Podcast appearances and mentions of Tex Avery

El podcast 'Par Impar' analiza con el realizador la nueva entrega de su comedia en Prime Video y el mítico filme coral de Tarantino y Rodriguez. En este nuevo episodio del podcast Par Impar, los presentadores Juanma González y Dani Palacio reciben una vez más al director y guionista Rodrigo Sopeña. La excusa para esta reunión es doble: por un lado, comentar la cuarta temporada de su aclamada serie de comedia Atasco, disponible en la plataforma Prime Video; por otro, analizar una de las películas episódicas más emblemáticas de la década de los noventa, la gamberra y mítica Four Rooms (1995). El primer gran bloque de la charla se centra en la producción de Atasco. El director comparte con los oyentes los secretos de la grabación de la cuarta entrega, destacando de manera muy especial el estelar cameo del periodista Juanma Rodríguez, popular colaborador del grupo Libertad Digital y presentador en esRadio. Sopeña relata con humor cómo tuvieron que tratar a Rodríguez como a una auténtica estrella de Hollywood debido a su arrolladora y divertida personalidad. Otra de las genialidades de casting comentadas de la serie de esRadio es la incorporación del humorista Félix el Gato interpretando al mismísimo papa de Roma. Se trata de un rol enteramente gestual y silencioso que parodia las apariciones públicas del pontífice a bordo de un peculiar papamóvil de fabricación nacional. Este segmento sirve para que Sopeña explique cómo ha querido sacar la cámara del atasco físico por primera vez en la serie, expandiendo el universo de la ficción hacia exteriores. El núcleo cinéfilo del programa se dedica al despiece de Four Rooms, una película de culto de 1995 que entrelaza cuatro relatos independientes dirigidos por cuatro de los directores más prometedores del cine independiente americano de la época: Allison Anders, Alexandre Rockwell, Robert Rodriguez y Quentin Tarantino. El nexo de unión de todas las historias es el botones Ted, interpretado de forma histriónica por Tim Roth. Los podcasters y su invitado analizan pormenorizadamente cada habitación de este peculiar hotel Mon Signor. El primer capítulo, dirigido por Allison Anders y protagonizado por Madonna, es calificado de forma unánime como el más flojo y forzado, ya que apenas aprovecha el entorno del hotel. El segundo segmento, de Alexandre Rockwell, introduce al espectador en un juego de sumisión y celos bastante incómodo que, no obstante, mantiene un tono de extrañeza muy acorde al espíritu experimental del filme. El gran triunfador de la película es, sin duda, el tercer episodio, escrito y dispuesto por Robert Rodriguez y protagonizado por un divertidísimo Antonio Banderas en el papel de un mafioso chapado a la antigua. Esta sección es ensalzada como una obra maestra del slapstick y la comedia de dibujos animados al estilo de Tex Avery. El ritmo frenético y las soberbias actuaciones de los niños consiguen extraer carcajadas constantes. Por último, el cierre de la película corre a cargo de Quentin Tarantino, quien filma un plano secuencia larguísimo repleto de sus característicos e interminables diálogos sobre la cultura popular. El segmento, inspirado en un famoso episodio de la serie televisiva Alfred Hitchcock Presents, destaca por su magistral manejo de la tensión antes del estallido del gag final. Como curiosidad, Sopeña y González comentan los breves cameos de actores como Bruce Willis. De vuelta al análisis de Atasco, Sopeña aprovecha para elogiar el trabajo de otros integrantes del reparto, como el actor Diego Martín, quien asume un sorprendente papel dramático como director de orquesta que contrasta radicalmente con sus habituales papeles cómicos. También se destaca el debut actoral en la ficción de la célebre astróloga Esperanza Gracia, así como las delirantes aportaciones de cómicos de la talla de Raúl Cimas. Para finalizar, el podcast cierra con una excelente selección musical que incluye tanto el tema Vertigogo de la banda sonora de Four Rooms como Drop in the Bucket, la sintonía que acompaña a los créditos de Atasco. Los participantes se despiden emplazando a los oyentes a una futura quinta temporada de la serie y a nuevos debates cinematográficos llenos de nostalgia y buen humor.

News; birthdays/events; how many times (if any) will you call a business to complain about their service before you'll stop going?; word of the day. News; what are your favorite cartoons, favorite artists?; new way to listen to a book; game: Cinco de Mayo word ladder. News; how many forgotten clothes do you have?; our phone habits (list...do you do these things); game: outburst. News; when technology becomes more affordable it can also become more dangerous'; game: 70's guitar licks;  goodbye/fun facts....National Cartoonist Day is held in remembrance of the first comic strip featured in a newspaper -- It also honors all cartoonists, past and present, and their amazing creations. You've probably heard of: Charles Schulz, Walt Disney, Chuck Jones, Tex Avery, Gary Larson, Jim Davis, and Matt Groening...but we may have never of them if it weren't for Richard Outcault....on May 5, 1895, the Sunday morning paper held a little surprise for its readers. Readers of the New York World discovered a single-strip, full-color drawing of a big-eared, barefoot little boy with a mischievous grin created by Outcault, this comic strip (called "Hogan's Alley," and later, "The Yellow Kid") became the very first commercially successful cartoon. Then in 1905 Cartoonist Winsor McCay creates "Little Nemo in Slumberland" for the New York Herald; it has a story that continues each week, which is unusual for this time. 

News; birthdays/events; would very specific speed limits make a difference in how you drive?; word of the day. News; game: name these instrumental songs; what is trip advisors top tourist attraction for 2026?;  have you ever set a weird goal for yourself? a guy in London did...and it took him 6 years to complete it! News; game: guess these celebrity voices; how many missing cups, plates, bowls etc will you tolerate until you break down and replace the set; most viewed Youtube videos of all time. News; game: general trivia; list of what people won't buy a 'cheap' version of; goodbye/fun facts....National Bugs Bunny Day. It commemorates the date this happy-go-lucky bunny made his first appearance in 1938. Bugs Bunny's first appearance wasn't on TV or any cartoon channels, but as a short theater cartoon called "Porky's Hare Hunt." Many people don't actually credit that as his first appearance and the reason for this is he was then still called Happy Rabbit. It wasn't until July 27, 1940, that "A Wild Hare" officially introduced the character called Bugs Bunny to the world. The preliminary version of Bugs Bunny was created by Ben Hardaway, whereas the official version was created by Tex Avery. Post World War II, "Knighty Knight Bugs" (1958) won an Academy Award for the Best Cartoon Short Subject. It was the first Oscar for Bugs Bunny. You can binge-watch "Looney Tunes" throughout the day, eat carrots or greet everyone you see with "what's up, doc"?

We start 1939 off with a look at Tex Avery, whose output is starting to creep closer to the type of cartoons he's most known for making, but that he won't make until he leaves for another studio. And at the same time, we have a new voice actor joining the folds in one of these cartoons, whose legacy in the Looney Tunes/Merrie Melodies series would end up being far-reaching. But all that said, are these two cartoons worth watching nowadays? Listen to find out!

April's almost over but we're not done talking all things comedy just yet:   We present to you an exclusive, long-in-the-making tribute and retrospect on '50s TV host, visual gag perfectionist & awe-inspiring comedian ERNIE KOVACS.   Who knew that Jack Lemmon was part of the Nairobi Trio?   What influence did Kovacs' abnormal style have on Kids in the Hall, Monty Python, MST3k, Pee-Wee Herman, Mr. Show & even Conan O'Brien?   Aside from Kovacs, how did Edward R. Murrow, Tex Avery, Andy Kaufman, Stan Freberg, David and Amy Sedaris & Mike Nesmith change the realm of meta-humor possibilities?   We also share trivia, a review of his TV biopic movie starring Jeff Goldblum & where you can get his CD recordings/DVDs!       CLIPS USED: "Ernie Kovacs Theme Song: Oriental Blues" by Robert Maxwell Ernie Kovacs: Between the Laughter TV spot

We've had bad luck with FMV to Book games. Is this one better?(No.)https://nogamesforgenocide.comOur Socials Follow us at patreon.com/pixellitpod and hop into our Discord! Blue Sky: https://bsky.app/profile/pixellitpod.com Instagram: https://instagram.com/pixellitpod

durée : 01:02:30 - Club Jazzafip - En ce jour anniversaire du maître du cartoon loufoque Tex Avery, nous parcourons en musique les trépidations des films d'animation avec Claude Bolling, David McCallum, Quincy Jones, Scott Bradley, Fred Pallem ou encore Youssou N'Dour. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Je reçois de plus en plus de vocaux d'auditrices qui réagissent aux épisodes, et c'est LA MEILLEURE CHOSE !Celui de Clémentine a retenu mon attention : elle me proposait des "solutions" suite à mon épisode sur l'image de soi quand on crée sur les réseaux sociaux. Je pensais y réagir dans une petite vidéo mais plus le vocal avançait, plus j'avais de choses à dire, et notamment sur le fonctionnement des expositions. Parce que oui, la programmation des établissements culturels est elle aussi régie par la notoriété, des biais de société et des enjeux financiers.Je mentionne le travail de la neuroscientifique Samah Karaki "Contre les figures d'autorité", un extrait des Guerilla Girls et un du Loup de Tex Avery.POUR SOUTENIR LE PODCAST

This week we've got drug dealers, aliens, sophisticated detectives, uptight FBI agents, and enough explosions to turn Michael Bay into Tex Avery's Howling Wolf. Oh, and we forgot to mention, it's also Christmastime. That's right, we're talking Craig R. Baxley's action/sci-fi thrillride, I Come in Peace AKA Dark Angel with Deke from Sidetrakd16. Will this out-of-this-world tale create an endorphin burst large enough to trigger an intergalactic takeover of the planet or will the fellas be left stranded looking for another fix? Tune in to find out!

In today's episode, we watch Tex Avery's classic cartoon: Dumb Hounded. It sees the debut of the iconic Droopy! We also have over a month's worth og shenanigans to catch up on, so, strap in and brace yourselves for movie talk as well as holiday stories from Ric!Intro/Outro music: https://commons.nicovideo.jp/material/nc163920

Dans Fluide Glacial, le magazine d'Umour et de Bandessinée fondé par Marcel Gotlib, il y a toutes les gammes de l'humour : Gotlib, c'est l'humour slapstick à la Tex Avery, comme Edika ; Goossens, c'est l'humour absurde : Binet et ses Bidochon, c'est la chronique sociale ; SuperDupont de Gotlib, Solé et Jacques Lob, de la parodie… Mais il y a un auteur qui excelle dans l'humour macabre, le fantastique le grotesque, c'est le Belge Philippe Foerster, qui nous arrive cet année avec un livre étrange : Le Necronomickey.Tous les amateurs de Fantastique repèrent l'allusion à H.P. Lovecraft et son grimoire fictif le Nécronomicon} censé contenir des savoirs occultes et interdits liés aux Grands Anciens. Présenté comme un livre maudit écrit par l'« Arabe dément » Abdul Al-Hazred, il sert de fil rouge à l'univers horrifique du Mythe de Cthulhu. Un univers décliné en mangas par Gou Tanabe et publié chez Ki-Oon. Philippe Foerster part de cette base pour la mêler à l'univers sucré de Mickey Mouse}, un peu comme si Alice se retrouait au pays de l'horreur.Une production ActuaBD.com - Interview : Didier Pasamonik & Kelian Nguyen - Montage : Rémi Barnault — Photo : Kelian Nguyen - Musique : We March Together — Courtesy of Patrick Patrikios — Youtube Audio Library

In today's episode, we watch Red Hot Riding Hood! A classic offering under the direction of Tex Avery no less! Listen as we're impressed by the animation, as well as blown away by how little it took to trigger the censors back in the day...Intro/Outro music: https://commons.nicovideo.jp/material/nc163920

Join screenwriter Stuart Wright as he dives into movies that changed your life with the director of the Texas Chain Saw Massacre documentary CHAIN REACTIONS, Alexandre O. Phillipe, in this engaging episode of 3 Films That Have Impacted Everything In Your Adult Life. Explore Vertigo impact, Bladerunner analysis, and All Tex Avery Cartoons influence on his personal growth and cinema's transformative power. Alexandre O. Phillipe also discusses how he directed CHAIN REACTIONS Movies That Changed Your Life   Find out about the making of the Texas Chain Saw Massacre documentary CHAIN REACTIONS and the lasting impact of cinema with Stuart Wright on his movie podcast.   [1:00] Describe CHAIN REACTIONS [3:00] Texas Chain Saw Massacre is an extraordinary film [5:20] Texas Chain Saw Massacre is pure cinema [7:20] Texas Chain Saw Massacre looks amateurish is part of the charm of the film [9:00] What changes in perception did Alexandre have from making CHAIN REACTIONS? [13:00] Gaining new readings of Texas Chain Saw Massacre from those interviewed. [14:00] 3 Films That Have Impacted Everything In Your Adult Life Vertigo impact  [14:43] Alexandre O. Phillipe describes how Vertigo goes really deep and was his first film memory.  Bladerunner analysis [20:20] Alexandre O. Phillipe shares how Bladerunner was a film he watched in theatres, in Paris, when he was 10. He got the VHS as soon as he could and there was a time in his youth when he watched the film every day of his life. All Tex Avery Cartoons Influence   [26:00] Alexandre O. Phillipe talks about how watching Tex Avery Cartoons were a huge part of his pre-school routine when he was growing up in Switzerland. The absurdity and over the top humour and how Tex Avery could escalate every situation. Alexandre thinks that Tex Avery was the greatest.  Key Take Aways:   - Discover how movies that changed your life shape personal and professional growth. - Learn about how Alexandre O. Philippe decided on the style and format of the Texas Chain Saw Massacre documentary CHAIN REACTIONS Understand cinema's transformative power through Vertigo (1958), Bladerunner (1982), All Tex Avery Cartoons Full show notes and transcript:  About the Guest:   Alexandre O. Philippe is a Swiss American film director. Philippe is also the Creative Director and co-owner of Denver-based Cinema Vertige Fifty years after Tobe Hooper's The Texas Chain Saw Massacre shocked the world, this feature-length documentary charts the film's profound impact and lasting influence on five great artists – Patton Oswalt, Takashi Miike, Alexandra Heller-Nicholas, Stephen King and Karyn Kusama.  Chain Reactions will be available on Digital and Blu-ray from 27th October Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast. Credits:   Intro/Outro music: *Rocking The Stew* by Tokyo Dragons (https://www.instagram.com/slomaxster/)  Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/)   Learn more about your ad choices. Visit megaphone.fm/adchoices

For the Paris-born, New York–based artist Camille Henrot, time practically never stands still. Across her work in film, drawing, painting, sculpture, installation—and soon, live performance—Henrot has developed ways of stretching and distorting time, seamlessly shifting from moments of potent, rapid-fire intensity to quiet reflection. While her work carries a theory-driven ferocity and intelligence, it's also incredibly playful. Hers is serious art that manages—often with a knowing, subtle wink—to not take itself too seriously.On this episode of Time Sensitive, Henrot considers the subjectivity of speed and slowness; previews her upcoming first-ever performance-art piece, slated to premiere in 2026 and a collaboration with the nonprofit Performa; and reflects on why, for her, a work is technically never finished. She also shares her fraught fascination with animals, childhood, and the climate crisis—the intersection of which she examines in-depth in her soon-to-debut film “In the Veins.”Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Camille Henrot[4:30] RoseLee Goldberg[4:30] Performa Biennial[6:37] Buster Keaton[6:37] Tex Avery[7:03] Estelle Hoy[7:19] Adam Charlap Hyman of Charlap Hyman & Herrero[16:10] “In the Veins” (2026)[17:45] "Grosse Fatigue"[17:45] Massimiliano Gioni[38:51] Roland Barthes[45:36] Pierre Huyghe[47:51] Ikebana Sogetsu[51:46] Okwui Enwezor[55:03] Hypernormalisation by Adam Curtis (2016)[59:51] Jacob Bromberg[59:51] Akwetey Orraca-Tetteh[1:08:50] Adrienne Rich[1:08:50] Ursula K. Le Guin[1:08:50] Annie Ernaux[1:08:50] Mother Reader by Moyra Davey (2001)[1:08:50] Jenny Schlenzka[1:10:14] Maggie Nelson[1:11:02] Mothers: An Essay on Love and Cruelty by Jacqueline Rose (2019)[1:11:02] Representation of Motherhood by Donna Bassin (1994)[1:13:00] Louise Bourgeois

Kelly and Leandra were joined by very special guest High Kelly (Rocky Horror Minute, Big Boob Owner) who was feeling particularly silly, so everyone figured that it might be great to discuss a mystery (to Richard O'Brien and Patricia Quinn) costume piece, sociopathy, and Tex Avery!We're reaching the end of the movie but that doesn't mean the end of this podcast! Make sure you keep listening because we'll be starting our next big project soon! Email us at rockyhorrorminute@gmail.com and keep leaving those 5-star reviews on Apple Podcasts!

Tex Avery was the Warner Bros director that really shook up what it meant to be a WB cartoon short, and one of the ways in which he did that was an increasing focus on subverting expectations and breaking the 4th wall. He also introduced several characters to the Looney Tunes lineup, such as Egghead and Elmer Fudd. These two characters in particular have a strange history, one that's become so intertwined that modern depictions of Egghead reference Elmer Fudd's original design rather than his own. All that is fascinating, but the question remains... do the debut cartoons for these two characters still hold up so many decades later? Listen to find out!

Marc and Jordan take a look at three shorts featuring Egghead, a proto-Elmer character that was used primarily by the Tex Avery unit. In 'Daffy Duck and Egghead' he's used as a foil for a bigger, wackier character, in 'Count Me Out' he's given the lead role, and in 'A Day at the Zoo' he's one of many blackout gags. You be the judge of how well the character does in each scenario.Links:⁠⁠Support Jonathan's GoFundMe⁠⁠⁠⁠Support us on Patreon⁠⁠⁠⁠Follow us on Twitter⁠⁠⁠⁠Follow us on Bluesky⁠⁠⁠⁠Follow us on Instagram⁠

While Warner Bros' output has been increasing in quality in the late 30s, largely thanks to new blood like Tex Avery and newly-impowered blood like Bob Clampett, one member of the old guard in particular is still around and has been a lot slower to change: Fritz Freleng. Much of his output has largely been echoing the stylings of the Harman-Ising era, a style that's more and more at odds with the rest of the studio. But Freleng DOES change, even if slowly, so how does this cartoon of his hold up? Listen to find out!

“And now, I shall entertain you!” – Magical Maestro (1952) Animation aficionado and producer Jordan Beck returns to the show to tackle Tex Avery's Magical Maestro, one of the most frenetic and technically dazzling cartoons of the Golden Age. With its relentless visual gags and groundbreaking use of the “wipe” technique, this controversial short is both a masterclass in animation and a challenging relic of its time. Join us as Jordan helps us unpack the artistry and the baggage of this chaotic classic. Follow the Show:TwitterInstagramWebsite Music by Mike Natale

THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE REVIEW Looney Tunes and Merrie Melodies were a series of animated cartoons created by Warner Bros in 1935. The very first of these characters was Porky Pig created by Friz Freleng. On April 17, 1937 animators Tex Avery and Bob Clampett created an insane little […]

THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE REVIEW Looney Tunes and Merrie Melodies were a series of animated cartoons created by Warner Bros in 1935. The very first of these characters was Porky Pig created by Friz Freleng. On April 17, 1937 animators Tex Avery and Bob Clampett created an insane little […]

We present our The Day the Earth Blew Up: A Looney Tunes Movie review!The Day the Earth Blew Up: A Looney Tunes Movie is a 2024 American animated science fiction comedy film produced by Warner Bros. Animation. Directed by Pete Browngardt in his feature directorial debut, it is the first fully-animated and theatrically released film in the Looney Tunes franchise based on entirely original material. The film is spun-off from the Looney Tunes Cartoons series developed by Browngardt and features the voices of Eric Bauza, Candi Milo, and Peter MacNicol. The film follows Daffy Duck and Porky Pig as they try to save Earth from an alien scheme.In 2019, while working on Looney Tunes Cartoons, Browngardt was asked if he had any ideas for a new Looney Tunes feature film. Browngardt eventually settled on the premise of a "sci-fi B-movie from the '50s," starring Daffy and Porky. He took inspiration from features of the era and shorts starring the cartoon duo. Warner Bros. Animation, alongside several vendors, provided the animation for the film, of which its character designs were modelled after the style of animator Bob Clampett and Tex Avery. Joshua Moshier, who previously worked on Looney Tunes Cartoons, composed the film's score.Upon its announcement in 2021, The Day the Earth Blew Up was originally set to be released on HBO Max and the "ACME Night" block on Cartoon Network. The film however premiered at the Annecy International Animation Film Festival on June 11, 2024 and had a limited release in the United States on December 13, 2024 by Ketchup Entertainment, before expanding wide on March 14, 2025. The film received positive reviews from critics, and has grossed $5.6 million worldwide against a budget of $15 million.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Send us a textSafes.Anvils. Pianos.Cartoons.Tex Avery.  shelwereadapoem@gmail.com@ShelWeRead

durée : 00:58:21 - Toute une vie - par : Sacha Corso - La transgression et la liberté sont la marque de fabrique de Tex Avery, réalisateur d'une centaine de courts-métrages d'animation (cartoons) entre le milieu des années 1930 et le milieu des années 1950. - réalisation : François Teste - invités : Serge Bromberg Critique de cinéma, spécialiste du cinéma américain de l'âge classique.; Philippe Dana Journaliste; Marc Du Pontavice Producteur; Marcel Jean Délégué général Festival cinéma d'animation d'Annecy; Pierre Lambert Historien de l'animation

Puntata a cura di Untimoteo. L'anime horror DevilMan CryBaby, prodotto da Netflix nel 2018 a partire dal Manga Devilman del maestro Go Nagai, si distingue dalle altre opere del genere per una visione estrema e disturbante, frutto diretto della poetica allucinata del suo regista Masaaki Yuasa.Il suo stile unico fonde i corpi plastici (come nei cartoon della Warner Bros diretti da Tex Avery) con una visione horror acida e psichedelica tipica delle sperimentazioni anni ‘70. Oltre allo stile di animazione Yuasa imprime il proprio marchio anche alla storia, innestando nelle dinamiche originali del manga una metafora sportiva, il rap come mezzo di espressione e i social network. Piaccia o no, Devilman Crybaby è un'opera coraggiosa - che comprende lo spirito dell'originale.“Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana. Parte del progetto: https://www.mondoserie.it/ Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/ https://twitter.com/mondoserie_it https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ https://www.linkedin.com/in/mondoserie/

"I thought I hadn't experienced much abuse in the music scene - until I realized I had normalized it all." Laura from The Tex Avery Syndrome opens up about her evolving understanding of gender-based discrimination in the metal community. In this powerful episode, she reflects on how seemingly "minor" incidents of harassment, from unwanted touching to catcalling, represent a broader pattern of power imbalance and abuse.The conversation delves into critical issues facing women in the music industry, including:- The normalization of everyday harassment- Security concerns at festivals and venues- The myth of "cancel culture"- The responsibility of venues and organizers in creating safe spacesThe discussion also challenges the common practice of separating artists' actions from their art, highlighting how this perspective often dismisses victims' experiences.Ready to challenge your perspective on gender dynamics in the metal scene? Listen to this eye-opening episode that proves change begins with awareness.Recorded on December 16th, 2024.Bleeding Metal was created and is produced by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@kikigege87⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@power_pia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and is now co-hosted by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@suzanavalenca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@martha_wingen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Episode edited by Pia.

Giuseppe Castellano talks to Skylar Smith, Professor of Liberal Arts at the Ringling College of Art and Design, about why there's no time like the present to start learning about illustration history; whether an illustration is fully complete without the interpretation of an audience; what Generative AI and a lawsuit by Albrecht Dürer have in common; and more.You can find Skylar on LinkedIn.Artists mentioned in this episode include: Jules Feiffer, Norman Rockwell, George Petty, Miné Okubo, Arthur Szyk, J.C. Leyendecker, Al Parker, Saul Tepper, Norman Bridwell, Beatrix Potter, Todd McFarlane, James Montgomery Flagg, Seymour Chwast, Hilary Knight, Ashley Bryan, Tomi Ungerer, Tex Avery, Eric Carle, George Herriman, Caravaggio, and Albrecht Dürer If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

A much-requested encore of our visit with writer/Director MARK EVANIER, in which he takes us through the day-to-day life of a Hanna-Barbera staff member, with first-hand stories about Daws Butler, June Foray, Howard Morris, Paul Winchell, Shep Menken, Doug Wildey, Tex Avery, and Herb Solow (Star Trek, The Man from Atlantis), as well as Bill Hanna & Joe Barbera themselves.

This Week, we cover a show that practically stole the name of a beloved Looney Tunes director and tried to do something with it, with 'The Wacky World Of Tex Avery' It just may be one of the worst things we've had to watch for this show! Links: Support Jonathan's GoFundMe Page Support Us On Patreon Follow Us On Twitter Follow Us On Bluesky Follow Us On Instagram

There are many Looney Tunes director that are well known and spoken of today, be they Chuck Jones, Tex Avery or even Bob Clampett. But there are also less-discussed directors whose work was no less interesting and important in pushing the series into the force it would become. Enter Frank Tashlin, a man whose appreciation of live-action cinematic techniques was brought with him into his cartoons, bringing them an extra flair. How's this earlier short of his hold up? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support

Tex Avery is at it again over at Warner Bros, and this time Porky Pig isn't just a side character, but the star! This little pig just wants some soda, but also there's a serial bomber on the loose, and of course the two end up meeting. Does this reach the heights of Avery's last Looney Tune, and perhaps more importantly, does it avoid the racist lows? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support

Opening our new series of movie episodes based around films heavily inspired by the Looney Tunes, Marc and Jordan look at an incredibly zany movie they both grew up with that could not exist without the works of Tex Avery, 1994's The Mask. Together with colleague Brandon Hardy from Varicon Video, they discuss their background with the film, the influence of Jim Carrey on the preexisting script, the Avery and gangster movie influence, and that absolutely bonkers neo-swing soundtrack.

Join us as we continue our look at the works of Tex Avery by looking at some more of his MGM output! We look at Tex's first directorial effort, during a time of war, with 'Blitz Wolf' Jordan sees the beginnings of a iconic character in Droopy Dog with 'Dumb-Hounded' and we conclude with a short that has a plot that's pretty straightforward, except when it's not in 'Symphony of Slang'

The hits keep coming for the Good Brothers in the month of March as they review the Batman: The Animated Series episode "Harley's Holiday." Cal and Liam break down a classic Paul Dini written episode with direction from friend of the show Kevin Altieri which includes Tex Avery inspired slapstick action and an Arleen Sorkin master class in Harley Quinn personification. The hosts also talk about some of the more memorable visual gags, references to Alan Moore's Killing Joke and Lolita Ritmanis' excellent soundtrack. All of this and much more, plus a sneak peek at next week's annual April Fools episode await you on this all new DCAU Review! Scores: Plot: Cal: 10/10 – Liam: 10/10 Visuals/Animation: Cal: 8/10 – Liam: 7/10 Music: Cal: 8/10 – Liam: 7/10 Voice Acting: Cal: 10/10 – Liam: 10/10 Bonus Point: Liam +1 (Title Card) Final Tally: Cal: 36/40 – Liam: 35/40 --- Send in a voice message: https://podcasters.spotify.com/pod/show/dcaureview/message Support this podcast: https://podcasters.spotify.com/pod/show/dcaureview/support

Join us as we kick off the road to our next movie episode by looking at some more shorts from Tex Avery! Specially his Warner Years starting with his first directorial effort, Gold Diggers of '49. We then jump ahead to a Porky effort that brought in a voice actor by the name of Mel Blanc in 'Picador Porky' And we conclude with his final Black and White/Porky cartoon with 'Porky's Preview'

Welcome back to ARTMATTERS: The Podcast for Artists. Today is the final installment of my conversation with the artist TL Solien. In this last section, TL talks about building his dream studio, selling his dream studio, the best years of his career, dwindling interest, staying afloat, vulnerability, taking things personally, contemplating failure, building paintings in moments of fracture, learning art history late, finding satisfaction, healthy fuel, 30 minutes of joy, scale, notes from an opera, Tex Avery cartoons, how he starts a painting now, being stumped, and problem solving.I'd like to add that I've been receiving a lot of love for the previous parts of this  conversation, and if this means you would like more long-form conversations like this one, please let me know at artmatterspodcast@gmail.com Finally please consider supporting this podcast by donating to ARTMATTERS Patreon. I just set it up and by donating you will help ensure the availability and continuation of these quality conversations.  About:T.L Solien, born in Fargo North Dakota in 1949, received a BA degree in Art from Moorhead State University, Moorhead MN in 1973, and an MFA in Painting and Sculpture from the University of Nebraska-Lincoln in 1977.TL Solien has been  invited to  participate in numerous exhibitions  of National and International magnitude including, the 1983 Whitney Biennial, the 39th  Biennial of American Painting at the Corcoran Museum, Washington, D.C.; Avant-Grade in the 80”s, at the Los Angeles County Museum of Art; The American Artist as Printmaker,   Brooklyn Museum NY; Images and Impressions, Walker Art Center, Minneapolis, MN; and Contemporary Drawings, High Museum of Art, Atlanta, GA. Solien was the subject, recently, of a 25 year retrospective at the Madison Museum of Contemporary Art, Madison WI, entitled “ T.L. Solien: Myths and Monsters", as well as a touring exhibition porganized by the Plains Museum of Fargo North Dakota, entitled "Toward the Setting Sun", comprised of 65 work, and supported by a 200 page catalog published and distributed by the University of Minnesota Press.TL Solien has had approximately 40 solo exhibitions over the last 25 years.TL Solien is represented in numerous corporate and public collections including, The Whitney Museum of American Art, New York; The Art Institute of Chicago, IL; The Walker Art Center, Minneapolis;  High Museum of Art, Atlanta; The Metropolitan Museum, New York; The Tate Modern, London;  The Smithsonian Museum ,Washington D.C.;  The Frederick Weisman Foundation, Los Angeles;  The National Museum of American Art, Washington, D.C.;  The Milwaukee Museum of Art, Milwaukee, WI. and  Madison Museum of Contemporary Art, Madison, WI.   TL Solien is currently represented by Tory Folliard Gallery in Milwaukee, and his most recent solo exhibition was at OTI in Los Angeles, CA. If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!       If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.cominsta: @isaac.mann guest: TL Solienhttps://www.solientl.com/insta: @tlsolien

We talk a lot about directors, when it comes to cartoon shorts. But they're far from the only important aspects that shape a cartoon. The studio, the budget, the time, the writers, the animators - all of it and more adds up to the finished product that we see on our screens. So what happens, then, if we take two shorts, both directed by the same man, but at different studios and with different creative teams? How wildly do the two shorts vary in quality, if they vary at all? Listen to find out! --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support

This is a REPLAY podcast, where we revisit some of our early hidden gems, compilations, and most popular episodes.  Episode specific description:Animation historians Jerry Beck and George Feltenstein talk about restoring the Tex Avery Screwball Classics, Vol. 1-3Ready to dive headfirst into the world of animation? We've got you covered! Get ready to be enchanted as animation historians Jerry Beck and George Feltonstein unfurl the illustrious career of legendary animator Tex Avery. Travel back in time to Avery's beginnings in the 1920s, explore his work at Walter Lantz Productions, and marvel at his non-conformist shift from the Disney style of animation in the 1940s. His bold humor and distinctive gags not only made him a legend but also revolutionized the animation industry.Restoring and preserving these masterpieces wasn't a walk in the park. Jerry and George share their painstaking journey of piecing together Avery's work in the mid-90s, dealing with censored cartoons, and their relentless search for the best materials available for the restoration process. They've worked tirelessly to restore and preserve these classic animations and have succeeded in bringing them back to life on these three Blu-ray releases.Available for purchase on Amazon:Tex Avery Screwball Classics Vol. 3 Blu-rayTex Avery Screwball Classics Vol. 2 Blu-rayTex Avery Screwball Classics Vol. 1 Blu-rayPre-order Looney Tunes Collector's Choice Vol. 2 Blu-rayPurchase Looney Tunes Collector's Choice Vol. 1 Blu-ray The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

Join us as we take a look at even more Looney shorts that parody Hollywood! This time, we take a look at shorts done in the early days of Hollywood beginning With Beans (Remember him?) in 'Hollywood Capers' Marc living his Homer Simpson Dream of seeing Dogs played by Celebrities in 'Hollywood Canine Canteen' And we both watch a Tex Avery directed send-up of the Gangster film in 'Thugs With Dirty Mugs' LINKS: Support the show on Patreon!:⁠ ⁠⁠patreon.com/TNQAF⁠⁠⁠ Follow us on Twitter: ⁠⁠⁠https://twitter.com/that_looney⁠⁠⁠ Follow us on Instagram:⁠⁠⁠ https://www.instagram.com/tnqaf/⁠⁠⁠ Follow us on TikTok: ⁠www.tiktok.com/@that_looney⁠

durée : 01:23:47 - Les Nuits de France Culture - De Daffy Duck à Droopy en passant par l'écureuil fou, Tex Avery a marqué de sa folle empreinte le dessin animé. En 1987, les "Mardis du cinéma" proposaient de mieux connaître son oeuvre grâce à des spécialistes -et des fans- tels Marcel Gotlib, Jean Douchet, Jean-Pierre Berthomé et Robert Benayoun. - invités : Marcel Gotlib Dessinateur; Jean Douchet Cinéaste, historien et critique de cinéma (1929-2019); Jean-Pierre Berthomé Critique, historien et enseignant (cinéma); Robert Benayoun

Hear the rest of this episode exclusively on Patreon  On this episode of Beneath the Skin we discuss how early 20th century cartoonists Tex Avery and Max Fleischer influenced culture and tattooing through their work on Merrie Melodies, Looney Toons, Popeye, and so many more If you want to follow us online for more updates CLICK HERE Production by Thomas O'Mahony Artwork by Joe Painter (jcp_art) Intro Music by Dan McKenna If you would like to get in touch you can email the show on beneaththeskinpod@gmail.com

On this week's podcast, Mike Manolo returns to watch some brand promotions with The Looney Tunes dating all the way back to the 50's! During the Bugs Bunny Show, subsequently retitled, The Bugs Bunny and Road Runner Show; then finally The Bugs Bunny and Tweety Show, brand commercials were created to advertise Tang, Alphabits and Koo-laid to kids! Surprisingly these commercials are very well done, due a large part to the fact that Friz Freleng, Chuck Jones, Robert McKimsom and even Tex Avery returned to work on them!  And of course Mel Blanc was there to provide those familiar voices. NEWS ACROSS THE LOONIVERSE: The award winning concert that was supposed to premier in Los Angeles in the new Peacock Theater has now been POSTPONED! We do not know when this will be resolved, but keep it right here for updates! The Tiny Toons Looniversity Panel has been transformed to just a screening at SDCC this year. We were supposed to have all of the newly announced cast take the stage, but now it'll just be a screening of the episodes. While we are bummed, we understand the reasoning and our hearts are with those SAG-AFTRA Members who worked on the show and are currently striking. The series is produced by Amblin Television in association with Warner Bros. Animation.  GAY PUR-EE (1962) Dir. Abe Levitow Written by Dorothy Jones and Chuck Jones This release is set to include 3 Newly restored Looney Tunes cartoons; For Scent-imental Reasons, French Rarebit and Louvre Come Back. Two of those are Pepe LePew cartoons! THIS MEANS PROMOS: From line-dancing to LeAnn Rimes to sporting the latest flip phone in 2003, the Looney Tunes have sure made their way around the Brand Marketplace as promotion artists. The voice talent included Joe Alaskey, Mel Blanc, Jeff Bergman, Greg Burson and even Mel's son, Noel Blanc during these years of endorsment. From TARGET to WAL-MART and from KOOL-AID to TANG, the Looney Tunes sure could sell product. Something Dan Romanelli taught us a few years back when we was first on and sold carrot cake baked goods with Bugs' famous namesake. If you haven't seen these commercials, you're in luck! They're all on youtube and surprisingly in good quality! I highly recommend checking them out when you can. Something else they did surprisingly well was mix live action elements alongside the cartoon characters interacting with them. The techniques seen on display above helped filmmakers Robert Zemeckis and Steven Spielberg when they made Who Framed Roger Rabbit (1988). Many of the commercials spoken about during this episode stemmed from The promotions in between the cartoons of The Bugs Bunny Show (1959-1969) Want to support the podcast? Check out the Fiverr link to get started on your own journey to become a Fiverr Affiliate: Fiverr For Artists! Have a commercial that is special for you?? ADD IT IN THE COMMENTS! FOLLOW THE GUEST: Mike Manolo Nerds of Color https://twitter.com/ https://www.instagram.com   FOLLOW and SUBSCRIBE TO THE PODCAST: Rate, Subscribe & Like on iTunes, Spotify and more! Instagram: THIS MEANS PODCAST   That's NOT all Folks!  

durée : 00:05:15 - Les Nuits de France Culture - par : Albane Penaranda - "Le cinéma d'animation, de l'ombre à la lumière" une sélection d'archives pour explorer l'histoire de cet art, notamment en France et au Japon avec des témoignages de Paul Grimault, de Michel Ocelot et des "bons génies du studio Ghibli" : Hayao Miyazaki et Isao Takhata. Toute création artistique semble devoir composer avec les limites du réel. La littérature doit se servir de mots déjà existants, le cinéma de prise de vue réelle est lui aussi limité par la captation de l'image, le théâtre est limité par la scène et la corporéité des acteurs. La peinture est sans doute l'une des formes qui semble les plus libres : les peintres se retrouvent devant une toile blanche, vierge, sans obligation. La peinture peut être entièrement abstraite. Néanmoins, il y a une chose que la peinture ne peut pas faire : mettre en mouvement des images. D'Emile Reynaud à Michel Ocelot en passant par Alexandre Alexandreieff Comment briser la malédiction de l'immobilité éternelle ? On pourrait alors formuler l'hypothèse où l'idée d'un art idéal qui, tout en conservant la liberté créative de la peinture et du dessin pourrait y insuffler du mouvement, de la durée et donc de la vie. Un art qui pourrait créer des univers proches ou éloignés du réel, qui pourrait donner vie non seulement à des personnages au sens traditionnel mais à des formes, des traits, des couleurs, et pourrait même pourquoi pas accompagner ces images de sons, de musique et parfois de voix. Cet art semble impossible, utopique, et pourtant il existe déjà : c'est le cinéma d'animation. Paul Grimault, le poète du dessin animé Apparu à la fin du XIXe siècle grâce à des figures comme Emile Reynaud et son praxinoscope, le cinéma d'animation ne connaît pourtant pas le destin triomphal qu'il semblerait mériter : à part le succès commercial massif de Walt Disney, c'est un art qui peine à se frayer un chemin dans un monde où l'art doit devenir un produit commercial rentable et attrayant pour survivre. Cette sélection d'archive tente de retracer le destin du cinéma d'animation, en France en particulier. Le choix a été fait de ne pas mettre en avant l'odyssée américaine du cinéma d'animation (Tex Avery, Walt Disney, etc.) L'originalité du studio Ghibli avec Miyazaki et Takhata Une nuit en forme d'exploration de l'histoire méconnue d'un art passé de l'ombre à la lumière, rythmé par les innovations technologiques et des chefs-d'ouvre plus ou moins reconnus : parmi les archives diffusées : un numéro de la "Tribune de Paris" en 1946 consacré au dessin animé, une archive de 1948 consacrée au premier festival international du dessin animé ; un numéro d'"Ainsi va le Monde" consacré au dessin animé avec entre autres Paul Grimault et André Sarrut, en 1949. Notre sélection se poursuit avec un numéro du "Bureau des rêves perdus" avec Alexandre Alexandreieff en 1956 ; un numéro de "Connaître le cinéma" consacré au cinéma d'animation de 1966 ; des entretiens avec Paul Grimault au sujet de son film "La Bergère et le ramoneur" en 1985 ; "Les Mardis du cinéma" consacré au cinéma français d'animation en 1989 avec Paul Grimault, Jacques Colombat et Lionel Charpy ; un épisode d'"A Voix Nue" avec Michel Ocelot en 2006 ; et pour clore cette nuit, "Les bons génies du studio Ghibli : Hayao Miyazaki et Isao Takhata", dans "Surpris par la Nuit" en 2006. Par Mathias Le Gargasson Réalisation : Virginie Mourthé Le cinéma d'animation, de l'ombre à la lumière - Présentation (1ère diffusion : 12/06/2022) Edition web : Sandrine England et Véronique Vecten, Documentation de Radio France Retrouvez l'ensemble du programme d'archives "Le cinéma d'animation, de l'ombre à la lumière" proposé par Mathias Le Gargasson.

Join Caitlin, Ira and their special guest Branson Reese as they take a madcap tour of the career of Frederick Bean "Tex" Avery. You won't be able to stop your eyes from popping out of your head. When you're finished listening be sure to check out Branson's comics and cartoons.~Bonus episodes: patreon.com/cartoon_feelingsHosted by Caitlin Cadieux and Ira MarcksWrite us: cartoonfeelingspodcast@gmail.com

Tystnad är en lyx få förunnad. I många storstäder runt om i världen kan det snudd på vara omöjligt att hitta platser där det enda som masserar trumhinnan är lite fågelkvitter och vindens sus. Men varför är det då viktigt med tystnad för den mentala hälsan? Och duger det verkligen att bara dra på sig ett par brusreducerande hörlurar för att uppnå tystnadens hälsoeffekter?Klipp och musikPeep ShowBjörk - Oh So QuietTex AveryPulp FictionSimpsonsFrankie Vallie & The Four Seasons - Silence Is Goldenmail: dummamanniskor@gmail.comredigering: Peter Malmqvistproducent: Clara Wallin Stötta oss och lyssna reklamfritt via https://plus.acast.com/s/dummamanniskor. Hosted on Acast. See acast.com/privacy for more information.

durée : 01:23:47 - Les Nuits de France Culture - Par Simone Douek - Avec Marcel Gotlib, Jean Douchet, Jean-Pierre Berthome et Robert Benhayoun - Réalisation Josette Colin

Leeedleeedleeeedleeeee.   Somethin Hanna, Something Barbera   Tex Avery.   What are appropriate avenues of fandom?   How many are there?   How. Many. Subscriptions…..are there?!   Disney? Or Dis-monopo-Ly   "Technically Theft"

On the 65th episode of “That's Nifty” we sat down Marjan Moghaddam, a Fine Art and CG Animator who's love for technology allowed her to become a pioneer of digital art. She also has a storied career across print, sculpture, AR/VR, and 3D Figuration which has netted her several awards in her field. She currently has 3 exhibitions in progress and a new project on the horizon, details inside!Marjan MoghaddamTwitter: @TheMarjanInstagram: @marjan_moghaddam_artistWebsiteTopics:Fine Arts meets Animation, Brain-Linked Interactive Activity, Digital Art Pioneer, Chronometric Sculptures, Tex Avery, Idealism transition to futurism, Creating vs Discovering Techniques, Generative Adversarial Networks, Brother's work with Machine Vision, Introduction to NFTs, Art Hacks, How to Sell Animations?, "Taking a Knee in Solidarity", Difference between Digital Art and Crypto Art, Curation Landscape Shifting, PFP Project on the Horizon, Defi, GAN Trekker - Art Basel, Artsy Women's History Month - Vellum LA Gallery, WOCA Exhibition, Metaverse Fashion Week – Decentraland, Lumicanvas Displays, Censorship on Social Media, Inherent Tendency of Technology, NYC Pandemic TimesMentions:@verticalcrypto @refikanadol @SuperRare @MuseumofCrypto @beeple @proof_art @JesseDamiani @vellumla @josiebellini @worldofwomennft @VitalikButerin @rarible @artsy @blackboxdotart @1stDibsNFT @hellowoca @decentraland @davidcash888

Yes, at long last, the long-anticipated return of the only good classic cartoon podcast! We break down last fall's surprise disc from Warner Archive of the remaining releasable MGM Tex Avery cartoons. It's a cross-selection of some of the finest, wildest animated shorts ever made - and find out what Bob's personal favorite Tex short is to boot!

In the world of animation, there are few figures more important than Tex Avery. A bombastic creative force who brought his unique brand of comedy, energy, and wit. In addition he introduced us to many of the favorites we know and love: Bugs Bunny, Daffy Duck, Elmer Fudd and Porky Pig, all are household names in part because of Avery's influence. Today the panel honors one of the greats from the Golden Age of animation, Tex Avery.