Podcasts about Meru

EPISODE 366 -We finish our coverage of Matt Kindt's first run of Mind MGMT series with a review of the the second arc (issues 7-12). We learn more about The Eraser, and see Meru's soulmate, The Hulk (not that one)! For Loose Screws, we discuss the phone game Sneaky Sasquatch. ------- Sop-scribe to support the show and for bonus episodes at https://www.screwitpodcasts.com/ There's link to our free Discord there too! Email us at screwitcomics@gmail.com

Sladké pruhované plněné rohlíky Žanety Bubnové vyhrály u posluchačů v roce 2024. Jejich obměny se ujal cukrář Vojta Vrtiška, který do tvarohové náplně přidal meruňky a místo oleje zvolil máslo. Výsledkem je nadýchané měkoučké těsto. U jednoho sousta nezůstane.

Sladké pruhované plněné rohlíky Žanety Bubnové vyhrály u posluchačů v roce 2024. Jejich obměny se ujal cukrář Vojta Vrtiška, který do tvarohové náplně přidal meruňky a místo oleje zvolil máslo. Výsledkem je nadýchané měkoučké těsto. U jednoho sousta nezůstane.

Sladké pruhované plněné rohlíky Žanety Bubnové vyhrály u posluchačů v roce 2024. Jejich obměny se ujal cukrář Vojta Vrtiška, který do tvarohové náplně přidal meruňky a místo oleje zvolil máslo. Výsledkem je nadýchané měkoučké těsto. U jednoho sousta nezůstane.

Sladké pruhované plněné rohlíky Žanety Bubnové vyhrály u posluchačů v roce 2024. Jejich obměny se ujal cukrář Vojta Vrtiška, který do tvarohové náplně přidal meruňky a místo oleje zvolil máslo. Výsledkem je nadýchané měkoučké těsto. U jednoho sousta nezůstane.

Sladké pruhované plněné rohlíky Žanety Bubnové vyhrály u posluchačů v roce 2024. Jejich obměny se ujal cukrář Vojta Vrtiška, který do tvarohové náplně přidal meruňky a místo oleje zvolil máslo. Výsledkem je nadýchané měkoučké těsto. U jednoho sousta nezůstane.

Sladké pruhované plněné rohlíky Žanety Bubnové vyhrály u posluchačů v roce 2024. Jejich obměny se ujal cukrář Vojta Vrtiška, který do tvarohové náplně přidal meruňky a místo oleje zvolil máslo. Výsledkem je nadýchané měkoučké těsto. U jednoho sousta nezůstane.

David und Meru sprechen darüber, dass Sony keine physischen Videospiele mehr veröffentlichen will. Zahlen zum deutschen E-Book-Markt vom Börsenverein: Meldung zu Sonys Disk-Fabrik in Österreich: https://www.golem.de/news/sony-digital-audio-disc-corporation-sony-baut-disc-werk-in-oesterreich-bereits-um-2607-210508.html Video von Alanah Pearce zum Thema: https://youtu.be/_Znc7MVsSlg Von Meru genannter Artikel von Corey Doctorow: https://www.thenerve.news/p/cory-doctorow-ai-business-incentive-to-lie-useless-chatbots-report-nikhil-suresh Besucht uns auf unserem neuen Discord-Server: https://discord.gg/8nGFUjXzYU Patreon: https://patreon.com/levelcapradio Musik: David Albus Paypal/Email: levelcapradio@gmail.com

David und Meru sprechen über Games, die sie zuletzt gespielt haben – darunter Death Howl und Solarpunk – und eine TV-Serie. Besucht uns auf unserem neuen Discord-Server: https://discord.gg/8nGFUjXzYU Patreon: https://patreon.com/levelcapradio Musik: David Albus Paypal/Email: levelcapradio@gmail.com

David und Meru sprechen über das Chaos bei Microsofts Gaming-Abteilung XBOX.

David und Meru sprechen über das Chaos bei Microsofts Gaming-Abteilung XBOX. Besucht uns auf unserem neuen Discord-Server: https://discord.gg/8nGFUjXzYU Patreon: https://patreon.com/levelcapradio Musik: David Albus Paypal/Email: levelcapradio@gmail.com

After losing his brother to suicide despite being in psychiatric care, entrepreneur Kristian Ranta began asking difficult questions: Why do so many people struggle despite treatment? What if mental health care is overlooking key drivers of recovery?In this conversation, Dr. Bret Scher sits down with Kristian Ranta, founder of Meru Health, to explore a model that approaches mental health care differently by combining psychiatry, therapy, nutrition, metabolic health, sleep, exercise, coaching, and data-driven care.They discuss:Why nutrition and metabolic health are often overlooked in psychiatryThe connection between physical and mental healthWhy “treatment-resistant” may not tell the whole storyHow comprehensive lab testing can uncover hidden contributors to symptomsThe role of ketogenic and low-carbohydrate interventions in mental health careWearables, biofeedback, and personalized treatment approachesOutcome-based care and the future of psychiatric treatmentHow virtual care can expand access to underserved communitiesThis conversation highlights a growing movement toward whole-person mental health care, one that seeks to go beyond symptoms and understand the underlying factors that may be contributing to them.

Jarní mrazy a sucho, které se letos přihlásilo dřív, než bývá obvyklé, způsobily, že letošní úroda ovoce nebude tak dobrá, jak by si sadaři i jejich zákazníci přáli.

In this episode, we host Professor Meru Sheel to examine whether global health systems are prepared for the next major infectious-disease outbreak. Drawing on her work in infectious-disease epidemiology, vaccine research, emergency preparedness and global health security, Professor Sheel explores the difficult questions now facing governments, public-health agencies and international institutions: how quickly outbreaks can be detected, how effectively information is shared, and how public-health systems can respond before local emergencies become wider international crises. Set against the recent Ebola outbreak in the Democratic Republic of the Congo and Uganda, and the international response to the MV Hondius hantavirus outbreak, this conversation looks at the race between disease spread, surveillance, public trust and political coordination.We discuss why outbreaks test far more than medicine alone. Professor Sheel explains how public-health responses depend not only on vaccines, diagnostics and contact tracing, but also on logistics, risk communication, community engagement and trust in institutions. We explore the difference between individual severity and population-level risk, why a virus can be highly fatal without necessarily posing a pandemic-style threat, and why public-health messaging must warn people without creating panic. The episode also examines the role of the International Health Regulations, the World Health Organization, national governments and multidisciplinary response teams in managing complex, cross-border outbreaks involving cruise ships, repatriation, quarantine, clinical care and international contact tracing.Professor Meru Sheel is Professor of Infectious Diseases and Global Health at the University of Sydney. Her work focuses on epidemiology, vaccine research, outbreak preparedness, emergency response and immunisation systems, particularly across Australia and the Asia-Pacific region. She has worked extensively on the relationship between routine vaccination systems and health emergency preparedness, and her research examines how surveillance, community engagement, vaccine delivery, public-health coordination and equity shape the ability of countries to prevent, detect and respond to infectious-disease threats. The International Risk Podcast brings you conversations with global experts, frontline practitioners, and senior decision-makers who are shaping how we understand and respond to international risk. From geopolitical instability and organised crime to cybersecurity threats and hybrid warfare, each episode explores the forces transforming our world and what smart leaders must do to navigate them. Whether you're a board member, policymaker, or risk professional, The International Risk Podcast delivers actionable insights, sharp analysis, and real-world stories that matter.Dominic Bowen is the host of The International Risk Podcast and Europe's leading expert on international risk and crisis management. As Head of Strategic Advisory and Partner at one of Europe's leading risk management consulting firms, Dominic advises CEOs, boards, and senior executives across the continent on how to prepare for uncertainty and act with intent. He has spent decades working in war zones, advising multinational companies, and supporting Europe's business leaders. Dominic is the go-to business advisor for leaders navigating risk, crisis, and strategy; trusted for his clarity, calmness under pressure, and ability to turn volatility into competitive advantage. Dominic equips today's business leaders with the insight and confidence to lead through disruption and deliver sustained strategic advantage.Subscribe for all our updates!Tell us what you liked!

David & Meru spielen unbekannte neue Games. Dazu setzen sie sich einer Challenge aus und müssen zunächst 3 neu erschienene Videospiele für insgesamt 9 Euro bei Steam aussuchen. Den "Draft" könnt ihr auf unserem Discord-Server hören. Diese Games hat David ausprobiert: Ice Age, Wer hat meine Tastenbelegung geändert?, Which Hand? Diese Spiele hat Meru gepickt: Downsizing.exe, 101 Cats in Venice, Last Fisherman Besucht uns auf unserem neuen Discord-Server: https://discord.gg/8nGFUjXzYU Patreon: https://patreon.com/levelcapradio Musik: David Albus Paypal/Email: levelcapradio@gmail.com

Is AI really the end of creativity, or the biggest emancipation of creative energy we've ever seen? How can authors thrive in a time of super abundance, when anyone can make anything? What happens when publishers become technology providers, and agents start shopping for books on our behalf? With Nadim Sadek. In the intro, my AI-Assisted Artisan Author webinars. This show is supported by my Patrons. Join my Community and get articles, discounts, and extra audio and video tutorials on writing craft, author business, and AI tools, at Patreon.com/thecreativepenn Nadim Sadek is a serial entrepreneur and the founder and CEO of Shimmr AI, an AI-powered book marketing company, as well as the bestselling author of children's books and non-fiction books, including Quiver, don't Quake: How Creativity Can Embrace AI. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Using AI as a research partner, editor, and constructive critic when writing a book The ratio of dreaming to execution Why publishers still draw red lines at AI-written words, and why that may change Inside Shimmr's three-engine advertising system: Strategizer, Generator, and Deployer Multimodal interactivity, agentic purchasing, and the idea of the Panthropic You can find Nadim on LinkedIn or at NadimSadek.com. Transcript of Interview with Nadim Sadek Jo: Nadim Sadek is a serial entrepreneur and the founder and CEO of Shimmr AI, an AI-powered book marketing company, as well as the bestselling author of children's books and non-fiction books, including Quiver, don't Quake: How Creativity Can Embrace AI. So welcome to the show, Nadim. Nadim: It is lovely to be here. I feel very privileged to be invited onto this. Thank you. Jo: Oh, I'm excited to talk to you today, and we're really talking about AI. I wanted to start with the fact that you do seem to have a sort of relentless optimism. How do you remain so optimistic about AI when the publishing industry that we both work in seems so overwhelmingly negative? Lift our eyes to the horizon—what is the bigger picture? Nadim: Oh my goodness. That is a big one. I think my optimism is quite confined actually in the area of publishing. If you were to ask me to speak about AI more broadly—which you're not, but I'm going to give you a little bit of it—I've got lots of concerns. That includes the advent of autonomous weapons and economic singularity, where the wealth from AI as an industry is going into just a few hands, and energy usage, and cultural homogenisation, I suppose, and the potential for brain rot. There's a whole pile of stuff which is really not very good about AI, and all the normal things about fraud and theft and so on. However, if you recognise that and then you say what's going on in publishing, then the obvious thing that you first have to deal with is what did happen with copyright. Is it appropriate to say that things have been stolen and taken without permission and so on? It is. It's going through the American courts at one pace. I saw that Penguin Random House have started a case against OpenAI in Germany, where there will be a much faster legal conclusion—a judge's conclusion, I think. This will begin to put parameters on how copyrighted materials can be used, and possibly also some retrospective judgment about what has happened to this point and what can be done about it. So it's good that you've asked questions so early in our conversation, because I think —  It's important to contextualise my optimism. It is whilst noting with regret the behaviour of the AI industry—the models themselves—in not dealing with copyright in the most generous or appropriate fashion. I think we should also recognise that copyright probably wasn't designed for machine learning in the way that it is. Probably the industry wasn't terribly well prepared to note, negotiate with, and navigate the very fast-moving technological culture of AI companies. So I think lots of mistakes have been made on both sides. When you put all that to one side, what's left for me is an amazing emancipation of creative energy and also a huge efficiency being brought to the publishing industry. We can talk about both those things further, but for me that is what's going on. The efficiency of bookmaking and publishing generally—the whole workflow of getting a book out of somebody's head and into a reader's hands—I think is immensely streamlined and improved by AI. Actually, if you talk about it carefully, which I'm sure we will do, the ability of creators to share and let others experience their creative endeavours becomes so much better, so much fuller, so much richer. So that's why I'm excited about it. Jo: Well, let's get into those two things then. You mentioned the emancipation of creative energy, and you've worked with various AI tools as part of your creative and business processes. You've said that AI can be a creative companion. So specifically when it comes to Quiver, don't Quake, for example— How are you using the various tools in such an emancipated way? Nadim: Well, just to put a bit of a broader context on it, we're an AI-native company at Shimmr, and separately I wear a hat as an author. You mentioned the AI books and the children's books. I'm also writing a book about the psychology of motorcycling. So it's a very odd authorial footprint, but it means that I kind of tramp around the place and learn different things. What I've noticed, even within Shimmr, is that the whole team has been using AI tools very differently. Lots of people are very bright in the company. They're all brighter than me, and I salute them and love them. But they've all used AI to become more creative in their own ways. For example, our Chief Commercial Officer is very numerate and logical, and not loquacious. She prefers to say things straight and simply. She has become an unbelievably creative financial modeller and analyst because she uses AI in lots of different ways. So she has flourished and grown so much, and is creative in a way that she never could be before—not only around numeracy and financial matters, but in thinking through new concepts for sales and marketing and for our commercial development. I've just noticed all around me this going on. When it comes to me, I prefer to express myself through writing. I talk a bit as well, as you can tell, but my favourite means of communication is just writing. When I was writing Quiver, don't Quake, I would use AI in a number of different fashions. One would be for research. One of the chapters is about the psychology of creativity. I'm a psychologist, so I tend to come at things from a psychological perspective. What is the psychology of creativity? Well, here comes a million-word answer from an AI—this person said this, this person said that. Then I kind of focused my research in particular areas and assembled them by drawing from the outputs of several AIs about what has been said about AI, what the science says about it, what sociology says about it, what particular creatives that we're all aware of say about it, whether they're in the advertising industry or musicians or artists or whatever. So that was a very rich way of researching things. I would often put a chapter in—this is a slightly different use—a manuscript that I'd written and say, “Read this as if you're somebody just coming across my book, and tell me where the reader might struggle between one paragraph and another, or where there's a logical fallout, or where the concept isn't really very fully excavated and developed.” It would occasionally prompt me to say, “You could probably do with a line that brings the reader from this point to that point.” And usually I listened to that and then wrote something new. In another use case, I eventually gave it the whole book and said, “I think I've done an okay job here and I quite like the flow and I'm sort of satisfied enough, but before I send it to the publisher and say, ‘there you go,' what do you think? Are there any ways in which this book could become a better and more interesting read?” It came back fairly promptly and said, “Well, what you haven't really done is considered what all the naysayers would say. You've done your dark moments of militarism and all that stuff, but what about some of the other stuff closer to publishing or creativity?” So off I went on a new round of research, and did some myself and used the AI for other bits. The funny thing, really the ironic thing here, is that the book is much better, and most people salute the book for the eighth to ninth chapter that talks about the constructive critics. I assemble them all and articulate all their arguments and say how hideous AI is and how terrible it is for the world and all of us. And then I try to repudiate some of them, not in a defensive way, but just to say, actually, yes, that's one perspective and here's another one. That chapter, ironically, about how AI is terrible was prompted by AI. It said, “You should really have a go at me.” And so I did. So that was another use case. Then finally—perhaps I'll say this—I have a friend who is, I think, the Editor-in-Chief of Penguin in India. I got to know her at a book fair or something. We started chatting, and I told her about my kids' books. I said, “I could really do with an editor on these ten books that are due to be published.” She very generously, amiably, and very constructively gave me feedback on each individual book and then on the whole set. I was really happy with it. I said to her, “That was a delight.” She said, “You'd be much better off working with Editrix.” I said, “What's Editrix?” She said, “Well, it's an AI platform I've created where you can go and self-edit.” I said, “You must be kidding. I'd much prefer chatting to you and our interactions.” She said, “Yes, well, go and try it.” So I got an account for the Editrix AI. Off I went, gave it my books, and lo and behold, it came up with some incredibly sophisticated and subtle observations on the books that neither Meru nor I had seen. For example, there's a story where a boy who lives in a house on a hill meets another boy on a bridge, and they end up in a silly confrontation. They're young and foolish, and it sort of transpires that the other boy lived in a local village. Now, I suppose in retrospect, it's pretty obvious that this could be seen to be colonialist, imperialist, and a sense of entitlement from the boy at the top of the hill crossing the bridge first and so on. Hadn't crossed my mind. The AI said, “I can tell from the rest of your writing that you don't really have a sort of racist or imperialist or superior attitude to things, but in this story, there could be a misapprehension that you do.” I thought, wow, what a great warning. So I changed it. There are almost endless ways—and I can tell you others, because I'm writing a book about clouds at the moment—in which AI can help you as an author. I've just shared some of those with you. Jo: Yes, well, I love that. I also use it for research. I definitely use the “give me feedback as a reader avatar, as a reader of this type of genre” or whatever. Nadim: Yes. Jo: I use different tools as well, so I agree with you. All of that is, I think, what a lot of people are doing. You also said you did a lot of the writing and rewriting, so the human was very much there. This was not an AI-generated work in any way. It was using an AI as a sort of collaborator—a creative companion, to use your words—which I think is great. One of the things that AI-positive people like us are finding is that there's so much negativity around the traditional publishers, around other authors, around supposedly negative backlash from readers. I think there's a lot of very noisy people who are probably making this sound worse than it is. Since you are so embedded in traditional publishing in so many ways, how are publishing people thinking about this? Do you think it's just different in terms of the creative side versus say the marketing side? What is happening there, and what do you recommend for authors? Nadim: What I'm observing is that there is increasingly confident adoption of AI for corporate efficiency, which is a polite way of saying where one can see profitability being improved. Could you streamline legal contracting? Yes. Can you manage royalty payments better? Yes. Are there better sustainability prospects with managing a warehouse and distribution and so on with AI? Yes. Could you improve your marketing by looking at competitive titles and trends, and optimising your metadata and your SEO and now your GEO, all using AI? Yes, yes, yes, yes, yes. All of these things can be assisted. Can you manage much more of your backlist, where you don't have the human or financial capital to manage all of those titles in a truly respectful and invested way? Yes, yes, yes. So wherever there's corporate efficiency, I see publishers being increasingly bold about saying they have integrated AI into their workstreams. What's much more tentative and hesitant is where there's discussion of authors—and I do hesitate to use the right words here—being assisted by, employing, working with AI. I kind of shorthand it as creative emancipation. It really means very many different things. Let me give you the example that I referred to briefly a second ago of Cloud Land, which is probably my first real novel. I'm very lucky. I sit working every day at a desk that's got three windows, and I look at the sky, and every day it's different, and I'm fascinated by it. I've been flying around the world since I was very young—my father worked for the World Health Organization, we moved between many countries—so I've also seen clouds from the sky a lot. I've noticed that in different parts of the world there are different cloud formations. It came to me one day that it would be very interesting if the clouds were somehow sentient, and that there is a cloud society, and that Cloud Land lived above human land and absorbed and observed us. Actually, the more I started thinking about it, the more I thought, well, we kind of evaporate. We give off vapour all the time and it rises up to clouds and maybe we're sending DNA signals to it, and it condensates and sends rain and storms and winds and lightning and thunder and all. There's a huge amount of interaction between Cloud Land and human land if you think about it. So I went into an AI. I said, “Hey, I've been thinking about this, blah, blah, blah. Any observations on what I've been saying so far?” I think one of the first things it said to me was, “You are actually playing with quantum physics.” I had no idea what quantum physics were really. I thought, well, this is interesting. I went and researched quantum physics, and actually there is some of that in it. If you count Cloud Land as a creative notion— The original idea, the creativity, came wholly from me, and then the development of it has been assisted by working with AI. I as a creator have spent much more time originating ideas about a story than would historically have been true. I probably would have gone to a library, tried to find the right geography textbook, read up about clouds, discovered what the nomenclature is, thought about whether I could put characters to cumulonimbus versus stratus something or other, and kind of worked my way gradually through it. There is something that I refer to in Quiver, don't Quake, which is what I call the ratio of dreaming to execution. I think previously, without AI, creators would probably spend 80% of their time researching and trying to get information and assembling things and editing documents and spell-checking and doing a whole pile of different tasks None of which I actually dismiss, because I think sometimes those difficult and “menial” tasks give you time to let ideas percolate and flourish and grow. It's just part of the process. But whereas before, I think we probably spent 20% of our time originating and 80% of our time assembling, I think it's inverted now. You can probably do 80% of the time you want creating and 20% of the time fiddling about getting your act together. So I feel that that's a huge emancipation of individual creativity. There's also—and we can talk about this if you wish—I think a much broader sociological phenomenon going on, which is really about every person in the world, all 8 billion of us, being creatives. That's the way I see the world. I think that only a minority of that 8 billion have the gift of craft that we recognise—of writing or drawing or making music or being an architect or a biomedical scientist or something that's creative and assembling things. And AI gives you courage and helps you to identify what you wish to make. I really don't mean creating the artefacts. I don't mean painting or making a song or writing a book. I just mean helping one to express and articulate oneself so that one's creative idea is shareable and experienceable by others. Jo: Well, it's interesting. I mean, everything that we've discussed, you're really saying that the main line is the actual writing of the words, because none of us can articulate how ideas come. Especially with Claude, we might have a creative spark, but I'm sure you've found the same: if I go to Claude, which is my favourite, with my creative spark, by the time we've discussed it, possibly over days, I've lost track of who said what. The idea definitely started with me, because the AI at the moment doesn't have its own creative spark in terms of its own drive to write a book, for example. So it starts with me, but then it goes back and forth, back and forth—sparks new ideas, something it wrote makes me think about something else. I think the difficulty with how publishing seems to be doing this at the moment is that it is just the written words on the page that is their red line around “have you used AI to generate a book?” But even that, I just think, surely that will change. For example, in the publishing industry, ghost writing—or writing dead authors, like Wilbur Smith—I was going to say Wilbur Smith is a good one. I mean, we've seen them, just different dead authors essentially writing in the voice of those people. So I just see that there are many possible places where publishers might want this kind of tool. I don't know— Do you see any openness to the actual words themselves? Nadim: I think you're right to identify that that is the place that it gets stickiest. What you kind of do in your private time—imagining and dreaming things up and interacting—it's a facsimile for talking to your friends or another author or something. It's just an AI companion. So I think that that is, you're right, less scrutinised. It is when one examines the words on the page. It's funny—it's almost as if it's a measure of how hard did you work to do this? Or did you just splatter it down on the page by pressing a button somewhere? It's almost as if, as creatives, we have to evidence that we have suffered, you know? I think there's a different form of suffering when you write with AI. It's true that if you command AI in some way to write for you, the default writing will be pretty anodyne, pretty bland, pretty mundane. It is deliberately so. AI is created and it is tuned to be inoffensive, to please most people, to be accessible to most readers and consumers of it. So it's another thing that I encourage people to do: don't approach AI with a kind of Google mindset where you just do a question and answer—”what time is it in New York now?” “Well, it's five hours behind” or whatever. Instead you say, “Hey, listen, I'm thinking about clouds, but I want a bit of spittle going up and down between the two, and I'd quite like a crazy cloud that harasses us.” Well, now I'm putting in some of my idiosyncrasy and my eccentricity and my personal perspective. The more you do that, the more that even if you did press a button and say, “Command, I want you to write this book,” that will no longer be a bland and mundane bit of output. It'll be very tuned by your interactions, and it'll exhibit some of your nature. So I think there probably are factories—there's always factories. They're probably—and actually I know this—writing a lot of romance, writing a lot of porn, things which are fairly well parametered. You know what happens in both of those genres more or less, so it's pretty easy for a machine to emulate what an author might write there and go and do it. But if you get into something like, “a sand dune was my cousin”—like, okay, well that's a bit different. What do you mean? And there it becomes a much more interesting bit of writing. So I think we're going to see a spectrum. To come back to your question about where publishers draw red lines, I think it's where they just see straight away mundane output that doesn't feel like it had a lot of craft or ingenuity or hard work to it. But I believe that as we go on, that's going to become harder and harder to establish. As we become more sophisticated users of AI, and AI's capabilities to understand us and to work with us become better, then I don't think it'll be such a big question where the words came from. What we'll feast on with each other is our creative ideas and how they're expressed, but not how they were produced. Jo: I mean, I always say to people, I'm not a word generator. That's not what makes me or my books worthy. It is what I do with it. It's the stories I tell, or it's the personal things behind it. So generating millions and millions of words, whether you generate them by typing or handwriting or AI or whatever, it isn't the word generation that is the point. It's all of the things that make that finished thing what it is. So anyway, let's come back to the other thing, because you mentioned that publishers seem very happy around corporate efficiency, anything that drives profitability. You also mentioned that Shimmr is an AI-native company. Now, I, and many people listening—we are a one-person company. So I run my own company. It's a publishing company. I do all my publishing, I do all my marketing, I do all my business as just me. So I also use AI for a lot of this stuff. I wondered— How do you see publishers changing to become more AI-native? How can we as individual author-publishers do that too? Because it feels like a massive mindset shift, not just plug in Opus 4.7 here. Nadim: I have been found saying at various publishing events—and it is deliberately a little bit provocative—that I believe that publishers have always been technology providers to creatives. It's not only what they do, but it is a part that they don't seem to embrace very hard. Even if you just go back to Gutenberg—I mean, here's a printing press, it's a bit of technology. “I'll make your book, I'll make your words into books.” It started there, and it's always been. That applies to distribution and e-commerce and audiobook manufacture and all sorts of other things along the way. So I encourage publishers to accept the notion that what they should do to attract authors in the future is partly—only partly—develop their own house AIs. It can be as ethically trained as that house wishes to deal with the copyright furore. It can be tuned to do editing in a particular way. It can have a specific way of copy editing. It can have a collaborative notion. It can have an assistant that helps you understand genres and hotspots and competitive titles. It can help you to think about, as Americans might say, what's hot and what's not in the world at the moment. So you might be more attuned to what the market demands, if that affects you at all. Some writers don't care, and that's fine. It can certainly help with all the marketing then. How can you produce social media content that's appropriate to your book, and all the rest of it. So I think there's a way in which publishers could massively enable authors. I talk to tons and tons of authors clearly about Shimmr, and what they all resent, I would say, is finding their time stolen by trying to flog their work rather than make it. Jo: Yes. Nadim: So the marketing process is just theft of creative time for most authors, and they hate doing it, and they're often not very good at it, because it's a completely different skillset from creating great stories or writing non-fiction books about particular subjects. So I believe that authors should be embracing the notion that publishers will create their own house AIs. And goodness me, we might even decide which publisher we prefer to go to on the strength of their AI position. Wouldn't that be interesting? But that is what I see the future being. Jo: Yes. I mean, definitely there's some quite significant authors—Dean Koontz, probably one of the biggest—who went to Amazon because of their technical ability around publishing and marketing. He was like, “Yes, I want this because of this.” Not that he'd be in bookshops or whatever—of course Dean Koontz is—but yes, so I think you're right there. For individuals also, as you know, we can use AI to help us market. I upload my books to Claude when they're finished, and I've just been marketing today. I'll say, “create 10 Midjourney images based on this book and give me all the marketing copy.” So I think we can use it now to help us be more efficient. On the other side of that, I think the bigger thing that's starting to happen is marketing is now much easier in one way. Nadim: Yes. Mm-hmm. Jo: So it's getting fuller, or even more. Nadim: Yes. Jo: So how do we deal with this? Because Shimmr is an AI marketing company. How are you thinking about the predominance of very, very good AI marketing now? Nadim: Yes, and it gets better all the time. It's a great question. Obviously, strategically, as an enterprise, we've really had to think about this one. If I go back one step, I always believe that innovation succeeds when it starts in a narrow space. So when Shimmr launched, we put ourselves forward and were quickly embraced, I have to say, as automated advertising that sells books. Nothing particularly more complicated than that. “Okay, you do ads, you automate it for me, and it'll help flog my books. Yes, that's it.” We had a rush. We've worked with about 250 publishers. As you might anticipate, it started with smaller ones, then got bigger. We now work with the biggest as well. That notion of automated advertising selling books was successful. Actually, that was about three years ago—a bit shorter than three years ago. What's happened in that time is that we have now collected a ton of data, and meanwhile the AI models have become more sophisticated and competent. Maybe I should just pause briefly and say what Shimmr actually does. We've got three main engines that are all chained together, to use pretty old language. The first one is what we call the Strategizer. It reads the book, it understands what we call its book DNA. So it's the structural elements of what the narrative is, who the protagonists are, and all the rest of it. It's also a psychological study of it—what's going on, what are the emotions or the values, what are the interests, how they intersect, where are the tensions, all those sorts of things. The Strategizer decides, “Well, reading everything between the covers of this book and understanding the author's intent, this is the best way to put this book forward because here are its strong points.” It hands that off to the second machine, which we call the Generator, which says, “Thanks for the creative brief. I'll make you the ads now.” It does videos and music and captions and all the rest of it. Then it presents its newly baked campaign to the third machine, which is the Deployer, that says, “Okay, well, I know where to find the audiences for this. If that's the DNA of the book and this is the campaign that manifests it, then I know where to find these people.” It goes and autonomously deploys it in various media channels to specific audiences who might be interested in that content. So that's what we started doing, and that generated a huge amount of data. Where we've got to recently—really in the last six months—is understanding that, as you've just said, most people can generate their own stuff. So in some ways they can look just like a mini Shimmr. The thing that differentiates the content is always the strategy. What we have learned to do now—and it's because of an agentic framework—is we've moved beyond what's between the covers of the book to look at life. We look at culture, what's going on, what are the trends, what's in and what's out. Even if you take a particular trend—let's say, fascism—what's the language associated with it that's being treated positively and respectfully, and what's the stuff that leads to it being dismissed straight away? All those sorts of nuances around everything. But equally, as well as going deep with a set of agents on what fascism might be in today's culture, we also go wide and say, “Well, how does that sit next to loyalty or hedonism or ambition or something else?” So we get this very, very circumspect analysis of the market. Then, indeed, if you do write a book about—I'm really going off-piste here, but you know, the hedonism of fascism, like, God, that would be a weird book—you discover that actually you're not really competing with another book, but you are competing with that specific podcast and this movie that came out, and another movement that's born in Italy but it's moving across Europe now or something. So we were able to produce strategies which now lead to a much broader offer, one which is much more sophisticated and much more likely to drive success in a book or in a creative enterprise. It informs product listings, metadata, author communications, PR, SEO, GEO, and of course the thing that we started with, advertising. So things that you see made by Shimmr should be much more resonant and much more attuned to the world, and commercially much more likely to drive success, than simply saying, “Here's a book, make ten Midjourney images out of it.” Jo: Mm-hmm. Nadim: It's really about the quality of the briefing and the quality of the assets that you're able to produce by having a much more sophisticated Strategizer. So we've gone back into the intellectual property and the human analysis, in a way, of the world. To understand where a specific piece of creative work sits in culture and society has become a much bigger proposition. Jo: Right. So you did mention podcasts there. So as in, you might present to a publisher “these are the podcasts that they should pitch” for example? Nadim: There's that, of course, but it's also, don't think that this book is competing with these three titles which your team put together. It's more that, if people want to listen to hedonistic fascism, they can listen to that podcast before they read this book. Jo: Okay, that's interesting. Interesting times. So we don't have much time left, but I think one of the biggest questions that people have—even if they're AI-positive, as I am and many people listening are—it's not that we're worried about AI replacing us, because we know we're individuals and all that, but we are slightly concerned about the volume of books in the market. And not just books, but TV shows and YouTube and TikTok. It's very hard to stand out. You do say in the book: “When anyone can make, maybe creativity lies not in the making, but in making others care.” How can I move up the value chain? So for many of us who make an income this way, what are your recommendations? Nadim: Great question. And actually I think it's really central. My latest catchphrase is that in a time of super abundance, we need super discoverability. So it's exactly as you just said—tons of work, tons of movies, tons of podcasts, and tons of everything. If you believe in what I've been saying, which is that we're emancipating the creative spark of 8 billion people, there's going to be even more. So I believe that the solution is what I call multimodal interactivity. That doesn't mean multimedia—it means multimodal. Multimodal means you can engage with an experience in different modalities—the same idea. So my conviction is that if you write a book or make a painting or have a piece of music that you've come up with—or anything really, creatively—and you wish it to both survive the first six weeks of its birth and then thrive in a more perpetual way in society and culture, then people have to be able to experience and engage with your idea in multiple modalities. I would always write a book, because that's what I do. Others produce a podcast or write a piece of music—whatever the same sort of things. Any one of us needs to make sure that that reappears and is experienceable and interactable with in different modalities. So my book should have some Instagram reels. There might be YouTube shorts, there might be a podcast, there might be a piece of music associated with it, it could be a movie. It could be a game, it could be an app. You really have to think about allowing your creative idea—more than your creative artefact—to live in culture. Sure, you want to make an income from the artefact that you are good at producing. As many of your listeners, and I, would be writers of books, we want that to persist as a revenue stream, and it should do. I would simply argue that making sure that whatever you've produced in your book is manifest, and people can interact with it in other modalities, is the surest way to get it seen and discovered. Jo: Yes, it's interesting. I've actually started looking at making my non-fiction books into skills. Nadim: Yes. Jo: And also making markdown MD files—books as markdown files for agents to buy. Nadim: Very good. You are way ahead of the curve. Jo: Well, I sell on Shopify, as do many listeners, and Shopify, as I'm sure you know, is now enabled for agentic purchasing. We are in ChatGPT. So it's really interesting to think, well, if the agents go shopping for people now and in the future, what you want is to be able to find it. Also, I haven't actually put an explicit licence, but people email me and say, “Can I upload your books into an LLM?” And I'm like, “If you buy a copy from me, then yes, you can.” Nadim: Yes. Jo: So I think it's changing. And as you say, I do think that people are more and more going to want to say “buy the PDF and put it in NotebookLM” or use it as a skill. Nadim: That's right. Jo: That kind of thing. Nadim: Yes, and then they go on a walk with their dog and they listen to the podcast about your book, which they've created on NotebookLM. It's exactly that. I think my worst fear for publishers is that they lose so much of the value chain—distribution, creative collaboration, all sorts of things along the way—that the worst position they could end up in is simply as book manufacturers, which would be just one small manifestation of a creative idea. Jo: Well, I'm excited about the future. I hope you are too. I think you are. What are you particularly excited about in terms of the changes coming? Nadim: Well, if I can be my most extravagant now, my greatest excitement about AI and the changes that are coming are that it'll produce what I describe as the Panthropic. The Panthropic is a way of seeing AI not as a companion or some anthropomorphic being, but instead the repository of everything that humans have ever thought or felt or created or shared, accessible to us all in an anonymised way. It's just a repository of interactable information. My excitement about it is that the liberation that that gives to information—which becomes knowledge, which of course we all know leads to some power—should result in truly new thinking, new philosophy, new spiritualism, possibly new questions about what it is to be a human being and what life on Earth is all about. New economics, new employment, new education. I think one can too easily underestimate the massive liberation of intellectual consideration and creativity that's about to surf across the globe, and I'm so excited by it. Jo: Mm-hmm. Yes, me too. Very interesting times ahead. So where can people find you and your books and everything you do online? Nadim: I think the easiest thing is just to go to LinkedIn and find me there as Nadim Sadek. You can also go to my personal website, which is NadimSadek.com, and that'll take you wherever you want on different journeys and different parts of my career. It'll also give you links to books. Of course, they're available in all formats—audio, paperback, ebook—and in many different languages, all through Amazon and other platforms, and Spotify and Audible and all the usual things. Jo: All the usual things. Well, thanks so much for your time, Nadim. That was great. Nadim: It's a pleasure. Thank you so much for having me.The post AI, Creativity, And The Future of Publishing with Nadim Sadek first appeared on The Creative Penn.

এখানে আমরা নানান স্বাদের গল্প শোনাতে আসি।এই গল্প সফরের সঙ্গী হতে সাবস্ক্রাইব করে ফেলো আমাদের ইউটিউব চ্যানেল @Storyholics Join this channel to get access to perks:https://www.youtube.com/channel/UCFaWMzH6zynvDM8zu8YPSeQ/join✴️ Sponsor:এই ভিডিওটি স্পন্সর করেছে Oxidised Trends Hub (by S.S)এখানে তোমরা বিভিন্ন রকমের অক্সিডাইস জুয়েলারি এবং আরো অন্যান্য জিনিস নিজের পছন্দমত কিনতে পারবে।ফলো করো Oxidised Trends Hub এবং কেনাকাটার জন্য কন্টাক্ট করো নীচে দেওয়া লিঙ্ক এবং নাম্বারে। আর কেনার সময় নিচে দেওয়া প্রোমো কোড ইউজ করে তোমরা পেতে পারো upto 10% discount.• Promo Code: STH19• Whatsapp number - 7980582840Follow the Oxidized Trends Hub ( By S.S) channel on WhatsApp: https://whatsapp.com/channel/0029VbAxHUz5PO0uySyOtt27

David und Meru sprechen über den Einsatz von KI in der Welt der Videospiele. Ein paar Quellen: https://arstechnica.com/tech-policy/2025/03/openai-urges-trump-either-settle-ai-copyright-debate-or-lose-ai-race-to-china/ https://thisweekinvideogames.com/news/epic-games-begins-rollout-of-ai-powered-npc-tools-in-unreal-editor-for-fortnite/ https://www.thegamebusiness.com/p/one-of-the-worlds-biggest-game-makers https://www.heise.de/en/news/Google-s-new-AI-tool-causes-gaming-stocks-to-plummet-11162226.html https://www.musicbusinessworldwide.com/a-folk-musician-had-her-voice-cloned-by-ai-and-her-recordings-claimed-by-a-copyright-troll-welcome-to-2026/ https://www.bloodinthemachine.com/p/how-ai-is-killing-jobs-in-the-tech-f39 Besucht uns auf unserem neuen Discord-Server: https://discord.gg/8nGFUjXzYU Patreon: https://patreon.com/levelcapradio Musik: David Albus Paypal/Email: levelcapradio@gmail.com

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EP 630 Jasper Murume: Witchcraft in Meru, My Faith Journey & The Nairobi Scam That Changed Me

“Cartes imaginaires” Inventer des mondesà la BnF I François-Mitterrand, Parisdu 24 mars au 19 juillet 2026Entretien avec Julie Garel-Grislin & Cristina Ion, conservatrices au département des Cartes et plans de la BnF et commissaires de l'exposition,par Anne-Frédérique Fer, à Paris, le 23 mars 2026, durée 17'25,© FranceFineArt.https://francefineart.com/2026/03/23/3703_cartes-imaginaires_bnf-francois-mitterrand/Communiqué de presseCommissariat :Julie Garel-Grislin & Cristina Ion, conservatrices au département des Cartes et plans de la BnFL'exposition Cartes imaginaires. Inventer des mondes invite les visiteurs à un voyage aux frontières du réel et de la fiction, à la découverte des liens entre cartographie et imaginaire. Car si les cartes tracent d'ordinaire les contours de terres connues, elles donnent également forme à des territoires imaginaires qui prolongent, interprètent ou personnalisent le monde réel. Conçu comme une expérience sensorielle et immersive, avec une attention particulière portée à la lumière et aux ambiances sonores, le parcours de l'exposition plonge les visiteurs dans des mondes inexplorés, mythiques ou littéraires. Il permet d'admirer 200 oeuvres mêlant parchemins médiévaux et art contemporain, atlas et livres imprimés, dessins et jeux vidéo.Passant du paradis terrestre à l'Atlantide, de l'Eldorado au monde de Narnia et des territoires de Game of Thrones à ceux d'Assassin's Creed, les visiteurs découvrent de nombreux chefs-d'œuvre cartographiques conservés au département des Cartes et plans de la BnF, ainsi que des prêts majeurs du musée Guimet, de la British Library, de la Bibliothèque bodléienne d'Oxford, de la Bibliothèque royale de Belgique et de la Bibliothèque apostolique Vaticane. Ainsi rassemblées, ces pièces d'exception font dialoguer différents espaces-temps, suscitant la réflexion, l'amusement ou la rêverie, et rappellent qu'il est nécessaire d'imaginer le monde pour pouvoir le représenter.Parcours de l'exposition – Un voyage en quatre escalesL'exposition conduit les visiteurs de tout âge au plus près de trésors rarement montrés au public et se déploie en quatre escales.La première nous entraîne dans les mondes inexplorés et plonge le visiteur au coeur de l'iconographie cartographique.Au-delà des tracés géographiques, les cartes intègrent des figures fabuleuses empruntées aux sources antiques et religieuses et transmises à travers les encyclopédies médiévales. Ces créatures peuplent les marges des terres connues et témoignent de la manière dont l'imaginaire se projette sur les territoires à découvrir.Le visiteur explore ainsi cinq continents, en compagnie de créatures chimériques qui seront progressivement chassées des cartes au XVIIIe siècle.La seconde présente les mondes légendaires, ces lieux imaginaires que l'on a crus réels.Mêlant réalité et merveilleux, les cartographes leur ont attribué une localisation terrestre : l'Atlantide, le royaume du prêtre Jean, l'Eldorado ou le paradis terrestre prennent forme sur le globe. Cette section entraîne le visiteur à la lisière des mondes terrestres et célestes. Les cartes extra-occidentales, notamment bouddhistes avec la représentation du mont Meru, témoignent d'une volonté d'ancrer dans l'espace des lieux mythiques à forte charge symbolique et cosmologique.La troisième explore les mondes littéraires, où la fiction émancipe les constructions géographiques de la réalité. Ces cartes imaginaires confèrent une consistance aux univers narratifs, du réalisme à la fantasy. Le visiteur déambule ainsi de L'Île au trésor à Narnia, de Final Fantasy à Game of Thrones.Pour clore le voyage, la quatrième escale considère la carte dans sa dimension évocatrice et subjective et fait dialoguer œuvres anciennes et oeuvres d'artistes contemporains qui s'inspirent de la cartographie. L'art déconstruit le dispositif cartographique pour révéler la construction d'une vision collective de l'espace, montrant que toute représentation du monde naît de l'imaginaire. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Award-winning filmmaker Quinnolyn Benson-Yates made her first feature documentary before film school—and its seven-year journey from short film concept to PBS distribution holds lessons every indie filmmaker needs to hear.Epic Bill follows an endurance athlete who lost everything when his video rental empire collapsed (thanks, Netflix). Bill's mantra—“show up and suffer”—became Quinn's filmmaking philosophy as she navigated polar vortexes, battery failures in -50° weather, and the brutal realities of distribution. In this episode, she shares how she cut a 93-minute film down to 56 minutes for PBS, why credibility matters more than connections, and the uncomfortable truth about what distribution actually solves.DocuView Déjà Vu:Free Solo, 2018, 100 mins, Watch on on Disney + Package / Hulu, IMDB Link: Free Solo (2018) ⭐ 8.1 | Documentary, Adventure, SportMeru, 2015, 90 mins, Watch on Prime Video, IMDB Link: Meru (2015) ⭐ 7.7 | Documentary, SportCrip Camp: A Disability Revolution, 2020, 106 mins, Watch on Netflix, IMDB Link: Crip Camp (2020) ⭐ 7.7 | Documentary, HistoryWhat You'll Learn:Why “fail early, fail often” should include “fail sustainably”How archival footage transformed a short film into a featureThe PBS application process (NETA) and what it requiresWhat intermediaries like Bitmax do for Apple TV/Amazon distributionWhy distribution doesn't make your career—you doAbout Quinnolyn Benson-YatesQuinnolyn Benson-Yates is an award-winning filmmaker with an MFA from USC School of Cinematic Arts. Her feature documentary Epic Bill gained nationwide PBS distribution with promotions on CNN and SiriusXM, and is now available on Amazon and Apple TV. She's a two-time winner of Santa Barbara International Film Festival's 10-10-10 competition, and her short film Miss River screened at Palm Springs LGBTQ Film Festival. Her most recent short, a Western comedy called Man, premiered at Austin Film Festival. She's currently developing her first narrative feature about a middle school girl starting a punk band with her dad—inspired by her own childhood as an eight-year-old punk rock singer.Website: QBY | Film: Epic Bill - The Film | Instagram: @‌quinnolynIf you're enjoying the show, please subscribe and leave a review!Sponsor: Virgil Films http://www.virgilfilms.com/Support us by buying merch or watching our films: https://documentaryfirst.com/Follow our Substack Blog: https://documentaryfirst.substack.com/Join our newsletter (bottom of page): https://thegirlwhoworefreedom.com/Donate to help us tell more stories: https://givebutter.com/LivingStoriesLtdSupport us on Patreon00:00 Introduction04:27 Quinn's journey: punk rocker to USC film grad06:44 Current projects: narrative feature development08:02 Epic Bill origin: short film becomes seven-year feature10:08 Why documentaries take so long13:22 Bill's philosophy: “Show up and suffer”17:35 Applying endurance athlete lessons to filmmaking21:59 Filming in extreme conditions as a new filmmaker25:26 Fail early, fail often—fail sustainably27:01 Hardest scenes: -50° battery failures and emotional breakthroughs30:44 Bill's financial story: millionaire to bankruptcy33:57 What beliefs needed to die for Bill to succeed38:52 Leslie Murphy: the stakes character (Free Solo comparison)43:36 The PBS path: NETA application and cutting from 93 to 56 minutes46:33 Bitmax and Apple TV/Amazon distribution51:02 Deliverables that surprised her54:13 CNN and SiriusXM promotion: cold emails and pitch packets56:45 Industry Stress Test: Plan A, B, C when nobody's buying1:00:04 Uncomfortable truth: distribution doesn't make your career1:01:01 Practical tool: scene-by-scene film study method1:03:49 DocuView Déjà Vu: Free Solo, Meru, Crip Camp

Radical Mondays With Ronald Meru | Magical Kenya Open by Capital FM

En esta ocasión jugamos a ¿qué prefieres? con preguntas de nuestra comunidad de Patreon donde contestamos preguntas como: ¿Orinar una uva o cagar una piña? ¿Shot de regla de tu mamá o de semen de tu papá? ¿C*gerse a un tipo que no conoces o c*gernos entre nosotros? y más situaciones imposibles. MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada0:00 Intro4:45 ¿A qué sabe un vasito de saliva de un vigilante?6:09 Un "qué prefieres" muy personal6:28 ¿Tu mamá en el cuerpo de tu novia o tu novia en el cuerpo de tu mamá?9:07 ¿Quejarte con un indigente o decirle "te entiendo" a alguien en silla de ruedas?11:00 ¿Tu música favorita o tu comida favorita?11:18 ¿C*ger mal o comer mal?13:16 ¿Volver al pasado con nuestros conocimientos o ir al futuro con $250.000?17:10 ¿Orinar una uva o c*gar una piña?21:25 ¿Que todo lo que comas sea gratis o que todos tus vuelos sean gratis?24:11 ¿Que tu hija salga con alguien como tú o que tu hijo pase por todo lo que has pasado?25:04 ¿Pelearse todos los días con un gallo o dos veces al mes con un orangután?26:18 ¿No tener brazos y piernas o no poder ver ni escuchar?26:48 ¿Girar con hemorroides o con diarrea?27:47 ¿Solo consumir contenido viejo o solo contenido nuevo?31:14 ¿Tener una TV vertical y poder caminar por las paredes o TV normal y caminar por el piso?31:55 ¿C*ger con Sydney Sweeney con tu mamá viendo o perder la oportunidad?32:26 ¿Que te digan "tu mamá es p*ta" o "tu papá es m*ricón"?32:44 ¿Perder el tacto o perder el gusto?33:00 ¿Que tu pareja tenga acceso a tus conversaciones o a tu ChatGPT?33:15 ¿El primer 15% de una mamada o el último 15%?35:21 ¿Que tus suegros te odien o que estén atraídos por ti?35:48 ¿Poder hablar con todos los animales o todos los idiomas?37:00 ¿Saber cuándo te vas a morir o saber de qué te vas a morir?37:47 ¿Oler mal siempre y ser gracioso u oler bien pero no darle risa a nadie?38:22 ¿Tener la razón y caer mal o ser querido y bruto?38:32 ¿Estar en la lista Epstein o en el gobierno de Maduro?39:47 ¿Shot de regla de tu mamá o de semen de tu papá?40:14 ¿Que el 2026 sea el peor año de tu vida o vivir los últimos 4 años buenos?41:04 ¿C*gerse a un tipo que no conoces o c*gernos entre nosotros?41:46 ¿C*gar poquito cada hora o una vez a la semana del tamaño de un gato?42:52 ¿Ser olvidado al morir o ser recordado por algo horrible que no hiciste?43:05 ¿Que no se te pare por 5 años o quitarle 5 años de vida a tu mamá?45:38 Outro

En esta ocasión hablamos de la realidad actual de la industria p*rnográfica y del candidato a gobernador de Florida que quiere imponer un "impuesto al pecado" para las personas que crean contenido para OnlyFans. Además, conversamos sobre la primera vez que Chris fue a comprar condones y de cómo sería un episodio de Escuela de Nada en OnlyFans.MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada0:00 Intro1:44 ¿Los tatuajes están pasando de moda?3:47 ¿Las mujeres cargan condones en la cartera?7:04 La primera vez que Chris fue a comprar condones9:39 La evolución de los juguetes s*xuales11:01 Los países con mayor industria p*rnográfica17:10 El OnlyFans de Escuela de Nada20:32 El impuesto al pecado23:52 La razón por la que hay tantas onlyfaneras27:59 ¿A la sociedad le hace daño el p*rno?29:30 Viene la caída de los influencers31:17 Las mejores actrices p*rno no son las más bonitas31:12 ¿Cómo es una persona que hace webcam en la intimidad?36:00 Así va a ser el 2026 en EDN

En esta ocasión hablamos de los anime que hemos visto, cómo nos quedamos atrasados en este mundo y Guille nos explica cuáles animes deberíamos ver. Además, conversamos de las maravillas del mundo que hemos visitado, cuáles creemos que deberían ser consideradas las nuevas , y si el mundo de los Legos pasó a ser un hobby de adultos.MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada0:00 Intro3:36 A los brasileños les dan risa los memes en español6:05 ¿Cuántas maravillas del mundo conocemos?9:09 Creamos las nuevas nuevas maravillas del mundo10:43 Lego ahora es para adultos13:15 La mamá de Leo es gamer14:10 Los videojuegos mueven muchísimo más dinero que el cine16:40 El videojuego de Escuela de Nada20:26 Escuela de Nada no entendiendo Pokémon por 7 minutos27:40 El power ranger verde original aprendió a robar casas por su papel30:00 ¿Dragon Ball es el mejor anime de la historia?31:19 La cronología del anime para millennials según Guille35:14 El anime toca temas realmente profundos36:12 ¿Escuchamos opening de anime en la calle?37:45 Entendiendo Chainsaw Man39:25 El anime con mejores gráficos del mundo40:43 Los premios al mejor del anime del año42:47 ¿Qué anime deberíamos ver?46:39 Outro

En esta ocasión, Daniel y Guille nos cuentan cómo empezó su convivencia como roomies, las reglas de un buen roomie y todo lo que define a uno malo. Además, hablamos de qué pasa cuando uno se enamora, cómo cambia la dinámica de la casa y si hay que avisar antes de mudarse con la novia.MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada0:00 Intro2:30 Los roomates3:45 Guille vivió en el estudio5:54 La RooMamá6:52 Son roomates por accidente7:58 Leo fue garante del apartamento de Daniel9:29 Roomates del destino10:38 Las Perras de Daniel y Guille12:19 Guille dejo mal a una casera12:58 Daniel en su momento más desesperado13:56 La convivencia entre roomates15:14 Daniel y Guille son unos desordenados17:18 El peo más grande que han tenido20:09 Anatomía de un buen roomate21:07 El amor cambia a los roomate23:02 Daniel tuvo un roomate gay25:18 ¿Se le cobra renta a la novia del roomate?28:46 Guille Fue Rappi del amor29:35 Lo que más le molesta a Daniel de Guille31:34 Lo que más le molesta a Guille de Daniel34:38 Guille y Daniel cambian mucho cuando tienen pareja35:18 Las áreas comunes roomisticas36:32 Daniel prueba los límites de la heterosexualidad37:20 Los roomates se ven los p*nes37:53 Daniel le quiere ver el p*ne a Leo38:44 El pre aviso de mudanza amorosa40:43 Se renueva contrato roomistico?41:25 El aprendizaje entre roomates43:35 Chris odia el corte de Guille44:15 ¿Qué han aprendido como editores?46:03 Las autistadas históricas de Guille48:04 Deal breakers de roomate49:10 Miedos de ser roomate

En esta ocasión hablamos del viaje de Leo a China y Japón y de las principales diferencias entre estos dos países. Nos contó anécdotas del viaje, como las costumbres al comer en China y los famosos eructos, lo mejor de Tokyo y su culto a Dragon Ball. Además, debatimos sobre las diferencias de belleza entre Oriente y Occidente y cómo en Latinoamérica aún no tenemos ciertas tecnologías.MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada0:00 Intro1:52 El 2025 se cerraron muchos ciclos6:14 Chris casi pierde su vuelo el día de la caída de Maduro8:30 Nacho está en la etapa hakuna matata de su vida9:58 El viaje de Leo a China y Japón13:10 ¿Hay muchos extranjeros en Japón?16:15 La burocracia para entrar a China18:00 ¿Cómo es el vuelo a Japón?20:05 ¿A qué huelen Japón y China?21:00 La principal diferencia entre China y Japón24:59 ¿Cómo es posible que no tengamos esta tecnología en occidente?26:20 ¿Cómo es la comida en China y Japón?28:25 ¿Hay mendigos en China?29:13 El edificio de 7 pisos de puros repuesticos de teléfonos en Shanghái31:44 ¿Cómo se consigue un buen hotel en Tokyo?34:50 ¿Cómo es recibir el año nuevo en Tokyo?37:58 En China no puedes usar ninguna red social occidental39:37 ¿Cómo es un día turístico en Japón?45:20 ¿Comeríamos comida venezolana en Japón?47:30 No se puede fumar en la calle en Tokyo48:54 Los templos asiáticos son impresionantes51:45 El culto a Dragon Ball en Tokyo53:18 Los precios en Japón vs China54:08 Leo fue a Disney en Shanghái57:05 La moda de Japón vs China58:10 La razón por la que Hong Kong es tan diferente al resto de China1:02:58 El turismo de la miseria es rarísimo1:05:10 Leo fue a un café de conejos que olía a m*erda1:05:30 Hay lugares en China que parecen abandonados1:06:57 En China no le tienen ningún asco a eructar en público1:10:38 Outro

En esta ocasión hablamos de las cosas materiales que más deseamos. Además, conversamos de cómo Chris se marea en los Tesla, si es deprimente vivir solo en una casa muy grande y qué compraría Daniel con 2 millones de dólares.Gracias a:MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada0:00 Intro3:40 ¿Se dice lagaña o legaña?4:38 Leo se peleó con ChatGPT6:40 No está mal querer cosas materiales8:03 El sueño de Leo es tener una casa muy grande11:27 Tener mucho espacio para ti solo es muy deprimente11:25 Chris quiere tener un apartamento en Nueva York19:13 Todos somos malcriados con algo21:30 Nuestros sueños materiales28:35 ¿La tecnología va a bajar de precio?30:08 Chris se marea en los Tesla33:20 Nuestro carro soñado35:00 ¿Cómo funciona traer un carro de otro país?38:40 Queremos dinero para tener acceso a lo que nos de la gana45:30 Los toderos de los millonarios47:30 ¿Es más fácil hacer plata hoy en día?51:00 ¿Qué compraría Daniel con 2 millones de dólares?

En esta ocasión hablamos de los efectos que puede tener en una persona vivir en una ciudad caótica y por qué la gente está empezando a migrar hacia pueblos más tranquilos. Además, conversamos sobre las estafas de Black Friday y qué pasa si te quedas encerrado en el baño de un hotel.Gracias a:MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada0:00 Intro2:15 Madrid en diciembre es un caos total3:28 Las ofertas de Black Friday son una estafa5:13 ¿Cuál es nuestra reacción cuando vemos una protesta?6:35 ¿Cuánto gana una persona en Primark?9:00 ¿Qué pasa si te quedas encerrada en el baño del hotel?15:00 El teléfono misterioso en los baños de hotel18:04 ¿Te meterías los dedos en el c*lo para deshincharte?20:36 Las cuentas de TikTok de desocupas en España24:40 No hay nada como estar en tu casa25:39 Atraparon a Chris haciéndose una paja27:10 Los seres humanos no estamos diseñados para vivir en la ciudad31:57 ¿A qué pueblo emigrarían?

En el último episodio del año hablamos de Las mejores y peores cosas que pasaron en el 2025. Además, conversamos de cómo puede ser el 2026 y qué va a pasar con la burbuja de la inteligencia artificial el próximo año. GRACIAS A:NordVPN Deal ➼https://nordvpn.com/ednDeal exclusivo de 4 meses gratis.MERU ➼ la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.0:00 Intro2:33 La teoría de por qué la gente no se suelta en público3:40 ¿Cómo serían nuestras vidas sin internet?4:24 ¿Qué sabemos del 2026?6:01 Puntuamos el año 2025 de cada uno14:00 La teoría de la era "post veneca" de Leo18:42 El verdadero aporte cultural de Bad Bunny20:30 Este año vendimos la arepa más barata22:55 Tuvimos invitados increibles27:50 Recuento de lo mejor del 2025 de EDN29:55 Los famosos que murieron este año30:40 El mejor momento del año según Nacho32:50 Este año nació el Italian Brainrot33:30 Cuando Venezuela sea libre vamos a:37:15 El nuevo Papa37:45 Este fue el año en que explotó la inteligencia artificial41:05 Predecimos que bandas volverán en el 202641:40 El 2025 es el año del slop45:19 Los cambios en Escuela de Nada46:08 Cómo fue el primer año de Guille en México49:05 OutroSi quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada

En este episodio regalo seguimos hablando en el lado B con Sascha Fitness sobre la relación entre ser genuino y el éxito. Además, hablamos sobre cómo es una lotería tener química con tus invitados del podcast y qué le faltaría por hacer antes de morir.Gracias a:MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaY por último, síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenadaDiscord: https://discord.com/invite/S8bYM6A0:00 Intro0:40 ¿Cuánto dinero es suficiente?5:15 La relación entre ser real y el éxito11:20 Salir con gente que gana menos que tú13:40 ¿Lo genuino va a dejar de vender?16:36 La lotería de los invitados de EDN20:33 ¿Qué conciertos le gustaría ver a Sascha Fitness?22:16 Amor a las canciones tristes

En esta ocasión hablamos de la broma de cámara oculta que le hicieron a Chris y cómo reaccionaríamos si nos hacen bromas en la calle. Además hablamos de la nueva gripe aviar que está dando y de si la cantidad de pastillas que tomamos hoy en día nos hace daño.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaGracias a:NordVPN Deal ➼ https://nordvpn.com/ednDeal exclusivo de 4 meses gratis.MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Y por último, síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenadaDiscord: https://discord.com/invite/S8bYM6A0:00 Intro 3:50 ¿Está dando un nuevo virus?7:46 Las últimas palabras de Ozzy Osbourne11:10 Los lugares que más daño te pueden hacer14:37 ¿Chris se volvió dependiente de las pastillas para dormir?16:36 La verdad sobre la gripe de hombre18:55 ¿Cuántas pastillas tomamos todos los días?24:03 El proverbio chino de Chris Andrade31:21 ¿Cómo se debe reaccionar a una broma de cámara oculta?37:17 La gente que habla bien de ti y luego te lo saca en cara40:55 Las interacciones más raras que hemos tenido en la calle

Otro episodio en vivo de Escuela de Nada. En esta ocasión hablamos sobre la ceremonia del premio Nobel de la Paz y de cómo pudo haber salido María Corina de Venezuela. Además, conversamos del buque petrolero venezolano incautado por Estados Unidos.Gracias a:NordVPN Deal ➼ https://nordvpn.com/ednDeal exclusivo de 4 meses gratis.MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada0:00 Intro3:06 Se viene la vida sentimental de Leo en Patreon 4:36 La ceremonia del premio Nobel de la paz8:00 ¿Los lentes que graban son niches?13:55 Danny Ocean cantando el Alma Llanera nos destruyó15:10 La salida de María Corina Machado de Venezuela23:15 Estados Unidos incautó un buque petrolero venezolano25:35 Estamos en medio de una batalla mediática36:00 El tío de Guille escribió la canción de cumpleaños venezolana 43:20 ¿Cómo pudo haber sido el escape de María Corina Machado?1:00:50 Esperamos la salida de María Corina en Oslo1:04:30 Los momentos más icónicos de la dictadura1:07:40 Leemos sus comentarios1:13:35 Fantaseamos con ir a Venezuela1:16:00 Outro

En esta ocasión hablamos de la posible compra de Netflix a Warner y cómo podría afectar al cine para siempre. Además, conversamos de la razón real por la cual las empresas millonarias siguen gastando tanto dinero. Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenada Gracias a: NordVPN Deal ➼ https://nordvpn.com/edn Deal exclusivo de 4 meses gratis. MERU, la billetera digital global que te permite manejar tu dinero sin fronteras. Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app. Y por último, síguenos en nuestras redes sociales: ESCUELA DE NADA  Instagram: https://www.instagram.com/escueladenada/ Twitter: https://twitter.com/escueladenada Tik Tok: https://www.tiktok.com/@escueladenada Facebook: https://www.facebook.com/escueladenada Discord: https://discord.com/invite/S8bYM6A 0:00 Intro 4:15 Chris se desesperó y se afeitó completamente 7:00 Chris intenta explicar el corte de pelo de los sifrinos  11:30 ¿Netflix compró Warner Bros? 11:15 ¿Está muriendo el cine? 21:04 El origen de Netflix 23:08 El lost media y tener el contenido en físico 24:45 Por esta razón las empresas millonarias gastan tanto dinero 26:54 HBO y la polémica de Mad Men 29:00 Hulu es la mejor plataforma para ver stand up 33:27 Regresó la piratería con todo 37:30 Estamos hartos de que el contenido esté dividido en tantas plataformas 41:15 La experiencia del usuario está por el piso 43:48 La burbuja de la IA en el entretenimiento 48:30 Cada vez es más difícil estar al día con todo el contenido Learn more about your ad choices. Visit megaphone.fm/adchoices

Los dealbreakers más específicos de relaciones - EP #699 En esta ocasión conversamos sobre los mayores deal breakers en una relación y si es posible soportarlos cuando te gusta mucho esa persona. Además, leemos los tweets de Petro luego de que descubrieran que gastó 40 euros en un burdel y Chris nos contó cómo se enteró su contadora que pagaba Only Fans. Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenada Gracias a: NordVPN Deal ➼ https://nordvpn.com/edn Deal exclusivo de 4 meses gratis. MERU, la billetera digital global que te permite manejar tu dinero sin fronteras. Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app. Y por último, síguenos en nuestras redes sociales: ESCUELA DE NADA  Instagram: https://www.instagram.com/escueladenada/ Twitter: https://twitter.com/escueladenada Tik Tok: https://www.tiktok.com/@escueladenada Facebook: https://www.facebook.com/escueladenada Discord: https://discord.com/invite/S8bYM6A 0:00 Intro  2:06 Cómo es llegar a presentar un show en Uber 6:17 Chris no nos esperó para ir al museo 13:37 Descubrieron que Petro fue a un burdel en España 19:16 La historia de cuando Chris pagó Only Fans 24:08 Padre e hijo se confiesan anécdotas s*xuales 30:30 ¿Salir con alguien religioso es un deal breaker? 33:40 Chris dejó de salir con alguien porque no sabía inglés 38:00 ¿El dinero es un deal breaker en una relación? 45:00 ¿Cómo es tener un novio vasco? 52:35 Para ella los latinos son un deal breaker 56:40 Es difícil tener una pareja extranjera por la diferencia de códigos Los dealbreakers más específicos de relaciones - EP #699 En esta ocasión conversamos sobre los mayores deal breakers en una relación y si es posible soportarlos cuando te gusta mucho esa persona. Además, leemos los tweets de Petro luego de que descubrieran que gastó 40 euros en un burdel y Chris nos contó cómo se enteró su contadora que pagaba Only Fans. Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenada Gracias a: NordVPN Deal ➼ https://nordvpn.com/edn Deal exclusivo de 4 meses gratis. MERU, la billetera digital global que te permite manejar tu dinero sin fronteras. Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app. Y por último, síguenos en nuestras redes sociales: ESCUELA DE NADA  Instagram: https://www.instagram.com/escueladenada/ Twitter: https://twitter.com/escueladenada Tik Tok: https://www.tiktok.com/@escueladenada Facebook: https://www.facebook.com/escueladenada Discord: https://discord.com/invite/S8bYM6A 0:00 Intro  2:06 Cómo es llegar a presentar un show en Uber 6:17 Chris no nos esperó para ir al museo 13:37 Descubrieron que Petro fue a un burdel en España 19:16 La historia de cuando Chris pagó Only Fans 24:08 Padre e hijo se confiesan anécdotas s*xuales 30:30 ¿Salir con alguien religioso es un deal breaker? 33:40 Chris dejó de salir con alguien porque no sabía inglés 38:00 ¿El dinero es un deal breaker en una relación? 45:00 ¿Cómo es tener un novio vasco? 52:35 Para ella los latinos son un deal breaker 56:40 Es difícil tener una pareja extranjera por la diferencia de códigos Learn more about your ad choices. Visit megaphone.fm/adchoices

En esta ocasión conversamos con la gente de Sevilla de las peores experiencias humanas y de la vez que Chris y Nacho se desmayaron. Además, hablamos de que a Leo una persona que acababa de conocer le hizo una consulta médica sobre sus hemorroides en un restaurante. Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenada Gracias a: NordVPN Deal ➼ https://nordvpn.com/edn Deal exclusivo de 4 meses gratis. MERU, la billetera digital global que te permite manejar tu dinero sin fronteras. Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app. Y por último, síguenos en nuestras redes sociales: ESCUELA DE NADA  Instagram: https://www.instagram.com/escueladenada/ Twitter: https://twitter.com/escueladenada Tik Tok: https://www.tiktok.com/@escueladenada Facebook: https://www.facebook.com/escueladenada Discord: https://discord.com/invite/S8bYM6A 0:00 Intro 2:16 Chris nos presenta en francés 3:03 ¿Por qué hay ciudades con gente más atractiva? 9:32 Chris quedó atrapado en una procesión en Sevilla 15:30 Lo que nos sorprendió de Sevilla 18:14 En Sevilla nada abre los domingos 20:42 Le hicieron una consulta médica a Leo en un restaurante 25:33 La experiencia de Nacho con las hemorroides 32:05 La primera vez que te encuentras a tu ex 42:28 No entendemos que usen "panchito" como insulto 51:18 Desmayarse es una de las peores experiencias 1:01:35 Chris borró sus recuerdos entre los 19 y 22 años 1:06:00 Cuentos de borracheras malditas 1:13:40 Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

En esta ocasión conversamos sobre la etapa de p*tería en la vida de las personas. Además, conversamos con el público de Valencia sobre el mercado actual de la soltería y les contamos cómo fue realmente nuestra experiencia yendo a Las Vegas.  Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenada Gracias a: NordVPN Deal ➼ https://nordvpn.com/edn Deal exclusivo de 4 meses gratis. MERU, la billetera digital global que te permite manejar tu dinero sin fronteras. Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app. Y por último, síguenos en nuestras redes sociales: ESCUELA DE NADA  Instagram: https://www.instagram.com/escueladenada/ Twitter: https://twitter.com/escueladenada Tik Tok: https://www.tiktok.com/@escueladenada Facebook: https://www.facebook.com/escueladenada Discord: https://discord.com/invite/S8bYM6A 0:00 Intro  3:54 La verdadera historia del anillo de Chris 5:44 Nuestro viaje a Las Vegas 12:50 Lo más borracho que hemos visto a Daniel 16:40 Chris y Nacho corriendo por Las Vegas 19:11 Se acabó la p*tería 26:15 El ChatGPT de Nacho es argentina 28:00 Las consecuencias reales de las ETS 34:50 ¿Se puede beber responsablemente? 38:41 ¿Qué se hace hoy en día en una discoteca? 41:50 El novio extranjero 47:20 El mercado de la soltería está complicado 50:47 Revisamos el perfil de app de citas de alguien del público 58:00 La última época de p*tería de Chris 1:03:00 El amor a primera vista 1:06:30 La discoteca swinger en Las Vegas 1:11:06 Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

En esta ocasión hablamos con la gente de Tenerife sobre cuáles son los secretos del cuerpo que tenemos que revelar a la hora de estar con una pareja. Además hablamos sobre el rumor de que Trump y Bill Clinton tuvieron un encuentro.  Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenada Gracias a: NordVPN Deal ➼ https://nordvpn.com/edn Deal exclusivo de 4 meses gratis. MERU, la billetera digital global que te permite manejar tu dinero sin fronteras. Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app. Y por último, síguenos en nuestras redes sociales: ESCUELA DE NADA  Instagram: https://www.instagram.com/escueladenada/ Twitter: https://twitter.com/escueladenada Tik Tok: https://www.tiktok.com/@escueladenada Facebook: https://www.facebook.com/escueladenada Discord: https://discord.com/invite/S8bYM6A Learn more about your ad choices. Visit megaphone.fm/adchoices

En esta ocasión hablamos de cómo lidiar con una oferta laboral insultante a partir de la premisa de "Decidido", el primer cortometraje de Charlie Nelson. Además, conversamos de la teoría de Leo sobre perseguir tu sueño y la profesionalización de los hobbies. Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenada Gracias a: NordVPN Deal ➼ https://nordvpn.com/edn Deal exclusivo de 4 meses gratis. MERU, la billetera digital global que te permite manejar tu dinero sin fronteras. Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app. Y por último, síguenos en nuestras redes sociales: ESCUELA DE NADA  Instagram: https://www.instagram.com/escueladenada/ Twitter: https://twitter.com/escueladenada Tik Tok: https://www.tiktok.com/@escueladenada Facebook: https://www.facebook.com/escueladenada Discord: https://discord.com/invite/S8bYM6A 0:00 Intro  2:33 Tenemos más episodios que las series más largas del mundo 4:05 Las micronovelas de 8 minutos para formato vertical 5:58 El primer cortometraje de Charlie Nelson, "Decidido" 11:10 La teoría de Leo sobre perseguir tu sueño 17:21 El mundo maldito del freelance 20:12 ¿Cuánto cobran los influencers en sus campañas? 23:00 Las ofertas laborales más indignantes 26:28 La nacionalidad que menos se baña en Latinoamérica 27:04 La moda de intervenirse las areolas 29:30 Justin Bieber empezó a hacer streams 31:20 ¿El trabajo no está hecho para disfrutarlo? 33:00 Profesionalizar tu hobby 41:15 Aprender a dosificar tu hobby para disfrutarlo 44:45 ¿Cómo lidiar con una oferta laboral insultante? Learn more about your ad choices. Visit megaphone.fm/adchoices

En esta ocasión hablamos de que el rap, por primera vez en 35 años, no está en el top de Billboard y debatimos si volvió a ser underground. Además, conversamos de la lesión de la espalda de Chris y la mejor manera de encontrar artistas nuevos. Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenada Gracias a: NordVPN Deal ➼ https://nordvpn.com/edn Deal exclusivo de 4 meses gratis. MERU, la billetera digital global que te permite manejar tu dinero sin fronteras. Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app. Y por último, síguenos en nuestras redes sociales: ESCUELA DE NADA  Instagram: https://www.instagram.com/escueladenada/ Twitter: https://twitter.com/escueladenada Tik Tok: https://www.tiktok.com/@escueladenada Facebook: https://www.facebook.com/escueladenada Discord: https://discord.com/invite/S8bYM6A 0:00 Intro 1:12 El documental de Juan Gabriel   4:43 Las voces más impresionantes de la historia 5:42 Chris se lesionó la espalda montando un mueble 9:05 Pusieron unas arquerias en los baños del aeropuerto 14:00 Daniel no promociona sus cosas 18:35 La muerte del rap  27:50 ¿El rap volvió a ser undergrownd? 32:10 La muerte de los terceros lugares musicales 34:40 ¿La gente ya no escucha discos? 38:00 El método Chris Andrade para descubrir artistas nuevos 42:00 El reggaeton tomó el lugar del rap  44:07 Música de fondo punto com 48:04 Los mejores artistas argentinos 52:00 Hoy la música se diluye demasiado rápido 56:22 Polémica en el miss universo Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's show, I am talking with Priya,We will talk about her career and her ideas.Priya became CEO of Meru Data in 2017,She works in privacy, security, AI, and everything in between!

This Healing Soundbath and Guided Mount Meru Yoga Nidra Meditation in the Tantric Balinese Tradition was recorded at Treetop Yoga Studio in Gloucester, MA, on September 2, 2025, by Melissa Shubha Abbott after a Gentle and Restorative Yoga Class. Listen in a quiet place, preferably with headphones.Mt. Meru (Sanskrit: मेरु), also known as Sineru or Mahameru, is a revered cosmological mountain in Hindu tradition. It is depicted as having five peaks and is regarded as the central axis of all physical, metaphysical, and spiritual realms. This meditation and healing soundbath experience guides you through the subtle realms of Mt. Meru on a mystical and enchanting journey. Melissa Shubha Abbott is an Author, Practitioner, yoga and meditation instructor, and E-RYT 500 in the North Boston, USA area. She has over 40 years of experience in yoga and meditation, initiated by an Indian Guru, Gurumayi Chidvilasananda, and studied with many great teachers of the 20th Century. She combines ancient wisdom with modern insights, making her teachings accessible and relevant to today's world. Her compassionate and nurturing approach creates a safe space for individuals to explore their inner landscapes and cultivate a deeper connection with themselves. SHe has written several books available on Amazon, Etsy, and several other publishing platforms. Author Website: http://melissashubhaabbott.com Get full access to The Radiant Paths at melissashubhaabbott.substack.com/subscribe

- block releases proto mining open source and modular mining rig https://proto.xyz - treasury secretary scott bessent says SBR is around 125k btc, does not intend to buy more, will focus on confiscation https://x.com/TFTC21/status/1956013601741005172 - US Producer Prices Rise by Most in Three Years on Services https://archive.is/xzohV - Polymarket: Fed decision in September? https://polymarket.com/event/fed-decision-in-september - Bolivia | Banks Limit Withdrawals as Digital Asset Usage and Inflation Climb In Bolivia, where annual inflation has reached 25% and banks have been limiting withdrawal of US dollars to $100 a week, Bloomberg reports that Bolivians are turning to Bitcoin and digital assets as alternatives to the boliviano. “I'm not the only one using Bitcoin,” Christopher Salas, a coffee vendor in La Paz, said. “There's a barbershop over there and a gym that also accepts satoshis.” For Salas, Bitcoin is both a hedge and a protest: “a way to preserve the value of my savings, but also a way to go against the system, against bureaucracy.” Bolivia's hybrid authoritarian regime lifted a decade-long ban on digital assets in 2024. Since then, the volume of digital asset payments has grown more than fivefold to nearly $300 million in the first half of 2025. The University of San Andres allegedly pays its international faculty in Bitcoin. Carlos Neira, co-founder of Colombian wallet provider Meru, reports a staggering 6,600% increase in Bolivian users since the ban was lifted. FinancialFreedomReport.org - Founder of SimpleX on why he is not implementing MLS https://www.poberezkin.com/posts/2025-08-12-mls-the-naked-king-of-end-to-end-encryption.html - Signal boss: ‘disturbing' laws show the UK doesn't understand tech https://archive.is/BtZD0 - Location tracking based on photos https://archive.is/YjaYy + https://x.com/heinenbros/status/1941943605343785219 - American Hodl vlogs on nostr https://primal.net/e/nevent1qqs9gs5rrya4f3zql67yzemwmkehm96d7cxwakypjelp4xayqa36a2ctlx4zp 0:00 - Intro 2:35 - Block Rig 14:46 - Monero attacks 23:24 - Bessent's stealing your coins 27:29 - PPI 32:50 - Polymarket fed decision 36:53 - HRF Story of the Week 52:09 - Poberezkin MLS blog 56:14 - Ark mainnet 1:00:40 - Signal boss calls out UK 1:01:57 - AI Surveillance 1:06:46 - HODL v-logging on Nostr 1:10:46 - Boosts 1:17:11 - Stoneridge Shoutout to our sponsors: Coinkite https://coinkite.com/ Bitkey https://bitkey.world/ Stakwork https://stakwork.ai/ Follow Marty Bent: Twitter https://twitter.com/martybent Nostr https://primal.net/marty Newsletter https://tftc.io/martys-bent/ Podcast https://tftc.io/podcasts/ Follow Odell: Nostr https://primal.net/odell Newsletter https://discreetlog.com/ Podcast https://citadeldispatch.com/

George and Joy Adamson lived for lions. After raising a cub they named Elsa and telling the world about it, they were catapulted into the center of conservation and controversy. Their methods were questioned, but their love for the wild was not. While they were both murdered, their legacy remains alive in Africa and beyond. Grab some Merch! Listen to Watch Her Cook on Apple and Spotify! Follow us on Instagram Sources: Documentary: Elsa's Legacy: The Born Free Story by PBS Books:  Tropical Nature: Colonial and Post-Colonial Conservation in Africa and Asia, Born Free: A Lioness of Two Worlds by Joy Adamson Websites: Born Free Foundation, Global Alliance of National Parks Articles: New York Times, Daily Nation, The Guardian, The Conscious Explorer, The Times For a full list of our sources, visit npadpodcast.com/episodes For the latest NPAD updates, group travel details, merch and more, follow us on npadpodcast.com and our socials at: Instagram: @nationalparkafterdark TikTok: @nationalparkafterdark Support the show by becoming an Outsider and receive ad free listening, bonus content and more on Patreon or Apple Podcasts. Want to see our faces? Catch full episodes on our YouTube Page! Thank you to the week's partners! IQBAR: Text PARK to 64000 to get 20% off all IQBAR products and free shipping. iRestore: Reverse hair loss with @iRestorelaser and unlock HUGE savings on the iRestore Elite with the code NPAD at https://www.irestore.com/NPAD! Hello Fresh: Use our link to get up to 10 FREE meals and a free item for life. Pagagen: For an extra 25% off your order and a special gift, head to Pacagen.com/NPAD.

Hii leo jaridani tunaangazia msaada wa kibinadamu katika ukanda wa Gaza, na mradi wa kutengeneza barabara katika kaunti ya Meru nchini Kenya. Makala tunaangazia simulizi ya mkurugenzi na mwanzilishi wa filamu iitwayo FURU, na mashinani tunakwenda Tanzania.Wafanyakazi wa misaada wa Umoja wa Mataifa leo wamesema kwamba bado wanangoja kibali kutoka kwa Israel ili kusambaza msaada wa kuokoa maisha ulioruhusiwa kuingia Gaza mwanzoni mwa wiki ambapo  malori matano yalifanikiwa kuingia baada ya vikwazo kwa wiki 11.Nchini Kenya, katika kaunti ya Meru hatua rahisi iliyochukuliwa inaleta mabadiliko makubwa na dhahiri kwani maeneo ambako awali barabara zilikuwa hazipitiki na hakuna mawasiliano, ubunifu wa kijapani umerejesha matumaini.Katika makala wakati ulimwengu ukiendelea kupaza sauti dhidi ya vitendo vya ukatili wa kijinsia, tunaelekea nchini Mali, ambako Fatou Cissé, mkurugenzi wa filamu na mwanzilishi wa filamu iitwayo FURU, anatumia sanaa kuangazia suala zito la ndoa za kulazimishwa.Na mashinani, fursa ni yake Ruth Nkurlu, Mtaalamu wa lishe kutoka Shirika la Umoja wa Mataifa la kuhudumia watoto, UNICEF Tanzania, ambaye anatoa mafunzo ya lishe bora kwa watoto Mkoani Njombe kwa ajili ya kupunguza udumavu wakati wa ukuaji wa mtoto.Mwenyeji wako ni Anold Kayanda, karibu!

Nchini Kenya, katika kaunti ya Meru hatua rahisi iliyochukuliwa inaleta mabadiliko makubwa na dhahiri kwani maeneo ambako awali barabara zilikuwa hazipitiki na hakuna mawasiliano, ubunifu wa kijapani umerejesha matumaini. Kulikoni? Assumpta Massoi anasimulia kupitia video ya Benki ya Dunia.

Here we are on the last day , the one. On the last day to the Apex, the summit of Mt. Meru, the highest point of the Elevated One. This is a summary of the last 90-Day Countdown in the season of Growth. From A to G. From Apex to Growth. Take some time, have a cup of tea, coffee, or milkshake. Sit and let's have a friendly conversation of life, love, and learning through this journey. Apex = Ascension + Adaptability. Beautiful = Balance + Bit-by-Bit. Cost = CPA + Calculation. Deliberate = Discipline + Devine Design. Fire Flame = Faculties + Faith/Feels. Growth = taking the trail mix and hydration to the process and progress. Thank you for all of you!

In the difficult approach to the climax to the summit of Mt.Meru a in the 90-Days journey of the season of growth, we have come near to the womb of the void. In this episode, we Foretell or Four telling of the numerology of “four” as luck, chance, or individual's energies of karma or the action of that can change the course of our destiny. Kali is unpredictable, unexpected, unknowing, unwilling void that will create and destroy all things. In the Kali Yuga, we have to go through the death and destruction to get to the peak of the Golden Ages. This is called growing pains. As the sleeping phoenix awakens, no human experience can explain the consciousness shift as a whole until the individual self is fully aware his self-autonomy and her self-authority in making wise decisions. The forecasting of how the planet Uranus play in the evolutionary of disseminations of the soul discovery in bite size serving of the ‘Golden Nuggets” in the last 86 days from the base of the mountain to the peaks and valleys on this journey. The Cosmic Significance of our self- understanding is learning how to actually be self-realized over a thousand ways we can experience through the GPS(God Planning System) of inner process and outer process that allowed us to perceive the views to make appropriate decisions that are not wasteful of our divine and defined energies that are build in our bodies. You can have the Four-sight to see near and far. Lean to have the sight to build stamina to have a wealth of wisdom of insight and deep sightings of what about to come in the shift of directions and dimensions. Bon-voyage!

Jonathan Retseck founded RXR Sports to work with athletes, explorers and storytellers in outdoor brands. It didn't take long before RXR amassed what is arguably the dream team of athletes under management. Alex Honnold, Jimmy Chin, Rich Roll and many more are part of their stacked roster of talent. But the story goes well beyond the transactional nature of sponsorship - what RXR does to build deep partnerships with intention has led to some incredible media output, the most well known being films like Free Solo and Meru. In this unfiltered conversation with Jonathan, we talk about the founding of the agency and the challenges of maintaining a roster as heavy as theirs. Show Notes: Jonathan Retseck: https://www.linkedin.com/in/jonathanretseck/ RXR Sports: https://www.rxrsports.com/ Jimmy Chin: https://www.instagram.com/jimmychin/ Meru (Film): https://www.merufilm.com/ Free Solo (Film): https://films.nationalgeographic.com/free-solo Kate Courtney: https://www.instagram.com/kateplusfate She Sends Racing: https://www.shesends.it/ RXR Speakers: https://www.rxrsports.com/live Voicing Change Media: https://www.voicingchange.media/ BPC: Brand, Product, Content Shane Parrish - The Knowledge Project: https://www.youtube.com/@tkppodcast Farnum Street: https://fs.blog/newsletter/ Clear Thinking (Book): https://fs.blog/clear/ Small Brand Mentality (Channel): https://smallbrandmentality.substack.com/ Join us on LinkedIn: https://www.linkedin.com/company/second-nature-media Meet us on Slack: https://www.launchpass.com/second-nature Follow us on Instagram: https://www.instagram.com/secondnature.media Subscribe to our newsletter: https://www.secondnature.media Subscribe to the YouTube channel: https://www.youtube.com/@secondnaturemedia