Podcasts about atlantis the lost empire

This week we review and discuss "Atlantis The Lost Empire" as it celebrates it 25th anniversary. Is this film an underappreciated classic? How was this film conceived? How does it compare to other Disney films of its time? All of that and more this week on Monoreel Radio.  Join the conversation on social media @monoreelradio on all major platforms or send us an email at monoreelradio@gmail.com. For links to anything you heard on the show, visit our website and if you want to experience the Disney magic for yourself, click here to start planning your next vacation.

Phil and Emily continue the Angelina Jolie action films miniseries with Lara Croft: Tomb Raider (2001), joined by BJ Colangelo and Harmony Colangelo, co-hosts of the This Ends at Prom podcast. BJ and Harmony previously joined the show for Hard-Boiled, which Phil describes as a superior action movie. Harmony agrees with everything about that sentence.Tomb Raider follows aristocrat archaeologist Lara Croft racing against the villainous Illuminati to retrieve the two halves of the Triangle of Light before a rare planetary alignment allows them to unlock its power over time. It cost $150 million, grossed $274 million worldwide, and opened June 15th, 2001 against Atlantis: The Lost Empire, Shrek, Swordfish, Pearl Harbor, and Evolution. Paramount had purchased the video game rights in 1998. No fewer than seven screenwriters took a pass at the script before Simon West stitched something together and pointed a camera at Angelina Jolie.The group agrees on several things: Jolie is perfectly cast, clearly having a blast, and simply is Lara Croft in a way that very few actors embody a character that completely. They do not agree on much else. Phil's issues are with the script, specifically a 45-minute delay before the film bothers to explain what is actually at stake. Harmony's defense is that this is video game logic, anything is possible, and sometimes you just want to watch someone cool do cool things. Emily ran into Angelina Jolie at a grocery store once and has thoughts.Daniel Craig is also in this movie. Nobody can identify what accent he is doing. Emily has a theory involving one specific block in Lincoln, Nebraska.This is the second installment of the miniseries on Angelina Jolie's 2000s action films, following Gone in 60 Seconds.Follow the show and guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsBJ Colangelo — https://www.instagram.com/bjcolangeloHarmony Colangelo — https://www.instagram.com/harmonycolangeloThis Ends at Prom — https://www.instagram.com/thisendsatprom

This week we have a fun episode comparing Stargate (1994) and Atlantis: The Lost Empire (2001) - two films about ancient language experts discovering a lost civilisation----------The Movies:Stargate (1994)Directed by Roland EmmerichWritten by Dean Devlin & Roland EmmerichiMDb Rating: 7.0Atlantis: The Lost Empire (2001)Directed by Gary Trousdale & Kirk WiseWritten by Kirk Wise, Gary Trousdale, Joss Whedon, Bryce Zabel, Jackie Zabel & Tab MurphyiMDB Rating: 6.9-----Find us on:Discord - https://discord.gg/dxgmcfj552Tumblr - @ItTakesTwoPodInstagram - @ItTakesTwo_podFacebook - @ItTakesTwoPodYoutube - @ittakestwonzBluesky - @ittakestwoOur website - ItTakesTwo.co.nz-----Content Warning: Discussions of violence, death, slavery, racist ideology

383 Atlantis: The Lost Empire w/Casey KnollSteven is joined with the amazingly talented Casey Knoll to discuss Disney's Atlantis: The Lost Empire! Please check out her work by going to:jamiejupiter.thecomicseries.comPlease send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page.Thanks for listening!

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

It's Michael's first pick of the year with the Disney film Atlantis - The Lost Empire.

It is yet another Disney animated film that is not discussed enough. Maybe it was the timing of when it came out, maybe it is something Disney didn't have confidence in. The Crew explore all of these possibilities as well as deep dive into the voice acting, the animation, and how similar yet better it is than Titan A.E. I am confident you will enjoy this discussion. Ian's Website: https://www.kickseat.com

Our series on animated flops continues with a discussion of Disney's overlooked cult classic ATLANTIS: THE LOST EMPIRE!The intro music is by Richter FM, Paddy's alias for making lofi and video game music. Find him on Spotify, YouTube, TikTok and more: https://richterfm.comYou can email us at bigboysdontcrypodcast@gmail.com.Support this show http://supporter.acast.com/bigboyspodcast. Hosted on Acast. See acast.com/privacy for more information.

It's time to return to our tandem anime Retrospective on Cowboy Bebop, Samurai Champloo, and Michiko & Hatchin! We also follow up on the Shogakukan Manga ONE controversy, discuss Andrea Horbinski's Manga's First Century, female game protagonists in Cairn, and more!!! Send us emails! mangamachinations@gmail.com  Follow us on Social Media! @mangamacpodcast Check out our website! https://mangamachinations.com Support us on Ko-fi! https://ko-fi.com/mangamac  Check out our YouTube channel! https://www.youtube.com/mangamactv Check out our new gaming channel! https://www.youtube.com/@NakayoshiGaming/  Timestamps: Intro - 00:00:00 Shogakukan Manga ONE controversy follow-up - 00:06:59 Media Do purchasing Seven Seas - 00:15:45 Manga's First Century - 00:26:18 Atlantis: The Lost Empire - 00:31:26 Resident Evil Requiem - 00:39:07 The Star Trek Voyager Documentary - 00:40:29 Cairn - 00:48:57 Next Episode Preview - 00:57:22 Cowboy Bebop 10, Michiko & Hatchin 11, Samurai Champloo 11 - 00:58:24 Outro - 01:39:07 Song Credits: "Talk of the Town" by Devon May "We Don't Stop" by 2MooveKa "Home" by Zach Sorgen "God Mode" by Konstantin Garbuzyuk

Show Notes We're going under the sea - and then back up again to find Atlantis. A city was lost, and now a linguist and his capitalist adventurer buddies are off to find it. And yes, that does mean that the villain in this film is in fact capitalism. Linguist Milo is more powerful than any other language expert as he can speak a language that no one knows just by looking at it, and it's not even the phonetic alphabet (might there be some pedantic linguistics speak in this episode, you should listen to find out). Also, will the villain die by falling to his death? It's a secret.  Recommendations: The Pitt (HBO) and Shrinking (Apple) - Thursday Double Feature Next up: Monsters Inc. (2001) Email us at latecomers@gmail.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/ **

Show Notes This week we travel to the Incan empire with The Emperor's New Groove. How do we know it's the Incan Empire? They kinda allude to it a couple of times in order to promptly forget where, when and who they are. A cast of mostly white actors, all fantastic in their characters, all funny, none of which has anything to do with the Inca or Peru other than the existence of a llama. Enjoyable as this is, we do wonder, quite aggressively, why on Earth did Disney decide to set this film where and when they did.  Recommendations: Peruvian Food; His and Hers (Netflix); ABOLISH ICE Next up: Atlantis: The Lost Empire (2001) Email us at latecomers@gmail.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/ **

This week, Lunar New Year has arrived at the resort, along with some new merchandise, Monsters, Inc turns 20, Sweethears Nite kicked off last week, Downtown Disney continues towards two new experiences, Bay Area Weeklyteers have a chance to connect our book club with the Walt Disney Family Museum, we talk about Disneyland Handcrafted, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Lunar New Year kicked off last week, and with it came some new merchandise. A new Loungefly Lunar New Year crossbody bag with detachable coin purse for $75, a removable-bow ear headband for $36.99, and a Spirit Jersey decorated with lanterns and gold-accented clouds for $84.99 are some of the new items. A Lunar New Year teacup featuring Horace, Mickey and Minnie for $19.99, and a six-piece lucky red envelope set for $19.99 are some of the collectables. Magic Key holders have two exclusive items - a Lunar New Year tee priced at $36.99, and a commemorative trading pin for $21.99. - https://www.micechat.com/430352-disneyland-update-lunar-lights-sweethearts-nite-construction-heights/ Last week, Monsters, Inc. Mike and Sully to the Rescue turned 20! Cast members had a small number of buttons to give out if asked. The buttons featured Roz with party decorations flying around, with some scream canisters and a “20 Years of Scares” banner. The attraction won't be around for another 20 though, as it is set to close this year to make way for the upcoming Avatar experience. - https://www.micechat.com/430352-disneyland-update-lunar-lights-sweethearts-nite-construction-heights/ Last week also marked the first Sweethearts Nite of the season. This year, the checkin was back in Frontierland at the entrance to Galaxy's Edge where guests could pick up their lanyard, map, and pack of Dove chocolates for the event. Some of the themed photo areas this time were the rooftops of Paris for the Aristocats, the balcony from Aladdin, a Toontown picnic, and the “Kiss the Girl” scene from The Little Mermaid. Some uncommon characters were also around like Oswald the Lucky Rabbit with Ortensia, Princess Kida and Milo Thatch from Atlantis: The Lost Empire, and The Country Bears offering Bear Hugs. The new Celebrate Love Cavalcade, and Once Upon A Dream show were fun additions to the after dark event. - https://www.laughingplace.com/disney-parks/disneyland-after-dark-sweethearts-nite-2026/ https://www.laughingplace.com/disney-parks/disneyland-after-dark-sweethearts-nite-characters/ Downtown Disney is continuing to be a bustling area full of construction. Porto's Bakery & Cafe is coming along as the demolition of the former Earl of Sandwich location is moving along. The old building should be completely cleared soon. Gordon Ramsay visited the resort to check on the progress of Gordon Ramsay at The Carnaby, which will be located upstairs from the new Earl of Sandwich. The sign for this location has been revealed already, with rumors that soft openings could happen in the next couple of months. - https://www.laughingplace.com/disney-parks/portos-bakery-construction-update-downtown-disneyland-resort/ https://www.laughingplace.com/disney-parks/gordan-ramsay-visits-disneyland-resort-the-carnaby/ For our book club read this time, we will be diving into Groundbreaking Magic: A Black Woman's Journey Through the Happiest Place on Earth. If you will be in the San Francisco Bay Area in February, the Walt Disney Family Museum will be hosting a talk with Disney Legend Martha Blanding, the author of the book, along with Disney historian Marcy Carriker Smothers. The talk is on Saturday, February 14th at 1pm. Tickets are on sale now for $15 for members, or $30 for adults. For more information, visit the link in the show notes. - https://www.laughingplace.com/disney-parks/disney-legend-martha-blanding-walt-disney-family-museum/ SnackChat: Napa Rose has been undergoing an extensive refurbishment, and was originally slated to open before the end of 2025. That was pushed back and will finally be reopening on February 6th. Reservations are open now to book a spot to dine at this location. There is also a new menu at the location. - https://disneyparksblog.com/dlr/napa-rose-reopening-date/ Discussion Topic: Disneyland Handcrafted - https://disneyparksblog.com/disney-experiences/how-to-watch-the-debut-of-disneyland-handcrafted/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This Week in Geek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films.This time, our full crew of Birdman, Ken, David and Adam discuss two underrated movies in the Disney Animation catalog. First is the Swashbuckling Science Fiction twist on Robert Lewis Stevenson's Treasure Island, Treasure Planet, and the second is the classic adventure feature using the designs of comic book artist Mike Mignola, Atlantis the Lost Empire. Some of us have never seen both or one of these and for some of us they've become staples of both our childhoods and adulthoods.It's another TWIG Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves. Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netJanuary 7, 2026

Hey there, and a very happy New Year's Eve to you! This is your Disney News for Wednesday, December 31st, 2025. I hope you're gearing up for a magical year ahead! - Disney World in Orlando is buzzing about the new "Frozen" experience opening early next year with a journey through Arendelle, Elsa's icy palace, and snowy adventures with Anna and Kristoff. - Tokyo Disneyland announces an expansion at DisneySea featuring a reimagined "Atlantis: The Lost Empire" area with thrilling rides and interactive experiences. - Disney+ plans a nostalgic treat with a new "DuckTales" animated movie featuring Scrooge McDuck and his nephews on an epic treasure hunt. - Disneyland Paris will open a "Beauty and the Beast" themed restaurant with French-inspired dishes and the magic of the beloved tale. Thank you for tuning in, and I hope you have a magical New Year's Eve. Remember to check in tomorrow for more Disney updates. See you tomorrow!

For this episode Dan, Michael and Helena look back at a movie Michael loved and Helena had seen, yet Dan had somehow missed, Atlantis: The Lost Empire. Nominee for the ‘Grower, Not A Shower' Golden Lobe Award 2025. Theme music by @themenniss. Follow @HiltMpod on social media https://linktr.ee/hiltmpod Join our Patreon https://www.patreon.com/hiltmpod Hosted on Acast. See acast.com/privacy for more information.

STUDY GROUP: Goodbye To Disney's Weirdest Era What the hell was that all about? As we leave The Wilderness Years (aka the Oddbod Era, aka the Freak Era) behind, film journalist Ben Travis and animation academic Sam Summers reflect on the long and winding road of movies that encompass the Walt Disney Animation Studio's biggest identity crisis. In this Study Group episode, we try and summarise what the Wilderness Years actually was, and why it's one of the studio's most fascinating eras (despite giant fluctuations in quality) – plus, we rank every film from this era, update our overall Disniversity rankings, and decide what the next era of the show will be. We have a title, and a list of films – listen to the episode to find out what's coming next. Plus, we return to the Dinosaur Song Factory one last time, and Sam delivers a bonus nugget of personal lore related to Atlantis: The Lost Empire. Buckle up for incoming bangers: the future has arrived! Next episode: Mystery project, and possible mailbag episode. Then – The Princess And The Frog! Disniversity is brought to you by Ben Travis (@benstravis) and Sam Summers (@samsummers0), with art by Olly Gibbs and music by Nafets. Follow us on Twitter and Instagram at @disniversity. This podcast is not affiliated with Disney. — Welcome to Disniversity, the podcast crash course through the history of Disney's animated classics, with film journalist Ben Travis and animation academic Dr. Sam Summers. Each week, we'll be moving forward in time through the legendary Walt Disney Animation Studios catalogue, watching every feature film in chronological order – from Snow White to Moana 2. Watch along with us, and listen as we explore each film's historical context, advances in animation and lasting legacy, and talk about how they stand up today.

Send us a textIn this week's episode, the guys review the 2001 movie Atlantis: The Lost Empire.Get more CDD on Patreon!Visit the website!Support the show

This week the Summer of Superheroes continues with our look at the deeply implausible romance of Guillermo Del Toro's original Hellboy movie! Join in as we discuss Ron Perlman's performance, Atlantis: The Lost Empire, Nazi occultism, and Marvel's Son of Satan. Plus: Why wasn't David Hyde Pierce credited for voicing Abe Sapien? What exactly was Rasputin's goal? And, most importantly, is there a single person who likes John? Make sure to rate, review, and subscribe! Next week: Mystery Men (1999)-------------------------------------------------Key sources and links for this episode:"Behind Abe's Big Fish Eyes: io9 Talks to Hellboy II's Doug Jones" (io9)"David Zaslav Meeting with Candidates to Replace Mike De Luca and Pam Abdy as Warner Bros. Heads" (The Hollywood Reporter)"Hollywood Execs Fear Ryan Coogler's Sinners Deal 'Could End the Studio System'" (Vulture)"Hollywood Foreign Press Association Members Seek to Restore Organization Amid Dispute with New Owners of Golden Globes" (Variety)"How Kerry Conran Saw Hollywood's Future - Then Got Left Behind" (The Telegraph)

Another month has passed at the Talking Simpsons Network, and that means we've got another awesome podcast about an animated feature film! This month, our $10 Patreon subscribers get to hear us talk about 2001's Atlantis: The Lost Empire! Listen now to this free extended preview, and then subscribe at the $10 level (or up your current pledge to $10) to hear the whole thing and all of our previous What A Cartoon Movie podcasts. Sign up today!

Send us a textBeneath the magical veneer of Disney Parks lies a fascinating subculture most visitors never notice: Disney Social Clubs. Like secret societies with mouse ears instead of secret handshakes, these unofficial groups of passionate fans create their own traditions, patches, and in-park rituals centered around specific Disney intellectual properties or attractions.We dive deep into this underground Disney phenomenon, exploring how these fan-created communities form around everything from beloved classics to obscure films. You'll discover clubs like "The Rescuers Underground" with their scavenger hunts and merit badge ceremonies, or "RATS" (Ratatouille's Artisan Tasting Society), whose members conduct elaborate food reviews in exaggerated French accents while strolling through Epcot.The creativity of these clubs is astounding – from "Haunt Couture" members who walk through parks in ghostly silence while playing organ music, to "Thunder Colt" enthusiasts who engage in competitive "yeehaw-offs" and salute Big Thunder Mountain before every ride. We explore how club members identify each other through elaborate patches worn on vests or jackets, featuring designs that cleverly incorporate their chosen Disney theme.What makes these social clubs truly special is how they transform ordinary park visits into extraordinary adventures. A club focused on "Atlantis: The Lost Empire" might create compass-guided expeditions through Adventureland, while the horror-inspired "Clock Strikes Never" reimagines It's a Small World as a creepy experience, with members leaving behind tiny dolls throughout the park and whispering "They are watching you. Smile." to random guests.Whether you're intrigued by the community these clubs foster, amused by their elaborate rituals, or inspired to start your own, this episode celebrates the incredible creativity of Disney's most dedicated fans. These social clubs show how Disney's magic extends far beyond what Imagineers create – it lives in the imaginations and connections of the fans themselves.Have you encountered any of these Disney Social Clubs during your park visits? Or better yet, would you consider joining one? Share your thoughts and let us know which club concept from our episode you'd most like to join!Here's who we are and what is in store for you

We bring you a Patreon voted winner episode.  The Patrons wanted to hear us cover the first Atlantis film.  A movie that feels at time pretty dark for a kids movie.  A pretty exciting film that could of done a lot more but just fizzled into the wind.  Join us as we deep dive into the sea to review this forgotten Disney film.   Starring Mike Albertin, Joe Butler, Joseph Larrey, Phoebe Stanton and Sierra. Sierra's Podcast - https://open.spotify.com/show/7Dj782USKkNpDWa2jmN21s Phoebe's Twitch - https://www.twitch.tv/theletsplayprincess Phoebe's Podcast - https://nerdsabroadcast.podbean.com/ Gamer Looks at 40 - https://agamerlooksat40.com/ Zac's Podcast - https://linktr.ee/absolutelythebest Helena - https://linktr.ee/helhathfury Patreon - https://www.patreon.com/GamesMyMomFound Follow us on Facebook. Instagram - gamesmymomfound_ YouTube  - https://youtube.com/c/GamesMyMomFoundPodcast Discord - https://discord.gg/YQRZB2sXJC

As we continue winding down the podcasts, Trevor and Cameron stay in the early 2000s for another animated film of that era: Atlantis: The Lost Empire. Follow the Nerds: Trevor: @TrevorJStarkey.bsky.social Cameron: @revcabbott.bsky.social That Nerdy Site: @thatnerdysite.bsky.social

The gang talks about one of the most forgotten and underseen of Disney's animated films, Atlantis: The Lost Empire.---Follow the gang on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠! And send us movie suggestions at nostalgiaeffectpod@gmail.com.Watch Amy talk more movies over on her YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/themoviechecklist

On the 109th episode of the Triple Threat Theater podcast, Dax and Rian bid a fond farewell to the days of big budget 2D animated features. Films discussed on this episode:
 The Iron Giant (1999) Atlantis: The Lost Empire (2001)
 Treasure Planet (2002) Follow Triple Threat Theater on social media: 
Twitter - @buy_borrow_burn 
Instagram - @triplethreattheaterpodcast
 Tumblr - triplethreattheater.tumblr.com

We are back! In this jam-packed episode, your favorite hosts dive deep into the wild world of pop culture with hot takes, bold predictions, and nostalgic throwbacks. We kick things off with the DCU's Superman and updates on The Batman, then shift gears to discuss SNL's latest sketch hits with Jack Black.Things get animated as we celebrate the 30th anniversary of A Goofy Movie, explore the underrated classic Atlantis: The Lost Empire, and debate the possible Disney acquisition of Looney Tunes—yes, you read that right! Could Bugs Bunny really join Mickey Mouse under one roof?We also get trash talk Gladiator 2, and revisit the golden age of cartoons with not one, but two deep dives into Looney Tunes—from legacy to future. If you want to support, you can donate here:buymeacoffee.com/whatwestream

In this special Wolfpäc episode, Annie, Lucas, and Anna discuss Disney's Atlantis: The Lost Empire (2001), and Anna proves that if you're going to go on a treasure hunt, you have to make sure there's actually treasure at the end.Note: Lucas had a pretty gnarly rainstorm during the recording, so you might hear some background noise on his end. Listen. It's atmospheric. Don't worry about it. Hosted on Acast. See acast.com/privacy for more information.

A look back into the archive now, for a movie I've mentioned several times in previous episodes, talking about John Musker and Ron Clements, and the movie they actually really wanted to make.This is it - Treasure Planet.And it is, indeed, a treasure, but like Atlantis: The Lost Empire, it was lost on early 2000s Disney viewers, but it's an outstanding achievement, looks beautiful, and is largely forgotten in Disney's back catalogue.It deserves re-evaluation though, as does this very old episode of the podcast!(Episode originally released 1st March 2020)I would love to hear your thoughts on (From the Archive) Treasure Planet !Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Sade, Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle and Aaron.Mentioned in this episode:From the ArchiveThere's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release) Please enjoy this time capsule of an episode. Thanks for listening!This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

We watched Atlantis: The Lost Empire, one of several more or less forgotten films from the early 2000s era of Walt Disney Animation Studios releases. Was it forgotten for a reason, or does it deserve to be rediscovered almost 24 years later? Find out with us this week on The Big Room.   Follow Us! Discord: https://discord.gg/8Xx4yakz26 YouTube: https://www.youtube.com/@thebigroompod TikTok: https://www.tiktok.com/@thebigroompod/ Instagram: https://www.instagram.com/thebigroompod/ Bluesky: https://bsky.app/profile/thebigroompod.bsky.social Threads: https://www.threads.net/@thebigroompod

Morgan aka CosbunnyCosplay joins me to talk all about Cosplay and the fandoms that she represents through her work. We start off by exploring how and why Morgan got interested in Cosplay. Morgan takes us through her beginnings with her first character she cosplayed as, to the skills she had at the time. As she gets more interested and involved with cosplay, Morgan shares the different skills and abilities she picks up and learns about. Everything from sewing and armor, to prop making, and magnets. We talk about what drives her decision to cosplay certain characters, and do deeper dives on characters like Kida from Atlantis: The Lost Empire, Appa from Avatar: The Last Airbender, and one of her signature characters she's known for, Queen Akasha from Queen of the Damned. Rounding things out, Morgan gives some good advice on how to get started in Cosplay, and talks about being a member of the Cosplay Dropouts - a POC NorCal cosplay collective. You can find Morgan at: https://www.instagram.com/cosbunnycosplay/ https://beacons.ai/cosbunnycosplay https://www.tiktok.com/@cosbunnycosplay https://www.youtube.com/@Cosbunnycosplay You can find the Cosplay Dropouts at: https://www.instagram.com/cosplaydropouts/

This podcast is now six! And to celebrate, some post-Renaissance Disney.If Atlantis really existed, no one wrote about it until Plato, who did so 9,000 years after its destruction. Atlantis: The Lost Empire draws from Plato's original Atlantis myth, as well as classic adventures stories like Jules Verne's Journey to the Centre of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), Victorian-era adventure fiction and steampunk, various New Age interpretations of Atlantis, and elements from Edgar Cayce's "readings" about Atlantis.This movie's interpretation of the Atlantis myth is firmly rooted in a technologically advanced civilization, with its own language (a language that only Milo Thatch can read!), and visually inspired by Hellboy creator Mike Mignola; everything about Atlantis: The Lost Empire was huge, in both style and scope. It remains one of the most beautiful and epic movies of Disney's animated back catalogue. Despite its lacklustre box office, it's grown into a true cult classic and fan favourite in the years since its release, but it has also been accused of white saviour tropes, clichéd characters and plagiarism...I would love to hear your thoughts on Atlantis: The Lost Empire !Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Sade, Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle & Aaron.This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Episode 121 of Inside Quotes! This week Jonathan picked the 2001 film “Atlantis: The Lost Empire”.    JOIN US ON PATREON: https://www.patreon.com/InsideQuotes   Watch Today's Episode on YouTube: Inside Quotes - YouTube Channel   On Today's Episode:    • Atlantis: The Lost Empire - The Making of Atlantis  • Jim Varney's final film role  • 2D Animation - What is line mileage?  • James Cameron's Avatar comparisons  • Roanoke Island - “The Lost Colony”  • Disney Live-Action Remakes - Atlantis potential  • Muppet of the Week, Cinematic Eats, & Prop of the Week  • Spotify DJ feature Show Notes: Inside Quotes Merch Store Linktree: @insidequotescast Artwork by Bryce Bridgeman: @Groovybridge

(Spoiler Section Length - 16min 5sec) After around a decade of creating musicals, Disney started to branch out in the early 2000's, creating several films that weren't as financially successful as the 'Renaissance Era' movies, but many of which ended up being cult favorites over time. Atlantis is one such film - eschewing the musical format for a straight-up adventure film inspired by the like of Indiana Jones. Disney hoped the movie would be the next big thing, and planned to make theme park updates, a sequel and even a spin-off television series under the assumption it would be. But that's not how things worked out... the film disappointed financially, enough so that all the aforementioned tie-ins were cancelled. But financial success is far from a measure of true quality... was this movie actually any good? Listen to find out!

Here is your Daily Disney News for Tuesday, January 21st, 2025 - Tokyo Disneyland is unveiling a new parade, "Dreaming Up!" with favorite Disney characters and a dazzling display of floats. - Walt Disney World's Haunted Mansion ride is getting a makeover, featuring new ghostly friends and enhanced effects. - Disneyland Resort's Avengers Campus offers an immersive superhero experience with rides and interactive attractions. - Disney+ announces a new live-action series based on "Atlantis: The Lost Empire" with modern storytelling and stunning visuals. Have a magical day and tune in again tomorrow for more updates.

Spoiler-Free stories about events in our lives surrounding some movies. Funny stuff! 

Join Aaron, Andrew, Adam and Abby as they journey to find the lost city of Atlantis on this episode of Distracted: Quartet of Chaos. Listen along as they discuss this often forgotten movie in the Disney film library. They will travel alongside Miloon this journey as they escape the leviathan, explore the ancient civilization and defeat Commander Rourke. Join our community on Discord: https://discord.gg/Z9jUfZ4cRt Find us on Youtube: youtube.com/@DistractedQuartetofChaos Subscribe to our Gaming channel: www.youtube.com/@DistractedqocGaming

Send us a textThe Dark Truth Behind Disney's Hunchback reveals fascinating untold stories from director Gary Trousdale about the groundbreaking 1996 animated film. In this candid interview, Trousdale shares how the project came together, including Jeffrey Katzenberg's clever casting tactics and the creative freedom the team gained after his departure from Disney.Gary Trousdale is an American animator, film director, screenwriter and storyboard artist. He is best known for directing films such as Beauty and the Beast, The Hunchback of Notre Dame, and Atlantis: The Lost Empire. He frequently works with Kirk Wise and Don Hahn. http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com

In this Saturday's episode of AKAPAD's The Film Buff Podcast, Peter delves deeper into the failed attempt to expand American animation to young male adults. Despite this frustrating shortfall, the market produced some remarkable works. One standout is Disney's 2001 film Atlantis: The Lost Empire, a hidden gem that deserves more recognition.

Welcome Back Everyone! Thank You for joining us once again! Join the STF crew as they journey back into the wizarding world and Jacob takes us to atlantis....just not the Aquaman version!   1st Film: Jacob's Pick Atlantis: The Lost Empire  (2001) Co-Directed by Gary Trousdale and Kirk Wise Featuring the Voices of: Michael J Fox, Jim Varney, Claudia Christian, Corey Burton and James Garner 2nd Film: Harry Potter and the Order of the Phoenix (2007) Directed by: David Yates Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes and George Harris Thanks for Listening! Email:   Strangerthanflicktion@gmail.com Twitters:  Podcast- @SFlicktion Joey - @SpaceJamIsMyjam Jacob - @Jabcup Johnnie- @Shaggyroaddogg Tim - @timbohh4l Time Stamps: Atlantis: The Lost Empire -  Rate and Review - 58:45 Harry Potter and the Order of the Phoenix  - Review and Rate  -  1:30:10 Music Credits:  What Ive Done - Linkin Park Hedwigs Theme - John Williams https://www.youtube.com/watch?v=QrTrmnpTNwY

Good morning, afternoon, and evening! As Gibby toils away in the editing mines, Kaylie and Bodio embark on a grand journey deep under the sea! They revisit Atlantis, the underrated animated adventure, and discuss how it didn't make a splash upon release, but made waves later on as fans connected online. But what makes it so enjoyable? How does it stand apart from the crowded field of animated releases the turn of the millennium? And could it be...BREAKING COPYRIGHT LAWS? Tune in and find out! Also included: an overused SpongeBob gag, Universal CityWalk, and an unexpected DOOM clone.

Arezou boldly asks if the 1994 "Stargate" film and the 2001 Disney animated film "Atlantis: The Lost Empire" are actually the same movie. Join us as we compare and contrast these two excellent stories that definitely have the same main character at least!Find us online:https://twitter.com/wormholewaffleshttps://wormholewaffles.tumblr.com/@wormholewaffles.bsky.socialHive @wormholewaffleshttps://twitter.com/chelseafairlesshttps://chelseafairless.tumblr.com/Hive @chelseafairlesshttps://twitter.com/arezouaminhttps://arezoudeetoo.tumblr.com/@arezouamin.bsky.socialHive @arezoudeetooOther Geeky Waffle content:https://thegeekywaffle.com/https://twitter.com/Geeky_Wafflehttps://www.facebook.com/thegeekywaffle/https://www.instagram.com/thegeekywaffle/https://thegeekywaffle.tumblr.com/https://www.tiktok.com/@thegeekywafflehttps://www.youtube.com/c/thegeekywafflehttps://www.patreon.com/thegeekywaffle

The guys are checking out a Disney Classic!

There's something about it being summertime in the blazing heat we just want to go underground and find a hidden tropical oasis. Is that too much to ask? Revisit Atlantis with us this week.  

Jay is joined by Andy Goulding from Blueprint: Review to explore Atlantis: The Lost Empire (2001), one of Disney's lesser-discussed animated films that is absolutely worth checking out! On this episode they discuss burrowing sex pests, giant robot lobsters and quirky fruitcake, and remember to respect the scat gap!

Today we are joined by Becky, one of the amazing hosts of the podcast Live Laugh Lorcana! Join us as we discuss Atlantis: The Lost Empire, cards we love and whether we would like to visit Atlantis or win a challenge event!   Follow us on Instagram (@hakunalorcanapod) and Twitter (@hakunalorcana) for updates!   Contact us via email at questions@hakunalorcanapod.com

Today we are talking about Atlantis: The Lost Empire - the 2001 movie where we joined a rag tag group of misfits as we journeyed miles under the ocean to the lost empire of Atlantis.   Follow us on Instagram (@hakunalorcanapod) and Twitter (@hakunalorcana) for updates!   Contact us via email at questions@hakunalorcanapod.com

Back by popular demand, welcome to Animated April! This month Movies That Raised Us will be covering all your favourite cartoon classics. Make yourself a blanket fort and grab yourself a fruit roll up as we take a trip back to our childhood!         Mo and Christina take on their third animated flick, 2001's Atlantis: The Lost Empire. Join them as they discuss a kooky ensemble, Respectful King Milo Thatch, and how James Cameron should sleep with one eye open.             From March 27th - April 24th we will be matching all donations to Move To Higher Ground up to $500! Send us a screenshot of your donation receipt to be entered into a giveaway to win Movies That Raised Us merch!   Donate to Move To Higher Ground: https://mthg.org       Our Patreon is LIVE! https://www.patreon.com/moviesthatraisedus We are thrilled to launch our Patreon with exciting perks such as a listener picked bonus movie episode, exclusive Discord, being added to our Close Friends, and a personalized thank you note!   Our merch shop is live! Check out our Raymond the Lifeguard design and so much more!! https://tinyurl.com/vxpbczup    Follow us on instagram @moviesthatraisedus   Follow us on tiktok @moviesthatraiseduspod  Follow us on twitter @mtru_pod     Do you have a movie you want us to cover next? Fill out our form! https://forms.gle/fU5vRfTk8K5Gb7cD8

Disney and pop culturists Aljon Go and Dave Bossert share part two of their chat with Animator/Producer Joe Haidar including working on the Disney Renaissance era of animated classics. Joe Haidar is known for Animated American (2008), Atlantis: The Lost Empire (2001), and Hercules (1997). Learn more about Joe's work at ⁠Joe Haidar Storyboard and Animation.⁠ Skull Rock Podcast is brought to you by the generosity of the following companies: Shure and their ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MV7 - Podcast Microphone Kit (shure.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sound Extraordinary | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Old Mill Press - “Publishing beautifully crafted books that illuminate our world.” To learn more visit theoldmillpress.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (for a limited time, save 20% on your purchase using our code SAVE20) - and listeners like you. Follow us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Skull Rock Podcast | Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aljon Go (@aljongo) • Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- Aljon's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dining at Disney Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and Sorcerer Radio - All Disney Music, All Day Long ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SRSounds.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - E-mail: aljon@skullrockpodcast.com || ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dave Bossert (@dave_bossert) • Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- dave@skullrockpodcast.com. For more great behind-the-scenes stories and articles visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠davidbossert.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Shop using our Amazon affiliate link - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3uld8or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Book your next Disney, Universal, and Cruise vacation with Kristen themeparksandcruises@gmail.com. Thanks to you, the Skull Rock Podcast is on the list of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Best Disney Podcasts You Must Follow (feedspot.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. - Outro music "The Pirate King" composed by Jared Rehnquist/Untold Journey - Creative Commons Attribution 4.0 International License. *Source, Wikipedia. This episode contains ads and promotional content. If you are interested in advertising on this podcast, please e-mail aljon@skullrockpodcast.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/skullrockpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/skullrockpodcast/support

On the 39th Edition of Pop Goes the Classics, Andy Atherton, Steve Riddle, and Mirandia Berthold go on a deep space adventure as they discuss the 43rd Disney Animated Film, Treasure Planet. Join the trio as they discuss if the film was released too soon after Atlantis: The Lost Empire; similarities between the film and the book, "Treasure Island"; the pedigree of the film's directors; Jim Hawkins' growth throughout the film; the father-son relationship between Jim and John Silver; the aspects of a pirate film in space; the budding romance between Delbert and Amelia; the quirkiness of Morph; B.E.N. not appearing until very late in the film; the ambitious animation styles of the film and whether the film holds up today or remains a largely forgotten film. So join Andy, Steve, and Mirandia as they follow the stars and continue down their trek of the Disney Animated Film Canon.

It's time to hunt for some buried early-2000s Disney treasure. This week Vee and John have picked two underrated, often forgotten animated gems. This is: Treasure Planet, and Atlantis: The Lost Empire

Atlantis: The Lost Empire x Hebrews 10:24-25Your daily crossover of faith and fandom! Experience daily Biblical encouragement from nerdy Christian podcasters, bloggers and content creators. Join the Nerd of Godcast community at www.NOGSquad.com