POPULARITY
5 episodes with Salvator Mundi
4 episodes with Salvator Mundi
4 episodes with Salvator Mundi
2 episodes with Salvator Mundi
2 episodes with Salvator Mundi
2 episodes with Salvator Mundi
2 episodes with Salvator Mundi
2 episodes with Salvator Mundi
2 episodes with Salvator Mundi
Today back on Sense of Soul we have J.J. Hurtak, Ph.D., Ph.D. and Desiree Hurtak, Ph.D., social scientists, composers, authors and futurists. Dr. J.J. Hurtak is the author of the best-seller The Book of Knowledge: The Keys of Enoch®, translated into twenty-five languages. He has Ph.Ds from the University of California and the University of Minnesota. Together, the Hurtaks are the founders of The Academy For Future Science, an international NGO. They have written numerous books together that include Salvator Mundi, The Seventy-Two Holy Names of The Myriad Names of the Divine Mother, The Overself Awakening, Pistis Sophia: Text and Commentary, a commentary on The Gospel of Mary and more. Drs. Hurtak are co-authors of Mind Dynamics in Space and Time, with the collaboration of world-renowned physicist, Dr. Elizabeth Rauscher, encompassing the rigorous scientific research of remote viewing and consciousness. They are also well known for their inspirational music, including their CD Sacred Name Sacred Codes which is a collaborative music with Steven Halpern, and their latest album with Steven entitled Sacred Cyphers of the Divine Mother. Dr. J.J. Hurtak's work has been performed by the German Symphonic Orchestra of Berlin with the famous singer Jocelyn Smith. Dr. J.J. Hurtak was also cowriter and composer with legendry song writer Alice Coltrane, and their work was presented at the New Jersey Center for Performing Arts where Desiree performed with the chorus. Their music of sacred mantras has been performed and sung throughout Europe and Latin America. Together, Drs. Hurtak continue to introduce music, having over 30 albums to date, to help unify cultures within the larger global society. Drs. Hurtak are also well-known as pioneers in Acoustic Archaeology having done music testing in many of the Mayan Temples, as well as the Great Pyramid of Giza. They were part of the team that discovered the “Tomb of Osiris” on the Giza Plateau in 1997. Their most recent publications to which they have been contributors are, Our Moment of Choice (2020), which includes their insights on consciousness together with those of over forty other internationally respected writers, such as Dr. Deepak Chopra and Dr. Bruce Lipton, and Making Contact (2021) with chapters by Nick Pope and Linda Moulton Howe, and The Holomovement: Embracing Our Collective Purpose To Unite Humanity (2023), which explores various inspirational understandings of the living universe and our integral place in its evolution. J.J. Hurtak was a member of the founding faculty at California Institute of the Arts. Together the Hurtaks have won fifteen awards at national and international film festivals for their numerous animated and graphic arts films regarding the exploration of higher consciousness. Together, they are members of the Evolutionary Leaders group that constitutes a body of speakers and writers from around the world who are shaping the shift in consciousness around the world towards a positive future. keysofenoch.org futurescience.org www.senseofsoulpodcast.com
El Salvator Mundi, atribuido a Da Vinci, es la pintura por la que más se ha pagado en el mundo: 450 millones de dólares. También una de las más misteriosas. Su pista nos lleva desde una modesta casa de subastas de Nueva Orleans a la National Gallery de Londres; también a la colección de un oligarca ruso y, al yate de lujo del príncipe saudí. No sabemos con certeza dónde está, pero su recorrido estrambótico nos dice mucho del mundo del arte y del dinero. CRÉDITOS: Realización y presentación: Ana Fuentes Con información de: Miguel Ángel García Vega Edición: Ana Ribera Dirección: Silvia Cruz Lapeña Diseño de sonido: Nacho Taboada Sintonía: Jorge Magaz Ven al directo de Hoy en El País en Estación Podcast el próximo viernes 23 de mayo a las 19h en Serrería Belga (Madrid). Entradas gratuitas aquí (hasta completar aforo). Si tienes quejas, dudas o sugerencias, escribe a defensora@elpais.es o manda un audio a +34 649362138 (no atiende llamadas).
Nuvole e Passeggeri | RadioMania | XXVIII puntata Today from Perugia! Con noi Merkel e, solo per oggi, “Decimo Meriglio” e poi: Andrew Sensation, Tonino Trimoni, Dany in English, Martalta, Salvator Mundi, il carosello di Claudia, Harry Potter, Dudley e Robin Hood! Buon ascolto! L'articolo Nuvole e Passeggeri | RadioMania | XXVIII puntata proviene da Young Radio.
Scopri il mistero dietro il "Salvator Mundi": capolavoro di Leonardo o controversa attribuzione? Un'analisi tra storia, tecnica e mercato dell'arte. L'articolo Il Mistero del “Salvator Mundi”: Capolavoro di Leonardo o la Più Grande Controversia Artistica? proviene da Andrea Concas - Il mondo dell'arte come nessuno ti ha mai raccontato.
Willie Mullins didn't send a single favourite into battle — but still returned home with five Grade 1s from Aintree. In Part 2 of our Grand National Festival review, Emmet Kennedy, Adam Mills, George Gorman, and Ginger Joe break down all the big races, performances, and implications.
In this Grand National Festival special, Emmet Kennedy is joined by some of the biggest names in the sport: Danny Mullins, Nicky Henderson, and Harry Skelton.
Adam Mills, Katie Young, and Emmet Kennedy shine a spotlight on one of the most confusing divisions in racing: the novice hurdlers. Does Salvator Mundi deserve to be a strong favorite for the Supreme Novices' Hurdle? If not, who stands out against him? We analyse Willie Mullins' runner and provide value recommendations, including one horse that could significantly shorten from the 14/1 currently offered by Geoff Banks. With The New Lion a red-hot favorite for the Turners Novices' Hurdle, we ask: have people overlooked the poor record of Challow Hurdle winners at the Cheltenham Festival? Considering that, who can beat him? There's a big disagreement about The Yellow Clay, while Adam shares a 20/1 dark horse for the race. The Potato Race is often a minefield, but Adam has a strong each-way fancy. We also delve into the intriguing juvenile hurdle division and ask if any contenders could step up to the Supreme. Adam shares a strong theory and a bet for the race. Horses discussed: Salvator Mundi, Romeo Coolio, Kaid d'Authie, Kopek Des Bordes, Workahead, Kawaboomga, The New Lion, The Yellow Clay, Final Demand, Potters Charm, Irancy, Jax Junior, Funiculi Funicula, Jet Blue, Zillow, Redemption Day, Regent's Stroll, Lulamba, East India Dock, Hello Neighbour, Lady Vega Allen, Palladium, Sainte Lucie, Mondo Man, Charlus, Live Conti, Stencil. The Final Furlong Podcast is proudly brought to you by Geoff Banks Bet. Join the excitement and Sign up to Geoff Banks Online now with promo code FFP500 and get 10% of any net losses returned as cash after your first month of betting, up to £500 at geoffbanks.bet. Its tradition redefined with modern tech and unbeatable odds. This episode is brought to you by BetterHelp. If you're thinking of starting therapy, give BetterHelp a try. It's entirely online, designed to be convenient, flexible, and suited to your schedule. Our listeners get 10% off their first month, so give online therapy a try at betterhelp.com/FURLONG. Apple: https://apps.apple.com/gb/app/geoff-banks-online/id881898186 Android: https://play.google.com/store/apps/details?id=com.geoff_banks.geoffbanks Form Tools: Proform is the essential tool for punters looking to make money from betting on Horse Racing. Our form book covers Jumps and Flat racing in the UK and Ireland. https://www.proformracing.com/ Twitter: @FinalFurlongPod Email: radioemmet@gmail.com In association with Adelicious Podcast Network. Hosted on Megaphone. Follow us for free on Spotify Podcasts https://open.spotify.com/show/3e6NnBkr7MBstVx5U7lpld Learn more about your ad choices. Visit podcastchoices.com/adchoices
CHANGING TASTE AND VALUE. Jussi Pylkkänen is now an independent art advisor. After 38 years of service, his career at Christies culminated in the global presidency of the auction house. Among his many outstanding achievements, in 2017 he was the auctioneer at the sale of the world's most expensive painting, Leonardo da Vinci's Salvator Mundi, sold at auction at in New York for $450,312,500, a new record price for any artwork which is likely to stand for many decades. “Art is the esssence of humanity.” “As I brought the hammer down on Salvator Mundi I was conscious that that one last bid, at an extra $30 million, was the equivalent of the total price of the Van Gogh Sunflowers, the painting and price that had transformed the art market forever in 1987.” “I will be back auctioneering alongside my art advisory. The two will go hand in hand.”
The guys are back as they take your questions, assess Salvator Mundi's win in the Moscow Flyer, preview a busy weekend plus there are 13/2 & 10/1 ante-post picks for the Festival. Never miss a moment, podcast or article on SM Media as you can follow us below on all our platforms. Website - https://thesmmediaent.wordpress.com/ YouTube - https://m.youtube.com/channel/UCO40v_nSWgc6WjmzF4IR68g Twitter - https://twitter.com/SMMediaEnt?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor Facebook - https://www.facebook.com/SMMediaEnt/ Instagram - https://www.instagram.com/smmediaent/?hl=en iTunes - https://podcasts.apple.com/gb/podcast/sm-media/id1528862527 Spotify - https://open.spotify.com/show/1iPnMJSgUPj4f0U58DHI9J?si=iVlyktAZTlOcDLPBvbLhzQ SoundCloud - https://soundcloud.app.goo.gl/fD17rkT6o5NNVaPj7
In association with Betfred & Gambling.com, Stephen Cass, Diarmuid Nolan and Tony Keenan take a yet another peak into the world of National Hunt Racing This week the lads pick apart the 3 Mares races at the 2-25 Cheltenham Festival, why they are all taking on Salvator Mundi, answer some listener questions and even offer up a tip for the Grand Annual!
Nick is joined by Racing Post senior writer Lee Mottershead for Tuesday's edition of the popular daily horse racing podcast. At the All Party Parliamentary Group for Racing and Bloodstock reception in the House of Commons on Monday night, Nick caught up with APPG Chair Dan Carden MP, who speaks of his enthusiasm for racing and his opportunities to advocate for the sport in parliament. Also today, Arena Racing Company CEO Martin Cruddace gives Nick a lengthy and wide ranging interview which covers Affordability Checks, Prize Money, Racecourse Closures, Customer Experience, Levy Reform, The Winter Millions, and more. Plus, Timeform's Dan Barber examines the merits of Salvator Mundi, while AJ O' Neill has the latest on the fascinating recruit Indiana Dream, and Pascal Noue of Haras de la Hetraie is this week's Weatherbys Bloodstock Guest.
Following entries for the Champion, Mares' and Stayers' Hurdle races at the Cheltenham Festival 2025, Ross Millar takes a look at the markets for all three. He then reviews the weekend's racing including the performance of Supreme Novices' Hurdle favourite Salvator Mundi. The show then concludes with the usual handicap movers and shakers.Horses to followTom DoniphonLord Of ThunderThomas MorSome ScopeMr Hope StreetJukebox JokerEpinephrine Jasmine BlissFollow Ross on Twitter: https://x.com/rosscojmillDownload SBK: https://betsbk.comFollow us on Twitter - https://twitter.com/sbk Hosted on Acast. See acast.com/privacy for more information.
Nick is joined by Racing Post senior writer Lee Mottershead to canter through this week's racing news. Guests today include Irish Champion jockey Jack Kennedy, who updates Nick on his progress as he recovers from yet another broken leg. Also on today's show, a lengthy chat with multiple Classic winning trainer Jim Bolger, who outlines his own plans for consolidation and eventual retirement, but not before he has unleashed some exciting prospects on this season's biggest races. Plus, Tom Magnier on the Magic Millions record breaking sales topper by first season sire Home Affairs, Dave Ord on the return of Salvator Mundi, and Dubai Racing Club farrier Julien Daublain on shoeing some of the world's best as they converge on the desert.
Nick is joined by Racing Post senior writer Lee Mottershead to canter through this week's racing news. Guests today include Irish Champion jockey Jack Kennedy, who updates Nick on his progress as he recovers from yet another broken leg. Also on today's show, a lengthy chat with multiple Classic winning trainer Jim Bolger, who outlines his own plans for consolidation and eventual retirement, but not before he has unleashed some exciting prospects on this season's biggest races. Plus, Tom Magnier on the Magic Millions record breaking sales topper by first season sire Home Affairs, Dave Ord on the return of Salvator Mundi, and Dubai Racing Club farrier Julien Daublain on shoeing some of the world's best as they converge on the desert.
We've got abandonments all over the shop, but Ruby Walsh and Joe Logue have still found us a few winners. Don't miss the new series of Cheltenham Countdown starting Monday 13th January, subscribe to the Paddy Power Racing YouTube channel: https://www.youtube.com/@paddypowerhorseracing It's Weekend Tipping, coming to you straight "From The Horse's Mouth"... 18+ | gambleaware.org
In association with Weatherbys, and to celebrate the release of Jumpers to Follow, author Paul Ferguson joins Emmet Kennedy to discuss their novice hurdlers to follow for the 2024/25 jumps season. They highlight horses expected to be Grade 1 class, including Nicky Henderson's next potential superstar, a half-brother to Bravemansgame with Willie Mullins, the horse who should be Paul Nicholls' leading novice, a dark horse for Henry de Bromhead, and one who is expected to dominate graded staying novice hurdles for Gavin Cromwell. Plus, Racing TV's Ross Millar stops by to give an update on his syndicate horse, Roger, and shares his horses to follow for the new season. Horses discussed: Let It Rain, Diva Luna, Bill Joyce, Tripoli Flyer, Wade Out, Tutti Quanti, Derryhassen Paddy, The Blue Room, My Noble Lord, Kap Ouest, Belliano, The Yellow Clay, Kingston Pride, Salvator Mundi, Talk To The Man, Wingmen, Factual Fact, Teeshan, Kel Histoire, Kopek Des Bordes, Quantum Boy. Get £3 off Paul Ferguson's Jumpers to Follow print edition, digital edition or print/digital bundle with Promo code ffjtf2425 at https://weatherbysshop.co.uk/collections/paul-fergusons-jumpers-to-follow The Final Furlong Podcast is proudly brought to you by Geoff Banks Bet. Join the excitement and Sign up to Geoff Banks Online now with promo code FFP500 and get 10% of any net losses returned as cash after your first month of betting, up to £500 at geoffbanks.bet. Its tradition redefined with modern tech and unbeatable odds. This episode is brought to you by BetterHelp. If you're thinking of starting therapy, give BetterHelp a try. It's entirely online, designed to be convenient, flexible, and suited to your schedule. Our listeners get 10% off their first month, so give online therapy a try at betterhelp.com/FURLONG. Apple: https://apps.apple.com/gb/app/geoff-banks-online/id881898186 Android: https://play.google.com/store/apps/details?id=com.geoff_banks.geoffbanks Form Tools: Proform is the essential tool for punters looking to make money from betting on Horse Racing. Our form book covers Jumps and Flat racing in the UK and Ireland. https://www.proformracing.com/ Twitter: @FinalFurlongPod Email: radioemmet@gmail.com In association with Adelicious Podcast Network. Hosted on Megaphone. Follow us for free on Spotify Podcasts https://open.spotify.com/show/3e6NnBkr7MBstVx5U7lpld Learn more about your ad choices. Visit podcastchoices.com/adchoices
durée : 00:53:47 - Affaires sensibles - par : Fabrice Drouelle, Christophe Barreyre - L'histoire extraordinaire d'un Léonard de Vinci, le "Salvator Mundi", devenu le tableau le plus cher du monde. - invités : Isabel Pasquier - Isabel Pasquier : Journaliste - réalisé par : Stéphane COSME
Was bedeutet eigentlich.. Restaurierung? Heute mal ein Beriff, von dem doch jeder zumindest Teile der Bedeutung kennt. Aber… wir und das sind Dr Rainer Vollkommer und ich, würden nicht über den Begriff sprechen, wenn es da nicht doch das eine oder andere Neue zu erklären gäbe. Das der Beruf noch heute nicht geschützt ist und somit quasi jeder einen Salvator Mundi restaurieren könnte, ist nur ein Detail.. Na was war neu für euch?Und wieder, wenn euch diese Folge gefallen hat, dann abonniert den Kanal u lasst eine positive Bewertung da. Das hilft uns sehr.
"Il était une fois…" de Nicolas Herman : Il était une fois l'histoire du Salvator Mundi de Léonard de Vinci, acquis pour 450 millions de dollars mais pas peint par Léonard de Vinci. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)
Leonardo da Vinci + a Saudi Prince + one very old painting = a world of controversy. Salvator Mundi is the most expensive painting sold at auction. Dubbed the male Mona Lisa, Salvator Mundi is attributed to Leonardo da Vinci – but not all art experts agree that the work is by the famous artist. The painting sold for $450 million to Saudi Arabian Prince Mohamed bin Salman in 2017. After several years hidden away in storage, the Prince reportedly has plans to make the painting the centerpiece of what some of called the ‘Saudi Louvre', and in turn creating a tourist attraction for the West. Is this art washing live in action? Professor Anne Dunlop is the Herald Chair in Fine Arts from the University of Melbourne. She joins Helen Smith on this episode of The Briefing to explain the backstory of the artwork, and what it might mean if it comes out of hiding and onto display. Headlines: Paralympics opening ceremony Israel West Bank attack Trump blames Biden and Harris for assassination attempt New study shows dogs can communicate with humans Follow The Briefing:TikTok: @listnrnewsroomInstagram: @listnrnewsroom @thebriefingpodcast YouTube: @LiSTNRnewsroomFacebook: @LiSTNR NewsroomSee omnystudio.com/listener for privacy information.
In this episode of Framed, we unravel the captivating story of the Salvator Mundi, a painting that has shaken the art world with its mystery, controversy, and record-breaking price tag. Once dismissed as a cheap auction find, this supposed Leonardo da Vinci masterpiece was bought for just $1,100—only to later sell for $450 million. But the journey from a dusty auction house to the world's most expensive painting is anything but straightforward. We dive into the murky dealings of art dealers, fake negotiations, and the international tug-of-war between France and Saudi Arabia. Did the Salvator Mundi truly deserve its da Vinci label, or is this history's most lucrative art scam? And why did it vanish from the Louvre's Da Vinci exhibition at the last minute? Join us as we explore the twists, turns, and high-stakes drama behind the Salvator Mundi—a mystery that's still baffling the art world today. Hosted on Acast. See acast.com/privacy for more information.
Jesus Makes Known His Commandment For Us: Love One Another As I Have Love You There are two components in this commandment. As I Have Love You . . . .Love One Another. After experiencing My Love for you, go and Love One Another. When we hear this commandment, the question is not whether God loves us or even how much God loves us. We know He loves us! God's love for us is immeasurable. But, . . . How much have we felt God's Love? Listen to this brief Gospel and Homily on the commandment God has given to us! Listen to: Jesus Makes Known His Commandment For Us: Love One Another As I Have Love You -------------------------------- Gospel Reading: Matthew: 18: 15-20 First Reading: EZ 9: 1-7, 10: 18-22 -------------------------------- Images: Savior of the World: Italian Artist: Leonardo da Vinci: 1510 Savior of the World's is also known as Salvator Mundi. The painting portrays Jesus dressed in Renaissance attire, with one hand raised in a gesture of blessing. In His other hand, He holds a crystal orb symbolizing the celestial sphere of heaven, representing His role as the Savior of the World. The second image is of Fr. Maximilian Kolbe in 1936. This martyr is also discussed on the day of his memorial within the Homily.
Das Geheimnis hinter dem teuersten Gemälde der Welt: Entdecken Sie die wahre Geschichte des Salvator Mundi.
Jussi Pylkkänen joins Josh for his first sit-down interview since leaving his role as Global President of Christie's after nearly 40 years to start his own independent advisory, Art Pylkkänen. Jussi reveals the secret art of the auctioneer, sharing his favorite stories from his time negotiating deals and taking bids at the auctioneer's rostrum for many of the biggest record-breaking sales in recent years. Listen as he describes how he coaxed out the final bids for the $400 million sale of Leonardo Da Vinci's Salvator Mundi, and how he handled the "Banksy-like moment" when an arm fell off a Buddha statue onstage just as he opened bidding for the sculpture. Jussi also opens up about his plans for his new business, and his predictions for the future of the auction market.
Zach and Claire catch up between episodes to talk about Zach's recent visit to the Virginia Museum of Fine Arts to see Dawoud Bey's solo exhibition, "Elegy" - and Claire wants to know what happened to the Salvator Mundi, Leonardo da Vinci's masterpiece that mysteriously disappeared after it was sold at auction. What happens when art investing and collecting collides with the public's opportunity to experience these amazing works. Check us out on Instagram and follow along. Drop us a line if you enjoyed listening!
Mark joins the show to chat about his new album, Smiling. Joining the show is Olivia Cuttill as a guest host. Saxophonist and composer Mark Lockheart first came to prominence in the mid 1980s with the influential big band Loose Tubes. In 1992 Mark formed the eclectic co-led quartet Perfect Houseplants, a group that released six albums and collaborated with classical artists such as the Orlando Consort, Andrew Manze and Pamela Thorby. The mid-90s saw Mark recording and performing with many jazz, folk and pop artists, including Django Bates, Kenny Wheeler, Norma Winstone, June Tabor, Stereolab, Jah Wobble, Robert Wyatt, Prefab Sprout, Don Um Romao, Thomas Dolby and Radiohead.In 2003 Mark joined Seb Rochford's Polar Bear, which over a period of 12 years recorded six ground-breaking albums. The band's second album, Held On The Tips Of Fingers, was nominated for the 2005 Mercury Award and later appeared in Jazzwise's 100 Albums That Shook the World. The band's fifth album, In Each And Every Way, was also nominated for a Mercury Award in 2013. In 2007 Mark was a featured soloist (along with John Pattitucci and Gwilym Simcock) in Mark Anthony Turnage's About Water, which premiered on the Southbank in June 2007. Mark collaborated several times more with Turnage, performing his A Man Descending with the Southbank Sinfonia in 2008 and more recently as one of the featured musicians in Turnage's opera Anna Nicole, which premiered at the Royal Opera House in London in 2011. In 2009 Mark's quintet album In Deep was released to critical acclaim. The following year saw the release of Mark's first big band album Days Like These with the Hamburg-based NDR big band. That same year Mark was awarded APPJC Parliamentary Jazz Musician of the Year 2010. In 2013 Mark released Ellington In Anticipation, a radical reworking of Ellington melodies with an all-star line up including Seb Rochford and Liam Noble. The album received numerous four and five-star reviews and was MOJO magazine's Jazz Album of 2013 and nominated as Best Jazz CD of 2013 by the APPJC at the 2014 Parliamentary Awards. An invitation to perform at the New York Rochester Jazz Festival in 2014 led to the formation of Mark's trio, Malija, with bassist Jasper Hoiby and pianist Liam Noble. Malija's debut album The Day I Had Everything was released in December 2015 to critical acclaim. The group's second album Instinct was released in 2017 followed by a 21-date tour. In 2016 Mark was awarded Jazz FM Instrumentalist of the Year and also nominated for the British Composer Awards for his composition With One Voice. A few years later saw the birth of two very contrasting projects , the jazz/orchestral work titled Days On Earth for jazz sextet and 30-piece orchestra, released on Edition Records in January 2019 and a set of English Renaissance music ‘Salvator Mundi' recorded at Temple church in London with organist Roger Sayer.mosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts SpotifySupport the show
Last month, much of the art industry was transfixed on the goings-on in a courtroom in downtown Manhattan, where the Russian businessman Dimitry Rybolovlev and a group of Sotheby's auction house representatives were taking turns on the witness stand. The matter at issue was artworks that Rybolovlev had purchased via the Swiss art dealer Yves Bouvier. The Russian accused Sotheby's of conspiring with Bouvier and defrauding Rybolovlev out of tens of millions of dollars in art sales and Sotheby's denied any wrongdoing. The works in question are masterpieces, not least of which was Leonardo da Vinci's Salvator Mundi. That work later made headlines for a totally different reason, when Rybolovlev sold it at Christie's for $450 million in 2017 Rybolovlev ended up losing his case against the auction house last month, and the verdict is likely the last gasp in a high profile art fraud dispute that has travelled to courtrooms all over the world over the last years. And the Sotheby's trial this January was just part of a wider story that actually tracks back to a time before 2014 when the Russian businessman spent around $2 billion acquiring a world class art, collection of art by the likes of Paul Gaugin, Pablo Picasso and Henri Matisse. His right-hand man in getting him these works was Bouvier. Their relationship soured though when Rybolovlev discovered that Bouvier was marking up the prices. In some cases, Bouvier would speak with Sotheby's to get works evaluated After years of litigation in court actions, the two men eventually settled out of court in December, 2023. While the details of their settlement are fully confidential, the proceedings with Sotheby's in January have shed light on the secretive world of our business dealings. Artnet's Senior Editor, Kate Brown spoke about the case with Senior Market spoke with Eileen Kinsella, who has been following this dispute for years, since the very beginning and watched the trial in person last month.
Modelled on the BBC radio series, this long-standing local programme was produced live by a group in Hampstead, London, in 2023. As the castaway on a theoretical desert island, Rupert could bring with him eight pieces of music (listed below), a few books, and one luxury item.1:07 If you had not been a scientist what would you have been?2:27 Getting to the island4:47 Bach, Mass in B minor (Gloria)7:25 Purcell, Music for a While 16:47 Monteverdi, Madrigal24:33 Beatles, Because36:41 Subbulakshi, Devotional Song45:07 Mozart, Laudate Dominum54:55 Cosmo Sheldrake, Solar Walz1:03:19 Tallis, Salvator Mundi, Hampstead Parish Church ChoirSome music was cut for copyright reasons, or poor audio quality.Here's the playlist on Youtube: https://www.youtube.com/playlist?list=PLQNvVzO_W4EzTopdM6ZxrrYBQoIvhxNGe
This week: the astonishing civil trial in Manhattan between a Russian oligarch and Sotheby's. The Art Newspaper's acting art market editor, Tim Schneider, witnessed the Russian billionaire Dmitry Rybolovlev's testimony in the trial in New York in which he accuses Sotheby's of aiding the Swiss art dealer Yves Bouvier in an alleged fraud. It relates to the sale of major works of art, including the controversial Leonardo painting Salvator Mundi. Tim joins us to tell us about this extraordinary case. The second edition of Art SG art fair in Singapore has opened—with a 29% fall in the number of galleries. It takes place amid a wider festival, Singapore Art Week, and Lisa Movius, our reporter in Asia, tells us about the mood in Singapore and the wider art scene beyond Art SG. She also reflects on last weekend's election in Taiwan. And our first Work of the Week of 2024 is the South African artist Zanele Muholi's photograph ZaVa III, Paris (2013). The image is one of more than 100 works in Zanele Muholi: Eye Me, an exhibition that has just opened at the San Francisco Museum of Modern Art. Shana Lopes, one of the curators of the exhibition, tells us more.Art SG, until Sunday; Singapore Art Week until 28 January, artweek.sgZanele Muholi: Eye Me, San Francisco Museum of Modern Art, US, until 11 August. Hosted on Acast. See acast.com/privacy for more information.
If Christianity ever stops being weird, it will no longer change lives. So let's get weird.I knew that the childhood mantra of “Believe in yourself” had failed in the crucible of reality. That turned out to be a bad drug, like the brown acid that the 1960's burnouts spoke about. Work and career couldn't save me. Money couldn't either. The old trusty sidekick, liquor, was as worthless as ever now. These were all bad drugs. While I had flung beer bottles at religious people for using God as a crutch, I was leaning on various crutches, and when those crutches failed, anti-depressants became the crutch. At this point, I still had no idea that I was soul-sick far more than physically or mentally impaired. On particularly blue days, or “Black Dog” days as Winston Churchill called them, or the days when the “Noonday Demon” of acedia overtook me, I knew that something was missing. And after a few years working as an engineer, I realized that I needed to talk to a doctor. And the doctor had the cure. Then I heard the new pitch for the new drug. I needed a supplement to believe in myself. It was medicine, just like insulin. Surely a diabetic would not refuse the medicine that would save his life, so why would someone deficient in a neurotransmitter not trust that pharma solutions could save me? Here existed a scientific, peer-reviewed solution, and it came in the form of a pill that would simply re-balance the chemistry in my brain. Just eat this little dot once a day and like Dorothy I would be back in humanist Kansas. Never mind that humans had lived for tens of thousands of years without these pills - this was the only solution. The fix was merely a matter of dialing in the numbers, like getting the chemicals correct when balancing a pool PH level. It was easy! There were also techniques, from Cognitive Behavioral Therapy and its cousins like RET, and there was pseudo-spiritual self-affirmation options in Buddhist meditation (heavy on the self), and then there was the budding “science” of taking LSD. There was a pill plus technical methodologies to deal. I just needed an action plan for mind and body (no soul needed). Pills are goodSo the days of anti-depressants began. In a pill came the solution, and I convinced myself after a month it “seemed to be working” since I felt “not quite as irritable.” However, today I am certain that if the doctor had given me a magical bag of potato chips in a medical looking package, and had told me to eat one a day, it would have had the same effect. Because I wasn't feeling any different. The Black Dog days still arrived and struck hard. That was when I was told that the dosage just needed to be increased. More was better…you see…I needed two magical potato chips per day, not one. This is becoming more well known as people are beginning to realize that the modern SSRI pill solution is just another version of snake oil. What I discovered after about five years is that I could not stop taking these pills, because if I stopped, I became so dizzy that I could hardly stand. Getting off the anti-depressants now felt as hard as quitting tobacco had been. In the early years of taking anti-depressants, I was still drinking, which in hindsight is insane to me. But after I did quit drinking (a topic I covered at great length in the initial series of this site), I continued with the pills. After a few years of sobriety, I tried to stop taking the pills, and the dizziness gave me such fear that I worried about slipping into some suicidal despair, so I stayed on the pills. This certainly works in favor of the pharmaceutical companies. I continued on the pills, sober, believing that I needed them. Life without liquor started by asking God for help. Getting back to the basics of belief in God set me free from drinking, to my utter and complete surprise. The only way that I ever got sober was by doing the exact opposite of everything that I had learned in school. “Believe in myself” turned out to be the very thing that was destroying my liver and overall health. How many hundreds of times did I try to will myself to stay sober and it failed? Then suddenly, by simply asking God for strength and direction, I was making it through a day, and another day, then a week, then a month. But then I stopped praying for a long spell, not able to connect the dots. I stayed sober for a year before falling into the usual trap. “I got this now. I believe in myself.” Yes, that was the road back to ruin. I started with non-alcoholic beer then switched to regular beer and a year or two later I was worse off than before. Then a night in jail and the threat of more rehab got me back to the basics, of the need for God. But this time I knew that I needed God more than he needed me. But I still didn't need him that much. I had my pills.The pills carried me through some more years, but I was back in motion. In addition, fitness became an interest and continued until I'd run some eight or ten marathons and did an Ironman. I thought I'd fended off the emptiness forever. But it was after the Ironman in 2019 that it struck back, and harder than ever before. The depression arrived and I knew that I had cured nothing. I could not save myself. I could not manufacture self-esteem. Cognitive Behavioral Therapy was a parlor game. The pills were doing nothing. The fitness had maxed out. I was still on the treadmill of self-esteem. Not even a long period of sobriety was a cure. There had to be something more. Body and SoulThat is when I understood the soul. For the first time in my life, I realized that we are body and soul. I had inklings about it, in times when I'd felt I'd lost something. In the deadness of my heart, I had always known something was off, ever since middle school. The comment from Jesus: “Let the dead bury their dead” always shocked me. But I knew what he meant. I knew that he meant the people who never came to know Him. Because until I learned to kneel and pray and ask for God's forgiveness, I never knew what redemptive suffering meant, and I never knew why he had to go through the cross to be resurrected. Even this process took time because I was so blind to my spiritual state, that I couldn't even see my sins and the wreckage of my life that had piled up in the wake of my jetboat named “Believe in yourself”. The next four years began a long process of spiritual awakening, in a way that I could never have understood or predicted. Even as it happened, I tried to resist it. Sneaking into back rows of churches, I was there for reasons I could hardly fathom. But I knew there was something needed, something desired. A Sunday morning watching Netflix no longer satisfied me. It had never satisfied me, I was just finally becoming aware of it. I started saying “Yes” to prayer, to fellowship, to volunteering, and to meet people who believed, and I mean really, actually believed in a spiritual life. The supernatural became revealed again through the witness of others, and I too started to tear down the walls of my materialism and unbelief. The propaganda of the Humanist Manifesto that had been drilled into my head scattered. The false foundations of my public school and media indoctrination started to erode and crumble like sand. And because the believers were living differently from everyone I had chosen to spend time with since middle school, I had to “come and see” what they were doing. It was so different. Their lives were different. Their thoughts are different. Most of them had less money than me, but they had something that I could never get. They had a sense of rest, of peace. And as I got to know them, I learned something interesting. They all spent time in prayer, every day. None were on anti-depressants. Not one of them “believed in themselves.” No, that was crazy. No, instead they all believed in God, and the Resurrection of Christ. I knew many other people who seemed to be living without God, but they were taking pills, or smoking weed, or drinking, or chasing a dollar, or obsessing with sex. But here was something different. Here was a free option, called grace. No pills needed. Then I read G.K. Chesterton's Orthodoxy and the second chapter confirmed what I had known by experience but could never articulate. This is a book about the concept of “Believe in yourself.” The second chapter is called “The Maniac,” and the maniac is the man who “believes in himself.” Chesterton says, “Believing utterly in one's self is a hysterical and superstitious belief.” I straightened up in my reading chair, as so much of the era from the 1970s to 2020s that I had lived within began to make much more sense. When I was born, the humanists had overrun public schooling in precisely that era (and even ruled the progressive Churches), and the first rule of the humanists, in their manifesto, was that “Religious humanists regard the universe as self-existing and not created.” Thus it was no wonder that my teachers had ruled out God as existing, as a living entity. My few hours a year in faith formation were trampled over and cast out at the first difficult question I raised about God. My understanding of anything about Catholicism or faith was a house of cards. To make matters worse, I had only attended Masses from the post-Vatican II, where it was more guitar and modern “hymns” than reverent prayer and silence. I am not joking when I tell this: the first time I saw a High Latin Mass, I thought I was on another planet. I had no idea what was happening, but I knew that every Mass I had attended as a kid was lacking seriousness. I didn't even receive Communion that day because I didn't know what the altar rail was for, or why people were kneeling to receive the Eucharist. Probably best I didn't, since I still hadn't understood the need for Confession and being in a state of Grace before receiving the Eucharist yet. I realized after this process had completed, after I had flushed my anti-depressants, that I had to knock down about ten walls of worldly indoctrination and self-deception that had been erected over thirty years, all the way back to Sesame Street with its early onset self-esteem program of indoctrination…and maybe even Tom and Jerry as I loved watching them beat the hell out of each other and figured that both and Tom and Jerry believed in themselves.First, I had to accept that God may exist. This meant overcoming the dogmas of academia, that had coached me into the negative position, and until I found Aquinas and Augustine and Pascal and Robert Barron, I had never heard of the compelling arguments for the affirmative. But it wasn't an argument that made me believe that God may exist - it was the first time I tried prayer and was able to not drink. And this will forever be perhaps the strangest education of my life. For nothing had worked before - no amount of knowledge, no technique, no bargaining, no rewards. Later, I used prayer to discontinue looking at any smut on my computer or phone, and lo and behold, repeatedly kneeling and asking God for help, once again, chased away the demon. This had a profound effect on me, as I realized that prayer did something strange, and it was real. Then there was politics, which is always the top idol in America. You can't bring up a news story in most circles without hitting an electric wire related to politics. The issue of abortion or prayer in schools was a trigger for me, as I had been coached well enough in school that liberty and freedom only meant doing whatever one wished. Luckily, over the years I had lived in neighborhoods with people of both parties, so I had close friends of both the left and the right, and I still do, and this is because I have the gift of knowing when to shut the hell up. My 10th-grade biology teacher once paid me a great compliment, telling me that I was a nuisance in class, but I knew when to quit. Now, for some, that may not sound like a compliment, but to me, it meant I had the slightest sense of knowing when to stop acting like an idiot. Perhaps being from Minnesota had something to do with it because we hold back our feelings to avoid offending others - or we did at one time. I think that has passed as greater America has infected the state through social media. However, when I began to believe in God, I began to set aside certain political issues, such as that unborn babies are “just a clump of cells,” which never made a lot of sense to me anyway. The problem was that if I had a soul, then so did everyone else. If I had a soul, so did my conservative and liberal neighbors - they both did. And if I had a soul, so did babies, and if babies had a soul, so did humans who had not yet popped out of the womb. Plus I had my own children and they were the greatest gift, along with my wife, that I could have ever asked for, and I hadn't asked for, yet had been given them. And all of these things began to work like a degreasing rust remover on my static and crusty ideas. The bolted-on beliefs from college and my twenties started looking less solid. That wall of politics may have been as thick as the wall of “Does God exist?”Then there was the approval of the world - a very thick wall - because to believe in God was to reject the secularization thesis that reigned in the last fifty years. Belief in God was a vestige of less sophisticated times. It was like the appendix on the body, or goosebumps - they were leftovers from a more primitive age. Joseph Campbell and many others assured us that Christianity was just like every other religion, every other myth, with just a wrinkle of difference here, a nuance there. I felt like the world was nudging me along, saying, “Nothing to see here, folks: Star Wars is sufficient for your spiritual needs.” Except it wasn't (and Disney's takeover of it has certainly proven that out as it degrades with every new release).To be Catholic, or really any non-”progressive” Christian, was to be a modern freak. It was not approved of by the educated and cool people. I liked reading Reddit, which was like the atheist training ground of the internet. On Reddit people could be anonymous and bash the church openly, and all of the veiled arguments against Christianity in the media and college were unleashed in their full anger online. Oh, and Islam was the true religion of peace - all of Christian history was to blame for every injustice in the modern world. No, I believed that. In hindsight, it's amazing how far your false teaching can take you, and it's no wonder to me now that the books of the Church Fathers are swept under a rug. To read Augustine's Confessions, or Origen's First Principles, or the story of the martyrs of Lyon, or hear about the Battle of Tours and the Battle of Lepanto, or read of the martyrs like St. Lawrence and St. Agnes, or to see the early church in the letters of St. Ignatius of Antioch - all of this is more thrilling than any roller coaster at Six Flags. As I started to read the Gospels and read the writings of the Church Fathers and listen to Bishop Barron, as well as the Lord of Spirits podcast, Tim Keller, Father Mike Schmitz, and more - I knew that I had not been told anything about the history of Christianity. The education system, from kindergarten to college, had hidden a trove of books from us. Purposefully it had steered me away from millennia of wisdom. All spiritual things were kept away, all of the things that held Christendom together. Even the dichotomies were false ones: I had only ever heard of nature vs. nurture, as if all problems were merely questions of genetics or environment. As if only those two things could be the cause of human sin. They walled off “The Fall” as a non-possibility, and in walling it off proved in the 20th century experiments of communism, fascism, and liberalism that nature vs. nurture did not account for all problems. The longer you look into the abyss, the more you know The Fall happened. But the education system blamed other things. Never was it the world, the flesh, and the devil that prompted us to sin. Never was it the idea of concupiscence, a word that I didn't learn until my late thirties. Worse, there was a false war over faith vs. reason, and until digging deeply I learned that not only was this an invention of the Enlightenment, but the people beating the drum of that war were standing on the shoulders of the giants of faith who used their reason to discover the wonders of the natural world while still having full faith in God. There was no conflict between faith and reason. The fundamentalists and atheists may have had some odd war over those two things, but Catholics did not. The wisdom of the Saints was kept like dry goods in storage. But the great thing about it is that just when all the bad movies and boring bestsellers had lost their flair, I stumbled onto St. Augustine, St. Ignatius of Antioch, St. John Damascene and realized that there is absolute dynamite in the word of God and the history of the church. I remember reading The Imitation of Christ on an airplane and thinking, “I should hide the cover or these people will think I'm a crazy Christian.” That was an odd thought. In fact, I now know who put that thought in my head. I had never once thought that I should “hide the cover” when I was reading Ovid or Virgil on a plane. I never thought that when reading Richard Dawkins or Christopher Hitchens. And so it occurred to me that the real rebel today is the one who reads The Imitation of Christ. The only books I was embarrassed to be seen with were the ones that felt like they inverted the whole world that I had come to accept. And the fact that invasive thoughts were suggesting that I stop reading it or hide it hinted to me that the nature of thoughts may not be purely material things. After all, thoughts are only in the intellect, and angels are pure intellect - as are demons. Oddly enough, this open reading of books written by early Christians felt like an act of revolt against the world. As a child of the 1980s and 1990s, I tend to like a revolt now and then, but this was the first revolt against the world instead of God. Now I was repenting, turning back. I think when we 90s kids were drinking like fish and head-banging, we were only doing so because we had never seen beauty or truth, never heard it, never understood it, never encountered it. We were raised with ugly buildings, ugly art, and ugly ideology. Given the choice today between listening to Metallica's “Master of Puppets” or “Jesu, Salvator Mundi” from the Benedictines of Mary, Queen of Apostles - ten out of ten times, I choose the nuns. (Sorry, Hetfield, you've been replaced. Those women need no distortion pedal or even guitars to outdo you. Thanks for all the metal, but I'm all good now.) Punk is done, rock is dulled: beauty, truth, and goodness is new again. Why? Because God makes all things new. Many of us who grew up in the late 20th century and early 21st century have never seen or heard such things. Irreverent Masses and the pop music hymns are all we were shown. We are so accustomed to ugliness that we don't even know it until we start digging in the past to see what “The Enlightenment” tried to bury. There is much more out there than the material world. There is new life in Christ. Life is not just biological or psychological, it is spiritual, it is Sacramental. “Something shook out of me”After I started seeking God, which came in incremental steps, there were two days when the world of ghosts and spirits became real to me in ways that I cannot account for. The first was an out-of-body experience I had in a doctor's office, when I was being told something and could no longer hear the doctor. For a brief period, I felt as if floating in the room, or absent from my body. This may have lasted only ten seconds, but in those ten seconds, I caught a glimpse of a reality outside of the body. Nothing dramatic happened, I just felt a separation from my body and recognized that the soul can live outside of the flesh. This made apparent the need for change, for the animating, the soul, seemed to be separating for the sole purpose of telling me, “Here I am. This is the self you thought was you. This is your soul, and your body is down there. You need to acknowledge me.” This startling experience rocked various assumptions I had about the material world. Already I had known that through prayer, somehow, someway, I could resist temptations like alcohol that otherwise drove me to madness, that I could never stop on my own. But the second experience showed me that the concept of possession is real. Again, I am at a loss for an explanation for this, but the day this happened is the day that I began to read the Bible and see it completely differently. I was at home. Because I had been learning about God and catching up on reading the books I had never been exposed to, I took a moment to watch a show about Catholicism, called Symbolon. Now, Edward Sri is not a speaker or teacher that I am drawn to, but it is he who changed my life by merely speaking words - not even to me, but in a recording - and what he said caused something to leave my body. Again, this is too strange for words, and whatever I make of it here, will fail to tell the ghostly nature of what occurred. I've written about this before but didn't mention the “shaking out” that happened with it. Something left my body, or my soul, or both. It was a word that changed me. Some say that books don't change people; paragraphs do. But for me, it was a single word that opened up the scripture. The word “literarily.” Edward Sri said there is a difference between reading the Bible “literally” and “literarily.” The literal was important, but the spiritual reading I had been ignoring. Reading the Word of God was more than a literal or literary exercise, but somehow the word literary awakened me to understanding that there was a literal and a spiritual way to read. Better still, within the spiritual sense were the moral, allegorical, and the Big Picture (of how it related to Jesus) senses. This was a moment of St. Anselm's “faith seeking understanding,” as the literal and spiritual senses of scripture suddenly flowered. I realized reading the Bible was not an academic exercise, it was a living encounter with the Word of God.It made all the difference in the world to me. When I heard that, something made my ears perk up. Edward Sri had only said this:The Catholic approach to Scripture is different from the fundamentalist view, which reads Scripture in a literalistic way. To discern the truth God put in Scripture, we must interpret the Bible literarily, remembering that God speaks to us in a human way, through the human writers of Scripture. That means that we examine the context and intent of the author for any given passage.-From Symbolon (session 3)This marked the death of fundamentalism, from both sides. The pure materialist science perspective was gone. Any creeping “faith alone” or fundamentalist Protestant reading was gone, too. The four senses of scripture roared from the book. I guess it like how LSD users describe their imaginary worlds coming to life when the hallucinations begin. But I wasn't using LSD. This was a stone sober revelation. This was an encounter. This was the Holy Spirit. I had rejected it for so long, the unforgivable sin, and somehow I now let it in. Or rather, I didn't do anything - God did something. How do I know that this moment in time changed something in me? Because I felt it. And because I've seen it happen to others. In AA meetings you will often hear someone say, “I felt something lifted off of me.” Whenever I hear this, I know that God is working miracles in this world just as he was when Jesus walked the earth, or when Moses heard God thunder on the mountain, or when a dazed Abraham made his covenant with God. There is another saying in AA, and it is, “Don't stop coming until the miracle happens.” Newbies don't know what that means and often find it confusing, if not irritating. But something happens and it cannot be explained in purely rational terms. Something happened. Something strange. Something wonderful.Years ago, when I knew the time to drink was nearing, I always felt a tingle in my forearms. It was like a creepy, crawly feeling - like a temptation or urge or compulsion. There was a sense of a force approaching that could not be satisfied. On that day when something happened, I had been sober for four years at this point, so the writhing feeling rarely ever happened. I was past that. But I was still white-knuckling life on many days. Some days I still live that way. But when I heard the words about how to read the Bible, my hands shook. It was not like an excess caffeine shake, nor was it like a nervous shaking, nor was it like a hunger shake, nor was it like the natural tremor that I have in my hands. Something shook out of my hands, something invisible. This was a violent shake. The shaking lasted perhaps one second. But when it happened, I said, “Yes, that's it.” And I knew. I knew then and there that the reason I had been unable to read the Bible was because I had blinders on from Protestant fundamentalists and atheist scientists who had presented a false dichotomy. There was no war between faith and reason. There was another invisible realm beyond nature vs. nurture. There was a way to read Genesis that made sense. There was a way to know Christ as the eternally begotten Son of God, fully human and fully divine. The world and scripture opened up, spiritual and physical. When it shook out of me I knew what the demoniacs had felt in the Gospels, what Mary Magdalene had felt. Further, I knew what Jesus meant when he said that we must ask, seek, and knock and God will answer, because even though I didn't know what was drawing me, I was no longer seeking myself, I was seeking God. This was a casting out. The shaking that occurred that day altered the course of my life. Many little walls had to come down before that, but that day did something that no book or life experience could ever do. Were it not for the shaking out of something from my forearms and hands, no senses would have caught the departure of this presence that had been over me. Suddenly I could say, “Something was lifted off of me,” but for me it was, “Something shook out of me.” And it was that day that I knew: I no longer needed anti-depressants. I needed prayer, fellowship, scripture, and the Sacraments. I needed God, in the Father, the Son, and the Holy Spirit. I still needed “me” because I knew that I was made for God, and my heart had been restless until it rested in Him. But I also knew that I needed Reconciliation and the Eucharist far more than Lexapro or Wellbutrin. I knew that every misguided search and difficulty had been leading me to that moment. And after that, the moments kept coming where I saw more clearly, such as when I first attended a High Mass in Latin, where I saw how powerful liturgy could be, or when I continued to meet people of faith, or when I kneeled to pray, or read spiritual books, or volunteered for things that I didn't necessarily like to do. A few weeks after that day when “something shook out of me,” I dumped the last of the pills down the toilet. Whatever had shaken out of me seemed to stir the Holy Spirit in me. I felt as if the Baptismal and Confirmation graces were set free. Whatever had been “over me” had departed, and I knew it. And I knew how to keep it that way, through the name of Christ, through prayer and obedience, submission to God. Not through effort, but by surrender. The old “surrender to win” attitude worked. The cure had been to unlearn all that I had ever learned, because once I stopped believing in myself, I believed in God. I knew that the devil was real, and he certainly believed in himself. I knew that sin was real and it was some relative wishy-washy opinion. No longer was I on top. I was in the lowest place, because I knew that spiritually I had long been a sitting duck when I thought I knew more that spirits of pure intellect. No longer did my ideas come first, but I submitted to the teachings of the Church. These rules were not for oppressing but for freedom, the right kind of freedom. Most of all, I knew Who was greater than both the devil and myself. In a great mystery, our trials and tribulations are permitted, because they allow growth to happen. But there is no growth without struggle, and action and humility must be settled into a union. Scripture is alive. God is alive. He is risen. These are all mysteries to embrace. “Surrender to win” must be the way, as the Lord showed us. In the strangest story of all, God became man, was crucified, died, and rose again. At long last, I am alive and no longer looking for the answer in myself, because I no longer believe in myself. I believe in God. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit whydidpetersink.substack.com
Josh sits down with Loïc Gouzer on the occasion of the relaunch of his single-lot auction platform, Fair Warning, this week. Listen as Loïc reveals his motivations for building the unique auction app as a response to the current state of the auction world, why people buy art in times of chaos, and what we can do, as art professionals, to make the word a better place. But first, Loïc shares a special behind-the-scenes story from his time orchestrating the auction of Da Vinci's Salvator Mundi at Christie's.
Another Great Day', your go-to podcast for a mix of humor, history, and heartwarming insights. This episode, titled 'Classic Cars and Crump Conundrums', takes you on a delightful journey through time and tales. We kick off with a nostalgic nod to the classic 1998 Ford Taurus, revving up memories and mirth. Dive into history with us as we explore the first auction by James Christie and the record-breaking sale of Salvator Mundi. Our 'Word of the Day' segment crumps up with interesting etymology, and we sprinkle in some sage wisdom with a proverb about the nature of curses and blessings. Plus, don't miss out on our 'Question of the Day' where we turn the spotlight to you! Join hosts Aaron and Chris and Ben, along with our Dad Joke Correspondent Elora, for an episode packed with creativity, interaction, and of course, laughter. Tune in, share, and be a part of making every day 'Another Great Day --- Send in a voice message: https://podcasters.spotify.com/pod/show/anothergreatday/message
Maurice Cotterell joins me from Ireland to share his scientific discovery of Leonardo de Vinci's paintings. In this show Maurice explains how Leonardo da Vinci left behind a secret 6-part-stage-play enclosed into his paintings of Salvator Mundi, Madonna of the Yarnwinder and the Mona Lisa. The play, titled, "The Secret Messiah" explains, in pictures that Leonardo was the reincarnation of Jesus who visited Earth many times and it explains how we can get to Heaven. Maurice lives in Ireland with his wife Ann. You can purchase The Secret Messiah by Leonardo da Vinci on Maurices website. MauriceCotterell.com. You can also contact him with any questions. Links to previous shows Nancy's book, "Wake Up! The Universe is Speaking to You" is available on Kindle and at Barnes & Noble.com. it is being relaunched this week. https://www.barnesandnoble.com/w/wake-up-the-universe-is-speaking-to-you-mrs-nancy-e-yearout/1122855192?ean=9780692792773 To read Archangel Gabriels New Message about Israel please visit my website http://www.NancyYearout.com
Das Kunstgeschäft ist ein verschlossener Milliardenmarkt. Der Blick hinter seine Fassade ist oft unmöglich. Kulturjournalist Stefan Koldehoff recherchiert seit Jahren investigativ in diesem wenig transparenten Markt. Und deckt mit seinem Team nun etliche Fälle auf.**********Die Quellen:Tatort Kunst**********Mehr zum Thema bei Deutschlandfunk Nova:Kunstmarkt: Rekordsumme für geschreddertes Banksy-BildLeonardo da Vincis "Salvator Mundi": Ist das teuerste Kunstwerk der Welt echt?Kunstgeschichte: Wie eine Ausstellung von Pablo Picasso die Deutschen Demokratie lehrte**********Wir freuen uns über eure Mails an mail@deutschlandfunknova.de**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.
durée : 00:53:47 - Affaires sensibles - par : Fabrice Drouelle, Christophe Barreyre - Aujourd'hui, dans Affaires sensibles, l'histoire extraordinaire d'un Léonard de Vinci, le "Salvator Mundi", devenu le tableau le plus cher du monde. - réalisé par : Stéphane COSME
Down on the Docs - Ep. 42 - The Lost Leonardo (2021) Part 2 The mystery surrounding the Salvator Mundi, the first painting by Leonardo da Vinci to be discovered for more than a century, which has now seemingly gone missing. Join our Discord! https://discord.gg/VykasRN974 Down on the Docs, starring comedians Chris Neff & Dave Sarra, is a weekly podcast breaking down the latest documentaries on Netflix, HBO, and Amazon Prime the only way they know how, with lots of dumb jokes. Twitter: https://twitter.com/downonthedocs Instagram: https://www.instagram.com/downonthedocspod/ Chris Neff: https://twitter.com/chrisneffcomedy https://www.instagram.com/horsetooth Dave Sarra: https://twitter.com/davexhale https://www.instagram.com/dave.sarra https://youtube.com/DaveSarra
Down on the Docs - Ep. 41 - The Lost Leonardo (2021) The mystery surrounding the Salvator Mundi, the first painting by Leonardo da Vinci to be discovered for more than a century, which has now seemingly gone missing. Join our Discord! https://discord.gg/VykasRN974 Down on the Docs, starring comedians Chris Neff & Dave Sarra, is a weekly podcast breaking down the latest documentaries on Netflix, HBO, and Amazon Prime the only way they know how, with lots of dumb jokes. Twitter: https://twitter.com/downonthedocs Instagram: https://www.instagram.com/downonthedocspod/ Chris Neff: https://twitter.com/chrisneffcomedy https://www.instagram.com/horsetooth Dave Sarra: https://twitter.com/davexhale https://www.instagram.com/dave.sarra https://youtube.com/DaveSarra
*Banned from elite schools due to the circumstances of his birth, Leonardo propelled his own education through endless reading, observation and experimentation. *He found refuge in the world of art, where his paintings of sacred dramas and Earth-based beauty astonished contemporaries. *Today, most of us know the name Leonardo da Vinci and something of his genius, but little of the full breadth of his creative impact and achievements. *Acclaimed biographer Walter Isaacson's richly illustrated book, published ahead of the fifth centenary of Leonardo's death, fills the gaps. He uses as his primary source material the extant notebooks – 7,200 pages survive, scattered in collections across the world, teeming with sketches and jottings – which demonstrate Leonardo's insatiable curiosity about the world and his understanding of the interconnectedness of nature. *The book tracks da Vinci's astonishing advances in art and technology which helped power Europe's cultural rebirth. It also brings alive da Vinci the man, the original Renaissance man, revealing the ways he was both ahead of his time, and of his time. Theme 1: Light/Dark - 0:29 Theme 2: The Schematics - 9:19 Theme 3: Salvator Mundi - 19:27 Like what you hear? Be sure to like & subscribe to support this podcast! Also leave a comment and let us know your thoughts on the episode. You can also get a free weekly email about the Book Insight of the week. Subscribe at memod.com/insights Want quick save-able, share-able bullet points on this book? Check out the Memo: https://memod.com/TheoLogian/leonardo-da-vinci-everything-you-need-to-know-6062/part-1 HEAR THE FULL INTERVIEWS MENTIONED IN TODAYS' EPISODE HERE: YouTube. (2019). Walter Isaacson Compares Leonardo Da Vinci To Modern Geniuses. [online] Available at: https://www.youtube.com/watch?v=SqTHpgONMIM]. YouTube. (2019). Lessons from Leonardo. [online] Available at: https://www.youtube.com/watch?v=fkm-gW_ANio. YouTube. (2019). Leonardo's Salvator Mundi: Scholarship, Science and Skulduggery. [online] Available at: https://www.youtube.com/watch?v=KIUP8l7HUWI [Accessed 2 Jul. 2019]. Full Title: Leonardo da Vinci Year of Publication: 2017 Book Author: Walter Isaacson To purchase the complete edition of this book click here: https://tinyurl.com/2p9c4v75 Book Insight Writer: Kevin Holden Editor: Monica Woods Producer: Daniel Gonzalez Production Manager: Karin Richey Curator: Tom Butler-Bowden Narrator: Kristi Burns
durée : 00:53:47 - Affaires sensibles - par : Fabrice Drouelle, Christophe Barreyre - Aujourd'hui, dans Affaires sensibles, l'histoire extraordinaire d'un Léonard de Vinci, le "Salvator Mundi", devenu le tableau le plus cher du monde. - réalisé par : Stéphane COSME
AI that can assess if a painting is fake. Husband-and-wife team, Steven and Andrea Frank, have developed a neural network that can assess the probability that a painting was painted by the supposed creator. They ran their neural network on a newly discovered Leonardo da Vinci painting called the Salvator Mundi which in 2017 sold at Christie's for a record $450 million dollars, which at the moment, is the most expensive painting ever sold. Would you trust AI to tell you if art you were about to purchase was authentic? Listen and decide for yourself. I speak with my friend Maroof Farook who is an AI Engineer at Nvidia. [Note: Maroof's views are his and not that of his employer.] Please enjoy our conversation.We laugh. We cry. We iterate.Check out what THE MACHINES and one human say about the Super Prompt podcast:“I'm afraid I can't do that.” — HAL9000“These are not the droids you are looking for." — Obi-Wan“Like tears in rain.” — Roy Batty“Hasta la vista baby.” — T1000"I'm sorry, but I do not have information after my last knowledge update in January 2022." — GPT3
Today's guest is former CIA case officer Doug Patteson. Doug retired from the CIA after serving multiple overseas tours where he specialized in human intelligence and counterterrorism. He is currently a professor at the University of New Hampshire. Doug has worked extensively in Hollywood as both a technical consultant and a producer for television and film. Notably, he can be seen lending his insights in the documentary The Lost Leonardo, which looks into the controversial $450 million “Salvator Mundi” painting. As a published author, his work has focused on security, travel safety, and intelligence, including pieces for SpotterUp.com and three chapters of the book More Stories from Langley: Another Glimpse Inside the CIA. Doug Patteson is President of the Board of Directors of the James W. Foley Legacy Foundation, focused on global press freedoms and advocacy work on behalf of hostages. Follow Doug on Instagram at @texasspydad or on Twitter @GrayManActual You can check out Doug's line of authentic intel community related products @ingloriousamateurs on Instagram. Sponsors: Navy Federal Credit Union: Today's episode is presented by Navy Federal Credit Union. Learn more about them at navyfederal.org Black Rifle Coffee Company: Today's episode is also brought to you by Black Rifle. Purchase at http://www.blackriflecoffee.com/dangerclose and use code: dangerclose20 at checkout for 20% off your purchase and your first coffee club order! Danger Close Apparel: Check out the new Danger Close apparel. Protekt: Visit protekt.com/dangerclose to get 25% off while supplies last. Featured Gear Badass Work Bench Hoyt Archery Interceptors by Matthew Thomas Headhunter Blade's Rat Blade SIG Sauer Custom Works Concierge Service Fortitude Coffee Company Protekt Sunscreen OFFICIAL Jack Carr Collection Crossed Hawks Necktie SIG: Today's featured gear segment is sponsored by SIG Sauer. You can learn more about SIG here. Danger Close is an IRONCLAD Original
I mange år hang et portrett av Jesus i en trappeoppgang hos en familie i USA, uten at det vakte særlig oppsikt. Men etter flere år skulle det plutselig endre seg. Da ble det oppdaga av to kunsthandlere som kjøpte det for en billig penge, for så å oppdage at det ikke var hvilket som helst maleri – men det fortapte "Salvator Mundi" av selveste Leonardo Da Vinci. Eller, var det egentlig det? Hør episoden i appen NRK Radio
In 2005, a small auction house in New Orleans sold a painting at auction labeled at Lot 664. The description of the item was simply, “Christ Salvator Mundi. Oil on cradled panel.” The painting was sold for $1,000. Twelve years later, the same painting was sold at Christie's in New York for a record $450 million dollars. Learn more about Salvator Mundi, the world's most expensive painting, and the controversy surrounding it, on this episode of Everything Everywhere Daily. Subscribe to the podcast! https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Darcy Adams Associate Producers: Peter Bennett & Thor Thomsen Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Page: https://www.facebook.com/EverythingEverywhere Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/everything-everywhere-daily-podcast/ Learn more about your ad choices. Visit megaphone.fm/adchoices
We meet Alex Rotter, Chairman of Christie's 20/21 Art Departments, to discuss Christie's New York forthcoming auction 'Visionary: The Paul G. Allen Collection' which runs from 9–10 November 2022 at Rockefeller Center. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. Reflecting the depth and breadth of Paul G. Allen's collection, the auctions connect this visionary innovator to a range of ground-breaking artists, joining Paul Cezanne with David Hockney, Alberto Giacometti with Louise Bourgeois, Georges Seurat with Jasper Johns and Agnes Martin with Yayoi Kusama. Valued in excess of $1 billion, The Paul G. Allen Collection is poised to be the largest and most exceptional art auction in history. Pursuant to his wishes, the estate will dedicate all the proceeds to philanthropy.From 29 October – 8 November 2022, view The Paul G. Allen Collection in-person at Christie's Rockefeller Center galleries in New York. Follow @ChristiesInc and visit their official website: https://www.christies.com/en/events/visionary-the-paul-g-allen-collection/overviewFrom Canaletto's famed vistas of Venice and Paul Cezanne's magisterial vision of the Mont Sainte-Victoire to Gustav Klimt's Birch Forest, Georgia O'Keeffe's 'Red Hills with Pedernal, White Clouds', and latterly, David Hockney's joyful depictions of his native Yorkshire, the collection highlights landmark moments in the development of landscape painting through centuries. Botticelli's Madonna of the Magnificat, Georges Seurat's pointillist masterwork Les Poseuses, Ensemble (Petite version) and Lucian Freud's Large Interior, W11 (after Watteau) demonstrate the enduring power of the human figure in art, while the polyvalent practice of artists such as Max Ernst and Jasper Johns show how artists can subvert tradition to move art forward. We explore some of our own personal favourite works by Georgia O'Keeffe, Agnes Martin, David Hockney, Louise Bourgeois, Bridget Riley and Barbara Hepworth.Alex Rotter grew up in a family of art dealers in his native Austria, and studied at the University of Vienna. He currently lives in New York and is responsible for overseeing a global team of specialists spanning the full scope of 20th and 21st Century art. Rotter's progressive approach to presenting extraordinary works of art to the market has yielded many of the most groundbreaking moments in auction history. Career highlights include the 2017 sale of Leonardo da Vinci's Salvator Mundi , which sold for $450 million, becoming the most expensive object ever sold at auction, and Jeff Koons' Rabbit from the Collection of SI Newhouse, which sold for $91.1 million and set a world auction record for a living artist. Hosted on Acast. See acast.com/privacy for more information.
Formless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo's interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems. In this interview, Allison Leigh talks to Leslie Geddes about transforming your dissertation into a book, how one tackles a body of scholarly literature as immense as that on Leonardo, and whether or not the famous Salvator Mundi was indeed painted by Leonardo. Their conversation ranges from what it is like to examine the artist's Renaissance drawings in person to the power of comparisons within art historical writing and research. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Formless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo's interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems. In this interview, Allison Leigh talks to Leslie Geddes about transforming your dissertation into a book, how one tackles a body of scholarly literature as immense as that on Leonardo, and whether or not the famous Salvator Mundi was indeed painted by Leonardo. Their conversation ranges from what it is like to examine the artist's Renaissance drawings in person to the power of comparisons within art historical writing and research. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The weird tale of the Salvator Mundi, aka the "Male Mona Lisa", and its possibly trans creator.Watch "The Lost Leonardo" Is the Mona Lisa a self portrait? More on the Gnostic GospelsFollow us on Twitter @totallytranspodGet bonus content on https://www.patreon.com/totallytransBuy our merch RedBubbleMusic used: Cinematic Cello by Lexin MusicSupport the show
Sign up for Intelligence Squared Premium here: https://iq2premium.supercast.com/ for ad-free listening, bonus content, early access and much more. See below for details. Until very recently, female artists have occupied a tiny space of the art market, undervalued and ignored. There are no women in the top 0.03% of the auction market, where 41% of the profit is concentrated. Overall, 96.1% of artworks sold at auction are by male artists. The most expensive work sold by a woman artist at auction, Georgia O'Keeffe's Jimson Weed/White Flower No. 1, sold in 2014 for $44.4 million—over four hundred million dollars less than the auction record for a male artist: Leonardo Da Vinci's Salvator Mundi, which sold in 2017 for $450.3 million, shattering the previous record of $179.4 million for a work by Picasso. Now that's changing. This year's Venice Biennale was heavily skewed in favour of women for the first time ever. Historically, about 10% of artists in the main exhibition have tended to be women, rising to 30% in recent years; in 2019, the UK-based curator Ralph Rugoff's exhibition achieved rough parity for the first time. Cecilia Alemani, curator of the 2022 Biennale, included approximately 90% female and gender non-conforming artists. Who is driving this change? And how do we continue to make sure the work of female artists is given the recognition they deserve? Join Kamal Ahmed as he explores the role of women in the contemporary art market with art historian and broadcaster Katy Hessel, art historian and founder of ArtScapes Rose Balston, art market specialist Bojana Popovic, entrepreneur Marine Tanguy and patron and academic Princess Alia Al-Senussi. The Futureverse is brought to you by Intelligence Squared in partnership with Y TREE. The past is in your head. The future is in your hands. For more information visit y-tree.com/futureverse The Story of Art without Men by Katy Hessel: https://www.waterstones.com/book/the-story-of-art-without-men/katy-hessel/9781529151145 Rose Balston's ‘Old Mistresses' lecture series: https://artscapesuk.com/old-mistresses/ … We are incredibly grateful for your support. To become an Intelligence Squared Premium subscriber, follow the link: https://iq2premium.supercast.com/ Here's a reminder of the benefits you'll receive as a subscriber: Ad-free listening, because we know some of you would prefer to listen without interruption One early episode per week Two bonus episodes per month A 25% discount on IQ2+, our exciting streaming service, where you can watch and take part in events live at home and enjoy watching past events on demand and without ads A 15% discount and priority access to live, in-person events in London, so you won't miss out on tickets Our premium monthly newsletter Intelligence Squared Merch Learn more about your ad choices. Visit megaphone.fm/adchoices
The Saudi Crown Prince might have bought a fake Leonardo.Salvator Mundi, the most expensive painting in the world, has a fascinating yet murky history: is it worth $450 million? Its initial price tag was 49 British pounds and we are debating whether it is an original Leonardo or one of many similar but less valuable paintings created in the 16th century. If you like our content please become a patron to receive our premium episodes, and all of our public episodes ad-free as well. One of many renaissance era portraits of Christ holding a celestial bauble while making the sign of the cross surfaced in a New Orleans auction house in 2005, only to be sold later for almost half a billion dollars. If its chain of ownership is true, it began in the private collection of Louis XII of France, saw the execution of Charles I, and was centuries later sold from the estate of Sir Francis Cook to Warren and Minnie Kuntz, furniture dealers from New Orleans, for 49 British pounds in 1958. Three dealers from New York bought it on a hunch from the auction of the Kuntz estate for $1175, and turned it over to Diane and Mario Modestini, experts in painting restoration. 1 Diane decided after extensive work on the painting that it was from the hand of Leonardo himself. From there the painting took on a life of its own, and each step along its journey involved the exchange of tens to hundreds of millions of dollars. 2 Sketchy Swiss shipping magnate Yves Bouvier bought it for $83 million, and immediately sold it to Russian oligarch Dmitry Rybolovlev for $127 million. When Dmitry found out about Yves' markup (and when his ex wife hit him with a 4.8 billion dollar divorce judgment...), in a rage he put the painting up for auction at Christie's, and Saudi Crown Prince Mohammed bin Salman paid $450 million for it. When MBS tried to get the Louvre in Paris to assist in the painting's perception of authenticity by exhibiting it next to the Mona Lisa the French curators refused, so it now reportedly lives on his yacht. 3 The painting propelled British National Gallery curator Luke Syson to a glamorous career at the Met in New York and the Cambridge University museum, whose previous director is now the director of the royal family's private art collection. It also embroiled Yves Bouvier into a string of lawsuits against Rybolovlev spanning major cities around the globe, and according to the French tabloids also brought Bouvier into an arrangement with a group of escorts who were previously involved in a scandal involving French football stars, who solicited them when they were underage. 4 All of this is a deep look into the shady underworld of the high end art market, and how billionaires and their handlers carry rare antiquities on their yachts and jets to hide from banks, governments, ex-wives with divorce settlements, and tax collectors. 1. Report: How a Louisiana Family Unknowingly Owned $450M da Vinci Painting for Nearly 50 Years. The Advocate. September 2018. ⇤2. Sarah Cascone and Eileen Kinsella. 7 Unbelievable and Contentious Takeaways From a New Documentary About ‘Salvator Mundi,' the $450 Million ‘Lost Leonardo'. Artnet. August 2021. ⇤3. Sam Knight. The Bouvier Affair. The New Yorker. January 2016. ⇤4. Danielle Granger. What is the Real Story Behind Yves Bouvier's Ties to Zahia Dehar?. The Frisky. March 2020. ⇤
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