A podcast where a lesbian trans woman who's an animation enthusiast and her mother, who's a teacher and who has written a thesis on her love of videogames, watch (mostly) animated movies and ask the eternal question: "how's it hold up?"
(Spoiler Section Length - 6min 41sec)The reputation of Disney sequels is generally not great, but among them the Lion King sequel and... interquel(?) tend to be favored. They're pretty wildly different in tone, with Simba's Pride maintaining a similar tone to the first movie, going for a Romeo and Juliet thing rather than Macbeth. Lion King 1½, meanwhile, is a purposeful farce, with a MST3K style 4th-wall-breaking setup and a story that takes place in the margins of the original film. Are these two films really the best that the direct-to-DVD era of Disney sequels has to offer, and more than that, are they still worth watching today? Listen to find out!
Tex Avery was the Warner Bros director that really shook up what it meant to be a WB cartoon short, and one of the ways in which he did that was an increasing focus on subverting expectations and breaking the 4th wall. He also introduced several characters to the Looney Tunes lineup, such as Egghead and Elmer Fudd. These two characters in particular have a strange history, one that's become so intertwined that modern depictions of Egghead reference Elmer Fudd's original design rather than his own. All that is fascinating, but the question remains... do the debut cartoons for these two characters still hold up so many decades later? Listen to find out!
(Spoiler Section Length - 8min 58sec)Generally speaking, people consider the Disney Renaissance of the (mostly) 90s to be the height of the studio's output, thanks in no small part to critical and commercial titans like The Little Mermaid, Beauty and the Beast, and Aladdin. But there is one film above all others that gripped the cultural zeitgeist and never fully let go, one film that could be considered the champion of the era, its unofficial ruler. Its... king. Today we discuss that film, and whether its quality warrants that majestic reputation.
There are only a handful of shorts whose fame at least partially comes from their technical achievements. Steamboat Willie and its sychronized sound is one, while The Old Mill's claim to fame is the multiplane camera. While we take what it does for granted now in the digital age, back then it was a big step-up in cinematography for animated shorts. But does it really add that much to this short? Listen to find out!
(Spoiler Section Length - 14min 41sec)From the creator of The Triplets of Bellville comes a film about an old magician living in a time where his talents are valued less and less by the day. While Triplets had sparse dialogue, this film goes even further than that while maintaining a less exaggerated style, both visually and in what few vocalizations do occur. This lends it even more of an 'artsy' flair, making it unsurprising that it was nominated for an academy award but also equally unsurprising that it never truly had a chance. A decade and a half later, does it still retain the flair that got it nominated? Listen to find out!
While Warner Bros' output has been increasing in quality in the late 30s, largely thanks to new blood like Tex Avery and newly-impowered blood like Bob Clampett, one member of the old guard in particular is still around and has been a lot slower to change: Fritz Freleng. Much of his output has largely been echoing the stylings of the Harman-Ising era, a style that's more and more at odds with the rest of the studio. But Freleng DOES change, even if slowly, so how does this cartoon of his hold up? Listen to find out!
(Spoiler Section Length - 6min 20sec)It's time to go back to the past of Makoto Shinkai - the creator of Your Name - to see the man's directorial debut. Except... we're actually checking out two films, one a short film and the other a full-length one. What similarites lie between these two works, and how do they relate to his later films? And more importantly... how do they hold up? Listen to find out!The Curtain Rises Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Kool Kats Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/
Color Rhapsodies is a series that, at least up to this point, has mostly been a Silly Symphonies ripoff tonally, with overly cutesy aesthetics and little substance. There's been exceptions, but for the most part they've stayed away from more gag-focused fare or more dramatic storytelling. So today, we're going to look at two cartoons, one that's very gag-focused and one that's very dramatic! Do either of these cartoons succeed in what they attempt, and more importantly, do they hold up for the modern viewer? Listen to find out!The Curtain Rises Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Kool Kats Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/
(Spoiler Section Length - 5min 22sec)When it comes to direct-to-video sequels of animated films, though Disney's efforts are often derided, due to their budgets they tend to be better than what other studios manage to do. We've seen various efforts already, such as with sequels to Don Bluth films, and they've run the gamut from 'okay' to 'very bad'. Does Ferngully's sequel fall in that range, or does it manage to break the mold? Listen to find out!
Mickey, Donald and Goofy are taking on a new job this time: cleaning a clock. And not just any clock, but a clock tower! But with a sleepy stork, a sassy coil and Goofy's poor level of awareness to contend with, they're going to have a heck of a time getting the job done. So many years later, does the short still hold up? Listen to find out!
(Spoiler Section Length - 7min 45sec)There are a lot of movies and shows aimed toward children that have a goal, primary or not, of advocating for protecting the natural environment from pollution. But if you're a 90s kid, chances are there's one in particular that comes to mind when the subject is brought up - Ferngully. Many pro-environment, anti-pollution pieces of media have a less-than-stellar reputation, often accused of being overly preachy... does Ferngully fall into that trap? And regardless, is it any good, all these years later? Listen to find out!
Betty Boop's back, and running a hotel! But when things go wrong, since it's late-era Betty Boop, there's only one man who can save the day: Grampy. Though he's no one's favorite character, Grampy being in a Betty Boop cartoon doesn't necessarily mean it will be terrible! So... is this one? Listen to find out!
(Spoiler Section Length - 3min 14sec)This time we cover yet another direct-to-dvd Disney sequel, and this one ALSO has the misfortune of being one of those 'three episode of a cancelled series'-type affairs. The series in question would have been titled Team Atlantis, but since the movie didn't do as well as Disney wanted, well... we got this. But as a final hurrah for a lovable cast of characters, is this thing worth a watch? Listen to find out!
In 1937 Looney Tunes continued to evolve more and more into what they're thought of today, and a big reason for that is the way the individual directors evolved, getting more and more leeway to find their own styles. In this episode we meet up with Frank Tashlin again and see how his style has changed and what aspects he's leaned into. Is either short worth watching today? Listen to find out!
(Spoiler Section Length - 16min 5sec) After around a decade of creating musicals, Disney started to branch out in the early 2000's, creating several films that weren't as financially successful as the 'Renaissance Era' movies, but many of which ended up being cult favorites over time. Atlantis is one such film - eschewing the musical format for a straight-up adventure film inspired by the like of Indiana Jones. Disney hoped the movie would be the next big thing, and planned to make theme park updates, a sequel and even a spin-off television series under the assumption it would be. But that's not how things worked out... the film disappointed financially, enough so that all the aforementioned tie-ins were cancelled. But financial success is far from a measure of true quality... was this movie actually any good? Listen to find out!
In 1937 Donald Duck broke out from the Mickey Mouse shorts into his own animated shorts series... but he wasn't the only one! Pluto also finally got his own series, though this would be the only entry in it for a few years. The character of Fifi and the concept of Pluto shepherding a group of rambunctious young animals returns in this first outing, as Pluto tries to take care of his kids while Fifi is out stealing food. He does a pretty lousy job, and things only get worse when Pluto and the pups end up in a nearby basement that has paint and alcohol in it. Does Pluto's first solo cartoon still hold up today, or is he best as a side-character? Listen to find out!
(Spoiler Section Length - 11min 3sec) Rankin-Bass' Rudolph continues his adventures, and this time he's saving New Years! Along for the ride are a colorful cast of characters, in search of a baby with big ears. They hunt for the child across an archipelago with islands that represent years past. But the wicked giant bird Eon also searches for the kid, to prevent his own demise. Does this all sound like a lot? It is!! But the real question is... does this special still hold up? Listen to find out!
In this Popeye short, Swee'Pea gets into a dangerous factory and nearly dies many times! When people say things like 'you couldn't make this today' they usually seem to be referring to provocative content like Blazing Saddles, but the phrase could also be used for something like this: a cartoon where the central crux of most of the jokes is a baby in life-threatening danger. Modern audiences are not generally accustomed to seeing a baby almost get split in half by a buzz saw. But does that make this old cartoon bad? Not necessarily! Listen to find out our take on it!
(Spoiler Section Length - 9min 7sec) While Rudolph the Red-Nosed Reindeer might have a tough time being labelled anyone's 'favorite' Christmas song, it certainly is one of the most well-known, and that's in part because of this iconic holiday special that virtually every generation since its creation is at least aware of, even if they haven't actually seen it. It's Rankin-Bass' first Christmas special, and easily their most iconic. They went on to make many more specials, many Christmas-themed, but if you mention their name it's this particular one that people are likely to remember. But being ubiquitous doesn't mean being good, or holding up well... so IS it good? DOES it hold up well? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
When people consider all-time classic Christmas stories, Dr. Seuss' tale of the Grinch tends to be one of the most fondly remembered. While the original book has had multiple adaptations over the years, the first one had the biggest influence, if for no other reason than it cemented the idea that the Grinch should be colored green. But all these years later, does this Chuck Jones television special still prove to be worth a watch, or is it time to leave it in the past? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
This time we take a look at Gabby's final two (of three) appearances in the original Looney Tunes shorts, each one increasingly directed by Bob Clampett (with Chuck Jones as assistant director!). Does Gabby's character improve over his first appearance? Does Bob Clampett's direction win out against Ub Iwerks in quality? Are either of these cartoons worth watching today? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 12min 24sec) Making the sequel to your cult classic anthology film NOT an anthology is a strange choice out the gate, but not inherently a bad one, if the story and characters prove worth the time investment. Taking a few notes from the original film's Tarna segment, this sequel focuses on a butt-kicking woman taking on a great evil in order to avenge slaughtered innocents and save the universe. Given this setup and another reference or two to Tarna throughout the film, it makes the most sense to compare it to that original segment. Does it compare favorably? Does it stand up on its own? And most importantly, does it hold up? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Mickey's putting on a show - a magic show! Donald is also here, though unlike Orphan's Benefit he isn't part of the show - instead HE is the heckler! Though when Mickey easily puts him in his place, Donald is eager to charge onstage to fight about it. Throw in a little bit of Goofy, working behind the scenes, and you have an explosive mix with some wild results. But are they enjoyable results? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 18min 51sec) We've got another Mamoru Hosoda film on our hands, and just like all his other movies, we definitely never cried while watching or discussing it. This one touches on some very modern concerns, such as identity and perception in the digital age, while also using trappings from an older tale, Beauty and the Beast. The film also uses multiple animation styles, most prominently traditional animation and CGI. Does it all work together to make another engrossing Hosoda classic? Or does this one end up less than the sum of its parts? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Ub Iwerks is a man who's come up multiple times already on this podcast, from his essential work on the earliest Mickey Mouse cartoons to his solo career after he left Disney. But he also had a very brief stint at Warner Bros, during a period of time where he was contracting out to various studios, including Columbia Pictures. So here we compare two of his 1937 cartoon, made at two different studios, along with beginning to chart the evolution of the Looney Tunes character Gabby Goat, who was the Warner Bros' attempt at an answer to Disney's Donald Duck. Are the cartoons good, and is Gabby a fun character? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 15min 38sec) This is one of the most well-known and beloved of all stop-motion animated films, all Halloween films, and it's even pretty high up on many people's favorite Christmas films. Also it has a lot of merchandise at Hot Topic! Add multiple video-game cameos via Kingdom Hearts (and even its own game or two), and some other multimedia experiences like books and comics, and despite ostensibly being only one film, TNBC's place in the cultural zeitgeist is massive. And because of that daunting reputation, some people might find themselves never bothering to actually watch the thing, thinking they already more or less know what it is. Are they right to do so, or would they be missing out on a genuinely excellent film? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Donald Duck has finally been unshackled from Mickey's side, free to get into his own mouse-free shenanigans. Pluto's not even here! In fact, Donald's all on his own this time, at least when it comes to living creatures. There are a handful of robots, though! How does this early Donald solo outing hold up so many years later? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 10min 27sec) We finally arrive at the loose quadrilogy of Scooby-Doo movies that began with Zombie Island! With this film, Scooby-Doo enters the era of digital colorization, as well, making the film's aesthetic decidedly different from the previous three. Plot-wise, in this one the gang fights against a digital monster, both in and out of the digital world, along with meeting digital dopplegangers of themselves and having to deal with digital recreations of some of the series' most iconic former monsters. Of course, those monsters were all people in suits... but not this time! Does this end up being a fun end to this version of the Scooby-verse, or should this thing be deleted? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
As we've watched the two Warner Bros cartoon series (Merrie Melodies & Looney Tunes), we've gradually seen Porky Pig become the studio's main character, the closest thing they had to a Mickey Mouse. But by this point, Mickey Mouse was arguably not even the most popular character in Disney's cartoons anymore - Donald Duck was fast taking that position. And thus, maybe it was about time for Warner Bros. to introduce their own Donald Duck! Which they would attempt... in a different cartoon that we'll get to later. In this cartoon, however, they found an unexpected star, also coincidentally a duck, who they wouldn't immediately capitalize on, but who would eventually become one of their greatest cartoon stars. That's right, it's time to meet... Daffy Duck! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Many animated films tried to compete with Disney during the 90s, and virtually all of them failed, at least financially. But how about critical reception, cult following, or even general quality? Well there weren't many contenders in those arenas, but one that can put up a fight in all three just so happens to be today's film. The iconography of the Iron Giant character himself is perhaps more well-known at this point than the actual film, with the character having multiple cameos in various pieces of media in the late 2010s and early 2020s. But is the film itself worth seeking out, decades later? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
We end our 1936 cartoon short journey with a double-length, color, musical Popeye short! Our hero Popeye comes up against villain Sindbad and his island of incredible and dangerous beasts! But none are as dangerous as Sindbad himself! Throw in Olive Oyl and Wimpy and several instances of 3D hand-crafted backgrounds and you have all the ingredients for a grand ol' time! But... is it? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Between Disney's much beloved Golden and Silver eras is the 'Wartime' era, which is significantly less beloved and talked about. Virtually all of the movies in this period were collections of animated shorts, be they many in number such as Melody Time or only two not-quite-feature-length shorts, like Ichabod and Mr. Toad. But Saludos Amigos and Three Caballeros, while similar, are a bit different in design and purpose. While certainly a vehicle for shorts, both films are also a vehicle for exploring Latin America, with the first film featuring a documentary sort of approach and the latter film incorporating a very loose narrative to connect its pieces. In many ways, by modern standards both films are undeniably quaint. But that doesn't necessarily mean they're bad... so how do these things hold up, all this time later? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
In this classic Mickey Mouse cartoon, Donald Duck tries to fix some pipes while Pluto gets harassed by a magnet! Eventually the two collide and chaos ensues. Are you wondering why that description didn't involve the character of Mickey? Well that would be because he isn't in this cartoon! Made before Disney started breaking characters out into their own separate series, this cartoon is in most respects the first cartoon of both the Donald Duck and Pluto the Pup cartoon series, and yet technically speaking it is a Mickey Mouse cartoon. But the more important question is... does it hold up? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 5min 40sec) Today we have another anthology film, this one based on the titular magazine. It's a film of sex, violence and rock 'n' roll, and it certainly won't be to everyone's tastes. It's also from the 80s, so the era of 'Heavy Metal'—both the magazine and music genre—that it harkens to is one long past at this point. All of this doesn't necessarily bode well for the anthology holding up, at least on some levels, but none of it precludes it from being good. So... is it? Or, given that it's an anthology, do any of the individual shorts that make it up prove worth watching? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
There are many Looney Tunes director that are well known and spoken of today, be they Chuck Jones, Tex Avery or even Bob Clampett. But there are also less-discussed directors whose work was no less interesting and important in pushing the series into the force it would become. Enter Frank Tashlin, a man whose appreciation of live-action cinematic techniques was brought with him into his cartoons, bringing them an extra flair. How's this earlier short of his hold up? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
We've covered films by Studio Ghibli's second-most famous director twice before, though one of those times it we were discussing a pre-Ghibli work of his. But today we have Isao Takahata's swan song, the last movie he ever made, and one of the most eye-catching, to boot. It's a new take on an old tale, and it's quite unlike the more quirky and off-beat films of his that we've watched before now... How does it compare, and more importantly, how does it hold up? --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
The series of Mickey, Donald and Goofy cartoons started out featuring Peg-Leg Pete as an antagonist, and in this cartoon that antagonism continues in color! ...Sort of! Pete is here, at least, but notably missing is his peg leg! From here on out Peg-Leg Pete just becomes Pete, at least as far as the classic era is concerned. The peg-leg aside... how's the cartoon? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 5min 59sec) It's time for more sequels to Don Bluth movies that have no involvement from Bluth himself or any of the other original creators for that matter! Except unlike most such sequels, this one ended up spawning a long-running franchise with well over 10 films and even a tv series under its belt as of 2024. The Land Before Time franchise is a bit infamous for its length and how it changed the series to a musical format... but still, were the sequels ever any good? --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Oswald is a character originally created by Walt Disney, but who has long since been run by other directors, still creating shorts right alongside the much more popular Mickey Mouse series. Like Mickey, Oswald's design has changed with the times, but unlike Mickey that change at this point is so drastic that Oswald is hardly identifiable as the Mickey precursor that he started out as. All that said... this Oswald cartoon is also something of a 1920's throwback, with its mixture of live-action and animation. Does 1936 Oswald have what it takes to compete with 1936 Mickey? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 6min 41sec) The second of the two Don Bluth and Steven Spielberg collaborations, The Land Before Time would also go on to become the premier children series about dinosaurs for the better part of two decades. While those later films (and tv series!) have a reputation all their own, this first one is the only film in the series to have Bluth and Spielberg's touch, and it therefore has a vibe all its own. Is it a good vibe? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Another Betty Boop cartoon, here in the era where her shorts are mostly not her own, but rather a vehicle for her dog, Grampy, or some other even less interesting character! This time Betty wants to take some kid to the carnival, but the weather isn't permitting. But good ol' Grampy cooks up an indoor carnival, with an impressive finale flourish! It might be one of the best Betty Boop cartoons of the year... but still, is it actually worth watching? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 5min 33sec) Disney films are often retroactively classified into various 'eras', with the period between Walt Disney's death and the start of the Renaissance often referred to as 'the Dark Ages'. Despite this ominous moniker, many fan-favorite films exist in this time period, including this very film! But this film is also infamous for its cheap nature, including multiple scenes in which animation from earlier films is reused and traced over. How heavily does this detract from the film, and does the whole thing manage to come together to create a satisfactory package? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Walt Disney famously hated sequels, though this wasn't an opinion he always held. At one point in time he was all for creating sequels to the hit cartoon Three Little Pigs, but when each short proved to be diminishing returns (at least financially), it contributed to his dislike of the concept of sequels. But looking back at this, the 2nd sequel in the series, were audiences right to dismiss it? Or should we be sad that Three Little Pigs never evolved into a long-running series? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 5min 42sec) Today we cover another movie from Cartoon Saloon, creators of The Secret of Kells and also a lot of other things, some of which - like a short for the Star Wars anthology series Visions - have come out since we covered their first film. Their studio only continues to put interesting and beautiful works out, only continues to become more and more prominent, and yet still it feels like if one were to say the studio's name or the name of one of their movies to a random layperson they'd receive only blank stares in return. They definitely deserve to be better known than they are... but does this particular film support that idea, or is this one a rare dud? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Some pieces of media — be they cartoon shorts, feature length films, or even whole seasons of television — are worth watching a particular moment. That moment could be as short as a single seconds-long scene or as long as an entire episode, but something about it manages to massively exceed the quality level of the media it's a part of. Today, we have a cartoon that fits this bill... but is the scene in question really good enough to warrant watching the rest of the short? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 16min 35sec) Some movies are known for being massively successful, massively influential, and pillars of their respective genre... and yet also get watched less and less as the years go by, as though knowledge of their reputation is enough and watching the actual film is no longer needed. In many ways, it feels like Akira is one of these movies - frequently mentioned when talking about 'greatest anime movies', but how many fans who started watching anime in the 2000s or 2010s can say they've bothered to go back and watch this film from the late 80s? One might even start wondering if it's worth all the hype. Well, is it? Listen to find out. --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Though Tex Avery tends to be known for his more violent, slapstick and sometimes horny cartoons, the man was also capable of making cartoons that were strangely sweet. This is perhaps the most well-known example, though don't let the 'sweet' description fool you into thinking the short is devoid of laughs. Featuring a jazz-singing owl, disappointed parents, and a talent competition, this short has it all... but is it good? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 12min 34sec) Like Ranma 1/2 before, this time we're covering another animated film that's tied to a long-running animated series! Unlike that movie, which was fairly standalone, this film is actually a direct continuation of Steven Universe, taking place after that series' finale. Like the show that spawned it, there's lots of fighting, lots of singing, and lots of queerness. But do they all come together well to create a feature film? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Popeye is back, and he's got a baby this time! Trying to be a pal to Olive Oyl, Popeye takes little Swee'Pea to the zoo, but this baby has a habit of running loose and causing problems that it's up to Popeye to fix. This is one of those cartoons that's alright overall but has one particular moment that makes you laugh out loud. Does that moment make the cartoon worth watching? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
(Spoiler Section Length - 3min 24sec) We've watched several half-hour shorts for Mickey and his friends before, but we've never seen the mouse feature in a full-length film... until today! That's right, Mickey and his pals are Musketeers, on a feature-length adventure of daring-do and classical music. The gang's all here - Mickey, Donald, Goofy, Minnie, Daisy, Pete, Pluto, the Beagle Boys, Clarabelle... okay well Horace didn't make the cut. But we did get a French turtle? Does it ultimately all come together, or is Mickey's first film a dud? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support
Mickey's pals Donald and Goofy might be swiftly gaining in popularity, but at least in 1936, Mickey himself wasn't down for the count yet! This time we have a Through the Looking Glass inspired romp in store for Disney's favorite mouse, with Mickey dancing, playing and fighting over the course of the short. It's all a dream and Mickey knows it, so he might as well have some fun while it's happening, even if it makes the King of Hearts mad. Is this Mickey Mouse misadventure any good? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support