Podcasts about bendor grosvenor

While the great Italian renaissance painters and the Dutch masters are world famous, why are there so few British artists from this period leading the way? It's one of the questions the art historian Bendor Grosvenor examines in his new history, The Invention of British Art. From prehistoric bone carvings to the landscapes of John Constable, Grosvenor reassesses the contribution British artists have made at home and abroad.The writer and former curator at the V&A Susan Owens wants to turn our attention to drawing. It is a simpler, more democratic form of art-making, she argues in The Story of Drawing: An Alternative History of Art. And one that is a fundamental part of the creative process. She reveals what can be learnt by looking again at the sketches made by Gainsborough, William Blake and Tacita Dean. The artist Lucinda Rogers specialises in urban landscapes. She immerses herself in her environment and records straight from eye to paper. Her intimate street views explore the changing nature of cities, from London to New York. During the US Presidential election she travelled to different locations as a reportage illustrator. A reproduction of her first sketchbook, New York Winter 1988, has just been re-released. Producer: Katy Hickman

In this special episode, Charlie Higson indulges his fascination with British art. His guest is Bendor Grosvenor, the art historian, writer and former art dealer. As well as his sleuthing work discovering lost art treasures, he's also published a book called The Invention Of British Art. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Rebecca Rideal is joined by art historian and broadcaster, Dr Bendor Grosvenor to explore the fascinating life and mysterious death of 17th-century artist, Anthony Van Dyck.  Written, hosted and produced by Rebecca Rideal Theme Music: 'Circles' by the Broxton Hundred

How's the UK's refugee policy going? Luke speaks to 'Aziz' Afghan refugee who has been stuck in a hotel for six months, Presenter Dr. Bendor Grosvenor, Debbie Gaze and Jane Finlay Blackall about housing Ukrainian refugees in their homes in the UK.PLUS Libby Purves and Rachel Sylvester discuss Boris Johnson's leadership and going to university. See acast.com/privacy for privacy and opt-out information.

Little Amal, a giant puppet of a refugee girl, will complete her epic journey from Gaziantep on the Turkey/Syria border to Manchester tomorrow. Theatre director David Lan discusses what the project has achieved. Euripides' tragedy Herakles was first performed in 416BC. The poet Anne Carson's new translation mentions contemporary artist Anselm Kiefer, an Airstream trailer and a lawnmower. The text is torn and pasted, scattered along with drawings. Carson talks Tom Sutcliffe about her version, titled H of H Playbook. On Saturday, the National Trust held its annual general meeting where members expressed their concerns and hopes for the organisation which has been rather embattled in recent months. The art historian, Bendor Grosvenor, and the editor of The Oldie, Harry Mount, join Front Row to discuss whether the National Trust needs to pause or steam ahead with its current plans. Paul McCartney discusses Junk, a song he originally wrote for the Beatles in 1968, but which was first released on his debut solo album McCartney in 1970.

When a collage of digital images was sold in New York earlier this year for £50 million, the art world was convulsed. The reason? The picture couldn't be hung on a wall and was only visible online. What had been bought and sold was the non-fungible token - or NFT - relating to the collage. David Aaronovitch and his guests discover how NFTs work for those who sell and those who buy them and also consider if NFTs are a passing fad or an aspect of our culture that is becoming increasingly common and might lead to the emergence of a future John Constable or Tracy Emin, eventually spreading to and influencing other art forms.Enter the Briefing Room and find out why collectors are investing in NFTs; how easy it is to spot a fake and what you can do about it; and whether non-fungibles will be an enduring part of the artistic - and investment - worlds in the years ahead.Those taking part include: Georgina Adam of The Art Newspaper; investor in NFTs and co-founder and chief executive of the Arts and culture portal Vastari, Bernardine Bröcker Wieder; and the art historian, former art dealer and presenter of the BBC FOUR series, Britain's Lost Masterpieces, Bendor Grosvenor.Producers Simon Coates and Bob Howard Editor Jasper CorbettImage: Visitors to "Machine Hallucinations - Space: Metaverse" by Refik Anadol, which will be auctioned online as an NFT at Sothebys, at the Digital Art Fair, Hong Kong Credit: REUTERS/Tyrone Siu

Season Finale! Waldy & Bendy visit Bendor Grosvenor's Farm to search for the best birds in art and look back at their favourite art moments of the lockdown.   See the show notes on our website.

Waldy & Bendy raid Bendor Grosvenor's farm in the search for the best horse in art! Waldy reveals how Caspar David Friedrich changed his television career, while, Bendy visits the Queen.   See the show notes on our website.

What gives away a composer's personal style? How can we spot their musical signatures? And having done so, could they be convincingly copied? Tom looks for clues in the potentially similar music of Mozart and Haydn, and in the English styles of Vaughan Williams and Elgar, and speaks to art historian and discoverer of lost masterpieces, Dr Bendor Grosvenor.

We speak to our journalists in the two epicentres of the Covid-19 pandemic thus far: Anna Somers Cocks in Italy and Lisa Movius in China. We hear about their experiences of lockdown, the response of museums and galleries and the effect on the art community, as the two countries enter contrasting moments in the coronavirus crisis. And we begin a new feature, turning the spotlight on works of art normally enjoyed by millions of visitors in museums across the world that are suddenly hanging unseen in empty galleries closed because of the coronavirus pandemic. In the first of the series, we asked the art historian and broadcaster Bendor Grosvenor to choose his "lonely work": Anthony van Dyck’s masterpiece Martin Ryckaert (about 1631), in the Prado Museum in Madrid, which closed indefinitely last week. See acast.com/privacy for privacy and opt-out information.

We speak to Bendor Grosvenor, co-host of 'Britain's Lost Masterpieces' to discuss the latest series.

In the week of Pride and following his Glastonbury speech about LGBTQ rights, Olly Alexander of Years & Years talks about writing lyrics that are overtly about gay relationships. Ari Aster's horror film Midsommar starring Florence Pugh has allegedly given its own stars nightmares. Isabel Stevens reviews. 17th century artists Joan Carlile, Mary Beale and Anne Killigrew were the first professional female painters in Britain. Art historian Bendor Grosvenor discusses the work of these trailblazing women showcased in “Bright Souls”: The Forgotten Story of Britain’s First Female Artists at the Lyon & Turnbull Gallery in London. William Feaver marks the life and work of renowned artist Leon Kossoff, known for his lyrical and energetic paintings of London life. His death has been announced at the age of 92. Presenter: John Wilson Producer: Sarah Johnson

As the third series of the BBC series 'Britain's Lost Masterpieces' comes to a close, I sat down with presenter Dr Bendor Grosvenor to discuss the paintings featured in the three episodes, and to get some behind-the-scenes insight into how the show is put together. https://artuk.org/discover/stories/art-matters-podcast-finding-britains-lost-masterpieces

Sacha Baron Cohen's return to TV is Who Is America?, a new series in which he dupes figures such as Sarah Palin and Bernie Sanders into giving interviews to him, heavily disguised with prosthetics. TV critic Boyd Hilton reviews.As the decision is taken to rebuild the Glasgow School of Art after its second devastating fire, Sally Stewart, Head of Architecture at the school, discusses the latest plans for the celebrated Charles Rennie Mackintosh masterpiece.Photographer Anita Corbin discusses her latest project, First Women, a series of portraits of 100 women who have broken barriers in areas including sport, law, and the military, to become the first of their gender to achieve their positions. After he was stopped from photographing a work by Rembrandt this afternoon at Scotland's National Galleries - a painting on loan from a museum that allows the public to take photographs of the painting freely - art historian Bendor Grosvenor discusses the ethics of taking photographs in art exhibitions.The Chinese fantasy epic, Asura, with special effects made in Hollywood and starring China's most popular stars, cost 112 million dollars to make and was eagerly anticipated. But after its opening last weekend China's most expensive film ever has been pulled from cinemas. The BBC's Hong Kong Bureau Chief, Vivian Wu, tells John where it all went wrong. Presenter John Wilson Producer Jerome Weatherald.

A portrait of Clara Serena, daughter of Peter Paul Rubens, was sold as an unexceptional work by New York’s Metropolitan Museum of Art five years ago, but has now been re-appraised as the work of the Flemish master himself and not one of his followers as originally thought. James Pickford discusses the Met’s costly mistake with art historian Bendor Grosvenor.Read James’s article here See acast.com/privacy for privacy and opt-out information.

We pick apart the latest smash hit show to open in London with art historian Bendor Grosvenor, then complete our 2018 preview with a look at the big exhibitions coming to the US this year See acast.com/privacy for privacy and opt-out information.

We talk Titian, Constable, Veneziano, Wright of Derby, Van Dyck and, yes, Leonardo, with art historian Bendor Grosvenor. And our deputy art market editor Anna Brady gets Judd Tully’s views on Miami’s annual art fair. See acast.com/privacy for privacy and opt-out information.

The $450m sale of Leonardo da Vinci's Salvator Mundi was surrounded by a the near constant repetition of the erroneous idea that there are doubts about the work's authenticity. From news reports to essays by Contemporary art critics miffed at the growing spectacle, writers ignored the consensus among scholars and scientific researchers that the work is the lost work of the Renaissance master. In this podcast, Bendor Grosvenor, an Old Master dealer credited with numerous 'sleeper' finds and the host of "Britain's Lost Masterpieces," discusses the 2011 National Gallery show on Leonardo that admitted the Salvator Mundi into the canon of the few recognized works by the artist. Grosvenor also addresses the tone of the Old Masters market, his hopes that this sale will remind art collectors of the enduring popularity of Old Master paintings and spur more attention to the field.

Audre Lorde described herself as "black, lesbian, mother, warrior, poet". A writer of the 70s and 80s, this month her poetry and prose is published in the UK for the first time in a new anthology: Your Silence Will Not Protect You. Akwugo Emejulu, Professor of Sociology at the University of Warwick discusses the resurgent interest in Lorde's work and her importance to contemporary activistsDan Brown came to the fame in 2003 with his novel The Da Vinci Code which became a worldwide bestseller and a Hollywood movie. As his latest book, Origin, is published, Brown discusses his new novel's exploration of the tension between science and religion, and the appeal of his protagonist, Professor Robert Langdon, who seems never happier than when he's fleeing for his life in search of esoteric clues to labyrinthine mysteries.Dr Bendor Grosvenor, art dealer and presenter of Britain's Lost Masterpieces, argues that we are at risk of losing the skill of connoisseurship - being able to determine the painter simply by looking at the painting, which is key when attributing a work to a particular artist. Professor Alison Wright, head of the History of Art Department at UCL, joins him to discuss if this skill really is dying out and how important it is.We discuss the breaking news that Harvey Weinstein, the Oscar-winning film producer, has been fired by the board of his company after being accused of sexually harassing female employees and actresses over nearly three decades. Mia Galuppo of the Hollywood Reporter and Anne Helen Petersen, senior culture writer at Buzzfeed, who has written a Phd on The History of Celebrity Gossip, join Stig to unpack the story.Presenter: Stig Abell Producer: Hannah Robins.

Bendor Grosvenor is a British art dealer, art historian and writer. He is known for discovering a number of important lost works by Old Master artists, including Sir Peter Paul Rubens, Claude Lorrain and Peter Brueghel the Younger. The Equestrian Portrait of Charles I (also known as Charles I on Horseback) is an oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of Great Britain and Ireland in 1625 on the death of his father James I, and Van Dyck became the Charles' Principal Painter in Ordinary in 1632. The portrait is thought to have been painted in about 1637–38, only a few years before the English Civil War broke out in 1642. It is one of many portraits of Charles by Van Dyck, including several equestrian portraits. It is held by the National Gallery, London. View this episode's image

Art historian Bendor Grosvenor talks about the growing trend for displaying Old Masters in contemporary interiors and whether brown furniture is making a comeback. See acast.com/privacy for privacy and opt-out information.

Galleries display only a fraction of the works in their collections. Art historian Bendor Grosvenor says it’s time they faced down their conservation departments and liberated their hidden masterpieces See acast.com/privacy for privacy and opt-out information.

As London's National Gallery prepares to open a blockbuster exhibition of the artist's late works, art historian Bendor Grosvenor looks at the chaotic world of Rembrandt connoisseurship. See acast.com/privacy for privacy and opt-out information.

With their ever-growing ability to crunch data and analyse patterns, computers are valuable tools for art research – but that doesn’t mean art historians will soon be a thing of the past, argues Bendor Grosvenor See acast.com/privacy for privacy and opt-out information.

The editor of arthistorynews.com welcomes the decision of the National Gallery in London to let visitors photograph works – and hits back at critics who say it will make people look at art in the ‘wrong’ way See acast.com/privacy for privacy and opt-out information.