Podcasts about way love goes

Hello my big music lover fans! Welcome to another long awaited game of This or That? The game where you must pick one song and/or album over the other and both and neither are NOT answers!Today's edition of the game focuses on the Queen of (Pop) Music, Ms. Janet Damita Jo Jackson! We rallied two of Janet's biggest fans: returning contestants Sienna and Malik to use their thinking caps to choose some of her best songs, albums, and tours! We also encourage you all to play the game at home as well!

90s R&B Slow Jams & Quiet Storm love ballads — a smooth old school R&B mix for sundowner vibes, late nights, romantic evenings, chill drives and grown & sexy moments

Inspired by Janet. Driven by the groove. That's The Way Love Goes.

D'abord danseuse, puis actrice, et maintenant chanteuse, Jennifer Lopez débarque en 1999 avec un premier album qui va changer les règles du jeu.La pop, le R&B, les rythmes latinos : ces différentes identités, Jennifer Lopez les fusionnent toutes dans son premier album, et ça marche ! Ce disque d'un actrice, que personne n'attendait, va rapidement se hisser en tête des charts grâce à des hits comme "If You Had My Love", "Waiting for Tonight", et bien sûr "Let's get loud".A ce jour, On the 6 s'est vendu à plus de 8 millions d'exemplaires à travers le monde. La petite fille du Bronx deviendra même si célèbre que tout le monde l'appellera bientôt J.Lo. Mais comment est-ce que cela s'est-il vraiment passé ? C'est ce qu'on va vous raconter dans cet épisode !On retrace avec Olivia l'ascension fulgurante de Jennifer Lopez, du métro 6 du Bronx jusqu'au sommet du Billboard, en passant par les Fly Girls d'In Living Color, Selena et la "Latin Explosion" de 1999. Greg ouvre le capot de l'album et décortique sa recette : new jack signé Darkchild, salsa de Gloria Estefan, reprises tropicales et ballades italiennes. Et Fanny décrypte l'univers visuel d'On the 6, de la pochette signée Tony Duran au clip voyeuriste de "If You Had My Love", jusqu'à la fameuse coupe Rachel et la robe iconique des Grammys 2000.Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : "If You Had My Love", "Should've Never", "Too Late", "Feelin' So Good", "Let's Get Loud", "Could This Be Love", "No Me Ames" (avec Marc Anthony, Tropical Remix), "Waiting for Tonight", "Open Off My Love", "Promise Me You'll Try", "It's Not That Serious", "Talk About Us". Sly & The Family Stone "Everyday People", Janet Jackson "That's the Way Love Goes", Ricky Martin "María", Enrique Iglesias "Bailamos", Shakira "Whenever, Wherever", Miami Sound Machine "Conga", Gipsy Kings "Love & Liberté", Aleandro Baldi "Non Amarmi", 3rd Party "Waiting for Tonight".Extraits : INA "Pub TV album On the 6 (1999)", INA "Pub Latino Hits Vol. 2 (1998)", Late Show with David Letterman "If You Had My Love" live (CBS, 1999), "Halftime" (Netflix, 2022). Chaque mois dans Radio K7 on rembobine nos cassettes et vous raconte l'histoire d'un album qui a marqué les années 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Greg Cook. Enregistrée chez Fanny. Générique réalisé par Greg Cook. Identité graphique signée Floating Studio.LAISSEZ UN MESSAGE APRÈS LE BIP !Appelez-nous au 01 89 16 75 31. Si vous avez tenté la coupe Rachel en 1999, tapez 1. Si vous étiez sur le dancefloor pour le réveillon de l'an 2000 sur Waiting for Tonight, tapez 2. Pour laisser un message à J.Lo ou Marc Anthony, tapez 3.Et restez connectés : — Instagram : @radio_k7— Bluesky : @radiok7podcast.bsky.social— Facebook : @Radiok7podcastCe service respecte le droit d'auteur. Tous les droits des auteurs des œuvres protégées reproduites et communiquées sur ce site, sont réservés. Sauf autorisation expresse, toute utilisation des œuvres autres que l'écoute et/ou la visualisation dans le cadre du cercle de famille sont interdites.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this podcast episode, illustrious hip-hop artist Da Brat and her entrepreneurial spouse, Judy, share an insightful discussion of "The Way Love Goes," a relationship guide penned with care and intention. This engaging conversation delves into the intricacies of love and partnership, highlighting the profound significance of communication, vulnerability, and the journey of mutual understanding within a relationship. As we explore their personal narratives, the authors offer invaluable wisdom to listeners, encouraging them to embrace love regardless of their current circumstances or past experiences. Throughout the episode, we also address the broader implications of their story, emphasizing the importance of accessibility to narratives that reflect diverse experiences, particularly within the Black community. Ultimately, this episode serves as a testament to the resilience of love and the transformative power of open dialogue in fostering meaningful connections.Takeaways:Ramonda Young shared insights about the importance of making black stories accessible to underserved communities.The discussion highlighted the significance of communication in relationships, drawing on the co-authors' experiences.The episode featured Da Brat and Judy discussing their relationship journey and the lessons learned from their book, 'The Way Love Goes.'Listeners were encouraged to explore the themes of vulnerability and openness that are central to the authors' narrative.The hosts emphasized the value of transparency in relationships and the importance of sharing personal stories for connection.Hosts & Guests:Da BratJudy Harris-DupartTalia CadetRamunda YoungPodcast Credits:Production: Muse ProAudio: Christian Jones (https://www.instagram.com/cjthegenesis)Mentioned in this episode:African AncestryWe are the pioneers of genetic ancestry tracing for Black people globally, reconnecting you to your specific African roots–the country and the people. Our scientists compare your DNA markers to the largest African reference database in the world in order to find your African origin up to 2000 years ago.African Ancestry

DaBrat and Judy join Café Mocha to talk love, growth, marriage, and their new book The Way Love Goes. From'90s fame to family life, they're sharing the real story Learn more about your ad choices. Visit megaphone.fm/adchoices

In a wide-ranging and deeply personal sit-down with the legendary Madd Hatta, Da Brat and Jesseca "Judy" Harris-Dupart offer a rare glimpse into the synergy that fuels their powerhouse partnership. The conversation seamlessly bridges the gap between their private joys and public triumphs, as they reflect on the life-altering blessing of motherhood and the profound impact their son, True Legend, has had on their lives. Judy breaks down the "resilience of New Orleans" that helped her turn $400 into a $140 million hair care empire, while Da Brat opens up about her iconic legacy as a hip-hop pioneer and her future aspirations in gospel music. Whether discussing their collaborative business ventures or the vulnerable lessons found in their memoir, The Way Love Goes, the duo delivers a masterclass in building a life and a legacy rooted in Black excellence and authentic love.

Soul Provider  – Heaven Like This Join Matt on a journey through the best in Soulful, Deep, and Retro House Tracklisting: 1.  Make It Happen – Sgt Slick 2. Stand Up – Da Lukas feat Stella Brown (Extended Mix) 3. That’s the Way Love Goes – Kevin McKay (Extended Mix) 4. Too Close – Odyssey Inc, Wayne Soul Avengers (Extended Mix) 5. Heaven Like This – Work of Mouth UK (Audiowhores Edit) 6. Love With Desire – Gabor Deutsch & N’Dea Davenport (ThomChris Remix) 7. Feel The Heat – DAN ROS 8. Moving Around – Rick Marshall (Extended Mix) 9.  Rhythm of me Love – Distant People feat Hannah K (Angelo Ferreri Vocal Mix) 10. Saving My Love – Joylon Petch 11. Do You Really Want Me – Ritmo Romantico 12. Get Down – Captain Morgan 13. Inner Soul – Fabio Tosti 14. What Can I Do – Tenacious 15. Dancing – Maffa feat The Vito Tones (Da Lukas Remix) 16. So High – FDF (Italy) 17. Taking Shots – Feldman (Extended Mix) 18. Do I Do – Maurice McGee (Angelo Ferreri Jackin’ House Remix Extended) The post Soul Provider – Heaven Like This appeared first on Soul Provider.

1. GooDisco - Way Out 2. DJ Fudge, Kiko Navarro - Show You The Way feat Tia Collins 3. Alexny - Southern Nights 4. Kevin McKay - That's The Way Love Goes 5. Ken@Work, Paolo Bardelli, TonyMontana Dj - Forget Your Troubles 6. Gloria Gaynor - I Will Survive 2k26 (KamJam Nu Disco Remix) 7. Basement Jaxx - Red Alert (PAS Remix) 8. Groove Armada - Love's Theme 9. Disko Junkie, Discotron, Sandy's Groove - Music Sounds Better With You 10. Lost Prince - Groove In You 11. Marshall Jefferson - Move Your Body (Lee Foss & Micah Baxter Remix) 12. Milk & Sugar, James Hurr - One More Time 13. Selena Faider, Gaelle - King Of My Castle 14. Ayokay, Bipolar Sunshine, Anton Khabbaz, mor a mor - Where's My People

Host Chrystal Renee welcomes Debra (Da Brat) and Judy to the Keep It Positive Sweetie Show for a real conversation about building happiness on purpose through love, partnership, accountability, and everyday choices that protect home. They share why they’ve been quieter online, expound on motherhood, staying present, and keeping parts of their son’s life private, while still finding a middle ground with content. They talk about having a baby later in life, using Judy’s eggs with Debra carrying the pregnancy, and how becoming parents has softened Debra and helped her let go of survival mode and old habits from being an artist and growing up in Chicago. Judy shares her journey from doing hair as a child in New Orleans to building Kaleidoscope, including how Miracle Drops started after a client returned with damage that needed help. The couple previews their book, “The Way Love Goes,” out February 3, 2026 (pre-orders available), explaining that relationships aren’t always 50/50 and that partners should lean into each other’s strengths instead of fighting for control. They keep it honest about conflicts like jealousy, old messages, and even phones getting thrown, and how they’ve learned to cool down, communicate, and not go to bed angry. They also talk about keeping your identity in a relationship, with Debra encouraging Judy to take time for herself, while Judy opens up about the weight of running a company without investors and having to absorb costly mistakes as the owner. See omnystudio.com/listener for privacy information.

This week on Pour Minds, Lex P and Drea Nicole sit down with Da Brat and Judy for a real, funny, and emotional conversation about how their love story actually happened! They break down the first time they met, how Judy shot her shot at the studio, and the moment Brat realized she was catching real feelings. The couple gets into the miscommunication that almost kept them apart, including the infamous Atlanta flight with no answer, the ghosting, and the relationship Judy had that made Brat realize she might’ve lost “the one.” From stalking Instagram to finally reconnecting, they tell the full story of how they found their way back to each other. Brat and Judy also open up about marriage, motherhood, and how having their son changed their relationship. They get real about their IVF journey, the genetic testing process, the backlash they faced over choosing a sperm donor, and the health scare that landed Judy in the hospital with blood clots. The conversation goes deep into what it really takes to build a family, protect your peace, and make hard decisions in public. Plus, Judy talks her entrepreneur bag — from TikTok Live selling and e-commerce pressure to how the economy has changed how people buy — while Brat keeps it honest about work-life balance, boundaries, and not wanting to work 17 hours straight. And of course, Ty sets the vibe with a custom cocktail called “The Way Love Goes” in honor of their book, while the room stays full of laughs, real talk, and classic Pour Minds chaos.See omnystudio.com/listener for privacy information.

In this episode of The Reading Black Girls Podcast, the girls and their special guests, the Brat and Judy, delve into the intricacies of love, relationships, and the journey of writing their book, 'The Way Love Goes.' They discuss the challenges and triumphs of co-authoring, the importance of communication and transparency in relationships, and the lessons learned from their personal experiences. The conversation highlights the significance of not giving up on love and the value of being true to oneself while navigating public relationships.The Way Love Goes

I saw the power of storytelling and the responsibility we have to share stories to educate and change lives.Dr. Terésa Dowell-Vest is an Associate Professor of Communication at Prairie View A&M University and President of the University Film and Video Association (UFVA), an organization that supports film, television, and media studies in higher education.In this conversation Terésa and I discuss:* The music of Janet Jackson, Prince, and Jimmy Jam/Terry Lewis* Teaching media in a post-truth world* What UFVA is, why it matters, and how professional associations can sharpen teaching and creative practice* What filmmaking trends she sees with her students at Prairie View A&M* The short documentary her students did in collaboration with students from USC (link here)* “The Death of Cliff Huxtable” and the process of separating art from a problematic artistThanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI generated transcript. Don't come for me.BEN: Hi everyone—Ben Guest here. Welcome to The Creativity, Education, and Leadership Podcast. Today my guest is Professor Terésa Dowell-Vest, an associate professor of Communication and Media at Prairie View A&M University and the President of the University Film and Video Association (UFVA).In this conversation we talk Janet Jackson, the media landscape for young people interested in production, what UFVA does, and more. Enjoy.Professor, thanks so much for joining me today.TERÉSA: Thank you. Thank you for having me. It's my pleasure to be here.BEN: I always like to start with a fun question. Senior year of high school—what music were you listening to?TERÉSA: Senior year of high school—1989. 1990 was a great year to be a Janet Jackson fan. *Rhythm Nation* was probably worn out in my car's tape deck. I was a huge fan.BEN: Did you do the choreography?TERÉSA: Oh yes. I can do the hands and all that—the “A‑5‑4.” I would do it, for real.And Janet Jackson was the big one, even though Prince's *Purple Rain* came out a few years earlier. That album was still in regular rotation for me in high school.And then in 1988 New Edition put out *Heart Break*—produced by Jimmy Jam and Terry Lewis. That was such a good time. So yeah: Janet, Prince, New Edition—Jimmy Jam and Terry Lewis were the soundtrack.BEN: '88 was when Bobby Brown's *Don't Be Cruel* came out, right?TERÉSA: Listen, lemme tell you, the eighties to be a teenager in the eighties, to be in your twenties in the nineties. What a time to be alive.BEN: Yeah. I love it. Okay, second fun question. What's your pick for best picture this year?TERÉSA: I'd say *Sinners*. There are a few this year, but funny enough I actually focused more on television—I was obsessed with *Stranger Things* and *Severance* (and one other show I'm blanking on), so I didn't get to the movies as much. But I did see *Sinners* and it really stuck with me. I should preface that by saying I'm not as familiar with the entire pool, but I'm almost confident it'll be a strong contender.BEN: So good. I saw that your MFA thesis was titled *The African American Producer Is the American Griot*. Can you talk about that—maybe even in relation to *Sinners*?TERÉSA: I've always been fascinated by the power of storytelling. My bachelor's degree and my MFA are both in theater because I love live engagement. That also shaped me as a professor—I love being in front of students and engaging in a transactional, interactive way, not just a linear one. Theater and education give me that kind of exchange with an audience.For my graduate thesis I came to know Dr. Maulana Karenga—best known for creating Kwanzaa. He was chair of the Black Studies program at California State University, Long Beach. During my years there (1994–1997), I was the only Black student in the program, and in 1997 I became the first Black person to graduate with my particular degree from that program. Even in the '90s I was thinking: why are we still talking about “firsts” and “onlys”?I wanted to bridge storytelling with the legacy of slavery and survival—my own ancestors were from Virginia, where I was born and raised. Dr. Karenga taught me the concept of the *griot*—the storyteller—and the responsibility that comes with that. In the U.S., storytelling often gets treated as frivolous—an extracurricular, “nice to have.” A lot of Black parents, especially, don't want their kids studying film, theater, or the liberal arts because it doesn't seem like a stable livelihood. I started undergrad as an accounting major and didn't tell my dad I'd switched to theater until graduation day—he found out when they called my name under the College of Arts instead of the College of Business. That's the mindset I came from: my family wanted us to succeed, and the arts read as struggle, not a viable career.But there's honor in being a storyteller. That idea changed how I saw theater.And it was the '90s—*Rent* was happening, and I was in Los Angeles, flying back and forth to the East Coast to see Broadway shows that weren't just entertaining; they were educating and changing lives. I remember *The Life*—not a massive hit, but it told the story of Black and Brown women working as call girls in New York City. You'd think, “Is that a Broadway story?” But the music was outstanding.And there were so many others—*Bring in 'da Noise, Bring in 'da Funk* with Savion Glover, looking at African American history through tap and music. During that period I really saw the power of storytelling—and the responsibility we have to tell stories that educate and change lives.BEN: That's so powerful. The responsibility of storytelling to educate and change lives.TERÉSA: Yeah.BEN: It's one of the things I've often thought as a teacher: I'm a storyteller. How do you construct a lesson so students are receptive? It's like you're telling a story over a unit, a curriculum, or even a single lesson.TERÉSA: When you engage with students and give them permission to share their stories, you're not really “teaching” in the traditional sense anymore. It becomes more like peer engagement than “I'm the teacher, I know the things, and I'm telling you the things.”Students receive it differently when they feel you're invested in who they are—not just their grade.BEN: There's a great quote, I think it's Roger Ebert films, but really stories are empathy machines.TERÉSA: Yeah.BEN: It allows us to walk in someone else's shoes for a moment. There was a reconciliation group in Mississippi whose motto was: “Enemies are people whose stories we haven't heard.”TERÉSA: Incredibly profound. When we think about fear, it's often a lack of understanding—no connection to the thing you're afraid of. Hearing stories can build that connection.BEN: Can you talk about the importance of media education? I'm a documentary filmmaker, documentary filmmaking in today's world where so much of where we are in a post-truth society.TERÉSA: There are mechanics to telling the truth, and mechanics to telling a lie. In fiction you see this a lot—shows like *The Mentalist* or *Law & Order* where someone reads body language, eye movement, and so on to figure out whether someone is lying.What matters for media education is helping students understand the “tells” in information—how to challenge and debunk claims instead of assuming, “Someone told me a thing, so it must be true.”I didn't fully appreciate how urgent that was until the pandemic, when early reporting was all over the place and a lot of it conflicted. Being able to sort honest, vetted information from dishonest or speculative claims mattered in a very concrete way—like realizing you probably shouldn't drink bleach.Coming out of that period, teaching media studies has meant teaching reporting with integrity. You can't just assume something is true—not because people are “bad,” but because people absorb information differently based on what they've experienced.I do a lecture with my senior capstone students on the difference between **knowledge** and **information**. Knowledge is shaped by culture, character, race, gender, where you grew up, what language you speak, what faith you practice—so it can carry bias. Information, on the other hand, is verifiable and can be vetted. 2 + 2 = 4 no matter who you are.Good storytelling—and good journalism—knows how to bridge knowledge and information with integrity. When I have journalism students who lean into opinion-driven news—whether it's Fox, MSNBC, whatever—I tell them: that's playing to an audience's sensibilities. It can be entertaining, but it isn't the same as straight reporting. Then there's reporting that aims to be more information-based—“Here's what happened today.” That also needs to be taught. We're in a moment where students need tools to tell the truth, recognize lies, pick them apart, and trust their internal compass about what's important to share.And Ben—my answers get long. You might have to cut me off.BEN: I'm going to cut you off when what you're saying stops being interesting—so I doubt I'm going to cut you off.You're the President of the University Film and Video Association. For listeners: what is UFVA?TERÉSA: UFVA is a nationally recognized organization of university and college educators and institutions focused on film, television, and media studies—both practice and theory. We're a collective of makers and scholars. Our members hold a range of degrees—MAs, MFAs, MS degrees, PhDs, EdDs.As an organization, we examine how film and television are used—and we keep digging into how the field is evolving through innovation and emerging technology. Each year we host a conference (typically in July) where we share classroom best practices and research, and we analyze how film sparks conversation.You asked me earlier about a front-runner for Best Picture. I think about *Sinners* as a kind of textbook in a lot of ways. One of my students gave an informative speech last semester on the history of hoodoo, and she referenced *Sinners* heavily because it's central to the film. In that moment she used a movie as a learning text.That's what UFVA does: we create space to share those opportunities through research and scholarship, and we bring it back to our students and institutions.BEN: You said “best practices,” and I want to come back to that because it's a rabbit hole I love.But first: in an interview you did with the *Journal of Film and Video*, you said you were about to start your UFVA presidency and weren't sure what to expect. Now that you've lived it—how was it?TERÉSA: One of the biggest things I've learned—maybe I've only really realized it in the last couple of months—is that joining an association as an educator keeps the fire hot. It keeps you learning.As UFVA President, I've met so many people who've inspired me. It's not that I want the presidency to end; it's more like, “I need more time to implement everything I'm learning from colleagues.” It also pushed me to partner with other organizations and communities I knew about but hadn't been deeply involved with.I joined UFVA because of the pandemic. Before that I'd never even heard of the University Film and Video Association. I was the kind of person who kept my head down and did my work in my silo, and I was fine with that. But when the pandemic hit, no one knew what to do with film production courses in quarantine.I reached out to colleagues—thinking maybe eight or ten of us would hop on Zoom and talk through hybrid and online teaching. That snowballed. People said, “Can I invite a colleague?” I said yes. I posted on Facebook: if you teach film production or media studies and want to talk about what we're doing this fall, let's meet.Jennifer Proctor replied and asked, “Have you heard of UFVA?” I hadn't. She suggested sharing the call with UFVA, and we kept casting the net. By the time we met, there were 126 professors from around the world—about 100 universities represented, including USC, Ivy League schools, and institutions in Germany and Australia.I ran the meeting as breakout rooms—nine of them—named after Black women in film and television: Shonda Rhimes, Julie Dash, and others. So even in the mechanics of the meeting, people were saying these names and being reminded of who matters in media.Two things came out of that experience. First, UFVA invited me to join the board. I said, “Let me be a member first,” but within a few months I knew: yes, this is where I want to be.Second, I saw the gaps. There was very little representation from HBCUs, and very few Black people involved. Not because UFVA was “bad,” but because people simply didn't know. So I understood my call: help bring people in, build bridges, and create collaboration without turning it into a slogan. I love that we get to do the work without making it a “thing.” That's been the value of the presidency for me.BEN: Love it. Can you talk about with your students at Prairie View, what are some trends you're seeing with what the young people are doing?TERÉSA: Oh, child. They want to be influencers.This is the social media age, and a lot of students see it as the primary industry of their generation—and I get it. If you have enough followers and a couple brands offer deals, it can be real money. I have students with tens of thousands of followers. I'm like, I can barely get my family to like a post. And they're like, “Oh, I do nails,” or “I do lashes,” or “I show my sneaker collection,” and they'll get 10,000 likes every time they post.My reaction is: we need to be teaching this. We need to teach students how to parlay that into careers. Even if I don't personally understand every part of it, that doesn't make it non-viable.It reminds me of when we were in school. The internet wasn't even a thing when I was in college (1990–1994), and then suddenly we were on the edge of being connected to the world. Professors were saying, “This will create cheaters—you'll never look things up in books again.” Sound familiar?Now students are figuring out VR, AR, AI. They're building brands, protecting brands, learning to be CEOs of themselves. That's exciting.BEN: Yeah. I think about that all the time. It's like when people first started writing letters—somebody must have said, “No one's going to talk to each other anymore. They're just going to send letters.”TERÉSA: Exactly. Every generation has a thing—“Who's using this calculator? You need to learn long division.”BEN: I graduated high school in '93, so when you're talking about Janet, my “Janet album” is literally *janet.*—“Again,” “That's the Way Love Goes,” all of that. It's funny how, year by year, the soundtrack shifts just a bit.BEN: Okay—teaching and best practices. What's something you've done in your classroom that really leveled up your teaching?TERÉSA: Oh, wow. Gosh, I think it's less something I've done and more the intention of showing the students that their success is not coming from looking up. It's from looking over. It's the concept that. When you graduate from college, it isn't some executive that's going to give you an opportunity. It's the people you're in the trenches with right now that you're gonna build with right now. So I think the thing that's leveled up my teaching is less a thing that I can show them as much as relationships that I can help them forge and the power of networking. So our program has has a pipeline relationship with the Annenberg School of Communication at the university. The University of Southern California professor Mickey Turner, who's a professor there at USC teaches the senior storytelling for Media course similar to the communication capstone course that I teach here. And so every semester, professor Turner and I collaborate. Those two classes together and we introduced those students to each other through pitches, research topic pitches for their final capstone project. And what they see is. Students at an HBCU or students at this PWI are not different at all. They just, they, live in different states. Perhaps they come from different backgrounds, but by and large, they have similar goals. And we teach them that this is who you need to forge a relationship with because when you are at the stage of making deals or going out and work, this is the person you're gonna want to call. So I think the thing that's leveled up my teaching is my understanding. And my teaching of that understanding of how the industry works and how it can best work for them. Since you no longer have to live in LA or New York to, to make movies people are making movies on their devices. You have to now find your tribe to tell your stories and it can be much more localized. And so I teach them to build their team where they are and not. Go after this aspirational. The only way I can make it if is if I put it in the hands of someone so far away from me. No, put it in the hands of the guy sitting next to you or the young lady that's sitting on this other side and shoot your film, make your short tell the story. Do your podcast. I feel like that's leveled up. The final piece to that USC story is that during the pandemic, five of our students from Prairie View and five students from USC collaborated on a short documentary about the pandemic and how it impacted students at HBCUs, at this HBCU versus how it impacted students at a private, pWI Prairie View is 45 minutes outside of the city of Houston. We're a rural community. We're in the middle of nowhere essentially, whereas USC is in the heart of Los Angeles and those students taught, told an amazing story. I'll send you the link to the film. It's on YouTube. Told an amazing story from two different vantage points. That is a great indication of how education can be collaborative. Just as film is.BEN: Yeah. Before we started recording, we were talking about travel—and it just reminds me: travel is one of the best educations people can get. The more you interact with people from around the country and the world, the more you realize how similar we are and what we want: better lives for our kids and a better world to live in.That feels like a good place to end. For people interested in your work, where can they find you?TERÉSA: A good starting point is **thedeathofcliffhuxtable.com**. That's where you'll find my fan-fiction series—and later scholarly series—about separating the art from the artist when the artist is problematic.Bill Cosby's work touched every stage of my life: as a child I watched *Fat Albert and the Cosby Kids* on Saturday mornings; as a teenager in the '80s I watched the Huxtables and wanted to be part of that world; and in college in the '90s—at James Madison University, a PWI—every Thursday night at 8:30 we gathered to watch *A Different World*, and it made us feel connected in a way.When I think about the more than 60 women who came forward, my first thought is: that many people aren't lying. Even if one person tells the truth, it changes everything.In 2015—around the time the New Yorker reporting was circulating and more women were speaking—I started writing fan fiction centered on the Huxtable family at the moment Cliff Huxtable dies. I “killed” Cliff Huxtable to push back on the idea that Bill Cosby was “America's dad.” That moniker belonged to Cliff Huxtable—a fictional character written by an artist who created something meaningful and also did something horrific.We can't see Cliff the same way because he wears Bill Cosby's face, but they are not the same person—one of them isn't even real. Writing the series helped me illustrate that tension, and it eventually became a scholarly project.During the pandemic we hosted a virtual series with 51 artists, scholars, and actors who read chapters and then joined post-show discussions on the themes. You can find all of that through the website, and it's also the easiest way to contact me.BEN: Wow. Professor, thank you for all the, for your time today, but also for all the good work you're doing in so many different spaces.TERÉSA: Thank you. Thank you. And I look forward to listening to the podcast even more. I'm sorry that I'm just now getting hip to your great work, but I tell you what, I am going to tune in and probably hit you up with some questions and excited remarks shortly thereafter.BEN: I love it.That was my conversation with Professor Dowell-Vest. If you enjoyed it, share it with a friend. Have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Rap star and Rickey Smiley’s own Da Brat and her wife Judy Dupart are set to release their joint memoir, The Way Love Goes, a candid and heartfelt guide exploring their journey from awkward beginnings to parenthood, offering insight into love and communication. See omnystudio.com/listener for privacy information.

An intense wave of headlines hit this week, with one of the most shocking incidents occurring in Minneapolis. A 37‑year‑old mother of three, Renee Nicole Good—a compassionate poet and U.S. citizen—was fatally shot by an ICE agent during an immigration operation. While federal officials claim she ran her vehicle into an officer, local authorities and archived video footage dispute that narrative, and critics have condemned the ICE presence as reckless and dangerous. Tensions flared as state officials were excluded from the probe, prompting concerns over transparency and accountability. In entertainment news, Ray J, 44, was hospitalized in Las Vegas with severe pneumonia and chest pains—the same illness he feared could have killed him in 2021. Medical staff performed X‑rays and an echocardiogram, and sources say he is grateful for the support and focused on recovery. Meanwhile, music icon John Legend is expected to testify in the upcoming sexual assault trial against powerhouse executive L.A. Reid, where allegations suggest Reid blocked Legend’s early career in retaliation—adding emotional weight to intersection of fame and justice. On a lighter note, rap star and Rickey Smiley’s own Da Brat and her wife Judy Dupart are set to release their joint memoir, The Way Love Goes, a candid and heartfelt guide exploring their journey from awkward beginnings to parenthood, offering insight into love and communication. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

TRACKLIST 0:00 Mariah Carey - Vision of Love 3:30 Spice Girls - 2 Become 1 7:00 Robbie Williams - Angels (Remastered 2004) 11:30 The Wannadies - You & Me Song 14:00 Aaliyah - At Your Best (You Are Love) 18:30 Mazzy Star - Fade Into You 23:00 Foo Fighters - Everlong 27:00 Ricky Martin - She's All I Ever Had 31:30 The Roots - You Got Me 35:30 All-4-One - I Swear (Radio Edit) 39:30 *NSYNC - (God Must Have Spent) A Little More Time On You (Remix) 43:30 Red Hot Chili Peppers - Under the Bridge 47:30 Savage Garden - Truly Madly Deeply 52:00 Salt 'N' Pepa - Whatta Man (feat. En Vogue) 56:30 Goo Goo Dolls - Iris (Album Version) 1:01:30 Monica - Angel of Mine 1:05:00 Fugees - Killing Me Softly With His Song (Radio Edit) 1:09:30 Green Day - 2000 Light Years Away 1:12:00 Boyzone - No Matter What 1:16:00 Janet Jackson - That's The Way Love Goes 1:20:00 Wilson Phillips - Hold On 1:24:30 R.E.M. - At My Most Beautiful 1:27:30 Gabrielle - Dreams 1:31:00 Backstreet Boys - I Want It That Way 1:34:30 Sixpence None The Richer - Kiss Me 1:37:30 Faith Evans - Love Like This (Album Version) 1:42:00 Puff Daddy - I'll Be Missing You (feat. Faith Evans & 112) [2014 Remaster] 1:46:30 Jewel - You Were Meant For Me 1:50:30 Bjork - Possibly Maybe 1:55:30 Whitney Houston - I Will Always Love You 2:00:00 D'Angelo - Untitled (How Does It Feel) 2:06:30 Mariah Carey - Emotions 2:10:30 Michael Jackson - You Are Not Alone (Single Version) 2:15:00 Pulp - Something Changed 2:18:00 Aerosmith - I Don't Want to Miss a Thing (From the Touchstone film, "Armageddon") 2:22:30 Weezer - Buddy Holly 2:25:00 Elton John - Can You Feel the Love Tonight 2:30:30 K-Ci & JoJo - All My Life 2:34:00 LeAnn Rimes - How Do I Live (From "Con Air") 2:38:00 Bryan Adams - Everything I Do (I Do It For You) (Classic Version) 2:44:00 Seal - Kiss From a Rose (Edit Version) 2:48:30 Pretenders - I'll Stand by You (2009 Remaster) 2:52:30 Shania Twain - You're Still The One 2:55:30 Lauryn Hill - Nothing Even Matters 3:01:00 The Cure - Friday I'm In Love 3:04:30 Céline Dion - The Power of Love (Radio Edit) 3:10:00 Meat Loaf - I'd Do Anything for Love (But I Won't Do That) (Radio Edit) 3:15:00 Boyz II Men - I'll Make Love To You 3:18:30 Oasis - Wonderwall Chillout, Love Love Love

What does real spiritual maturity look like? It's not how many verses you know, how loud you sing, or how often you serve. According to Scripture, the true test is how well you love.In this powerful final installment of our Inside Out: Becoming Emotionally and Spiritually Healthy in Christ series, Pastor Talaat McNeely unpacks 1 Corinthians 13 with a timely and challenging word for today's divided world.From political polarization to cultural tension, it's easy to let division define us. But Paul reminds us—and this message makes clear—that biblical love is patient, kind, enduring, and active. It's not optional. It's the fruit of emotional health, it requires maturity, it must be practiced daily, and it points people straight to Jesus.This message will push you to examine your relationships, your responses, and your witness as a follower of Christ. If you're ready to discover what it really means to love well—and why love is the foundation for everything—this episode is for you.

Hosts Jim DeRogatis and Greg Kot chat with record producer and author Arthur Baker about his new book, Looking for the Perfect Beat: Remixing and Reshaping Hip-Hop, Rock and Rhythms. The hosts also review the new album from Wednesday.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Afrika Bambaataa & the Soulsonic Force, "Looking for the Perfect Beat (Original 12" Version)," Looking for the Perfect Beat, Tommy Boy, 1982The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Wednesday, "Elderberry Wine," Bleeds, Dead Oceans, 2025Wednesday, "Candy Breath," Bleeds, Dead Oceans, 2025Wednesday, "Townies," Bleeds, Dead Oceans, 2025Wednesday, "Gary's II," Bleeds, Dead Oceans, 2025Wednesday, "The Way Love Goes," Bleeds, Dead Oceans, 2025New Order, "Confusion," Confusion, Factory, 1983Afrika Bambaataa & the Soulsonic Force, "Planet Rock," Planet Rock: The Album, Tommy Boy, 1986Run-D.M.C., "It's Like That," Run-D.M.C., Profile, 1984Thundercat, "Walk On By (feat. Kendrick Lamar)," Drunk, Brainfeeder, 2017Marvin Gaye, "Sexual Healing," Midnight Love, Columbia, 1982New Order, "Thieves Like Us," Thieves Like Us, Factory, 1983Bruce Springsteen, "Dancing In The Dark (Blaster Mix)," Dancing In The Dark, CBS, 1985Artists United Against Apartheid, "Sun City," Sun City, Manhattan, 1985Warpaint, "Love Is to Die," Warpaint, Rough Trade, 2014See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ist es ein Break-up-Album... oder ist es keins? Die Timeline sagt: Letzteres. Denn: die Songs für das sechste Album der Grunge-Alt-Indie-Rocker Wednesday schrieb Karly Hartzman bereits vor dem Ende ihrer Liebesbeziehung mit Gitarrist MJ Lenderman. Trotzdem gibt's Herzschmerz auf der Platte. «The Way Love Goes» oder «Townies» heissen die ruhigeren, Americana- und Country-getränkten Tracks auf dem neuen Album, welches bereits vor Wochen mit «Elderberry Wine» (Song des Jahres???) ähnlich zurückhaltend angekündigt wurde. Aber es wird natürlich auch immer noch gerockt («Pick Up That Knife») und ge-screamt («Wasp») bei Wednesday, no worries! «Bleeds» ist das neue Sounds! Album der Woche. Wir haben CDs zu verschenken – jeden Abend bis und mit Freitag gibt's in unserer Radiosendung je ein Exemplar zu gewinnen.

Listen on your favorite podcast service: https://pods.to/wesoundcrazy Join our We Sound Crazy email list: https://ffm.link/wsc-signup Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz This week on We Sound Crazy, hip-hop legend Da Brat and her wife, Jesseca Harris-Dupart (a.k.a. Judy), talk about their hit reality show, Brat Loves Judy, and their upcoming book, The Way Love Goes. In a raw and open discussion, they share everything from the joys of co-parenting their son, True, to the challenges of navigating their different work styles. That's not all, Da Brat shares incredible stories about growing up in Chicago. She reveals how Gospel music has been a lifelong passion, taking her back to a simpler time. You'll hear how her early experiences playing drums and directing her church choir led to her love for artists like The Winans and Yolanda Adams. Da Brat also gives us a peek into some unforgettable encounters, including meeting her idols, Prince, MC Lyte, and Sheila E.  Tune in as Da Brat's raw honesty and genuine spirit shine, reminding us why she remains one of the most influential and beloved voices in music. Press that play button ASAP and dive into the episode. We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team! Director: John Dierre Camera Op: James Hart, Josh Sowemimo, John Dierre Editing: Lamont Baldwin Show Producer/Sound Mixer: Sbarina Cedeno Producer: Aaron Walton Assistant: Brittany Guydon Talent Producer: Isaac Hamm III Photography: Ah'meer Holt   PA: Kaye Brasley, Tony Cole   Thank you to all of our listeners, as well as our partners at Visit Music City.   Special thanks to Da Brat & Jesseca Harris-Dupart! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast.  Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #DaBrat #JessecaHarris-Dupart Learn more about your ad choices. Visit megaphone.fm/adchoices

Zwei Stunden voller grossartiger Duette aus der Country - Szene. Wenn zwei Stimmen harmonisch verschmelzen, entstehen unvergessliche Momente – und genau diese feiern wir in dieser Ausgabe. Ikonische Duette von Ehepaaren wie Faith Hill & Tim McGraw oder Trisha Yearwood & Garth Brooks und weitere beeindruckende Kollaborationen innerhalb der Country Szene. Zudem verneigen wir uns vor einer echten Legende: Johnny Rodriguez. Der gebürtige Texaner war bekannt für Aufnahmen wie "That's the Way Love Goes" oder seine typische Fernweh-Hymne "Ridin' My Thumb to Mexico". Press Play - Enjoy

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Jimmy Jam & Terry Lewis. ABOUT JIMMY JAM & TERRY LEWISWith 26 Billboard #1 R&B hits and 16 Billboard #1 pop hits to their credit, Jimmy Jam and Terry Lewis are perhaps the most influential and successful songwriting and production duo in modern music history. With a total of 41 Top 10 hits in the US, Jimmy and Terry were named ASCAP Songwriters of the Year a record-breaking nine times. They are perhaps best known for their work with Janet Jackson, beginning with the Control album, which earned the duo a Grammy for Producer of the Year. Between 1986 and 1994 they scored thirteen #1 songs with Janet on either the R&B or pop chart, including “What Have You Done For Me Lately,” “Nasty,” “When I Think of You,” “Control,” “Let's Wait Awhile,” “Miss You Much,” “Rhythm Nation,” “Escapade” “Love Will Never Do (Without You),” “The Best Things in Life Are Free,” “That's the Way Love Goes,” “Any Time, Any Place,” and “Again,” which earned Jimmy, Terry, and Janet an Academy Award nomination for Best Original Song. Jimmy and Terry got their start as musicians with Morris Day and the Time, the Prince-produced band whose biggest hit was the Jam and Lewis-penned “Jerk Out.” They made the transition to a successful songwriting and production team working with the S.O.S. band, which landed a #2 R&B hit with “Just Be Good to Me.” From there, they made their mark on pop and R&B hits for decades to come. In addition to their work with Jackson, the duo wrote and produced the #1 pop singles “Human” by Human League, “Romantic” by Karyn White, “Thank God I Found You” by Mariah Carey, and the Boyz II Men singles “On Bended Knee” and “4 Seasons of Loneliness.” Additional R&B chart toppers include “Encore” by Cheryl Lynn, “Fake” by Alexander O'Neal, “Everything I Miss at Home” by Cherelle, “Sensitivity” by Ralph Tresvant, and the Johnny Gill singles “Rub You the Right Way” and “Wrap My Body Tight.” Other highlights from their catalog include New Edition's “If It Isn't Love” and “I'm Still in Love With You,” “No More Drama” by Mary J. Blige, Robert Palmer's hit pop cover of their Cherelle single “I Didn't Mean to Turn You On,” and recordings by Gladys Knight & The Pips, Barry White, Michael Jackson, Lionel Richie, Usher, Spice Girls, Aretha Franklin, Charlie Wilson, Ledisi, Sting, Elton John, Beyonce, Rihanna, Rod Stewart, Drake, Kendrick Lamar, Gwen Stefani, Willie Nelson, and many others.Always versatile, the duo has earned Grammy awards for Best R&B Album for Chaka Kahn's Funk This, Best Gospel Song for Yolanda Adams' “Be Blessed,” and Best Dance Recording for Janet Jackson's #1 pop and R&B hit “All For You.” Additional Jackson hits that were written and produced with Jam and Lewis include the Janet and Michael Jackson hit “Scream” and the #1 singles “Together Again,” “I Get Lonely,” “Doesn't Really Matter,” and the Nelly duet “Call On Me.”In total the team has earned over 100 gold, platinum, multi-platinum and diamond album certifications from the RIAA, have received more Producer of the Year Grammy nominations than anyone in history, earned the NAACP Lifetime Achievement Award, and were inducted into the Songwriters Hall of Fame. 

A bruthason is back on the mic with the catchup as the full pink moon approaches for today. Setting the tone and intention. This podcast is about this transition, healing, rebuilding, love and these damn jobs. Come vibe out with me.

THE ICONIC JOHN SINGLETON DIRECTS TUPAC & JANET JACKSON!! Poetic Justice Full Reaction Watch Along: https://www.patreon.com/thereelrejects Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@thereelrejects?lang=en Twitter: https://x.com/thereelrejects Facebook: https://www.facebook.com/TheReelRejects/ After reacting to Boyz N The Hood & Menace II Society, Coy Jandreau (DC Studios) & Greg Alba continue on their journey to the Don't Be a Menace to South Central While Drinking Your Juice in the Hood reaction series—this time picking up with John Singleton's Poetic Justice, starring Janet Jackson (The Nutty Professor II: The Klumps, For Colored Girls) and Tupac Shakur (Juice, Above the Rim). This 1993 classic blends romance and drama, following Justice (Jackson), a grieving poet, and Lucky (Tupac), a mail carrier with dreams beyond the streets, as they embark on a life-changing road trip from Los Angeles to Oakland. Alongside them are the fiery Iesha (Regina King, Watchmen, If Beale Street Could Talk) and her troubled boyfriend Chicago (Joe Torry, Tales from the Hood), whose turbulent relationship adds layers of tension. Directed by John Singleton (Boyz N The Hood, Higher Learning), the film delivers powerful themes of love, loss, and resilience, intertwined with heartfelt poetry from Maya Angelou. We react to the most iconic moments, including Justice & Lucky's First Meeting at the Hair Salon, The Road Trip Begins, The Heated Argument at the Gas Station, The Beach Scene, Chicago & Iesha's Explosive Fight, and The Emotional Finale. As an extra tribute to the film's cultural impact, we're also highlighting some of Tupac and Janet Jackson's biggest hits—Tupac's top 10 songs: California Love, Changes, Dear Mama, Hail Mary, Hit ‘Em Up, I Get Around, Keep Ya Head Up, 2 of Amerikaz Most Wanted, All Eyez on Me, and Ambitionz Az a Ridah. Janet Jackson's top 10 songs: Rhythm Nation, That's The Way Love Goes, Together Again, All For You, Nasty, Escapade, Love Will Never Do (Without You), Any Time, Any Place, Control, and Again. Poetic Justice was a defining film of the ‘90s, and we're diving into all its highs, lows, and lasting impact. Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

THE ICONIC JOHN SINGLETON DIRECTS TUPAC & JANET JACKSON!! Poetic Justice Full Reaction Watch Along: https://www.patreon.com/thereelrejects Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@thereelrejects?lang=en Twitter: https://x.com/thereelrejects Facebook: https://www.facebook.com/TheReelRejects/ After reacting to Boyz N The Hood & Menace II Society, Coy Jandreau (DC Studios) & Greg Alba continue on their journey to the Don't Be a Menace to South Central While Drinking Your Juice in the Hood reaction series—this time picking up with John Singleton's Poetic Justice, starring Janet Jackson (The Nutty Professor II: The Klumps, For Colored Girls) and Tupac Shakur (Juice, Above the Rim). This 1993 classic blends romance and drama, following Justice (Jackson), a grieving poet, and Lucky (Tupac), a mail carrier with dreams beyond the streets, as they embark on a life-changing road trip from Los Angeles to Oakland. Alongside them are the fiery Iesha (Regina King, Watchmen, If Beale Street Could Talk) and her troubled boyfriend Chicago (Joe Torry, Tales from the Hood), whose turbulent relationship adds layers of tension. Directed by John Singleton (Boyz N The Hood, Higher Learning), the film delivers powerful themes of love, loss, and resilience, intertwined with heartfelt poetry from Maya Angelou. We react to the most iconic moments, including Justice & Lucky's First Meeting at the Hair Salon, The Road Trip Begins, The Heated Argument at the Gas Station, The Beach Scene, Chicago & Iesha's Explosive Fight, and The Emotional Finale. As an extra tribute to the film's cultural impact, we're also highlighting some of Tupac and Janet Jackson's biggest hits—Tupac's top 10 songs: California Love, Changes, Dear Mama, Hail Mary, Hit ‘Em Up, I Get Around, Keep Ya Head Up, 2 of Amerikaz Most Wanted, All Eyez on Me, and Ambitionz Az a Ridah. Janet Jackson's top 10 songs: Rhythm Nation, That's The Way Love Goes, Together Again, All For You, Nasty, Escapade, Love Will Never Do (Without You), Any Time, Any Place, Control, and Again. Poetic Justice was a defining film of the ‘90s, and we're diving into all its highs, lows, and lasting impact. Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Animales de baile. Hoy, día de San Antón, vamos a extraer de vuestras entrañas vuestra parte más animal y la más sensual en una pista de baile. Sabrina Starke, Alima, Victoria Monét o Wallace Negâo y Sergio Bacalhau, entre las novedades. Lo demás… pura música clásica de baile, de dance. Seamos burros. DISCO 1 VICTORIA MONÉT How Does It Make You Feel (ESCA) A Jaguar II Christmas: The Orchestral ArrangementsDISCO 2 BBQ BAND On The Beat DISCO 3 THE WHISPERS I Can Make It BetterDISCO 4 EVELYN “CHAMPAGNE” KING ShameDISCO 5 MADONNA Express Yourself  DISCO 6 JANET JACKSON That’s The Way Love GoesDISCO 7 CHIC Open Up (ESCA) Real People 1980DISCO 8 JOHNNY GUITAR WATSON Booty Ooty (ESCA) Love JonesDISCO 9 KOOL & THE GANG Get Up Offa That ThingDISCO 10 R3HAB & JASON DERULO AnimalDISCO 11 ALIMA ft. Machaka CoraDISCO 12 SABRINA STARKE Weather The StormDISCO 13 WALLACE NEGÂO & Sergio Bacalhau Tambor FalouEscuchar audio

Mixed by DJ Rico 01. SWV - Right Here (Human Nature Mix) 02. Michael Jackson - Human Nature 03. Spandau Ballet - True 04. Janet Jackson - That's The Way Love Goes 05. Marvin Gaye - Sexual Healing 06. DJ Jazzy Jeff & The Fresh Prince - Summertime 07. Skee-Lo - I Wish 08. Snow - Informer 09. Ini Kamoze - Here Comes The Hot Stepper 10. Montell Jordan - This Is How We Do It 11. Grandmaster Flash and the Furious Five - The Message 12. The S.O.S. Band - Just Be Good To Me 13. Wreckx-n-Effect - Rump Shaker 14. Backstreet Boys - Larger Than Life 15. Joe Public - Live And Learn 16. The Sugarhill Gang - Rapper's Delight 17. C+C Music Factory - Gonna Make You Sweat 18. US3 - Cantaloop 19. M|A|R|R|S - Pump Up the Volume 20. Nightcrawlers - Push The Feeling On 21. Kraftwerk - The Robots 22. Snap! - Rhythm Is A Dancer 23. Afrika Bambaataa & Soulsonic Force - Planet Rock MORE RETRO MIXTAPES ▶️ bit.ly/RA_Retro reactivateasia.com FIND US ON OUR SOCIALS! FACEBOOK

These Join us every week as Patty Wilson & Scott Cowarttalk passionately about the ever-changing real estate market!It's House Talk with a Happy Ending!People often ask whether it is the landlord's or tenant's responsibility.Our answer - follow the lease.The reality is that the property is the landlord's investment. If you have "lawn care included" as part of your rental payment, the landlord must pay and ensure the lawn is done. You cannot return to the tenant complaining that the lawn wasn't done. Make everything a part of your lease. For example, "lawn to be cut on Wednesday the 2nd week of the month". The tenant signs the lease. Ensure the lawn gets cut that day or provide notice for another day. If the tenant does not permit lawn care to be done... you send out a notice of compliance and follow through.www.jointhebrokerage.com - get your license with the US! Patty has partnered with Moseley Real Estate and offers real estate courses in person! Are you ready for your Florida Brokers license? We offer pre-licensing for Brokers!Executive Producer:Greg Tish Music by: 9-5 - Dolly PartonHow Deep Is Your Love (Feat. Yebba) That's The Way Love GoesI Want HerHow Much I FeelSteal Away - RemasteredBaby Come BackGood Day - Nappy Roots Get bonus content on Patreon Become a member at https://plus.acast.com/s/pattysplayhouse https://plus.acast.com/s/pattysplayhouse. Hosted on Acast. See acast.com/privacy for more information.

Playlist: Roberto Tola – Bossa Amor Nils – That’s The Way Of The World Reza Khan – Language of Love (Ft. Bob James) Norman Brown – Anything Non-Stop Music: Lisa Addeo – Diamond Dress Nathan Michell – Just Coolin (Ft. Ryan La Valette) Bob Coate – Love Like That Mattias Roos – Ocean Drive (Ft. Greger Hillman) Chris Big Dog Davis – Low Down (Ft. Ryan La Valette) Patrick Bradley – Road Trippin lLYA SEROV – Glow Ragan Whiteside – Steppin’ Out The Braxton Brothers – Groovin’ at the Symphony Hall The Allen Carman Project – LoFi Deaddream – Fingered Emotions Mr. Horn – l’ll Be There for You (Ft. Dave McMurray) Dee Lucas – Tighten Up Steve Oliver – A Kind Heart Paul Brown and Marc Antoine – What about Bob Oli Silk – New Bounce Norman Brown – That’s The Way Love Goes

*Playlist: Roberto Tola – Bossa Amor Nils – That's The Way Of The World Reza Khan – Language of Love (Ft. Bob James) Norman Brown – Anything Lisa Addeo – Diamond Dress Nathan Michell – Just Coolin (Ft. Ryan La Valette) Bob Coate – Love Like That Mattias Roos – Ocean Drive (Ft. Greger Hillman) Chris Big Dog Davis – Low Down (Ft. Ryan La Valette) Patrick Bradley – Road Trippin lLYA SEROV – Glow Ragan Whiteside – Steppin' Out The Braxton Brothers – Groovin' at the Symphony Hall The Allen Carman Project – LoFi Deaddream – Fingered Emotions Mr. Horn – l'll Be There for You (Ft. Dave McMurray) Dee Lucas – Tighten Up Steve Oliver – A Kind Heart Paul Brown and Marc Antoine – What about Bob Oli Silk – New Bounce Norman Brown – That's The Way Love Goes *

** Episode 77- Live on Electromagnetic Radio** SPECIAL GUEST HOST JOI from ELECTRIC RADIO CLUB **International Women's Month Mix** Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure! Tracklisting: 1. Just Friends...Amy Winehouse 2. Untouchable Face...Ani DiFranco 3. Love Is A Stranger...Eurythmics 4. Distance...YEBBA 5. Can't Let Go...Lucinda Williams 6. Be My Baby...The Ronettes 7. Pessimist...Julia Michaels 8. Prince Johnny...St. Vincent 9. Cowboys...Portishead 10. Whole Lotta Love...Ike & Tina Turner 11. Midnight Sun...Nilufer Yanya 12. That's The Way Love Goes...Janet Jackson 13. What Do Ya Know...Remy Reilly 14. Sunday Morning...No Doubt 15. Good Fortune...PJ Harvey 16. Dancing Barefoot...Patti Smith Band 17. Tape Song...The Kills 18. Moonlight Drive...Blondie 19. I Love Playin' With Fire...The Runaways 20. Work It...Missy Elliott  

Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.comI will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!.....The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!Intro song: Brown Sugar by The Rolling Stones (1971)Song 1: The Shock of the Lightning by Oasis (2008)Song 2: Priscilla by Miranda Lambert (2014)Song 3: I Wish I Was the Moon by Neko Case (2002)Song 4: Gimme Some Rhythm Daddy by The Brian Setzer Orchestra (2009)Song 5: Old Man by Neil Young (1972)Song 6: Black or White by Michael Jackson (1991)Song 7: King and Lionheart by Of Monsters and Men (2011)Song 8: Faith by George Michael (1987)Song 9: That's the Way Love Goes by Janet Jackson (1993)Song 10: On My Way by Phil Collins (2003)

Pastor Bill Morris

The five piece band of Terrence and the Fortress joins us today. Songs include Magical Ride, It's How We Roll AND their version of That's The Way Love Goes

In Episode 3 of the R&B Soul Sessions Podcast, hosted by KeiMarie and FlakoXL, the focus was on songs about love and the music they would play for someone they love or desire to love. They delved into P Diddy's recently released album, "The Love Album," discussing its quality and whether it lives up to expectations. Additionally, the hosts explored current happenings in the R&B scene, highlighting new releases and trends. As part of their regular features, they presented a Throwback Artist of the Week, celebrating an established R&B artist, and a New Artist of the Week, showcasing an up-and-coming talent. Tune in to catch the latest updates and recommendations in the world of R&B on the R&B Soul Sessions Podcast with KeiMarie and FlakoXL.

Janet aka Miss Jackson: Nasty Blends - https://fullblastradio.bandcamp.com/album/janet-aka-miss-jackson-nasty-blends Join the Fullblast Radio Channel Membership to Support: http://vip.fullblastradio.com/ ______________________________________________________________ To also support the channel you can donate here:

These Join us every week as Patty Wilson & Scott Cowarttalk passionately about the ever-changing real estate market!It's House Talk with a Happy Ending!People often ask whether it is the landlord's or tenant's responsibility. Our answer - follow the lease. The reality is that the property is the landlord's investment. If you have "lawn care included" as part of your rental payment, the landlord must pay and ensure the lawn is done. You cannot return to the tenant complaining that the lawn wasn't done. Make everything a part of your lease. For example, "lawn to be cut on Wednesday the 2nd week of the month". The tenant signs the lease. Ensure the lawn gets cut that day or provide notice for another day. If the tenant does not permit lawn care to be done... you send out a notice of compliance and follow through. www.jointhebrokerage.com - get your license with the US! Patty has partnered with Moseley Real Estate and offers real estate courses in person! Are you ready for your Florida Brokers license? We offer pre-licensing for Brokers!Executive Producer:Greg Tish Music by: 9-5 - Dolly PartonHow Deep Is Your Love (Feat. Yebba) That's The Way Love GoesI Want HerHow Much I FeelSteal Away - RemasteredBaby Come BackGood Day - Nappy Roots Get bonus content on Patreon Become a member at https://plus.acast.com/s/pattysplayhouse https://plus.acast.com/s/pattysplayhouse. Hosted on Acast. See acast.com/privacy for more information.

ADAPT REVOLUTION! is your weekly antidote to hate, greed, and ableism, where the D-Word is Disability. In the 7th episode, we talk to Autistic author, photographer, poet, professor, and advocate Said Shaiye about the importance of finding our own wholeness and centering care, helping each other when we can and focusing on our collective will to thrive. You can meet Said in person on Wednesday, June 7th at the Wilder Foundation in St. Paul from 7:30am to 9:30am for a conversation about Disability, Equity, and Inclusion. We feature a TedX Talk by Haben Girma, a DeafBlind civil rights lawyer who graduated from Harvard Law school, after the interview. Videos for both can be found in the playlist at: https://youtube.com/playlist?list=PLEwbFoMygwzM9TngGJPF0DbLh7ve5XkU7. New theme music for ADAPT REVOLUTION! is courtesy of Professor EXE. Outro song is "That's the Way Love Goes" by Janet Jackson. All work in this episode belongs to the artists themselves.

True to form – Friday's bring the music video companion episodes to THE SUMMER OF 93 AT 30! Picking from Casey Kasem's top 10 each time. This first video is Janet Jackson's “That's The Way Love Goes”. Jessica Alsman joins in to talk about the biggest hit of the summer. This music video also features […]

Part 14: That's The Way Love Goes Sermon Notes

A good convo. Enjoy

The way love goes --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Relationships can impact our professional lives. “The Way Love Goes” by Dondeez is a relationships podcast. https://open.spotify.com/episode/4RW3mjwN3JKGeEPWCuG65p?si=1RsK7gd6TrymjbaKEM-4pQ He and his co-host honestly discuss their ideas and beliefs about personal topics and experiences with relationships. No judgement here! I found their pod to be very tasteful. I'll post their link below! For more podcast recommendations or just general topics about professional lifestyles, stay tuned! Share this episode with at least one person you feel may have an interest in professional relationship topics, and subscribe to Game and Compute if this content is up your alley. https://open.spotify.com/episode/4RW3mjwN3JKGeEPWCuG65p?si=1RsK7gd6TrymjbaKEM-4pQ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In celebration on Black Music Month, here's a mix featuring new jack swing remixes and mashups!New Creation Mash Factory - Can't Stop Every Little Step10th Month - Go Crazy (New Jack Swing Remix)Amorphous - Doin' It We'll (Mashup)DJ Snatch Boogie - Keith Sweat vs Color Me BaddFreezah - High Fashion x Return of the Mack10th Month - Can't Feel My Face (New Jack Swing Rework)K-Bees - Remember the Time (New Jack Swing Remix)Freshery - U Know What's Up (New Jack Swing Remix)Party Ben - One Dance Away (Drake vs. Jade)Masdamind - Gettin' Jiggy With PoisonK-Mo - MotownphillyOnra - Night and DayDJ Discretion - Can We Talk (2Pac x Tevin Campbell)Mario Dubbz - I'm Dreamin'DJ X-RA8ED - SensitivityJane Child - Don't Wanna Fall In Love (Teddy Riley Remix)DJ Peacecat - Finesse (On Our Own '89 Remix/Mashup)S.I.R. - I Feel It Coming (I Love Your Smile)DJ Discretion - My, My, MyAmorphous - Te Amo, You're the OneInitial Talk - Hit Me Off (That's The Way Love Goes '93 Remix)Check out Ben's debut album "Warm Georgia Nights" wherever you stream music!Follow us on Facebook: facebook.com/bythetimeuhearthisFollow us on TikTok: @bythetimeuhearthisFollow us on Instagram: @bythetimeuhearthis, @gplaysitcool, @benwattsstudios, @gmediaatlEmail: bythetimeuhearthis@gmail.comLeave us a review and rating on your favorite platform!Search us on listennotes.com

Hey y'all!!! Did you know what Janet Jackson meant when she said “like a moth to a flame burned by the fire” in the song That's The Way Love Goes? Let me break that down for you… Follow the show on Instagram: @tell_emtinapodcast Follow the show's host on Instagram: @bhawk__22 Subscribe, rate and review on all streaming platforms.

Rayna's celebrating 10 years of being part of The Grand Ole Opry with a concert, whilst Layla and Jeff plan Layla Grant's next career move, Scarlett goes on a Doctor Date and, hey, why don't Avery and Gunnar spend an episode thinking of band names? Don't fret, Andrew regails us with memories of his friendship with Colton ‘Colt' Wheeler, a young man Andrew has had the pleasure of witnessing at the breakfast table wearing a baseball cap. That's real intimate friendship there.

Join Mo and Cari as they talk about men being unconditionally loved...or not.Check out Black Dad University for resources to build your legacy.Follow us on Instagram: @thatjustmybdFollow us on Facebook: https://www.facebook.com/thatsjustmybdWant to share your story, comment, advise, or just say hey email: thatsjustmybabydady@gmailcom Thanks for listening!

02:59 Kool Keith – Livin' Astro 08:32 The D.O.C. - The Formula 13:49 GZA – Beneath The Surface 19:33 Raekwon – Ice Cream 24:55 Common, Kanye West, John Legend – They Say 29:55 A Tribe Called Quest - Electric Relaxation 31:21 Busy Bee – Busy Bee's Groove 41:00 Run DMC - It's Like That 46:10 Nas - Favor For A Favor 51:37 Lauryn Hill – Doo Wop 58:40 GUF – Непогода 1:03:00 Little Richard – Tutti Frutti 1:05:50 Janet Jackson – That's The Way Love Goes

This week's episode features Kavi and Melanie Spence as they explore their take on love, marriage, and commitment. They are real, transparent, and relevant in sharing their LOVE story worth living!  We are back with a brand new season themed: “Unmute Your Mic!” We are geared up to give more platform to voices that need to be heard through personal narratives on a variety of life issues that impact us all. Connect with us! IG: @bigpicturelivin FB: @bigpicturelivin Twitter: @bigpicturelife Email: bigpicturelivin@gmail.com Website: www.jenniferepatterson.org

Severe Tire Damage. Like many things we cover in this podcast, the first streaming rock band on the Interwebs came out of Xerox PARC. 1993 was a great year. Mariah Carey released Dreamlover, Janet Jackson released That's The Way Love Goes. Boyz II Men released In The Still of the Nite. OK, so it wasn't that great a year. But Soul Asylum's Runaway Train. That was some pretty good stuff out of Minnesota. But Severe Tire Damage was named after They Might Be Giants and a much more appropriate salvo into the world of streaming media. The members were from DEC Systems Research Center, Apple, and Xerox PARC. All members at the time and later are pretty notable in their own right and will likely show up here and there on later episodes of this podcast. So they kinda' deserved to use half the bandwidth of the entire internet at the time.  The first big band to stream was the Rolling Stones, the following year. Severe Tire Damage did an opening stream of their own. Because they're awesome. The Stones called the stunt a “good reminder of the democratic nature of the Internet.” They likely had no clue that the drummer is the father of ubiquitous computing, the third wave of computing. But if they have an Apple Watch, a NEST, use an app to remotely throw treats to their dog, use a phone to buy a plane ticket, or check their Twitter followers 20 times a day, they can probably thank Mark Weiser for his contributions to computing. They can also thank Steve Rubin for his contributions on the 3D engine in the Mac. Or his wife Amy for her bestselling book Impossible Cure.  But back to streaming media. Really, streaming media goes back to George O Squier getting patents for transmitting music over electrical lines in the 1910s and 1920s. This became Muzak. And for decades, people made fun of elevator music. While he originally meant for the technology to compete with radio, he ended up pivoting in the 30s to providing music to commercial clients. The name Muzak was a mashup of music and Kodak, mostly just for a unique trademark. By the end of the 30s Warner Brothers had acquired Muzak and then it went private again when George Benton, the  chairman and publisher of the Encyclopædia Britannica pivoted the company into brainwashing for customers, alternating between music and silence in 15 minute intervals and playing soft tones to make people feel more comfortable while waiting for a doctor or standing in an elevator. Makes you wonder what he might have shoved into the Encyclopedia! Especially since he  went on to become a senator. At least he led the charge to get rid of McCarthy who referred to him as “Little Willie Benton.” I guess some things never change. Benton passed away in 1973, but you can stream an interview with him from archives.org ( https://archive.org/details/gov.archives.arc.95761 ). Popularity of Muzak waned over the following decades until they went bankrupt in 2009. After reorganization it was acquired in 2011 and is now Mood Media, which has also gone bankrupt. I guess people want a more democratic form of media these days. I blame the 60s.  Not much else happened in streaming until the 1990s. A couple of technologies were maturing at this point to allow for streaming media. The first is the Internet. TCP/IP was standardized in 1982 but public commercial use didn't really kick on until the late 1980s. We'll reserve that story for another episode. The next is MPEG. MPEG is short for the Moving Picture Experts Group. MPEG is a working group formed specifically to set standards for audio and video compression and the transmission of that audio and video over networks. The first meeting of the group was in 1988. The group defined a standard format for playing media on the Internet, soon to actually be a thing (but not yet). And thus the MPEG format was born. MPEG is now the international standard for encoding and compressing video images. Following the first release they moved quickly. In 1992, the MPEG-1 standard was approved at a meeting in London. This gave us MPEG Layer 3, or MP3 as well as video CDs.  At the Porto meeting in 1994, we got MPEG-2 standard, thus DVDs, DVD players and AAC standard a long standard for iTunes and used for both television and audio encoding. MPEG-4 came in 1999, and the changes began to slow as adoption increased. Today, MPEG-7 and MPEG-21 are under development. Then came the second wave of media. In 1997, Justin Frankel and Dmitry Boldyrev built WinAmp. A lot of people had a lot of CDs. Some of those people also had WinAmp or other MP3 players and rippers. By 1999 enough steam bad been built up that Sean Parker, Shawn Fanning, and John Fanning built a tool called Napster that allowed people to trade those MP3s online. At their height, 80 million people were trading music online. People started buying MP3 players, stereos had MP3 capabilities, and you could find and download any song you could think of easier and cheaper than you could get them at a music store. Brick and mortar music stores began to close their doors and record labels saw a huge drop in profits. I knew people with terabytes of music, where each song was about 3 megs.  The music industry had suffered a massive blow. After a long court battle, the RIAA obtained an injunction that forced Napster to shut down in 2001. The music industry thought maybe they were saved. But by then other sites like Limewire and many other services had popped up and to shut pandora's box, we needed innovation,   The innovation was making it simple to buy music. Sure, people could continue to steal music if they wanted, but it turned out that if a song was a buck, people were likely to just go out and buy it. Other vendors followed suit and before long the tide of stealing music was turned back.  Another innovation had occurred in 2001 but hadn't really caught steam yet. Rhapsody (originally TuneTo.com) was launched in December of 2001. Rhapsody slowly built up a catalog of 11 million songs and 750,000 subscribers. Rhapsody worked kinda' like Radio. Pandora Radio, launched in 2005, allowed users to create their own stations. With 66 million active users, Pandora was bought by Sirius XM for 3.5 Billion dollars. But if these were the only vendors that were in this space, it might not be what it is today. I remember in about 2010, I asked my niece about buying a song. She looked at me like I was stupid. Why would you buy a song. I asked her about downloading them for free. Black stare. That's when I realized the third wave of streaming music was on us. Spotify, originally created in 2006, allowed users to build their own stations of songs and now has 217 million users with nearly half paying for the subscription so they don't get ads, with revenue of nearly $6 Billion dollars. Apple Music was late to the party, arriving in 2015, because Steve Jobs wasn't into music subscription services. But since the launch they are up to 60 million users in 2019. Apple's services revenue though is over a quarter trillion dollars a year. Google has 15 million streaming subscribers and with the emergence of their Echo's Amazon is poised to garner a lot of streaming music subscribers.  Music isn't the only business that has been disrupted. You see, the innovation that iTunes and the popularization of the iPod created also made us rethink other business models. Television and movie consumption has shifted to streaming platforms. And Apps. The iOS App Store was released in 2008. The App Stores have shifted many an enterprise software into smaller workflows strung together with apps. There are now 1.8 million apps on that App Store and 2.1 available for Android users. These apps have led to ride sharing services and countless other apps displacing businesses that have operated the same way for sometimes hundreds of years. Yes, this story is about streaming music. But the movement that started with Severe Tire Damage combined with other technologies to have a resounding impact to how we live our lives. It's no wonder that their drummer, Mark Weiser, is widely considered to be the father of ubiquitous computing.