How's It Hold Up?

When you see the title 'Porky in Egypt' and you hear it's a cartoon from the 1930s, your hopes for that short being good might immediately dwindle, as you imagine just how racist it probably is. And certainly this cartoon is not exempt from such issues, but they take up a surprisingly small portion of the runtime. So what is the rest of the cartoon about? Trust me when I say that it's better for you to find out yourself!

(Spoiler Section Length - 6min 4sec)Most animated musicals are original works, rather than adaptations of classic stage shows, but this one's an exception! Taking a classic Rogers and Hammerstein musical, this movie tries to bring it to an audience grown used to Disney Renaissance fare, and it makes a few changes in an attempt to appeal to that audience. Are these changes successful, and regardless, does the original work's quality shine through? Listen to find out!

Our time with Betty Boop is unfortunately coming to a close, as her theatrical shorts series would end in 1939. In her series later years, Boop's shorts have increasingly featured other characters as the focus instead of herself, and here we have two shorts that, frankly, aren't an exception in that regard. But they do both, at least, bring back some of that jazzy, swingy vibe that existed in older Boop shorts. Is it enough to make them worth watching? Listen to find out!

All of Disney's early film output was experimental, but besides perhaps Snow White itself, none were more so than Fantasia. Designed as an experience unto itself, with a road show and everything, Fantasia was a huge passion project for Walt, one he intended to last for years with new versions and all sorts of exciting things... but then, it bombed at the box office, not making an actual profit until decades later. Since then it's become much more revered, but even so, does this film with such a tumultuous history, one that some critics find condescending and pretentious, still hold up close to a century later? Listen to find out!

The late 1930s were the golden age of Mickey, Donald and Goofy cartoons, though 1938 was the last year we got several of them a year. Of them, these two have been picked for review, featuring the boys building what equates to an Ikea boat, and the boys living in a trailer, driven around by Goofy. How do these two hold up to the likes of Clock Cleaners and Lonesome Ghosts? Listen to find out!

There's a movie by Studio Ghibli that came out between the two icons that are Princess Mononoke and Spirited Away, and it's a movie that few people seem to talk about. It's another Isao Takahata feature, and another one of his that's based on a Japanese comic strip. Featuring a watercolor aesthetic way before his eventual Princess Kaguya film, this movie looks like virtually nothing else in the Ghibli catalogue. Does this quirky little film deserve to be forgotten amid the titans released on either side of it, or is it just as worthy of esteem as they are? Listen to find out!

It's Porky's birthday, and who's showing up to celebrate? Is it his friends Gabby and Petunia, or perhaps rising co-star Daffy Duck? No! It's... it's a penguin and goose we've never seen before. Oh, okay, well, this is also one of the last Bob Clampett cartoons that Chuck Jones did animation for, so is it a good sendoff? Listen to find out!

To wrap up our Holliganza this year, we take a look at a non-Rankin/Bass Rudolph short film that does its best to harken back to that original special and the way it was animated. Intended to be experienced with 4D effects, we didn't get to experience quite everything this short was intended to offer, but even still, was this a pleasant way to end the year? Listen to find out!

(Spoiler Section Length - 2min 45sec)The last attempt at a non-Rankin/Bass Rudolph movie went over poorly, at least financially, so this time around the rights-holders are doing a direct sequel to Rankin/Bass' efforts. They're also not putting this thing in theatres, which was probably financially a smart move. With CGI animation and character designs harkening back to the original, does this movie prove even a little more worth watching than its direct predecessor? Listen to find out!

Our first Rudolph film post-Rankin/Bass has virtually nothing to do with the Rudolph special we all know, and instead is a retelling of the story with a lot of added aspects like fairies, an ice witch and a sly arctic fox. It's also got a lot of well-known actors lending their voices to the project, such as Whoopi Goldberg and John Goodman. The creators of the film were so confident in their work that they even decided to put it in theatres! Was the result as good as the original Rudolph, or perhaps even better? Listen to find out!

We've been through all of the Rankin/Bass adventures of Rudolph and Frosty, so why not check out their adventures as handled by their later rights-holders? First up is Frosty, who, well, Returns in this eco-focused special from the 90s starring John Goodman and various improv talents. It might be nostalgic for some, but looking at it all these years later, does it hold a candle to the original special? And regardless, is it good in its own right? Listen to find out!

In the late 1930s, Friz Freleng decided to leave Warner Bros to seek greener pastures, and ended up over at MGM, working on their new in-house series The Captain and the Kids. Unfortuantely for Freleng, his time at the studio would be short, and unfortunately for MGM, so would this particular series of shorts. But does that mean there's nothing to offer from Freleng's short-lived tenure at the studio? Let's find out!

(Spoiler Section Length - 5min 58sec)The original Ernest & Celestine was a great movie that we watched way back in our first season, and when we heard a sequel had released, it was only a matter of time before we covered it. And that time is now! Does this sequel, which features the bear and mouse duo visiting a new land, compare favorably to the original? And does it hold up in its own right? Listen to find out!

Early Elmer Fudd was a very different beast than the one we all know today, and last time we saw him on this podcast, he was a small part of a spin on a classic fairy tale. Well this time he's an ever bigger part of a spin on another classic fairy tale, but does the increased size of the role do him, or the cartoon, any favors? Is this a step closer to the Elmer we know? Is it even worth watching? Listen to find out!

(Spoiler Section Length - 2min 14sec)Many films from the 2000s are blamed for 'killing' 2D animation in the west (at least for movies), such as Disney's Treasure Planet or Dreamworks' Sinbad. But at least for a few years, only one film had the ignominious honor of being the final 2D Disney film: Home on the Range. While Treasure Planet and Sinbad have their fans, Home on the Range not only doesn't seem to have any, but in fact seems to be one of the least remembered animated films Disney ever put out, especially since the Renaissance. Does it deserve to be forgotten, or is this a hidden gem? Listen to find out!The Curtain Rises Kevin MacLeod (incompetech.com)Kool Kats Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

Sometimes two cartoons with similar subject matter appear in the same year. In this case, we get two cartoons that are both focused on matador bull fighting, with both cartoons seemingly taking that stance that it's a bad thing. One does so directly, with its protagonist constantly talking about violence against animals being bad, while the other has a protagonist that IS the bull in a fight, but is completely uninterested in doing any fighting. Does either short still hold up in the modern day? Listen to find out!The Curtain Rises Kevin MacLeod (incompetech.com)Kool Kats Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

(Spoiler Section Length - 20min 24sec)Last year for Spookaboo we watched The Nightmare Before Christmas film, often hailed as a Tim Burton-directed film, despite him being a producer. Corpse Bride shows us what an actual Burton-directed feature film looks like, for better and worse. It's got a fun supernatural world too, but also a significant portion of the film features a drab 'real' world, and towards the end the two worlds collide. It's also got a stronger focus on romance, with a love triangle formed between Victor, his arranged marriage partner Victoria, and his accidental fiancée Emily. These elements sound promising, but do they come together in the end? Listen to find out!

By the late 30s, Warner Bros finally managed to develop some cartoon stars that would end up standing the test of time, like Porky Pig and Daffy Duck. But their biggest star still hadn't arrived, until this short! Sort of! Tho the rabbit in this short is a far cry from Bugs Bunny as we know him today, it's still an important stepping stone on the way to Bugs' eventual actual debut in 1940. But historical importance aside, is the cartoon any good, so many years later? Listen to find out!

(Spoiler Section Length - 7min 5sec)Anime movies attached to shows can be a mixed bag, often struggling to stretch characters and concepts out into a feature-length format, and struggling even further to work as stand-alone films. While many anime movies struggle because the anime they're spun off from are adaptations of manga, and thus they cannot contradict canon, the Cowboy Bebop movie doesn't have that particular problem. All it has to do is slot into its parent series, which was already very episodic in nature. The result is a movie that, to fans of the series, just feels like an extra-long episode (complimentary), but with a much higher budget. Does it still hold up today, if your memories of the original series are hazy at best? Listen to find out!

It's well known that Fantasia could only happen because of the success of Walt Disney's first big feature-length gamble, Snow White. What's less well known are these two shorts that preceeded Fantasia's release, one featuring an important Fantasia collaborator and the other being a bit of a test for a more 'Symphonic' take on a cartoon than the Silly Symphonies often actually exhibited. Are either of these cartoons worth watching on their own merits, though? Listen to find out!

(Spoiler Section Length - 6min 49sec)You don't need us to tell you that the Pokemon franchise is a phenomenon. And while the games are the biggest, most important part of that phenomenon, the anime was no slouch either, especially back in the late 90s. So when they made the very first Pokemon MOVIE? Kids went wild! Two of the three of us were kids back then, and you better believe we went wild too! But all these years later, does the English dub of the original Pokemon movie still hold water? Listen to find out!

Are you a groovy kat? Have you got rhythm? Can you move to the beat? What if your answers to all those questions were 'no', but everyone else at your kollege said 'yes' and they're judging you for it? That's more or less the plot of this weird little kartoon. But is it worth watching? Listen to find out!

(Spoiler Section Length - 8min 20sec)We reach the end of our Looney Tunes movie marathon with the film that inspired the marathon in the first place! This movie came out very recently, but you'd be forgiven for not knowing about it, given how little it was advertised. It's a cartoon 50's sci-fi B-movie starring Porky, Daffy and Petunia, involving a space invader and a copious amount of bubblegum. It's also a premiere example of how little Warner Bros-Discovery values animation in this day and age. But company mismanagement aside, is the film actually... good? Listen to find out!

By the late 30s, Disney had accrued multiple big cartoon stars, but Warner Bros still really just had the one: Porky Pig. Then Porky went on a duck hunt and the studio started to think... maybe we've got the makings for a second star. 1938 is the year they would try to make Daffy Duck a star, and what better way to start than by having him co-star with Porky? In these two shorts we explore Daffy's earliest cartoons where he's a headliner star, and ask ourselves... do these still hold up?

(Spoiler Section Length - 2min 8sec)Looney Tunes Back in Action started life as a Space Jam sequel, but ultimately evolved into its own thing. The true sequel wouldn't come for another decade or two, and rather than switching genres, it shows the Looney Tunes playing basketball yet again, just with a different star athlete this time around: LeBron James. But the Looney Tunes aren't the only Warner Bros properties appearing this time around... no, this time there's a few more. Do they improve the movie? Worsen it? And how's the whole thing hold up, only a few years later? Listen to find out!

While both Disney and Warner Bros created duck characters who would go on to be popular to this day, they weren't the only studios trying to use waterfowl to create memorable characters. Enter Terrytoons, covered on this podcast for the first time! Their creation, Gandy the Goose, isn't exactly a household name these days, but is that because his cartoons are bad? Let's watch and find out!

(Spoiler Section Length - 13min 6sec)After Space Jam's success, attempts were immediately made to create a sequel. None of that really panned out until close to 30 years later, but back in the early 2000s a new Looney Tunes live-action hybrid film WAS made... to much less success than Space Jam. But success, critical or financial, does not actually tell one whether a movie is good or not, and the extra screen time for the toons, casting of Brendan Fraser and world-tour vibe of the film certainly all seem promising, so... does this film hold up?

It's time for ducks! And maybe some other forms of foul. But today specifically, it's a lot of ducks, with Disney's very own Donald and his three new co-stars: Huey, Dewey & Louie! These two shorts, the first two released starring the trio, show two very different ways of incorporating them into a Donald Duck short. I think it's ultimately a mix of the two styles that ends up sticking, but listen to find out if either of the two are still worth watching!

(Spoiler Section Length - 6min 14sec)Come on and slam, if you want to jam. And Jam we must, because we're warping back to the 90s when Looney Tunes and Michael Jordan were at peak cultural relevance. Space Jam is a movie that was hugely popular at the time, but in more modern evaluations has often been found lacking. Given how cynically corporate the film's origins are, one would hardly be surprised if it fell short. But... does it? Is this film best left in the 90s, or does it still hold merit so many years later? Listen to find out!

Frank Tashlin is a fascinating character, in and out of the Warner Bros animation studio multiple times throughout its lifetime. On the podcast, we've only watched his Porky shorts thus far, and so, when given free range to make a color short, with original characters, one of the last shorts he worked on before another exodus and eventual return, is the product still worthwhile? Listen to find out!

(Spoiler Section Length - 7min 37sec)Though Rankin/Bass was well-known for their holiday specials featuring the likes of Rudolph the Red-Nosed Reindeer and Frosty the Snowman, the amount of specials that the company actually produced might be surprising to many casual viewers. But the fact of the matter is, they made enough holiday specials with enough of a shared universe that they were eventually able to make a feature-length film using characters from at least six other specials. But then, why have most people not actually heard of this film? Is it because it doesn't hold up? Listen to find out!

This holiday cartoon, released at the beginning of 1938, turns many Popeye conventions on their ear: Popeye and Bluto are pals and don't fight each other. Popeye is more focused on Olive Oyl's grandmother than Olive Oyl herself. And no real violence of any sort actually occurs! This might make it sound like a boring Popeye cartoon, but is that truly the case? Listen to find out!

(Spoiler Section Length - 10min 48sec)When you're passionate about animation, you end up knowing about a lot of movies by proxy, without having actually seen them. The French film with the giant blue people is one such film for Danika, and now it's finally time to watch the thing! It is significantly weirder than any of this podcast's cohosts could have imagined. But does it hold up? Listen to find out!

Though traditional, 2D animation was the norm for animated shorts in the 1930s, they weren't the ONLY things being made. George Pal was also out there, creating shorts using a fascinating form of stop-motion which involved a great many carved wooden figures. His 1930s work was primarily comprised of advertisments, but they're fascinating nonetheless. Do these old works still hold up, even if the things they advertise are no longer relevant? Listen to find out!

(Spoiler Section Length - 9min 3sec)Like Akira, Ghost in the Shell is one of those anime movies that is often brought up to represent the value and 'adult' appeal that anime has, as compared to western animated movies which are often following in Disney's footsteps. Like Akira, it's also very influential, both in its home country and overseas. But is it worthy of this reputation? Does a 1995 film focused on the idea of near-future technology still hold up so many decades later? Listen to find out!

Ending our look at 1937, we come to Lonesome Ghosts, a short where Mickey, Donald and Goofy are ghostbusters, decades before the 80s film. But the twist is that they ones asking for their help are... the ghosts themselves!! Since the ghosts are so lonesome they want to terrorize our main trio, and they do so in many weird and wacky ways. Is it a good cartoon? Listen to find out!

(Spoiler Section Length - 7min 16sec)The last time all three co-hosts watched an Adult animated film, Eight Crazy Nights, none of them enjoyed it. But does that mean no such films have merit? Releasing in the late 90's, the South Park film released during the series' early years when they were considered especially controversial. It's a musical, just like ECN, and it's certainly no slouch in the crassness department. But is it still worthwhile, over two decades later? Listen to find out!

With Ub Iwerks gone, Bob Clampett was left to take over the cartooning unit, and his own sensibilities started to quickly become apparent, even if they weren't allowed completely free reign with Chuck Jones still there. In this short, we see some Clampett start to stretch his wings with evil cute characters while Jones has fun giving detailed animation to an ancient dog. Is the cartoon any good? Listen to find out!

(Spoiler Section Length - 6min 39sec)This podcast has made no secret of the fact that it's not exactly on board with the Disney remake trend, and perhaps no remake has been more dreaded by at least one of these co-hosts than The Lion King. Though it's often referred to as live action, this movie is basically entirely animated just like the original, just in a hyper-realistic style whose purpose seems to be giving the story more gravitas. It doesn't. But just how bad (or maybe good?) is the remake? And more interestingly, how is the sequel, that evolves the art style and tells a brand-new story with new songs? Listen to find out!

Many Popeye cartoons return to the well of Popeye vs Bluto, and that well typically involves trying to best one another at something until it comes to fisticuffs. But what if the thing they were trying to best each other at was... getting injured??

(Spoiler Section Length - 6min 41sec)The reputation of Disney sequels is generally not great, but among them the Lion King sequel and... interquel(?) tend to be favored. They're pretty wildly different in tone, with Simba's Pride maintaining a similar tone to the first movie, going for a Romeo and Juliet thing rather than Macbeth. Lion King 1½, meanwhile, is a purposeful farce, with a MST3K style 4th-wall-breaking setup and a story that takes place in the margins of the original film. Are these two films really the best that the direct-to-DVD era of Disney sequels has to offer, and more than that, are they still worth watching today? Listen to find out!

Tex Avery was the Warner Bros director that really shook up what it meant to be a WB cartoon short, and one of the ways in which he did that was an increasing focus on subverting expectations and breaking the 4th wall. He also introduced several characters to the Looney Tunes lineup, such as Egghead and Elmer Fudd. These two characters in particular have a strange history, one that's become so intertwined that modern depictions of Egghead reference Elmer Fudd's original design rather than his own. All that is fascinating, but the question remains... do the debut cartoons for these two characters still hold up so many decades later? Listen to find out!

(Spoiler Section Length - 8min 58sec)Generally speaking, people consider the Disney Renaissance of the (mostly) 90s to be the height of the studio's output, thanks in no small part to critical and commercial titans like The Little Mermaid, Beauty and the Beast, and Aladdin. But there is one film above all others that gripped the cultural zeitgeist and never fully let go, one film that could be considered the champion of the era, its unofficial ruler. Its... king. Today we discuss that film, and whether its quality warrants that majestic reputation.

There are only a handful of shorts whose fame at least partially comes from their technical achievements. Steamboat Willie and its sychronized sound is one, while The Old Mill's claim to fame is the multiplane camera. While we take what it does for granted now in the digital age, back then it was a big step-up in cinematography for animated shorts. But does it really add that much to this short? Listen to find out!

(Spoiler Section Length - 14min 41sec)From the creator of The Triplets of Bellville comes a film about an old magician living in a time where his talents are valued less and less by the day. While Triplets had sparse dialogue, this film goes even further than that while maintaining a less exaggerated style, both visually and in what few vocalizations do occur. This lends it even more of an 'artsy' flair, making it unsurprising that it was nominated for an academy award but also equally unsurprising that it never truly had a chance. A decade and a half later, does it still retain the flair that got it nominated? Listen to find out!

While Warner Bros' output has been increasing in quality in the late 30s, largely thanks to new blood like Tex Avery and newly-impowered blood like Bob Clampett, one member of the old guard in particular is still around and has been a lot slower to change: Fritz Freleng. Much of his output has largely been echoing the stylings of the Harman-Ising era, a style that's more and more at odds with the rest of the studio. But Freleng DOES change, even if slowly, so how does this cartoon of his hold up? Listen to find out!

(Spoiler Section Length - 6min 20sec)It's time to go back to the past of Makoto Shinkai - the creator of Your Name - to see the man's directorial debut. Except... we're actually checking out two films, one a short film and the other a full-length one. What similarites lie between these two works, and how do they relate to his later films? And more importantly... how do they hold up? Listen to find out!The Curtain Rises Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Kool Kats Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

Color Rhapsodies is a series that, at least up to this point, has mostly been a Silly Symphonies ripoff tonally, with overly cutesy aesthetics and little substance. There's been exceptions, but for the most part they've stayed away from more gag-focused fare or more dramatic storytelling. So today, we're going to look at two cartoons, one that's very gag-focused and one that's very dramatic! Do either of these cartoons succeed in what they attempt, and more importantly, do they hold up for the modern viewer? Listen to find out!The Curtain Rises Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Kool Kats Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

(Spoiler Section Length - 5min 22sec)When it comes to direct-to-video sequels of animated films, though Disney's efforts are often derided, due to their budgets they tend to be better than what other studios manage to do. We've seen various efforts already, such as with sequels to Don Bluth films, and they've run the gamut from 'okay' to 'very bad'. Does Ferngully's sequel fall in that range, or does it manage to break the mold? Listen to find out!

Mickey, Donald and Goofy are taking on a new job this time: cleaning a clock. And not just any clock, but a clock tower! But with a sleepy stork, a sassy coil and Goofy's poor level of awareness to contend with, they're going to have a heck of a time getting the job done. So many years later, does the short still hold up? Listen to find out!

(Spoiler Section Length - 7min 45sec)There are a lot of movies and shows aimed toward children that have a goal, primary or not, of advocating for protecting the natural environment from pollution. But if you're a 90s kid, chances are there's one in particular that comes to mind when the subject is brought up - Ferngully. Many pro-environment, anti-pollution pieces of media have a less-than-stellar reputation, often accused of being overly preachy... does Ferngully fall into that trap? And regardless, is it any good, all these years later? Listen to find out!