Podcasts about Asura

Elijah Nisenboim is founder of Effiji Breathwork. He has been helping people with suffering and trauma for 33 years. He is the author of three books including 2024's The Trauma Code: Unlocking the Hidden Map to Your Life's True Purpose. To accompany his breathwork, he has composed and recorded 25 volumes of music. On his many journeys to China, Elijah has learned Sacred Taoist energy practice and Internal Martial Arts which he incorporates in his healing methods for Trauma Release. Not only does he help people release trauma, but he helps them understand and use trauma as a valuable tool for fulfilling one's life purpose.Effiji Breath – Healing Breathwork

- Gast - https://bsky.app/profile/pictimundi.bsky.social https://www.youtube.com/pictimundi https://pictimundi.blogspot.com/ - Timestamps - 0:00 Intro 1:52 Pokémon Horizonte 16:13 Tasokare Hotel 31:11 Lazarus 41:11 Matze und picti reden aus irgendeinem Grund über Terry Pratchett und Wodehouse 54:20 Asura's Wrath 1:19:16 From Old Country Bumpkin to Master Swordsman 1:36:04 Ao no Hana: Utsuwa no Mori 1:44:41 Devil May Cry (Netflix) 2:18:08 Catch Me at the Ballpark! 2:22:28 Girl Meets Rock 2:26:58 Cocoon -From The Girls of Summer-

Quarter of the way through 2025 so you know what that means! Its time for another seasonal review! Pete & Cozette go through the shows they watched and give them a nice numerical rating for each show. Spoilers ahead, so use the timestamps silly!Socials/Discord - https://linktr.ee/whatdoyousayanime0:00 - Intro2:24 - Orb11:16 - Medalist18:56 - Zenshu26:41 - Honey Lemon Soda34:05 - I Have a Crush At Work / Can You Keep a Secret?39:37 - Blue Box47:51 - Solo Leveling S251:42 - Anyway, I'm Falling In Love With You55:34 - Ameku MD59:52 - Sakamoto Days1:04:15 - Cozette's lighting round (Tasokare Hotel, Flower and Asura, Beastars, My Happy Marriage)1:09:26 - Cozette's drops1:11:01 - 100 Girlfriends1:15:58 - Pete's other lightning round shows (Okitsura, Ave Mujica, Re:Zero S3)1:20:57 - Outro

The Otalku Cafe is open! Join Mat and Chris as they discuss the latest reveals from AnimeJapan 2025. The season is slowly coming to a close as they'll reviw various finales such as Tasokare Hotel, Rurouni Kenshin, Married to the Girl I Hate in Class, Unnamed Memory, Sakamoto Days, Flower and Asura, and Zenshu!You can also watch this episode on video via the W2M Network Youtube channel: https://youtube.com/live/U9SxvnK5J98Join the Otalku Cafe Facebook Page: https://www.facebook.com/profile.php?id=61562397757480Ethan Twitter: https://twitter.com/shostoppa24Mat Twitter: https://twitter.com/DamienPhoenix12Visit Our Website: https://w2mnet.com/Follow Us on Twitter: https://twitter.com/w2mnetworkFollow Us on Instagram: https://www.instagram.com/w2mnetwork/Follow us on Twitch: https://www.twitch.tv/w2mnetwork

Der schwache Eindruck der Season hat sich bis zum Ende hin bestätigt. Zwei Serien wurden von beiden abgebrochen, "Sakamoto Days" enttäuschte leider und wanderte zum Nebenbildschirm. Es war anscheinend sogar so schlecht um diese Season bestellt, dass Lukas "Solo Leveling" weitergeschaut hat. Autsch. Richtig gute Serien gab es aber natürlich trotzdem. "Die Tagebücher der Apothekerin" und "Ketzer – Tödliches Wissen über die Bewegung der Erde" waren absolute Highlights dieser Season, "Shangri La Frontier" bot gute Unterhaltung und Julian hat genug Titel für sich gehabt. Ob die letzten 4 Episoden der 5. Danmachi-Staffel, die diese Season mit ein bisschen Verspätung noch ein wenig aufgewertet haben und eine seiner Lieblingsepisoden des Jahres boten, oder das Drama "Flower and Asura" über Sprechen, Präsentieren und auch ein wenig Schauspiel. Und selbst wenn Lukas es längst vergessen hat, präsentiert Julian die Ergebnisse seines Pfeifen-Versprechens.

Uno de los grandes genios de la historia del cine, el director japonés Hirozaku Koreeda, se ha adentrado en el mundo de las series de televisión con una obra en -son 7 capítulos- titulada Asura. Sobre ella hablamos con Josemanuel Escribano.  

Dan Slevin reviews Black Bag (2025), Japanese Netflix show Asura (2025), and nostalgia trip Farscape (1999-2003) streaming on YouTube.

The thirty-ninth episode of More Than Headlines, your go-to podcast for all things anime is back and it's coming with a special guest host as Tamagotshe enters the Sugoi Studio!Join hosts Brendan White and Courtney Smith every week as they dive into the latest news, rumors, and must-know updates from the world of anime. Whether you're a seasoned otaku or just getting started, this is your ticket to staying informed and entertained. Don't miss out on the freshest insights and hottest gossip in anime

This week on NAFC, Izzy dives into Medalist and Flower and Asura before taking a detour into the brutal, historically immersive world of Kingdom Come: Deliverance. Expect tales of medieval hardship, poor decision-making, and questionable combat skills. Zea finally finishes the first season of Severance, and the crew eagerly waits to see if she's fully descended into existential despair. Meanwhile, Mox shares his thoughts on The Gorge, breaking down its action, style, and whether it's worth the watch. Finally, they wrap up with a deep dive into Rubber (2010), the absurd cult classic about a killer tire with psychic powers. Yes, you read that right. Things are about to get weird. Support us on Patreon!

Orbital di Samantha Harvey, romanzo vincitore del Booker prize, segue la vita quotidiana di sei astronauti. Il regista giapponese Hirokazu Kore-eda firma la serie tv dell'anno: Asura. A Parigi è stato annunciato un grandioso piano di rinnovamento per il museo del Louvre. Sistemi nascosti è un libro a fumetti che spiega come funzionano alcune infrastrutture di cui non possiamo fare a meno.CONValentina Pigmei, giornalista che collabora con Internazionale Emilio Cozzi, giornalista, podcaster ed esperto di spazioJunko Terao, editor di Asia di InternazionaleGiuliano Milani, storico  Alberto Emiletti, giornalista di Internazionale KidsSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.Orbital: https://www.youtube.com/watch?v=VT6BZ6gyYYYAsura: https://www.youtube.com/watch?v=M61cAu_kGD4&t=6sIl nuovo Louvre: https://www.youtube.com/watch?v=WcBvQ9qsX_E&t=1083sSistemi nascosti: https://www.youtube.com/watch?v=oA1KaUztWB0

Netflix's Asura marks the fourth iteration of the Takezawa sisters' story—last seen on-screen in the 2003 film Like Asura, which was nominated for Best Film in Japan. This year, acclaimed director Hirokazu Kore-eda (Shoplifters) expands the tale into a seven-episode series set in 1979 Tokyo, where four sisters discover their father's affair and watch their family bonds fray under hidden resentments and shifting alliances. Adapted from Kuniko Mukōda's classic Ashura no Gotoku, Asura blends humor and heartbreak with Kore-eda's signature humanistic touch. Tune in as we discuss the episodes, the critical reception, and our ultimate rating. Welcome to Today's Episode!

01:00 Joe Biden getting out of Afghanistan was the right move, even though it was chaotic 02:00 DOGE is chaotic, but I hope it is doing more good than harm 03:00 WP: Musk team kicks off federal layoffs as White House eyes big cuts, https://www.washingtonpost.com/nation/2025/02/12/musk-trump-federal-layoffs/ 05:45 2WAY TONIGHT 2/12 | Mark Halperin on Trump's First 100 Days, Democrats & Today's Political News, https://www.youtube.com/watch?v=FDsdfdTZuEs 09:00 War in Ukraine is over, https://www.wsj.com/world/trump-writes-a-new-playbook-for-quagmires-in-gaza-and-ukraine-378b29c3?mod=hp_lead_pos1 11:00 Processing pain is very different from analyzing pain, https://lukeford.net/blog/?p=158909 21:00 The Morning Meeting S4E29 | Trump's First 100 Days, Democrat Realignment & Today's Political News, https://www.youtube.com/watch?v=PR8_id6rgHg 22:00 India PM Mohdi comes on bended knee 24:30 Trump's key nominees approved by US Senate 34:00 There's no constitutional crisis, https://www.wsj.com/opinion/is-there-a-constitutional-crisis-donald-trump-executive-actions-elon-musk-judges-courts-a5b774ba?mod=trending_now_opn_1 44:30 FT: Europe reels after Donald Trump announces US-Russia talks on Ukraine, https://www.ft.com/content/f7271853-48a0-4865-ac23-0cc4d87c9fb3 45:30 FT: South Africa has been blindsided by Donald Trump, https://www.ft.com/content/ef60e887-09d6-499e-88cc-4c020e555010 55:00 Constitutional Dictatorship: Its Dangers and Its Design, https://lukeford.net/blog/?p=130386 59:00 NYT: There's a Reason Even ‘Smart' People Surrender to Trump, https://www.nytimes.com/2025/02/13/opinion/trump-authoritarianism-surrender.html 1:08:00 No foreign leaders appear to threaten Trump now 1:11:30 Israel's opportunity to take out Hezbollah on Oct. 11, 2023, https://www.youtube.com/watch?v=aPEPztvsJGQ 1:17:30 Dooovid joins to talk about the Jewish reaction to Donald Trump 1:38:00 UK Jewish community reacts to Trump's Gaza plan, https://www.thejc.com/news/usa/jewish-community-responds-trump-gaza-plan-e9jjfbw0 1:39:00 US Jewish groups respond to Trump's Gaza comments, https://forward.com/fast-forward/694186/us-jewish-groups-respond-to-trumps-gaza-comments/ 1:42:00 Resentment 1:45:00 Decoding Mike Benz (8-18-24), https://rumble.com/v6kbikv-are-we-in-a-constitutional-crisis-2-13-25.html 2:00:00 Luke & Dooovid exchange their assessment of the others' greatest delusion 2:02:00 The power of mentorship 2:06:30 Holding Onto Ourselves in Relationships, Part Seven, https://www.youtube.com/watch?v=AVs5pnah830 2:15:00 Why didn't Israel wipe out Hezbollah on Oct. 11, 2023? 2:32:00 Which foreign leaders have Trump by the balls? 2:35:00 Democrats are in dire shape 2:44:00 Anora - Oscar frontrunner 2:48:00 Clinton Rossiter lecturing at UCLA 1964, https://www.youtube.com/watch?v=PTXcLAA2eRo 2:50:00 Political scientist Clinton Rossiter, https://en.wikipedia.org/wiki/Clinton_Rossiter 2:59:00 Unimagined Power: The Presidency in the History of Political Philosophy | Paul Gottfried, https://www.youtube.com/watch?v=ys6adtS5Ez8 3:05:30 JD Vance plays the long game, https://www.nytimes.com/2025/02/12/opinion/jd-vance-donald-trump.html 3:09:00 NYT: There's a Reason Even ‘Smart' People Surrender to Trump 3:20:00 We are living in Trump's America 3:33:00 Great Japanese TV show - Asura, https://en.wikipedia.org/wiki/Asura_(TV_series) 3:45:00 Alexander Technique lesson with Diana Devitt-Dawson, https://www.youtube.com/watch?v=oXqIuvav5hY

初開的茉莉 喚醒茶葉香氣 感受清新 茶奶甜香 以詩歌和春光佐茶 飲冰室茶集 觀看更多▶ ▶ https://sofm.pse.is/75fgqs 飲冰室茶集 #以詩歌和春光佐茶 #綠奶茶 -- TW01益生菌由江欣樺營養師研製，經證實可以對抗PM2.5，降低肺部損傷，還能降低大腸癌風險、調整體質 TW01益生菌，三效合一，一次解決！ ⟪康健雜誌⟫重新定義益生菌功效！新創益生菌 TW01 可降低大腸癌、抗PM2.5 https://sofm.pse.is/75fgqy -- 繼陽明第一廳口碑熱銷後，城揚建設集團全新奢綠鉅作，廳綠廳水_廳見正義站: https://sofm.pse.is/75fgre 2024 全新公園新品，台鐵正義站綠鄰，東高雄首屈一指黃金地段!地點在 2 千坪正義公園前，陽明國中自由學區。精品廳院、飯店奢華，規劃健身房、双 KTV、閱覽室、交誼廳、運動 Bar、多功能教室，奢華貴氣 －－－－以上訊息由 SoundOn 動態廣告贊助商提供－－－－ DJ：陶晶瑩（飛碟電台） 週一至五 首播 17:00​​​​​​​​​​​​​​-18:00​​​​​​​​​​​​​​ 週六 精華重播 19:00​​​​​​​​​​​​​​-21:00 日劇：宛如阿修羅（ASURA） 演出：宮澤理惠、蒼井優、廣瀨鈴…等 改編向田邦子的同名劇作，是枝裕和改編並執導，劇情講述1979年的東京，竹澤家四名個性迥異的姊妹，無意間發現年邁父親的婚外情，四姊妹齊聚討論處理細節，委託徵信社調查的同時，也避免讓母親知情，但四姊妹各自的秘密，在這段過程裡，卻引發意想不到的感情掙扎。 飛碟聯播網 提醒關心您： ※尊重身體自主權，遇到性騷擾勇於制止，勇敢說不！報案：110，保護專線：113，婦女救援基金會：02-2555-8595，勵馨基金會：02-8911-8595。 ※酒後不開車，飲酒過量有礙健康，未成年請勿飲酒。 ※自我傷害不能解決問題，勇敢求救並非弱者，請珍惜生命。衛福部24小時安心專線：1925，張老師：1980，生命線：1995。 ※拒絕暴力，如遇霸凌請勇於求助，反霸凌專線：1953，教育部投訴專線：0800-200-885，iWIN網路防護機構諮詢專線：02-2577-5118。 ※任何人在依法被判決有罪確定前，均應推定為無罪。 飛碟APP！收聽零距離 ▶ IOS：https://reurl.cc/3jYQMV ▶ Android：https://reurl.cc/5GpNbR ▶ 飛碟聯播網 Youtube頻道  / @921ufonetwork  ▶ 飛碟聯播網 FB粉絲團  / ufonetwork921  ▶ 網路線上收聽 http://www.uforadio.com.tw/ ▶ Podcast SoundOn : https://bit.ly/30Ia8Ti Apple Podcasts : https://apple.co/3jFpP6x Spotify : https://spoti.fi/2CPzneD Google 播客：https://bit.ly/3gCTb3G KKBOX：https://reurl.cc/MZR0K4 陶晶瑩 ●Instagram：  / momoleelee  ●facebook：  / 100044575080077  ●Podcast：https://open.firstory.me/user/taowoma… -- Hosting provided by SoundOn

Put on those hats and mittens folks, cuz it's Winter Impressions time! This week, the Plummet boys dive into over 25 shows, which means tons of thoughts, drops, and trash to cover. What's our favorite so far? Did King recommend a good show (probably not)? Will Gizmo say a German title for everyone? Tune in and find out!For more info, check out AnimeSummit.net. Theme Song: Toilet Paper by ⁠⁠⁠⁠⁠⁠⁠⁠Danya Vodovoz⁠⁠⁠⁠(00:13:11) Sequels(00:15:45) Ameku MD(00:22:33) I have a Crush at Work(00:27:05) I Left My A-Rank Party to Help My Former Students Reach the Dungeon Depths!(00:32:26) Sakamoto Days(00:34:26) I'm Getting Married to a Girl I Hate in My Class(00:39:03) OKITSURA: Fell in Love with an Okinawan Girl, but I Just Wish I Know What She's Saying(00:42:30) I'm Living With a Otaku NEET Kunoichi?!(00:47:41) Possibly the Greatest Alchemist of All Time(00:51:23) Übel Blatt(00:54:18) Medaka Kuroiwa is Impervious to My Charms(01:00:37) Welcome to Japan, Ms. Elf!(01:04:34) The Daily Life of a Middle-Aged Online Shopper in Another World (01:08:17) Medalist(01:11:07) I Want to Escape from Princess Lessons(01:16:34) From Bureaucrat to Villainess: Dad's Been Reincarnated!(01:21:20) The Red Ranger Becomes an Adventurer in Another World(01:24:01) Zenshu(01:30:46) The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You Season 2 (01:38:44) I'm a Noble on the Brink of Ruin, So I Might as Well Try Mastering Magic(01:41:06) Headhunted to Another World: From Salaryman to Big Four!(01:43:50) Flower and Asura (01:46:39) Bogus Skill ~About that time I became able to eat unlimited numbers of Skill Fruits (that kill you)~(01:49:42) I May Be a Guild Receptionist, but I'll Solo Any Boss to Clock Out on Time(01:52:55) Mike's Dropped Shows(01:54:47) Beheneko: The Elf-Girl's Cat is Secretly an S-Ranked Monster!(02:01:35) Favorite Shows

Ionatan and Ravi give their thoughts on every show they're watching this winter! They discuss sequels for 'Solo Leveling' and 'The Apothecary Diaries,' underwhelming series like 'Sakamoto Days' and 'Zenshu', and a few hidden gems such as 'Flower and Asura.'

¡Qué pasa Pili cómo llevamos el mes! Esta semana volvemos y aterrizamos y lo hacemos con un grandísimo puñado de series porque he dejado a Monittini fuera de su correa y ese ha sido su Enero. Así que venimos con todo el servicio de especialistas para rescatarle de tanto atracón. Empezamos llevándola a Urgencias, en concreto a The Pitt en HBO Max donde unos médicos en tiempo real tratarán su caso. De ahí me la llevo a ver al presidente en “Paradise” y buscar una solución que puede ser tan extrema como la que viven los protagonistas de esta serie de Disney+, como no encontraré salida separaremos su persona en dos con una parte de ella viendo siempre series sin parar en “Severance” de Apple TV+ y ante tanto invento, al final Monittini se revelará y me denunciará como Pilar Rubio pero tendré de mi lado a Matlock en Movistar+ que hará que salga victorioso y diagnostiquen finalmente a Monittini arrebatñandole a su familia como en Little Bird en Filmin Y todo ello sin spoilers Un especial doble con una ingente cantidad de series por plataforma que os detallamos aquí: NETFLIX Missing you Netflix Ojitos de huevo T2/Nothing to see here Netflix Érase una vez el oeste/American primeval Netflix A.C.A.B. La serie/Desorden público Netflix El rastro Netflix Mó Netflix Selling The City Cunk on Life Asura HBO MAX Get Millie back HBO Cormoran Strike T4 MAX SAS Rogue Heroes T2 BBC/MAX Nathan for you Efectos Secundarios (NUEVA) Fantasmas The Pitt MAX DISNEY+ High potential Disney+ El mejor infarto de mi vida Disney+ Paradise Disney APPLETV+ Severance T2 AppleTV+ Prime target AppleTV+ Acapulco SKYSHOWTIME End of summer Skyshowtime Dexter Pecado Original Final del Chacal FILMIN Operación Sabre/Sablja Filmin All creatures great and small T5 especial navideño Filmin Little bird Filmin El tiempo de la felicidad T3 Filmin PRIME VIDEO On call En fin MOVISTAR Crimen de Irvine Welsh Movistar+ The pirate bay Movistar+ Wolf hall T1 Movistar+ Final de Outlander Matlock Movistar+ BBC The Split Barcelona BBC Bump BBC/STAN T1 y 2 The Traitors ITV Protection ITV Playing nice ITV Out there ITV OTRAS Ru Paul's Drag Race 17 Deal or No deal: The Island

Wie im Jahresrückblick schon vermutet, scheint die Winter-Season nicht gerade eine Fülle an sehenswerten Titeln zu bieten. Dank weiterlaufenden Serien aus der Herbst-Season, wie "Ketzer" oder "Shangri-La Frontier" Staffel 2, wird der Eindruck zwar ein wenig aufgewertet. Dass eine eher mittelmäßige Adaption wie "Sakamoto Days" diese Season dennoch zu den großen Titeln zählt und Lukas sich sogar gezwungen sah, einen etwas generischen Pseudo-Isekai anzufangen, lässt ganz tief blicken. Trotzdem gibt es einige Highlights wie die 2. Staffel von "Die Tagebücher der Apothekerin" oder "Flower and Asura", das Julian mit einer Mischung aus der "Sound Euphonium"-Autorin, Studio Bind und dem Thema Sprechen, Stimme und Rezitieren komplett überzeugt hat. Dazu kommen ein, zwei Überraschungen wie die Okinawa-Romcom "Okitsura" oder der echt solide Shoujo-Anime "Honey Lemon Soda". Aber das ist noch der Teil der Winter-Season mit den besten Serien…

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

And we're back! Literally picking up where we left off. In part two of our intro to Winter 2025 anime season, we're talking Grasia Phantom Trigger, Flower and Asura, Sakomoto Days, Apothecary Diaries, Solo Leveling. As always, let us know which shows your watching this season. What are you dropping and what's going on the backburner?

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

Migliaia di palestinesi hanno cominciato a tornare nel nord della Striscia di Gaza ieri, dopo che è stata raggiunta un'intesa tra Israele e Hamas che prevede il rilascio di una donna civile e di due altri ostaggi israeliani. Con Francesca Gnetti, editor di Medio Oriente di Internazionale.  La Groenlandia è finita nelle mire degli Stati Uniti perché lo scioglimento dei ghiacci ha fatto crescente l'importanza strategica nella regione artica. Con Alessandro Lubello, editor di economia di Internazionale. Oggi parliamo anche di:Ritratto • “Pierre Poilievre. Combattivo” di Norimitsu Onishihttps://www.internazionale.it/magazine/norimitsu-onishi/2025/01/23/pierre-poilievre-combattivoSerie tv • Asura su NetflixCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it o manda un vocale a +39 3347063050Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

*Hurlements* Aujourd'hui un épisode calme et détendu, dans lequel nous revenons sur Asura's Wrath. Curieuse association entre Capcom et CyberConnect 2 ; étrange beat'em up dans lequel on ne joue finalement pas énormément, et lorsque l'on joue... Pour nous soutenir sur ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠ Notre chaîne ⁠⁠⁠⁠⁠⁠youtube⁠⁠⁠⁠⁠⁠ La chaîne de ⁠⁠⁠⁠⁠⁠Pseudo⁠⁠⁠⁠⁠⁠ La chaîne de ⁠⁠⁠⁠⁠⁠Plouf

Ever wondered how a drama about four sisters can keep you glued to your screen all weekend? Meet "Asura" on Netflix, where family secrets and personal challenges intertwine to create an irresistibly binge-worthy experience. We kick things off by exploring this captivating Japanese series and its intricate storyline, perfect for those cozy days indoors. After our brief intro it's on to some music with Ae! group's latest release, "Hello," a harmonious blend of acoustic and orchestral sounds that may just be the new soundtrack to your life. We also checked out the latest from Awich called Frontiers, a heavy mix of classical, rap, and a little something extra.But that's not all— remember the infectious beats of V6? We reminisce about the group after checking out the senpai subunit 20th Century, and their disco inspired LADY, LADY, LADY. Finally, we shift our focus to the electrifying world of musical collaborations, diving into the explosive synergy between Bloodywood and BABYMETAL that's setting the metal world on fire. This vibrant mix of Hindi, English, and Japanese lyrics, coupled with intense drumming, is a thrilling experience you won't want to miss.  Tune in for a colorful episode packed with drama, laughter, and incredible music discoveries!Aぇ! group (Ae! group) info:InstagramXYouTubeSTARTO profileAwich info:InstagramXYouTubeFrontiers (Spotify)20th Century info:XSTARTO profileLADY, LADY, LADY (Spotify)Bloodywood info:InstagramXYouTubeBekhauf (Spotify)BABYMETAL info:InstagramXYouTubeofficialSupport the showPlease help Music Elixir by rating, reviewing, and sharing the episode. We appreciate your support!Follow us on:TwitterInstagram If have questions, comments, or requests click on our form:Music Elixir FormDJ Panic Blog:OK ASIA

The Otalku Cafe is open for the winter season! Join Mat and Ethan as they start the new season with new shows for first impressions such as Flower and Asura, Medalist, Sakamoto Days, Honey Lemon Soda, I'm Married to the Girl I hate in my Class, and Zenshu. Then returns such as Solo Leveling, Dr. Stone, 100 Girlfriends, and Apothecary Diaries! What are their thoughts on the season premieres? Tune in now!You can also watch this episode on video via the W2M Network Youtube channel: https://youtube.com/live/fDTQy9Pn-zAJoin the Otalku Cafe Facebook Page: https://www.facebook.com/profile.php?id=61562397757480Ethan Twitter: https://twitter.com/shostoppa24Mat Twitter: https://twitter.com/DamienPhoenix12Visit Our Website: https://w2mnet.com/Follow Us on Twitter: https://twitter.com/w2mnetworkFollow Us on Instagram: https://www.instagram.com/w2mnetwork/Follow us on Twitch: https://www.twitch.tv/w2mnetwork

*Podporte podcast Vertigo v aplikácii Toldo a získajte prístup k extra obsahu na sme.sk/extravertigo Osemdesiata šiesta epizóda Vertiga je plná recenzií noviniek z januárových kín a streamov. Videli sme britský hudobný titul Better Man, taliansky opus Parthenope a nemeckú komediálnu drámu Rodinný poklad. Z často nepredvídateľných streamovacích platforiem sme vybrali pozoruhodné seriály, americký veľkolepý Kedysi dávno v Amerike, švédsky kriminálny Prielom, ale aj japonskú rodinnú dramédiu Asura. A to nie je všetko, ďalšie tituly prezradíme v podcaste. V extra obsahu pre predplatiteľov sa tentoraz zameriame na nominácie Českého leva. Kapitoly: (kapitoly v epizóde môžu byť v niektorých prípadoch o pár sekúnd posunuté) 00:00 Úvod 00:52 Better Man 11:41 Parthenope 18:30 Rodinný poklad / Treasure 23:29 Kedysi dávno v Amerike / American Primeval (Netflix) 28:20 Porotca č. 2 / Juror #2 (Max) 33:45 Prielom / Genombrottet (Netflix) 36:51 Urgent / The Pitt (Max) 42:40 Asura / Asura no Gotoku (Netflix) 46:14 Záver _ Ak nám chcete napísať, ozvite sa na vertigo@sme.sk _ Ďakujeme, že počúvate podcast Vertigo a zaujímate sa o filmový svetSee omnystudio.com/listener for privacy information.

La serie japonesa "Asura", cómo evitar que te caiga un rayo, por qué se llama "guagua" a los niños, quién fue Hipatia de Cárdenas. Entrevista al tatuador ecuatoriano Samuco sobre los mitos y verdades del tatuaje.

The thirty-first episode of More Than Headlines, your go-to podcast for all things anime is back and is feeling refreshed after the holiday period.Join hosts Brendan White and Courtney Smith every week as they dive into the latest news, rumors, and must-know updates from the world of anime. Whether you're a seasoned otaku or just getting started, this is your ticket to staying informed and entertained. Don't miss out on the freshest insights and hottest gossip in anime

While a new year means endless opertunities, it also means a new season with new anime! Join DoctorKev, Marquan, Requiem and Thatsmapizza as they ramble for 2 hours about a bunch of new anime.The AniTAY Podcast is a bi-weekly podcast brought to you every other Wednesday. It is available on all your favorite podcast services! If you like us, be sure to subscribe to your favorite service and give us 5 stars! Your support is much appreciated and will help us grow and continue to provide this style of content. Itinerary Intro 0:00:00–0:02:24 Housekeeping : 0:01:57–0:07:10 Shows 0:07:10 0:10:04 Ameku M.D.: Doctor Detective : 0:10:04–0:13:21 Anyway, I'm Falling in Love with You : 0:13:21–0:16:12 AQUARION: Myth of Emotions : 0:16:12–0:17:51 Babanba Banban Vampire : 0:17:51–0:20:19 BanG Dream! Ave Mujica & Beheneko: The Elf-Girl's Cat is Secretly an S-Ranked Monster! : 0:20:19–0:24:53 Bogus Skill ~About that time I became able to eat unlimited numbers of Skill Fruits (that kill you)~ : 0:24:53–0:27:51 Cardfight!! Vanguard: Divinez — Deluxe-hen & Dr. STONE SCIENCE FUTURE : 0:27:51–0:28:53 Even Given the Worthless “Appraiser” Class, I'm Actually the Strongest 0:28:53–0:31:39 Farmagia 0:31:39–0:35:39 Flower and Asura : 0:35:39–0:37:25 From Bureaucrat to Villainess: Dad's Been Reincarnated! : 0:37:25–0:42:37 Grisaia: Phantom Trigger 0:42:37–0:45:28 Headhunted to Another World: From Salaryman to Big Four! 0:45:28–0:49:42 Honey Lemon Soda 0:49:42–0:51:51 I Left My A-Rank Party to Help My Former Students Reach the Dungeon Depths! 0:51:51–0:53:21 I Want to Escape from Princess Lessons 0:53:21–0:55:49 I'm Getting Married to a Girl I Hate in My Class 0:55:49–0:57:28 ISHURA Season 2 0:57:28–1:02:13 I'm a Noble on the Brink of Ruin, So I Might as Well Try Mastering Magic 1:02:13–1:04:20 Kinnikuman: Perfect Origin Arc Season 2 1:04:20–1:05:08 Kono Kaisha ni Suki na Hito ga Imasu 1:05:08–1:08:35 Magic Maker: How to Make Magic in Another World 1:08:35–1:11:36 Mahoutsukai Precure!! MIRAI DAYS 1:11:36–1:12:45 Mashin Souzouden Wataru 1:12:45–1:13:56 Medaka Kuroiwa is Impervious to My Charms 1:13:56–1:16:24 Medalist 1:16:24–1:18:56 Momentary Lily 1:18:56–1:20:32 My Happy Marriage Season 2 1:20:32–1:22:35 OKITSURA: Fell in Love with an Okinawan Girl, but I Just Wish I Know What She's Saying 1:22:35–1:24:18 Possibly the Greatest Alchemist of All Time 1:24:18–1:25:59 Promise of Wizard 1:25:59–1:29:01 Sakamoto Days 1:29:01–1:31:20 Solo Leveling Season 2 -Arise from the Shadow- 1:31:20–1:33:06 Sorairo Utility (TV) 1:33:06–1:36:41 The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You Season 2 1:36:41–1:37:51 The Apothecary Diaries Season 2 1:37:51–1:39:20 The Daily Life of a Middle-Aged Online Shopper in Another World 1:39:20–1:41:20 The Red Ranger Becomes an Adventurer in Another World 1:41:20–1:45:21 UniteUp! -Uni:Birth- 1:45:21–1:45:46 Unnamed Memory Season 2 1:45:46–1:47:28 Welcome to Japan, Ms. Elf! 1:47:28–1:51:33 ZENSHU 1:51:33–1:53:53 Übel Blatt 1:53:53–1:59:10 Shorts 1:59:10–2:01:55 Overall Thoughts on the Season 2:01:55–2:06:27 End 2:06:27–2:09:01 Missed the previous episode of the AniTAY Podcast? Check it out here:https://medium.com/anitay-official/anitay-podcast-s9-e21-its-ellipses-stupid-8c149a891d0e

El Evangelio de Mateo 2:1-2 dice: Jesús nació en Belén, un pueblo de la región de Judea, en el tiempo en que Herodes era rey del país. Llegaron por entonces a Jerusalén unos sabios del Oriente que se dedicaban al estudio de las estrellas, y preguntaron: —¿Dónde está el rey de los judíos que ha nacido? Pues vimos salir su estrella y hemos venido a adorarlo. Una de las explicaciones más aceptadas es que la Estrella de Belén podría haber sido una conjunción planetaria, donde dos o más planetas se alinean en el cielo, creando la ilusión de una estrella brillante. En particular, se ha destacado la gran conjunción de Júpiter y Saturno en el año 7 a.C., que pudo haber sido vista como un único punto luminoso en el cielo. Este tipo de eventos puede resultar en fenómenos visualmente impactantes que podrían haber sido interpretados como señales divinas. Sin embargo, esta propuesta ha sido desacreditada por varios astrónomos, pues de acuerdo al movimiento registrado, Júpiter y Saturno no pudieron estar lo suficientemente juntos para parecer un solo punto brillante en el cielo nocturno. Según un artículo del periodista científico Walter Sullivan para The New York Times publicado en 1977 la estrella podría haber sido una nova o una supernova. Una nova es un fenómeno que ocurre cuando hay una explosión nuclear en la superficie de una estrella, mientras que una supernova es la explosión catastrófica de una estrella masiva. Se ha registrado un evento similar por astrónomos chinos en el año 5 a.C. conocido como "estrella escoba" puesto que estos astros se presentan en el cielo como un meteoro pero con cola, que podría coincidir con la narrativa bíblica. Sin embargo, no se han encontrado evidencias concluyentes de supernovas que coincidan con el tiempo del nacimiento de Jesús. Algunos investigadores han propuesto que la Estrella de Belén podría haber sido un cometa. Aunque los cometas son generalmente rápidos y no se quedarían visibles por mucho tiempo en un lugar específico del cielo, su apariencia brillante y su cola podrían haber sido interpretadas como un signo celestial. El cometa Halley es uno de los candidatos más mencionados. Se sugiere que su aparición en el año 6 a.C. pudo haber sido interpretada como la Estrella de Belén. En representaciones artísticas, como las de Giotto, se le atribuye una cola característica de los cometas. Sin embargo, los cometas conocidos durante ese período no habrían servido como guía para los Reyes Magos porque su posición habría ido cambiando con la rotación de la Tierra y, además, para los astrólogos del pasado los cometas solían ser un presagio de un desastre inminente. Una nueva teoría es que la Estrella de Belén fue producto de dos ocultaciones del planeta Júpiter por la Luna en la constelación de Aries en el año 6 a.C., un evento que fue ilustrado en las monedas de la época. A pesar de estas teorías, la verdadera naturaleza de la Estrella de Belén sigue siendo un misterio. La falta de evidencia concreta y registros históricos precisos dificulta llegar a una conclusión definitiva sobre lo que realmente fue este fenómeno. Argus, Erik Wøllo, Adi Goldstein, Martin Stürtzer, Ozbolt, The Eight, Row Boat, Wojciech Kania, Daryl Groetsch, Moon Tripper, Deus Astra, Psycho Kick, Ocoeur, Solar Fields, Carl Sagan, ASURA. 🎧 El playlist detallado: lostfrontier.org/space.html#1040.

El Evangelio de Mateo 2:1-2 dice: Jesús nació en Belén, un pueblo de la región de Judea, en el tiempo en que Herodes era rey del país. Llegaron por entonces a Jerusalén unos sabios del Oriente que se dedicaban al estudio de las estrellas, y preguntaron: —¿Dónde está el rey de los judíos que ha nacido? Pues vimos salir su estrella y hemos venido a adorarlo. Una de las explicaciones más aceptadas es que la Estrella de Belén podría haber sido una conjunción planetaria, donde dos o más planetas se alinean en el cielo, creando la ilusión de una estrella brillante. En particular, se ha destacado la gran conjunción de Júpiter y Saturno en el año 7 a.C., que pudo haber sido vista como un único punto luminoso en el cielo. Este tipo de eventos puede resultar en fenómenos visualmente impactantes que podrían haber sido interpretados como señales divinas. Sin embargo, esta propuesta ha sido desacreditada por varios astrónomos, pues de acuerdo al movimiento registrado, Júpiter y Saturno no pudieron estar lo suficientemente juntos para parecer un solo punto brillante en el cielo nocturno. Según un artículo del periodista científico Walter Sullivan para The New York Times publicado en 1977 la estrella podría haber sido una nova o una supernova. Una nova es un fenómeno que ocurre cuando hay una explosión nuclear en la superficie de una estrella, mientras que una supernova es la explosión catastrófica de una estrella masiva. Se ha registrado un evento similar por astrónomos chinos en el año 5 a.C. conocido como "estrella escoba" puesto que estos astros se presentan en el cielo como un meteoro pero con cola, que podría coincidir con la narrativa bíblica. Sin embargo, no se han encontrado evidencias concluyentes de supernovas que coincidan con el tiempo del nacimiento de Jesús. Algunos investigadores han propuesto que la Estrella de Belén podría haber sido un cometa. Aunque los cometas son generalmente rápidos y no se quedarían visibles por mucho tiempo en un lugar específico del cielo, su apariencia brillante y su cola podrían haber sido interpretadas como un signo celestial. El cometa Halley es uno de los candidatos más mencionados. Se sugiere que su aparición en el año 6 a.C. pudo haber sido interpretada como la Estrella de Belén. En representaciones artísticas, como las de Giotto, se le atribuye una cola característica de los cometas. Sin embargo, los cometas conocidos durante ese período no habrían servido como guía para los Reyes Magos porque su posición habría ido cambiando con la rotación de la Tierra y, además, para los astrólogos del pasado los cometas solían ser un presagio de un desastre inminente. Una nueva teoría es que la Estrella de Belén fue producto de dos ocultaciones del planeta Júpiter por la Luna en la constelación de Aries en el año 6 a.C., un evento que fue ilustrado en las monedas de la época. A pesar de estas teorías, la verdadera naturaleza de la Estrella de Belén sigue siendo un misterio. La falta de evidencia concreta y registros históricos precisos dificulta llegar a una conclusión definitiva sobre lo que realmente fue este fenómeno. Argus, Erik Wøllo, Adi Goldstein, Martin Stürtzer, Ozbolt, The Eight, Row Boat, Wojciech Kania, Daryl Groetsch, Moon Tripper, Deus Astra, Psycho Kick, Ocoeur, Solar Fields, Carl Sagan, ASURA. 🎧 El playlist detallado: lostfrontier.org/space.html#1040.

Highlights of what's new in streaming for the week of January 4, 2025. Hulu Ishura, season 2 (Jan. 8) Goosebumps: The Vanishing (Jan. 10) Netflix When the Stars Gossip, season 1 (Jan. 4) My Happy Marriage, season 2 (Jan. 6) WWE Monday Night Raw (Jan. 6, 8 p.m. ET) The Breakthrough, season 1 (Jan. 7) Gabriel Iglesias: Legend of Fluffy (Jan. 7) Jerry Springer: Fights, Camera, Action (Jan. 7) Dubai Bling, season 3 (Jan. 8) Fake Profile, season 2 (Jan. 8) Hound's Hill, season 1 (Jan. 8) I Am a Killer, season 6 (Jan. 8) Subteran, season 1 (Jan. 8) American Primeval (Jan. 9) Asura, season 1 (Jan. 9) The Upshaws, part 6 (Jan. 9) Alpha Males, season 3 (Jan. 10) Black Warrant, season 1 (Jan. 10) Max The Pitt, season 1 (Jan. 9) Bill Maher: Is Anyone Else Seeing This? (Jan. 10) Peacock When Calls the Heart, season 12 (Jan. 6) Deal or No Deal Island, season 2 (Jan. 7) The Traitors, season 3 (Jan. 9) Prime Video On Call, season 1 (Jan. 9) AMC+ Mayfair Witches, season 2 (Jan. 5)

dakazu and Darfox are ready to end 2024 with one more Darfox Dabbles! They'll be looking at MAD, Bug Ego, Tank Chair, Empyreal Cabinet, and more!!! Send us emails! mangamachinations@gmail.com  Follow us on Twitter! @mangamacpodcast Check out our website! https://mangamachinations.com Support us on Ko-fi! https://ko-fi.com/mangamac  Check out our YouTube channel! https://www.youtube.com/mangamactv Check out our new commentary channel! https://www.youtube.com/@MangaMacWatches Timestamps: Intro - 00:00:00 Next Episode Preview - 00:02:31 Empyreal Cabinet - 00:05:24 Centuria - 00:17:10 Rugby Rumble - 00:23:14 Asura's Verdict - 00:28:29 Tank Chair - 00:38:16 Bug Ego - 00:43:46 MAD - 00:50:55 Darfox's rankings - 01:00:01 Outro - 01:01:12 Songs Credits: “Galaxy Groove” by Yarin Primak “Whipped Cream” by Steven Beddall “Psychedelic Funkadelic” by Evert Z  

Is the idea of Khaos only found within greek mythology?This week join Liv for part 2 of her spiritual discussion on the concept of chaos. Listen along as she covers the chaoskampfs, theomachies, and mythological deities of chaos found within many different cultures including Babylonia, Egyptian, Chinese, Celtic, Indiana, and Old Testament references. Grab your headphones, warm up your car, or whatever it is you do while listening to podcasts and get ready to learn more about the metaphysical ideas that started it all. FOR MORE CHECK OUT THE YOUTUBE CHANNEL: https://www.youtube.com/@MetaPsycKicksOR READ THE BLOG: https://www.metapsyckicks.com/journalOR JOIN OUR PATREON: https://www.patreon.com/metapsyckicks——-BOOK A PSYCHIC MEDIUM READING:Olivia the Medium: https://www.metapsyckicks.com/liv-readings-----CHAPTERS:0:00 - Intro5:16 - ChaosKampf v. Theomachy7:53 - Chaos of Enuma Elish10:40 - Chaos in Egyptian Mythology17:36 - Chaos in Chinese Philosophy19:56 - Chaotic Celtic Deities23:44 - Chaos in India37:13 - Chaos in the Old Testament46:46 - Human Fears & Chaos50:42 - The Hermit of Chaos55:28 - Thanks for Listening!-----RECOMMENDED PRODUCTS:Our YouTube Setup ►► https://kit.co/metapsyckicks/meta-psyckicks-youtube-setupOur Podcast Setup ►► https://kit.co/metapsyckicks/meta-psyckicks-podcasting-setupEm's Tarot Collection ►► https://kit.co/metapsyckicks/em-s-tarot-card-collectionOther Divination Tools: ►► https://kit.co/metapsyckicks/other-divination-toolsDISCLAIMER: This description might contain affiliate links that allow you to find the items mentioned in this video and support the channel at no cost to you. While this channel may earn minimal sums when the viewer uses the links, the viewer is in NO WAY obligated to use these links. Thank you for your support!-----ARE YOU A PSYCHIC QUIZ: https://www.metapsyckicks.com/extrasTELL US YOUR PARANORMAL STORIES HERE: https://www.metapsyckicks.com/extrasCHECK OUT OUR WEBSITE AND BLOG:www.metapsyckicks.comEMAIL US: metapsyckicks@gmail.com——-SAY HI ON SOCIAL:YouTube: https://www.youtube.com/channel/UC-Np1K0QH8e-EDHhIxX-FaAInstagram: https://www.instagram.com/metapsyckicksTikTok: https://www.tiktok.com/@metapsyckicks?lang=enFacebook: https://www.facebook.com/Meta-PsycKicks-107812201171308Olivia The Medium:Instagram -  https://www.instagram.com/oliviathemedium/Threads -https://www.threads.net/@oliviathemedium?invite=4Email - oliviathemedium@gmail.com——-Sources:https://www.theoi.com/Protogenos/Khaos.htmlhttps://en.wikipedia.org/wiki/Chaos_(cosmogony)https://drmsh.com/TheNakedBible/Creation%20in%20Gen%201%201%20to%202%203%20and%20the%20ANE%20Order%20out%20of%20DIsorder%20after%20Chaoskampf%20Walton.pdfhttps://www.worldhistory.org/article/225/enuma-elish---the-babylonian-epic-of-creation---fu/https://www.worldhistory.org/Apophis/#:~:text=Apophis%20(also%20known%20as%20Apep,as%20established%20by%20the%20gods.https://www.thechinastory.org/yearbooks/yearbook-2016/introduction-fifty-shades-of-red/between-order-and-chaos/https://www.chinadaily.com.cn/a/201512/11/WS5a2b41bca310eefe3e99f2c8.htmlhttps://en.wikipedia.org/wiki/Asura#:~:text=In%20the%20oldest%20verses%20of,battle%20between%20good%20and%20evil.https://study.com/academy/lesson/the-hindu-goddess-kali-story-symbols-facts.html#:~:text=From%20one%20perspective%2C%20Kali%20is,those%20who%20threaten%20her%20babies.https://etheses.bham.ac.uk/id/eprint/6145/1/Rackley15MRes.pdfhttps://www.britannica.com/topic/Celtic-religionhttps://www.irishhistory.com/myths-legends/mythological-cycles/echos-of-chaos-the-fomorians-in-irish-mythology-and-modern-culture/#:~:text=Symbols%20of%20Chaos%2C%20Destruction%2C%20and,storms%2C%20earthquakes%2C%20and%20blights.https://intertextual.bible/text/psalm-74.12-isaiah-27.1#:~:text=Notes%20and%20References,establish%20cosmic%20order%20...%22&text=*%20The%20use%20of%20references%20are,the%20use%20of%20these%20texts.Support this podcast at — https://redcircle.com/meta-psyckicks/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 60: This week we slice through our enemies in an act of vengence most cold with 1973's Lady Snowblood. Inspiration to KILL BILL.Lady Snowblood Trailer.Get in on the cipher next week when we cover Cheech & Chong's Up in Smoke..Why not help support our other projects @KineticOnslotCircle of Jerks PodcastA Cut Above: Horror Review Shouts outs to The Bird Beats for our theme. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-cinemigos--6354096/support.

We feasted and chilled out while learning about Asura's Wrath after another long week. Just another vibe with your boys. No Samples, no Medals, no Experience. I don't have another one in me, man.Our Links:Ian WolffeSend us a text

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Cuando nos referimos a la música de la nueva era la definimos como música instrumental caracterizada por armonías melódicas ligeras, improvisación y sonidos producidos a partir del mundo natural, con el objetivo de promover la serenidad. Esta corriente surgió de manera paralela a la filosofía new age que acepta una forma holística de divinidad que impregna el universo, incluidos los propios seres humanos, lo que lleva a un fuerte énfasis en la autoridad espiritual del yo. Los adeptos de la Nueva Era se sienten cómodos participando en prácticas como la adivinación, la astrología, la telepatía y la comunicación con los espíritus. Yo me desligo totalmente de todo eso y en este programa siempre hemos pretendido mostrar una música alejada de las corrientes comerciales populares, una música que destaca por su capacidad de transmitir emociones sin necesidad de recurrir a elementos ajenos a la propia naturaleza artística de la pura música. Por eso aquí escuchamos estilos que no se encorsetan en lo estrictamente new age, aunque sí que hay composiciones que pueden encajarse en esa etiqueta. Pero hay mucha más música más allá de la nueva era. Max LL, Shigeru Umebayashi, Tracey Chattaway, Moisés Daniel, Steven Halpern, Star Sounds Orchestra, Jonn Serrie, ASURA, Narrow Skies. 🎧 El playlist detallado: lostfrontier.org/t29.html#1036.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

“There are instances in history of many asuras – Ravana, Kamsa, Hiranyakashipu – to whom the Lord appeared in various incarnations just to kill. Therefore God's mercy is shown to the asuras if they are fortunate enough to be killed by Him.” (Shrila Prabhupada, Bhagavad-gita, 16.20 Purport)

So the year 649 was so bad that they went and changed the whole calendar to forget about it!  In 650 a white pheasant is brought to the court, and they sieze on that as a chance to rename the era from Taika to Hakuchi.  That should make things better, right? This episode we talk about this event--their reasoning, as well as what is recorded as having happened.  We also take a look at the completion of the Ajifu no Miya and how it was renamed to the Naniwa no Toyosaki no Nagara no Miya, or the Toyosaki Nagara Palace of Naniwa.  This is thought to be what we know today as the Early Naniwa Palace, and it was a real change, and, in many ways, the physical manifestation of the Taika era reforms. For photos and more, check out https://sengokudaimyo.com/podcast/episode-113 Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Episode 113: The White Pheasant.   The officials of the court stood sentinel at the palace gates, a formidable line of authority draped in flowing, vibrant robes that signified their rank. Each step down the line revealed a cascade of colors, a living tapestry of power and prestige. Only the envoys from distant shores stood apart, their unique uniforms adding an exotic flair to the proceedings, as well as a certain legitimacy as outside witnesses.   The air crackled with anticipation as the crowd waited, their breath held, until four figures emerged, bearing aloft a magnificent litter adorned with intricate decorations that shimmered as they caught the sun's rays.   Upon that litter rested a cage, and within it,a dazzling white pheasant, plucked from the untamed wilds of Anato. Whispers rippled through the throng; some questioned the significance of this fragile creature, while others dared to see it as a divine omen. Was this bird as pure as the tales had promised? The capital had buzzed with rumors ever since its unexpected arrival, and those in the back stretched their necks, desperate for a glimpse of this rare marvel.   The past year had cast a shadow over the Yamato court, leaving the air thick with uncertainty. Yet, this ethereal bird, shimmering with the promise of renewal, seemed to herald a shift—an opportunity for rebirth that everyone craved.  At the very least it was a much needed distraction from everything that had previously occurred.   As the litter glided past, the courtiers bowed deeply in reverence, forming two disciplined lines that followed through the grand gates. Together, they marched into the palace, hearts pounding with hope. They were not just entering a building; they were stepping into a new era, one that, with a whisper of fate, could rise above the struggles of the past.     This episode we kick off the start of a new era—the Hakuchi era, or the era of the White Pheasant.  It followed the Taika era, and it does have a different feel.  It is less about new edicts and more about how things were shaking out and coming together.  And one of the things that was coming together was the Nagara no Toyosaki palace, which is believed to be the same one known to archaeologists as the “Early Naniwa Palace” unearthed in Ohosaka and dated to the mid-7th century.  We'll actually start with a look at this palace, continuing our discussion from last episode, as our sovereign, Karu, aka Koutoku Tennou, seems to have been a bit crazy about all of his palaces, and figuring out just which is which can be an issue in and of itself. We'll also touch on the start of this new era, and look at why and what it meant to come up with a new era name—a new “nengou”—in the middle of a reign like this.  And so we catch ourselves at the start of the year 650, still, technically, in the Taika era.  The year started well enough, with the sovereign celebrating the new year at the Ajifu palace and then coming straight back—the Ajifu palace was apparently yet another new palace and it seems construction had only recently begun.  Now, There is some confusion between the Ajifu palace and the Toyosaki palace.  The Ajifu palace is traditionally thought to have been located on the opposite side o f the Yodo river, in the area of modern Settsu city, on the site of what became the Ajifu Shrine.  Others have suggested that it was actually on the Kanimachi plateau, which is where the Toyosaki palace was.  Notably the “Toyosaki” palace is not located anywhere near the modern area of “Toyosaki” with which it seems to share a name.  From what little information we have, it seems to have been quite the complex.  As to why he would need yet another palace, I could not say.  And yet, later we see that the Ajifu Palace is eventually named the Nagara Toyosaki Palace.  So are they one and the same?  Did they move the Toyosaki Palace?  Or did they build the Toyosaki Palace and then *rebuild* it as the Ajifu Palace—aka the Nagara Toyosaki Palace? At this point the way that the Chronicles talk about it, the Ajifu palace site seems to have been almost purely conceptual, while previous accounts seem to indicate that the Toyosaki Palace was already in use.  That would have made for an interesting New Year's celebration, probably in temporary buildings erected quickly amongst the grass and fields, with some nearby tomb mounds that would need to be leveled or moved to make room, we are later told.  It seems they were still surveying the site, but I guess Karu really was looking for a change.  And so he celebrated the new year at the Ajifu palace, but quickly returned back to wherever the work of the government was actually occurring. As to where that was, well, we talked last episode about all of Karu's meanderings from one palace to the other.  The Nihon Shoki text itself is not exactly clear, as I read it.  It doesn't help that the term for palace, or “miya”, appears to refer to both a complex and a single residence, without a clear distinction given between the two.  And so, though I mentioned it last episode, let's recap what we know about the palaces this reign. So in 645, we are told that Karu decided upon Naniwa and we are told that this is the “Toyosaki” palace.  Then in 646, Karu took up residence in the “detached” palace of Koshiro in Sayabe, Naniwa.  This was likely him repurposing the Miyake, the government offices with the royal granaries.  He was only there for about two months, though, before he returned.  Then, in the third month of 646, he issues an amnesty claiming to have taken up residence in the new palace—but we aren't told which one. In 647, two years into the reign, the government offices at Wogohori are torn down and a palace was built there.  Now this is somewhat confusing because there appear to be two government districts:  Wogohori and Ohogohori.  You'll probably notice how similar these two sound, though it may have been more like “wogopori” and “opogopori”. Back in the day.  Wo-gohori, or the “Small District”, is mentioned once, but mainly just as a place name.  Ohogohori, or the “Big District” has previously shown up as the place with government offices for the envoys from overseas.   Confusing matters, in a later entry, Karu eventually moves out of the palace at Oho-gohori and into the palace that would be known as the Nagara Toyosaki palace.  So was he at Wogohori and then later at Ohogohori?  Or was there some scribal error such that the two got confused? And then in 648 we are told that Karu moved into the Toyosaki palace in Naniwa.  Two years later, in 650, and he is now celebrating New Year's at the Ajifu palace, which may refer to a location on the other side of the Yodo river, but is likely in the spot we now think of as the Nagara Toyosaki Palace.  We then know that in 651 they were still building a palace.  And it isn't until the last day of 651 that Karu would formally move from Ohogori into the Ajifu palace, which we are told was then renamed the Nagara no Toyosaki no Miya---the Nagara Toyosaki Palace. I have several thoughts on all of this.  One, is that there may have been two “Toyosaki” palaces—there was the Toyosaki palace that he first moved into, and then there is the Nagara Toyosaki Palace.  “Nagara” appears to mean something like “Long Handle”, but other than that, I don't know that there is a good translation.  It may refer to the fact that it was meant to last longer, or that it was even larger than the previous palace.  It may even be that the original Toyosaki Palace was just a few of the buildings, and that eventually it grew into the larger Nagara Toyosaki Palace, but if that is the case, what is up with term “Ajifu”?  Was that just one building in the larger palace?  Or are earlier mentions of “Toyosaki” anachronistic, and perhaps it wasn't until the entire thing was complete that they gave it that name?  Many modern accounts appear to conflate the Toyosaki palace with the Nagara no Toyosaki Palace, saying it just took that long to build.  That would imply that the Ajifu palace really was there on the Kamimachi plateau, at the known Naniwa palace site.  Alternatively, “Nagara” could possibly have been a reference to the fact that the Ajifu palace was an extension of the larger Toyosaki complex, possibly built out of the government offices of either Wogohori or Ohogohori. For all that we don't know exactly what was happening here, we have a pretty good idea in the archaeological record about at least one of the palace sites on the Kamimachi plateau.  This site has been identified as the Toyosaki palace of Karu, aka Koutoku Tennou, and it would actually be reused at a later date.  Sure enough, there are remains of at least two palace complexes on the site, with the one from our period known as the “Early Naniwa Palace” site. Based on its size and layout, this Early Naniwa palace was the first of its kind.  Previous palaces in Asuka had not dissimilar designs in terms of the general arrangement, but this clearly made use of the structure of continental style palace complexes, and was likely intended to be a new, permanent capital. The north of the palace complex consisted of a rectangular, walled section 185 meters east to west and 200 meters north to south, making up the “dairi”.  That's almost 10 acres of enclosed space, set aside as the sovereign's personal living quarters. South of that was a smaller area with the front hall, one of the largest for its time.  It was 36 meters east to west and 19 meters north to south.  This would have been the hall called the “Daigokuden” in later palaces, where official rituals would take place.  There was a gate between it and the Dairi, to the north, as well as a gate to the south, flanked by two octagonal buildings, which led to the Chodoin, the main working area of the court complex. This is part of what sets this palace apart from others, and why it likely took a while to build.  It may also explain all the different palace names as there was probably a lot of construction for a long time.  In previous instances, as far as we can tell, the sovereign's palace was both their home and the building where state business was conducted.  Think, perhaps, of the White House, in the US, and then imagine that the White House, the Capitol Building, and the Supreme Court were all part of the same compound, with only the barest of concessions to privacy between them.  In this new layout, the dairi was reserved to the sovereign, there was a small area for the official throne room, and then south of that was the Chodoin, the court hall complex. This was a huge change to how things had operated in the past.  While the main audience hall was still nominally part of the dairi, so the “private” areas of the palace weren't entirely “private”, it was still leaps and bounds more separated than in the previous palaces we've uncovered.  Sure, the idea of lining up buildings from the front gate to the larger buildings towards the back, making people approach successively larger and more impressive buildings, generally seems to have been a thing as far back as the Makimuku Palace near Mt. Miwa, back in the third century, but even then, there is no clearly defined separation between the public and private spaces of the sovereign.  There does seem to have been restrictions on who could enter what parts of the compound, with the sovereign's personal quarters being the most restricted, but now there were walls and gates and guards separating one area from another. The Chodoin itself, the main “business” or “public” area of the court, appears to have been about 262.8 meters north to south and 233.6 meters east to west—a little over 15 acres.  Most of that was open space between the 14 “choudou” halls lined up symmetrically, 7 on either side.  These were the individual buildings where the various government officials were to meet and conduct business, as well as conduct rituals, feasts, etc.  There was a southern gate that provided the entrance to the Chodoin and led to another large area with the Choshuden, the buildings where officials could change into and out of their formal court uniforms, and otherwise prepare for or close out the day.  South of that was the main gate for the entire compound, the Suzaku gate, named for Suzaku, the red bird of the south, one of the four directional guardian spirits. We know the buildings largely from their post holes.  They were made of wood, and it is likely that most of them were thatched.  They may have been painted white, vermillion, and green—classic paints that were based on continental styles and which were said to help prevent the wooden pillars from rotting too quickly.  It is unsurprising that this would have taken years—but it is also possible that they built some quarters for the sovereign and then built out from there.  This also would have been key to a lot of the governmental reforms, providing an actual location for the work that the reforms were directing. Of course, there was a lot of work to be done, and the halls in the palace were limited, so two areas to the east and west of the complex were set aside and appear to have been built up with other government offices, suitable for carrying out the day to day minutiae that was required. There is still a question of whether or not they also instituted the larger grid system city layout around the palace complex.  Currently we have no evidence for that, though perhaps they were considering it, eventually.  Unfortunately, with all of the construction in Osaka over time, I don't know if we could be able to find or discern such a layout if we did find it.  For now, we will stick with what we know:  an absolute unit of a court complex that took them several years to build. Getting back to the Chronicles: Our next entry in the Nihon Shoki, after the New Years celebration, tells us that in the second month, Kusakabe no Muraji no Shikofu, the governor of Anato Province, brought a white pheasant to the court.  The report claimed that it had been caught by Nihe, a relative of Obito, the Kuni no Miyatsuko of Anato, on the 9th day of the first month, on Mt. Wonoyama. For reference, the land of Anato was at the far western end of Honshu, part of the San'yodo, itself a designation for the lands along the Seto Inland Sea coast from Harima, modern Hyogo prefecture, out to Anato, modern Yamaguchi prefecture.  It was on the Honshu side of the Shimonoseki strait, which was the main entrance from the Korean Strait and the Japan Sea to the Seto Inland Sea.  The area would later be known as Nagato, which would eventually be called Choshu, an area which any students of the fall of the Tokugawa shogunate are sure to recognize. We discussed back in Episode 94 how white or albino animals—assuming they weren't normally white—were considered particularly auspicious.  So in 598, the land of Koshi sent a white deer they had found to the court of Kashikiya Hime, which is to say Suiko Tenno.  And so the white pheasant from Anato was clearly seen as an omen—but was it truly auspicious.  Here we see the court investigating this, and how exactly they go about that is somewhat enlightening as to how the court thought in general. First, they made inquiry of the lords of Baekje—I would suspect this referred to those recognized as Baekje nobility residing in the archipelago, rather than sending a correspondence to the peninsula and back.  That they went to someone from Baekje would seem to indicate the importance they placed on Baekje as a conduit for continental learning.  Indeed, the answer they got back—whether from a single, unnamed individual or a group of Baekje nobility—was that White Pheasants were recorded in the 11th year of Yongping, which would be 68 CE to us, during the reign of Ming of the later Han dynasty.  Han Mingdi, aka Emperor Ming of Han was born Liu Yang and also known as Liu Zhang, reigned from 57 to 75 CE.  Ming and his son, Emperor Zhang oversaw a period of particular prosperity for the Eastern Han dynasty.  On the other hand, there was an attempt to curse Emperor Ming in 67 CE, which ended with the death of the ambitious Prince Jing of Guanglin.  Then, in 70, Prince Ying of Chu was also convicted of using magic to try and secure blessings while he fomented revolution against the emperor, and he was exiled, where he committed suicide.  So I don't know if this marks the pheasant as particularly auspicious or not. Asking the Buddhist priests, who frequently studied not just Buddhist canon, but other continental texts, they mostly drew a blank—at least on the specifics of a white pheasant.  They did recommend that a general amnesty would not be amiss, as it would bring joy to the people.  I guess if you aren't sure about the nature of an omen you can certainly do something to help it out. And while they weren't specifically sure about a white pheasant in Buddhist scripture, a couple of priests did have suggestions. The Priest Doutou recounted a story from Goguryeo, when the court there wished to build a new Buddhist temple, but could not divine a suitable and auspicious site.  When someone witnessed a white deer, they chose that spot for the temple, which was then called the Temple of the Park of the White Deer.  According to Doutou, this temple established Buddhism in Goguryeo. Furthermore, he recounted, when a white sparrow was seen on the farmstead of another temple, or when a dead crow with three legs had been brought back from the Tang dynasty, the people had proclaimed both of these to be good omens.  So given all of that, Priest Doutou concluded, a white pheasant must be especially auspicious. The Priest Bin agreed.  Bin, you may recall, had been heavily relied upon for his knowledge in setting up the new governmental structure, which would seem to indicate that he was quite well-versed in continental ideas, and he had even traveled there himself.  He provided the court several different reasons that a white pheasant might appear. First, it might appear when a ruler extended his influence to all four quarters. Second, it might appear when the sovereign's sacrifices are appropriate, and when his banquets and clothing are in due measure. Third, it might appear when the sovereign cultivates frugality. Finally, it might appear when the sovereign was humane. He didn't provide any specific examples of how he arrived as his conclusions—at least nothing was recorded—and so he may have been relying on his own expertise.  However, he did recount one tale in particular.  It was a story from the time of Emperor Cheng Wang of the Zhou dynasty.  Cheng Wang is said to have reigned in the 11th century BCE, from 1042 to 1021, and so take that how you will.  Important to us is not what happened so much as what the Yamato court believed had happened—what was the historical truth that they were workin with at the time? According to Bin, during Cheng Wang's reign, the Yuehshang family brought a white pheasant to the court.  Apparently it had been three years without any exceptional storms or rains, and neither the rivers nor seas had flooded.  Apparently the old men found this an extremely long time to go without some kind of disaster, indicating that the pheasant was clearly an auspicious omen in deed. Priest Bin also mentioned other accounts, but the Chroniclers omitted them from the record. Whatever they were, the court had heard enough.  The White Pheasant was declared auspicious, and a new era was declared:  the Hakuchi, or White Pheasant, era.  They let the white pheasant loose in the royal garden, presumably with clipped wings or otherwise kept from flying off, and then preparations were made  immediately to officially inaugurate the new era 6 days later, on the 15th day of the 2nd month of 650. Before we get into that, though, I want to pause and take a look at something here:  The authority of precedent.  Time, as conceived of in the continental model, was cyclical.  There was the cycle of day and night.  The cycle of the year and the repeating seasons.  Likewise the planets and heavens all had their own cyclical periods.  In addition, there was the idea that the Yin and Yang forces in the universe likewise cycled through predictable patterns—the sexagenary cycle, or cycle of 60 years, being an example of a longer term cycle.  And then there was the Buddhist cycle or death and rebirth, at least as long as one remained tied to this mortal plane of existence. If time is cyclical, then one can look to the past to predict the present.   Stories of the past were seen as holding authority over similar events in the present.  Understanding these historical stories and being able to pull from them provided its own kind of power and authority.  Rather than attempting to reason from first principles, precedent was often a more convincing argument. Being able to read and write and recall all of these stories gave scholars the ability to influence events.  Of course, who had time to do all that other than people like Buddhist priests or the doctors of the court? This is also one of the reasons that people would have had to write down histories and, eventually, to keep diaries and accounts of what happened.  Those accounts would, over time, become essential records to invoke for moments like this—and even a record like the Nihon Shoki or the Kojiki would have similar significance.  In many ways, it is propaganda, but not just in how it describes the past as the Chroniclers wished it to be, but it set the precedent for succeeding eras to look back on.  While we may challenge that view, today, for many from the 8th century onward the events described in the Nihon Shoki were considered the gospel truth in more ways than one. Of course, all that aside, we've had plenty of auspicious events before, but why, now, would they be enough to trigger a new era?  Why not just note them and move on? Well, to start with, let's face it, nobody is likely to name 649 as the greatest year ever, any time soon, and certainly not the Yamato court.  The Crown Prince, Naka no Oe, had been tricked into thinking that his co-conspirator, Soga no Kurayamada no Ishikawa no Maro, was a traitor.  To be fair, Maro had been more than complicit in the murderous takedown of his own relatives to set up the current government, and history has time and again suggested that those who put someone on the throne can just as easily take them off it.  That's why they are often either brought deeper into the inner circle, or removed—either physically or more euphemistically.  In this case, though, it seems that fears of Naka no Oe and others were unjustified, and they sent the royal troops after an innocent man; or at least a man as innocent as any of the other elites at that time.  After all, the wealth of the elites came from the rice fields that they owned—or that were at least designated for their stipends—and they certainly weren't working those fields themselves, so make of that what you will. All of that had led to the death of Maro, his family, and the rest of his household.  That, in turn, led to the death of his daughter, Miyatsuko Hime, who was married to Naka no Oe himself.  When they finally did realize what had happened, the best justice they could figure out was to send the scandal-mongering Soga no Musa out to Tsukushi in a form of luxurious banishment.  Demotion by promotion, as he was made the Viceroy of Tsukushi, the top man of the court at the edge of the archipelago. To say that the year 649 had been a bust is an understatement.  Don't get me wrong, it was a far cry from the worst year that the archipelago had ever experienced—or would in the future, for that matter.  But that was scant comfort to the folks living in it. And so it was with some relief, I suspect, that the court welcomed news from the far flung land of Anato, because they really needed a distraction. With that in mind, let us move on to the events of the 15th day of the 2nd month of the year 650, describing how they inaugurated the new era.  Now, if the Chronicles are to be believed, this is not the first time they inaugurated a new era—we are told that year 645 was considered the first year of Taika, or Great Change.  But, assuming that did happen, and that it wasn't just named after the fact, the era would have started at the same time as a new reign.  Previously, from everything we can tell, dates were based regnal years.  Things are recorded as happening in the X year of Y sovereign.  Some of the oldest accounts seem to even note it more as X year of the sovereign who reigned from the Y palace, as the palace was likely more distinct a feature than the names and titles that they used, and the posthumous names, like “Koutoku Tennou” were not actually used until the end of the 7th or early 8th century. It is possible that Hakuchi is actually the first true nengo—or era name—and the first one that appears in the middle of a reign—though even here some say that the instantiation of “Hakuchi” is anachronistic. Personally, I see no harm in taking it at face value, at least for now, while acknowledging that everything in the Nihon Shoki is suspect.  Still, we are approaching a time when the events being written down may have still been in the living memory of people alive at that time.  720 is only 70 years away, and the project started even before then, so unless there are obvious discrepancies or supernatural events, we can probably assume that the Chronicles at this point are largely truthful, if possibly embellished. And so it is we are told of what happened.  To begin with, the court lined the ministers of the left and right and all of the functionaries in four lines outside the “purple” gate, as they would during a New Year's reception, like the one they had just had at the Ajifu palace.  The “Purple” gate was probably a reference to the southern gate The fact that the courtiers lined up at the south gate in the same way that they would have during a New Year's reception would seem to indicate that this was seen as the start of a new year.  It was no longer a Taika year—starting on that day it was now the first year of Hakuchi.  The month and day would not change, however, so it was still the 15th day of the 2nd month.  That means that technically the first year of Hakuchi would only have ten and a half months in the year—maybe eleven and a half, if there was an extranumerary month.  Likewise, the last year of Taika would only have one and a half months.  And if you are thinking that must make Japanese dates really tricky around the start or end of year, you don't know the half of it.  Sometimes events will get placed in the wrong “era” because they happened a few months before or after the change, and people forget that when they are translating to and from western dates.  It also means era names can't just give you the years of the era, but really need to give you the month and date it starts and ends.  Fortunately, most people are quite understanding about the occasional mistake.  But anyway, I digress. The courtiers were lined up as though for new years, and then they watched as Ahata no Omi no Ihimushi and three others bore a litter with the pheasant on it and went ahead through the gates.  The others followed in rank order—with the Ministers of the Left and Right leading the various functionaries.  The Baekje prince Pungjang and his uncle, Sesyeong Chyungseung, whom we mentioned back in Episodes 105 and 107, as well as Mochi, the physician to the King of Goguryeo, a scholar attached to the court of Silla, along with other important persons all advanced as well into the Central court of the palace. The pheasants litter was taken up by Mikuni no Kimi no Maro, Wina no Kimi no Takami, Miwa no Kimi no Mikaho, and Ki no Omi no Maro, who brought it to the front of the hall.  There, the ministers of the left and right then took the front of the litter, while the Prince of Ise, Mikuni no Kimi no Maro, and Kura no Omi no Woguso took hold of the rear.  Together, they placed it in front of the throne.  The sovereign, Kura, and the Crown Prince, Naka no Oe, examined the pheasant together. The Crown Prince then backed away, and the new Minister of the Left, Kose no Omi, presented a congratulatory address. He gave thanks to the sovereign and claimed that the pheasant was a sign that the sovereign would rule for one thousand autumns and ten thousand years across the Great Eight Islands—the Ohoyashima—of the archipelago and the four quarters of the earth.  Effectively, this is a long-winded version of “Banzai”, the congratulatory wish of ten thousand years of life for an emperor. Karu responded to this address by quoting auspicious times that white animals had been omens of good rule.  He then gave credit to the ministers and functionaries, and urged them to continue to provide good service.  Then he declared a general amnesty, forgiving various offenses, and noted that the era name would change to “Hakuchi”. Karu then directed presents to be handed out to the Ministers, the Daibu, the officials of lower rank, all the way down to the clerks.  Each received gifts commensurate with their rank.  Finally, Kusakabe no Muraji no Shikofu, the governor of Anato, was commended, and granted the rank of Daisen along with what we are told were a goodly number of presents.  In addition, the commuted taxes and corvees of Anato were remitted for three years, meaning that Anato would be allowed to keep all of the rice and product for themselves—something that was likely quite significant, though it is unclear whether this means that it was felt down at the level of basic workers or it just meant that the governor was able to keep what he taxed from the people for himself. And with that, we enter a new era.  Forget the unfortunate bloodshed and regrettable decisions of the previous year, this was a new start.  And that is often how these eras were seen.  Whether it was a new reign or things were just going so poorly that the court felt there needed to be a new start, future nengo would often follow a similar pattern.   And there was no set time for how long an era would last.  In fact, here's a little trivia for you:  The shortest nengo in Japanese history was “Ryakunin”, and it lasted just under two and a half months from late 1238 to the start of 1239.  It really shows how important it was to come up with a good name of these eras, as “ryakunin”, which seems to mean something like “humane period”, could also be written with characters meaning “abbreviated person”.  So they decided to abbreviate the era, instead, changing the era name again. This first year of the new era of Hakuchi continued relatively normally.  In the fourth month there were envoys from Silla—another source, according to the Nihon Shoki, claimed that Goguryeo, Baekje, and Silla sent envoys every year from this reign onward.  Then, in the tenth month, we see more work being done on the palace—presumably the Ajifu palace.  We are told that presents were given out in respect to tombs that had been demolished to make room for the new construction, as well as for the people who had been moved off their land.  Then Aratawi no Atahe no Hirafu was sent to place the boundary posts, no doubt marking out the outer extremities of the new palace precincts. In addition, that month work began—no doubt at the court's direction—on a giant tapestry, or mandala, with a sixteen foot tall Buddha image, attendant Boddhisatvas, and figures of all eight classes of beings according to the Buddhist cosmology.  That includes Heavenly beings, such as Devas; dragons; demonic Yaksha, Gandharva, and Asura; the bird-like Garuda and Kimnara; and the snake-like Mahoraga.  All told, there were some 46 figures.  It doesn't seem to say where it was to be installed, though it may have been made for the new palace complex. Also in that year we are told that the court ordered Aya no Yamaguchi no Atahe no Ohoguchi to carve one thousand images of Buddha—but once again, we aren't told where they resided.  We do know that the 16 foot tall embroidered Buddha was completed in the 3rd month of 651: it had taken them approximately five months.  The day after they were completed, the Dowager Queen, Takara no Himemiko, aka the former sovereign, Kougyoku Tennou, who had stepped down in 645, invited ten Buddhist teachers and prepared a feast and entertainment, likely to bless and show off the completed images. At the end of 651, the palace itself was finally complete.  We are told that over 2100 priests were invited to the Ajifu palace to read the Issaikyo on  the last day of the year.  The Issaikyo is the entirety of the Buddhsit canon, and so this was probably done in the abbreviated tendoku style, with priests just reading the chapter headings and flipping through the sutras, though with 2100 it is possible they just each red a different portion, all at the same time.  As it grew dark, the palace courtyard was kept bright with 2700 lights while we are told that the Antaku and Dosoku sutras were read.  Aston notes that these “sutras” of Antaku and Dosoku don't appear to reference any actual sutras that we know of, and posits that they may simply be rituals for home safety and the like.  Given what we know about the fate of so many of these old wooden palaces, it makes sense. After the sutras were read, the sovereign, Karu, formally moved from his residence in Ohogohori into the new palace, which was called Naniwa no Nagara no Toyosaki no Miya.  As I noted at the beginning, it is unclear if this was the Ohogohori or Wogohori, and it is even somewhat murky as to whether or not it was considered a palace.  Not to mention that after the New Year's ceremonies were completed, the royal chariot—which would have been carrying the sovereign—went back to Ohogohori.  I guess things weren't quite ready yet.  He would return on the 9th day of the third month, and even then we don't see a note that the palace was completed until the 9th month of 652.. There is a lot here where we see things that appear to be scheduled so that they can occur on auspicious days, even if everything else isn't quite ready.  So, for example, reading the sutras and formally “moving” into the palace on the last day of the year so that one could host the New Year's celebration there the next day.  That seems like something that was done purely for ceremonial purposes.  You may recall that in 650 they did the same thing. There are a few more references to the palace.  On the 15th of the 4th month of 652, the Buddhist ascetic E'on was invited into the Dairi to explain the Muryouju Sutra, also known as the Sukhavati Vyuha sutra.  E'on was made a lecturer, and there were said to be 1,000 ascetics in the audience, listening to his teachings.  That apparently went on for five days, being discontinued on the 20th day.  And the power of the sutras, and E'on's teachings, is shown in the weather, because the Chronicles claim that large rains began to fall in a monsoon that lasted for nine days.  This wasn't a gentle “water your crops” kind of rain.  This was more like a “demolish your buildings and destroy your fields” kind of rain.  There must have been massive flooding as men, horses, and cattle were caught up in the water and drowned. Given the way this is written, I'm not entirely certain of the takeaway.  Were the sutras that powerful that they brought rain, and E'on didn't understand his own strength?  Or was it a punishment for stopping E'on from continuing his lecture?  Or was it the rains that caused the lectures to stop, perhaps making it untennable for people to sit out in the courtyard and listen as the rains came down?  My rational brain suspects the latter, but I'm not sure how it was read by the people of the 8th century. On the last day of 652, priests and nuns from around the country were invited to the dairi, to the interior of the palace, and entertained and given a feast.  Alms were given and lights kindled to celebrate the new year. But that's the last entry I really see for the palace, as such.  There was plenty more happening through the era, and we'll touch on that.  We start to see Silla and Tang dynasty getting chummy, and we also see some of the reforms still working their way across the land.  We also have Yamato's own expeditions out to the Great Tang dynasty.  But we'll save that for the next episode, as we continue to dive into the Hakuchi era. And so, until next time, thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

In this episode of Crazy Wisdom, Stewart Alsop III interviews Kelvin Lwin, the founder and CEO of Alin.ai. Their conversation ranges from Kelvin's experiences at NVIDIA and his deep knowledge of hardware-software integration to broader philosophical discussions about the future of AI, spirituality, and wisdom. Kelvin touches on how AI and technological advancements are shaping not just industries, but society and consciousness itself. They also explore how AI could personalize experiences and learning, using examples from his own company, Alin.ai, which focuses on K-12 education through personalized math learning. For more details, check out Alin.ai.Check out this GPT we trained on the conversation!Timestamps00:00 Introduction to the Crazy Wisdom Podcast00:28 Kelvin Lewin's Journey: From NVIDIA to CEO01:10 The Intersection of AI, Spirituality, and Technology01:49 The Role of AI in Understanding Complex Systems02:44 The Impact of Social Media and Technology on Society03:48 Spirituality and the Quest for Wisdom07:47 The Evolution of Consciousness and Technology13:33 The Importance of Ancestral Wisdom18:22 The Role of AI in Education and Personal Growth33:00 Buddhism, AI, and the Nature of Reality42:20 The Salem Witch Trials and Spiritual Realities43:04 Western Intellectuals and Traditional Structures44:57 The Role of Tradition and Empirical Data47:20 Buddhism and the Concept of God49:50 AI and Hardware Fundamentals51:31 Parallelism in AI and Software58:37 Liberation and Code Analogies in Buddhism01:09:17 Personalization in AI and Education01:12:10 Conclusion and Future GoalsKey InsightsThe Relationship Between Hardware and Software: Kelvin Lwin explains the critical relationship between hardware and software, particularly how advancements in GPUs have enabled the AI revolution. He emphasizes that AI is inherently parallel, meaning its computations can be processed simultaneously, making GPUs essential to its progress. Understanding this dynamic is key to grasping the future of AI development.AI's Impact on Society and Consciousness: The discussion touches on how AI isn't just a technical tool but also influences society and even individual consciousness. Kelvin shares insights into how AI shapes our decision-making processes and could guide human development in a way that blends technology with personal growth, raising ethical questions about its long-term effects on humanity.The Importance of Personalization in Learning: One of the central ideas explored is personalization in education, a core focus of Kelvin's company, Alin.ai. By using AI to tailor math learning to students' individual needs and psychological states, the platform aims to help students overcome emotional blocks and anxiety associated with learning, especially in challenging subjects like math.Spirituality and Technology Intersect: A recurring theme is the intersection between spirituality and technology, where Kelvin talks about AI's potential to assist in guiding individuals through personal development, akin to how spiritual teachers work. He sees AI as a tool that could simulate aspects of this guidance, while recognizing the inherent dangers of superficial understanding.The Role of Breath in Meditation and AI Training: Kelvin emphasizes the role of breath in meditation as a bridge between conscious and subconscious states. In his work with Alin.ai, breath exercises are integrated into learning to manage stress and improve focus. He also warns, however, that breath exercises are powerful and should be approached cautiously, especially for beginners.Cultural and Spiritual Layers in AI Development: Kelvin draws from Eastern traditions like Buddhism to frame the development of AI, highlighting the importance of understanding cultural and spiritual contexts when designing systems that interact with human psychology. He compares levels of consciousness to different layers in AI programming, noting how both require understanding and pattern recognition to guide progress.The Ethical Complexity of AI Companionship: The conversation briefly touches on AI's role as a companion, especially in emotionally vulnerable populations. Kelvin expresses concern about using AI to simulate relationships, arguing that while it might serve a market demand, it could deepen isolation and emotional dependence, rather than fostering real human connection and growth.

What's up, Gamers? This Monday, Konsole Kombat brings you a thrilling new episode that's set to blow your minds! Join your favorite hosts, John and Dean, as they welcome special guest Zack from Senjoh World and The Totally Ridiculous Podcast. In Episode 47, we dive deep into an epic battle between two mythological powerhouses: Sun Wukong from Black Myth: Wukong and Asura from Asura's Wrath. Each character brings a unique blend of mythological lore and unparalleled power to the table. Sun Wukong, hailing from Chinese mythology, showcases his incredible prowess with supernatural abilities and skillful combat techniques. On the other hand, Asura draws from Hindu and Buddhist mythologies, infused with a touch of science fiction, showcasing immense rage-fueled power that can annihilate gods. Tune in as John, Dean, and Zack delve into the lore, abilities, and combat strategies of these two titans. Will Sun Wukong's trickery and agility outmatch Asura's overwhelming fury and destructive capabilities? With meticulous analysis and 1,000 Monte Carlo simulations, this episode promises electrifying debates and jaw-dropping conclusions. Don't miss this epic clash of deities and be sure to check out the other awesome shows on the DynaMic Network! This Podcast is a member of the DynaMic Podcast Network! Please check out the other shows on the Network: * Dynamic Duel: Marvel Vs. DC * Max Destruction: Movie Fights *Senjoh World: Anime Action And check out the ⁠⁠⁠Linktree⁠⁠⁠! Also, please consider leaving a 5 Star Rating and Review wherever you may be listening to this show, as it helps continue growing our listening audience! And please, check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! *DISCLAIMER: This show uses an AI made voice that has a resemblance to a real person. This is not done with malicious intent nor is there any intent to use said voice for monetary gain.*

Hi Everybody! Surprise FNGC Drop for your Wednesday listening pleasure (remember every day can be a Friday if you Believe hard enough). This has been exclusive on Patreon for quite some time since April so on the cusp of posting our Asura's Wrath review over there, and in light of scheduling issues over here, now is the perfect time to let the world know if Rune Factory 4 is good or not!This episode was so fun and gives a lot of insight into specifically what Will does/doesn't like! Lots of Harvest Moon, Stardew Valley & Cult of the Lamb mentioned so make sure you take the chance to jump in and hear exactly what Will thought of this interesting farming adventure!Music, Mix & Master by: Daniel Campolihttps://www.danielcampoli.com/portfolioIf you want to reach out to Nick and Will personally to engage with us about the show, follow us on any link here:https://linktr.ee/FridayNightGamecastSupport the show

Black Myth Wukong is a sequel to the 16th-century Chinese novel Journey to the West. It's also a AAA action game with a spectacular opening that channel's the scale of Asura's Wrath. You remember Asura's Wrath, right? In this episode, the crew discusses the game, the book, and many adaptations. Get the full list of games (and other stuff) discussed at www.besties.fan. Want more episodes? Join us at patreon.com/thebesties for three bonus episodes each month!

One of the most impressive places in Sri Lanka is Sigiriya, a site often named the 8th wonder of the world. Sigiriya was also home to an ancient city that sat atop the monolithic rock towering 650 feet over the town of Dambulla in the Matale District of Sri Lanka. The site attracts thousands of tourists daily and has been a UNESCO heritage site since 1982. Many believe that the giant monolithic rock looks unnatural because of its perfectly flat top, which almost looks like it's been cut at a precise angle. The locals believe this ancient site was built thousands of years ago by an ancient Hindu god, named Ravana, who was part of an advanced race of beings known as the Asura. These deities are said to have come down from the sky and ruled over portions of humanity. There are strange scoop marks and holes in the rock, and at the top, there are bricks, marble blocks, and an enormous granite water tank found in the middle of the site. How all of them were built and how ancient carried the materials to the top is still unexplained.