And so this red light kind of helped guide her along where they were going, but it also kept the, sharks away. Terry Lipshetz: Yeah. The most knowledge I have about avoiding sharks comes from the 1960s, Adam west classic Batman, the movie Shark, where he used Bad shark repellent. Bruce Miller: And Jaws. Terry Lipshetz: Yes. Bruce Miller: Jaws taught us so much about sharks. Were you really scared of sharks before Jaws? No, it was just another fish in the ocean. But now they can get a sharknado going like nobody's business. Right? Dominic Sessa: Yeah. Terry Lipshetz: Now, how does this film stack up to a film like Free Solo, which is a documentary? Because I always find it fascinating when you get, like, you take Peter Jackson, for instance, who's known for Lord of the Rings and all these big epics, and then he goes and directs a documentary about the Beatles. Bruce Miller: The thing that was so surprising about free solo was the cinematography. They were up on the mountains with him and the idea that they were able to get some of that stuff. Well, I got to rethink this. If I can't do it with the telephoto lens, I don't think I'm going up there. But I think that was what was so remarkable. Yes. his story, Alex Honnold, I think it is, his story is remarkable, but also remarkable is the idea that people would follow him, shoot his trek, and not get, you know, anytime. Terry Lipshetz: I see those mountain movies like that, whether it's mountain climbing or scaling Everest or going deep into the wilderness, I'm thinking to myself, you know, what if I'm the director of this film, my first hire is a really good second unit director. And you're going to go take care of these? I'm going to just handle. Bruce Miller: Yeah, I'll do from the ground. Terry Lipshetz: We'll be. Bruce Miller: Yeah, I think they do a great job of kind of making you feel that claustrophobia in the water. But because they're not dealing with huge visuals like they were before, that becomes, a different challenge. But you feel like you're in the water with her. So I guess that's the goal. But I don't know, do they want to do this? Is this the goal? Or maybe it was just one of those athlete films that they hadn't tried, and so that was the challenge for them. Terry Lipshetz: Well, it sounds good. It sounds like an interesting one. I'm not sure. I'm going to race out to the theaters to see it. But at the very least, it might be one where as soon as it hits streaming on. Yeah, yeah, absolutely. Anything else of note coming up is, Bruce Miller: Can I tell you what I'm going to tease? What? Maybe we'll talk about next week. Terry Lipshetz: Okay. Bruce Miller: And that's Fargo. Terry Lipshetz: Oh, yes. Bruce Miller: Fargo is coming. And Fargo, we are not holding off with anything, but I'm going to talk to people that you wouldn't necessarily talk to again. We're doing this because we don't have the access to the actors because of the actor strike, which, knock on wood, should be ending soon, we hope. Terry Lipshetz: Please. Bruce Miller: But I'm hoping to talk to the special effects and makeup people and also the costume people and how they are able to pull off, because this has a lot of those special effects that you're going to go, wow, I can't believe it. And it's very home alone, taken to extremes and scary. Okay, so that's next week. Fargo. Alexander Payne: Fargo. Terry Lipshetz: I can't wait. There's the two shows that I've been waiting for the most recently, Fargo. And then also true Detective, which is. Coming back soon on. Bruce Miller: Well, we'll be there, hopefully, and we'll get to talk to real people. Terry Lipshetz: Hopefully. That's all we can hope for. All right, Bruce, thanks again for another great episode. And we will be back again next week. Bruce Miller: Be a holdover next week.See omnystudio.com/listener for privacy information.

Directors Elizabeth Chai Vasarhelyi and Jimmy Chin discusses their new film, Nyad, with fellow Director Lisa Cholodenko in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss the change in their co-directing process having gone from documentary filmmaking to their first feature film, the physical training Actor Annette Benning underwent for the role, and the inspiration behind why they were drawn to tell this story. The film tells the true story of how 60-year-old athlete Diana Nyad, with the help of her best friend and coach, committed herself to achieving her dream of completing a 110-mile swim from Cuba to Florida. See photos and a summary of this event below: https://dga.org/Events/2023/December2023/Nyad_QnA_1023.aspx

With fantastic energy, a rousing Alexandre Desplat score, two incredible central performances, and nifty documentary-esque use of archival footage/audio by the first-time narrative directors Chai Vasarhelyi and Jimmy Chin, Diana Nyad's remarkable story of swimming from Cuba to Florida in her 60s is told. It's the kind of extreme sports, crowd-pleasing, inspirational biopic formula that is focused on the individual more than the accomplishment in a way we love.* Note - full spoilers in effect for entire episode *Follow & SubscribeAaronTwitterFacebookLetterboxdPatrickTwitterAn Original Series Podcast TwitterFeelin' FilmFacebookTwitterWebsiteLetterboxdYouTubeEmail feelinfilm@gmail.comFeelin' Film on Apple PodcastsFeelin' Film on SpotifyFeelin' Film on RepodFeelin' Film on StitcherFeelin' Film on PodchaserNow Playing NetworkJoin the Facebook Discussion GroupJoin the DiscordRate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!Support this podcast at — https://redcircle.com/feelin-film/donationsAdvertising Inquiries: https://redcircle.com/brands

For this week's second podcast review, I am joined by  Dan Bayer & Daniel Howat. Today, we are reviewing the newest film from the Academy Award-winning directing duo Elizabeth Chai Vasarhelyi and Jimmy Chin, "Nyad" starring Annette Bening, Jodie Foster & Rhys Ifans. After their award-winning documentaries "Free Solo" and "The Rescue," the two filmmakers have made their first narrative feature for Netflix, and it carries over many shared themes and elements as the previous stories they've told. What did we think of the story, the performances, the crafts, and how Elizabeth and Jimmy made the transition over to narrative feature filmmaking? Please tune in as we discuss these talking points, the film's awards potential, and more in our SPOILER-FILLED review. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Kristine Tompkins is the former CEO of Patagonia and the co-founder and president of Tompkins Conservation. Recently profiled by the prolific Academy-award winning duo Jimmy Chin and Elizabeth Chai Versalyi in the National Geographic documentary Wild Life, Kris's daring, adventurous, bold endeavors with her husband Doug Tompkins continue to create ripples of lasting change. After serving as the CEO of Patagonia for 20 years, she uprooted her life and moved to Chile for her love of Doug and the wild landscape of Patagonia. They set out on a journey of creating and expanding 15 national parks and two marine parks in Argentina and Chile, and are celebrated as two of the most successful national park philanthropists today. After Doug tragically passed away in 2015, Kris has carried on his legacy through entrepreneurial, heart-driven activism. On today's episode, Kris details the daunting undertaking of creating and expanding national parks in Chile and Argentina, explains her remarkable rewilding efforts, and gives a glimpse of what it was like to have a film made about her life. She reveals how she became the CEO of Patagonia, and paints a moving picture of life in Chile. Kris and Melissa also explore the concept of nature-based tourism, the power of traveling to national parks for both the individual and the world, and the motivations for moving forward during harsh times. In this raw, informative and inspiring interview, Kris reminds us all of why we have an underlying longing for something wild. Tune in to learn the national parks she recommends visiting, discover her favorite outdoor activities, and listen to her advice for leading an extraordinary life. Melissa also shares a round-up of the top hotels Indagare members are booking in 2023. For more information about Kristine Tompkins and her philanthropy work with Tompkins Conservation, visit www.tompkinsconservation.org. To follow Kris, her conservation efforts, and the latest adventures of the wild, check out @kristine_tompkins and @tompkins_conservation on Instagram. Wild Life, the National Geographic documentary starring Kris and Doug Tompkins, is available to stream on Huluand Disney+. To explore all Patagonia has to offer, check out our destination guides on Indagare.com. If you're an Indagare member, reach out to your trip designer for more details. 

The Oscar-winning directors of Free Solo had followed some of the most elite athletes in the world into some of the most forbidding climates imaginable — but they still found brand new challenges on their first narrative feature film, Nyad. Luckily, they had Annette Bening, Jodie Foster, and Rhys Ifans on their side. Follow us on Twitter and Instagram @vfawardsinsider Email us at littlegoldmen@vf.com Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97  Our editor and producer is Brett Fuchs. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Nyad" had its world premiere at the Telluride Film Festival, where it received positive notices for its performances from Annette Bening and Jodie Foster, makeup, film editing, and inspirational telling of an unbelievable true story. The film marks the first time Academy Award-winning filmmaking duo Jimmy Chin & Elizabeth Chai Vasarhelyi ("Free Solo" and "The Rescue") have decided to tell a story as a narrative feature rather than a documentary. The two of them were kind enough to spend some time talking with us about their work on the film, which you can listen to below. Please be sure to check out the film, which is now playing in limited release and will be available to stream on Netflix on November 3rd. Thank you, and enjoy! Check out more on NextBestPicture.com For more about Regal Unlimited and the Slasher Sale - https://regmovies.onelink.me/4207629222/bjs99t0x New subscribers can use code REGALNBP23 for 10% off of Regal Unlimited for the first 3 months Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

(NOTAS Y ENLACES DEL CAPÍTULO: https://www.jaimerodriguezdesantiago.com/kaizen/175-el-miedo-lecciones-de-un-hombre-cabra/)A sus 31 años, el 3 de junio de 2017, Alex Honnold cometió una locura. Al menos, lo que para muchos de nosotros sería una locura. Lo que para casi todas las personas de este planeta sería una locura. A las 5 y 32 de la mañana, Alex se plantó a los pies de El Capitán, una montaña de granito con una pared vertical de 914 m de altura que se encuentra en el parque nacional de Yosemite, en California, Estados Unidos. Y decidió escalarla. Hasta ahí nada demasiado extraño, esa pared es uno de los desafíos preferidos para escaladores de todo el mundo, que normalmente tardan unos cuatro días en completar el recorrido, con su habitual coreografía de cuerdas, mosquetones y arneses que al común de los mortales nos suele parecer bastante arriesgada. Bueno, pues aquella mañana, Alex Honnold decidió hacer esa misma ascensión, esos mismos 914 m verticales… sin cuerdas. Él solo, con sus pies de gato y una bolsita de magnesio. Ole. El ascenso lo grabó otro escalador, Jimmy Chin, y les valió a ambos el Óscar al mejor documental en 2019. Las imágenes dan escalofríos. Ver a alguien tan expuesto, enganchado con sus manos a una grieta en la roca a cientos de metros del suelo es sobrecogedor. Pero, 3 horas y 56 minutos después, llegó a la cima. Sonriente, con sus pies de gato y su bolsita de magnesio en la mano. Para entonces, Alex Honnold ya era famoso. Tanto que en Estados Unidos, con esa facilidad que tienen para inventarse verbos, había inspirado uno nuevo: “to honnold”, que sería algo así como la acción de situarse en algún lugar alto y de agarre precario, con tu espalda pegada al muro y mirando al abismo. Mirando, cara a cara, al miedo. Ese verbo nació de una fotografía que le hicieron en el año 2008, también en en el Parque Nacional de Yosemite, de pie en un saliente de apenas 40 cm de profundidad y a unos 550 metros de altura, contemplando la caída que había a sus pies. Como una cabra, en todos los sentidos posibles. Durante décadas la psicología ha estudiado a los «buscadores de sensaciones». Así llaman a aquellas personas que se sienten atraídas por experiencias intensas y que son capaces de asumir riesgos para sentirlas. Se estudian, entre otros motivos, porque con frecuencia se traducen en comportamientos descontrolados, como adicciones al alcohol o al juego. Obviamente, las hazañas de Honnold llamaron la atención de algunos de esos científicos, que vieron en él una oportunidad única para estudiar a un súper buscador de sensaciones. Alguien capaz de alcanzar los límites más extremos del riesgo, pero manteniendo el control en todo momento. Querían saber cómo era el cerebro de alguien que parecía no sentir miedo. Su hipótesis era que su amígdala cerebral, la parte del cerebro encargada de procesar y almacenar nuestras reacciones emocionales, no funcionaba. Y algo de eso sucedía. Tras distintos experimentos, los escáneres cerebrales de Honnold mostraron que su amígdala no se activaba. No encontraron actividad alguna en la región del cerebro responsable del miedo. Nada. Incluso comparado con otros escaladores, su cerebro parece ser diferente. A Alex, todo esto de que su cerebro es distinto le irrita. Dice que ha pasado mucho miedo en sus escaladas. A lo largo de los años, le ha sucedido de todo: se han desprendido las piedras a las que se agarraba, se le han resbalado los pies, se ha perdido en mitad de la montaña o le han sorprendido pájaros y otros animales. Si responde distinto a los demás al miedo, dice, es porque ha pasado décadas entrenándose para dominarlo. Pero… ¿cómo se aprende a dominar el miedo?

Backpacker, adventure racer, and long distance endurance bike racer, Justin "Swift" Smith drops in from Santa Cruz, CA, to talk some serious adventure with Doc. Fresh off the Tour Divide, the former junior high school science teacher discusses how he's lived on the edge of discomfort in thru hiking, bike touring, endurance bike racing, adventure racing, and Iron Man triathlons, to name just a few. Settle in and hear about tiny home living, poop truck hitches, rabbit holes of all types, loss and hardship, thrifting in New Zealand, Jimmy Chin, Freebies and Foamies, varying widths of merino layers, dot watching, and hallucinations. Epic. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the point at which this episode is published, Matt is on an expedition in Alaska directing a film for National Geographic. Instead of taking a break from weekly releases, we thought we'd share some of his favourite episodes from early on in the life of the podcast.Episode 153 of The Adventure Podcast is From The Archives, and was originally released in April 2019. It features one of the world's most accomplished mountaineers, Conrad Anker. When Matt first decided to start a podcast, he wrote five names down on a piece of paper as ‘end game' guests, and Conrad was the first to be ticked off. There is much to be said about Conrad, but he is perhaps best known for his truly epic ascent of Meru with Jimmy Chin and Renan Ozturk. Only two days before recording this episode, three of Conrad's friends and mentees were tragically killed in an avalanche in the Canadian Rockies. In this episode, Conrad reflects honestly, openly and at points heartbreakingly, on a life in the mountains which provides him with untold joy and a sense of identity, whilst also struggling with survivor guilt and the death of friends that has happened ‘far too many times'.Support this show http://supporter.acast.com/the-adventure-podcast. Hosted on Acast. See acast.com/privacy for more information.

You say yes, of course. But what about those other wild opportunities that you're not so sure about? In this episode, we talk to athletes and adventurers about how accepting an invitation led them to life-changing experiences. Jimmy Chin was an unknown dirtbag climber when Chouinard welcomed him into his California home and then took him surfing at a legendary break. Conrad Anker was an up-and-coming alpinist when he got a chance to represent the U.S. in a competition in Kyrgyzstan. Timmy O'Neill was an emerging mountain athlete when he was asked to join an expedition that would conduct cataract surgeries in a remote area of Ethiopia. What they and our other guests all agree on: they wouldn't be who they are today if they hadn't dared to go for it. This episode of the Outside Podcast is brought to you by Vans, makers of the ultimate summer shoe, the Vans UltraRange. With max cushioning for all-day wear, precision support for easy movement, and breathable mesh to keep you cool, the new UltraRange Neo VR3 is ultrafitted for ultra comfort. Learn more here.

DISCLAIMER: This episode was recorded on June 22nd, prior to the SAG Strike. In this episode, Jen and Dyana talk with Champion Swimmer, Author, Public Speaker, and National Icon, Diana Nyad.  On September 2, 2013, at the age of sixty-four, Diana Nyad became the first person to swim from Cuba to Florida without the aid of a shark cage, swimming 111 miles in fifty-three hours from Havana to Key West. In the 1970s, she became known as the world's greatest long-distance swimmer with her open-water achievements, including a record-breaking swim around Manhattan. For the next thirty years, Nyad was a prominent sports broadcaster and journalist. She is the author of her memoir, Find a Way, and three other books, and later this year a film will be released starring Annette Bening and Jodie Foster directed by Jimmy Chin and Elizabeth Chai Vasarhelyi spotlighting Diana's complex, wild, and incredible life story. Connect with Diana - Website  - www.diananyad.comEverWalk - www.everwalk.comInstagram - www.instagram.com/diananyadWhere to find and support Bush & Banter: Follow Bush & Banter on Instagram: @bushandbanter Visit Bush & Banter's website: www.bushandbanter.com Join Bush & Banter's Patreon community: patreon.com/bushandbanter E-mail Bush & Banter: bushandbanter@gmail.com Follow Dyana on Instagram: @dyanacarmella Follow Jennifer on Instagram: @thewhimsicalwoman

“The ordinary traveler, who never goes off the beaten route and who on this beaten route is carried by others, without himself doing anything or risking anything, does not need to show much more initiative and intelligence than an express package." Welcome back to another episode of Made You Think! In this episode, we're discussing The River of Doubt by Candace Millard, a story that follows the expedition of Theodore Roosevelt as he explores the Amazon river in Brazil. Though faced with many hardships along the way, Roosevelt finds purpose in this monumental journey after losing the 1912 election. We cover a wide range of topics including: The explorer spirit and the drive to explore the unknown Theories of how long humans have been in the Americas How the crew was able to form relationships with uncontacted tribes The progression of travel methods in comparison to the early 1900s What were in the cards for Roosevelt and Rondon after they returned And much more. Please enjoy, and make sure to follow Nat, Neil, and Adil on Twitter and share your thoughts on the episode. Links from the Episode: Mentioned in the Show: The Amazon Rainforest may have been shaped by humans (22:35) Reliving Shackleton's Epic Endurance Expedition (27:41) Kayaking from California to Hawaii (29:00)  Joe Rogan with Dan Flores (31:19) Affirmative Action ruling (36:42) 14 Peaks (52:32) The Alpinist (55:34) Meru (56:40) Candiru fish (1:02:27) Concorde's New York to London flight (1:17:44) United goes Supersonic (1:19:05) Adventure Capitalist (1:21:04) Books Mentioned: The River of Doubt The Comfort Crisis (6:26) Coyote America (31:22) What Your Food Ate (32:57) The Creative Act (1:19:47) People Mentioned: Cândido Rondon (13:54) Graham Hancock (25:48) Dan Flores (31:20) Jimmy Chin (58:03) Henry Hudson (1:12:34) Show Topics: (1:09) In this episode, we're talking about The River of Doubt. After losing the 1912 election, Roosevelt traveled to Brazil to explore the Amazon river, which was largely unknown at that time.  (4:17) The explorer spirit and the urge to explore something that people haven't seen before. While there's not much else for us to discover for the first time on earth, there are still many unique things to go see that only few have. (8:52) Roosevelt and the crew seemed to underestimate what they were getting into, and though underprepared, it ended up being an overall success.  (14:21) We talk a bit more about Rondon and his backstory, as well as what life looked like for him after the expedition. He had contact with tribes that were otherwise cut off from the rest of the world.  (18:26) The relationships with the tribes they came across and how the tribe leaders had to mutually agree before a course of action was taken on Roosevelt's crew. At the time, it was not known that the tribe they had contacted were cannabalists.  (22:37) There's a theory that the Amazon is man-made or at least man-influenced. While there's evidence of humans in the Amazon from at least 13,000 years ago, how long have humans really been in the Americas?  (27:50) Seafaring canoes and the possibility of natives reaching new land via canoe tens of thousands of years ago. It's also a mystery how many journeys have failed throughout time, as there is likely no record of their expedition at all. (31:29) The drive to explore is in our DNA. Do we feel that need for evolutionary purposes?  (37:40) We talk about the description of the surgery on Roosevelt's leg during the journey and the backstory behind it. (42:07) Sickness and the prevalence of malaria during the trip. We give some stats on the fatalities of malaria, and the lethality is less than we expected.  (44:19) Roosevelt brought his son, Kermit. Though Kermit didn't want to go, he went so he can watch out for his dad. Back in this time, going on a trip for months or even years meant you wouldn't have any contact with people back home for that whole span. (48:55) Stories of Roosevelt when he was visited by ambassadors in the White House, and other humorous presidential stories.  (52:32) There have been several amazing stories and documentaries describing the journies of different adventurists and mountain climbers. It goes to show just how important pacing yourself is and knowing how to pack the appropriate supplies.  (1:00:51) Why the crew hardly saw any wild life during their time in the Amazon. Though you're surrounded by them, they're extremely hidden. (1:05:58) Rondon's leadership along the way and how he managed to keep order, despite one of the crew members causing trouble.  (1:14:19) When we think about Roosevelt's journey and compare it to today, we see how far we've come. We can now reach the other side of the world at much quicker speeds and have the potential of seeing more growth in this area during our lifetime, too.  (1:19:53) Stay tuned for our next episode... Episode 100 of Made You Think! What has been your favorite episode so far? Let us know! If you enjoyed this episode, let us know by leaving a review on iTunes and tell a friend. As always, let us know if you have any book recommendations! You can say hi to us on Twitter @TheRealNeilS, @adilmajid, @nateliason and share your thoughts on this episode. You can now support Made You Think using the Value-for-Value feature of Podcasting 2.0. This means you can directly tip the co-hosts in BTC with minimal transaction fees. To get started, simply download a podcast app (like Fountain or Breez) that supports Value-for-Value and send some BTC to your in-app wallet. You can then use that to support shows who have opted-in, including Made You Think! We'll be going with this direct support model moving forward, rather than ads. Thanks for listening. See you next time!

The quest for a lifelong mentor can be as tough a mountain to climb as, you know, a really big mountain. If you are Oscar®-winning filmmaker and world-class climber Jimmy Chin, not only do mountains and mentors play a huge role in your life, but, in the case of Jimmy and his Oscar-winning creative/life partner Chai Vasarhelyi, they are also at the center of their fascinating and deeply personal new documentary “Wild Life”.   Jimmy and Chai make a return visit to Top Docs (“The Rescue”) to share stories about the making of “Wild Life”, which focuses on a tight knit group of trailblazing mountain climbers and entrepreneurs, including the indomitable Kris Tompkins. When Kris' husband, the larger-than-life Doug Tompkins (co-founder of North Face and Espirit) dies suddenly in a kayaking accident, Kris (former CEO of Patagonia) overcomes her grief to carry the torch of the couples' unprecedented efforts to turn the largest private land donation in history into the creation of massive national parks in Chile and Argentina. Join us for this heartfelt conversation in which Chai and Jimmy describe what it took for Kris to make these conservation dreams a reality, as well as the filmmakers' own formidable challenges in doing justice to their friends' extraordinary lives.   “Wild Life” is currently streaming on Disney+ and Hulu.   Follow: @jimmychin and @chaivasarhelyi on Instagram and @jimkchin on twitter @topdocspod on Instagram and twitter   The Presenting Sponsor of "Top Docs" is Netflix.

Jimmy Chin and Elizabeth Chai Vasarhelyi's new film, ‘Wild Life,' captures the saga of Doug and Kristine Tompkins, whose devotion to conservation and each other led to the creation of extraordinary national parks in Chile and Argentina. For Chin, the origins of the documentary go back more than 20 years, when he was first welcomed into a group of climbers who were friends of the Tompkinses, including Rick Ridgeway and Patagonia founder Yvon Chouinard. Eventually, Chin met the Tompkinses and learned about their ambitious vision for conserving millions of acres. In this episode, Chin talks about the incredible journey behind the making of ‘Wild Life,' and Kristine shares her experience of opening up in front of the cameras and where Tompkins Conservation goes from here.

“Wild Life” directors Jimmy Chin and his wife Chai Vasarhelyi discuss mortality, making the film, and its uncanny parallels with their own lives.  Plus, guest host Matt Belloni of Puck News speaks with Lucas Shaw, head of entertainment at Bloomberg, about the stakes for streamers and striking writers at the 2023 Upfronts in New York this week.

Larry Mantle and LAist film critics Christy Lemire and Lael Loewenstein review this weekend's new movie releases in theaters, streaming, and on demand platforms. FilmWeek: ‘Beau Is Afraid,' ‘Judy Blume Forever,' and ‘Chevalier'  “Beau Is Afraid” Wide Release  “Judy Blume Forever” Laemmle Royal [West LA] “Chevalier: Wide Release. Available on VOD platforms  “Joyland” Landmark Nuart Theater[West LA]   “Guy Ritchie's The Covenant” Wide Release  “Carmen” Laemmle Royal [West LA]  “Wild Life” Laemmle Monica Film Center [Santa Monica] and Cinemark [Ventura] “Little Richard: I am Everything” Streaming On Demand “Ghosted” Streaming on Apple TV+  “Flashdance” 40th Anniversary In Select Theaters   John Horn's Interview about WILD LIFE “On any scorecard, nature is losing.” Those are the words of conservationist Kris Tompkins, the subject of the new climate change documentary Wild Life. Along with the founder of Patagonia clothing line, Yvon Chouinard, they teams up with filmmaking couple Chai Vasarhelyi and Jimmy Chin in creating a new climate change documentary Wild Life. LAist arts and entertainment reporter John Horn spoke with Kris Tompkins and Chai Vasarhelyi about ecological colonialism, the importance of corporate environmental responsibilities and more. 

Vous avez prévu de courir trente minutes avec un·e ami·e ce matin. Vous courez trente minutes et vous vous arrêtez, tandis que votre partenaire de course décide de repartir pour une heure supplémentaire. Il pleut, c'est le week-end et en rentrant chez vous pour faire la sieste, vous vous demandez : de quoi est faite cette personne qui semble ne jamais avoir la flemme ? Qui sont celles et ceux qui se fixent constamment des objectifs ? Comment ces personnes alimentent-elles leur moteur intérieur ? Et est-il toujours souhaitable de repousser ses limites ? Pour répondre à ces questions, la journaliste Marion Bothorel rencontre Johan, un triathlète de 27 ans qui s'est relevé d'une blessure de manière spectaculaire et Dorith, que la spirale de la compétition au travail a mené à devenir meilleure vendeuse de France. Elle échange avec Jérôme Laurin, enseignant-chercheur en physiologie de l'exercice et neurosciences à la faculté des sciences du sport de l'Université d'Aix-Marseille, ainsi qu'avec la chercheuse et spécialiste du travail, Marie-Claire Villeval. Pour aller plus loin : Le documentaire “Meru”, réalisé par Jimmy Chin et sorti en 2018L'ouvrage “Haro sur la compétition” d'Hugues Bersini, paru en 2010, édition PufLe livre "L'économie comportementale du marché du travail" de Marie-Claire Villeval, paru en 2016, édition Presses de Sciences PoL'étude "Psychopathologie et sport de haut niveau" de M Salmi, Capucine Pichard et Eric Jousselin publiée en 2010 dans la revue Sciences & SportsMarion Bothorel a écrit, tourné et monté cet épisode. Clémence Reliat était à la réalisation sonore. Lena Coutrot est la productrice d'Émotions, accompagnée d'Elsa Berthault. Nicolas de Gélis a composé la musique du générique d'Émotions, et il a été réalisé par Anna Buy. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

For many of us, social media is the portal into the lives of outdoor photographers and filmmakers. We see the images and the films they create, but it can be a bit of a mystery for how it all works behind the lens. Today we talk to climbers Colette McInerney and Austin Siadak, both photographers and filmmakers who have worked on many different outdoor film projects, to get a glimpse of what it takes to create incredible outdoor stories.  Films and photographers mentioned in this episode: Pretty Strong by Never Not Collective The Alpinist with Marc-Andre Leclerc Mikey Schaefer Meru by Jimmy Chin and Renan Ozturk