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Super mild week lies ahead!?????? (1:40); THE VILLAIN OF YOUR CHILDHOOD, LIKE IVAN DRAGO (8:10); Childhood villains (16:30); COUCH POTATOES! Barbie back in theatres, fresh off the CONTROVERSY AT THE OSCARS (19:20); Risky play - do we bubble wrap our kids? (29:25); Former broadcaster and RRC instructor turned bank robber speaks to Clay Young (he was one of my instructors - Brett) (36:50); Gab with Gabby - Kids sing Backstreet Boys I Want It That Way to Clay Young!?? (49:55); Winning tale on childhood villains (57:40).
La Mélodie du Bonheur, c'est un podcast consacré à l'actualité musicale. Toutes les deux semaines, un album passe dans le viseur de l'équipe. Et de temps à autre, on vous propose en plus un hors-actu choisi par un membre de l'équipe ! L'album de la semaine : Cette semaine, Loïc, Michaël et Sylvain vous parlent de Donda, album de Kanye West sorti le 29 août 2021. Les recommandations : • Loïc : The Beatles: Get Back, documentaire en trois épisodes réalisé par Peter Jackson• Michaël : Fifi Martingale, film réalisé par Jacques Rozier• Sylvain : Succession, série créée par Jesse Armstrong Tracklist : • Générique de début : Michel Polnareff – Une simple mélodie ; Star Academy – La Musique• Album de la semaine : Kanye West - Donda (feat. Stalone & Tony Williams) ; Kanye West - Life of the Party (feat. Andre 3000 & Irko) ; Kanye West - 24• Quiz : Delicate Steve - Ramona Reborn ; William Basinski - The Wheel of Fortune ; Santigold - Crashing Your Party ; Deerhunter- Futurism ; The Jon Spencer Blues Explosion - Magical Colors ; Jeff Rosenstock - Nikes (Alt) ; The Walkmen - The Rat ; Steve Reich - Drumming, Part III ; Liars - Be Quiet Mt. Heart Attack! ; The Magnetic Fields - The Luckiest Guy on the Lower East Side ; Animal Collective - Banshee Beat ; Backstreet Boys - I Want It That Way ; Aerosmith - I Don't Want to Miss a Thing• Morceau de fin : The Beatles - Get Back• Générique de fin : Pet Shop Boys – Hit Music ; ABBA – Thank You for the Music ; Ulver – Like Music ; Kraftwerk – Musique Non Stop ; Serge Gainsbourg – Ballade de Melody Nelson Retrouver le podcast : XSilence | Facebook | Twitter | Apple Podcasts | Podcloud
Unser bisher jüngster Gast ist 21 Jahre alt und ist - *trommelwirbel* - Schlager-DJ. In breitem Norddeutsch plaudert Tim darüber, wie er DJ wurde, wie er auf dem Kiez ankam und natürlich wie er zum Schlager kam. Natürlich muss er als norddeutscher Jung auch immer mal Trekker fahren, so zum Ausgleich. Wie seine Familie und Freunde das alles finden und was wohl seine peinlichste Platte sein mag, erfahrt Ihr in dieser neuen Folge. Social Media: Facebook: https://www.facebook.com/DJTimJohnson Instagram: https://www.instagram.com/djtimjohnson/ SoundCloud: https://soundcloud.com/heringten-johnson-project-official/ TNJ Events: https://www.facebook.com/TNJ-Events-106083800815922/ Der blaue Engel von St. Pauli: https://www.instagram.com/blauer_engel_st.pauli/ 5 Songs für die Insel: Abschlach "Mein Hamburg Lieb Ich Sehr" (Wendt Musik Produktion, 2003) Helene Fischer "Achterbahn" (Polydor, 2017) Bausa "Mary" (Downbeat Records, 2019) Brian Adams "Summer Of '69" (A&M Records, 1984) Michael Wendler "Egal" (Telamo, 2017) Hude: https://de.wikipedia.org/wiki/Hude_(Oldenburg) Musikantenstadl: https://de.wikipedia.org/wiki/Musikantenstadl HSV: https://de.wikipedia.org/wiki/Hamburger_SV Abschlach: http://www.abschlach.de Davidwache: https://de.wikipedia.org/wiki/Davidwache Bausa: https://de.wikipedia.org/wiki/Bausa_(Musiker) Landungsbrücken: https://de.wikipedia.org/wiki/St._Pauli-Landungsbrücken Wolfgang Petry: https://de.wikipedia.org/wiki/Wolfgang_Petry Apache 207: https://de.wikipedia.org/wiki/Apache_207 Danza Kuduro: https://www.youtube.com/watch?v=71sqkgaUncI Westernhagen: https://de.wikipedia.org/wiki/Marius_Müller-Westernhagen Tim Haverkamp Kickboxen: https://www.youtube.com/watch?v=K5e2gd7HoCI Hafenbar, Berlin: https://www.hafenbar-berlin.de Matrix, Berlin: https://www.matrix-berlin.de Schlagermove, Hamburg: https://de.wikipedia.org/wiki/Schlagermove Dr. Motte: https://de.wikipedia.org/wiki/Dr._Motte Genderkesee: https://de.wikipedia.org/wiki/Bergedorf_(Ganderkesee) Olivia Jones: https://de.wikipedia.org/wiki/Olivia_Jones Olivias Wilde Jungs: https://www.olivia-jones.de/bars-clubs/olivias-wilde-jungs/ Dragqueen: https://de.wikipedia.org/wiki/Dragqueen Schnack: https://ahoihamburg.de/informationen/sprache-schnack/#:~:text=Eine%20echte%20Hamburger%20Deern%20–%20im,eine%20allgemeine%20Bezeichnung%20für%20Mädchen.&text=Auch%20im%20plattdeutschen%20Sprachgebrauch%20ist,Der%20Begriff%20Deern%20bzw. Stoppelmarkt Vechta: https://www.stoppelmarkt.de/aktuelles/ Backstreet Boys "I Want It That Way": https://www.youtube.com/watch?v=4fndeDfaWCg Lorenz Büffel "Johnny Däpp": https://www.youtube.com/watch?v=CE70PHlgrlo Josh. "Cordula Grün": https://www.youtube.com/watch?v=uSbxCX2LVps Axel Fischer "Amsterdam": https://www.youtube.com/watch?v=q8NRgJRmNA0 Schöne Party, Berlin: https://www.schoeneparty.de Radio Bollerwagen: https://player.ffn.de/radioplayer/radio-bollerwagen/ #andendecks #djpodcast #timjohnson #derblaueengel #hamburg #schlager #stpauli #oliviajohns #thedirkness #djthomashaak #podcast #djlife #berlin #friedrichshain #addcast #podcaststudioberlin #podcaststudio #livingdeadproduction
Clubstone, ist ein deutscher DJ und Music Produzent. So richtig bekannt wurde er in Europas angesagtem Partytempel, dem Riu Palace auf Mallorca. Dem Star DJ gelang der große Durchbruch mit seiner Sommer Edition der Backstreet Boys (I Want It That Way), gefolgt vom Ladykiller Robbie Williams (Feel). Er sorgte damit sogar in kürzester Zeit direkt für Schlagzeilen in der Metropole Paris. Für die deutschen Clubgänger gab es noch den Kult Hit von Echt (Du trägst keine Liebe in Dir) in neuem Gewand oben drauf. Seine Single One Million Tears gemeinsam mit R.B.O ,behauptete sich international mit 13 Chart-Einträgen in 6 Ländern und ging fast bis an die Spitze! Doch das Touren durch Europas Clubs ist momentan nicht möglich! Darüber und über vieles mehr erzählt Clubstone bei uns im Podcast.
Three Days Grace — I Hate Everything About You => Backstreet Boys — I Want It That Way
Sin ninguna duda la época de máximo esplendor de la música Pop se puede acotar en la década de los 80 hasta mediados de los 90.Madonna, Michael Jackson, Whitney Houston o Prince, tienen una característica común, marcaron las pautas musicales que definieron los 80 y principios de los 90. Hoy la época dorada del Pop, ocupará los sesenta minutos de mi estudio, con artistas como los citados en la cabecera, pero también sonarán artistas actuales que fueron los que recogieron las pautas musicales para realizar el Pop que suena en la actualidad. The 1975, Dua Lipa, Pulside, Surfaces o Bruno Mars, son parte de la hornada de talentos jóvenes que tomaron el relevo a unos artistas, hombres y mujeres que marcaron en los 80 y principio de los 90 una huella imborrable en la historia de la música.Para mi Podcast número 93, el antes y el después del Pop.Playlist del programa:00 - Blaudzun-Solar (Intro).01 - The 1975-if-You´re Too Shy (Let Me know).02 - Prince-I Wanna Be Your Lover.03 - Poolside-Feel Alright.04 - Wilson Phillips-Hold On.05 - Surfaces-Take It Easy.06 - Madonna-Cherish.07 - Dua Lipa-Levitating.08 - Michael Jackson-keep The Faith.09 - Bruno Mars-24k Magic.10 - Backstreet Boys-I Want It That Way.11 - Jonas Brothers-Only Human.12 - Kylie Minogue-Better The Devil You know.13 - Janelle Monae-Dance Apocalyptic.14 - Rick Astley-Never Gonna Give You Up.15 - kygo & Whitney Houston-Higher Love.16 - Blaudzun-Solar (Despedida).
Sin ninguna duda la época de máximo esplendor de la música Pop se puede acotar en la década de los 80 hasta mediados de los 90.Madonna, Michael Jackson, Whitney Houston o Prince, tienen una característica común, marcaron las pautas musicales que definieron los 80 y principios de los 90. Hoy la época dorada del Pop, ocupará los sesenta minutos de mi estudio, con artistas como los citados en la cabecera, pero también sonarán artistas actuales que fueron los que recogieron las pautas musicales para realizar el Pop que suena en la actualidad. The 1975, Dua Lipa, Pulside, Surfaces o Bruno Mars, son parte de la hornada de talentos jóvenes que tomaron el relevo a unos artistas, hombres y mujeres que marcaron en los 80 y principio de los 90 una huella imborrable en la historia de la música.Para mi Podcast número 93, el antes y el después del Pop.Playlist del programa:00 - Blaudzun-Solar (Intro).01 - The 1975-if-You´re Too Shy (Let Me know).02 - Prince-I Wanna Be Your Lover.03 - Poolside-Feel Alright.04 - Wilson Phillips-Hold On.05 - Surfaces-Take It Easy.06 - Madonna-Cherish.07 - Dua Lipa-Levitating.08 - Michael Jackson-keep The Faith.09 - Bruno Mars-24k Magic.10 - Backstreet Boys-I Want It That Way.11 - Jonas Brothers-Only Human.12 - Kylie Minogue-Better The Devil You know.13 - Janelle Monae-Dance Apocalyptic.14 - Rick Astley-Never Gonna Give You Up.15 - kygo & Whitney Houston-Higher Love.16 - Blaudzun-Solar (Despedida).
A girl in Star City, Arkansas grows up with loving parents who would flirt and sing in harmony to 1960’s break-up songs by Elvis Presley and Skeeter Davis. Summers were spent with her Mammy and Pappy traveling to bluegrass festivals in their motorhome, the little curly haired girl dancing to the fiddles and banjos, embraced by the tight-knit bluegrass community. Her father’s work takes the family to the bayou of Monroe, Louisiana where the utopia is interrupted when her idyllic home breaks up, rocked by infidelity that nobody saw coming and her world is turned upside down. She retreats to the radio, back to her sad country songs, stories woven around her own pain. In the aftermath, she is determined to split town to make a life is on her own terms. In a head-turning spin, a month after high school graduation, she wins the America’sMiss T.E.E.N. Beauty Pageant where she is scouted by a talent agent. She puts her college plans on hold, moves to New York and in a few short years, this small-town girl is making her Broadway debut in Julie Taymor’s “The Green Bird.” As if that wasn’t a ripe enough story for a roller coaster of a country song, fast forward a few years, girl meets boy, girl gets married, has children, spinning on stage after stage until her history catches up to her and she’s playing the part her mother originated, blown sideways by cheating. Once again, she hits the road, landing in Nashville and, as a newly single mother, she turns back to the country and gospel music from her childhood, writing her way to resilience, through the grief, and toward love. With her newest album, “I’m Not Broken,” Sarah Jane Nelson adds her own defiantly triumphant voice to the Americana-Country field. Set in a sonic landscape that recalls the era of artists like Wynonna, Kathy Mattea and Mary Chapin Carpenter, “I’m Not Broken” is an honest breath of fresh air, a deliberate throwback to the days when a fiddle, an acoustic guitar and a rich alto voice could celebrate the fullness of a life hard-fought and hard-won. Pedal steel, fiddle and acoustic guitar opens the record on the title track that lifts to an anthemic chorus that wouldn’t be out of place on commercial country a decade or two ago: “But I’m not broken, I’m not done I get up more than I’m knocked down Put myself back the way I was found” Moving from ballad to a rocker with a rolling banjo, “Reap What You Sow” is a foot-stomping slap to the woman who steals her man “You can take the laundry, the dishes, the dirty bathroom and the kitchen, oh the grass looks green but there’s something you should know”. She addresses the ghosts of her past with “Sins of the Father” and even gives us a beautiful acoustic version of The Backstreet Boys’ “I Want It That Way,” finding the dark intimacy in the 90’s monster hit. This is a singer who fits the cliché: “she could sing the phonebook and make it sound good.” In fact, her search for her voice led her from musical theater to Shakespeare to a 2011 acoustic blues-influenced record of standards. But Nashville does a funny thing to artists, makes a singer into a songwriter and by singing their own songs, the songs bring out a truer voice, teaching the artist something maybe they had forgotten. As rich as cane syrup, Nelson’s honeyed voice is both resilient and vulnerable, gliding through the 12 songs with a gentle familiarity, as if we’ve known her all along. It’s clear this once-musical theater actress has deep roots in country music, as every note rings authentic. This is no small task and not many other singers could pull off this hat trick. Nelson had been toying with her songs for years, writing with babies on her lap, moving from NYC to Oregon to Los Angeles and eventually to Nashville with her first husband, also an actor. But the foundation of her marriage had been crumbling for years and cracked wide open in Nashville. The 12 songs on “I’m Not Broken” are the result of this shift from singing others stories to sing. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support
To celebrate the legalisation of cannabis in Canada, this week I am joined by Alex Brooking, Euan Bouteiller and Basile Nock to discuss all things 'green' from an international exchange student's perspective. We cover legalisation day, how this will affect the lives of Canadians (and exchange students) and the pros and cons of legalisation and cannabis itself. Happy Legalisation! For further listening, Basile's karaoke go-to: ABBA - Dancing Queen (https://www.youtube.com/watch?v=xFrGuyw1V8s) Alex's karaoke go-to: Men at Work - Down Under (https://www.youtube.com/watch?v=XfR9iY5y94s) Euan's karaoke go-to: Backstreet Boys - I Want It That Way (https://www.youtube.com/watch?v=4fndeDfaWCg) Instagram @britwithacap
In a last minute decision storm, as well as an actual storm, Tom changes tactics. He then explores a few classic key changes and settles on an old favourite, before bringing the results to the Hottest 100s & 1000s Podcast. Meanwhile, Bonnie makes a shocking discovery, and then Tom calls his grandma. It's a big 32 minutes. |Find out more about the Hottest 100s & 1000s Podcast, visit them on iTunes, Whooshkaa, Facebook or Twitter. |Here is a Spotify playlist full of songs with an assortment of key changes: You Change The Locks, We Change The Key... or | https://open.spotify.com/user/1237418493/playlist/7a75SXmqMC4xvLjPTbKmw5?si=rcF0TZKFQKWPG7c7ncqctw| Songs featured in this episode include The Corrs - Runaway, Josh Groban - You Raise Me Up, Backstreet Boys - I Want It That Way, Beyoncè - Love On Top
Aaron's Top 5 Will's Top 5 "Pamela" "I'll Supply the Love""Stop Loving You" "Caught in the Balance""Africa" "Without Your Love""Hold the Line" "The Turning Point""Georgy Porgy" "Rockmaker"Will and Aaron face off in a Top 5 Toto playlist battle. Aaron offers a historical perspective on Toto and their members' work as studio musicians in the late 70s and early 80s (including on Michael Jackson's monster album, Thriller). Will takes us through his playlist and makes a comically absurd analogy between the work of a studio musician (a "Rockmaker") and that of a McDonald's hamburger maker. Aaron offers his playlist and admits that he hates the chorus of "Georgy Porgy." Everyone wholeheartedly agrees except for Will who is shamed for his taste. Ryan attempts to contain his rage as he compares Toto's music to the paintings of Thomas Kincaid and bad Sonic the Hedgehog video game music. Jon confesses that after initially hating the idea of listening to a lot of Toto, he realized that he already knew some of Toto's music and now likes a good bit more of it. And while Nate enjoys "Africa," he finds the ballads interminable, comparing them to a giant dry sandwich and Toto's oeuvre to circus peanuts. Further discussion includes the merits (or lack thereof) of "Georgy Porgy," "Pamela," and "Africa," our different listening strategies, and the role of live performance with Toto. The episode closes with voting on the best playlist and the doling out of punishment for the loser. Additional Audio Excerpts: Katie Melua (“A Happy Place”), The Wailin’ Jennys (“All the Stars”), Sarah Jarosz (“Annabelle “Lee), Lucy Rose (“Shiver”), The Head and the Heart (“Shake” / “Lost In My Mind”), Future Islands (“On the Water”), Nick Cave and the Bad Seeds (“Moonland”), Jamiroquai (“Seven Days in Sunny June”), No Doubt (“Spiderwebs”), Joy Division (“Shadowplay” / “She’s Lost Control”), New Radicals (“Maybe You’ve Been Brainwashed Too” / “You “Get What You Give”), M83 (“Midnight City”), The Killers (“This Is Your Life” / “Human”), Steely Dan (“Bad Sneakers / “Home At Last”), Seals and Crofts (“Get Closer”), Boz Scaggs (“Lowdown” / “Lido Shuffle” / “What Can I Say”), Leo Sayer (“We Can Start It All Over Again”), Michael Jackson (“Human Nature”), Pulp Fiction - movie (“This IS a tasty burger” - Samuel L. Jackson quote), David Hasselhoff (“Du”), Disney’s The Lion King - movie (“Hakuna Matata”), Cheryl Lynn (“Got To Be Real”), Sonic the Hedgehog 2 - video game (“Casino Night Zone” — multiplayer version), The Backstreet Boys ("I Want It That Way"), Foreigner (“Feels Like the First Time”), Seinfeld - TV show (“This is a terrible sandwich…” - Michael Richards quote), The Princess Bride - movie (“Anyone want a peanut?” — André the Giant quote), Stan Kenton & His Orchestra (“The Peanut Vendor”), Boston (“More Than a Feeling”), Daft Punk (“Give Life Back To Music”), Black Lace (“Agadoo”), Sigor Rós (“Gobbledigook”), Wye Oak (“Holy Holy”), St. Lucia (“Elevate”), Toto (“Child’s Anthem” / “Hydra” / “I’ll Be Over You” / “I Won’t Hold You Back” / “99” / “Endless” / “Rosanna” — live in Paris, 2007)