American composer based in New York City
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durée : 01:00:09 - Christopher Cerrone - par : Laurent Vilarem - Le grand compositeur américain Christopher Cerrone possède un univers marqué par la faute et les paradoxes. Ses confrères Nico Muhly et Timo Andres, ainsi que le pianiste Shai Wosner nous livrent leurs témoignages/condamnations sur les péchés dont la musique de Cerrone est coupable ou innocente ! - réalisé par : Fanny Constans
Jazz Ahead 192 1. Preludio, Archivio Futuro, Archivio Futuro, La Tempesta Records, 2022 2. Voices (Of The Past) Tom Skinner, Voiced of Bishara, International Anthem, 2022 3. The Air Suspended II. Dissolving Margins, Christopher Cerrone, New Focus Recordings, 2022 4. Mandarinas, Daniel Ivan Bruno, Bajo Este Sol Tremendo, ears&eyes Records, 2022 5. Sorcery of Terminology, B H R A J A, Watermelancholia, Autoproduzione, 2022 6. Fungus In Flight, Matt Baldwin & tp Dutchkiss, Show Invisibles, Leaving Records, 2022 7. Upper Space, Matthew Halsall, Changing Earth, Gondwana Records, 2022 8. Malaika, Filippo Orefice, Kalaima, Aut Records, 2022
The String Orchestra of Brooklyn has released their debut album, called afterimage. It features two exquisitely soulful works written for the orchestra by Christopher Cerrone and Jacob Cooper, both of which are in response to classic works by Niccolò Paganini and Giovanni Battista Pergolesi (also included on the disc). Conductor Eli Spindel and composer Cerrone join us to preview the recording, which also features contributions from the Argus Quartet and vocal soloists Mellissa Hughes and Kate Maroney.
Christopher Cerrone's pulsing electroacoustic album Liminal Highway is transformed into a luminous landscape for this dreamlike journey through city streets, in pursuit of a mysterious woman. With text by Stephanie Fleischmann and flutes by Tim Munro. Performed by Ally Murphy. Conceived and directed by Patrick Eakin Young. Full credits at www.soundworlds.org. See acast.com/privacy for privacy and opt-out information.
We have a special bonus episode featuring Winter Kill by J. Drew Lanham. Poet, teacher, birder and conservationist J. Drew Lanham is author of The Home Place—Memoirs of a Colored Man's Love Affair with Nature (Milkweed Editions). This episode includes Hoyt Schemerhorn by Aorta. Music by Christopher Cerrone, Performed by Vicky Chow.The Great Northern has partnered with On Being with Krista Tippett for her interview with J. Drew Lanham. That podcast episode is released Thursday Jan 28 with a radio broadcast on Sunday, January 31. More information here.Cultural Acknowledgment "I have written and attempted to speak with veracity and reverence, the words and language of First Nations and Indigenous Peoples. I am not indigenous nor First Nations, but am deeply grateful to the Anishinaabeg and Ojibwe People, and all First Nations and Indigenous Peoples, acknowledging their presence in lands that I have known, and hope one day to know."-J. Drew Lanham
Keturah speaks with librettist and playwright, Stephanie Fleischmann, about her work at ALT, and upcoming works with Jeremy Howard Beck, David Hanlon, and others.
Hello Everyone! Welcome back to NBP! On this episode I'm interviewing the renown Brooklyn-based composer, Christopher Cerrone. He has written and been commissioned by some of the world's finest ensembles from the Los Angeles Philharmonic to the Chicago Symphony to the Detroit Symphony. Chris and I cover a WIDE array of topics, but really highlight the experience of living as a full-time composer and musician. It was a great pleasure to speak to Chris and I look forward to hearing more from him!
Playlist: Henri Miro, Elaine Keillor - Scenes MauresquesChristopher Cerrone, Ashley Bathgate - On Being WrongEnsemble Made In Canada - Splendor Sine OcasuWill Healy, Jenny Lin - Etude for Melancholy Robots No.3 'Trains'Pierre-Alain Bouvrette - PaeanKaty Abbott, Claire Edwards, Julian Smiles - Re-EchoGeorg Katzer, Ensemble 20/21 - .Ergo SumNick Didkovsky, Kathleen Supove - Rama BroomConstantine Koukias, Gabriella Smart - Within a 'Prayer at Lamplighting'Alvin Curran, Sergio Sorrentino - Rose of BeansRand Steiger, International Contemporary Ensemble - ConcatenationMeredith Monk, Tomoko Mukaiyama - Double Fiesta
The String Orchestra of Brooklyn has released their debut album, called afterimage. It features two exquisitely soulful works written for the orchestra by Christopher Cerrone and Jacob Cooper, both of which are in response to classic works by Niccolò Paganini and Giovanni Battista Pergolesi (also included on the disc). Conductor Eli Spindel and composer Cerrone join us to preview the recording, which also features contributions from the Argus Quartet and vocal soloists Mellissa Hughes and Kate Maroney.
The String Orchestra of Brooklyn has released their debut album, called afterimage. It features two exquisitely soulful works written for the orchestra by Christopher Cerrone and Jacob Cooper, both of which are in response to classic works by Niccolò Paganini and Giovanni Battista Pergolesi (also included on the disc). Conductor Eli Spindel and composer Cerrone join us to preview the recording, which also features contributions from the Argus Quartet and vocal soloists Mellissa Hughes and Kate Maroney.
On this episode of The Metropolitan Opera Guild Podcast, lecturers Naomi Barrettara and Elspeth Davis are joined by composers Christopher Cerrone and Laura Kaminsky, as well as producer, director, and dramaturg Lawrence Edelson in an interview from this past season’s “Opera in the New Millennium” event.
Ten Thousand Birds by John Luther Adams is an immersive piece of music deeply connected to nature and place. Hear triple Grammy-award-winning flautist and ANAM Guest Artist Tim Munro, Grammy award and Pulitzer prize winning composer John Luther Adams, and ANAM cellist David Moran talk about their love of birdsong, breaking down performance conventions, and the upcoming performance of Ten Thousand Birds at the Australian National Academy of Music on the 4th of June 2019. Written, edited and produced by Madi Chwasta. Orchestral music from ANAM Opening Concert 1. Flute music was Liminal Highway by Christopher Cerrone. Bird sounds from xeno-canto.org. For more information on ANAM's performance of Ten Thousand Birds and to book tickets, visit anam.com.au/birds
Christopher Cerrone is back with us for Composers Drinking Whisky - Part 2! In this episode, we throw names of composers at Chris, and he tells us what he thinks. We cast a wide net, touching on people like Bach (of the "J.S." variety), Beethoven, Poulenc, Mozart, Wagner, Puccini, Ravel, Bartók, Hildegaard von Bingen, John Adams, Leonard Bernstein, Steven Sondheim, Dvořák, Janáček, Debussy, Kaija Saariaho, and George Benjamin, to name a few! The conversation is fun, we listen to some awesome music, and Chris reveals what is "crying opera" is!
Composer Christopher Cerrone joins us as our first guest in the first episode of our new sub-series - Composers Drinking Whisky! In this episode, Chris talks with us about the genesis of his opera "Invisible Cities" (for which he was nominated for the Pulitzer Prize!), the path that led him towards classical composing, and all kinds of other interesting things! Listen all the way through, and not only will you hear sneak peaks of some of his works in progress, but you will also hear the greatest analogy ever made between listening and assembling Ikea furniture!
A conversation with Brooklyn-based composer Christopher Cerrone, a 2015 Rome Prize winner and 2014 Pulitzer Prize finalist.
Christopher Cerrone is one of those “on-the-brink” artists. The Brooklyn-based composer, riding an impressive wave of accolade and acclaim for his opera Invisible Cities, can seemingly not be heard enough, accumulating important commissions and performances across the country. This episode of LPR Live offers a bird’s eye view of his work for string quartet and string orchestra, High Windows, and features a performance by Quartet Senza Misura, Metropolis Ensemble and conductor Andrew Cyr. Cerrone’s music strikes that elusive balance between intense emotion and meticulous craft, and combines ornamental dissonance with luminous triadic harmony in a singular language. You’ll hear from Cerrone and the Metropolis Ensemble director Andrew Cyr about High Windows’ unlikely source material, the pitfalls of writing string orchestra music, and, for Cyr, what it feels like to literally be in the middle of such intense music. This concert was recorded live at Le Poisson Rouge in New York City on April 7, 2014. Christopher Cerrone’s High Windows was used by arrangement with Schott Music Corporation, New York.