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7 episodes with Skeeter Davis
4 episodes with Skeeter Davis
3 episodes with Skeeter Davis
2 episodes with Skeeter Davis
2 episodes with Skeeter Davis
2 episodes with Skeeter Davis
2 episodes with Skeeter Davis
2 episodes with Skeeter Davis
2 episodes with Skeeter Davis
This week, Andrew Culture is joined by Dr. San to answer the all-important question: what do Viz magazine, squirrel-based hip-hop folklore, and Captain Sensible have to do with sunglasses? A lot, apparently. From tales of tragically inebriated rodents to obscure country pastiches and mid-80s goth crooners, we dive eyeballs-first into a lens-tinted trip through musical mayhem.Expect a lovingly detailed discussion on Viz's Buster Gonad and the gang, a passionate defence of Ray Orbison's vocal blanket, ZZ Top's fraudulent tour as The Zombies, and the serious existential implications of Skepta's lyrics: "I can't see anything." Same, mate.The riffs are glorious, the tangents are ridiculous, and the jokes? Almost clever. Almost.Whether you love Skeeter Davis or just want to hear two aging music nerds trying to remember why the 2004 Viz movie was a thing, this is your stop. Just don't Google blue waffle. We warned you.### Riffs of the week#### Dr Sam's Riff- Gary Owens Jr - Tomorrow's Stew (opening)#### Andrew's Riff- Current Value - Serenity (3:20)### Dr Sam's track choices1. Roy Orbison - Dream (opening)2. the Damned - Anti-Pope (0.10)3. ZZ Top Cheap Sunglasses (0.43)4. Tracey Ullman - Sunglasses (0.45)### Andrew's track choices1. Echo and the Bunnymen - Killing Moon (3:11)2. Skeeter Davis - Sunglasses (0:27)3. Skepta - Sunglassses at night (1:22)4. Jesus and Mary Chain - Just like honey (opening)Email us - beatmotel@lawsie.comTakeaways- The importance of humor in storytelling.- Cultural references can enhance podcast engagement.- Childhood memories shape our perspectives.- Health discussions can be both serious and humorous.- Music can evoke nostalgia and personal connections.- The evolution of genres reflects societal changes.- Creative processes often stem from everyday observations.- Engaging with listeners through relatable content is key.- Exploring themes in music can lead to deeper discussions.- Humor can be a bridge to discuss serious topics. Ray Orbison's voice is described as comforting and warm.- The aesthetic of sunglasses in music reflects deeper themes.- Punk movement stripped down the concept of stage clothes.- ZZ Top's unique history includes impersonating British bands.- Skepta's humor adds a layer of absurdity to his music.- Tracy Ullman's covers highlight the obscurity of 60s music.- The conversation reveals the personal connections to music.- Music aesthetics evolve with cultural movements.- The influence of past artists is evident in modern music.- Humor in music can bridge generational gaps.
Send us a textWhat a joy to remember working with so many of the greats. ROY CLARK, BILL CARLISLE, SKEETER DAVIS, JEAN SHEPARD, RAY PRICE, KITTY WELLS, ROY ACCUFF and a special group called OLD DOGS that you won't wanna miss. Much more my friends. Enjoy and please share.
Co-host Jeremy spins a late-stage release by "End of the World" singer Skeeter Davis. This LP emphasizes the country roots of the crossover popstar. We also learn about her tumultuous upbringing and rise to stardom. If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!
Sintonía: "Scorpion" - The Carnations"I´m Gonna Destroy That Boy" - The What Four; "If You Can´t Say Anything Nice" - Gia Mateo; "I Can´t Stay Mad At You" - Skeeter Davis; "I Don´t Want No Mama´s Boy" - Erma Franklin; "Gonna Make Him My Baby" - April Young; "Gee Dad" - Andrea Carroll; "I Wish I Had Known" - Sandra Phillips; "I Just Don´t Understand" - Carmen Cole; "Why Don´t You Do Right?" - Nichelle Nichols; "Don´t Monkey With Me" - The Lollipops; "You´re My Loving Baby" - The Sweet Things; "Stand By Me" - Little Eva; todas las canciones extraídas de la recopilación (1xCD) "Honeybeat : Groovy 60s Girl-Pop" (Real Gone Music/Sony, 2017), compilado por Sheila Burgel y Rob Santos"Night and Day" - Francis Faye; "He Cha Cha´d in" - Kay Starr; "It´s So Fine" - Lavern Baker; "Anything Can Happen-Mambo" - Dolores Hawkins; "My Mama Likes You" - Dolores Gray; "Let´s Mambo" - Betty Reilly; "Christine" - Miss X; "Hollywood Calypso" - Josephine Premice; "Mambo Baby" - Georgia Gibbs; "Hot Tamale Blues" - Ruby Dandridge. Todas las canciones extraídas de la recopilación (1xLP+CD) "Mambo, Cha-Cha-Cha & Calypso Vol. 1: Girls Session!" (Jukebox Music Factory, 2018) compilado por El VidocqEscuchar audio
hey Guys! Hope you all are having a great holiday. I want to pop in & give you guys the last free episode of this year. this is part two of a two part tribute to my good friend Andy Paley who was a guest on my podcast with whom I recently lost late last month. so there is a very specific reason as to why I chose a song by Skeeter Davis on my podcast to close out the year, and it has to do with my friend Andy Paley, and in this episode, I explain why I chose a song by her specifically to pay tribute to him. I know that he would get a kick out of it if he were still alive. here's the link to last week's song just in case you would like to hear it: https://www.youtube.com/watch?v=DsY_kocbWaM don't forget to also follow me & reach out to me on Instagram & Tik Tok right here: https://www.instagram.com/iheartoldies/ https://www.tiktok.com/@iheartoldies please do also donate to the crowdfunding campaign for my next EP. you'll be helping me finally release these unreleased songs that as of next year, I have been sitting on for two to three years now. here's the link if your willing & able to help me out with this: https://www.gofundme.com/f/the-past-the-present-my-imagination-ep also please do subscribe to the premium version of my podcast. I really don't want you guys to have to miss out on all of these great interviews that I"m doing with my podcast, and this is where you'll be able to hear all of my new podcast interviews going forward: https://themillennialthrowbackmachine.supercast.com/ also do check out the official Spotify & Youtube playlists for this podcast. this is how you can keep track of all of the songs that I have talked about on my podcast. I would really appreciate it if you could check these out because this will give you a good idea as to what kind of songs I talk about on my podcast. here are the links to them right here: https://open.spotify.com/playlist/21f3uBS6kU4hUF6QAC5JMj https://www.youtube.com/watch?v=CS1sYR7xky8&list=PL66sgq_GAmRcXy8yKZJfVmAD14HUYj 7N also do check out my last EP Guys! I should probably promote these songs more on Social Media but hey, if one of the 200-300 something of you who listens to this show streams my music & then you forward my stuff to your friends & they check it out. that snowball effect will be created & then that will help me out tremendously. here's the link to where you can listen to it right here: https://distrokid.com/hyperfollow/samlwilliams/an-old-soul-with-new--remiagined-things also, I got merch for my podcast as well! in fact, I just launched a brand new merch store that is specific to my podcast! hope you like this new logo that is specific to the premium version of my podcast! here's the link to it right here: https://www.redbubble.com/i/sticker/Fly-On-The-Wall-Stories-by-60sSam95/158056341.EJUG5 if you found out some GREAT information about last week's song & artist & you didn't know much about them & your a millennial/Gen Z, than definitely email me at samltwilli@icloud.com, you can also follow me & reach out to me on Instagram & Tik Tok @iheartoldies. thank you guys for your continued listening to this podcast throughout the years, even if I have limited the amount of episodes I put out monthly to 2 and my new interview episodes have been moved to a private premium feed. hope you guys are doing well and R.I.P. Andy Paley and I will talk to you again in the new year!.
hey guys, Happy Holidays! so I am back with another free episode of this podcast. and the last two episodes of the year will be dedicated to a dearly departed friend of mine who I became very close to within the last 5 years of my life. he actually was a guest on my podcast 5 years ago & I think this song perfectly describes how I felt when I first heard about his passing. out of all of the people I had on my podcast, I arguably became the closest to him. we talked almost every day about music. His name was Andy Paley & we had the exact same musical tastes. Andy, this one is for you. I miss you & I'm glad that I can still talk to you every once in a while. Andy this one is for you. here's the link to this week's song just in case you want to listen to it: https://www.youtube.com/watch?v=DsY_kocbWaM don't forget to also follow me & reach out to me on Instagram & Tik Tok right here: https://www.instagram.com/iheartoldies/ https://www.tiktok.com/@iheartoldies please do also donate to the crowdfunding campaign for my next EP. this is how you can make my next release a reality. each donation I get to this will help me get me closer and closer to getting my next music release out there to you guys. here's the link to that right here: https://www.gofundme.com/f/the-past-the-present-my-imagination-ep also do consider subscribing to the premium version of my podcast. this is where you can hear my new interview episodes as they will be released to this feed. here's the link to that right here: https://themillennialthrowbackmachine.supercast.com/ also please stream my last EP. it's really tough out there guys, I just did a radio interview late last month but it didn't make a huge difference in my streams to be honest with you. but if you listen to these songs, that will make a huge difference in my streams. I could really use that right now as I don't know when my next release will come out. here's the link to that right here: https://distrokid.com/hyperfollow/samlwilliams/an-old-soul-with-new--remiagined-things also, do check out the Spotify & Youtube playlists for this podcast so you can keep track of all of the songs that I have talked about on my show so far. this is how you can hear the songs that I talk about on my podcast. here are the link to those right here: https://www.youtube.com/watch?v=CS1sYR7xky8&list=PL66sgq_GAmRcXy8yKZJfVmAD14HUYj 7Nf https://www.youtube.com/watch?v=CS1sYR7xky8&list=PL66sgq_GAmRcXy8yKZJfVmAD14HUYj 7Nf don't forget to also check out the official Redbubble Merch store for my podcast. here you can find these really cool merch item with a logo that is custom to this podcast. I recently launched new merch for the premium version of my podcast. here's where you can check it out: https://www.redbubble.com/shop/ap/158056341 if you liked my analysis on this week's song & you've never heard it before & your a Millennial/Gen Z person & you fell in love with this song & you heard it for the first time through me, then definitely email me at samltwilli@icloud.com. you can also follow me & reach out to me on Instagram & Tik Tok @iheartoldies. thank you guys for your continued listening of this podcast & I hope you guys have a great holiday & I will be back with one more free episode for the year & then that will be it for the rest of the year. I miss Andy but I know that his spirit lives on within me.
Short show due to Marlins game. Skeeter Davis passed away (she died?) POLL: Which of these applies to you? (Howard Stern related)
Send us a textHard to believe that it was in the 60s that these incredible artists really started hitting. Think back,,,,, sit back,,, and enjoy ROGER MILLER, PATSY CLINE, DON GIBSON, SKEETER DAVIS, BUCK OWENS, GEORGE JONES,EDDIE ARNOLD, JACK GREEN and even WALTER BRENNAN. Please share with someone who loves country music.
Selección musical de Charlie Fáber, director de Sateli3. 1. I´m Gonna Destroy That Boy - The What Four2. If You Can´t Say Anything Nice - Gia Mateo3. I Can´t Stay Mad At You" - Skeeter Davis4. I Don´t Want No Mama´s Boy - Erma Franklin5. Gonna Make Him My Baby - April Young6. No News - The Glories7. Gee Dad - Andrea Carroll8. I Wish I Had Known - Sandra Phillips9. I Just Don´t Understand - Carmen Cole10. Why Don´t You Do Right - Nichelle Nichols11. Bang Bang - Janis Martin12. This Little Girl´s Gonna Rockin´ - Ruth Brown13. I Smell A Rat - Big Mama Thornton14. Sweet Willie - Barbara Allen15. Move A Little Closer - The Collins Kids16. Real Gone Jive - The Nettles Sisters17. Watcha Gonna Do - Bunny Paul18. Honky Tonk Rock - Betty Johnson19. Rock-A-Bop - Lorelei Lynn & The Sparkles20. Watch Dog - Patsy Ruth Elshire21. Hound Dog - Big Mama ThorntonEscuchar audio
Menú sonoro cocinado con algunas de las novedades favoritas que hemos presentado en el mes de junio.(Foto del podcast por Bobby Fisher)Playlist;(sintonía) THE FUZILLIS “Pickle swap”NICK LOWE and LOS STRAITJACKETS “Went to a party”LES GREENE “Can you keep a secret”THE COURETTES featuring LA LA BROOKS “Run run runaway”LIE DETECTORS “666”THE ODDBALLS “Oh Lord”QUÉ DIOS TE LO PAGUE “Qué Dios te lo pague”BIZNAGA “El entusiasmo”NUEVO CATECISMO CATÓLICO “Dónde quedaron esos días”THE PEAWEES “Banana tree”THE RINEHEARTS “Call me up”MUCK and THE MIRES “He’s not the one”THE REBEL SET “Bummer City”THE UNKNOWNS “Shot down”STEVE WYNN “Make it right”MITCH POLZAK and THE KAW-LIGAS “Down South Blues”SKEETER DAVIS and NRBQ “Things to youEscuchar audio
En 1985 se editó el álbum “She sings, they play”, disco de encuentro entre la fantástica voz de Skeeter Davis -una de las primeras mujeres de éxito en el country- y los virtuosos NRBQ -el mejor grupo de bar de la historia-. El álbum se reedita ahora por el sello Omnivore Recordings con varios bonus tracks en forma de descartes de estudio o tomas en directo.(Foto del podcast por Pat McDonogh; Skeeter Davis y NRBQ)Playlist;SKEETER DAVIS and NRBQ “Things to you” (She sings, they play)SKEETER DAVIS and NRBQ “Everybody wants a cowboy” (She sings, they play)SKEETER DAVIS and NRBQ “Ain’t nice to talk like that” (She sings, they play)SKEETER DAVIS and NRBQ “Someday my prince will come” (She sings, they play)SKEETER DAVIS and NRBQ “I want you bad” (She sings, they play)SKEETER DAVIS and NRBQ “The end of the world (live)” (She sings, they play)SKEETER DAVIS and NRBQ “May you never been alone” (She sings, they play)AISHA KHAN con PAUL RONNEY ANGEL “Eyes of grey” (The magnificent twelve)PAUL RONNEY-ANGEL feat CASINO STEEL “Thank God this bar is closing” (single)THE URBAN VOODOO MACHINE fet WILKO JOHNSON “Help me Jesus” (Love drink and death)MAVIS STAPLES “Worthy” (single)BEN VAUGHN QUINTET “Jukebox Jukebox” (Five by five)STEVE WYNN “Make it right” (adelanto del álbum “Make it right”)NATHANIEL RATELIFF and THE NIGHT SWEATS “Get used to the night” (South of here)Escuchar audio
Cashbox Month! The Beatles still dominate, although they will soon move back to "just" being the hottest band in the States. Other acts include Brenda Holloway, Skeeter Davis, Tracey Day (why would anyone change their name from Nora Ferrari?), B.B. King, the Rivieras (...and an explanation of why they did a goose step in the warm California sun) and more. #madeonZencastr
Présentée par Starchild. Pour ce septième numéro de Country Connection, Starchild met à l'honneur les reines de la country américaine. Le premier volume de cette rétrospective vous permettra de découvrir, voire de redécouvrir 25 destins de chanteuses, souvent féministes avant l'heure : Lynn Anderson, Maybelle Carter, June Carter Cash, Rosanne Cash, Patsy Cline, Skeeter Davis, Ann Fargo, Crystal Gale, Bobby Gentry, Emmylou Harris, The Judds, Brenda Lee, Loretta Lynn, Barbara Mandrell, Lorrie Morgan, Ann Murray, Olivia Newton-John, KT Oslin, Dolly Parton, Jeannie C.Riley, Linda Rondstadt, Connie Smith, Kitty Wells, Dottie West et Tammy Wynette
Singer-songwriter and multi-instrumentalist Donna Frost is a traveling troubadour with decades of performing and touring experience. Expertly weaving folk, blues and pop, she creates memorable concerts that champion the human spirit. She logs thousands of miles each year, performing across the U.S., solo and with her band. With over 300 songs in her catalog and seven albums, her music has received airplay, charted and garnered awards worldwide. Recently, Donna won the Mississippi Music Foundation Best Americana Artist award in April 2023. She has performed a tribute to the late Skeeter Davis at Kentucky Music Hall of Fame Induction Ceremony; and has performed live on Chicago WGN TV. Giving back to the community, she is an active performer with Music for Seniors, “Musicians on Call” and “Songs of Love.” She is endorsed by Kamoa Ukuleles and Luna Guitars; and is an ambassador for True Joy Acoustics which donates ukuleles to pediatric hospitals for music therapy programs across the country. Her latest album The Beautiful Unseen is a collaboration with her longtime friend Jack Howell, and recorded in Joshua Tree, CA. (Adapted from https://donnafrost.com/press-kit/).Music is provided by Pierce Murphy, Caldera Blue. Source: https://www.freemusicarchive.org/music/Pierce_Murphy/through-the-olive-branches/caldera-blueComments: http://freemusicarchive.org/Additional comments: modifications made to shorten and loop song for introduction and closing of podcast.Copyright Attribution and License: http://creativecommons.org/licenses/by/4.0/
Con The Beatles, the Beach Boys, the Surfaris, the Chiffons, The Angels, the Crystals, Skeeter Davis, Lesley Gore, Martha & The Vandellas, Smokey Robinson & the Miracles, the Drifters, the Impressions, San Cooke, Rufus Thomas, Ray Charles, Johnny Cash, Roy Orbison y Randy & The Rainbows.
NBA新赛季的自由市场还没有开张，而交易市场却已经早早开启！据不可靠消息，交易市场的开启与一股神秘东方力量有关，名叫“看台NBA选秀大会”——为了聊勇士选秀扩军到第19顺位之后勇士交易了，单独录了一期凯尔特人的选秀前瞻之后凯尔特人交易了。而且还都不是小交易！作为主队球迷的大姨妈和兔子就由此开启了对谈，关于普尔，关于保罗，关于斯玛特，包括波尔津吉斯。而另一支做了大交易的球队是太阳，他们仿佛一个无助的赌徒绝望地推出了最后的筹码换到了比尔，大老师的评价非常精准，“如果没交易杜兰特，太阳现在的阵容挺好的”，是啊，两个王牌攻击手配上锋线准明星，很好的配置，但这已经不可能发生了！mc：兔子 大姨妈songlist：《The End of the World》by Skeeter Davis
#873 - Diane Baham Diane Baham is a special guest on The Paul Leslie Hour. Are you here? It's always a pleasure when we find out you're listening to The Paul Leslie Hour, one of the most unique compendiums of interviews available on YouTube, Spotify, Apple, iHeartRadio and many other places. We've got a phone interview with Diane Baham. Now, Diane Baham comes from a very interesting family. Her late father Roy Baham was a great country music songwriter. Roy Baham was born in 1927 in Amite, Louisiana and passed away in Nashville, Tennessee in 2012. Roy wrote some classic country songs, like “Charlie's Shoes,” recorded by Billy Walker, and “Blue Lonely Winter,” recorded by Jimmy C. Newman. Ray Price, Bobby Bare, Jeannie Seely, Burl Ives, Skeeter Davis, they all recorded Roy Baham songs. Diane's brother, Jonathan Baham was also an artist and songwriter. Jonathan Baham or Johnny as he was called, was born in Bessemer, Alabama in 1951 and passed away in St. Petersburg, Florida in 2016. Jonathan Baham wrote the song “Lovely Cruise,” recorded and made famous by Jimmy Buffett on his “Changes in Latitudes, Changes in Attitudes” album. The Paul Leslie Hour is made possible by listeners like you. Please help us in our mission of helping people tell their stories and preserving history. Go right here to support us and we thank you. With that, it's time to start the interview. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.
The Beatles, Cilla Black, Burt Bacharach, Dionne Warwick, Skeeter Davis, Bomb the bass, Aretha, Irma y Carolyn Franklin, Tommy Dorsey, Frank Sinatra, Dinah Washington, Groove Armada, Labi Siffre, Madness, Hannah´s Yard, We All Together, los Abuelos de la Nada y Sui Generis
While I was considering what to play for you today I kept having flashbacks of my yesterdays. And so my friends, today's show has to do with my memories of yesterdays including, ROY CLARK, BILL CARLISLE, SKEETER DAVIS, JERRY REED& GLEN CAMPBELL, JEAN SHEPARD, RAY PRICE, WILL ARDEL, KITTY WELLS, ROY ACUFF, GARTH BROOKS , LORETTA LYNN, and even a get together of MEL TILLIS, WAYLON JENNINGS, BOBBY BARE & JERRY REED with a song I'm pretty sure you haven't heard. Have a BLESSED day my friends.
Y a las 22,05h vamos de Guateque en Onda Regional de Murcia (orm.es) Celebramos el Dia del Padre con Elvis Presley, José Guardiola, Los Tres Cariño, Cat Stevens. Mocedades, Marylin Monroe, Los Brisks, Los Mismos, France Gall y Serge Gainsbourg, Los Z 66, Los Jets, Luis de Orduña, Mike Kennedy, Burt Bacharach V (Tom Jones), Skeeter Davis.
This week, Dana, Julia, and Stephen start by talking about Natasha Lyonne's modern take on Columbo, aka the new Peacock series Poker Face. Then they discuss Netflix's Oscar-nominated All Quiet On The Western Front. Finally, the chat about the changed aesthetics of shopping, inspired by this Grub Street article. In Slate Plus, the panel talks about the sleepover panic. Email us at culturefest@slate.com. Endorsements: Dana: Kiss Me Petruchio is an hour long documentary about the 1981 Shakespeare in the Park production of The Taming of the Shrew starring a young Meryl Streep and a young Raul Julia. Julia: The third episode of HBO's The Last of Us featuring Murray Bartlett and Nick Offerman. Stephen: I couldn't let the death of Tom Verlaine go unremarked. The albums Adventure and Marquee Moon that he made with his band Television are both absolute stone cold masterpieces. And a discovery: Skeeter Davis, anybody? Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Stone Cookies" by Dusty Decks. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Dana, Julia, and Stephen start by talking about Natasha Lyonne's modern take on Columbo, aka the new Peacock series Poker Face. Then they discuss Netflix's Oscar-nominated All Quiet On The Western Front. Finally, the chat about the changed aesthetics of shopping, inspired by this Grub Street article. In Slate Plus, the panel talks about the sleepover panic. Email us at culturefest@slate.com. Endorsements: Dana: Kiss Me Petruchio is an hour long documentary about the 1981 Shakespeare in the Park production of The Taming of the Shrew starring a young Meryl Streep and a young Raul Julia. Julia: The third episode of HBO's The Last of Us featuring Murray Bartlett and Nick Offerman. Stephen: I couldn't let the death of Tom Verlaine go unremarked. The albums Adventure and Marquee Moon that he made with his band Television are both absolute stone cold masterpieces. And a discovery: Skeeter Davis, anybody? Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Stone Cookies" by Dusty Decks. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
“如今，随处可见一种痛苦恐惧症，一种普遍的对痛苦的恐惧。人们对痛苦的忍受度也在迅速下降。痛苦恐惧症导致一种长效麻醉。人们对所有痛苦状况避之不及，甚至连爱情的痛苦也渐渐变得可疑起来。这种痛苦恐惧症也蔓延至社会性事物。冲突和分歧越来越没有立足之地，因为它们很可能导致令人痛苦的争论。”——韩炳哲，《妥协社会》如果说人们对负面性的拒绝让大家疲于自身“内卷”，生活在一个倦怠社会之中的话，那这个倦怠社会对于生理和心理的不适也是无法忍受的，于是就有了哲学家韩炳哲的最新命题：妥协社会。本期，在中信出版的朋友们的帮助之下，我们非常荣幸地邀请到了人民大学国学院副教授林光华老师，她对海德格尔和韩炳哲有着极其深入的了解，而我们也在阅读之后和林老师共同探讨韩炳哲这本新书，以及其书名中的关键副标题：“今日之痛”。主持人：鬼王橙、姚天宜、竹溪特邀嘉宾：林光华00:00:22——本期“词典策划”感谢：南塔开特捕鲸专业户（专属配乐：Quiet Like You，音乐人：Nantucket）00:00:40——林光华教授介绍韩炳哲及《妥协社会》00:04:15——直面疫情的痛苦00:13:39——日常生活中的痛苦00:24:43——将死的世界和临终的人00:30:17——痛苦与自恋和自我表达00:41:17——死亡教育00:51:05——文化观念中对死亡的构建01:00:14——生存还是生活？01:09:47——如何“教育”痛苦？01:21:03——从无尽的负面性中寻找自我参考阅读：《妥协社会》，作者：韩炳哲（购买请点此处）《美的救赎》，作者：韩炳哲“豆瓣8.1，这位韩裔德国大叔，在中国居然一火就是4年！”结尾音乐："The End of the World"，音乐人：Skeeter Davis若对我们的节目感兴趣，可以在“巴别塔词典编辑部”微信群（添加微信号playtimeguy）、即刻“巴别塔词典播客组”以及新浪微博“@巴别塔词典”联系我们！我们的爱发电也开通啦！欢迎感兴趣的听众在我们的爱发电站点提供支持！在此特别感谢鸣谢我们的“词典恩人”：荔枝、小马、无限衍义、溪主席的好战士、lfkdsk、姚裔虎、面包棍棍、向阳而生。
Label: RCA 8219Year: 1963Condition: M-Price: $20.00Here's a beautiful copy of this rarely heard, but totally essential, 1963 hit, a Carole King-Gerry Goffin tune that puts its sound squarely in the Girl Group Rock genre. It was the second big Pop hit for Country singer Skeeter Davis in as many years, following "The End of the World." Note: This copy comes in a vintage RCA Victor Records factory sleeve. It grades close to Mint across the board (Labels, Vinyl, Audio).
While visiting with friends and looking at email requests I am pleased to present some of the great country songs of the sixties. It was impossible to put them all in to one show because frankly after researching the hits of that era I got the feeling that the sixties were indeed the "Golden Era" of country music. So my friends, I simple picked what I thought might bring ya'll back to the 60's with the country stars that had smash hits of the time. ROGER MILLER, PATSY CLINE, MARTY ROBBINS, SKEETER DAVIS, BUCK OWENS, EDDIE ARNOLD, GEORGE JONES, JACK GREENE and even WALTER BRENNAN held down the number one spot on the country charts and also the pop charts. I was blessed in my career to have shared time in the sixties with them. Hope you enjoy this trip down memory lane.
In an episode first aired September 5, 2022: DJ Andrew Sandoval surveys the five summer editions of his show and selects his favorite tracks alongside a handful of more recent discoveries. Artists include: Bruce & Terry; The Ragamuffins; Mark Eric; The Stephen Crane Village; Freddie Cannon; Brian Hyland; Harmony Grass; The Higher Elevation; The Hot Dog Stand; Teddy & The Pandas; The Fresh Windows; The Gibsons; The Chocolate Watch Band (UK); The Bystanders; Los Iberos; The Pyramid; The Love Generation; Nancy Sinatra with Lee Hazlewood; Johnny Rivers; The Two Of Each; The Kinks; Love; The Monkees; Little Anthony & The Imperials; The 5th Dimension; The Six Pents; Jan & Dean; The Shangri-Las; Skeeter Davis; The Street Corner Society; Lesley Gore; The Beach Boys; The Dave Clark Five; David Kerr; The California Poppy Pickers; The Fortunes; The Imaginations; Floyd & Jerry with The Counterpoints; Toast; The Peppermint Trolley Company; The Seeds; The Bonzo Dog Band; Bill Fay; Ray Chafin; Sonny & Cher; Mournin' Do; Marianne Faithfull; Reparata & The Delrons; Saturday's Photograph; Tuesday's Children; Twice As Much; The Bee Gees; Del Shannon; Chad & Jeremy and Dusty Springfield
Lewis Allan Reed (March 2, 1942 - October 27, 2013) was an American musician, singer, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career. In this episode 100 of the songs Reed considered the greatest of all time, as shared with the Helsinki Music Club in 2004. Lineup: Ornette Coleman, Eddie & Ernie, Rahsaan Roland Kirk, Ray Charles, Little Richard, The Excellents, Lorraine Ellison, Elvis Presley, Carl Perkins, Chuck Berry, Billy Lee Riley, Wanda Jackson, Nolan Strong & The Diablos, Roy Orbison, Musical Creations Studio Musicians (Karaoke), Fats Domino, Dion & The Belmonts, Hank Williams, Bo Diddley, Chris Connor, Chet Baker, Jimmy Scott, The Mellows, Otis Redding, Jimi Hendrix, Ike & Tina Turner, Sam Cooke, Jerry Lee Lewis, J.J. Cale, Ry Cooder, (question mark) & The Mysterians, Ameritz Top Tracks, Huey 'Piano' Smith, His Clowns, Bobby Charles, Clarence 'Frogman' Henry, Jimmy Reed, John Lee Hooker, Albert King, Booker T. & the M.G.'s, Wilson Pickett, Sam & Dave, The Youngbloods, The Left Banke, The Students, Jackie & The Starlites, The Easybeats, The Cadillacs, Hank Ballard & The Midnighters, B.B. King, Al Green, Ricky Nelson, James Brown & The Famous Flames, Laurie Anderson, Kate Bush, The Beach Boys, Link Wray, Ann Peebles, Skeeter Davis, Bob Dylan, Peter Gabriel, Carpenters, Charlie Dore, The Rolling Stones, Bobby 'Blue' Bland, Solomon Burke, Sly & The Family Stone, Etta James, Carla Thomas, Clarence Carter, Aretha Franklin, Ameritz Karaoke Entertainment, James & Bobby Purify, Aaron Neville, Lee Dorsey, Detroit, U2, John Lennon, Moe Tucker, Stevie Wonder, Marvin Gaye, The Chiffons
For those of you who have managed to secure a position in my age bracket, I'm thinking you'll get some real enjoyment as we flash back trough the years. Who better to kick it off than Roy Clark and "Yesterday". Bill Carlisle is Too Old To Cut The Mustard and Skeeter Davis gives such a poignant rendition of The End Of The World. Ray Price wishes he was 18 again and Jean Shepherd can feel it Slippin Away. Lotsa great stories to go with the music and an incredible interview with Kevin Cameron a man who has trained and presented over 5000 Service Dogs to our veterans and first responders. To top it all off we've got Waylon, Mel Tillis,Bobby Bare and another wild man who all got together to record a hilarious take on life. Garth Brooks, Roy Accuff, Will Ardell and Kitty Wells all join us. Enjoy my friends and please leave us a comment and share with someone you love. Life is good.
Waits returns to vignettes this week, as well as incomplete stories and the longing for closure, as Molly rejoins Sam and Martin to talk about how these stories relate to fiction, journalism, and apocalyptic love songs. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: How's It Gonna End, Real Gone (remastered), Tom Waits (2004/2017) The End Of The World, Skeeter Davis Sings The End Of The World, Skeeter Davis (1963) How's It Gonna End, Real Gone (original), Tom Waits (2004) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.
"PUT ON A STACK OF 45's"- SKEETER DAVIS- "THE END OF THE WORLD" - CHAPTER NINETY ONE - Dig This With The Splendid Bohemians - Featuring Bill Mesnik and Rich Buckland "THE GREATNESS OF SKEETER DAVIS":https://www.wideopencountry.com/skeeter-davis/
Marina Garcés, filòsofa i assagista, autora del Nou quadern Anagrama Nova il·lustració radical, i Pol Guasch, guanyador del Premi Llibres Anagrama 2021 amb Napalm al cor, intenten donar resposta a la següent pregunta: L’amor ens ha de salvar d’alguna cosa, o tot al contrari? Al llarg del col·loqui qüestionaran la dimensió inefable de l’amor i la lectura sacrificial de les cures per intentar trobar noves formes de cuidar i de cuidar-se, i obriran camins i perspectives que ens faran replantejar el concepte del desamor. Al final de l'episodi, Pol i Marina us conviden a escoltar «The End of the World», de Skeeter Davis. Pots fer-ho a la teva plataforma habitual o a Youtube: https://bit.ly/3NeiEjP
01 - Chronique - Chove en Santiago Caminhos de Santiago 4 29.mp3 02 - Fond nuno santos - fado portugues.mp3 03 - José afonso - cancao de embalar.mp3 04 - Ana-bacalhau e sergio godinho - e tao bom.mp3 05 - Mato seco - salvacao.mp3 06 - Rui Veloso - a paixao.mp3 07 - Joao Fereira Rosa - Triste sorte.mp3 08 - Skeeter Davis - the end of the world.mp3 09 - Fausto - Lembra-me um Sonho Lindo.mp3
01 - Chronique - Chove en Santiago Caminhos de Santiago 4 29.mp3 02 - Fond nuno santos - fado portugues.mp3 03 - José afonso - cancao de embalar.mp3 04 - Ana-bacalhau e sergio godinho - e tao bom.mp3 05 - Mato seco - salvacao.mp3 06 - Rui Veloso - a paixao.mp3 07 - Joao Fereira Rosa - Triste sorte.mp3 08 - Skeeter Davis - the end of the world.mp3 09 - Fausto - Lembra-me um Sonho Lindo.mp3
Episode 153 featured performances of some of our favourite pop songs from the 60s, including music from The Shangri-Las, Skeeter Davis, Dusty Springfield, The Searchers, and The Crystals!
Ladies and gents you are in for a treat in today's episode... Zack and I are joined by Marc Rogers Sr., a highly Tenured Guitarist of the Grand Ole Opry, who's played with Country Music greats Skeeter Davis, David Lee Murphy, Kitty Wells, Little Jimmy Dickens, and more! Hang out with us as we venture back to some of Marcs most memorable moments, his experiences, his book "Life With My Guitar," and more! If you're a TRUE country fan... you won't wanna skip this episode! Have any questions that you would like to have answered or discussed on the show? Leave those in the comments and we will pick, at random, questions to be answered.Podcast Recorded in: www.riverside.fm/Studio One DAW used for Mixing: http://www.presonus.comVideo Edited with Davinci Resolve: https://www.blackmagicdesign.com/prod...Looking to Start your own Podcast?Join me and so many others in sharing your stories and knowledge with Buzzsprout! Getting started with your own podcast isn't that difficult if you have the right team at your back! You'll get a great looking podcast, easy to embed audio players for your site, and you can easily distribute your Podcast across multiple platforms such as Apple Podcasts, Spotify, Amazon Music, and MORE! Follow the link with the show description to start for FREE! https://www.buzzsprout.com/?referrer_id=1777905Riverside.fmRiverside.fm Podcast Hosting SiteDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.#Podcast #MusicPodcast #CountryMusic #KittyWells #GrandOleOpry
This week, after a 1970 Neil Young refrain: brand new Hoodoo Gurus, Astrid Williamson, Kids On a Crime, Inflorescence, Papercuts, Feeders, and Citified, plus Carl Perkins, Roy Harper, Skeeter Davis,... Real Punk Radio podcast Network brings you the best in Punk, Rock, Underground Music around! From Classic Oi!, Psychobilly and Hardcore to some Classic Rock n Roll and 90's indie Alt Rock greatness!! With Tons of Live DJ's that like to Talk Music From Garage Rock, to Ska.. We are True MUSIC GEEKS!
Angel of the Morning has been a hit a few times throughout the years. The many many covers make a strong statement about the importance of perspective in music. Featured Artists: Barbara Jones, Merrilee Rush, Juice Newton, Paal Flaata, Alberto Vazquez, The Pretenders, Chip Taylor, Skeeter Davis, Ray Coniff, Enrique Guzman, Bettye Swann, Nina Simone, Joya Landis, Wind, Matti Esko, Shaggy ft. Rayvon, and The Fugees Listen to the featured songs in full: YouTube Spotify --- Send in a voice message: https://podcasters.spotify.com/pod/show/blanketingcovers/message
The world isn't ending, but our world surely will if you don't listen to us discuss the 1962 hit single, "The End of the World" by Skeeter Davis! Covers by: Herman's Hermits, Carpenters, Judge Dread, Twiggy, Anika, Scarlett & Disher, Sharon Van Etten Spotify playlist here
Amanda Cox wrecked me with her first book, The Edge of Belonging. And now she has another book coming out, another one set to destroy me as well. The Secret Keepers of Old Depot Grocery is a multi-generational and split-time story. Even the synopsis wrecked me! I'm starting to get a complex. Is there something really wrong with me or really right with her writing. I bet you all know what I think! Listen in! Note: links may be affiliate links that provide me with a small commission at no extra expense to you. Amanda Cox Will Take You on an Incredible Emotional Journey I'm beginning to think that split-time authors offer something a little extra special. After all, you get a peek into the past and get to watch it unfold, unsure how it'll affect the present... until it does. One book that did this for me was The Edge of Belonging by Amanda Cox. This split-time novel takes us back twenty-some-odd years and then into the present in a story so beautiful and gripping you won't know what hit you. Most books have titles that give you a hint of what the story is about, but I've never seen a book that gave you, right there on the first page, such insight into that title as I got from The Edge of Belonging. Look at this: “To have a home, you'd have to feel as if you belonged. The edge of the highway was the closest he'd ever been.” If that doesn't tell all without telling anything, I don't know what does. And seriously, This is one of those books that lived up to the hype. I saw it EVERYWHERE a year or two ago, and when it finally arrived at my house and I had to stop reading to get a book done early... AAAAK! Can I just say, AAAK? One of the most enjoyable parts of this episode for me was hearing the story of what sparked the idea for the story. First, prayer... then an answer in a way no one would ever expect. And now Amanda Cox has done it again. Recently, I've been seeing this amazing book cover with an intriguing title. The Secret Keepers of Old Depot Grocery. So, when I figured out that the "Amanda Cox" I'd be interviewing about that book was the author of the book I'd already preordered without even reading the synopsis... Yes, I did that! Well... I went and read it. Guys, even the synopsis of this book wrecked me. As Amanda Cox told about these women's story, I couldn't help but think one element reminded me a tiny bit of The Magic of Ordinary Days--the movie with Kerri Russel and Skeeter Davis, not the book with "stuff" that it didn't need. ;) That is one of my all-time favorite movies, so now I'm even more excited to read about why these women do and don't awant to close this grocery store and which one will convince the youngest to vote "her way." When Amanda isn't writing stories that tear at your heartstrings... (And she uses every bit of her knowledge of counseling to ensure they do), she likes to read books that are totally forgettable. OR maybe that me putting her on the spot made her forget..? I forget now... ;) Recently (or at least as of when we chatted), she's read: A Mosaic of Wings (set in India) by Kimberly Duffy The Sowing Season by Katie Powner A Flicker of Light by Roberta Kagen A Long Time Comin' by Robin W. Pearson The Secret Keepers of Old Depot Grocery by Amanda Cox Present Day. After tragedy plunges her into grief and unresolved anger, Sarah Ashby returns to her childhood home determined to finally follow her long-denied dream of running Old Depot Grocery alongside her mother and grandmother. But when she arrives, her mother, Rosemary, announces to her that the store is closing. Sarah and her grandmother, Glory Ann, make a pact to save the store, but Rosemary has worked her entire life to make sure her daughter never follows in her footsteps. She has her reasons--but she'll certainly never reveal the real one. 1965. Glory Ann confesses to her family that she's pregnant with her deceased fiancé's baby. Pressured into a marriage of convenience with a shopkeeper to preserve the family reputation, Glory Ann vows never to love again. But some promises are not as easily kept as she imagined. This dual-timeline story from Amanda Cox deftly explores the complexity of a mother-daughter dynamic, the way the secrets we keep shape our lives and the lives of others, and the healing power of telling the truth. Preorder your copy NOW! Releases September 7, 2021! You can find Amanda Cox on her WEBSITE. Like to listen on the go? You can find Because Fiction Podcast at: Apple Castbox Google Play Libsyn RSS Spotify Stitcher and more! If you'd like to be on the Because Fiction Podcast, please go HERE and submit your topic idea! I'd love to hear about it.
BECOME A PRODUCER! http://www.patreon.com/themidnighttrainpodcast Find The Midnight Train Podcast: www.themidnighttrainpodcast.com www.facebook.com/themidnighttrainpodcast www.twitter.com/themidnighttrainpc www.instagram.com/themidnighttrainpodcast www.discord.com/themidnighttrainpodcast www.tiktok.com/themidnighttrainp And wherever you listen to your favorite podcasts. Subscribe to our official YouTube channel: OUR YOUTUBE Support our sponsors www.themidnighttraintrainpodcast.com/sponsors Ep. 112 Haunted Venues On today's episode we're going on tour!!! That's right Moody and myself are heading back out on the road and this time we're bringing Logan to carry our shit instead of us lugging everyone else's shit! Why are we heading out on tour you ask? Well it's because we are doing a tour of haunted music and theater venues throughout the world! This is an episode we've been wanting to do for a while especially because we've been to quite a few of these places! There's even one in our home town! Like we have at that certain Cleveland venue, we're sure some of our listeners have spent a ton of their time at some of the venues on the list. This is gonna be a fun one for us so hopefully you guys love it too! First up we've got a big one that will be on every list of haunted venues. The House Of Blues in Chicago. So the history of the building took a bit to find because every search for the house of blues in any city comes up with the main house of blues page but with a little digging we found some info on the building's history. The House of Blues is part of a complex called The Marina City complex. The Marina complex is also known as the Corn cob apparently, and looking at it… You can see why. If you're listening in Chicago and are like "what the fuck, nobody calls it that", will remember our mantra.. Don't blame us, blame the internet… Although we did find that reference in a couple spots. The Marina is a mix of residential condos and commercial buildings built between 1961-1968. The complex consists of two 587-foot, 65-story apartment towers, a 10-story office building which is now a hotel, and a saddle-shaped auditorium building originally used as a cinema. When finished, the two towers were both the tallest residential buildings and the tallest reinforced concrete structures in the world. The complex was built as a "city within a city", featuring numerous on-site facilities including a theater, gym, swimming pool, ice rink, bowling alley, stores, restaurants, and, of course, a marina. WLS-TV (ABC Channel 7) transmitted from an antenna atop Marina City until the Willis Tower (formerly known as Sears Tower) was completed. Marina City was the first post-war urban high-rise residential complex in the United States and is widely credited with beginning the residential renaissance of American inner cities. These days the complex is home to the Hotel Chicago, 10pin bowling lounge, and several restaurants including… You fucking guessed it... Dick's Last Resort bitches!!! Oh and also the complex is home to the house of blues. The house of blues was built in the shell of the cinema which was out of use for quite some time. The story is that the hob is haunted by the spirit of a little girl that died due to an illness. There are many reports of weird things happening. The most circulated story seems to be that of a little boy who was playing with some of his toys toys. As he was playing he stepped away for a moment and when he came back he saw a little girl playing with his toys. She asked him if he'd like to play with her. FUCK THAT SHIT!!!! The little boy screamed and the girl vanished. Oddly enough, I did find a comment on one website from a man named Skyler seeming to corroborate this story. The comment reads as follows: " This can not be… no way… I have performed there 2 times. once was in 2013, and there was a boy in the back playing with his cars. a few minutes after he screamed and started to cry. I was feeling bad,, but this can't be him… also know that in 2015 in march i had another performance and all the lights turned off. This is too creepy." Was this the same boy that the story is referring too? Who knows. We also found several comments from people staying in what we assume is the hotel Chicago as it's in the complex and pretty much right next to the house of blues. There's comment also claim the hotel is haunted. One of the claims says this: "It's haunted!!! I saw a middle aged/older woman (dressed in clothing from a period long ago) in my room when I stayed there in 1999/2000. I woke in the early morning to see a woman staring at me. I went through a rational thought process of it being my female business colleague (who stayed in a separate room) and I thought, oh well she can sleep in the other bed (it was a double room & I was in the bed furthest away from the front door) and then quickly snapped out of it and said to myself she has her own room why would she be in my room, I opened my eyes again and that's when I could see it was a woman clearly (w/ angry face) staring at me. I then thought this is a stranger/intruder in my room – I laid there with my eyes just open enough to see – she was there staring at me & she still didn't look happy. I laid there thinking of what to do – I decided I was going to reach and turn the light on and then charge her or run after her when she ran for the door (fortunately, there was a switch right next to the bed). HOWEVER, when I reached for the light and turned it on she was gone. This is what makes this story interesting — I called the front desk and simply asked, ‘had anything significant ever happened at the site of the hotel' (b/c as the person above points out, its not an old or historic looking building (e.g. PreWar). I asked another question that any tourist could have just asked (I don't recall what it was right now). She said immediatley, “No, why did you see a ghost?” My response was, yea, I saw a ghost, I'm in my twenties and not some nut job.” I asked if anyone else had ever reported seeing a ghost and she said, “No.” Anyway, when I met up with my colleague, she could tell I was shaken up and I was pretty pale (like “I had seen a host.”). My story has never changed in all this time. I did stay at the hotel 1 other time after (not in the same room) & didn't see anything – but I slept with the bathroom light on… Scary & Cool experience for sure!" Sounds spooky! Next on our list of haunted venues we are heading to Milwaukee! Which is actually pronounced meely waukay, which is Algonquin for the good land. Now the Rave is amazing for several reasons: first it's the location of one of Moody's favorite tour stories which also involves Jon and our friend Brad from Voudoux. 2: it's huge and creepy as shit. 3: the pool... The Rave/Eagles Club is a 180,000 square foot, seven-level, live entertainment complex in Milwaukee, Wisconsin. The building contains eight independent clubs with capacities ranging from 400 to 3500. The Eagles Ballroom is the building's showpiece, featuring a 25,000 square feet (2,300 m2) oval wooden dance floor, originally installed when the building was constructed, in addition to a large, old-fashioned domed ceiling and a stage on one side. Originally a ballroom, it has hosted everything from boxing matches to concerts to ethnic dances. The ballroom head hosted huge acts ranging from Bob Dylan to Green day, from the grateful dead to slayer and of course none other than Lil Pump. Along with the eagles ballroom, the building houses the Rave hall, The eagles hall, the Rave bar, The Rave craft beer lounge, The penthouse lounge, and the eagles club. Since its construction in 1926, the Eagles Club has known several incarnations. Prominently among them, it housed the Fraternal Order of the Eagles, a notable organization whose considerable impacts on America's cultural landscape remain in effect today. In 1939, the idea of using the building for music presentations took hold, reinventing its purpose. The grand ballroom became a popular venue for big band music, such as band leaders Guy Lombardo and Glen Miller and their orchestras. Soon, other types of music, theatre and performing arts also offered shows and concerts in the large, elegant ballroom; from 1939 through the mid-sixties. Comedians like Bob Hope and Red Skeleton did stand-up comedy. In 1959, people who bought a $1.50 ticket to the Winter Dance Party, were treated to the music of Buddy Holly and the Crickets, Big Bopper, Dion and the Belmonts, and Richie Valens. This would be the last show for buddy Holly before he died. In 1964, The Eagles Club had its first rock concert, with the Dave Clark Five performing on the ballroom stage. The 1970s brought even more famous groups and people, such as Eric Clapton, Crosby, Stills and Nash and other rising rock stars.When the Athletic Club was closed, a homeless men's shelter opened up temporarily in the basement area, providing shelter for the destitute which is life-saving during the freezing winter months. By the late 1980s, The Eagles Club was in a state of disrepair and The Eagle Club put it out on the real estate market, after getting it listed on The National Register of Historic Places, in 1986. In late 1992, the Eagles Club was rescued when it was bought by Wauwatosa businessman Anthony J. Balestrieri and his wife, Marjorie, who performed in the Milwaukee Symphony Orchestra. They began the long process of restoring the historic beauty of the elegant ballroom and interior art, as well as the outside facade. They also restored and renovated other areas turning the building into the multi venue building it is today. We wanted to include this history because: A. We love the history of places like this and B. It shows how many things this building way used for and how many people have passed through the building. We all know where there tons of history there tends to be ghost stories! Let's get into the spooky shit! Remember the pool we mentioned earlier… Well at one point a 17 year old boy had a fucking heart attack and died in the pool. Later, at least two more children would die in the pool. This would ultimately cause the closure of the athletic club. Also the man who ran the homeless shelter was said to be extremely cruel and abusive to the men staying there. The basement area which is the home of the former men's shelter, is one of the more haunted areas. The shelter manager mentioned earlier is thought to be the reason behind the heavy negative energy felt there. Cold spots are often felt by staff in the late hours after closing. Shadow people have often been reported by staff as well as band members packing up after a show. Next is the pool area, which we've seen and it's fucking creepy. A little girl is said to roam around the area. People have heard her laughter and have said her presence can bring a sense of dread. Staff have said they have heard shuffling footsteps and have smelled a strong odor of bleach in the pool area. In the boiler room under the pool, a former employee still hangs and he doesn't like people in his area. "Jack" was once recorded telling a group on a ghost hunt to "get out, get out now" Apparently, you can find a video of this on YouTube, we'll try and find it to post on our page. The ballroom has had its share of apparitions hanging around during sound checks and after shows when everyone has left. An employee told a story of when he was standing on the floor of The Eagles Ballroom, making sure that the people going to the roof patio didn't “get lost” and go into the Eagles Ballroom by design. He said that one of his fellow workers had seen what they thought was a man, standing in one of the second floor boxes located above the Eagles Ballroom. He called security and when they approached this person, he ran down the aisle but disappeared before the staff person that was behind him and the security person cutting off his escape could try to grab him. One other common theme is people hearing either happy laughing children or sad crying children. Some staff have stated they've seen entities of children playing in groups. We've been here.. This place is awesome. Also another fun tidbit… not to far away from the Rave is the ambassador hotel. Which of you're up on your serial killers, you know is the place where Jeffrey Dahmer killed his first victim in Milwaukee. Steven Tuomi was Jeffrey Dahmer's first victim in Milwaukee. Dahmer met Tuomi in September of 1987. At the time, Dahmer was out on probation after molestation charges of a minor. The two men spent the night together drinking heavily and visiting multiple bars. Later that night, they ended up in a room together in the Ambassador, room 507, which is a room some Dahmer historians have requested to stay in. Dahmer killed Toumi while he was in a drunken stupor. Upon waking up to find Tuomi dead, Dahmer put the body in a suitcase and took it to his grandmother's house where he was living. In the basement, he acted out necrophiliac desires and then dismembered the body. Supposedly when Dahmer awoke to find Tuomi dead, the body was in an awkward position hanging off the side of the bed. Some visitors have reported instances of waking up to discover their partner in a similarly awkward position. Visitors to room 507 have reported a variety of experiences, such as a heaviness to the room that they can't quite explain. Some people get woken up in the middle of the night by odd circumstances. There's an extra little bit for ya!!! Info on the Hauntings and most of the historical facts on the Rave was taken from an excellent article on hauntedhouses.com Next up we're gonna head across the pond, so to speak. We're heading to London and the famous Royal Albert Hall! This place has a long and rich history behind it. The Royal Albert Hall was built on what was once the Gore estate, at the centre of which stood Gore House. The three acre estate was occupied by political reformer William Wilberforce between 1808-1828 and subsequently occupied between 1836-1849 by the Countess of Blessington and Count D'Orsay. After the couple left for Paris in May 1851, the house was opened as the ‘Universal Symposium of All Nations', a restaurant run by the first celebrity chef, Alexis Soyer, who planned to cater for the Great Exhibition in Hyde Park. After the exhibition and following the advice of Prince Albert, Gore House and its grounds were bought by the Exhibition's Royal Commission to create the cultural quarter known as Albertopolis. A complex of public Victorian buildings were developed to house exhibits from the Great Exhibition and to further the study of art, science and industry. On May 20, 1867 7,000 people gathered under a purpose-built marquee to watch Queen Victoria lay the Hall's red Aberdeen granite foundation stone, which today can be found underneath K stalls, row 11, seat 87 in the main auditorium. The Queen announced that “It is my wish that this Hall should bear his name to whom it will have owed its existence and be called The Royal Albert Hall of Arts and Sciences”, as a 21 gun salute was heard from Hyde Park and a trumpet fanfare from HM Life Guards sounded. By December 1870 construction of the Hall had moved on so much that HM Queen Victoria and her daughter Princess Beatrice visited the Hall to listen to the acoustics. Almost three months later, on 25 February 1871, the Hall's first concert was held to an audience for 7,000 people comprising the workmen and their families, various officials and the invited public. Amateur orchestra, The Wandering Minstrels, played to test the acoustics from all areas of the auditorium. This place has been running as a venue for 150 years! Again… History breeds ghosts and Hauntings! There's so much history in this building that we are not going to be able to include but please check out the official website for the royal Albert Hall to really drive into the history of this place. You won't be sorry you did. We gave you the beginnings to show how long this place has been around. We're gonna get right into the spooky shit though! On 13 July 1930 the Spiritualist Association rented the Royal Albert Hall for a seance for Sir Arthur Conan Doyle, following the death of the Sherlock author on 7 July. Conan Doyle was a spiritualist and believed in the existence beyond the grave. Upon his death 10,000 people gathered expectantly in the Hall to watch a medium take to the stage, hoping to witness some supernatural activity and hear a message from Conan Doyle from the other side… Lady Doyle: “Although I have not spoken to Arthur since he passed, I am certain that in his own time and his own way he will send a message to us” Time Magazine, 21 July 1930 Lady Conan Doyle took to the stage alongside members of his family, with a vacant chair on her right reserved for her late husband.Time Magazine, who attended the seance, reports: ‘Mrs. Estelle Roberts, clairvoyant, took the stage. She declared five spirits were “pushing” her. She cried out their messages. Persons in the audience confirmed their validity. Suddenly Mrs. Roberts looked at Sir Arthur's empty chair, cried: “He is here.” Lady Doyle stood up. The clairvoyant's eyes moved as though accompanying a person who was approaching her. “He is wearing evening clothes,” she murmured. She inclined her head to listen. A silent moment. Her head jerked up. She stared at Lady Doyle, shivered, ran to the widow, whispered. Persons nearby could hear: “Sir Arthur told me that one of you went into the hut [on the Doyle estate] this morning. Is that correct?” Lady Doyle, faltering: “Why, yes.” She beamed. Her eyes opened widely. The clairvoyant to Lady Doyle: “The message is this. Tell Mary [eldest daughter]…' Time Magazine, 21 July 1930 At this the audience rose in a clamor, and the great organ of the Hall began to peal, the noise drowning out the answer of Mrs Roberts. But what was the message delivered to Lady Doyle that night? Did the ghost of Sir Arthur Conan Doyle really visit the Royal Albert Hall on that night in 1930? Seances are always fun and definitely work as we found out...yea...right…. Here's some more stories taken straight from the RAH website! THE GIRLS Beneath the Door 6 foyer, in the carpeted basement area, there is one spot where two young women, known as ‘the girls', briefly appear each November 2nd a little before 2am, when the building is almost deserted, except for some security staff. Over the years, several staff members reported hearing ‘the girls' laughing, and seeing their animated and excited silhouettes appear, clothed in the fashion of slightly risqué Victorian ladies (extravagant long dark dresses embellished with lace from neck to bodice, with many ruffles, especially around the sleeves and hem, and their hair styled in cottage-loaf buns with ringlets hanging over their ears). The Duty Security Incident Book indicates that there had been appearances by ‘the girls' for the three years prior to 1991. They have been seen passing across the foyer space, which is bounded by double doors at each end, leading on one side to the staff canteen (where we still eat today) and on the other to the kitchen corridor, and then disappear. That is why some believe that ‘the girls' may be responsible for unexplained accidents, tappings and footsteps that occur behind locked doors late at night in the kitchens. Assistants Chefs, who have to clean the kitchen every night after use, often used to hear noises and have been frightened whilst in that area. FATHER WILLIS Whenever restoration work is carried out on our organ, its original constructor Henry Willis, fondly nicknamed ‘Father Willis', returns as a stooped ghost wearing a black skull cap. When the organ was being reconstructed in 1924, workmen saw a little old man walk down the stairs late one afternoon. On returning to their workshop and relating the facts, their foreman asked what the man was wearing. When told that he was donning a black skull cap, the foreman decided it was the ghost of Father Willis, the original builder of the organ, long since dead, who would not approve of the alterations being undertaken. Since then there have been many reports of a sudden cold atmosphere in the area behind the organ. When interviewed in 2018, Michael Broadway, the Hall's organ custodian was asked if he had ever seen signs of the legendary ghost of Henry Willis. He answered: “I remember the organ builder Clifford Hyatt telling me about this over forty years ago. The tuner […] was making the final visit of the Willis contract before the Harrison & Harrison rebuild in the 1920s. When he got up on to the Great passage board he saw Father Willis there saying ‘They shan't take my organ from me'. A lovely story, but I haven't seen him. There are many questions I would ask him and hopefully have his approval of the way I look after this instrument. Perhaps he has no reason to be disturbed.” THE MAN IN WHITE During a Jasper Carrott comedy event in May 1990, the Duty Manager was ordered to clear the Middle Choir seats and to post a Steward at either end to avoid anyone entering as it is very distracting for a performer to have people walking across the back of the stage during the show. That's why a very angry Stage Manager demanded on radio to know why there was someone crossing the stage. The description was of a man dressed in white, walking oddly as if on drugs. The Stewards insisted no one had passed them and on further investigation no one except Jasper Carrott was onstage, but several people had seen the figure cross the stage from left to right. THE VICTORIAN COUPLE A staff member during the 2000s reported having seen a couple in Victorian clothing walk across the second tier near to Door Six and vanish into a box. As a venue whose history is so closely tied to the Victorian times, this didn't seem particularly odd (people dress up sometimes…) But in 2011, a Head Steward was finishing off his shift one evening and had made sure that all members of the public had left the second tier. On going downstairs into the auditorium, he noticed a couple sitting in the box so he returned to the second tier but found no one in the box. He assumed they had left while he was on his way back, so once again he returned to the auditorium… Only to see them again. So he went back to the second tier, and that's when he heard the couple chattering. He assumed they were in the box but on opening the door, there was no one there. There are several more accounts on their website and tons and tons of stories all over the web about experiences at the historical venue. It sounds like it's one crazy place!!! We've got a couple more for you guys. Next up is another club we've been too, the Masquerade in Atlanta. The Masquerade features three indoor venues with capacities ranging from 300 to 1000, appropriately named Heaven, Hell and Purgatory. The Masquerade was founded in 1988 at the historic DuPre Excelsior Mill, a former excelsior mill at 695 North Avenue in the Old Fourth Ward neighborhood. The venue had both indoor and outdoor concert space. It was sold in 2006 and moved in late November 2016 after it was made part of a new mixed-use development called North + Line. The building was designated as historic by the city and all of the original parts will be saved through adaptive reuse. The masquerade had hosted tons of national and local acts from cannibal corpse to the greatest entertainer in history, Weird Al Yankovic. This night club is said to be visited by the spirits who died in fire and tuberculosis outbreaks long ago, both of which killed several members of the building's former staff. Apparitions have been seen and unexplained footsteps have been reported.One popular story is that of a large and tall black man who is always seen walking around the nightclub. The staff believes that it is this man who turns the musical amplifiers every night. The staff has also reported hearing footsteps from unidentified sources, as well as cold spots all throughout the building. Horrifying screams can also be heard coming from the back of the stairs even when there is no one there. They believe that the screams come from the young woman who died in a freakish accident in the nightclub. Nowadays, there are rumors that real vampires come to the nightclub and even live there. Some people believe that this rumor has been spread to promote business as vampires have suddenly become very popular. Next up were heading to Nashville and a place the Moody had been to, but not for music, for the national beard and mustache competition. He did not place unfortunately. The auditorium opened as the Union Gospel Tabernacle in 1892. Its construction was spearheaded by Thomas Ryman, a Nashville businessman who owned several saloons and a fleet of riverboats.When Ryman died in 1904, his memorial service was held at the tabernacle. During the service, it was proposed the building be renamed Ryman Auditorium, which was met with the overwhelming approval of the attendees. The building was originally designed to contain a balcony, but a lack of funds delayed its completion. The balcony was eventually built and opened in time for the 1897 gathering of the United Confederate Veterans, with funds provided by members of the group. As a result, the balcony was once called the Confederate Gallery.[5] Upon the completion of the balcony, the Ryman's capacity rose to 6,000. A stage was added in 1901 that reduced the capacity to just over 3,000. Though the building was designed to be a house of worship – a purpose it continued to serve throughout most of its early existence – it was often leased to promoters for nonreligious events in an effort to pay off its debts and remain open. In 1904, Lula C. Naff, a widow and mother who was working as a stenographer, began to book and promote speaking engagements, concerts, boxing matches, and other attractions at the Ryman in her free time. Naff gained a reputation for battling local censorship groups, who had threatened to ban various performances deemed too risqué. In 1939, Naff won a landmark lawsuit against the Nashville Board of Censors, which was planning to arrest the star of the play Tobacco Road due to its provocative nature. The court declared the law creating the censors to be invalid W.C. Fields, Will Rogers in 1925, Charlie Chaplin, Bob Hope with Doris Day in '49, Harry Houdini in '24, and John Philip Sousa (among others) performed at the venue over the years, earning the Ryman the nickname, "The Carnegie Hall of the South". The Ryman in its early years also hosted Marian Anderson in 1932, Bill Monroe (from KY) and the Bluegrass Boys in '45, Little Jimmy Dickens in '48, Hank Williams in '49, The Carter Sisters with Mother Maybelle Carter in 1950, Elvis in '54, Johnny Cash in '56, trumpeter Louis Armstrong in '57, Patsy Cline in '60, Lester Flatt & Earl Scruggs (bluegrass) in '64, and Minnie Pearl in '64. The Grand Ole Opry was first broadcast from the Ryman on June 5, 1943, and originated there every week for nearly 31 years thereafter. Every show sold out, and hundreds of fans were often turned away. During its tenure at Ryman Auditorium, the Opry hosted the biggest country music stars of the day and became a show known around the world. Melding its then-current usage with the building's origins as a house of worship, the Ryman got the nickname "The Mother Church of Country Music", which it still holds to this day. The last Opry show at the Ryman occurred the previous evening, on Friday, March 15. The final shows downtown were emotional. Sarah Cannon, performing as Minnie Pearl, broke character and cried on stage. When the plans for Opryland USA were announced, WSM president Irving Waugh also revealed the company's intent to demolish the Ryman and use its materials to construct a chapel called "The Little Church of Opryland" at the amusement park. Waugh brought in a consultant to evaluate the building, noted theatrical producer Jo Mielziner, who had staged a production at the Ryman in 1935. He concluded that the Ryman was "full of bad workmanship and contains nothing of value as a theater worth restoring." Mielziner suggested the auditorium be razed and replaced with a modern theater. Waugh's plans were met with resounding resistance from the public, including many influential musicians of the time. Members of historic preservation groups argued that WSM, Inc. (and Acuff, by proxy) exaggerated the Ryman's poor condition, saying the company was worried that attachment to the old building would hurt business at the new Opry House. Preservationists leaned on the building's religious history and gained traction for their case as a result. The outcry led to the building being added to the National Register of Historic Places in 1971. Following the departure of the Opry, the Ryman sat mostly vacant and deteriorating for nearly 20 years, as the neighborhood surrounding it continued to see the increasing effects of urban decay. In 1986, as part of the Grand Ole Opry 60th-anniversary celebration, CBS aired a special program that featured some of the Opry's legendary stars performing at the Ryman. While the auditorium was dormant, major motion pictures continued to be filmed on location there, including John Carpenter's Elvis (1979), Coal Miner's Daughter (1980 – Loretta Lynn Oscar-winning biopic), Sweet Dreams (1985 – story of Patsy Cline), and Clint Eastwood's Honkytonk Man (1982). A 1979 television special, Dolly & Carol in Nashville, included a segment featuring Dolly Parton performing a gospel medley on the Ryman stage. In 1989, Gaylord Entertainment began work to beautify the Ryman's exterior. The structure of the building was also improved, as the company installed a new roof, replaced broken windows, and repaired broken bricks and wood. In October 1992, executives of Gaylord Entertainment announced plans to renovate the entire building and expand it to create modern amenities for performers and audiences alike, as part of a larger initiative to invest in the city's efforts to revitalize the downtown area. The first performance at the newly renovated Ryman was a broadcast of Garrison Keillor's A Prairie Home Companion on June 4, 1994. Beginning in November 1999, the Opry was held at Ryman Auditorium for three months, mostly due to the success of the January shows, but partly due to the ongoing construction of Opry Mills shopping mall next door to the Grand Ole Opry House. The Opry has returned to the Ryman for all of its November, December, and January shows every year since then, allowing the production to acknowledge its roots while also taking advantage of a smaller venue during the off-peak season for tourism and freeing the Grand Ole Opry House for special holiday presentations.The Ryman has also served as a gathering place for the memorial services of many prominent country music figures. Tammy Wynette, Chet Atkins, Skeeter Davis, Harlan Howard, Bill Monroe, Waylon Jennings, Johnny Cash, Billy Block, George Hamilton IV, Earl Scruggs, and Jim Ed Brown have all been memorialized from the Ryman stage. In 2018, the Ryman was named the most iconic structure in Tennessee by Architectural Digest. And just because….On June 9, 2019, Wu-Tang Clan performed the first pure rap concert ever at the Ryman. The concert was sold out. Again, we like to give history on these places for context and honestly it's just interesting to us so whatever. But this again illustrates the point that many crazy things happened here over the years as many many people have passed through this auditorium… Including Moody. Ok, so let's get to the ghosts and spooky shit. Ryman's spirit was fine with most performances but would rise if the people onstage were getting a bit risqué. Apparently, he disrupted shows by stomping around the room so loudly that spectators were forced to leave. Famously, the ghost wreaked havoc while the opera Carmen was taking place. Probably because it tells the story of a gypsy temptress. During the grand ole Opry period, rumors surfaced that the venue was cursed since apparently, most singers that performed there wound up dead. A total of 37 people met their fate in the most gruesome ways, dying from O.D.s, car accidents, fires, or slaughterings. Among the artists believed to have succumbed to the curse are: Stringbean Akeman, Patsy Cline, Texas Ruby, and many more. In a blog post by Virginia Lamkin titled Haunted Ryman Auditorium, the author explains that when the show relocated to the Opryland USA theme park, 14 additional acts died. It is believed that the curse followed because a large portion of the Ryman Auditorium stage was cut out and brought to the new location. The spirit often referred to as “The Grey Man,” is believed to have been one of the Confederate soldiers who frequented the auditorium during post-war gatherings. Some say they've witnessed him sitting in the balcony while artists rehearse. He watches the stage steadily but disappears as soon as anyone gets too close. ”The lady,” on the other hand, isn't a spectator; she's a performer. Believed to be the ghost of Patsy Cline, she has been heard singing by staff. Usually, her performance happens late at night as they prepare to close. Patsy Cline, who died tragically in a plane crash, has also been linked to the Opry Curse. Could the curse not only kill but also trap artists in the venue? Speaking of Opry Curse victims, Hank Williams is said to have been another casualty. The successful singer/songwriter passed away in 1953, after mixing prescription drugs with alcohol. Similar to the other artists haunting the auditorium, Hank's voice has been heard clear as day by employees. They have also heard his songs being played onstage, without explanation. Along with Patsy, Hank Williams' soul has lingered in the old venue ever since he passed. The info on the history of the ryman comes mostly from their own website while the stories of the hauntings we found on the website ghostcitytours.com Next up is the Phoenix theater in Petaluma California. The club has been in existence since 1905 and has changed in both structure and purpose, mostly due to severe damage caused by several fires. Petaluma's Phoenix Theater has been entertaining Sonoma County residents for over 116 years. Hosting everyone from the likes of Harry Houdini to Green Day, the fabled teen center and music venue has a varied and interesting history. The entertainment center opened in 1904 as the Hill Opera House. The structure was designed by San Francisco architect Charles Havens, who also designed Petaluma's Carlson-Currier Silk Mill in 1892. The Beaux Arts-style theater hosted operas, theatrical performances, high school graduations and music for over 15 years until the early 1920s when it was gutted by fire. In 1925, the venue reopened as the California Theatre playing silent films accompanied by music. A Jan. 24, 1925, Press Democrat article proclaimed the showplace the “largest playhouse in Petaluma and one of the finest theaters of Northern California.” A packed house attended the opening night performance which include a double feature picture show and live entertainment. The theater switched to movies with sound in later years and lost major sections of its roof to a second fire in 1957. Petaluma's Tocchini family bought the floundering venue in 1967 switching to a program of live music and entertainment. In 1983, the theater was renamed the Phoenix - reflecting its ability to be reborn from the ashes. Tom Gaffey, a young man who had grown up in Petaluma and worked at both the California and the Showcase theaters, was hired as manager, a position he holds to this day. The theater gained unwanted attention after a late-night performance by the band Popsicle Love Sponge performed a questionable act with the body of what was believed to be a dead chicken. The late-night shows ended, but the movies continued for a short time. Today the venue serves as a graffiti-covered teen center and venue for rock, punk, reggae and more. In 1996, it hosted the last show of the Long Beach ska band Sublime as well as rock and punk legends the Ramones, Red Hot Chili Peppers, X, Metallica and Primus. The guiding principle of the Phoenix has always been that it's "everyone's building" and this was formalized in the early 2000's when the Phoenix became a 501(c)3 nonprofit community center. This place sounds pretty awesome. This following except it's taken directly from their website : The Phoenix Theater is open seven days a week, generally from 3pm to 7pm, for drop-in “unstructured” use. Our building interior is large and soulful, with several rooms to accommodate a variety of activities. On a typical afternoon, you'll find kids playing acoustic music (we've got two pianos and a big stage), skateboarding (across the large wooden floor and up one of four quarter-pipe ramps), doing homework in the tutoring room, or sitting in one of the overstuffed sofas: reading, talking with friends, or napping. There's always a staff member onsite, but the atmosphere is casual. On top of this they have free music programs from lessons to recording to production to podcasting to band management and everything in between. Also they have many programs for teens in the art community to hone their skills. Not only that they have a teen health center to help inform teens and help them make better, more conscientious choices regarding their personal health. They also have services for transitive health and STD help as well. We feel like every town needs a place like this. Especially if it's haunted!!! Speaking of which we found an interview that Gaffney did where he talks about some of his experiences and other things that have happened. The following was taken from petaluma360.com: Gaffey began by talking about his earliest days. “It was my job to close the theater down. By 10:15 it would just be me, and whatever people were watching the movie. Near the end, I'd go up to the projection booth. After the audience exited, I'd turn off the projector, come down onto the stage where the sound equipment was, turn off the amps, check doors, balcony, bathrooms, lock the doors, hit the security alarm, then go out the door by the box office.” On three separate nights, as he was leaving, the box office phone rang. Gaffey explained the building had five phone stations. The light on the box office phone indicated the call was from the projection booth. “I'd have to turn off the alarm and pick up the phone. ‘Hello? Hello? Hello?' But there was nobody there. “You can't believe in ghosts when you're shutting down a theater. You have to check. “Three times I mustered my courage, turned the lights back on and burst into the projection booth. There was no one there. “That was my first experience, when I was an unknown here, a spooky ‘welcome back.'” Gaffey is quick to temper his conversation with “it could have been” and “maybe someone playing pranks.” He keeps an open mind. Ghosts or explainable experiences: it's for the individual to decide. “Blue lights have been seen floating through the building. There's the Little Kid: he'd been seen even when I was a kid working down here. And one night, sleeping on stage as a teen, I could hear and feel big footsteps. I never felt afraid. “The big guy has been felt by many over the years,” Gaffey said. “We named him Chris. Big Chris. He's the only ghost - if there are ghosts here - who's not from a show business background.” He added that psychics who've visited the theater have talked about Chris dating to the livery stable-era and that someone was murdered on this spot, possibly with a knife. But Gaffey continued firmly, “My experiences in this building have been warm and protective. “Chris had the spirit of the Phoenix before it became what it is. Chris may have loved this spot. I think it's one of the coolest corners in town.” He commented he sensed from the warmth he felt as he was talking that Chris was on stage, observing. Then there's the Little Kid - a boy. “That's an interesting one,” Gaffey said. “Again - a psychic had come in. First off, he talked about the guy in the attic [the projection booth], said he seemed to be older, white hair and faded green, almost khaki, clothing; tall, thin with angular knees and elbows. The older man, the psychic told Gaffey, is trying to make good on something wrong he felt he did to a child. The psychic added the old man hadn't, however, done anything. “I'm wondering,” Gaffey said, “if it's the little boy. This was the fly area” - the area to the rear of the stage where backdrops hung. “With stuff hanging here and ladder work, maybe the kid was injured. He's been seen by many. He's got shaggy hair, maybe less than five feet, wearing shorts or knickers, a wool suit and a cap, from the 1920s.” In the 1990s, a security guard for the thrash metal band GWAR got down off a ladder and asked, “Who's that little kid back there in the exit?” When no one could find the boy, the guard quit. There is much more to the interview and we would definitely recommend checking it out! We've got one one more venue for you guys even though there are a bunch more out there. Some of the more well known and covered places like Bobby Mackey's in Kentucky, The Avalon in Hollywood, Le Petit Théâtre du Vieux Carre in New Orleans, The rapids theater in Niagara falls NY among others we've left off but will definitely be back to cover at a future point as the history and Hauntings in these places is awesome. So that brings us to our home town of Cleveland Ohio and to the World famous Agora Theater. Now this a place where we've both spent many nights jamming out to some great fucking shows. And yes.. Whether you like it or not… Here comes some history fuckers. The first Agora in Cleveland, informally referred to as Agora Alpha, opened on February 26, 1966, at 2175 Cornell Road in Little Italy near the campus of Case Western Reserve University. In 1967, the Agora moved to a second building on East 24th Street near the campus of Cleveland State University. Once settled in their new location, the new Agora Ballroom, informally referred to as Agora Beta, played a role in giving exposure to many bands, both from the Cleveland area and abroad. Many artists such as Peter Frampton, Bruce Springsteen, Boston, Grand Funk Railroad, ZZ Top, Kiss and many others received much exposure after playing the Agora.[3] The Agora Ballroom was also the setting of the concert by Paul Simon's character in the opening minutes of the 1980 movie One-Trick Pony. The front facade of the Agora Ballroom was temporarily swapped for the one shown in the movie. It is also one of three locations used to record Todd Rundgren's live album Back to the Bars in 1978. The East 24th Street building also housed Agency Recording Studios, located above the Agora. The onsite recording studio and the close proximity to radio station WMMS allowed for high-quality live concert broadcasts from the Agora. Some of these concerts were later released commercially, including Bruce Springsteen's “The Agora, Cleveland 1978”, the Cars' “Live at the Agora 1978”, Ian Hunter's “You're Never Alone with a Schizophrenic, Deluxe Edition” and Dwight Twilley Band's “Live From Agora”. The popularity of the club led the Agora to expand during the 1970s and 1980s, opening 12 other clubs in the cities of Columbus, Toledo, Youngstown, Painesville, Akron, Atlanta, Dallas, Houston, Tampa, Hallandale, Hartford, and New Haven. However, the Cleveland location is the only one still in existence today. In 1984, the Agora was damaged by a fire and closed. The building currently known as the Agora first opened on March 31, 1913, with an English performance of Aida as the Metropolitan Theatre. It was the brainchild of Max Faetkenheuer, an opera promoter and conductor who had also been involved in the construction of the monumental Hippodrome Theatre on Euclid Avenue five years earlier. The new opera house was well received and did well early on, but later struggled to stay profitable. Among various uses, the Metropolitan was home to a Cleveland's Yiddish theatre troupe in 1927. This brief episode in its history came to an end a few months later in 1928 after the troupe was involved in a bus accident on the way to a performance in Youngstown; the actors were too injured to perform and the venture went bankrupt. By 1932, the venue had turned into a vaudeville/burlesque house called "The Gayety," hosting "hoofers, comics and strippers." The Metropolitan returned to its original use for a short time during the mid-1940s staging comedic musicals, but by the end of the decade stage productions had ceased and the theatre became a full-time movie house. From 1951–78, the theater offices were home to radio stations WHK (1420 AM) and WMMS (100.7 FM); the theater itself was known as the WHK Auditorium. In 1968–69 the theater was known as the Cleveland Grande. In the early 1980s, it briefly re-opened as the New Hippodrome Theatre showing movies. Following the fire which damaged the Agora Ballroom on East 24th Street, club owner Henry LoConti, Sr. decided to move to the 5000 Euclid Avenue location. Following extensive renovations, the new Agora Metropolitan Theater, the third Cleveland venue to bear the Agora name, opened in October 1986. The Agora has two rooms: a 500-person capacity, standing-room-only ballroom with adjoining bar, and an 1800-seat theater. As far as some spooky shit goes, we were able to get some info straight from the source! We spoke with Mike who works at the agora and we got some cool stuff from him. In an email mine related the following information. "Prior to our merger with AEG Presents, I used to lead our ‘Ghost Tours' with a group called Black Sheep Paranormal. While I didn't know what to expect, and I wasn't exactly familiar with paranormal investigations, that quickly changed working with the group. One of the members of the Black Sheep Paranormal group was a retired police officer. Pretty easy to say he's seen some shit, and could be characterized as fearless. Another member told him to check out the men's room, where we have a utility closest between our sinks and stalls. From past experiences, we usually get some decent activity from that closest. However, nothing occurred this time. After giving up on this spot, the team member decided to use the bathroom. Seconds later, he hears **CLAP, CLAP, CLAP** from behind his neck, and he exited the bathroom about as white as a ghost. Oh man… Good thing he was in the bathroom in case he pissed himself!! This next story is pretty crazy. He talks about "The Cleaning Lady"! "One of the known spirits at The Agora, who we call “The Cleaning Lady,” as you could have guessed, was responsible for cleaning the venue many decades ago. While I'm not exactly sure what happened to her, she was said to have fallen off our balcony, and died. One night, during an investigation, we were sitting in silence at the top of our balcony on the left hand side. As we sat there, we started to hear sweeping sounds. As the broom sweeps started to happen for a few seconds, all of the sudden, the sound traveled from the left side of the venue, all the way to the right side of the venue. We couldn't really explain it, but that's exactly what happened." Wow! That's awesome! This next one would probably freak a lot of people out… but it's definitely cool. "Another occurrence was when we were up in one of the suite boxes up in the balcony. The venue was blacked out, and from where we were sitting, you could still see the bar area in our lower level. The bar had a mini fridge up against the wall that had lighting in it. We draped it off with a black table cloth, but there was still exposed light coming from the fridge. As we're sitting there, we see a shadow fading in, and fading out of the light. Almost as if a person was pacing back and forth. We were able to see this because of the light from the fridge. As this shadow figure is pacing back and forth for a good 30 – 60 seconds, one of our team members calls out “if anyone is over by the bar, please make a sound.” And I shit you not, with no hesitation, a stack of plastic cups falls off the bar and onto the ground. That was definitely one of my favorite experiences." Hopefully we get some action like that on our ghost hunt! Mike goes on to say that he actually got to see an apparition as well! "Over the years, we've heard and seen many things. We've had items that turn up missing, seen plenty of white anomalies, and other occurrences. Apparitions are rare, but sounds are usually constant. We've heard bangs on our doors, we've heard voices, we've even heard music; big band music to be specific. The apparition I've seen was an unreal experience. We were sitting in the balcony, and we just saw this shadow figure in one of the seats across/behind us. The figure was perfectly human-shaped, but you could see through it. It definitely seemed like it was staring at us the whole time. Sadly, my story telling doesn't do this moment very much justice. He said that a lot of the investigation stuff was mainly communication based with the spirits. He said they would ask questions and they frequently got answers. We asked about how the spirits would answer and he told us: "Most of the time in our investigations, we used dowsing rods for the questions, and asked them to cross the rods in a ‘yes or no' type of questioning. They were always responsive in this form. As long as we got it started, we usually were able to keep the questions going. Obviously, noises would happen all the time. I remember one evening just working (no event going on), but we use to have these ‘garage' type doors for our balcony entry. And for whatever reason, the spirts would not stop banging on them. Like something out of a movie, non-stop banging. That was the same day where my coworker went to use the bathroom, and as she was coming back to the office she heard “There she goes…” in a whisper type voice. Damn! That's some crazy shit! We would like to thank Mike for his time and this incredible stories of the strange stuff that occurs at the agora! Hometown spooky shit is always awesome! Top ten horror movie musicals https://screenrant.com/horror-musicals-best-ever-imdb/
Episode 177, “Favorite 50s,” features 21 of Sam Waldron's favorite music from the 1950s. Performers include Pat Boone, The Four Preps, Skeeter Davis, Marty Robbins, Tommy Sands, Buddy Holly, Betty Ann Blake, The Kingston Trio,... Read More The post Episode 177, “Favorite 50s,” appeared first on Sam Waldron.
En El Guateque de Onda Regional de Murcia(orm.es; domingos, 22,05h) rescatamos olvidadas melodías del ayer.. El cineasta valenciano Luis García Berlanga habría cumplido 100 años este sábado y dedicamos un homenaje a este genio del cine (Lolita Sevilla). Hilario Camacho habría cumplido años el 8 de junio, pero le perdimos hace ahora 15 veranos. Su obra, muchas veces por delante de su tiempo, nos sobrevivirá a todos. Los Íberos estaban llamados a ser el reemplazo de Los Bravos. Adolfo Rodríguez luego fue miembro de CRAG y Solera. Sir Paul McCartney es uno de los más grandes compositores, cantantes y bajistas de la música popular del siglo XX. A pesar de su melodiosa voz y su sentido de la armonía, fue rechazado para cantar en el coro de la catedral de Liverpool. El 14 de junio de 1940 nació en Xátiva (Valencia) Emilio Baldoví Menéndez, más conocido como Bruno Lomas pionero del rock español y uno de los más destacados cantantes del género , tanto liderando grupos como en solitario. Hace falta tener buenos pulmones y dicción de metralleta para meter veinte sílabas en dos compases; sin embargo, Cristina lo conseguía en su inefable “El turista 1.999.999” diseñada a mayor gloria del turismo desarrollista patrio. Hoy nadie recordaría a Mike and The Runaways si no hubiesen sido uno de los embriones que dieron lugar a Los Bravos. Será la más tierna, la mejor vestida y peinada, porque esa es la noche por la que ha estado soñando toda la vida. Pero también quiere conocer la pasión del primer beso, que su vestido se arrugue por sus abrazos y que su pelo se despeine por sus manos, es lo que cantaba Sylvie Vartan en La más bella del baile. “¿Por qué el sol sigue brillando, por qué el mar se precipita hacia la orilla, por qué los pájaros siguen cantando, por qué las estrellas resplandecen ahí arriba, es que no saben que es el fin del mundo porque ya no me amas?”En la versión original de Skeeter Davis, Floyd Cramer la acompañaba al piano. El tema estuvo tan asociado a ella, que sonó en su funeral en 2004. En las peticiones del oyente “Nights in White Satin” (Noches de blanco Satén) con The Moody Blues Justin Hayward escribió el tema con 19 años, y tomó como inspiración para el título unas sábanas de satén que un amigo suyo le había regalado.La canción trataba sobre un ansiado amor lejano, lo que llevó a los fans a pensar en la canción como la de un amor no correspondido de Hayward. La London Festival Orchestra realizó los acompañamientos orquestales de la introducción, la interpretación final del coro, así como la sección del “lamento final”, todas estas partes presentes en la versión original. La fiesta de San Antonio de la Florida es una festividad popular celebrada anualmente cada 13 de junio en honor a San Antonio. Según la tradición popular la fiesta nace con la costumbre de unas modistillas madrileñas del siglo XIX que vertían trece alfileres en agua bendita de la pila bautismal de la ermita, simulando el acto de las arras matrimoniales (Connie Francis).
Este é o DROPS do Prisioneiros do Rock, um episódio mais curto e em "trabalho solo". A importância da música no cinema faz com que até aos trailers dos filmes seja dado tratamento especial. Nesse mês de maio de 2021, o novo trailer da Marvel, Eternals, veio acompanhado da música "The End of The World", de Skeeter Davis. Estreando no Drops, Cristian conta a trajetória da cantora e dessa música até o trailer do futuro blockbuster.
WX: jessica66001,获得卡卡老师的英语学习干货分享The End of the World教唱（1）《少有人走的路》的作者Scott peck曾经说过这样一句话，让我印象深刻：身体上的受的伤，可以愈合。而心灵上受的伤，却从来不会。我们之所以会重新振作，不是因为心灵上的伤口愈合，而是我们的内心做出了改变。人生的苦，有很多，失恋是其中的一种。爱的越深，痛得越深。那种痛，用撕心裂肺，世界末日来形容毫不为过。好多人在一段时间很难走出失恋的痛苦。但是我们必须认识到：而人生本身苦难重重。 这是个伟大的真理，是世界上最伟大的真理之一。它的伟大，在于我们一旦想通了它，就能实现人生的超越。只要我们知道人生是艰难的――只要我们真正理解并接受这一点，那么我们就再也不会对人生苦难耿耿于怀了。今天我们学唱一首非常经典的英文歌《The End Of The World》。它发行于1965年，原唱是Skeeter Davis.这首歌被翻唱和翻版过多次，邓紫棋的《后会无期》便改编自这首歌。歌词发音技巧Why does the sun go on shining？太阳为何依然照耀Go on连读Why does the sea rush to shore？海浪为何拍打着岩岸Don't they know it's the end of the world？难道它们不知道这是世界末日吗Don't t省音the end of连读'Cause you don't love me anymore因为你不再爱我了'Cause you连读 don't t省音 me anymore 连读Why do the birds go on singing？鸟儿为何依然歌唱Why do the stars glow above？星星为何在天上闪耀Don't they know it's the end of the world？难道它们不知道这是世界末日吗Don't t省音the end of连读It ended when I lost your love当我失去了你的爱It ended 连读when I 连读
WX: jessica66001,获得卡卡老师的英语学习干货分享The End of the World教唱（1）《少有人走的路》的作者Scott peck曾经说过这样一句话，让我印象深刻：身体上的受的伤，可以愈合。而心灵上受的伤，却从来不会。我们之所以会重新振作，不是因为心灵上的伤口愈合，而是我们的内心做出了改变。人生的苦，有很多，失恋是其中的一种。爱的越深，痛得越深。那种痛，用撕心裂肺，世界末日来形容毫不为过。好多人在一段时间很难走出失恋的痛苦。但是我们必须认识到：而人生本身苦难重重。 这是个伟大的真理，是世界上最伟大的真理之一。它的伟大，在于我们一旦想通了它，就能实现人生的超越。只要我们知道人生是艰难的――只要我们真正理解并接受这一点，那么我们就再也不会对人生苦难耿耿于怀了。今天我们学唱一首非常经典的英文歌《The End Of The World》。它发行于1965年，原唱是Skeeter Davis.这首歌被翻唱和翻版过多次，邓紫棋的《后会无期》便改编自这首歌。歌词发音技巧Why does the sun go on shining？太阳为何依然照耀Go on连读Why does the sea rush to shore？海浪为何拍打着岩岸Don't they know it's the end of the world？难道它们不知道这是世界末日吗Don't t省音the end of连读'Cause you don't love me anymore因为你不再爱我了'Cause you连读 don't t省音 me anymore 连读Why do the birds go on singing？鸟儿为何依然歌唱Why do the stars glow above？星星为何在天上闪耀Don't they know it's the end of the world？难道它们不知道这是世界末日吗Don't t省音the end of连读It ended when I lost your love当我失去了你的爱It ended 连读when I 连读
WX: jessica66001,获得卡卡老师的英语学习干货分享The End of the World教唱（1）《少有人走的路》的作者Scott peck曾经说过这样一句话，让我印象深刻：身体上的受的伤，可以愈合。而心灵上受的伤，却从来不会。我们之所以会重新振作，不是因为心灵上的伤口愈合，而是我们的内心做出了改变。人生的苦，有很多，失恋是其中的一种。爱的越深，痛得越深。那种痛，用撕心裂肺，世界末日来形容毫不为过。好多人在一段时间很难走出失恋的痛苦。但是我们必须认识到：而人生本身苦难重重。 这是个伟大的真理，是世界上最伟大的真理之一。它的伟大，在于我们一旦想通了它，就能实现人生的超越。只要我们知道人生是艰难的――只要我们真正理解并接受这一点，那么我们就再也不会对人生苦难耿耿于怀了。今天我们学唱一首非常经典的英文歌《The End Of The World》。它发行于1965年，原唱是Skeeter Davis.这首歌被翻唱和翻版过多次，邓紫棋的《后会无期》便改编自这首歌。歌词发音技巧Why does the sun go on shining？太阳为何依然照耀Go on连读Why does the sea rush to shore？海浪为何拍打着岩岸Don't they know it's the end of the world？难道它们不知道这是世界末日吗Don't t省音the end of连读'Cause you don't love me anymore因为你不再爱我了'Cause you连读 don't t省音 me anymore 连读Why do the birds go on singing？鸟儿为何依然歌唱Why do the stars glow above？星星为何在天上闪耀Don't they know it's the end of the world？难道它们不知道这是世界末日吗Don't t省音the end of连读It ended when I lost your love当我失去了你的爱It ended 连读when I 连读
Label: RCA 8219Year: 1963Condition: MPrice: $30.00Here's a beautiful Mint copy of this rarely heard, but totally essential, 1963 hit, a Carole King-Gerry Goffin tune that puts its sound squarely in the Girl Group Rock genre. It was the second big Pop hit for Country singer Skeeter Davis in as many years, following "The End of the World." Note: This 45 record comes in a Near Mint picture sleeve, which has a touch of ringwear on one side. It has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).
Music Used in this Episode:Kevin Macleod-"Clean Soul", "Comfortable Mystery 3", "Covert Affair", "Creeping to Ship", "LightThought var 2", "Lightless Dawn", "Music for Funeral Home - Part 11", "Nervous", "Reawakening",“Shores of Avalon", "Sunset at Glengorm", "Unnatural Situation”, “Virtues Instrumenti”, “Hillbilly“Swing”, “I Knew a Guy”, “Clean Soul”, “Devastation and Revenge”Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/Drake Stafford- “Weirder”Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/From www.freemusicarchive.orgflyingdeadman- “I see you”Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/From www.freemusicarchive.orgSteinbruchel- “Snowfall”Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/From www.freemusicarchive.orgAdditional incidental music by SkillpakThe Davis Sisters-“Crying Steel Guitar Waltz/Taking Time Out for Tears”Demo, Late 1952 or early 1953, possibly WJR radio studio, 3011 West Grand Boulevard, Detroit,Michigan (Betty Jack Davis: vocal; Mary Frances “Skeeter Davis” Penick: vocal; unknown: guitar“Takin' Time Out For Tears” )“Skeeter Davis-“Set Him Free” (RCA Victor, Nashville, February 1959)“My Last Date” (RCA Victor, Nashville, 1964)under Fair UseFAIR USE:Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—(1)the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;(2)the nature of the copyrighted work;(3)the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and(4)the effect of the use upon the potential market for or value of the copyrighted work.The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.Past Dark is written and produced by Carmen Park
*AIRHORNSSSSS* Spanning over the course of at least a week, plus a whole month to edit, you are in for a wiiiiild riiiiide. Comedians Ang Buxton and Maureen Begley touch base about the holidays, the pandemic, sobriety, trauma...You know, the usual. And of course there's a little talk of musicians from Kentucky, Ken Burns and his dang documentaries, and the impact of fame. Hopefully our longest episode, we are sorry. Maureen covers the story of Skeeter Davis. You might know one of her songs from the iconic scene in Girl, Interrupted. Ang covers the story of Cage the Elephant. Their newest album, Social Cues, just won a Grammy and has Ang's recent sad boi bop, Ready to Let Go. We're pretty sure this was recorded throughout the month of November 2020. But alas. What is time.
Music Used in this Episode:Kevin Macleod-"Clean Soul", "Comfortable Mystery 3", "Covert Affair", "Creeping to Ship", "Light Thought var 2", "Lightless Dawn", "Music for Funeral Home - Part 11", "Nervous", "Reawakening", “Shores of Avalon", "Sunset at Glengorm", "Unnatural Situation" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Drake Stafford- “Weirder” Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ From www.freemusicarchive.orgflyingdeadman- “I see you” Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ From www.freemusicarchive.orgEyes Closed by mwic (c) copyright 2018 Licensed under a Creative Commons Attribution (3.0) license. http://dig.ccmixter.org/files/mwic/58714Steinbruchel- “Snowfall” Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ From www.freemusicarchive.org Additional incidental music by Skillpak Clarence Ashley- “Coo Coo Bird”Girls of the Golden West -“Barn Dance of Long Ago”Buell Kazee- “The Butcher's Boy”Grand Ol' Opry Broadcast, 10-14-1939XERF Radio Broadcast, Del Rio Texas, 1953 Public Domain, from www.archive.org The Davis Sisters-“Crying Steel Guitar Waltz/Taking Time Out for Tears” Late 1952 or early 1953, possibly WJR radio studio, 3011 West Grand Boulevard, Detroit, Michigan (Betty Jack Davis: vocal; Mary Frances “Skeeter Davis” Penick: vocal; unknown: guitar “Takin' Time Out For Tears” ) “I Forgot More Than You'll Ever Know” (RCA Records, Nashville) 1953Skeeter Davis-“Set Him Free” (RCA Victor, Nashville, February 1959) “The End of the World” (RCA Victor, Nashville, December 1962) under Fair Use FAIR USE:Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—(1)the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;(2)the nature of the copyrighted work;(3)the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and(4)the effect of the use upon the potential market for or value of the copyrighted work.The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. Past Dark is written and produced by Carmen Park
¿Qué artista que se precie no ha cantado a Burt Bacharach? No importa qué género o estilo cultive. Una buena canción acoge cualquier interpretación. A ver qué os parece esta selección escogida con mucho mimo e intención a la par. Los nombres hablan por sí mismos: Nina Simone, James Taylor, Elvis Costello, Shelby Lynne, Tom Jones, Skeeter Davis, Rumer, Deacon Blue, Frankie Goes to Hollywood... o el olvidado artista de country Nat Stuckey. DISCO 1 BURT BACHARACH Alfie (13) DISCO 2 NINA SIMONE The Look Of Love (MAGIC MOMENTS- 2) DISCO 3 DEACON BLUE I'll Never Fall In Love Again (Cara1 - Corte 1) DISCO 4 TOM JONES What's New Pussycat?(9) DISCO 5 RONALD ISLEY/BURT BACHARACH Close To You (9) DISCO 6 SHELBY LYNNE Anyone Who Had A Heart (2) DISCO 7 FRANKIE GOES TO HOLLYWOOD Do You Know The Way To San Jose? (Cara 3 Corte 3) DISCO 8 SKEETER DAVIS I Say A Little Prayer (MAGIC MOMENTS - 7) DISCO 9 RUMER Walk On By (9) DISCO 10 NAT STUCKEY This Guy's In Love With You (MAGIC MOMENTS - 14) DISCO 11 ELVIS COSTELLO & BURT BACHARACH Toledo (2) DISCO 12 PERRY COMO Raindrops Keep Fallin' On My Head (MAGIC MOMENTS - 6) DISCO 13 JAMES TAYLOR The Man Who Shot Liberty Valance (11) DISCO 14 ALL SAINTS Always Something There (THE AMAZING NIGHT - 2) DISCO 15 BURT BACHARACH What The World Needs Now Is Love (SYDNEY OPERA -1) Escuchar audio
"When an identity crises come in, the calls for help are basically the heart of the body" - Naser Al Sughaiyer Over two years ago, I interviewed Naser Al Sughaiyer. For the long time listeners out there, you might remember episode & life book 6 of Naser's book "Life Without a Script". Since that time, a lot has happened, new life chapters all about human experiments, yes, you heard it right... human experiments. He founded The Human Lab, an interactive space to practice being human. His mission is to support people in the Middle East and North Africa (MENA) to belong and feel more connected to themselves, others and the world. In this Chapters Of My Life Add-On Episode, we talked about the 5 new chapters in Naser's life from connecting with themselves towards what improvisation means and what we understand under an identity crisis. Let go of all expectations and try everything is the message Naser wants to give back to young people while finding their community. We recorded over the internet, and there are some audio hiccups - that's the moment you realize that a far distance recording has it's up and down in times of Covid 19. Never the less, great virtual catchup which shows a life has many chapters even in a short time. Let's get started. Enjoy Chapters Of My Life Add-On Episode 29 with Naser Al Sughaiyer! —————————————————— ADD-ON CHAPTERS 1. Space between the Stories 2. Written Self reflection 3. Launching a new Story 4. Joyful & difficult numbing 5. Inter-being & courage —————————————————— Shownotes —————————————————— - The Human Lab https://www.thehumanlab.net/ - Naser's Website https://www.naseral.com - "The End of the World" by Skeeter Davis https://music.youtube.com/watch?v=xHa6a3FtPJg ——————————————————
Ballin' it up in a big way with the latest wildest LIVE broadcast from the 'Aztec Werewolf'! Hit the PLAY button and hear new cuts from The Rip 'Em Ups, Dasta & The Smokin' Snakes, Marc & The Wild Ones, Marti Brom, Ezra Lee, Carl Bradychok, Sarah Lee, Sonny West, The Isaac Webb Trio and Pike Cavalero! PLUS fantastic vintage cuts from the likes of Fats Domino, Skeeter Davis, Esquerita, Andy Starr, Hasil Adkins, Alton & Jimmy, Ritchie Valens & The Floyd Dakil Combo to name but a few! Celebrate Jamie James (The Kingbees) 67th birthday in tonight's WCBN FM episode of DJ Del's "Go Kat, GO! The Rock-A-Billy Show!"
In this week's episode, your lithe friends use their combined 50 years experience of being online to cast a refined gaze over posts about Coronavirus, quarantine, and the apocalypse. To whet your appetite, we carefully explore a world systems theory of urination and examine whether or not turkey salad is possible, and we wrap the show up with a business opportunity. In between, we "pony up" on the songs "The End of the World" by Skeeter Davis, "It's the End of the World" by R.E.M., "Don't Fear the Reaper" by Blue Oyster Cult, and "A Hard Rain's a-Gonna Fall" by Bob Dylan, and discuss how the end times is manifesting online. Once again, your friends steadfastly refuse to explain the show or its concept, but we hope that it's becoming clearer.
Esta vez queremos mostrar la faceta más tradicional, la más apegada a las raíces. En muchos casos, es la cara menos conocida de una mujer que ha sido capaz de hacer de su versatilidad una de sus características fundamentales. El pasado miércoles fue el cumpleaños número 74 de Linda Ronstadt. A lo largo de su carrera, ha cantado temas de todos los estilos musicales imaginables, desde country a opera y comedia musical, pasando por folk, rhythm and blues, rock'n'roll, pop o música latina. En todos los casos, su voz ha brillado tanto que se ha convertido en una de las vocalistas femeninas de mayor prestigio. No busques la perfección en una voz que no sea la de Linda Ronstadt. Trístemente, el Parkinson la ha obligado a dejar de hacerlo. Pero hoy estamos dispuestos a rescatar esa voz insuperable seleccionando algunas de sus canciones más cercanas a la tradición. La mayor parte de ellas no son las que suenan habitualmente cuando se recuerda su carrera. Así, hemos abierto el programa con esta versión inédita de marzo de 1973 a “Lighting Bar Blues”, un tema de Hoyt Axton que Commander Cody cantaron de forma extraordinaria. La mayor sorpresa está en el hecho de que Linda Ronstadt tocaba el fiddle junto al también violinista Gib Guilbeau,que hizo también los coros vocales junto a Herb Pedersen. En 1956, Wanda Jackson grabó por primera vez una canción compuesta por Dick Reynolds y Jack Rhodes, que fue un éxito en el 62 por los Springfields, la banda familiar londinense en la que militaba Dusty Springfield. Era “Silver Threads And Golden Needles”, grabada más tarde por artistas de country como Skeeter Davis, Hawkshaw Hawkins, los Everly Brothers, Rose Maddox, Jody Miller o los Pozo-Seco Singers de Don Williams. En 1969, Linda Ronstadt la incluiría de esta forma en su LP de debut en solitario, Hand Snow… Home Grown. Decimos “de esta forma”, porque cuatro años más tarde, en el 73, realizaría una nueva versión, mucho menos enraizada, en su álbum Don't Cry Now. John D. Loudermilk fue bien conocido como compositor en los 50 y 60 dejando canciones para la historia como “Break My Mind”, que George Hamilton IV cantó por primera vez en el 67 y que Linda Ronstadt llevó a su disco de debut, Hand Snow… Home Grown, dos años más tarde. Al margen de un sinfín de artistas que echaron mano en alguna ocasión del tema, los Flying Burrito Brothers, con Gram Parsons al frente, también la cantaron, aunque quedó fue de sus álbumes oficiales. De aquel binomio mítico formado por Lester Flatt y Earl Scruggs resultaba evidente que este último estaba dispuesto a ampliar sus horizontes desde la separación de la pareja en 1969. Tres años después editó I Saw The Light With Some Help From My Friends junto a sus tres hijos, Gary, Randy y Steve, y una pléyade de invitados como la Dirt Band, Tracy Nelson o Linda Ronstadt, con quien realizó una versión sublime del clásico de Merle Haggard “Silver Wings”. Tras la publicación en 1968 del tercer disco de los Stone Poneys, Kenny Edwards dejó el grupo tras una gira y Linda Ronstadt se quedó sola con la obligación de grabar un nuevo Lp para el Capitol. Así, al año siguiente vió la luz Hand Sown… Home Grown, un trabajo de muy escasa repercusión. Pero las cosas parecieron cambiar con su siguiente trabajo. Linda consiguió la nominación para el Grammy con "Long Long Time", incluida en el álbum Silk Purse de 1970. Pero hoy hemos preferido escuchar la versión en directo que realizó en el Troubadour de Los Angeles por aquellas fechas. Su compositor, Gary White, es un tejano al que conocimos como bajista de Circus Maximus, una banda de Austin de la segunda mitad de los 60, en la que militaba Jerry Jeff Walker. Cuando Linda Ronstadt se lanzó a la aventura en solitario, comenzó a reclutar músicos del Troubadour para formar su propia banda de acompañamiento. Instrumentistas como Bernie Leadon, Glenn Frey, Don Henley y Randy Meisner pasaron a ser sus nuevos compañeros, de tal forma que a su alrededor se estaban gestando los Eagles. En Silk Purse había una versión de “He Darked the Sun”, una canción de Gene Clark y Bernie Leadon en el álbum The Fantastic Expedition of Dillard & Clark de dos años antes. Pero Linda realizó una llamada Nashville version, con un sonido más propio de la versión original que hoy hemos querido recuperar. Ha pasado medio siglo desde la publicación de Silk Purse, en 1970, su segundo disco en solitario. Su apertura era esta versión de “Lovesick Blues”, un tema aparecido en los años 20 en un musical al que Hank Williams puso en el mapa sonoro cuando empezó a actuar en el Louisiana Hayride y lo llevó al primer lugar de las listas en el 49. Grabado en los Cinderella Studios de Nashville, fue la única vez en su carrera que la artista de Arizona se acercó a la Music City para grabar sus canciones. En aquella ocasión, Linda contó con músicos de la altura de Bernie Leadon, Weldon Myrick, Buddy Spicher, Troy Seals o Kenny Buttrey. El legendario Troubadour de Los Angeles fue la cuna de un buen número de artistas convertidos en referentes de la música popular con el paso del tiempo. Aquel local de West Hollywood del que James Taylor decía que era “como un cenicero puesto boca abajo”, vio nacer al artista de Boston, además de a Buffalo Springfield, los Byrds, Jackson Browne, Bonnie Raitt, Linda Ronstadt o los Eagles, cuyos primitivos miembros estaban en la banda de acompañamiento de Linda Ronstadt. Con ellos editó su tercer álbum, de título homónimo en 1972, con un claro sonido country‑rock grabado entre California y Alabama con la producción de John Boylan. Como muestra de su versatilidad, Linda se acercó al honky tonk con una versión de “Crazy Arms”, el primer No.1 de Ray Price en 1956. La producción de John Boylan permitió también que otros músicos como Herb Pedersen, Gib Guilbeau, Sneaky Pete, Buddy Emmons, Jimmy Fadden de la Nitty Gritty Dirt Band o John David Souther participaran en el proyecto. Aquel disco fue, en cierta forma, la puerta para conocer también a nuevos compositores como Eric Kaz, Jackson Browne, Livingston Taylor o Eric Andersen, pero también recurrió a mitos de la categoría de Woody Guthrie, Harland Howard, Hank Cochran o Johnny Cash. Del Hombre de Negro, que llevó a la vocalista a su programa de televisión en sus comienzos, eligió “I Still Miss Someone”, una pieza de finales de los 50 que había compuesto con su sobrino, Roy Cash, Jr. y que conocimos cuando grabó en la prisión de Folsom. Una de las vocalistas favoritas de Linda Ronstadt es Patsy Cline, cuya primera grabación en el sello Decca, "I Fall To Pieces", pasaría a ser el mayor de sus éxitos, consiguiendo llegar por primera vez a la cima de las listas de country poco antes de sufrir un tremendo accidente de coche cerca de su casa de Madison, un barrio de Nashville. La explosiva facilidad de Linda en sus años de Capitol Records para interpretar clásicos como este sorprendió a muchos. En su tercer disco en solitario, con su nombre en el título y editado en 1972, dejó constancia de su respeto por la tradición y de su sensibilidad extrema. Linda Ronstadt comenzó a trabajar con John Boylan en un nuevo disco para el sello Asylum Records, al que se unió John David Souther, con el que mantenía una estrecha relación, antes de encontrar a Peter Asher -antiguo miembro de Peter & Gordon- en el Bitter End de New York. El álbum Don't Cry Now salió al mercado en 1973 tras un año de sesiones, 150.000 dólares invertidos y tres productores. Aquel disco era fantástico, pero nosotros hoy estamos centrados en canciones más tradicionales. Linda había fichado por Asylum, pero debía un álbum a Capitol por contrato. Ese disco que se tituló Heart Like A Wheel y fue publicado en el 74, mezclando antiguas canciones con nuevos temas, incorporando country, rock y rhythm and blues. De todos es recordada su versión al clásico de Hank Williams "I Can't Help It (If I'm Still In Love With You)", donde Emmylou Harris hacía las armonías vocales, la llevó al segundo lugar de las de country y a conseguir un Grammy. Pero esta versión de “Honky Tonk Blues”, también de Hank Williams, que contaba la historia de un joven granjero que deja la granja familiar para irse a la ciudad, fue grabada en octubre de 1974 de nuevo junto a Emmylou y quedó inédita durante 25 años. Es muy posible que Linda Ronstadt y Patsy Cline sean las dos vocalistas más sobresalientes de la historia de la música, con una versatilidad incomparable. Patsy sufrió un tremendo accidente de coche cerca de su casa de Madison, un barrio de Nashville, se fracturó la cadera y tuvo importantes heridas en la cabeza al salir despedida por el parabrisas. Fue hospitalizada durante varios meses y, apoyada aún en sus muletas, grabó una composición de Willie Nelson llamada "Crazy", que pasaría a ser su canción más vendida. Linda Ronstadt la recordó de esta forma en Hasten Down The Wind, un trabajo de 1976 que llegó tras publicar Prisoner In Disguise Ronstadt un año antes y donde eligió canciones de amigos y compositores cercanos. No olvidemos que la madre de Linda era alemana y, sobre todo que su padre era mejicano. Este último, Gilbert, cantaba con ella y sus otros dos hijos canciones de su tierra natal en los pocos ratos de ocio que les permitía la ferretería que regentaban. Nuestra invitada de hoy nunca olvidó aquellas raíces, no solo en los distintos álbumes dedicados íntegramente a canciones hispanas, sino a lo largo de toda su carrera. Como ejemplo, hemos escogido “Lo siento mi vida”, un tema propio, creado junto a su compañero en los Stone Poneys, Kenny Edwards, y a su padre Gilbert, para el álbum Hasten Down The Wind de 1976. En 1977, Linda Ronstadt publicaba su octavo álbum de estudio, Simple Dreams, convertido en una de las más altas cotas de su carrera y vendiendo más de tres millones de copias. Es el último de los discos en los que nos vamos a detener hoy para celebrar el cumpleaños número 74 de su protagonista. Aquel registro, además, fue el encargado de desplazar del No.1 de las listas de pop al mítico Rumours de Fleetwood Mac… y a Elvis Presley de la cabecera de las de country. Producido por Peter Asher, la fórmula fue sencilla: recoger algunas de las grandes canciones interpretadas por una de las voces más distinguida, arropada por los músicos más relevantes del momento, incluidos los Eagles. Para conmemorar los 40 años desde su lanzamiento, se reeditó el disco original con tres temas de bonificación grabados en directo en un concierto especial realizado por la cadena HBO en 1980. Entre ellas estaba "Blue Bayou", un tema de Roy Orbison que la vocalista de Arizona cantó en directo en inglés y castellano. Escuchar audio
Never thought we would make it this far but here we are with War of The Worlds 2! In this episode we discuss, the LA zoo, time portals, and a southern conspiracy that might just shake American society to its very core! Music: The End of The World. By. Skeeter Davis.
Multistreaming with https://restream.io/?ref=YBmnA YouTube: https://www.youtube.com/c/JEdgar101/live Twitch: https://www.twitch.tv/edsblogtwitter DLive: https://dlive.tv/edsblogtwitter Look back at my past articles: https://autoworkerslim.blogspot.com/ Follow me on twitter: https://twitter.com/edsblogtw1tter I'm on Gab: https://gab.ai/edsblogtwitter I'm on Minds: https://www.minds.com/edsblogtwitter Check out my Facebook Page: https://www.facebook.com/edsworld101 Join my Discord and Join the conversation: https://discord.gg/RKyJ3k5 Email Me: edsblogtwitter@gmail.com Intro Music by Stephen Ignoramus https://twitter.com/IgnoramusSteve Podcast Art by Jake from Freedom Scoop https://twitter.com/RealJake1776 Ed's World is a Freedom Scoop Media Group Production Copyright: Ed's Blog Productions LLC MMXIX ht
New episode! Happy belated Mothers Day. “There are so many kinds of mother. The mothers you cherish and celebrate. The mothers who were never really there. The mothers who broke you. Who built you. The mothers who cheered you on. Who chipped away at you until you were dust. The mothers who reveled in your astonishing intelligence and grace and power. Who saw only their own light. The mothers who died painfully young. The mothers who lived so long you felt yourself disintegrating with them. Petal by wilted petal. The mothers who shined. Who dimmed. Who did their best. Who disappointed. Who redeemed themselves. Who accepted your redemption. Who zigged and zagged. The mothers who were a beacon. The mothers you never knew. The mothers who sewed themselves into the quilt you became. The mothers who couldn’t bear to tell the truth. The mothers who were brave. The mothers who didn’t know who they were without you. Who never saw you no matter how wildly you waved. The mothers who grieved you. Who believed in you. The mothers you call. The mothers you no longer speak to. The mothers you take for granted. Or treasure. The dead mothers. The mothers you have to search for and carry. The mothers you find in people who are not your mother. The mothers like a limb. The mothers like a mirror. The mothers like a flame. The mothers you wish. The mothers you love. The mothers you ache. The mothers you echo. The mothers you wanted to be. The mothers you became. I am thinking of you. I am holding you all.” - Sheryl Strayed1. Scott Walker - Duchess 2. Skeeter Davis & NRBQ - Things To You 3. Leon Russell - It’s A Hard Rain’s A-Gonna Fall 4. Arlo Guthrie - Power Of Love 5. David Benoit - Eye Of The Tiger 6. Ian Matthews - These Days 7. Andy Johnston - Good Times 8. Marianne Fathfull - With You In Mind 9. Eurythmics - I Saved The World Today10. Michael Chapman - Goodbye To Monday Night
This week, after a small refrain of 1952 Hank Williams Sr.: brand new The Rifles, 999, Sneaky Feelings, Bye Bye Blackbirds, Car Seat Headrest, and D.O.A., plus Love, Darlene Love, Skeeter Davis,... Real Punk Radio podcast Network brings you the best in Punk, Rock, Underground Music around! From Classic Oi!, Psychobilly and Hardcore to some Classic Rock n Roll and 90's indie Alt Rock greatness!! With Tons of Live DJ's that like to Talk Music From Garage Rock, to Ska.. We are True MUSIC GEEKS!
A girl in Star City, Arkansas grows up with loving parents who would flirt and sing in harmony to 1960’s break-up songs by Elvis Presley and Skeeter Davis. Summers were spent with her Mammy and Pappy traveling to bluegrass festivals in their motorhome, the little curly haired girl dancing to the fiddles and banjos, embraced by the tight-knit bluegrass community. Her father’s work takes the family to the bayou of Monroe, Louisiana where the utopia is interrupted when her idyllic home breaks up, rocked by infidelity that nobody saw coming and her world is turned upside down. She retreats to the radio, back to her sad country songs, stories woven around her own pain. In the aftermath, she is determined to split town to make a life is on her own terms. In a head-turning spin, a month after high school graduation, she wins the America’sMiss T.E.E.N. Beauty Pageant where she is scouted by a talent agent. She puts her college plans on hold, moves to New York and in a few short years, this small-town girl is making her Broadway debut in Julie Taymor’s “The Green Bird.” As if that wasn’t a ripe enough story for a roller coaster of a country song, fast forward a few years, girl meets boy, girl gets married, has children, spinning on stage after stage until her history catches up to her and she’s playing the part her mother originated, blown sideways by cheating. Once again, she hits the road, landing in Nashville and, as a newly single mother, she turns back to the country and gospel music from her childhood, writing her way to resilience, through the grief, and toward love. With her newest album, “I’m Not Broken,” Sarah Jane Nelson adds her own defiantly triumphant voice to the Americana-Country field. Set in a sonic landscape that recalls the era of artists like Wynonna, Kathy Mattea and Mary Chapin Carpenter, “I’m Not Broken” is an honest breath of fresh air, a deliberate throwback to the days when a fiddle, an acoustic guitar and a rich alto voice could celebrate the fullness of a life hard-fought and hard-won. Pedal steel, fiddle and acoustic guitar opens the record on the title track that lifts to an anthemic chorus that wouldn’t be out of place on commercial country a decade or two ago: “But I’m not broken, I’m not done I get up more than I’m knocked down Put myself back the way I was found” Moving from ballad to a rocker with a rolling banjo, “Reap What You Sow” is a foot-stomping slap to the woman who steals her man “You can take the laundry, the dishes, the dirty bathroom and the kitchen, oh the grass looks green but there’s something you should know”. She addresses the ghosts of her past with “Sins of the Father” and even gives us a beautiful acoustic version of The Backstreet Boys’ “I Want It That Way,” finding the dark intimacy in the 90’s monster hit. This is a singer who fits the cliché: “she could sing the phonebook and make it sound good.” In fact, her search for her voice led her from musical theater to Shakespeare to a 2011 acoustic blues-influenced record of standards. But Nashville does a funny thing to artists, makes a singer into a songwriter and by singing their own songs, the songs bring out a truer voice, teaching the artist something maybe they had forgotten. As rich as cane syrup, Nelson’s honeyed voice is both resilient and vulnerable, gliding through the 12 songs with a gentle familiarity, as if we’ve known her all along. It’s clear this once-musical theater actress has deep roots in country music, as every note rings authentic. This is no small task and not many other singers could pull off this hat trick. Nelson had been toying with her songs for years, writing with babies on her lap, moving from NYC to Oregon to Los Angeles and eventually to Nashville with her first husband, also an actor. But the foundation of her marriage had been crumbling for years and cracked wide open in Nashville. The 12 songs on “I’m Not Broken” are the result of this shift from singing others stories to sing. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support
Undaunted Trump Cracking the Deep State. Strong Character Prevailing over the Six Ways From Sunday crowd. Detailing the extended "cloud" tactics of Pelosi's "Rolling Impeachment." How long will this charade go on? As long as Democrats can get away with it, says Kimberley Strassel in the Wall Street Journal. We advise Mitch McConnell and Senate Republicans to start the trial immediately, kick the fraud right back where it came from. Meanwhile, we delve into the burgeoning California homelessness crisis. Will President Trump intervene to help solve California Democrats' problems with human waste? Does Confederate California wish to remain a part of the Union? Plus, we review Democrat Mike Bloomberg's exploitation of "prison labor" to make calls for his presidential campaign. Not a good look for Billionaire Bloomberg. Somehow still not catching on with the base? Also, our notes on the increasing fatigue of MSM propagandists. The tragedies of disinformation. With Listener Calls & Music via Skeeter Davis, Tove Lo and Gram Parsons.
Dick Flood was a singer-songwriter in Nashville in the 60s. Besides landing a couple B-sides for Roy Orbison and Skeeter Davis, he never quite broke through. His own recordings have a haunting quality, with shadowy instrumentation and a voice that quivers with desperation. After many attempts at a music career, Flood concluded that “Nashville’s no place for a nobody”. He left it all behind and resettled in the Okefenokee Swamp in South Georgia, where he changed his name to Okefenokee Joe and became a naturalist devoted to a life of preservation and solitude. Dick/Joe spoke to Fez about music, his friendship with Patsy Cline, contracting Dengue fever in Vietnam, his mission as a wildlife educator, and the present day-- reflecting on his journey, no longer in Nashville or Okefenokee, physically unable to play music. If you use Spotify, you can listen to a selection of Dick Flood's music assembled by Platinum Ranch: https://open.spotify.com/playlist/0Rs3RNCsZsvKhNutGxF5g2?si=ZKiI1AulQ_6MUQ5nZDiteQ For more info on Dick Flood and Okefenokee Joe, visit: www.okefenokeejoe.com
Opening Monologues. Notes on the spectacular Trump Boom MAGA Economy. Soul-Crushing for the Left. Getting ready for tomorrow's release of the IG Report. What to expect when you're expecting Horowitz. With Listener Calls & Music via the Black Keys, Creed, Al Green and Skeeter Davis. See omnystudio.com/listener for privacy information.
Welcome to Episode 30! Conrad Life Report is a podcast about life, including digital media, music, books, food, drink, New York City, and more. Episode 30 topics: Intro theme: none, Phil Collins at Madison Square Garden, Leland Sklar, Genesis, Stephanie Sanders at Rockwood Music Hall, Blue World by John Coltrane, Dead Man's Pop by The Replacements, In The Morse Code Of Brake Lights by the New Pornographers, She Sings They Play by Skeeter Davis and NRBQ, Terms Of Surrender by Hiss Golden Messenger, Long Pond studio, The Obelisk Gate by N.K. Jemisin, Exhalation by Ted Chiang, Amir Bar-Lev, Dogfish Head American Beauty, Evil Twin Michigan Maple Jesus, Other Half x 3 Stars Get Busy Livin', Suarez Family, Blaze Brewing outro music: none.
Ha llevado años, pero al fin hemos podido paladear con deleite la adaptación a la pantalla del divertidísimo libro de Terry Pratchett y Neil Gaiman, con una pareja protagonista insuperable y un cast espectacular. Modera: Jose Ceballos Participan: Agustín Amador y Xevi FirePanda Edición y Música: Jose Ceballos Temas de: David Arnold, Save Ferris, Skeeter Davis, REM, The Chattering Order of St. Beryl y sesiones de Acid Jazz y Chill Hop
With Nino & The Ebbtides, Skeeter Davis, Freddie North, The Harptones, Garnet Mimms & The Enchanters, Bobby Bare, Brook Benton... We kick off the show with an old Glenn Miller standard "Jukebox Saturday Night" covered in 1960 with 2 hit medley of "The Book of Love" and "Get A Job". Our twin spin this week is Brian Hyland's "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" and its b-side "Dont Dilly Dally, Sally".
Show 71, “Gospel Music,” explores mid-20th-century gospel music with 13 inspirational recordings by renowned performers including Mahalia Jackson, Ella Fitzgerald, Sister Rosetta Tharp, Skeeter Davis, Johnny Cash, Roberta Martin, and The Clara Ward Singers. Show... Read More The post Show 71, “Gospel Music,” appeared first on Sam Waldron.
Ep. 65. "Burning Sun" is part one of Post-Pinkerton's first-ever two-part episode. John examines this Green Album cast-off, how it leaked twice in the strangest of manners, and why its bones eventually helped build a 2017 album track. LISTEN: 1. "Burning Sun" on YouTube 2. "Las Dos" on YouTube 3. "The End of the World" (Rivers Cuomo) on YouTube 4. "The End of the World" (Skeeter Davis) on Spotify | Apple Music | YouTube 5. "Weekend Woman" on Spotify | Apple Music | YouTube LYRICS: 1. "Burning Sun" at Genius.com 2. "Weekend Woman" at Genius.com MORE INFO: 1. "Burning Sun" at Weezerpedia 2. "Weekend Woman" at Weezerpedia 3. "The End of the World" at Wikipedia 4. The Green Album at Weezerpedia 5. The Catalog of Riffs at Weezerpedia 6. Skeeter Davis at Wikipedia 7. 4chan at Wikipedia 8. Alone series (I, II, III) at Weezerpedia 9. Everything Will Be Alright in the End at Weezerpedia 10. Pacific Daydream at Weezerpedia
A Collection of 60s Girl Group Favorites... 1) He's A Rebel by The Crystals 2) It Started All Over Again by Brenda Lee 3) The Boy From New York City by The Ad Libs 4) I Can't Stay Mad at You by Skeeter Davis 5) Will You Love Me Tomorrow by The Shirelles 6) Tell Him by The Exciters 7) Stoned Love by The Supremes 8) Easier Said than Done by Essex 9) Is It True by Brenda Lee 10) Cause I Love Him by Alder Ray 11) I'll Come Running by Lulu 12) I Only Want to Be With You by Dusty Springfield 13) I'm Nobody's Baby Now by Reparta & the Delrons 14) Give Him A Great Big Kiss by The Shangri Las 15) Dream Baby by Cher 16) Thank You and Goodnight by The Angels
The Definitive Debunking of the Cohen-In-Prague Canard. For some weird reason, the Deep State cannot let go of Prague, and thus we smell desperation at the dark heart of SpyGate. We recap the claim from the bogus Steele Dossier that Trump advisor Michael Cohen visited Prague in 2016 to conspire with the Russians to defeat Hillary Clinton. It just so happens that Fusion GPS, Christopher Steele, Nellie Ohr and Glenn Simpson got The Wrong Cohen in their illicit searches of the NSA database. Whoops! But they used the information anyways, to bamboozle FISA judges and surveil the Trump Campaign. Later on, the fraudulent claims were used to initiate the Mueller Investigation and cause harm to President Trump in the arena of public opinion. As a case study in the construction and dissemination of Propaganda, we dismantle the latest recrudescence of Cohen-In-Prague as served up this week by Greg Gordon and Peter Stone of the McClatchy DC Bureau. Their anonymous sources who heard it from anonymous sources. We review the ongoing string of outright denials from Cohen's attorney Lanny Davis, and also from Michael Cohen himself. We survey the reporting of Greg Miller of The Washington Post, who has found zero evidence of Cohen-In-Prague. Further, we sample the MSNBC interview of McClatchy's Greg Gordon with a surprisingly skeptical Joy Reid. A total embarrassment to the journalistic profession. The mistakes made in and around the Prague linchpin reveal the methods, motives and wholesale corruption of America's Deep State. With Listener Calls & Music via REO Speedwagon, Sia, Frei Wild, George Harrison and Skeeter Davis.See omnystudio.com/listener for privacy information.
Political Anger and its Sustainability. How long can the Left stretch it all out? We review the national embarrassment of the White House Correspondents' Dinner, in which alleged comedian Michelle Wolf delivers "intense criticism" of the "physical appearance" of Kellyanne Conway and Sarah Huckabee Sanders. Seems these Leftists just can't help themselves. Meanwhile, President Trump brings a fighting spirit to Michigan, referring to James Comey as a "liar and a leaker" before the raucous "USA! USA!" chants of the overflow crowd. For his own part, the beleaguered Comey submits another dubious performance with Chuck Todd on Meet the Press. We listen to Comey belittle the new Trump-exonerating House Intel Report as only "a political document." A breathtaking statement from the individual who went out of his way to conceal Hillary's funding of the Steele Dossier -- a 'political document' if there ever was one. Notably, we detect Comey throwing DNI Clapper under the bus over their "salacious" briefing. Oh goodness, did Clapper find a way to "monetize" his leaking to CNN? Tucker Carlson of Fox News refers to Clapper as a "prolific liar," while announcing the Dossier was "a setup from the beginning." With Music from The Black Crowes, Skeeter Davis, The Beatles and The Pretenders. Coda Quotation from Thomas Jefferson: "I have sworn upon the altar of God, eternal hostility against every form of tyranny over the mind of man."See omnystudio.com/listener for privacy information.
主播打分： 张瑞（时光网前任高级编辑；《敦刻尔克》等2期嘉宾）：7分； “只关心个人命运，不关心地球命运的就不用来看了。” （张瑞的其它打分：《寻梦环游记》7.5分；《妖猫传》7分；《至爱梵高》6分） 雷普利（凤凰电影前编辑；《至暗时刻》等22期嘉宾）：6分； “达伦比诺兰的野心大得多，但他自己在采访时对本片进行自我解读是个非常愚蠢的动作，这甚至直接影响了电影本身的成立。。” （雷普利的其它打分：《妖猫传》6.5分；《至爱梵高》6.5分；《帕丁顿熊2》6.5分） 波米：6.5分； “达伦自己说的所谓‘宗教隐喻’和‘地球末日’只是停留在‘酷炫概念’的层面，无法构成一套完整的暗示系统。” 《母亲！》（Mother!）平均分：6.5分 本期节目流程与目录： 开场曲：(Clint Mansell)； 第18秒-第4分钟：影片信息介绍（无剧透）； 第4分钟-第7分钟：三位主播为影片打分并阐述理由（无剧透）； 第7分钟-第22分半：嘉宾“张瑞”先谈《母亲！》的“问题”，“雷普利”和波米谈“亮点”（涉及剧透）； 第22分半-第56分半：交换意见，嘉宾“张瑞”谈《母亲！》的“问题”，“雷普利”和波米谈影片“问题”（涉及剧透），之后三人就本片“宗教主题”与“哲学思辨”主题是否成立发生了激烈冲突： 第56分半-尾声：外延话题（涉及剧透）：达伦·阿伦诺夫斯基生涯长片电影回顾； 尾声曲目：(The End of The World)。影片《母亲！》重要信息： 本片北美分级：R级； 本期节目重点提及的电影片单： 《死亡密码》（1998） 《梦之安魂曲》（2000） 《珍爱泉源》（2006） 《摔角王》（2008） 《黑天鹅》（2010） 《少年派的奇幻漂流》（2012） 《诺亚方舟：创世之旅》（2014） 《法老与众神》（2014） 《杰出公民》（2016）
Slocum, wanting to test out his rocket gun, gave Charlie a headset and wireless microphone, sent him to the mouth of the barrel and told him to crawl inside. Meanwhile, back at the famed Harmony Ranch, Riders In The Sky are gathered in their kitchen for a signature Sidemeat meal. But when a dreary radio tune plays across the airwaves, the city falls into a deep depression… featuring Skeeter Davis!
Venha testemunhar a primeira vez que o Sushi assistiu Star Wars; o que achamos do novo Blade Runner 2049; do colorido e animado Thor: Ragnarok e, por fim, discussões e especulações sobre Mãe! (Mother!).E o que você tem a dizer?Deixe seu feedback acessando o post deste podcast, ou mande um e-mail para contato@jogabilida.deLinks Comentados: Contribua com nosso Patreon ou Padrim Siga-nos no Twitter: Jogabilidade Assine: Canal do Youtube Blocos do Podcast: Star Wars Episódio IV: 00:01:13 Blade Runner 2049: 00:12:47 Thor: Ragnarok: 00:26:34 Mãe: 00:38:16 Trilha do Podcast: “First Crush”, por Saberpulse "Theme", de Star Wars "Immigrant Song", por Led Zeppeling "Smiles and Tears", de Earthbound "The End of the World", por Skeeter Davis
Our gospel broadcast on 16Jul17 included: Skeeter Davis (see picture above) – Oh Happy Day The Happy Goodmans – Oh Thou blessed rock of ages Pat Boone – A Wonderful Time Up There
Morrissey responds to the terror attack in Manchester. In a bold statement, the former singer for The Smiths criticizes the weak English reaction and implores his home country to change its Immigration policies. Globalist Anne Applebaum of the Washington Post takes offense, calling Morrissey a "drama queen." New information reveals Libya has become a breeding ground for jihadists, but the 9th and 4th Circuit Courts remain unimpressed, as they unite to block Trump's temporary Travel Ban. The rise of Fake Law in America. Meanhwile, President Trump hits a "home run" on his nine-day trip abroad, gathering strength and momentum, as First Lady Melania comes into her own. The hostile media admits as much, but still tries to "make stuff up" to undermine the couples' diplomatic efforts. Also, we offer tribute to Gregg Allman via the story of the song "Midnight Rider." With Listener Calls & Music from Morrissey, Skeeter Davis, Eros Ramazzotti, U2 and the Allman Brothers Band. See omnystudio.com/listener for privacy information.
(function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','//www.google-analytics.com/analytics.js','ga'); ga('create', 'UA-58201024-1', 'auto'); ga('send', 'pageview'); (function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= '//www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer','GTM-NJZVK9'); --> pour Écouter l'audio: EPICURE_HS-04_Chauve-Souris_Amélie-Fontaine ** ^-_-^ Cliques I C I ^-_-^ **Table des matières audio0 :00 min Présentation de l’épisode3 :40 min Le cheminement d’Amélie8 :05 min La principale menace des chauves-souris : le syndrome du museau blanc16 :55 min Le suivi des populations (hibernacles et maternités)21 :10 min Cohabiter avec les chauves-souris26 :40 min Autres menaces : les éoliennes, la perte d’habitat, le dérangement dans les hibernacles, les pesticides, les expulsions des maternités, …38 :15 min Le cycle annuel des chauves-souris40 :30 min L’installation de dortoirs à chauves-souris57 :20 min Les différents volets et les collaborations reliés au doctorat d’Amélie63 :25min Comment s’impliquer en tant que citoyensDescription de l'épisode: Aujourd'hui, je n'suis pas seul pour te parler de ces petites créatures bien importante qu'est la chauve-souris; j'ai l'plaisir d'enregistrer en compagnie d' Amélie Fontaine, doctorante en sciences, à McGill, une fille super pétillante supervisée par Kyle Elliott, de l'Université McGill et par Anouk Simard, du ministère de la forêt, de la faune et des parcs.Les p'tites chauve-souris filent un mauvais-coton depuis quelque années (c.f.: syndrome du museau blanc; mais c'est pas de drogue dont j'te parle.) et bien d'autres périls peuvent dangereusement amener plusieurs espèces de chauves-souris indigènes à disparaître soudainement de l'Amérique du Nord.Je tiens à te fournir des références au quel tu pourras, au moment opportun, te référer rapidement: - Pour répertorier un endroit, comme un chalet, une maison, une remise, qui est fréquenté par un groupe de chauves-souris durant l'été, un hibernacle non répertorié, ou pour toutes recherches supplémentaires, je t'invite à débuter par le site de Chauves-souris aux abris à l'adresse: chauve-souris.ca - Cependant, si tu es témoins d'un comportement anormal de chauve-souris, pour mentionner un hibernacle comme étant actif en pleine hiver, ou de jour, un spécimen trouvé mort, moribond ou blessés (car possible signe du syndrome du museau blanc ou autres maladies, tel que la rage), contactes le ministère de la Forêt, de la Faune et des Parcs (MFFP.gouv.qc.ca)ou par téléphone, à la ligne dédiée à la faune: 1 877 346-6763. - Pour fournir un abris aux chauves-souris , j'ai aussi aimé le site anglophone: batcon.org et j'ai un penchant pour le modèle {Rocket Box} - Pour écouter les chauve-souris , mes rapides recherches font que j'essaierai peut-être quelque chose comme le: Baton-XDToutes les musiques pendant l'entrevue sont de Vangelis et la pièce de fermeture est: "The end of the world", de Skeeter Davis, interprétée par Lena Zavaroni Sings "End of the World" on Tonight Show^-_-^
The End of the World Vol 1 A collection of '60s girl group favorites... 1) He's Got the Power by The Exciters 2) Break-A-Way by Irma Thomas 3) He Hit Me (And It Felt Like A Kiss) by The Crystals 4) You Bet I Would by The Ronettes 5) Our Love It Grows by Myrna March 6) Baby Roo by Connie Francis 7) Bang Bang (My Baby Shot Me Down) by Cher 8) Drummer Man by Nancy Sinatra 9) Now That You're My Baby by The Chiffons 10) Heartbeat by Gloria Jones 11) Blame It On the Bossa Nova by Edie Gorme 12) You'll Lose A Good Thing by Barbara Lynn 13) Train from Kansas City by The Shangri Las 14) Coming On Strong by Brenda Lee 15) Some of Your Lovin' by Honey & the Bees 16) The End of the World by Skeeter Davis
The loathsome John McCain criticizes President Trump from foreign soil. Why is this Deep State Denizen worrying about Dictatorship? A stricken Chuck Todd of NBC says it's "unAmerican" for Trump to criticize the Media, while Trump tweets that "FAKE NEWS media" is the "enemy of the American People." Meanwhile, Trump holds another high-energy rally in Melbourne, Florida with Air Force One as backdrop. Also Joy Villa, the singer of Grammy MAGA Dress fame, sees her album rocket up the charts. With Listener Calls & Music via Joy Villa, Alice In Chains, Skeeter Davis and Snoop Dogg. See omnystudio.com/listener for privacy information.
Feeling Free — Nicole Willis & the Soul Investigators We’re loving this retro R&B/soul group of American-born Nicole Willis, based in Helsinki, Finland. Half Moon — Janis Joplin Can’t go wrong with some lost Janis classics. Naked Eye — Luscious Jackson Hard to believe it’s been 20 years since this alt-rock gem landed. Shut Up Kiss Me — Angel Olsen We’ve featured Angel Olsen on a Whiskey & Bananas playlist a while back, but she’s too amazing not to include her new music here — we couldn’t be more excited about her new album coming out in the fall. End Of The World — Anika An off-kilter, Nico-esque reimagingining of the Skeeter Davis classic. Sail Away Ladies — Odetta No one did it better than the legendary Odetta. The Girl from Detroit City — Suzi Quatro 70s glam rock wunderkind & “Happy Days” actress Suzi Quatro reflects on her Detroit roots. Heartbreak — Spike & the Sweet Spots This cover of a Shannon & The Clams original by local Chicago retro rock n rollers Spike & the Sweet Spots harkens back to a different era with stunning vocals. Lady Scarface — Lydia Lunch One of the original NYC punk pioneers, Lydia Lunch goes cabaret in this hidden gem. Spare Me Fetzer’s Blues — Caitlin Rose Young Nashville singer Caitlin Rose captures some of the best vibes that country music can offer.
Has Ted Cruz taken lingering "Never Trumpers" over the edge with him? Did the pro-Cruz Colorado delegation work as a band of principled citizens in their Cleveland "walkout" -- or as saboteurs of the Republican Party and abettors of the Clinton campaign? To what extent has Darryl Glenn's senate campaign been undermined? In spite of it all, why is leftist activist Michael Moore now convinced that "Trump is gonna win" in November? Meanwhile, we review the bizarre claims of Robby Mook, campaign manager for Hillary Clinton, that Putin's Russia has masterminded the damaging DNC email leaks -- and that Donald Trump is somehow to blame. Also, we listen to Bernie Sanders demand the resignation of DNC Chair Debbie Wasserman Schultz. Will Sanders toe the line for the "rigged" system of his own party? With Listener Calls and Music via Abba, Skeeter Davis, the Rolling Stones and Dwight Yoakam. See omnystudio.com/listener for privacy information.
Hope ya'll enjoy this ''Skeeter Davis'' country hit from 1962. ''Chet Atkins'' stamped his arranging polish on this one, as he did with so many other legends, back then. ... Thanks for tunin' in. ... Don. ... Key, Eb - tuning CGBD.
Daniel, Paul and Lee are back together this week to look at a film Daniel suggested, the 1959 post-apocalyptic drama, "The World, the Flesh and the Devil". Before that, they engage in some lengthy house-keeping revolving around praise from a fellow podcaster, listener comments, and some extended discussions around what they've been watching in the last little while. "Free, white and 21" article.Featured Music:"Civilization (Bongo Bongo Bongo I Don't Want To Leave The Congo)" by Woody Herman & "The End of the World" by Skeeter Davis.
In a special edition first broadcast on June 9, 2014, DJ host Andrew Sandoval presents a sizzling seasonal assortment of summer tunes from Harper's Bizarre; The Gibsons; The Quotations; Harmony Grass; Marianne Faithfull; Nancy Sinatra with Lee Hazlewood; Johnny Rivers; The Shangri-La's; Suzi Jane Honkum; Keith Green; Skeeter Davis; The Beach Boys; Gerry & The Pacemakers; The Arbors; Lesley Gore; Brian Hyland; Floyd & Jerry with The Counterpoints; Jan & Dean; Bobby Fuller; The Four Winds; The Herd; The Kinks; The Monkees; The Bystanders; The Troggs; The Outsiders; Pinkerton's Colors; Del Shannon; The Tokens; Twinn Connexion; Almond Marzipan; Strawberry Alarm Clock. These include some rare mono mixes and unissued radio sessions. A full playlist is available at www.cometothesunshine.com
Listen[audio:http://media.rvanews.com/wp-content/uploads/2012/10/The-Bopst-Show-Tobias-Sportswear-Episode-215.mp3|titles=The Bopst Show -- Tobias Sportswear -- Episode 215]SubscribeiTunes: The Bopst show podcastEverything else: The Bopst show podcastDownloadThe Bopst Show -- Tobias Sportswear -- Episode 215— ∮∮∮ —Title: The Bopst Show: "Tobias Sportswear (Episode 215)"Rating: PG-13 (Adult Situations & Language)Intent: To leave this place better than the way I found that it was…Random Richmond Diversion: He started making the extract himself and selling it to housewivesRandom USA Diversion: They just don’t have the slightest interest in doing soRandom World Diversion: We were the first mere mortals to see these thingsRandom Image: Love, Joan CollinsRandom Music Blog: Last Gas StationRandom Bopst Show: The Bopst Show: "The Numbers (Episode 76)"Mainstream Bopst Fluff: Just thinking about that show brings a smile to my faceSnakes on a plane:http://www.youtube.com/watch?v=FTtS17xcr-UConstruction Date: Friday & Saturday October 5th & 6th, 2012Equipment: Mac G5, Free Audio Editor & Recorder Software from Audacity, Frontier US-122 USB Audio/MIDI Interface, Shure SM57 MicrophonePosted: October 8th, 2012Artists and Groups in order of appearance: John Lennon, The Tape-Beatles, Flick Wilson, Nina Simone, Cameo, Bowed Piano Ensemble, Skeeter Davis, Sammy Davis Jr., The Brooklyn Express, The Flesh Eaters, Mickey Hawks, Carl Stalling, The J’s with Jamie, Paul DesmondLiner Notes I'm not really conservative. I'm conservative on certain things. I believe in less government. I believe in fiscal responsibility and all those things that maybe Republicans used to believe in but don't any more. Clint EastwoodHere are some shows I’m hustling at Balliceaux this week...NEXT NEW SHOW: 10/15/12 New show times. The Bopst Show airs Sundays, 11PM and Tuesdays, 6PM (EST-USA) on KAOS Radio Austin.Until Next Time:Stay clean,BOPSTHo there, reader of RSS feeds! Do you ever want to support RVANews in a real and tangible way? Or at least pay a small penance for reading ad-free content? If so, support us on Patreon for a couple bucks a month!
This week we have tracks from artists: Charles Mingus, Shakira, Skeeter Davis, ELO, Malo, My Morning Jacket, Boz Scaggs, M. Ward, Ravi Shankar, Swing 41, Stubby Kaye, Tommy James, Robert Johnson, and Tom Jones... As always you can find us a few places: iTunes: http://itunes.apple.com/us/podcast/music-first/id514748568 Podbean: http://musicfirst.podbean.com/ Facebook: https://www.facebook.com/pages/Music-First-Podcast-with-DJ-Dave-Swirsky/418863534806227
We kick off another edition of Inside Music Row with the mention of Jimmy Wayne as he is continuing to work hard helping kids in Tennessee's foster care system. Jimmy helped Tennessee lawmaker pass legislation that provides assistance to foster kids once they age out of the system, helping to bridge the gap between teenage years and adulthood. Craig Morgan is also in the news as he recently appeared in Lifetime's hit drama "Army Wives." We also mention Minnie Pearl as you may see the return of "Hats Across The Row" next week honoring her legacy. Up next is the mention of the Kentucky Music Hall of Fame as it is welcoming a new class of inductees. Some of the inductees are Steven Curtis Chapman, The Kentucky Headhunters, Skeeter Davis and the group Exile. Also, Trisha Yearwood is bringing her family-inspired recipes and traditions to the Food Network this week. Look for the new daytime series "Trisha's Southern Kitchen." Finally, we go Inside The Song with Jeremy McComb and his song "Time."
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