Podcasts about Howards End

We're joined again today by Alice and Kim from Fetch the Smelling Salts (@fetchsmellingsalts) to discuss the second part of the 1995 adaptation of Persuasion starring Amanda Root and Ciarán Hinds. Today's episode covers the film from Wentworth's introduction through the introduction of the Dowager Viscountess Lady Dalrymple and Baby Dalrymple.Topics discussed include teeth brushing in the Regency Era, how casting can influence storytelling, blond boys, British faces, naturalistic dialogue, the Henrietta/Henry storyline shift, the lack of gays in Persuasion, the back touch, winter beaches.Glossary of People, Places, and Things: Aberforth Dumbledore, Star Wars: Episode II, terrace houses, All Creatures Great and Small, Howards End, Samuel West, Notting Hill, The Sound of MusicFor more of Alice and Kim discussing period dramas, check out Fetch the Smelling Salts (@fetchsmellingsalts). To hear about what kind of sex Austen's characters are having, check out Austen After Dark (@austenafterdark), coming later this year!Next Episode: Persuasion (1995) Part 3Teepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

In this episode, we welcome three-time Oscar-Winning Costume Designer Jenny Beaven. Jenny has brought her talents to films including A Room with a View, Howards End, Swing Kids, The Remains of the Day, Sense and Sensibility, Jane Eyre, Gosford Park, The Gathering Storm, Alexander, Defiance, Sherlock Holmes, The King's Speech, Mad Max: Fury Road, Cruella, and Furiosa: A Mad Max Saga. In our chat, she shares about her upbringing, path into costume design, and her experiences working on a variety of award-winning films. In addition, Jenny reveals many of her influences — and offers advice for up-and-coming Costume Designers today. “The Making Of” is presented by AJA:How Cromorama solves HDR production challenges with AJA ColorBoxCromorama is transforming HDR workflows for live production across the globe, using AJA ColorBox and its integrated ORION-CONVERT pipeline to power SDR/HDR transforms, quality control checks, and more for high-stakes productions like the UEFA EURO 2024 Championship. Find out how in this interview with Cromorama CEO and CTO Pablo Garcia hereIgelkott Studios: Redefining Driving PlatesSay goodbye to the limitations of array rig plates. Igelkott's precision-crafted single-lens driving plates deliver perfect parallax, seamless stitching, and true-to-life depth—no mismatched angles or post headaches. The choice of top filmmakers for flawless in-camera realism. Experience the future of driving plates at www.igelkottplates.comExplore the OWC Jellyfish Nomad:Discover how the OWC Jellyfish Nomad turned a desolate location in the Utah Salt Flats into a fully equipped, mobile production studio. This compact, powerful device allows video professionals to manage, share, and collaborate on high-resolution projects in remote environments. Click through to see how you can streamline your workflow, no matter where your next shoot takes you! Read hereIntroducing Atomos Sun Dragon: A Rope Light Made for Filmmakers.The world's first full sun-spectrum rope light, Sun Dragon offers creatives more options. It's uniquely flexible, so it fits into places other lights can't. You can wrap it around objects for creative highlighting and special, colour-controllable effects including dramatic underlighting. The world's first sun spectrum, HDR, waterproof, DMX controlled, 2000 lumen 5-color LED, mount-anywhere, lightweight flexible production and cinema rope light.Learn more hereCSS Music Presents Your 1-Stop Source for Royalty Free Music:Unlimited Uses In Unlimited Productions — 8 Power Searches including 2 AI applications, Pay As You Go pricing or choose from 2 subscription plans with rollover feature, a Playlist Tool, and E-Z Cue Sheet App.Browse here or call 1.800.468.6874ZEISS Introduces the Otus ML:The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.Learn more herePodcast Rewind:March 2025 - Ep. 70…“The Making Of” is published by Michael Valinsky.To advertise your products or services to 130K filmmakers, video pros, TV, broadcast, live event production pros, & photographers reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

«L'herència (The Inheritance)», de Matthew López. Inspirat en la novel·la «Howards End», d’E. M. Forster. Traducció de l'anglès: Joan Sellent. Intèrprets: Dafnis Balduz, Ricard Boyle, Francesc Cuéllar, Carlos Cuevas, Abel Folk, Eudald Font, Víctor G. Casademunt, Teresa Lozano, Lluís Marquès, Carles Martínez, Albert Salazar, Marc Soler, Ferran Vilajosana. Escenografia: Lluc Castells. Vestuari: Nídia Tusal. Caracterització: Toni Santos. Il·luminació: Ignasi Camprodon. So: Joan Camprodon. Música original: Iñaki Salvador. Ajudanta d'escenografia: Mercè Lucchetti. Ajudanta de vestuari: Marta Pell. Construcció d'escenografia: Taller d'Escenografia Castells, Pablo Paz i el taller del Teatre Lliure. Confecció de vestuari: Sastreria Baseiria i Consol Díaz vestuari escènic. I els equips del Teatre Lliure. Agraïments: Casal Lambda, BCNCheckpoint, Panteres Grogues, El ram de l'aigua, BeSocialGay, Barcelona Gay Men's Chorus, Los hijos de Lilith, Cia. GaLu i Dr. Martens. Producció: Teatre Lliure. Ajudant de direcció: Esteve Gorina i Andreu. Direcció: Josep Maria Mestres. Sala Fabià Puigserver, Teatre Lliure Montjuïc, Barcelona, 23 febrer 2025. Veu: Andreu Sotorra. Música: L'herència. Interpretació: Joan Camprodon. Composició Joan Camprodon. Àlbum: L'herència, 2025.

Simon Callow is a critically acclaimed actor, director, author and star of classic movies such as Room with a View, Shakespeare in Love and Howards End. However, it's his part as Gareth in Four Weddings and a Funeral that many took to their hearts. Callow's failures include a childhood rejection that still haunts him, a play he directed which was savaged by the critics, painting and how he was ‘very annoyed' not to get the movie part of Amadeus despite having played it on stage. Do you have something to share of your own? Click here to get in touch: howtofailpod.com Production & Post Production Coordinator: Eric Ryan Studio and Mix Engineer: Matias Torres Sole and Gulliver Tickell Senior Producer: Selina Ream Executive Producer: Carly Maile Head of Marketing: Kieran Lancini How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Wayne Sleep, Ben Miller, Rosalind Eleazar and Lou Conran join Stuart Maconie for this week's Loose Ends, with music from The Lottery Winners.Dance icon Wayne Sleep waltzes in to tell us stories of his life - all detailed in his new autobiography, Just Different. Tales of his friendships with Princess Diana, Freddie Mercury, David Hockney and fellow ballet legend Rudolph Nureyev intermingle with insights into his working-class upbringing and the difficulties of trying to make it as the shortest principal dancer ever to get into the Royal Ballet. Told he would always have to spin twice as fast and jump twice as high to succeed, Stuart hears all about the trials, tribulations and backstage gossip that make up Wayne's world. With notable appearances in Slow Horses, Howards End, Rellik and the Personal History Of David Copperfield, as well as striding such prestigious stages as the Royal Court and the National Theatre, Rosalind Eleazar is set to return to the small screen this New Year. Starring in the Netflix production of Harlan Coben's Missing You, filmed across the north west of England, she's here to tell us all about her new role as Detective Kat Donovan. Award-winning comedian and writer Lou Conran has been storming stages up and down the country since 2005 with her innate brand of sharp wit and honest and open humour. 2025 will see her twenty year anniversary as a performer and off the back of a sold out UK tour, she's about to embark on a tour of New Zealand, and joins Stuart to tell us about the year ahead. The actor and comedian Ben Miller is of course known for The Armstrong & Miller Show, the Johnny English and Paddington films, Death in Paradise, Bridgerton - but over recent years has turned his hand to writing children's books. From his Elf series to the recent The Night I Met Father Christmas, he joins Stuart to talk about his new character – Robin Hood…aged 10¾. And we'll hear all about his new TV series Austin which will be on our screens in 2025. Robbie Williams, Noel Gallagher, Boy George, Shaun Ryder and Frank Turner are just some of the huge names The Lottery Winners have in their phonebook. Formed in the mining town of Leigh 15 years ago, The Lottery Winners set out to work the UK gig circuit and perfect their now acclaimed stagecraft. And it all paid off when their last album went to No.1 in the UK. Their fourth original album KOKO is due out in February with a tour closely following…and another one with Robbie Williams following that! They join Loose Ends to play two songs - Superpower and Worry. Presenter: Stuart Maconie Producer: Elizabeth Foster Production Co-ordinator: Lydia Depledge-Miller

As the summer ends with a bit of a whimper, Erik Childress and Steve Prokopy delve into eight films and try to find something worth your time. The director of Backcountry goes back into the woods with Missy Peregrym to face a different threat (Out Come the Wolves) while the filmmakers behind Howards End and The Remains of the Day get a documentary in their honor (Merchant Ivory). Tyrese Gibson gets caught up in a heist during the Rodney King riots (1992) and Lee Daniels takes Andra Day through an exorcism (The Deliverance). Naomie Harris and Natalie Dormer plot a murder (The Wasp) and Casey Affleck tries to keep his sanity in space (Slingshot). Finally, John Cho discovers a new AI is dangerous (AfrAId) and Dennis Quaid and the director of 3 Ninjas: High Noon At Mega Mountain give Republicans a greatest hits tale about their God (Reagan). 0:00 - Intro 1:18 - Out Come the Wolves 13:10 - Merchant Ivory 21:01 - 1992 32:49 – The Deliverance 43:06 – The Wasp 54:05 - Slingshot 1:07:20 - Afraid 1:16:53 – Reagan 1:34:27 - Outro

In a future where human contact is almost eliminated by The Machine, Vashti's tranquil, isolated life is interrupted by a plea from her son, to experience the world outside the Machine's influence. As Vashti struggles to understand his desire to see the stars from the Earth's surface, a profound disconnect between their realities begins to emerge. The Machine Stops by E. M. Forster, that's next on The Lost Sci-Fi Podcast.Our latest 5 star review is from MaddzW via Apple Podcasts, Great Britain, “ Obsessed! My go to podcast! I enjoy the journey of discovering these stories, authors, and their backgrounds. With gripping narration and an incredible voice, I thank you for my new nightly tales!” Thank you MaddzW we appreciate your review and we are proud that our podcast is your obsession! If you haven't already left us a 5 star review on Apple Podcasts we hope you will and if you listen on Spotify could you please leave a 5 star rating? if you think we deserve it of course. Edward Morgan Forster, born in 1879, was a renowned English author celebrated for his novels A Room with a View, Howards End, and A Passage to India. His works have been adapted into well-known films, A Room with a View, which featured Maggie Smith and Helena Bonham Carter, and Howards End, starring Anthony Hopkins and Emma Thompson.Science Fiction fans will perhaps remember him forever for the amazing story you are about to hear. It was the most requested story we had never narrated until today. First published in 1909 this dystopian short story explores a future society where humanity lives underground, entirely dependent on a vast, all-encompassing machine that provides for their every need, The Machine Stops by E. M. Forster…Next on The Lost Sci-Fi Podcast, Ever done anything for no particular reason at all ? Ever feel as if you were arguing with yourself? Do you sometimes get the feeling that you're really two people who are at odds over the basic rights and wrongs of life?. . . The Parasite by Arthur C. Clarke☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsVYouTube - https://www.youtube.com/@VintageSciFiAudiobooksFacebook - https://www.facebook.com/TheLostSciFiPodcastTwitter - https://twitter.com/lost_sci_fi=========================== ❤️ ❤️ Thanks to All Our Listeners Who Bought Us a Coffee$200 Someone$75 James Van Maanenberg$50 Anonymous Listener$25 Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Tif Love, Chrystene, Richard Hoffman, Anonymous Listener Hosted on Acast. See acast.com/privacy for more information.

Edward Morgan Forster (Londres, 1879 - Coventry, 1970). Es el autor de 'Donde los ángeles no se aventuran', 'El más largo viaje', 'Howards End', 'Pasaje a la india' y 'Maurice', que fue escrita en 1914 pero publicada póstumamente en 1971, por expreso deseo del autor. 

Today on The Literary Life Podcast, Angelina Stanford and Thomas Banks are joined by Atlee Northmore to explore the various screen adaptations based on Howards End by E. M. Forster. They begin the discussion with the question of what is the good of translating one art form, in this case a book, into another art form, such as a screen play. They talk about the beauty of the Merchant Ivory film adaptation, while critiquing the casting and chemistry of the cast, sharing their favorite and least favorite scenes. In contrast, they praise the BBC-Starz series for its excellent adaptation, although it missed some important things that the 1992 film did include. Atlee also highlights some of the ways in which the screen adaptations serve as subtle visual cues for ideas from the story. In the end, Angelina, Thomas, and Atlee share thoughts on enjoying a film as a stand-alone work of art versus judging it as an adaptation of a novel. There are still spots open in many of the classes at House of Humane Letters, so if you or your student are interested in taking something, head over to houseofhumaneletters.com to register today! We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” You can visit the HHL Facebook page or Instagram to find the post to share and enter our giveaway for a $20 discount code! During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. Commonplace Quotes: Every poet, in his kind, is bit by him that comes behind. Jonathan Swift, from “Critics” Narrative prose, especially the novel, has taken, in modern societies, the place occupied by the recitation of myths and fairy tales in traditional and popular societies. Furthermore, the ‘mythic' structure of certain modern novels can be discerned, demonstrating the literary survival of major mythological themes and characters. Mircea Eliade Now, doesn't it seem absurd to you? What is the good of the ear if it tells you the same as the eye? Helen's one aim is to translate tunes into the language of painting and pictures into the language of music. It's very ingenious, and she says several pretty things in the process, but what's gained, I'd like to know? E. M. Forster, from Howards End Cargoes By John Masefield Quinquireme of Nineveh from distant Ophir, Rowing home to haven in sunny Palestine, With a cargo of ivory, And apes and peacocks, Sandalwood, cedarwood, and sweet white wine. Stately Spanish galleon coming from the Isthmus, Dipping through the tropics by the palm-green shores, With a cargo of diamonds, Emeralds, amythysts, Topazes, and cinnamon, and gold moidores. Dirty British coaster with a salt-caked smoke stack, Butting through the channel in the mad March days, With a cargo of Tyne coal, Road-rails, pig-lead, Firewood, iron-ware, and cheap tin trays. Book and Link List: From Pharos from Pharillon by E. M. Forster Howards End (1992) Howards End (BBC-Starz) Howards End Episode 1 The Remains of the Day The English Patient Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Welcome to The Literary Life Podcast and the final episode in our our series on Howards End by E. M. Forster. Today Angelina and Thomas seek to sum up the book and wrap up their thoughts on the way Forster weaves this story. The open with some comments on the almost allegorical nature of Howards End, then talk about the words “only connect” and their meaning in the context of the book. They discuss the problem of Helen and Leonard's relationship and the romance of pity. Other topics of the conversation are the crisis point between Mr. Wilcox and Margaret, the contrast between Charles and Tibby, the fate of Leonard Bast, and the future of Howards End. We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. Commonplace Quotes: Life without dragons would be tame indeed. Desmond MacCarthy, “The Poetry of Chesterton” Howards End is a novel of extraordinary ambition and wide scope. Written in prose with the texture of restrained poetry, it is consummately controlled and sure of purpose. It is Forster's most complexly orchestrated work to its date, and it smoothly manipulates imagery and symbolism, plot and character, into an organic whole. In so doing, it gracefully integrates social comedy, metaphysical explorations, and political concerns. Howards End tests Forster's liberal humanism, finds it wanting, and proposes a marriage of liberal values to conservative tradition. Without destroying the practical contributions of progressivism, it forcefully attacks the mindless materialism that yields rootlessness and spiritual poverty. Claude J. Summers, from E. M. Forster Finis By Marjorie Pickthall Give me a few more hours to pass With the mellow flower of the elm-bough falling, And then no more than the lonely grass And the birds calling. Give me a few more days to keep With a little love and a little sorrow, And then the dawn in the skies of sleep And a clear to-morrow. Give me a few more years to fill With a little work and a little lending, And then the night on a starry hill And the road's ending. Book List: Jayber Crow by Wendell Berry Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Welcome back to The Literary Life Podcast and our series discussing Howards End by E. M. Forster. This week Angelina Stanford and Thomas Banks cover chapters 26-34. Together they continue to talk about the ideas Forster is presenting in the book as seen in this section, including Howards End as a character, the echoes of Wind in the Willows (thanks to Jen Rogers!), Helen's idealism, Margaret and Henry's conflict, the idea of rootedness, and more. On March 7, 2024 you can join Thomas and his brother James live for a webinar on King Alfred the Great. Register today at houseofhumaneletters.com. The webinar recording will also be available for lifetime access after that date. We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. If you want to get the special literary themed teas created by our Patron Erin Miller, go to adagiotea.com to check them out! Commonplace Quotes: Everything has been said already; but since nobody was listening, we shall have to begin all over again. Toutes choses sont dites déjà; mais comme personne n'écoute, il faut toujours recommencer. Andre Gide, from “Narcissus” It is under these “present conditions” of materialism, urbanization, and cosmopolitanism that Howards End poses the question, “Who shall inherit England?” This question is given a lyrical resonance shortly after Margaret tells Helen of her intention to marry Henry. The two women, visiting Aunt Julie at Swanage, gaze across Poole Harbor and watch the tide return. “England was alive, throbbing through all her estuaries, crying for joy through the mouths of all her gulls, and the north wind, with contrary motion, blew stronger against her rising sea,” the narrator records, and then asks: “What did it mean? For what end are her fair complexities, her change of soil, her sinuous coast? Does she belong to those who have moulded her and made her feared by other lands, or to those who had added nothing to her power, but have somehow seen her, seen the whole island at once, lying as a jewel in a silver sea, sailing as a ship of souls, with all the brave world's fleet accompanying her towards eternity?” These questions are at the heart of the book. More crudely stated, they ask whether England belongs to the imperialist or to the yeoman, to those who see life steadily or to those who see it whole, to the prosaic or to the poet. Put another way, they ask whether the inheritors of England are to be people of action or vision. Claude J. Summer, from “E. M. Foster” To E. M. Forster By W. H. Auden Here, though the bombs are real and dangerous, And Italy and Kings are far away, And we're afraid that you will speak to us, You promise still the inner life shall pay. As we run down the slope of Hate with gladness You trip us up like an unnoticed stone, And just as we are closeted with Madness You interrupt us like the telephone. For we are Lucy, Turton, Phillip, we Wish international evil, are excited To join the jolly ranks of the benighted Where Reason is denied and Love ignored: But, as we swear our lie, Miss Avery Comes out into the garden with the sword. Book List: Theodore Dreiser Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

On The Literary Life Podcast, Angelina and Thomas continue our series on Howards End by E. M. Forster with a discussion of chapters 17-25. In opening the conversation on this chapter, they consider the various houses and ask the question of what role Howards End plays in this whole story. They also delve into the seemingly unlikely romance between Margaret and Mr. Wilcox and the complexity of their personalities, as well as the reactions of their family members. Other ideas they share are about the seen and the unseen, connections versus transactions, and more! Keep listening next week as we cover chapters 26-34. On March 7, 2024 you can join Thomas and his brother James live for a webinar on King Alfred the Great. Register today at houseofhumaneletters.com. The webinar recording will also be available for lifetime access after that date. We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. Commonplace Quotes: Sapiens est qui novit tacere. Wise is he who knows when to keep silence. St. Ambrose, from De Oficibus Ministrorum (On the Duties of the Clergy) But “Only connect” was the exact phrase I had been leading up to, and it has been precious to me ever since I read Howards End, of which it is the epigraph. Perhaps, indeed, it is the theme of all Forster's writing, the attempt to link a passionate skepticism with the desire for meaning, to find the human key to the inhuman world about us, to connect the individual with the community, the known with the unknown, to relate the past to the present, and both to the future. P. L. Travers, from “Only Connect” To My Dear and Loving Husband By Anne Bradstreet If ever two were one, then surely we. If ever man were loved by wife, then thee. If ever wife was happy in a man, Compare with me, ye women, if you can. I prize thy love more than whole mines of gold, Or all the riches that the East doth hold. My love is such that rivers cannot quench, Nor ought but love from thee give recompense. Thy love is such I can no way repay; The heavens reward thee manifold, I pray. Then while we live, in love let's so persever, That when we live no more, we may live ever. Book List: The Celestial Omnibus and Other Stories by E. M. Forster Selected Stories by E. M. Forster What the Bee Knows: Reflections on Myth, Symbol, and Story by P. L. Travers The Liberal Imagination by Lionel Trilling Vanity Fair by William Makepeace Thackeray Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB  

Welcome to The Literary Life Podcast and our second episode in our series on E. M. Forster's book Howards End. This week, Angelina and Thomas cover chapters 8-16, continuing their discussion of the book and the overarching concept of “Story” along the way. In talking about different plot points and characters, Angelina and Thomas make some comparisons between the two couples presented in these chapters and share some thoughts on the friendship between Margaret and Mrs. Wilcox. Angelina points out that Forster is doing some medieval things in this story, as we will see as we go on further. They also bring out more of the significance and symbolism of Howards End the place in the story. If you want to check out our previous episodes on two of E. M. Forster's short stories, you can find those here: Episode 17: “The Celestial Omnibus” Episode 99: “The Machine Stops” We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. This March you can join Thomas and his brother James back for a webinar on King Alfred the Great. You can sign up at houseofhumaneletters.com. Commonplace Quotes: [The Greeks] were children with the intellects of men. R. W. Livingstone, from The Greek Genius and Its Meaning to Us It is astonishing how little attention critics have paid to Story considered in itself. Granted the story, the style in which it should be told, the order in which it should be disposed, and (above all) the delineation of the characters, have been abundantly discussed. But the Story itself, the series of imagined events, is nearly always passed over in silence, or else treated exclusively as affording opportunities for the delineation of character. There are indeed three notable exceptions. Aristotle in the Poeticsconstructed a theory of Greek tragedy which puts Story in the centre and relegates character to a strictly subordinate place. C. S. Lewis, from On Stories A Selection from “Terminus” By Ralph Waldo Emerson It is time to be old, To take in sail:— The god of bounds, Who sets to seas a shore, Came to me in his fatal rounds, And said: “No more! No farther shoot Thy broad ambitious branches, and thy root. Fancy departs: no more invent; Contract thy firmament  To compass of a tent. There's not enough for this and that, Make thy option which of two; Economize the failing river, Not the less revere the Giver, Leave the many and hold the few. Book List: Aspects of the Novel by E. M. Forster The Longest Journey by E. M. Forster Wendell Berry An Experiment in Criticism by C. S. Lewis Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

This week on And the Runner-Up Is, Kevin welcomes actor, writer, and podcaster Lauren Milberger to discuss the 1992 Oscar race for Best Actress, where Emma Thompson won for her performance in "Howards End," beating Catherine Deneuve in "Indochine," Mary McDonnell in "Passion Fish," Michelle Pfeiffer in "Love Field," and Susan Sarandon in "Lorenzo's Oil." We discuss all of these nominated performances and determine who we think was the runner-up to Thompson.  0:00 - 13:01 - Introduction 13:02 - 31:27 - Catherine Deneuve 31:28 - 54:27 - Mary McDonnell 54:28 - 1:16:47 - Michelle Pfeiffer 1:16:48 - 1:33:10 - Susan Sarandon 1:33:11 - 2:01:41 - Emma Thompson 2:01:42 - 2:55:02 - Why Emma Thompson won / Twitter questions 2:55:03 - 3:00:10 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Lauren Milberger on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Welcome to a new series on The Literary Life Podcast with Angelina Stanford and husband Thomas Banks. This week they begin talking about E. M. Forster's book Howards End, giving some introductory information about Forster and also cover the first seven chapters of the book. Thomas shares some background on the Bloomsbury Group authors in contrast to their Victorian predecessors. Angelina highlights the literary tradition of naming books after houses and invites us to consider the importance of place in this story as we go forward. We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. Also, The House of Humane Letters is expanding to include more classes, and pre-registration for returning students and registration for new students opens soon. Sign up for their email list to find out when you can sign up at houseofhumaneletters.com. Commonplace Quotes: We are not concerned with the very poor. They are unthinkable, and only to be approached by the statistician or the poet. E. M. Forster, Howards End Howards End is Mr. Forster's first fully adult book. It is richly packed with meanings; it has a mellow brilliance, a kind of shot beauty of texture; it runs like a bright, slowish, flickering river, in which different kinds of exciting fish swim and dart among mysterious reedy leptons and are observed and described by a highly interested, humane, sympathetic, often compassionate, and usually ironic commentator. The effect is of uncommon beauty and charm; the fusion of humor, perception, social comedy, witty realism, and soaring moral idealism, weaves a rare captivating, almost hypnotic spell; and many people think it (in spite of the more impressive theme and more serious technique of A Passage in India) Mr. Forester's best book. Rose Macaulay, The Writings of E. M. Forster The Pity of It By Thomas Hardy April 1915 I walked in loamy Wessex lanes, afar From rail-track and from highway, and I heard In field and farmstead many an ancient word Of local lineage like 'Thu bist,' 'Er war,' 'Ich woll', 'Er sholl', and by-talk similar, Nigh as they speak who in this month's moon gird At England's very loins, thereunto spurred By gangs whose glory threats and slaughters are. Then seemed a Heart crying: 'Whosoever they be At root and bottom of this, who flung this flame Between kin folk kin tongued even as are we, 'Sinister, ugly, lurid, be their fame; May their familiars grow to shun their name, And their brood perish everlastingly.' Source: Thomas Hardy: The Complete Poems (Palgrave, 2001) Book List: Howards End by E. M. Forster The Enchanted April by Elizabeth von Arnim Rose Macaulay Dorothy Parker Virginia Woolf George Eliot Matthew Arnold Northanger Abbey by Jane Austen Mansfield Park by Jane Austen Brideshead Revisited by Evelyn Waugh The Castle of Otranto by Horace Walpole The House of Seven Gables by Nathaniel Hawthorne Wendell Berry An Experiment in Criticism by C. S. Lewis Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

In this episode we explore the 1992 Merchant Ivory adaptation of E.M. Forster's, 'Howards End'. We'll ask (and attempt to answer) hard-hitting questions like: who exactly is the eponymous 'Howard'? Does Helena Bonham Carter have acting range? Which of the unromantic romances is the least unromantic and Is Vanessa Redgrave actually in love with a house?

"And now we welcome the new year, full of things that have never been." Rilke Word of the Year: "Affection" noun af·​fec·​tion ə-ˈfek-shən  Synonyms of affection 1: a feeling of liking and caring for someone or something : tender attachment : FONDNESS She had a deep affection for her parents. Middle English affeccioun "capacity for feeling, emotion, desire, love," borrowed from Anglo-French, "desire, love, inclination, partiality," borrowed from Latin affectiōn-, affectiō "frame of mind, feeling, feeling of attachment," from affec-(variant stem of afficere "to produce an effect on, exert an influence on") + -tiōn-, -tiō, suffix of action nouns Referench: https://www.merriam-webster.com/dictionary/affection philostorgos: tenderly loving Original Word:φιλόστοργος, ον Phonetic Spelling:(fil-os'-tor-gos) Definition:tenderly loving Usage:tenderly loving, kindly affectionate to Reference: https://biblehub.com/greek/5387.htm For the full text of the Jefferson Lecture 2012, by Wendell Barry, please visit: https://www.neh.gov/about/awards/jefferson-lecture/wendell-e-berry-biography Photo by Guy Mendes Quoted excerpts from the lecture: “Because a thing is going strong now, it need not go strong for ever,” [Margaret] said. “This craze for motion has only set in during the last hundred years. It may be followed by a civilization that won't be a movement, because it will rest upon the earth.E. M. Forster, Howards End (1910) p. "The term “imagination” in what I take to be its truest sense refers to a mental faculty that some people have used and thought about with the utmost seriousness. The sense of the verb “to imagine” contains the full richness of the verb “to see.” To imagine is to see most clearly, familiarly, and understandingly with the eyes, but also to see inwardly, with “the mind's eye.” It is to see, not passively, but with a force of vision and even with visionary force. To take it seriously we must give up at once any notion that imagination is disconnected from reality or truth or knowledge. It has nothing to do either with clever imitation of appearances or with “dreaming up.” It does not depend upon one's attitude or point of view, but grasps securely the qualities of things seen or envisioned. I will say, from my own belief and experience, that imagination thrives on contact, on tangible connection. For humans to have a responsible relationship to the world, they must imagine their places in it. To have a place, to live and belong in a place, to live from a place without destroying it, we must imagine it. By imagination we see it illuminated by its own unique character and by our love for it. By imagination we recognize with sympathy the fellow members, human and nonhuman, with whom we share our place. By that local experience we see the need to grant a sort of preemptive sympathy to all the fellow members, the neighbors, with whom we share the world. As imagination enables sympathy, sympathy enables affection. And it is in affection that we find the possibility of a neighborly, kind, and conserving economy." "But the risk, I think, is only that affection is personal. If it is not personal, it is nothing; we don't, at least, have to worry about governmental or corporate affection. And one of the endeavors of human cultures, from the beginning, has been to qualify and direct the influence of emotion. The word “affection” and the terms of value that cluster around it—love, care, sympathy, mercy, forbearance, respect, reverence—have histories and meanings that raise the issue of worth. We should, as our culture has warned us over and over again, give our affection to things that are true, just, and beautiful. It is by imagination that knowledge is “carried to the heart” (to borrow again from Allen Tate). The faculties of the mind—reason, memory, feeling, intuition, imagination, and the rest—are not distinct from one another. Though some may be favored over others and some ignored, none functions alone. But the human mind, even in its wholeness, even in instances of greatest genius, is irremediably limited. Its several faculties, when we try to use them separately or specialize them, are even more limited. The fact is that we humans are not much to be trusted with what I am calling statistical knowledge, and the larger the statistical quantities the less we are to be trusted. We don't learn much from big numbers. We don't understand them very well, and we aren't much affected by them." ((Who Owns America? edited by Herbert Agar and Allen Tate, ISI Books, Wilmington, DE, 1999,  pages 109–114. (First published by Houghton Mifflin Company, Boston, 1936.) [Nature] "As Albert Howard, Wes Jackson, and others have carefully understood, she can give us the right patterns and standards for agriculture. If we ignore or offend her, she enforces her will with punishment. She is always trying to tell us that we are not so superior or independent or alone or autonomous as we may think. She tells us in the voice of Edmund Spenser that she is of all creatures “the equall mother, / And knittest each to each, as brother unto brother.” (The Faerie Queene, VII, vii, stanza XIV.) "To hear of a thousand deaths in war is terrible, and we “know” that it is. But as it registers on our hearts, it is not more terrible than one death fully imagined. The economic hardship of one farm family, if they are our neighbors, affects us more painfully than pages of statistics on the decline of the farm population. I can be heartstruck by grief and a kind of compassion at the sight of one gulley (and by shame if I caused it myself), but, conservationist though I am, I am not nearly so upset by an accounting of the tons of plowland sediment borne by the Mississippi River. Wallace Stevens wrote that “Imagination applied to the whole world is vapid in comparison to imagination applied to a detail.” (Opus Posthumous, edited, with an Introduction by Samuel French Morse, Alfred A. Knopf, New York, 1957, page 176.) "But we need not wait, as we are doing, to be taught the absolute value of land and of land health by hunger and disease. Affection can teach us, and soon enough, if we grant appropriate standing to affection. For this we must look to the stickers, who “love the life they have made and the place they have made it in.” "E. M. Forster's novel, Howards End, published in 1910. By then, Forster was aware of the implications of “rural decay,” and in this novel he spoke, with some reason, of his fear that “the literature of the near future will probably ignore the country and seek inspiration from the town. . . . and those who care for the earth with sincerity may wait long ere the pendulum swings back to her again.” (Howards End, page 15, 112). Margaret's premise, as she puts it to Henry, is the balance point of the book:  “It all turns on affection now . . . Affection. Don't you see?” (Ibid., page 214). To have beautiful buildings, for example, people obviously must want them to be beautiful and know how to make them beautiful, but evidently they also must love the places where the buildings are to be built. For a long time, in city and countryside, architecture has disregarded the nature and influence of places. It is the vice of a vulgar mind to be thrilled by bigness, to think that a thousand square miles are a thousand times more wonderful than one square mile . . . That is not imagination. No, it kills it. . . . Your universities? Oh, yes, you have learned men who collect . . . facts, and facts, and empires of facts. But which of them will rekindle the light within? (Ibid., page 30)." “The light within,” I think, means affection, affection as motive and guide. Knowledge without affection leads us astray every time. Affection leads, by way of good work, to authentic hope. The factual knowledge, in which we seem more and more to be placing our trust, leads only to hope of the discovery, endlessly deferrable, of an ultimate fact or smallest particle that at last will explain everything. Margaret's premise, as she puts it to Henry, is the balance point of the book:  “It all turns on affection now . . . Affection. Don't you see?” The great reassurance of Forster's novel is the wholeheartedness of his language. It is to begin with a language not disturbed by mystery, by things unseen. But Forster's interest throughout is in soul-sustaining habitations: houses, households, earthly places where lives can be made and loved. In defense of such dwellings he uses, without irony or apology, the vocabulary that I have depended on in this talk:  truth, nature, imagination, affection, love, hope, beauty, joy. Those words are hard to keep still within definitions; they make the dictionary hum like a beehive. But in such words, in their resonance within their histories and in their associations with one another, we find our indispensable humanity, without which we are lost and in danger. Of the land-community much has been consumed, much has been wasted, almost nothing has flourished. But this has not been inevitable. We do not have to live as if we are alone.

From Merchant Ivory's classic adaptations of E. M. Forster novels to the BBC's beloved rendition of Jane Austen's “Pride and Prejudice,” the greatest period dramas are the ones that succeed in translating the emotional experience of another era for a modern audience. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss their personal favorites—namely Greta Gerwig's take on “Little Women” and Jane Campion's “Bright Star,” which chronicles the star-crossed love affair between the poet John Keats and Fanny Brawne—and how the genre is changing. Often, the pleasure of these stories lies in their rigorous depictions of the mores and customs of the past. But recent hit series, including “Dickinson,” “Bridgerton,” and “The Great,” have adopted a marked ahistoricism, evident in the dialogue, soundtracks, and the treatments of race and sexuality. The hosts consider how “The Buccaneers,” on Apple TV+, departs from the Edith Wharton novel on which it's based by skipping over the sociopolitical details that form the backbone of Wharton's story. Do contemporary flourishes accentuate the appeal of the genre, or dilute it? “The strangeness of the past is precisely what makes it amazing when we find out that it is relatable to us,” Cunningham says. “If you make everything relatable, you've eliminated the thrill of discovery.” Read, watch, and listen with the critics: “A Room with a View” (1985) “Bridgerton” (2020-22) “Bright Star” (2009) “Crouching Tiger, Hidden Dragon” (2000) “Dickinson” (2019-21) “Hamlet” (2000) “Howards End” (film, 1992; miniseries, 2017) “Little Women” (2019) “Mansfield Park,” by Jane Austen (film, 1999) “Marie Antoinette” (2006) “Memoirs of a Geisha,” by Arthur Golden (film, 2005) “Napoleon” (2023) “Pride and Prejudice,” by Jane Austen (miniseries, 1995; film, 2005) “The Buccaneers,” by Edith Wharton (series, 2023) “The Custom of the Country,” by Edith Wharton “The Great” (series, 2020-23) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Woodstock Film Festival is about to honor a living legend. Director and screenwriter James Ivory of the Merchant Ivory partnership created dozens of award-winning films including “Howards End,” “The Remains of the Day,” and “Mr. and Mrs. Bridge,” to name just a few.

The 1908 novel A Room With a View is the story of Lucy Honeychurch, a young English girl traveling to Italy for the first time. While staying in Florence, Lucy meets the unconventional George Emerson, with whom she shares a single passionate kiss, much to the horror of her chaperone, her spinsterish cousin Charlotte. Back in England, Lucy finds she must choose between George and her rather stuffy fiance Cecil Vyse. Forster's wonderfully comic romance satirizes turn-of-the-century English culture (as did Forster's other major novel of the period, Howards End).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The 1908 novel A Room With a View is the story of Lucy Honeychurch, a young English girl traveling to Italy for the first time. While staying in Florence, Lucy meets the unconventional George Emerson, with whom she shares a single passionate kiss, much to the horror of her chaperone, her spinsterish cousin Charlotte. Back in England, Lucy finds she must choose between George and her rather stuffy fiance Cecil Vyse. Forster's wonderfully comic romance satirizes turn-of-the-century English culture (as did Forster's other major novel of the period, Howards End).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The 1908 novel A Room With a View is the story of Lucy Honeychurch, a young English girl traveling to Italy for the first time. While staying in Florence, Lucy meets the unconventional George Emerson, with whom she shares a single passionate kiss, much to the horror of her chaperone, her spinsterish cousin Charlotte. Back in England, Lucy finds she must choose between George and her rather stuffy fiance Cecil Vyse. Forster's wonderfully comic romance satirizes turn-of-the-century English culture (as did Forster's other major novel of the period, Howards End).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The 1908 novel A Room With a View is the story of Lucy Honeychurch, a young English girl traveling to Italy for the first time. While staying in Florence, Lucy meets the unconventional George Emerson, with whom she shares a single passionate kiss, much to the horror of her chaperone, her spinsterish cousin Charlotte. Back in England, Lucy finds she must choose between George and her rather stuffy fiance Cecil Vyse. Forster's wonderfully comic romance satirizes turn-of-the-century English culture (as did Forster's other major novel of the period, Howards End).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The 1908 novel A Room With a View is the story of Lucy Honeychurch, a young English girl traveling to Italy for the first time. While staying in Florence, Lucy meets the unconventional George Emerson, with whom she shares a single passionate kiss, much to the horror of her chaperone, her spinsterish cousin Charlotte. Back in England, Lucy finds she must choose between George and her rather stuffy fiance Cecil Vyse. Forster's wonderfully comic romance satirizes turn-of-the-century English culture (as did Forster's other major novel of the period, Howards End).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The 1908 novel A Room With a View is the story of Lucy Honeychurch, a young English girl traveling to Italy for the first time. While staying in Florence, Lucy meets the unconventional George Emerson, with whom she shares a single passionate kiss, much to the horror of her chaperone, her spinsterish cousin Charlotte. Back in England, Lucy finds she must choose between George and her rather stuffy fiance Cecil Vyse. Forster's wonderfully comic romance satirizes turn-of-the-century English culture (as did Forster's other major novel of the period, Howards End).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The 1908 novel A Room With a View is the story of Lucy Honeychurch, a young English girl traveling to Italy for the first time. While staying in Florence, Lucy meets the unconventional George Emerson, with whom she shares a single passionate kiss, much to the horror of her chaperone, her spinsterish cousin Charlotte. Back in England, Lucy finds she must choose between George and her rather stuffy fiance Cecil Vyse. Forster's wonderfully comic romance satirizes turn-of-the-century English culture (as did Forster's other major novel of the period, Howards End).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sua Hernandez is the Director of Housing Resilience & Executive Administrator at El Sereno Community Land Trust. She's been working in affordable housing since the late 90s and is an alumni of Occidental College, with a BA in urban and environmental policy. We talk about differences between co-ops, land trusts, and a community development corporation. Sua shares some of the questions ESCLT staff asks themselves to establish and maintain a culture of dignity and autonomy, and why that's important. Learn more about Community Land Trusts:  https://www.shareable.net/infographic-the-why-how-of-community-land-trusts/ https://groundedsolutions.org/strengthening-neighborhoods/community-land-trusts  Follow El Sereno Community Land Trust on IG: https://www.instagram.com/elserenocommunitylandtrust/  Follow El Sereno Community Land Trust on Twitter: https://twitter.com/land_elsereno  Here's some of the readings Sua mentioned, use these affiliate links that will support independent bookstores & this podcast:  Howards End: https://bookshop.org/a/9735/9780141182131 Kuxlejal Politics: Indigenous Autonomy, Race, and Decolonizing Research in Zapatista Communities: https://bookshop.org/a/9735/9781477314470  Support via Spotify/Anchor at just .99c/month: anchor.fm/btspodcast  Sign up for Rakuten & get cash back on tons of purchases: https://www.rakuten.com/r/LYNAEM19 Book your next hotel stay using HotelTonight & save: LCOOK61 Follow on IG: @btsthepodcast  Follow me on IG & TW: @lynaecook  --- Support this podcast: https://podcasters.spotify.com/pod/show/btspodcast/support

We meet renowned British painter and artist David Remfry MBE RA RWS, to discuss curating/coordinating this year's RA Summer Exhibition, working with watercolour, more than 5 decades of art making, and what it was like to live in New York's iconic Hotel Chelsea for 20 years!!!Remfry's Summer Exhibition 2023 explores the theme Only Connect, taken from the famous quote in Howards End by E.M. Forster. Among the 1,614 featured works you will find towering sculptures by the late Phyllida Barlow RA, Richard Malone's dramatic mobile installation in the Wohl Central Hall, and a witty painting by comedian Joe Lycett. Plus pieces by Tracey Emin RA, Hew Locke RA, Barbara Walker RA, Gavin Turk, Lindsey Mendick, Caroline Walker and much, much more.Remfry was born in Worthing, UK, in 1942. His family moved to Hull and he studied Art and Printmaking at the Hull College of Art. He currently lives and works in London. Early solo exhibitions include Ferens Art Gallery, Hull in 1974 and Folkestone Art Gallery, Kent in 1976. Since 1973 he has exhibited regularly at galleries and museums across the UK, Europe and the USA. He is perhaps best known for his large-scale watercolours of dancers; his series of drawings and watercolours of his neighbours and friends at the Hotel Chelsea New York City where he lived from 1995-2016, and his commission by designer Stella McCartney to produce a series of drawings for the launch of her fashion house and for Absolut Vodka.Over the past five decades his work has been exhibited in galleries and museums worldwide, including Boca Raton Museum of Art, Florida; MoMA PS1 Contemporary Art Center, New York; the Victoria & Albert Museum, London; the Fitzwilliam Museum, Cambridge; Pallant House Gallery, Chichester; and the DeLand Museum of Art, Florida. In 2014 he was commissioned by Fortnum & Mason, London, to create a series of watercolours which is now on permanent display in Piccadilly, and he was commissioned to paint Sir John Gielgud for the National Portrait Gallery, London, which also acquired for their collection his portrait of Jean Muir.Remfry was elected a member of the Royal Watercolour Society in 1987. In 2001 he was awarded an MBE for services to British Art in America, in 2006 he was elected a Member of the Royal Academy of Arts and, in 2007, he was invited to receive Honorary Doctorate of Arts by the University of Lincoln. He was awarded the Hugh Casson Drawing Prize at the 2010 Royal Academy Summer Exhibition and, in 2016, was appointed Professor of Drawing at the Royal Academy Schools.His work is included in museum permanent collections including the Bass Museum of Art, Florida; Boca Raton Museum of Art, Florida; the British Museum, London; the Contemporary Art Society, London; the Fitzwilliam Museum, Cambridge; MIMA, Middlesborough; the National Portrait Gallery, London; New Orleans Museum of Art, Louisiana; the Royal Academy of Arts, London; the Royal Watercolour Society, London; and the Victoria & Albert Museum, London.A retrospective of Remfry's work, curated by Dr Gerardine Mulcahy-Parker, is planned for 2025 at Beverley Art Gallery, East Riding.Follow @David_Remfry_RA on InstagramVisit his official website: www.davidremfry.com/Visit the RA Summer Exhibition until 20th August 2023: www.royalacademy.org.uk/exhibition/summer-exhibition-2023 Hosted on Acast. See acast.com/privacy for more information.

The full text of this podcast can be found in the transcript of this edition or at the following link:https://andrewjbrown.blogspot.com/2023/07/only-conjugate-that-is-whole-of-my.htmlAnd here's a link to its appearance in The Idioticon, published by the Triarchy PressPlease feel to post any comments you have about this episode there.Music, "New Heaven", written by Andrew J. Brown and played by Chris Ingham (piano), Paul Higgs (trumpet), Russ Morgan (drums) and Andrew J. Brown (double bass) Thanks for listening. Just to note that all the texts of these podcasts are available on my blog. You'll also find there a brief biography, info about my career as a musician, & some photography. Feel free to drop by & say hello. Email: caute.brown[at]gmail.com

Book Title: Howards End Author: E.M. Forster Episode: Number 50 | Part 8 _______________________________________________________________________________________________________ "Howards End" is a rich exploration of human relationships, societal values, and the complexities of navigating a rapidly evolving world. It remains a significant work of literature, celebrated for its insightful depiction of the Edwardian era and its profound commentary on the human condition. _______________________________________________________________________________________________________ About the author: E.M. Forster's works continue to be celebrated for their timeless relevance, insightful social commentary, and nuanced exploration of human relationships. His ability to illuminate the complexities of the human condition and challenge societal conventions has secured his place as one of the most important figures in English literature. ________________________________________________________________________________________________________ Additional Resources: Howards End by E.M. Forster http://www.loyalbooks.com/book/howards-end-by-e-m-forster  

Book Title: Howards End Author: E.M. Forster Episode: Number 49 | Part 7 _______________________________________________________________________________________________________ The story concludes with Margaret and Henry's marriage surviving the turmoil, but the novel raises questions about the challenges of bridging gaps between social classes and conflicting ideologies in a changing society. ______________________________________________________________________________________________________ About the author: Forster's writing career slowed down in the later years of his life, and he published his final novel, "A Passage to India," in 1970. He passed away on June 7, 1970, in Coventry, England, leaving behind a rich literary legacy. ______________________________________________________________________________________________________ Additional Resources: Howards End by E.M. Forster http://www.loyalbooks.com/book/howards-end-by-e-m-forster  

Ellen Carter, who you may remember from the episodes on Howards End and Bridgerton, joined me once again. This time we're talking about Mayfair Witches and The Witching Hour by Anne Rice. This show and book are both bonkers. 

Jenny Beavan has won three Oscars for her costumes for the films Room with a View, Mad Max: Fury Road and Cruella, and has received nine further Academy Award nominations. She was born in London, and her parents were both professional musicians who encouraged her to paint, draw and learn a musical instrument. After studying theatre design, she was invited at the age of just 21 to create the sets for a production of Carmen at the Royal Opera House, conducted by Sir Georg Solti. She also worked on the costumes, which eventually led to her current career. Her credits now include more than 60 films and television series, including a long collaboration with the Merchant Ivory team, on titles such as Howards End and Remains of the Day, as well as Room with a View. Her costumes range from precise period recreations, in films such as The King's Speech, to the post-apocalyptic world of Mad Max and the extravagant 1970s-inspired gowns for Emma Stone and Emma Thompson in Cruella. Along with her Oscars, Jenny has also won four Baftas and two Primetime Emmy awards. She was appointed a OBE in 2017. DISC ONE: Endure from Bach's St Matthew Passion. Performed by Hans Peter Blochwitz and the Chapelle Royale Orchestra, conducted by Philippe Herreweghe DISC TWO: The Stately Homes of England - Noël Coward DISC THREE: Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée" (The flower you threw at me) Performed by Plácido Domingo and London Philharmonic Orchestra, conducted by Sir Georg Solti DISC FOUR: O Mio Babbino Caro. Composed by Giacomo Puccini and performed by Kiri Te Kanawa and The London Philharmonic Orchestra DISC FIVE: Scream - Caitlin Albery Beavan and Jim Bell DISC SIX: Parking Fines - Joe Lycett from his That's the Way, A-Ha, A-Ha tour DISC SEVEN: I Will Survive - Gloria Gaynor DISC EIGHT: Radamisto, HWV 12, Act 2: "Ombra cara di mia sposa" (Radamisto) (Beloved shadow of my bride) Composed by George Frideric Handel, performed by Emöke Baráth and Ensemble Artaserse, conducted by Philippe Jaroussky BOOK CHOICE: The Complete Novels of Jane Austen LUXURY ITEM: A cello CASTAWAY'S FAVOURITE: Endure from Bach's St Matthew Passion. Performed by Hans Peter Blochwitz and the Chapelle Royale Orchestra, conducted by Philippe Herreweghe Presenter Lauren Laverne Producer Sarah Taylor

Sense and Sensibility, Howards End, Fortunes of War, Nanny McPhee and Good Luck to You Leo Grande are just a handful of Thompson's notable screen credits – to which there are many. She's a powerhouse – being the only person to win an Oscar for both acting and screenwriting. In this episode, we talk about women being treated as second class citizens whilst she studied at Cambridge, handling fame – how to stay grounded – and, what she has learnt about love. Plus, Emma talks about her new film What's Love Got To Do With It? in which she plays Cath, the mother of documentary-maker Zoe (Lily James) who makes a film about her best friend's ‘assisted' marriage. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michelle Sobel is a digital engagement innovator. As the president of Unify America, a nonpartisan bridge-building organization, Michelle leads its team on a mission of replacing political fighting with collaborative problem solving. In 2002, Michelle co-founded Emmi Solutions, a patient engagement technology company, and in 2008 co-founded Analyte Health, a virtual care company which integrates lab testing in a telehealth setting. Before entering healthcare, Michelle was the Creative Director at Jellyvision, a maker of games and interactive conversations, and she was a film editor with credits including Merchant-Ivory's “Howards End” and “Remains of the Day.” She supports local Denver non-profit organizations as a member of Impact 100 Metro Denver and volunteers with local DECA high school chapters, mentoring students with an interest in pursuing careers in entrepreneurship. Read more about Unify America's College Bowl: https://www.unifyamerica.org/college-bowl --- Listen to Other ATN Productions: America in Focus: A weekly feature of the top TheCenterSquare.com stories of the week out of Washington D.C. with commentary from The Center Square editors and more! Everyday Economics: Join economist Dr. Orphe Divounguy and Chris Krug as they discuss global markets, inflation, and everything else that will help you understand the economic world around you. Future of Freedom: Future of Freedom is a bi-weekly podcast highlighting the work of the non-profits which are shaping the future of the freedom movement. Listeners will hear civil, intellectual conversations about why the organizations exist, what their mission is, and how they work to achieve it. Hosted by Scot Bertram. --- Support this podcast: https://anchor.fm/americas-talking/support

"You shall not steal."What does a just economic system look like? Is work necessary? Do wealthy nations have an obligation to help poorer ones?This episode covers Part Three, Section Two, Chapter Two, Article Seven of the Catechism of the Catholic Church (pts 2419-2463).Contact the podcast: crashcoursecatholicism@gmail.com.Instagram: https://www.instagram.com/crashcoursecatholicism/.....References and further reading/listening/viewing:Pope Leo XIII Rerum NovarumJohn Paul II, Laborem Exercens.John Paul II, Centesimus AnnusBenedict XVI, Caritas in Veritate.Pope Francis, Laudato Si'.St Josemaria Escriva, Christ is Passing By, "Point 47"Word on Fire, "“Evangelization Is Colonialism”: Are We Sure About That?""Who we are: Human uniqueness and the African spirit of Ubuntu. Desmond Tutu, Templeton Prize 2013", YouTube.Catholic Relief Services, "Catholic Social Teaching", YouTube.Trocaire, "Catholic Social Teaching in 3 Minutes", YouTube.Word on Fire, "Pope Francis, 'Fratelli Tutti,' and the Universal Destination of Goods"Bishop Robert Barron, "Bishop Barron on Pope Francis and Our Responsibility for the Common Good"Australian Catholic University, "The Principles of Catholic Social Thought and The Common Good."Congregation for the Doctrine of the Faith, "Doctrinal Note on some questions regarding the Participation of Catholics in Political Life"Vatican News, "'Fratelli tutti': short summary of Pope Francis's Social Encyclical"ABC News, "The architecture of peace: Pope Francis on social friendship and the hope for universal fraternity"Catholic News Agency, "Bishop Barron defends Junipero Serra: Evangelization is not ‘cultural aggression'"The Catholic Encyclopedia, "Corporal and Spiritual Works of Mercy"Elizabeth Gaskell, North and SouthE.M. Forster, Howards End

YOLOBirder's guest on Golden Grenades in this new episode is actor and sometimes director Samuel West. He's played Hamlet and Richard II for the Royal Shakespeare Company, Jeffrey Skilling in Enron in the West End and the voice of Pongo in Disney's 101 Dalmations II.  His television work includes Slow Horses, The Crown, Small Axe, Mr Selfridge and  his films include Darkest Hour, Suffragette, Van Helsing and Howards End.  He plays Siegfried Farnon in the new TV adaptation of All Creatures Great and Small. As a narrator, he has appeared with all the major British orchestras.  Sam is an Associate Artist of the RSC and a trustee of the Campaign for the Arts. In his spare time he grows chillies and goes birdwatching. Twitter: @exitthelemming Mastodon: https://mas.to/@exitthelemming

A Passage to India by E. M. Forster audiobook. E. M. Forster's A Passage to India (1924) is widely acclaimed as one of the hundred best literary works of 20th century. Time magazine rates it among the top 100 English-language novels of all time. A Passage to India is set at the moment when the lasting supremacy of the British Raj could no longer be taken for granted. Imperial power had been effectively supported by old and deep-seated religious and cultural conflicts between India's Hindu and Muslim populations, which divided and sapped the local powers ultimately needed to overthrew imperial rule in 1947. Forster illustrates how this rift begins to be overshadowed by the increasing resistance of all Indians to the extreme racism, oppression and socio-political mismanagement of British rule. The work is perhaps best known for his brilliant development of the relationships between his characters, which are fraught by a wide range of precarious cultural, social, political and economic dualisms: e.g., Occident / Orient; imperialist / colonial; men / women. He carries the idea expressed in his famous words “only connect” (from Howards End) to its limits, examining the difficulties – often the inherent impossibility – of “connection” across racial, sexual, religious and social divides.

Howards End by E. M. Forster audiobook. The book is about three families in England at the beginning of the twentieth century. The three families represent different gradations of the Edwardian middle class: the Wilcoxes, who are rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who represent the intellectual bourgeoisie and have a lot in common with the real-life Bloomsbury Group; and the Basts, a couple who are struggling members of the lower-middle class. The Schlegel sisters try to help the poor Basts and try to make the Wilcoxes less prejudiced. The motto of the book is "Only connect..."

So begins our trilogy of episodes on British setting supplement Isle of the Mighty, with a look at the first three chapters on England. It may seem a bit strange to dedicate so much recording time to this episode, but at just under 200 pages of text that is dense (both in terms of content and in terms of layout), we need the space. Even with the setting so richly described, the authors had to leave a lot out by necessity—so we talk about some of that in detail with special guest host, Andrew Goodman. This episode has been edited and massaged and compressed in order to get it to the point where it wouldn't be our longest episode... and we managed to get it a few seconds shorter than the corebook episode. Victory! (But we still have Scotland and Wales to do, so...) linky business Herewith our social media links for the podcast: Discord: https://discord.gg/SAryjXGm5jEmail: podcast@changelingthepodcast.comFacebook: https://www.facebook.com/profile.php?id=100082973960699Patreon: https://www.patreon.com/changelingthepodcastTwitter: https://twitter.com/changelingcast And a couple places to find Andrew online: Instagram: https://www.instagram.com/a.goodman.illustrates/Roots of Legend on the Storytellers' Vault: https://www.storytellersvault.com/product/354523?affiliate_id=3063731 ... a brief list of media Near the end of the episode, we briefly go through a bunch of media items that might help you get an "English feel" to your game. The original plan was to link to videos and publishers' pages and whatnot, but the hour is late and our listeners' Google fu is strong, so here's the list of names, and we'll trust you to search them out successfully without our help: Films: Gosford Park, Howards End (and other Merchant Ivory films), Lock, Stock, and Two Smoking Barrels, Monty Python and the Holy Grail, The Secret Garden... TV:The Animals of Farthing Wood, Are You Being Served?, Blackadder, Downton Abbey, (some of) Dr. Who, EastEnders, Keeping Up Appearances, Midsomer Murders, Monty Python's Flying Circus, panel shows like QI and Would I Lie To You?, The Crown, Waiting for God... Novels: The Dark is Rising, The Hobbit, Jonathan Strange & Mr Norrell, Watership Down...Music: The Beatles, Fairport Convention, The Fishermen's Friends, Jethro Tull, The Sex Pistols, Steeleye Span, The Cure... These are just the ones that we happened to mention directly, barely scratching the surface of the surface of the vast amount of media out there. Go have a look, and see what inspirations strike you for your Very English Chronicle...! ... a pair of pinups Well, maybe just one pin-up. They spared no expense on this beefcakey image of folkloric figure Wayland the Smith to open Chapter 3: On the other hand, while it was nice of them to provide a map of Great Britain and the fae kingdoms thereon, they seem to have spared a bit of expense generating it. Aside from the slightly vague borders and the fact that the map highlights several places which aren't even talked about in the book, this is best paired with another map that doesn't have quite so many misspellings. ("Glasglow", indeed...) ... your hosts Josh Hillerup (any pronoun) dares not dream, for fear of dwelling on the dark and arcane knowledge of Other London and Other Hull... Pooka G (any pronoun/they) ny vynn kewsel Sowsnek! "You English really don't have a sense of humor, do you?" "We do if something's funny, sir." —Gosford Park

Subscribe Apple | Google | Spotify | Stitcher | iHeart   Support The Daily Gardener Buy Me A Coffee    Connect for FREE! The Friday Newsletter |  Daily Gardener Community   Historical Events Today is Garlic Lovers Day Garlic, or stinking rose, is a member of the lily family. Onions, leeks, and shallots are also in the family. All alliums are reactive to the amount of daylight they receive, so a great way to think about the garlic life cycle is that it matures during the longest days in the summer.  This is why Autumn is garlic-planting time in most areas, and many gardeners wait until after the fall equinox in the back half of September. (This year's autumnal equinox is Thursday, September 22, 2022). By planting garlic in the fall, your garlic gets a headstart on the growing season, which means that when spring arrives, your little garlic shoots will be one of the first plants to greet you in the April rain. Garlic has antibiotic properties and helps reduce blood pressure and cholesterol. Herbalists recommend garlic as a remedy for colds. And Gilroy, California, is known as the World's Garlic Capital. Most of us know and love garlic as a culinary staple - a must-have ingredient for most savory dishes. Alice May Brock, American artist, author, and former restaurateur, once wrote, Tomatoes and oregano make it Italian; wine and tarragon make it French. Sour cream makes it Russian; lemon and cinnamon make it Greek. Soy sauce makes it Chinese; garlic makes it good.   And Anthony Bourdain, in Kitchen Confidential: Adventures in the Culinary Underbelly, wrote: Garlic is divine. Few food items can taste so many distinct ways, handled correctly. Misuse of garlic is a crime...Please, treat your garlic with respect...Avoid at all costs that vile spew you see rotting in oil in screwtop jars. Too lazy to peel fresh? You don't deserve to eat garlic.   1794 Birth of Charles Wilkins Short, American botanist and doctor. A Kentuckian, Charles wrote a flora of Kentucky in 1833. He had one of the largest, most valued private herbariums with 15,000 plant samples, and his massive garden covered several acres. Charles was honored in the naming of many plants, including the Oconee bell named the Shortia galacifolia. The location of the plant became a mystery during the 1800s. In 1863, Charles Short died, and at the time, the Shortia plant still could not be found. But finally, in May of 1877, a North Carolina teenager named George Hyams sent an unknown specimen to Harvard's top plant expert, the knowledgeable Asa Gray, who could be heard crying 'Eureka' when he finally saw the Shortia specimen. Two years later, Asa and his wife, along with his dear friend, the botanist John Redfield, the director of the Arnold Arboretum Charles Sprague Sargent, and the botanist William Canby got to see the Shortia in the wild in the spot where George Hyams knew it was growing. The scientists all stood around the little patch of earth where the Shortia grew in oblivion, and the long search to find the Shortia, named for Charles Wilkins Short, was over.   1799 Death of the English botanist geologist, physician, and chemist William Withering. William was a doctor and the first person to study Digitalis - most commonly known as Foxglove. The story goes that one day, he noticed a person suffering from what was then called dropsy, an old word for a person suffering from congestive heart failure. William observed that the patient in question showed remarkable improvement after taking an herbal remedy that included Digitalis or Foxglove. Today William gets the credit for discovering the power of Digitalis because after he studied the various ingredients of this remedy, he determined that Digitalis was the key ingredient to addressing heart issues. In 1785, William published his famous work, An Account of the Foxglove and Some of its Medical Uses. Foxgloves are a beautiful plant often seen in ornamental or cottage gardens. Foxgloves produce beautiful tall flower spikes, and each spike can contain 20 to 80 purple to pink tubular blossoms that are whitish on the inside. Foxgloves are toxic, and eating any part of the plant can result in severe poisoning. And this is important to know because when Foxglove first emerges from the ground, it can be confused for Comfrey or Plantain. Since both of those plants are used as edible plants by many people - it's important to distinguish them and remember where you're planting Foxglove in your garden. Foxglove is actually in the Plantain family. Before flowering, Foxglove can also be confused with Great mullein (Verbascum thapsus). In addition to the Foxglove common name, Digitalis has many adorable common names, including Fairy Fingers, Fairy Thimbles, Rabbits Flower, and Scotch Mercury. And there are many delightful stories about the Foxglove. One foxglove origin story says that fairies gave blossoms to a Fox who needed to put the flowers on his toes to muffle the sound of his feet as he hunted for prey. This would account for the little markings inside the flowers. Another fun fact about the Foxglove is that it's a cousin to another beloved cottage garden flower: the Snapdragon or Antirrhinum majus ("ant-er-EYE-num MAY-jus"). The toxicity of the Foxglove is a common concern. But, the gardener and garden writer, Katharine S. White, still enjoyed them in her gardens. She wrote, At a very early age, I remember, I was to recognize what plants are to be avoided completely. At a very early age, I remember I was taught how to recognize and stay away from deadly nightshade, poison ivy, and poison sumac. (I was, just as early, taught the delights of chewing tender young checkerberry leaves and sassafras root.) To me, it would be ridiculous, though, not to grow monkshood, foxglove, hellebore, larkspur, autumn crocus, poppies, lilies of the valley, buttercups, and many other flowers now present in my borders just because they have some poison in them.   So Foxglove is in good company when it comes to toxic plants. And when the botanical illustrator Walter Crane painted the Foxglove, he did not draw it alone - he drew a Foxglove family. Walter loved personifying flowers, and of his Foxgloves, he wrote, The Foxgloves are a happy group, comprised of cousins and brothers and sisters.   Finally, the English author and poet Meta Orred wrote a sweet little verse called In Memoriam - a poem for a deceased friend - that included the Foxglove. Meta wrote, Her lips, like foxgloves pink and pale, Went sighing like an autumn gale; Yet, when the sunlight passèd by, They opened out with half a sigh.. Her eyelids fell, and not in vain- The stars had found their heav'n again; The days come round, the days go by- They see no more earth's agony. So lay her back to take her rest, ' Our darling,' for we loved her best Her small hands crossed upon her breast, Her quiet feet unto the west.   1858 Birth of Jean-André Soulié ("Jahn-Ahn-Dray Soo-lee-aye"), French Roman Catholic missionary herbalist, healer, and botanist. Like many of the first plant collectors, Jean-André was a Catholic missionary working for the Paris Foreign Missions - an organization that sent millions of plant and animal specimens back to the National Museum of Natural History in Paris for scientific study. Jean-André alone collected over seven thousand specimens of dried plants and seeds during his twenty years in Asia, where he had become so fluent in the different Chinese dialects that he could pass as a local. Plant collecting in China was a dangerous task. Collectors encountered not only tricky terrain but also political upheaval. The Opium Wars and the ongoing dispute with Tibet increased distrust and hostility toward foreigners. In 1905, in retaliation for an invasion of Tibet by a British explorer named Francis Younghusband, Jean-André was a victim of the "lama revolt" and was abducted by Tibetan monks. He was kidnapped in the field while packing his plant specimens. Jean-André was tortured for over two weeks before finally being shot dead by his captors. The church Jean-André helped to build was destroyed during the revolution. However, it was rebuilt in a new location and still stands today - in a community where Catholics and Tibetan Buddhists live peacefully. Jean-André Soulié is remembered for discovering the Rosa soulieana and the butterfly bush (Buddleja davidii). He also has a Rhododendron, a Lily, and Primula named in his honor.   1860 Birth of Rosamund Marriott Watson, English poet, nature writer, and critic. Known as Rose to her family and friends, Rosamund wrote under the pseudonyms Graham R. Tomson and Rushworth (or R.) Armytage. Rosamund was a prolific gardener and garden writer. Her writings were put together and published in The Heart of a Garden (1906) which began with this verse from one of her original poems: I dreamed the peach-trees blossomed once again, dreamed the birds were calling in the dew,  Sun-rays fell round me like a golden rain, And all was well with us and life was new.   The Heart of a Garden was organized by seasons. In the early fall chapter called The Breath of Autumn, Rosamund wrote, But one should not SO much as breathe the name of frost as yet; it is in a sense a tempting of Providence, and late summer has many good days in store for us still. The swallows skim, now low, now high, above the rose garden, the sun-dial has daily but a few less shining hours to number, bats flit busily in the dim blue dusk, and roses are in bloom. It is far too early even to dream of frost.     Grow That Garden Library™ Book Recommendation Creating a Garden Retreat by Virginia Johnson 0914 This book came out in 2022, and the subtitle is An Artist's Guide to Planting an Outdoor Sanctuary. And I want you to key in on that word artist because Virginia is an artist, and here's what Workman, the publisher, wrote about Virginia's book: Through ethereal illustrations, textile designer and artist Virginia Johnson takes the reader on her own garden journey, from blank slate to dreamscape. Over the years, she has transformed a small, narrow city lot into a garden that is personal, carefree, wild, and welcoming. It all began with a fence to allow her children to play freely... [Virginia] explains her process with ease and clarity, bringing her ideas to life through words and illustrations so that readers can be encouraged and empowered to start their own garden journeys. This book is organized into clear chapters: trees and shrubs, vines, flowers, seasons, edibles, and more.   What I like best about this book is that it feels like I am reading Virginia's garden journal. It's so friendly. From the handwriting font to the beautiful sketches, this is truly an artist putting together a garden book. And so, the art in this book - the watercolors - is just gorgeous. They're breezy. They're casual. And they accompany every single page and they make this book such a joy to read. The other thing that I love about what Virginia did with this book is she personalizes everything. She doesn't just talk about a plant. She talks about the plant and her family, and her life. Let me give you an example. Here, she's talking about her trees and shrubs, and she has this little section on Magnolia with beautiful watercolors of Magnolia. I think these are the prettiest trees on the planet, but would they be too big for my garden?  The classic saucer magnolia grows to 30 feet high and wide, but the magnolias in the US National Arboretum's "girls" series grow only 15 feet high. It being mid-May, they were in flower and quite irresistible. I love the teacup shape of their blossoms. I love their architectural profile, too: multistemmed, with graceful, outreaching branches. chose the deep-magenta-blooming 'Ann' to remind me of my grandmother.   See what I mean? Virginia's talking about the Magnolia; she shares this great tip about the smaller, more compact Magnolias available. And then, she personalized the Magnolia by telling us which one she picked and her emotional connection to that plant. Another aspect that I  like about Virginia's book is that you can tell that she is cultured - that she has done some living. She's a traveler, a reader, and yes, she is a romantic. (You can tell by the flowers she picks for her garden). I wanted to share another little snippet, and this one is from a little section where she talks about vines. Vines have always had romantic associations for me. Trailing vines, climbing vines: the words themselves are lyrical and promise not just growth but a plant that wants to wriggle away like a child, to explore and attempt daring feats, scaling walls and structures and houses all while showing off.  Trail, trail went Mrs. Wilcox's dresses through the garden in E. M. Forster's novel Howards End. Trailing vines are their own kind of loveliness, less about exploring than falling gracefully over the side of an urn or doorframe. And they're so fun to paint; you have to get the feeling of them,get inside them, capture their abundance and movement.   Virginia is also practical and thrifty, and that's a beautiful counterpoint to her artistic and evocative side. Virginia shares: As a beginner gardener and a pragmatist, I spend my energy on perennial plants, not annuals. Who wants to plant a bunch of things that won't come up again next year? Of course, I do buy a few annuals, but only for pots. I know that they will look pretty and add color and that at the end of the year, they'll have completed their lives. But because I wanted a garden that would come up by itself, without my having to replant every spring, I researched mainly perennials.  I also wanted blooms staggered throughout the growing season, so I took into account what was already in place: pear blossoms and lilacs in May, climbing hydrangeas in July and August. The peonies and roses would flower in June, but at different times, while the hollyhocks would peak in July and August. It would all be a leap of faith. Well, leap, she did. Virginia is one of us. She is a gardener through and through. This book contains many wonderful relatable moments and delightful little snippets that make you laugh, smile, and nod in agreement. I want to share one final little excerpt. And this is where she's talking about dining Alfresco. And I thought this was great because, hopefully, we will have a few more opportunities to eat outside with family and friends before fall gives away winter. Here's Virginia Johnson on dining Alfresco. On a vacation in Greece, during a long drive through the mountains, our kids were ravenous, but the nearest village was closed for afternoon siesta. Where to eat? My husband approached a taverna, explaining our situation in halting Greek. The cook fired up the stove and soon emerged with a steaming frittata, which my picky kids gobbled up. Ever since then, the frittata has become a family staple. Eggs, potatoes, salt, and a sprinkling of rosemary from our garden: that's it. We re-create the memorable meal and enjoy it in our own backyard, wearing our straw hats and imagining we're back in that Greek village.   Well, this book is 192 pages of beautiful memories like that, and it's all built around the garden and being a gardener. You can get a copy of Creating a Garden Retreat by Virginia Johnson and support the show using the Amazon link in today's show notes for around $14.   Botanic Spark 1943 Birth of Gilles Clément ("Jeel Clee-mon"), French gardener, agronomist, garden designer, botanist, entomologist, and writer. Gilles started experimenting in his garden at La Vallée ("La Val-lay"). There Gilles lives in a simple hut home that he built using native materials sourced on the property. During his long career, Gilles devised many landscaping concepts, including the garden movement (Jardin en Mouvement), the global garden (Jardin planétaire), and the third landscape (tiers paysage). To Gilles, the term garden movement was inspired by the physical movement of plants in the garden. For example, in the garden, a gardener must decide whether to allow the plants to spread or to control them. The global garden reflects that gardens are inextricably part of life on the planet, and they are confined by the limits of their environment. Today, garden environments are experiencing radical changes as the earth confronts climate change. As the earth goes, so go our gardens. While many gardeners still think of gardens as enclosed spaces - often fenced off from their surroundings, Gilles says that, The "planetary garden" is a means of considering ecology as the integration of humanity - the gardeners - into its smallest spaces. Ecology itself destroys the notion of the 'enclosed' garden. Birds, ants, and mushrooms recognize no boundaries between territory that is policed and space that is wild. Ecology's primary concern is nature in its entirety, and not the garden in particular. The enclosure was always an illusion; a garden is bound to be a planetary index.   Finally, Gilles's concept of a third landscape borrows its name from an Abbé Sieyès term - the "third estate," - a term coined during the French Revolution to identify people who weren't part of nobility or clergy. To Gilles, the third landscape represents the low places, the ordinary places - everyday places that are forgotten, derided, ignored, or abandoned by man. These misfits or orphaned areas lie outside agroforestry or land management. Third Landscapes are made up of edges and odd-shaped parcels. They can be abandoned sites or neglected spaces along the margins of daily life - think of highway shoulders, riverbanks, fallow areas, wastelands, etc. Gilles sees the third landscape as unembraced treasure - offering unique biological riches and limitless potential for reinvention.  As for the garden, Gilles once wrote, [A garden] is territory where everything is intermingled: flowers, fruit, vegetables. I define the garden as the only territory where man and nature meet, in which dreaming is allowed. It is in this space that man can be in a utopia that is the happiness of his dreams.   Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

Arguably the most unhinged episode the girls have released to date. CAN WE TALK ABOUT ESQUIRE SINGAPORE?! Also why are all of joes characters so tragic?

The year is 1993 and the nominees are: 1. Susan Sarandon - Lorenzo's Oil 2. Emma Thompson - Howards End 3. Michelle Pfeiffer - Love Field 4. Catherine Deneuve - Indochine 5. Mary McDonnell - Passion Fish - In 1993 Emma Thompson was nominated for, and won, every single competitive acting award for Howards End. If you've listened to this podcast before you know how much this movie bored me. This will shock and amaze you but I have become a Howards End enthusiast after this episode. Other nominees included Michelle Pfeiffer in Love Field and Catherine Deneuve in Indochine. They were unlikely to take home the prize that evening. Thompson's biggest competition was likely Susan Sarandon in Lorenzo's Oil and Mary McDonnell in Passion Fish. This was a fun episode to discuss! Join host Kyle Brownrigg with guest host Josh Murray as they discuss.

Howards End is a 1992 period romantic drama film directed by James Ivory, from a screenplay written by Ruth Prawer Jhabvala based on the 1910 novel of the same name by E. M. Forster. Marking Merchant Ivory Productions', third adaptation of a Forster novel (following 1985's A Room with a View, and 1987's Maurice) — was the first film to be released by Sony Pictures Classics. The film's narrative explores class relations in turn-of-the-20th-century Britain, through events in the lives of the Schlegel sisters. --- Send in a voice message: https://anchor.fm/drzeusfilmpodcast/message Support this podcast: https://anchor.fm/drzeusfilmpodcast/support

Hey, hey, hey it's part two of rewrites! On Beauty by Zadie Smith (2005) loosely based on Howards End by E.M. Forster (1910).

Ok we did it – a TRUE Half-Baked There two-hander with only Jen and Camilo, with Kim busy stopping that asteroid from crashing against Earth or whatever. A very movie-focused discussion, with lots of love for Merchant Ivory costume dramas like A Room With A View and Howards End. We eulogize Ray Liotta and do not eulogize terrible gay movies from the 90s. Oh, and please kindly donate to our Patreon for cool extras!!! https://www.patreon.com/halfwaytherethepodcast. Episode cringe factor: 5.8/11

Claudia has questions, B has some answers, and everyone has a whole bunch of Austen connections. Have you watched/read Howards End? Because you should. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/theclaudiaandbshow/message Support this podcast: https://anchor.fm/theclaudiaandbshow/support

This week, the panel begins by discussing the new true crime series Under the Banner of Heaven. Then, the panel time travels with the film Petite Maman. Finally, the panel debates “The Future of Public Parks,” inspired by a New Yorker piece from Alexandra Lange. In Slate Plus, the panel discusses their experiences having their work edited. Email us at culturefest@slate.com. Endorsements Dan: The novel, Howards End by E.M. Forster. Julia: A listener response to her former request of snorkeling's relationship to birdwatching. Steve: A book review in The New Statesman from Scotland's National Poet, Kathleen Jamie, titled “What rocks teach us about the human condition,” which reviews Hugh Raffles' book The Book of Unconformities: Speculations on Lost Time. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Last Sunday" by OTE. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by discussing the new true crime series Under the Banner of Heaven. Then, the panel time travels with the film Petite Maman. Finally, the panel debates “The Future of Public Parks,” inspired by a New Yorker piece from Alexandra Lange. In Slate Plus, the panel discusses their experiences having their work edited. Email us at culturefest@slate.com. Endorsements Dan: The novel, Howards End by E.M. Forster. Julia: A listener response to her former request of snorkeling's relationship to birdwatching. Steve: A book review in The New Statesman from Scotland's National Poet, Kathleen Jamie, titled “What rocks teach us about the human condition,” which reviews Hugh Raffles' book The Book of Unconformities: Speculations on Lost Time. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Last Sunday" by OTE. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Out-of-Towners" (1999), "Aliens", "The Incredibles", "Howards End', "Dial M for Murder", "Dumbo" (1941) Mother's Day is right around the corner, so we felt this is the perfect time to pay tribute to our moms and motherhood. In this episode, we each share, review and discuss the top 3 movies that shaped our relationship with our mothers.