Podcasts about Isao Takahata

Series 3 Incense: Kyoto by Comme des Garçons (2002) + Hayao Miyazaki's Spirited Away (2001) + Isao Takahata's The Tale of Princess Kaguya (2013) with David 5/23/25 S7E35 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Feature: Bleak Week returns for Year 4, we talk to programmers behind the festival This year marks the 4th year of the American Cinematheque’s Bleak Week: Cinema of Despair, a weeklong festival dedicated to screening films with dark and bleak themes. In this year’s lineup, you’ll find screenings of Michael Haneke’s English adaptation of Funny Games, the Soviet anti-war film Come and See, and Studio Ghibli co-founder Isao Takahata’s Grave of the Fireflies. You’ll also find that the Year 4 lineup includes introductions/Q&As with the likes of Bill Hader, Elliot Gould, and Brady Corbet. Outside of the usual festival screenings here in Los Angeles, the American Cinematheque has partnered with other arthouse theaters across the country, and even The Prince Charles Cinema in London. Joining us to discuss this year’s iteration of the festival is Chris LeMaire, lead programmer on the American Cinematheque’s Bleak Week, and Grant Moninger, American Cinematheque’s Artistic Director. We also have our critics, Charles Solomon, Claudia Puig and Peter Rainer, commenting on what about the festival has allowed it to garner interest. Bleak Week runs from June 1-7. You can find this year’s Bleak Week lineup by clicking here or on bleakweek.com

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto"Anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie.

En el podcast d’aquesta setmana parlarem de les declaracions de Miquel Calçada arran del nou canal integrament en català per part de RTVE, i de com pot influir això en el 3cat. També parlarem del nou videojoc del Sx3, "Drackamar". A la càpsula del temps parlarem d’un director d’anime llegendari: Isao Takahata, cofundador del Studio Ghibli i director de Heidi i de la tomba de les lluernes. A la Doraxarxa parlarem d’alguns comentaris que ens heu deixat els oients. I al Tenkaichi Musical tornen les Younenki Music amb un Mashup de la teva mentida a l’abril (Your lie in april).

Wait... isn't that almost the name of our podcast? Yeah... but it's a real movie, idiots! Gawd. ...anyway... this week, the fellas chat about Denzel Washington and his cockney accent in For Queen... and Country. Complete with the TV-est of TV movie soundtracks (for a theatrically-released movie nonetheless), the guys talk about Denzel overcoming a questionable accent with his skills as an actor, the similarities to Rambo, British stereotypes about broken families and much more. Next week: A long-ass walk. Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) Grave of the Fireflies stars the voices of Tsutomu Tatsumi, Ayano Shiraishi, Yoshiko Shinohara and Akemi Yamaguchi; directed by Isao Takahata. Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio hablo sobre La tumba de las luciérnagas, película dirigida por Isao Takahata.Notas: https://studioghibliweblog.es/2025/01/24/j99/Música:Story by Infraction (https://www.youtube.com/watch?v=D7L-9KYUcck)Contacto:https://studioghibliweblog.es/contacto/http://twitter.com/sghibliweblogwww.spreaker.com/user/studioghibliweblog

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Chiudiamo codesta rassegna con un piccolo extra ovvero una coppia di mediometraggi diretti dal maestro Takahata in cui possiamo scorgere alcuni elementi che diventeranno ricorrenti nella sua filmografia ma anche tanto divertimento e tanta allegria.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. L'ultimo film diretto da Takahata è un amaro racconto in cui lo "straordinario" viene sfruttato per alimentare l'egoismo degli esseri umani. E a farne le spese è un'angelica creatura che non sarà mai parte di questo mondo poiché incompresa e infelice.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Gli Yamada sono i membri di una famiglia come tante. O forse no? Sempre pronto a parlare della società giapponese, Takahata ci narra stavolte le (stra)ordinarie vicende con protagonisti "I miei vicini Yamada".

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Passiamo a qualcosa di più ironico ma non meno cinico e quindi semplicemente "Pom Poko", favola ecologista e tragicomica sul rapporto tra la società umana e la natura.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Takahata racconta un'altra storia sul passato, unendola però al presente di una giovane donna che sta cercando di comprendere il senso della sua vita. Forse una "Pioggia di ricordi" è l'ideale per non dimenticare i valori dell'infanzia e per affrontare le paure verso il futuro.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. L'era dello Studio Ghibli è iniziata e il primo film di Takahata per lo studio è uno dei suoi lavori più struggenti e talvolta crudele. "La tomba delle lucciole" non risparmia niente allo spettatore e ci offre uno spaccato storico del Giappone nel dopoguerra, unito alla triste storia di una famiglia distrutta.

Miyazaki Club morphs into Ghibli Club as we discuss 1991’s “Only Yesterday,” written and directed by Isao Takahata. It’s a story of one (childless workaholic?) woman’s search for herself in the past and the present, plus, of course, a deep dive into organic farming. Jason Snell with John Siracusa, Steve Lutz, Aleen Simms, Moisés Chiullán and Lisa Schmeiser.

Miyazaki Club morphs into Ghibli Club as we discuss 1991’s “Only Yesterday,” written and directed by Isao Takahata. It’s a story of one (childless workaholic?) woman’s search for herself in the past and the present, plus, of course, a deep dive into organic farming. Jason Snell with John Siracusa, Steve Lutz, Aleen Simms, Moisés Chiullán and Lisa Schmeiser.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Poco prima di lanciarsi nell'avventura dello Studio Ghibli con l'amato/odiato amico Miyazaki, Takahata offre al suo pubblico un'opera d'arte fatta film. Un racconto in cui immagini e musica si sposano alla perfezione per narrare la storia di Goshu e del suo violoncello.

Neste episódio, voltamos aos universos dos Estúdios Ghibli. Focamos a nossa atenção noutro titã e co-fundador dessa casa, Isao Takahata. Vamos falar de relações familiares complexas e conflituosas, da crueldade da Guerra, da relação do ser Humano com a Natureza, do papel da Mulher na sociedade e na família e vamos falar da beleza das pequenas coisas e de elogios ao quotidiano. Fiquem atentos às subtilezas deste grande mestre da animação. Mais episódios em universosparalelos.net.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. Secondo lungometraggio di Takahata e adattamento dell'omonimo manga, "Jarinko Chie" è la storia di una famiglia disastrata in un mondo altrettanto disastrato ma dove l'amore e la gioia possono farti superare qualsiasi difficoltà. O quasi.

"Mi sento molto contento e realizzato quando vedo persone, in un caffè o in altri posti, che commentano un mio film dopo averlo visto. Perché non sono solo mossi dalle emozioni del momento, ma significa che sono stati in grado di prendere dal film qualcosa che riguarda la loro vita, discutendone anche dopo, e di aver avuto [molto] di più di un semplice impatto" Sei anni dopo la sua dipartita, Isao Takahata continua a farci sognare e riflettere con i suoi film animati che il pubblico generalista sta (ri)scoprendo ancora troppo lentamente. Ecco quindi la breve ma straordinaria filmografia di Isao Takahata, fondatore insieme a Miyazaki dello Studio Ghibli e narratore di incredibili storie. In principio fu "La grande avventura del piccolo principe Valiant". Al di là del titolo wertmulleriano, il primo film di Takahata è un'avventura fantasiosa eppure non "tipica" e capace di spingere lo spettatore verso riflessioni sulla vita, la morte, la guerra e soprattutto le debolezze dell'essere umano.

En este episodio hablo sobre la relación de Isao Takahata en la serie de televisión Doraemon.   Notas: https://studioghibliweblog.es/2024/10/22/j97/Música  Story by Infraction (https://www.youtube.com/watch?v=D7L-9KYUcck)Contacto:  https://studioghibliweblog.es/contacto/   http://twitter.com/sghibliweblog     www.spreaker.com/user/studioghibliweblog

On this week's show, Dana and Stephen are joined by Supreme Friend of the Podcast (SFOP) Isaac Butler, author of The Method:‌ How the Twentieth Century Learned to‌ Act. The trio first explores The Wild Robot, DreamWork Animation's handcrafted, lovingly made film that's the surprise of the year. Lupita Nyong'o voices ROZ, an old-fashioned robot powered by supremely advanced A.I. who must learn about and adapt to her new wild surroundings. Then, they dissect Nobody Wants This, a new Netflix series starring Kristen Bell (who plays a sex podcaster) and Adam Brody as a hot rabbi. Although there are obvious charms, the show's “will they, won't they” rom-com beats can often feel, at best, gratingly familiar, and at worst, bizarre and unthoughtful, particularly in its portrayal of Jewish women.  Finally, the Criterion Collection, is “a catalog so synonymous with cinematic achievement that it has come to function as a kind of film Hall of Fame,” writes Joshua Hunt for The New York Times. The panel dives into the wonderful world of ‘Closet Picks,' a viral video format in which celebrities and movie buffs head into the Criterion Collection stockroom and pluck high-quality DVDs and Blu-rays off its shelves while explaining their personal significance.  Also mentioned in this episode:‌ “The Wild Robot Has an Intelligence That's Anything But Artificial” by Dana Stevens for Slate. “‘Nobody Wants This' Pits Jewish Women Against ‘Shiksas.' Nobody Wins.” By Jessica Grose for The New York Times. In the exclusive Slate Plus segment, the panel extols the joys of being on the ground. Inspired by Chris Black's column for GQ, “How I Learned to Love a Layover,” the trio discusses how they spend their time in airports.  Email us at culturefest@slate.com.  Endorsements: Dana:‌ “Abbas Kiarostami's Childhood Films,”‌ a collection of 17 films by the renowned Iranian filmmaker made about or for children. Isaac:‌ The Tale of The Princess Kaguya, directed by Isao Takahata. Stephen:‌ “The Song That Connects Jackson Browne, Nico and Margot Tenenbaum”‌ by Bob Mehr for The New York Times. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dana and Stephen are joined by Supreme Friend of the Podcast (SFOP) Isaac Butler, author of The Method:‌ How the Twentieth Century Learned to‌ Act. The trio first explores The Wild Robot, DreamWork Animation's handcrafted, lovingly made film that's the surprise of the year. Lupita Nyong'o voices ROZ, an old-fashioned robot powered by supremely advanced A.I. who must learn about and adapt to her new wild surroundings. Then, they dissect Nobody Wants This, a new Netflix series starring Kristen Bell (who plays a sex podcaster) and Adam Brody as a hot rabbi. Although there are obvious charms, the show's “will they, won't they” rom-com beats can often feel, at best, gratingly familiar, and at worst, bizarre and unthoughtful, particularly in its portrayal of Jewish women.  Finally, the Criterion Collection, is “a catalog so synonymous with cinematic achievement that it has come to function as a kind of film Hall of Fame,” writes Joshua Hunt for The New York Times. The panel dives into the wonderful world of ‘Closet Picks,' a viral video format in which celebrities and movie buffs head into the Criterion Collection stockroom and pluck high-quality DVDs and Blu-rays off its shelves while explaining their personal significance.  Also mentioned in this episode:‌ “The Wild Robot Has an Intelligence That's Anything But Artificial” by Dana Stevens for Slate. “‘Nobody Wants This' Pits Jewish Women Against ‘Shiksas.' Nobody Wins.” By Jessica Grose for The New York Times. In the exclusive Slate Plus segment, the panel extols the joys of being on the ground. Inspired by Chris Black's column for GQ, “How I Learned to Love a Layover,” the trio discusses how they spend their time in airports.  Email us at culturefest@slate.com.  Endorsements: Dana:‌ “Abbas Kiarostami's Childhood Films,”‌ a collection of 17 films by the renowned Iranian filmmaker made about or for children. Isaac:‌ The Tale of The Princess Kaguya, directed by Isao Takahata. Stephen:‌ “The Song That Connects Jackson Browne, Nico and Margot Tenenbaum”‌ by Bob Mehr for The New York Times. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Searchers cover My Neighbors the Yamadas from Studio Ghibli director Isao Takahata. The discussion delves into Japanese culture, Takahata's films, animation styles, Joe Hisaishi & Ghibli music, and more. Please enjoy this fun episode. If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Studio Ghibli es el A24 de los estudios de animación, porque si eres fan de Studio Ghibli seguramente te consideras a ti mismo un cinéfilo. No pierdes tu tiempo viendo Minions 2 o Cars 3, sino que prefieres disfrutar de las sublimes creaciones de Hayao Miyazaki, para quien la sugerencia de una secuela es un insulto.    En este episodio comentamos dos películas de Ghibli, Only Yesterday, la poco conocida obra maestra de Isao Takahata, disponible en Netflix, y The Boy and the Heron, la última película de Hayao Miyazaki, disponible por los caminos verdes. Nos preguntamos qué es lo que hace diferente a Studio Ghibli y cuál podría ser su futuro.    Timecodes: 0:00 Intro 18:40 La cinematográfica operación de espionaje de Israel 42:04 ¿Deberíamos creerle a los "expertos"? 52:24 Only Yesterday 01:51:52 The Boy and the Heron

We've covered films by Studio Ghibli's second-most famous director twice before, though one of those times it we were discussing a pre-Ghibli work of his. But today we have Isao Takahata's swan song, the last movie he ever made, and one of the most eye-catching, to boot. It's a new take on an old tale, and it's quite unlike the more quirky and off-beat films of his that we've watched before now... How does it compare, and more importantly, how does it hold up? --- Support this podcast: https://podcasters.spotify.com/pod/show/howsitholdup/support

Welcome back to Beyond Miyazaki's World. In this episode, your hosts, Betty and Avery, discuss The Tale of Princess Kaguya, the 2013 Studio Ghibli film by Isao Takahata based on the monogatari “The Tale of the Bamboo Cutter.” The movie centers around Kaguya, a celestial princess from the moon that is sent to earth to live among mankind, where she learns the struggles of everyday life and the expectations of human society. Join Avery and Betty as they tackle the impactful themes of the film, and discuss what it means to them personally. Will this be one of their favorites, or will it become another forgotten tale? Listen to find out!   DISCLAIMER - The contents of Studio 151 podcasts do NOT represent the views and beliefs of the TU Media Lab and the University of Tulsa.

En este episodio hablo sobre La tortuga roja, película dirigida por Michael Dudok de Wit y producida por Studio Ghibli.   Notas: https://studioghibliweblog.es/2024/07/12/j95/Música:  Story by Infraction (https://www.youtube.com/watch?v=D7L-9KYUcck)Contacto:  https://studioghibliweblog.es/contacto/   http://twitter.com/sghibliweblog     www.spreaker.com/user/studioghibliweblog

In the first part of their The Good, The Bad and The Ugly series Ian and Lewis start with The Good with reviews of two of Ian's all time favourite anime films, Isao Takahata's Only Yesterday and Satoshi Kon's Perfect Blue.

In this episode, we spotlight two standout films from 1991: "Only Yesterday" directed by Isao Takahata and "JFK" directed by Oliver Stone. We delve into Takahata's beautifully introspective animation, featuring voices like Daisy Ridley and Dev Patel in the English dub, and Stone's compelling historical drama starring Kevin Costner. Join us as we discuss these cinematic gems with our special guest, Michael Tanzillo, a talented 3D animator formerly of Blue Sky Studios, who worked on such films as "Ferdinand," "Spies in Disguise," and "The Peanuts Movie". Hosted by Brad Garoon & Jake Ziegler ⁠More from Michael Tanzillo

Welcome back to Beyond Miyazaki's World. In this episode, Betty and Avery cover Isao Takahata's 1994 fantasy adventure film, Pom Poko. The pair cover themes relating to the environment, such as urban sprawl and habitat destruction, as well as various elements of Japanese folklore and religion. When human beings enter the forest of the tanuki, otherwise known as Japanese "raccoon dogs," to initiate a construction project, the lifestyle and survival of local wildlife is threatened. How will the tanuki respond to these developments and can their ancient art of shapeshifting aid them in protecting their home? Find out in this episode! DISCLAIMER - The contents of Studio 151 podcasts do NOT represent the views and beliefs of the TU Media Lab or the University of Tulsa.

Dreamland predators, great expectations, and the rise and fall of the Nightmare King… Oh lawd, it's about to get pretty dark! Join these punch-drunk ‘90s kids as they wrap up their journey into Slumberland/Nightmareland and the revolving door of creatives involved in its production throughout the 1980s – including the famed Sherman Brothers. From the earliest inklings of Hayao Miyazaki and Isao Takahata's most beloved titles, to coming-of-age uncertainty, to Freudian nightmare analysis, this episode has something for every Darkling. Email us at thatsprettydarkpodcast@gmail.comGive to our Patreon for extra content: patreon.com/tpdpodcastFollow us on Instagram and Facebook @thatsprettydarkpodcast

This week on ClapperCast, Hillary White and Jak-Luke Sharp join Carson Timar to discuss Isao Takahata's Grave of the Fireflies! Subscribe on Patreon for Exclusive Episodes: https://www.patreon.com/clappercastpod Email us at ClapperCast@gmail.com - Social Media Links - Twitter: https://twitter.com/ClapperPodcast Tumblr: https://www.tumblr.com/blog/clappercast Letterboxd: https://letterboxd.com/clappercast/ Carson Timar: https://twitter.com/BP_MovieReviews Hillary White: https://letterboxd.com/degelle/ Jak-Luke Sharp: https://twitter.com/JakLukeSharp Thanks for Watching! --- Send in a voice message: https://podcasters.spotify.com/pod/show/clapperpodcast/message

durée : 01:29:30 - Les Nuits de France Culture - "Mon voisin Totoro", "Princesse Mononoké", "Le Voyage de Chihiro", on doit ces films d'animations incontournables aux deux génies du studio Ghibli : Hayao Miyazaki et Isao Takahata. "Surpris par la nuit" rend hommage au meilleur du film d'animation japonais dans cette émission diffusée en 2006. - invités : Hayao Miyazaki Réalisateur japonais de films d'animation; Isao Takahata Réalisateur japonais de films d'animation

Último filme do diretor Isao Takahata, cocriador do Studio Ghibli e falecido em 2018, o Conto da Princesa Kaguya é uma das mais belas animações do cinema. O longa-metragem de 2013, é uma versão da antiga lenda japonesa do Cortador de Bambu. Repleto de ensinamentos traduzidos numa linguagem simbólica rica e poética, a obra toca, de forma inexplicável, aspectos mais elevados e profundos do ser humano. Dessa forma, nos leva a refletir e compreender algo sobre nossa essência e sentido de vida, nossa origem espiritual e a relação com o sagrado.  Participantes: Paula Poloni, Gustavo Massem e Danilo Gomes Trilha Sonora: Johannes Brahms, 7 Fantasias, Opus 116, n. 6, Intermezzo: andantinho teneramente  

Beyond Miyazaki's World is the sequel to the previous podcast known as Into Miyazaki's World hosted by Betty and Avery. In this season 2 production, the pair will move beyond Hayao Miyazaki's movies to explore more Studio Ghibli films produced by different directors, such as Isao Takahata, Goro Miyazaki, and more. This premiere episode tackles the debut film of the studio co-founder's son, Goro Miyazaki, called Tales from Earthsea. The film was based on the book of the same name written by Ursula K. Le Guine. The duo discuss the major themes of the movie, including identity, the metaphor of the shadow, and life and death. They also share their opinions regarding the plot and Goro's style of storytelling. Tales from Earthsea is known as one of the worst Studio Ghibli movies, but is it really that bad? Listen to this episode to find out!

En este episodio conversamos sobre la película del año 1988, “Hotaru No Haka” (La Tumba de las Luciérnagas) del director Isao Takahata, considerada una de las películas más tristes del estudio Ghibli.

Ryan and Dylan are joined by Studio Ghibli fanatic Ryan Mayers to discuss the supposed final work of legendary Japanese animator Hayao Miyazaki.

In this episode, Captain Kaye and the Animation Guru wrap up their ongoing journey through the Studio Ghibli catalogue, as they discuss Hayao Miyazaki's Ponyo and Kiki's Delivery Service, and Isao Takahata's The Tale of the Princess Kaguya. --- Support this podcast: https://podcasters.spotify.com/pod/show/renegadepopculture/support

Let us get to know you - 1 minute survey ⁠⁠⁠⁠⁠⁠link⁠⁠⁠⁠⁠ Studio Ghibli is an unmistakable animation powerhouse - initially dub the Pixar of Japan, its come to hold its own. Not always regarded as an empire for its sales, it's true power lies in its influence. Often mentioned as a source of inspiration by John Lasseter, ex-CCO of Pixar, and filmmaker Guillermo del Toro, Studio Ghibli teamed up with A-listers like Liam Neeson and Cate Blanchett for iconic English dubs. Recently, whispers of Studio Ghibli's future have intensified. While Hayao Miyazaki remains its iconic face, Isao Takahata's genius and Toshio Suzuki's leadership as producer and president were equally pivotal. With Takahata's 2018 passing and Miyazaki's impending exit, the hunt is on for the studio's next visionary leaders... In EP 1: Be introduced to Isao Takahata, the mentor who discovered Hayao Miyazaki's brilliance. In EP 2: Relive the pivotal call when Toshio Suzuki ignited the creation of "Nausicaa of the Valley of the Wind," the movie that birthed Studio Ghibli. In EP 3: Journey with the legendary trio as they race against time to debut the studio's foundational film. In EP 4 & 5: Chart Studio Ghibli's ascendancy, marked by production hell to create animation heaven. - We're looking to grow our team! Help support our productions here :') ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Want to discover more origins, rise & fall on Asian business empires? Follow us on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ where we share 5 minute breakdowns of some of the most interesting Asian businesses. Want to meet the team? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow me here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! - If you love the style of Empires, and want similar content, check out:

Let us get to know you - 1 minute survey ⁠⁠⁠⁠⁠link⁠⁠⁠⁠ Studio Ghibli is an unmistakable animation powerhouse - initially dub the Pixar of Japan, its come to hold its own. Not always regarded as an empire for its sales, it's true power lies in its influence. Often mentioned as a source of inspiration by John Lasseter, ex-CCO of Pixar, and filmmaker Guillermo del Toro, Studio Ghibli teamed up with A-listers like Liam Neeson and Cate Blanchett for iconic English dubs. Recently, whispers of Studio Ghibli's future have intensified. While Hayao Miyazaki remains its iconic face, Isao Takahata's genius and Toshio Suzuki's leadership as producer and president were equally pivotal. With Takahata's 2018 passing and Miyazaki's impending exit, the hunt is on for the studio's next visionary leaders... In EP 1: Be introduced to Isao Takahata, the mentor who discovered Hayao Miyazaki's brilliance. In EP 2: Relive the pivotal call when Toshio Suzuki ignited the creation of "Nausicaa of the Valley of the Wind," the movie that birthed Studio Ghibli. In EP 3: Journey with the legendary trio as they race against time to debut the studio's foundational film. In EP 4: Chart Studio Ghibli's ascendancy, marked by production hell to create animation heaven. In EP 5: Hear from industry insiders who shed light on Studio Ghibli's impact and significance in the region. - We're looking to grow our team! Help support our productions here :') ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Want to discover more origins, rise & fall on Asian business empires? Follow us on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ where we share 5 minute breakdowns of some of the most interesting Asian businesses. Want to meet the team? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow me here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! - If you love the style of Empires, and want similar content, check out:

[School of Movies 2023] A strange period for Ghibli brings us to the end of our current run, still with the closing triumph of Spirited Away (2000) to cap this body of work off, as well as this year's The Boy and the Heron paving the way for a future tenth instalment. What we are looking at is the last film from Isao Takahata (who died only five years later) the visually resplendent as well as distinctive Princess Kaguya, which is my favourite of his works, but still has one glaring bad decision inherent to the edit. Then there's the most astonishing surprise from this entire project, which is quite how I unexpectedly adored When Marnie was There (from Hiromasa Yonebayashi, the director of Arrietty). The most delicate, Gothic tale in their back catalogue. After that, yet another film that deliberately defies the established Ghibli aesthetic, the first collaboration with a non-Japanese director Michael Dudok de Wit and the wordless caveman-accessible tale of a red turtle (who is secretly a woman, or vice versa). And then for maximum shame, the definite WORST Ghibli film ever made, or that ever will be made; Earwig and the Witch, directed by Goro Miyazaki. A film so awful it dragged his father out of retirement yet again. But to end on a pleasant note, we talk about both the RPG video game Ni no Kuni and the freshly established "Studio Ponoc" and their debut "Mary and the Witch's Flower". Truly the child of Ghibli, and a team we hope will continue making beautiful films far beyond our lifespans. 2013: The Tale of the Princess Kaguya (0m 35s) 2014: When Marnie Was There (16m 50s) 2016: The Red Turtle (29m 30s) 2020: Earwig and the Witch (45m 35s) 2017: Mary and the Witch's Flower (1h 4m 20s)

Let us get to know you - 1 minute survey ⁠⁠⁠⁠link⁠⁠⁠ Studio Ghibli is an unmistakable animation powerhouse - initially dub the Pixar of Japan, its come to hold its own. Not always regarded as an empire for its sales, it's true power lies in its influence. Often mentioned as a source of inspiration by John Lasseter, ex-CCO of Pixar, and filmmaker Guillermo del Toro, Studio Ghibli teamed up with A-listers like Liam Neeson and Cate Blanchett for iconic English dubs. Recently, whispers of Studio Ghibli's future have intensified. While Hayao Miyazaki remains its iconic face, Isao Takahata's genius and Toshio Suzuki's leadership as producer and president were equally pivotal. With Takahata's 2018 passing and Miyazaki's impending exit, the hunt is on for the studio's next visionary leaders... In EP 1: Be introduced to Isao Takahata, the mentor who discovered Hayao Miyazaki's brilliance. In EP 2: Relive the pivotal call when Toshio Suzuki ignited the creation of "Nausicaa of the Valley of the Wind," the movie that birthed Studio Ghibli. In EP 3: Journey with the legendary trio as they race against time to debut the studio's foundational film. In EP 4: Chart Studio Ghibli's ascendancy, marked by production hell to create animation heaven. In EP 5: Hear from industry insiders who shed light on Studio Ghibli's impact and significance in the region. - We're looking to grow our team! Help support our productions here :') ⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Want to discover more origins, rise & fall on Asian business empires? Follow us on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ where we share 5 minute breakdowns of some of the most interesting Asian businesses. Want to meet the team? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow me here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! - If you love the style of Empires, and want similar content, check out:

Let us get to know you - 1 minute survey ⁠⁠link⁠ Studio Ghibli is an unmistakable animation powerhouse - initially dub the Pixar of Japan, its come to hold its own. Not always regarded as an empire for its sales, it's true power lies in its influence. Often mentioned as a source of inspiration by John Lasseter, ex-CCO of Pixar, and filmmaker Guillermo del Toro, Studio Ghibli teamed up with A-listers like Liam Neeson and Cate Blanchett for iconic English dubs. Recently, whispers of Studio Ghibli's future have intensified. While Hayao Miyazaki remains its iconic face, Isao Takahata's genius and Toshio Suzuki's leadership as producer and president were equally pivotal. With Takahata's 2018 passing and Miyazaki's impending exit, the hunt is on for the studio's next visionary leaders... In EP 1: Be introduced to Isao Takahata, the mentor who discovered Hayao Miyazaki's brilliance. In EP 2: Relive the pivotal call when Toshio Suzuki ignited the creation of "Nausicaa of the Valley of the Wind," the movie that birthed Studio Ghibli. In EP 3: Journey with the legendary trio as they race against time to debut the studio's foundational film. In EP 4: Chart Studio Ghibli's ascendancy, marked by production hell to create animation heaven. In EP 5: Hear from industry insiders who shed light on Studio Ghibli's impact and significance in the region. - We're looking to grow our team! Help support our productions here :') ⁠⁠⁠⁠⁠⁠⁠Buy Me a Coffee⁠⁠⁠⁠⁠⁠⁠ - Want to discover more origins, rise & fall on Asian business empires? Follow us on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ where we share 5 minute breakdowns of some of the most interesting Asian businesses. Want to meet the team? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow me here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! - If you love the style of Empires, and want similar content, check out:

Let us get to know you - 1 minute survey ⁠⁠⁠link⁠⁠ Studio Ghibli is an unmistakable animation powerhouse - initially dub the Pixar of Japan, its come to hold its own. Not always regarded as an empire for its sales, it's true power lies in its influence. Often mentioned as a source of inspiration by John Lasseter, ex-CCO of Pixar, and filmmaker Guillermo del Toro, Studio Ghibli teamed up with A-listers like Liam Neeson and Cate Blanchett for iconic English dubs. Recently, whispers of Studio Ghibli's future have intensified. While Hayao Miyazaki remains its iconic face, Isao Takahata's genius and Toshio Suzuki's leadership as producer and president were equally pivotal. With Takahata's 2018 passing and Miyazaki's impending exit, the hunt is on for the studio's next visionary leaders... In EP 1: Be introduced to Isao Takahata, the mentor who discovered Hayao Miyazaki's brilliance. In EP 2: Relive the pivotal call when Toshio Suzuki ignited the creation of "Nausicaa of the Valley of the Wind," the movie that birthed Studio Ghibli. In EP 3: Journey with the legendary trio as they race against time to debut the studio's foundational film. In EP 4: Chart Studio Ghibli's ascendancy, marked by production hell to create animation heaven. In EP 5: Hear from industry insiders who shed light on Studio Ghibli's impact and significance in the region. - We're looking to grow our team! Help support our productions here :') ⁠⁠⁠⁠⁠⁠⁠⁠Buy Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠ - Want to discover more origins, rise & fall on Asian business empires? Follow us on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ where we share 5 minute breakdowns of some of the most interesting Asian businesses. Want to meet the team? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow me here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! - If you love the style of Empires, and want similar content, check out:

Minister Faust (@MinisterFaust.com) is a teacher and author and he loves Anime. That I've heard of and tried to watch some of… but the parts of Studio Ghibli I haven't delved into: essentially National treasure… Isao Takahata. Know also we are fully aware that Buddhists can and do love people. We claim no great knowledge about Buddhism. We talked about a film. I know you all get that. And this ep is great.  Donate to The Dork Forest if you like the show. The paypal is my email jackie@jackiekashian.com and venmo is jackiekashian. Links to everything is at www.dorkforest.com or www.jackiekashian.com. Merch: New MERCH – beanie!! Union Made USA. And… All the things. www.jackiekashian.com. Premium eps of TDF are taped live and available here: https://thedorkforest.bandcamp.com/ Youtube has everything too. It's @jackiekashian on all the social mediaz. Audio and Video by Patrick Brady Music is by Mike Ruekberg Website design by Vilmos #applepodcasts #spotify #amazon #youtube #tiktok Learn more about your ad choices. Visit megaphone.fm/adchoices

[School of Movies 2023] Many would call this period the crowning glory of Ghibli and Hayao Miyazaki in particular. The maturity and refusal to pull his punches that came with the rich, dark and complex Princess Mononoke illustrated that when it came to humankind's strained, abusive relationship with Nature itself, that bloodshed was an inevitability, He followed this up with a personal favourite of mine, Spirited Away in 2001, but we have a dedicated show on that coming at the very end of this series. 1997: Princess Mononoke (1m 45s) 1999: My Neighbors the Yamadas (51m 30s) 2002: The Cat Returns (1h 4m 30s) The other two are oddities; Yamadas was from Isao Takahata (of Grave of the Fireflies and Balls of the Raccoon) and it's a significant departure from all other Ghibli movies, in terms of animation style and content, being based heavily on a Japanese comic strip about family life. And following that we have Ghibli's only sequel to date, though tonally quite different from Whisper of the Heart, The Cat returns takes place in the same world. In the middle of our show there are feature essays from  long-time friends of the show Brenden Agnew of Cinapse  @BLCAgnew "Living With Miyazaki - Part 7" (34m 10s) Josh Garrity of Cane and Rinse @CombineHunter with his piece from a short-lived but extremely potent YouTube series "The Animation Archives - Part 4" (44m 30s)

Two Dudes are joined by cartoonist Madeline Horwath to discuss Studio Ghibli's seminal classic, Grave of the Fireflies (1988). Directed by Isao Takahata and released the same year as My Neighbor Totoro, this film strikes a markedly more somber note as it follows two siblings orphaned during WWII. Considered by many to be one of (if not) the greatest animated films of all time, this devastating meditation on the human cost of war is a must-see. Follow Madeline's cartoon work @madelinehorwath Follow the pod so you don't miss an episode

“Lupin. He's a nice man. But he's cool.”  Welcome to Season 3 of Japanimation Station: The Classic Adventures of Lupin the 3rd! This season, we will be exploring the countless capers of one of the most enduring icons of anime from his very first animated appearance in 1969 up through the dawn of the 21st century. In today's season premiere, we go through the history of Monkey Punch's original Lupin the 3rd manga, the creation of the 1969 pilot film, and finally do a deep dive on Lupin's first anime TV series, 1971's Lupin the 3rd, retroactively referred to as Part I. It is one of the most fascinating, unique, and compelling shows we've ever seen, a series essentially divided in half between early episodes helmed by Masaaki Osumi, which are more adult and irreverent a la Monkey Punch's manga, and the later caper-centric episodes directed by the men who would go on to found Studio Ghibli, Isao Takahata and Hayao Miyazaki! Both visions of the series are equally accomplished, and the series sees a wide range of animation giants pass through its doors – including Yasuo Otsuka and Osamu Dezaki – and by the end, Lupin the 3rd has started to settle on a template that will serve it well for decades to come.  Enjoy, and come back next week as we review Lupin's first animated theatrical film, the 1978 classic The Mystery of Mamo!    Time Chart: Theme Song: 0:00:00 – 0:01:20 Intro to Season and History of Lupin: 0:01:20 – 0:42:14 Lupin the 3rd Part 1 History and Review: 0:42:14 – 2:06:15  Eyecatch Break: 2:06:15 – 2:07:03  Episode-by-episode Review: 2:07:03 – 3:22:59  End Theme: 3:22:59 – 3:24:14    Support the show at Ko-fi ☕️ https://ko-fi.com/weeklystuff   Subscribe to The Weekly Stuff Podcast on YouTube: https://www.youtube.com/c/TheWeeklyStuffPodcast   Follow The Weekly Stuff Wordcast newsletter for regular updates and extra content!  https://weeklystuff.substack.com   Visit our website and subscribe to Japanimation Station on all podcast platforms: http://japanimationstation.com/   Subscribe to The Weekly Stuff Podcast on all podcast platforms: http://www.weeklystuffpodcast.com   “Welcome to Japanimation Station!” Lyrics by Sean Chapman, Music by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Paul and Erin review Wes Anderson's ASTEROID CITY, the animated spectacular SPIDER-MAN: ACROSS THE SPIDER-VERSE, Nicole Holofcener's YOU HURT MY FEELINGS, and the Jennifer Lawrence romcom NO HARD FEELINGS, as well as the new seasons of BLACK MIRROR, CLONE HIGH and DEMON SLAYER.

[School of Movies 2023] This has been a long time coming. You've all been so good and respectful when it comes to not bombarding us with requests for anime shows that we decided to treat you collectively, and finally push the button on the one studio whose body of work is the first thing most people think of when it comes to prestigious films in this medium. Studio Ghibli was founded in 1985 and have produced two dozen movies to date. This is the first of a series of shows releasing over this year that will cover all of these. And to do that we have to go back to the source. Hayao Miyazaki was one of the founders, alongside Toshio Suzuki and Isao Takahata, and his is the most singular creative vision, informing upon the direction and philosophy of their art for forty years.  Most of this first episode is spent discussing what repeating motifs show up across this body of work, and how much of that ties in with Hayao's worldview. We lightly cover Lupin III: The Castle of Cagliostro which he directed for Tokyo Movie Shinsha in 1979, and then move on to Nausicaa (1984) which was based on a manga book of his. These led up to the actual official formation of Ghibli in 1985. You will definitely pick up on themes that will be coming back around again and again, and we are honoured to be able to talk about these in lengthy depth, even if we do frequently strike an irreverent tone. 

As an American, Sam Anderson knows what it feels like to arrive at a theme park. “The totalizing consumerist embrace,” he writes. “The blunt-force, world-warping, escapist delight.” He has known theme parks with entrances like “international borders” and ticket prices like “mortgage payments.” Mr. Anderson has been to Disney World, which he describes as “an alternate reality that basically occupies its own tax zone.”In November, when Ghibli Park finally opened, Mr. Anderson made sure to get himself there. The park is a tribute to the legendary Studio Ghibli, first started by the animator Hayao Miyazaki in 1985, out of desperation, when he and his co-founders, Isao Takahata and Toshio Suzuki, couldn't find a studio willing to put out their work.Miyazaki is detail-obsessed. He agonizes over his children's cartoons as if he were Michelangelo painting the Sistine Chapel, insisting that, although few viewers will be conscious of all this work, every viewer will feel it. And we do. Those tiny touches, adding up across the length of a film, anchor his fantasies in the actual world.And so, after many years, and much traveling — at long last — Mr. Anderson found himself stepping into the wonders of Ghibli Park. His first impression was not awe or majesty or surrender or consumerist bliss. It was confusion.This story was recorded by Audm. To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android.