Podcasts about Glockenspiel

Wer stand schon mal am Marienplatz und hat sich das Glockenspiel angeschaut? Und was hat es mit dem Münchner Kindl auf sich? Ein schönes Märchen aus dem Band „Bayerische Märchen“ von Alfons Schweiggert || Das exklusiv-gemalte Bild zur Geschichte gibt es auf Instagram im Profil @dustins.maerchen.podcast || Nun hoffe ich, dass ihr die Folge oder den Podcast weiterempfehlt und freue mich auf die nächste Geschichte || Und wenn sie nicht gestorben sind, dann...Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Was ist der Aufpreis für eine softclosing Toilette? Sind 4.000 kcal am Tag viel? Welche Verantwortung trägt man gegenüber kleinen Kindern an einer Ampel? Eine fragenreiche Folge steht bevor. Außerdem geht es um weite und enge Unterhosen, Lehrstoff aus der Schule, den man als Erwachsener nicht mehr weiß und die lose-lose Situation im Stream englisch zu sprechen. Für die Kategorie "gute Frage" wurden witzige und für die Jungs unangenehme Fragen herausgesucht. Handwerker auf dem Klo erwischt, von Putzkraft verfolgt, Ruinenbau und Doggystyle-Abbruch stehen auf dem Plan. Hier findet ihr mehr zu uns und unseren Werbepartnern: https://linktr.ee/offlineundehrlich Learn more about your ad choices. Visit megaphone.fm/adchoices

In dieser Folge sprechen wir mit Dieter Eisenhardt darüber, welche Bedeutung Kirchenglocken heute noch haben und was ein Glockenspiel so besonders macht.

- 20 Jahre Mac mini: K(l)ein bisschen leiser? - Einladungs-App fürs iPhone: für den Eigenbedarf? - AirPods Pro 2: Leises Geräusch gibt Rätsel auf - Widgets fürs Auto: CarPlay lebt, aber welches? - Gehaltserhöhung: Wie viel Tim Cook 2024 verdiente - Umfrage der Woche - Zuschriften unserer Hörer Links zur Sendung: - Mac & i: 20 Jahre Mac mini - https://www.heise.de/news/20-Jahre-Mac-mini-Als-Apple-den-Macintosh-schrumpfte-10236761.html - Mac & i: Plant Apple eine Einladungen-App fürs iPhone? - https://www.heise.de/news/Code-entdeckt-Plant-Apple-eine-Einladungen-App-fuers-iPhone-10236769.html - Mac & i: Geheimnisvolles leises Glockenspiel im Inneren der AirPods Pro 2- https://www.heise.de/news/AirPods-Pro-2-Warum-neuerdings-ein-leises-Geraeusch-im-Case-erklingt-10236500.html - Mac & i: Geleakte Widgets als CarPlay-Lebenszeichen - https://www.heise.de/news/CarPlay-2-0-Geleakte-Widgets-als-Lebenszeichen-10242740.html - Mac & i: Was Apple-Chef Cook 2024 verdient hat - https://www.heise.de/news/74-Millionen-US-Dollar-Apple-Chef-Tim-Cook-verdiente-2024-wieder-etwas-mehr-10241091.html Kapitelmarken: (00:00:00) Begrüßung (00:12:45) Themen (00:13:47) 20 Jahre Mac mini: K(l)ein bisschen leiser? (00:41:56) Einladungs-App fürs iPhone: für den Eigenbedarf? (00:52:14) AirPods Pro 2: Leises Geräusch gibt Rätsel auf (00:58:03) Widgets fürs Auto: CarPlay lebt, aber welches? (01:10:35) Gehaltserhöhung: Wie viel Tim Cook 2024 verdiente (01:17:37) Umfrage der Woche (01:20:51) Zuschriften unserer Hörer

Der soziale Oltner Velokurier-Dienst Collectors hat vor einem Jahr seinen wichtigsten Sozialpartner verloren. Anhand von Arbeitslosenprognosen war dieser der Meinung, Collectors künftig keine Arbeitskräfte mehr vermitteln zu können. Doch nun zeigt sich: diese Prognosen waren falsch. Weitere Themen in dieser Sendung: · An der Kantonsschule Solothurn und der Kantonsschule Olten wird in diesem Jahr der Freikurs Russisch nicht durchgeführt. Direkt auf den russischen Angriffskrieg zurückführen wollen das die Schulen jedoch nicht. Die Nachfrage sei aktuell schlicht nicht vorhanden gewesen. · Seit über 50 Jahren bedient ein und derselbe Mann das Glockenspiel im Aarauer Obertorturm. Der Pensionierte Musiklehrer Hubert Schäpper entlockt den elf Glocken im Turm am Rande der Aarauer Altstadt immer wieder neue Melodien.

All I want for Christmas is kein Glockenspiel von Maria Carey hören zu müssen!1!11! Was hat noch mehr Tradition als Kartoffelsalat mit Wienerle an Weihnachten? Richtig - "Last Christmas" im Oktober. Deshalb bewerten wir heute im zweiten Teil weitere 5 Weihnachtslieder – von Klassikern bis zu "schlimmer als Helene Fischer". Welche Songs sind Festtags-Feeling pur, und welche gehören in den musikalischen Sperrmüll (Also ins Radio)? Zwischen „All I want for Christmas“-Trauma und „Schneespaziergang in New York“ eskalieren die Meinungen schneller als Déans gestreckten Früchte-Tee wirkt.

We assess all the benefits that public green space brings to a city, visit one of the most German cities in Canada to see how the town glockenspiel brings residents together and investigate the ancient art of letter carving.See omnystudio.com/listener for privacy information.

Hello Giant Robot FM listeners! Buckle in for a cozy history episode dedicated to some production history specific to the Idolo OVA - it's just you and Stephen and pmc. Note from pmc: I bungled some of the roles here, turns out the actor for Radium is so unknown, imdb editors buried his credit deep in the weeds. Whoops! That's what I get for doing dub trivia without watching the OVA first. Tweet us @giantrobotfm or @giantrobotfm.bsky.social and write to us giantrobotfm@gmail.com Giant Robot FM is hosted by Stephen Hero (stephenhero) and pmcTRILOGY (@pmcTRILOGY) Graphic design by DuarfS (⁠https://www.behance.net/maezurita⁠) (https://www.instagram.com/duarfs) Art by Szkin (https://twitter.com/szkin_art)Music by fretzl (@fretzl) (https://www.youtube.com/fretzl)

Magdeburg erhält im September 1974 das erste Glockenspiel der DDR. Der Musiklehrer Frank Müller war damals mit 13 Jahren noch Klavierschüler und erinnert sich zusammen mit Guido Hensch an die Einweihung.

Das Glockenspiel im neuen Rathaus am Marienplatz kennt ihr wahrscheinlich alle. Die Figuren, die sich im Kreis drehen gehören einfach zu München. Doch wie funktioniert das eigentlich? Finn hat Techniker Andi getroffen und durfte sich alles ganz genau anschauen - und sogar selbst mithelfen.

The Cabin is presented by the Wisconsin Counties Association and this week we're featuring Wood County; https://bit.ly/3nXVpyVThe Cabin is also presented by Jolly Good Soda: https://bit.ly/3TSFYY4Campfire Conversation: Join us in this episode of The Cabin Podcast as we explore the vibrant Oktoberfest celebrations across Wisconsin. We kick off with Lake Geneva's festivities, featuring a beer garden, artisan market, and a unique Oktoberfest dinner train. Next, we dive into Chippewa Falls' 20th annual event, packed with competitions, Glockenspiel acts, and four stages of entertainment. We then journey to La Crosse for "Das Beste," the Midwest's longest-running Oktoberfest, with parades, craft beer nights, and stunning autumn views along the Mississippi. Finally, we visit Glendale's Bavarian Bierhaus for traditional food and family fun, and Appleton's Octoberfest for a mile of music, arts, and delicious food supporting local non-profits. Tune in for a tour of Wisconsin's best Oktoberfest experiences!Inside Sponsors:Visit Lake Geneva; https://bit.ly/3wHvilfGroup Health Trust; https://bit.ly/3evRaEQWisconsin Association of Meat Processors; https://bit.ly/3KZxqM4

Alpenkulinarik Müsig : ¨woodstock dude, eliane amherd, arthur henry, gottfried supersaxo and himself, z`Hansruedi Vinotainment : Cave la Chapelle Salgesch, Cave Fin Bec Sion. Gluschtig : Horny Chef - Selexion Supersaxo - the Snowromm   Wie gehts den dem Sohn. Was viele nicht wussten - Gott hat zwei Söhne. Dies und noch viele andere  weitere solche erkenntnissreichen Erkenntnisse sowie gute Musik  in einer wiederum sauguten Hörstünde bei Radio Supersaxo oder eben hier im Blog. Losät. Losät. Losät. Zwei Männer im Gespräch : Wie war dein Tag? Starten. Fliegen. Landen.    Ich sehe es schon kommen. Das wird gut hier. Starten wir also gleich mit einer Umfrage : Wie hast Du Dein Raclette am liebsten? Fittlablut ? Also so nature ohne nix? Ohne Pfeffer eifach ja so fittlablut? Du bist ein Purist? Willst den Geschmack des Käse riechen? Gibt es Nudisten unter den Raclette Verzehrer:innen ? Oder bist Du der Sauhund in der Raclette Community ? So mit Paprika egal aus wo? Die gemischte Pfeffermischung dazu ? Kack auf Fairtrade und Migros Budget Raclette Käse oder der aus der Lidl ist auch ok ? Manche können Raclette nicht mehr ohne Horny Herbs. Du gehörst dazu? Hab ich Dich abhängig gemacht?  Entzugsprogramm!  Nun das mit dem Raclette zieht sich nun etwas in die Länge? Ein Glas Heida dazu, der von der Cave la Chapelle Salgesch  oder doch lieber was mit Eiche aus der Cave Fin Bec Sion in Bio?    Ok Thema Wechsel auf Wunsch von Dir mein Schatz. Du bist ja nicht so käsig angehaucht. Schickeria mit Surf and Turf. Sicher habe ich das Volk diese Woche wiederum amüsiert, so als Spassbeauftragter von Pro Misere Deperessiva mit Amüse Bouche und so. Wir Walliser die Erfinder von Dolby Surround und all den Sprachen. Es fing ja alles schon im Paradies an. Bei Adam und Eva. Der Apfel. Seit her tragen wir Kleider. Schande. Thanks  for nothing. Doch das hatten wir ja schon. Adam und Eva wurden aus dem Paradies vertrieben. Sie wurden herausgewalsert - üsgwalserut. Ein Alternative Wohnsituation musste her. Lösungsvorschläge, so ähnlich wie eben der Garten Eden?  Äbu ja schi sind ins Wallis cho und redundddd sid däm Momänt perfekt Walliser Ditsch.    She is a Lady. Der Mr. Numonitmoto. Zwei alte Tampää im Hengert : Losabu - jetzt häni i där Bachjiii  nu mini Cascette fairgässu ! Oder auch betreffend des dritten Geschlechts und ja klar machen wir Heute ein bisschen Repetition. Äs ! Äs hät gseit das schi so bitzi a Tampa sigä u iriusch Mannli so bitzi an Pajass und där Botsch fa inä sigä appa as Futzugääägi. A ja ja ja ja u Futzugägi isch z Lieblingswort va der Melinda Graf u schi isch ja grad Gascht xi im Walliser Podcast - Ische Hengert.  A Üsgewalsruti Walliseriii  äu d`Melinda isch ja jetzt i Züri und ich sage es ja immer wieder : die besten gehen und die wa fair nix sind blibund. Froh sind wir über Abgänge wie zb : Rainer Maria Salzgeber - dumm nur dass man ihn dafür nun die ganze Zeit im TV sieht. Alternative ? Vereinsarbeit. Pic-Pic. Hund. Bücher. Feierabendmassage. Konzert. Herbert. Attisholz. Kunst und Kultur. Podcast und ja Podcast finde ich gut. Wo hörst du Deinen Podcast am liebsten? Oder eben Radio? Glockenspiel üben oder mal wieder malen und fotografieren. Sternenhimmel beobachten. Lost Places besuchen. Zweisamkeit.    Die Umfrage hat übrigens nicht wirklich was ausschlaggebendes zur Sache dazubegeigetragen. Vielleicht müsste das Bundesamt für mehr Spontanküsserei wieder mal so Marktstand am Dorfmarkt? Warten sie bis es dunkel ist?  Chutney zum Raclette. Am liebsten Aprikose ?    Ja wir wussten viel und fühlten wenig. Wir durften es nicht fühlten und hörten aber dann T.S Elliot fragen : Where is the wisdom we lost in knowledge.    Nach dem Event und der Raclette Abend bei Gaby und Roly Lobsiger by Chäs Chäller Luzern im  Musegg. Der Kulturhof im Hinterhof. Was für tolle Menschen da immer wieder hin kommen. Die Genusscommunity Luzerns trifft sich bei Roly und Gaby an ihren gut durchdachten Käse Events. Auch zu empfehlen Geschwelti u Chäs oder d Stubete u.v.m. Der Raclette Abend ein Erfolg? Beinahe ins Wasser und Mensch wir schmolzen für sie da hin dahin - meinte ein Raclette Käse zum anderen. Beinahe stromarisiert und im Grab und dann futschimoto aus und vorbei und  waren es nicht zwei nette Kerle ?    Wir standen in knietiefen Pfützen, die Stromkabel um uns geschlängelt und raclettierten vor uns hin. Die Hemden bis auf die Unterhosen durchnässt doch das will hier nicht jeder so ins Detail? U dä is cho rägnä u ja der Polo hät ja fär jede Moment as Lied. Äu eis ja so äbu Garten Eden u nei so Raclette nature macht äbu doch nid giggerig well so ohne Horny Herbs? Guet häts Wiiii derzu gegä ? Der Heida Brut Bio hät da scho chli animiert ? Guet bi dä äu ga ligguuu, Wie gäng fein aber churz well i ja nu der Claude - Absacker  Liebenau u sehr zu empfehlen äu der Wilde Mann in Luzern.    Danach ? Aufräumen - analysieren - optimieren - den Anlass von A-Z reflektieren - Abläufe korrigieren. Die Tradition modernisiere und mit den Gästen über den Text von la Pastorella philosophieren. Auch die Skulptur des Monats hätte beinahe eine Käuferin gefunden, wäre der Preis nicht zu tief angesetzt worden? Natürlich hätte ich sie auch kostenlos nach Hause geliefert und wäre für ne Tasse Tee geblieben. Free Delivery auch immer noch bei der Win and Wine Situation. Mehr Infos auf www.radiosupersaxo.net/shop   Übrigens der nächste Event in Luzern ist das Wine Date im September. Freu mich auf Sie und auf Sie. Sie Sie Sie Sie Sie …. Die Sissy. Molly. Trudi…..   I`m my own Walkman und finden sie es nicht auch spannend so eine kreative Selbstfairsorgungsmaschine zu sein. Bobby Mc Ferrin schrieb das geniale Lied und hör da mal rein. Danach wünsche ich Dir einen tanzbaren Tag. Die Dienststelle für sorgenlosen Geschlechtsfairkehr möchte gerne wissen ob sie so morgens auch so Rituale pflegen? Ich ? Tee und Notizen und dann Allez - das Lied von Iris Revolte im Ohr und dann gehts es hü hopp - gut nicht immer aber immer …..?  Gerade habe ich Vulf Pack im Ohr - Live in Paris - mega das Bass Solo ab Minute 12. !!    Es ist alles eine Frage der Einstellung meint Gunti so zur Marie. Im Interview mit der SonntagsZeitung auf die Frage was ihm wichtig sei? Familie - Freunde und danach die Arbeit. Sei zürück haltend und sei offen um ja auch  alles zu beobachten. Empathie für einander schaffen. Da Gunti und ich keine Lust auf Donschtig Jass hatten komponierten wir gemeinsam einen weiteren Hit . Mein runder blauer Hut, der hat ne Ecke.  Blau ist das neue Rot ! Viel zu schnell ist man tot. Der Wolf wird zum Vegetarier oder Foodblogger. Blaukäppchen liefert ihm Rezepte und Zutaten, Grossmutter liefert Kräuter und Pilze. Frisches aus der Chuchi vam alt Omi. Weil ja nid alle Omas alt sind? Manche sind ja so was von unsterblich. Dies unter anderem Gedanken von Mel.B mit einbezogen und wir freuen uns auf andersartige Märrchen 2.0.    Herrchen hat fein gegessen, vieles ist vergessen. Ein Märli Revival. Ein Hut an der Wand - Totengesang - heiterer Klang. Guter Fang. Neuanfang.  Mein runder blauer Hut, immer heiter, immer weiter, ja lieber etwas heiter als auf der Leiter? Abteilungsleiter. Trachtenhut. Nur Mut nur Mut, mein blauer runder Hut unterstützt den Übermut. Und da ist mir doch so ein Zitat in die Hände gerutscht : Es ist mal wieder an der Zeit für einen Mutausbruch von www.quadrosophics.com   Weil es hier und jetzt ja auch so um Alpenkulinarik und Rosé geht und klar hatten wir den Rose schon und den Pink Risotto ? Egal - diese Woche geht es um eine Revolution in der Chips Herstellung. Saaser Ringli-Randenchips aus Roggen oder Balmär Härpfel.. Randen welche hier in der Perle der Alpen - dem feinstaubfreien Gletscherdorf wachsen. Wie hätten Sie denn ihre Rande am liebsten. Lebende Randen werden den Gast vor dem Restaurant präsentiert und der Gast kann seine Rande dann auch selber auswählen - ähnelt ein bisschen dem System der Forelle im Aquarium oder dem Hummer, der Languste oder dem Rind auf dem Feld ? Eine handgetauchte Rande. Da Randen nie vom Himmel fallen bleiben die Fructarier bei den Kriesen - Kirschen ?   Aber so eingelegte Kirschen - bisschen sauer - die erdig fruchte rote Beete - dann ein  Hecht aus dem Lac de Geronde in Salzkruste - Sel a l`Ancienne …! Da würde ich vielleicht die Trockenre Rosé Version empfehlen, den Oeil du Perdrix mit der herrlichen Säure welche ja bekannt ist für Pinot - Noir aber auch eben doch etwas frischbeerige Frucht und so ein Schlückchen wird dich entzücken. Ein Schlückchen so frisch als ob dir ein Murmeltier am Hosenbein herauskrabbelt.   Beim Walliser Raclette Abend hatten Roly und ich ja einen gluschtigen Schlagabtausch und unsere Sprüche aber auch die gut portionierte Ernsthaftigkeit kam beim Genussvolk gut an. Wieso ich jetzt wieder so Raclette ? Ich wurde gefragt, wieso ich denn in letzter Zeit so viel zugenommen habe und ja das kommt vom raclettieren. Die Düfte welche vom Käse ja heraufsteigen sind ja angereichert mit gesättigter Fettsäure. Diese Fettsäure wird ja vom Racletteur eingeatmet und ja durch das einatmen setzt die gesättigte Fettsäure im Körper Fett an. Natürlich könnt man vorbeugen mit so Gesichtsmasken welche wir noch von Covid kennen und ja die Masken werden immer noch getragen. Aber wie würde das den aussehen, wenn Racletteure so mit Masken - Handschuhen und Overalls - ja die weissen aus den Krimis - die der Gerichtsmediziner und so ?    Ach ja und eine Frau meinte so zu mir -  und dann auch so : Mensch hast Du weiche Hände, und das in deinem nun schon fast schon hohen Alter und trotz all däm Krampf in deinem Leben, die Hände müssten ja so …..! Das ist eben wegen dem Fett im Raclettekäse und dies brachte mich und Gunti wieder auf eine glorreiche Idee. Betreffend Ideen - es ist ja durchaus gut dass nie jede Idee umgesetzt wird. Dazu lesen sie mehr in meinem Bestseller - erfolgreich scheitern doch nun zurück zur Idee. Sie kennen ja die Murmeltiersalbe ? Ein Fairkaufshit. ! Neu von uns die Raclette-Salbe. Aus dem Fett des Raclette Käse gezogen. Super fein für trocken Händehaut. Kann aber auch an anderen trockenen Stellen eingeschmiert werden lassen - so ähnlich wie Vasilin u wenn dä der Wendelin so chli cremuuut. ? Mein blauer runder Hut riecht im Fall auch noch nach Raclette und da wären wir beim Duftspray und ja wir hatten ja noch die Idee mit dem Traubenduftbaum aus dem  Wallis - so Fendant Geruch im Auto ? Doch eigentlich wollte ich ja heute noch über die Sinnlosigkeit der orthodoxen Juden dem Religionsrassismus  und der Frau in der Armee und komme zum Schluss : gehen den orthodoxen Juden die Weiber aus könnten wir sie ja mit Leutnantinnen und Generälinnen - den Aspirantinnen der Schweizer Armee verkuppeln?  Wer dä wellum d`Hännä i tuet wissää  wier denn  spätestens, wenn das Licht angeht !! 

Löhnbergs Bürgermeister äußert sich zu Zahlungsunfähigkeit der Gemeinde, Messerattacke in Limburg und Kundgebung vor AfD-Kreisbüro in Gönnern. Alle Hintergründe zu den Nachrichten des Tages finden Sie hier https://www.mittelhessen.de/lokales/kreis-limburg-weilburg/loehnberg/loehnberger-finanzloch-buergermeister-warnt-vor-panikmache-3618965 https://www.mittelhessen.de/lokales/kreis-limburg-weilburg/limburg/jugendlicher-sticht-in-limburg-auf-40-jaehrigen-ein-3619577 https://www.mittelhessen.de/lokales/kreis-marburg-biedenkopf/angelburg/demonstration-an-fronleichnam-in-angelburg-gegen-afd-3609512 https://www.mittelhessen.de/lokales/kreis-limburg-weilburg/limburg/das-glockenspiel-am-limburger-rathaus-erklingt-wieder-3613318 https://www.mittelhessen.de/politik/politik-rheinland-pfalz/verbotene-musik-und-parolen-polizei-beendet-feier-3618275 Ein Angebot der VRM

The musical path that freelance session and touring drummer Brian Czach (pronounced "Zack") has been on started in New York City, moved west to Las Vegas, and now has settled in Nashville, TN. After a year and a half of touring with country music star Tracy Lawrence in 2021-2022. Brian is currently a member of Mannheim Steamroller which tours annually, and regularly performs with the Nashville Symphony Pops Orchestra. Czach has been drumming professionally since he was 11 years old. Born in Schenectady NY, he has experience playing in every imaginable musical setting, from a packed out arena to the swankiest jazz clubs, film & TV scores, artist sessions, tours, dance bands, and live theater, Brian's musical experience is vastly extensive.   Some Things That Came Up:  -1:00 How Rich met Brian through Danny Young  -6:00 Studying with Gordon Stout at Ithaca College  -11:30 Audition for cruise ship agency in NYC  -15:20 Met his wife on the cruise ship and then a move to NYC -16:50 Being known for playing a showcase piece on Krupa's “Sing Sing Sing” -24:00 A move to Vegas  -26:00 A shared love of Larry Aberman  -28:30 Hanging together on tour with Tracy Lawrence and Jason Aldean -29:30 Traditional Grip and Jim Petercsak of University of NY Potsdam's Crane School of Music  -33:30 Don Meoli and Jersey Boys  -37:00 Gravitated towards clean, studio players like Steve Gadd, John Robinson, Jeff Porcaro, Dave Weckl, Vinnie Colaiuta, and Phil Collins  -41:15 Coming from a musical family. Being introduced to James Brown, Tower of Power, Blood, Sweat and Tears, etc.  -43:00 Connecting with eh playing of Bill Stewart  -49:30 The power of the Nashville Number System  -51:50 Mannheim Steamroller and Chip Davis. Glockenspiel, hammered dulcimer, toy piano, etc. Local string section is contracted. 7-8 shows per week for 7 weeks. -56:40 Playing Pops concerts with The Nashville Symphony. Percussionists Scot Corey and Sam Bacco  -1:01:50 Following the conductor and playing extreme dynamics -1:03:30 Soundbeter.com and airgigs.com …Own what you charge!  -1:08:40 Have a system for learning new music quickly. Be versatile. Always be authentic.  -1:10:20 READ MUSIC! Also, know how o really fake a song you don't know. -1:13:00 The Fave 5  Follow: www.brianczach.com FB: @brianczach IG: @brianczach YouTube: @brianczach   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com www.itsyourshow.co  

Wir fechten uns in eure Herzen und holen die Besprechung zu dem The Three Musketeers-Zweiteiler nach. Darüber hinaus gibt es mit Hope and Glory einen Mad Max-Fanfilm und koreanischen Horror mit Chime von Kiyoshi Kurosawa.

Freut euch! Der 4. Sonntag in der Fastenzeit wird Laetaresonntag genannt. Diese Bezeichnung kommt vom Eingangsvers der Messe. Laetare Jerusalem! Freue dich, Jerusalem. Mit dem Laetaresonntag ist die Mitte der Fastenzeit überschritten.  Dieser Sonntag hat deshalb einen fröhlicheren, tröstlichen Charakter, da das Osterfest, die Auferstehung Christi, näher rückt. Der Eröffnungsvers aus Jesaja ermuntert die Menschen zum Jubel und zur Fröhlichkeit. „Freut euch mit Jerusalem! Jubelt in der Stadt, alle, die ihr sie liebt. Seid fröhlich mit ihr, alle, die ihr über sie traurig wart. Saugt euch satt an ihrer tröstenden Brust, trinkt und labt euch an ihrem mütterlichen Reichtum!" Die Freude mit ihren vielen Facetten ist das Thema der Predigt von Pfarrer Daniel Noti, der auch der Eucharistiefeier in der Pfarrkirche St. Michael vorsteht. Zu Beginn ruft das von Hand geläutete Glockenspiel der Pfarrkirche zum Gottesdienst. Anschliessend bereichert der Kirchenchor Erschmatt unter der Leitung von Sarah Schmidt und die Musikgesellschaft Enzian den Gottesdienst. Die Orgel spielt Christine Schmidt.

Ihn als Multiinstrumentalisten zu bezeichnen, ist fast schon eine Untertreibung. Bereits auf seinem ersten Album "La Valse des Monstres" spielt er Cembalo, Gitarre, Glockenspiel, Klavier und Melodica. 1970 in der Bretagne geboren, ist Yann Tiersen bereits als Teenager ein Rebell. Obwohl er bereits als Kind Geige und Klavier lernt, kommt eine klassische Musikausbildung für ihn nicht infrage. Er bringt sich lieber das Gitarre spielen bei und eifert seinen Vorbildern Joy Division oder The Stooges nach. Bereits zu dieser Zeit komponiert er Musik für Kurzfilme und Theater. (superfly.fm)

67 Jahre alt ist Hubert Schäpper... bald wird er 68. Seit nun mehr 50 Jahren ist er zuständig für das Glockenspoiel beim Oberturmtor in Aarau. Bei unserem Besuch erzählt Hubert Schäpper, wie man Glockenspieler wird und wie er sich um einen Nachfolger bemüht. Die weiteren Themen dieser Sendung: * Nach dem Hackerangriff auf die Firma Xplain: das Aargauer Innendepartement will weiter mit der Firma zusammenarbeiten - den Datenschutz nehme man ernst, heisst es weiter * Die Bauern in Süddeutschland ärgern sich zunehmend über ihre Arbeitskollegen aus der Schweiz: diese pachten vermehrt Landwirtschaftsland auf deutscher Seite

Greetings Glocal Citizens! I am sincerely grateful to my community of Glocal Citizens, especially as former guests have been delivering on sharing life experiences with me and the podcast in their communities. My guest this week is someone I met last December in Ghana while catching up with Nydia Swaby (https://glocalcitizens.fireside.fm/guests/nydia-swaby) in Accra and I'm happy to share her story. Washington, D.C native, Tara Aura Purnell is a meditation guide, ritual artist, certified yoga teacher, and wellness-prenuer empowering people to feel better more of the time. She curates wellness events for marginalized communities as Co-Founder of Blind Seed (http://blindseed.com/), which nurtures growth for city-dwellers with an interest in clean living and self-expansion. As an adolescent equity and inclusion activist, after graduating from the University of Pennsylvania, she went on to become a writer, creative producer and brand marketing strategist before shifting her focus to health and healing arts. Her current work as a wellness organizer, pleasure activist and food justice advocate centers inclusive, holistic approaches to collective care and wellbeing. Where to find Tara? taraaura.com (http://taraaura.com) On LinkedIn (https://www.linkedin.com/in/tara-purnell-75b008a/) On Instagram (https://www.instagram.com/taraaura/) What's Tara reading? Breath: The New Science of a Lost Art (https://a.co/d/fYtVVAQ) by James Nestor Other topics of interest: About Wtrmln Wtr (https://wtrmlnwtr.com/product/wtrmlnwtr) About Hurricane Maria (https://en.wikipedia.org/wiki/Hurricane_Maria) Where to find La Cucina Guava-Chili Tea (https://www.lacucina.ch) The Mix Accra (https://www.themixdesignhub.com) Friday Night Lights hosted by Glocal Citizen Kobby Graham (https://glocalcitizens.fireside.fm/guests/kobby-graham) and friends The Higher Self Podcast EP125 (https://www.thehigherselfpodcast.com/125-shaman-durek-how-to-talk-with-spirits-and-live-an-abundant-life/) On Santería (https://en.wikipedia.org/wiki/Santer%C3%ADa) in Cuban Culture What is a Glockenspiel (https://en.wikipedia.org/wiki/Glockenspiel)? Special Guest: Tara Aura Purnell.

Der Tag in NRW: Limbach: SPD und FDP fordern Rücktritt; Aus Protest: Kölner Kitas zwei Tage geschlossen; Familie bleibt monatelang auf Bauschutt sitzen; Günstiges Semesterticket ab Sommersemester 2024; DGB-Azubi-Report: Bei Digitalisierung noch Bedarf; Glockenspiel in Soester Innenstadt erklingt wieder. Moderation: Wolfgang Meyer Von WDR 5 Heide Rasche.

In this episode, Conor and Bryce conclude their conversation with Jonathan O'Connor and chat about a plethora of topics: multiparadigm languages, Ratfor, airport lounges, Meeting C++, code::dive and more.Link to Episode 155 on WebsiteDiscuss this episode, leave a comment, or ask a question (on GitHub)TwitterADSP: The PodcastConor HoekstraBryce Adelstein LelbachAbout the Guest:Jonathan O'Connor in 1988 joined Glockenspiel, a small Irish company. C++ had no virtual destructors, but it did have a coroutine library! I spent 2 years teaching C++ and OOP. In 2000, he switched over to Java. But by 2010, he started 7 wonderful years writing in Ruby. In 2016, he returned to a completely different C++, where one never had to see a pointer if you didn't want to. These days he is helping to make the world a better place writing C++ code for LADE GmbH, a company building electric car charging infrastructure.Show NotesDate Recorded: 2023-10-18Date Released: 2023-11-10Jonathan O'Connor Meeting C++ BioRatforSoftware Tools by Brian Kernighan and P.J. PlaugerADSP Bingo BoardMeeting C++ Conferencecode::dive ConferenceIntro Song InfoMiss You by Sarah Jansen https://soundcloud.com/sarahjansenmusicCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: http://bit.ly/l-miss-youMusic promoted by Audio Library https://youtu.be/iYYxnasvfx8

In this episode, Conor and Bryce continue their conversation with Jonathan O'Connor and chat about a plethora of programming languages!Link to Episode 154 on WebsiteDiscuss this episode, leave a comment, or ask a question (on GitHub)TwitterADSP: The PodcastConor HoekstraBryce Adelstein LelbachAbout the Guest:Jonathan O'Connor in 1988 joined Glockenspiel, a small Irish company. C++ had no virtual destructors, but it did have a coroutine library! I spent 2 years teaching C++ and OOP. In 2000, he switched over to Java. But by 2010, he started 7 wonderful years writing in Ruby. In 2016, he returned to a completely different C++, where one never had to see a pointer if you didn't want to. These days he is helping to make the world a better place writing C++ code for LADE GmbH, a company building electric car charging infrastructure.Show NotesDate Recorded: 2023-10-18Date Released: 2023-11-03Jonathan O'Connor Meeting C++ BioAlgorithms + Data Structures = Programs BookPascal LanguageAda LanguageWhy Did C Succeed Over Pascal?Carbon GithubZig LanguageNim LanguageUiua LanguageEiffel LanguageBertrand MeyerRichard Feldman on TwitterSoftware Unscripted PodcastWhy Isn't Functional Programming the Norm? – Richard FeldmanJames Gosling Keynote “Thoughts on language evolution” - reClojure 2022Clojure LanguageArrayCast Episode 41: John Earnest and Versions of kIntro Song InfoMiss You by Sarah Jansen https://soundcloud.com/sarahjansenmusicCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: http://bit.ly/l-miss-youMusic promoted by Audio Library https://youtu.be/iYYxnasvfx8

In this episode, Conor and Bryce conintue their conversation with Jonathan O'Connor and chat about Pascal, C, Ada and more!Link to Episode 153 on WebsiteDiscuss this episode, leave a comment, or ask a question (on GitHub)TwitterADSP: The PodcastConor HoekstraBryce Adelstein LelbachAbout the Guest:Jonathan O'Connor in 1988 joined Glockenspiel, a small Irish company. C++ had no virtual destructors, but it did have a coroutine library! I spent 2 years teaching C++ and OOP. In 2000, he switched over to Java. But by 2010, he started 7 wonderful years writing in Ruby. In 2016, he returned to a completely different C++, where one never had to see a pointer if you didn't want to. These days he is helping to make the world a better place writing C++ code for LADE GmbH, a company building electric car charging infrastructure.Show NotesDate Recorded: 2023-10-18Date Released: 2023-10-27Jonathan O'Connor Meeting C++ BioProgtools on TwitterSpicy - aespa エスパ [Music Bank] | KBS WORLD TV 230519Oxide and Friends Episode 93 - Settling BeefAlgorithms + Data Structures = Programs BookStructure and Interpretation of Computer ProgrammingPascal LanguageAda LanguageWhy Did C Succeed Over Pascal?Alan Turing as a RunnerIntro Song InfoMiss You by Sarah Jansen https://soundcloud.com/sarahjansenmusicCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: http://bit.ly/l-miss-youMusic promoted by Audio Library https://youtu.be/iYYxnasvfx8

On this weeks Podcast @jennyandmaireadnow there is talk of co sleeping past and present. Talent shows and Jazz Hands and crying over books. Jenny tells us about her dream fantasy job (which is never ever going to happen) and Mairead imagines her life as professional chef (at home). Lots more emails and insta messages this week about travelling for cosmetic surgery and ageing thoughts. There is information on periods that might just shock you and there is a new band in town - The Lady Buds

In this episode, Conor and Bryce chat with Jonathon O'Connor about his career path from C++ to Java to Ruby and back to C++, as well as his work in Rwanda and a discussion about quines!Link to Episode 152 on WebsiteDiscuss this episode, leave a comment, or ask a question (on GitHub)TwitterADSP: The PodcastConor HoekstraBryce Adelstein LelbachAbout the Guest:Jonathon O'Connor in 1988 joined Glockenspiel, a small Irish company. C++ had no virtual destructors, but it did have a coroutine library! I spent 2 years teaching C++ and OOP. In 2000, he switched over to Java. But by 2010, he started 7 wonderful years writing in Ruby. In 2016, he returned to a completely different C++, where one never had to see a pointer if you didn't want to. These days he is helping to make the world a better place writing C++ code for LADE GmbH, a company building electric car charging infrastructure.Show NotesDate Recorded: 2023-10-18Date Released: 2023-10-20Jonathon O'Connor Meeting C++ BioMeeting C++ ConferenceAlices adventures in Template Land - Jonathan O'Connor - Meeting C++ 2018Ruby String to_iRuby Integer to_sRuby Slices ..Number of Automated Teller Machines (ATMs), Country Wide for RwandaPython Index SlicingM-Pesa appCommon LispFranz LispFranz Liszt (composer)DylanPicoLispHistory of Lisps YouTube Video (Structure and Interpretation of Computer Programs - Chapter 1.1Rosetta Code: QuineLightning Talk: How to Write a Quine? - Dmitry Kandalov [ ACCU 2021 ]Quine-Relay (Uroboros)ACL2 LanguageIntro Song InfoMiss You by Sarah Jansen https://soundcloud.com/sarahjansenmusicCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: http://bit.ly/l-miss-youMusic promoted by Audio Library https://youtu.be/iYYxnasvfx8

Lichtenberg im Wendland im Jahre 1973. In diesem Fall, der live vor Publikum vor Ort dargelegt wurde, geht es um einen brutalen Mord, bei dem die Leiche auf bestialische Weise verunstaltet wurde. Verdächtigt wird der ewige Mahner des Dorfes. Der Schützenverein schlägt sofort Alarm als die Glücknerin mit ihrem Arbeitsgerät alle informiert, was passiert ist. Es ist jemand gestorben und der Täter steht für alle sofort fest. Ein folgenschwerer Irrtum und einer der Gründe, warum die Schützen mit einem Schlag so viele Mitglieder verloren. Den Woltersdorfern kam das gerade recht, wie die Jahre danach zeigten. Doch wer begeht in dem beschaulichen kleinen Ort ein solch unfassbares Verbrechen? Und was war der Auslöser? "Spontane Verbrechen“ ist der Untrue Crime Podcast von Ziron&Papke. Die beiden öffnen alte Ermittlungsakten und zeigen, dass es im beschaulichen Wendland, das man sonst eher von Castortransport und Gorleben kennt, krimineller ist, als man dachte. Der Fund von alten Akten im Keller eines Wohnhauses hat Martin Papke und Stephan Ziron dazu veranlasst die Fälle noch einmal aufzurollen.

BEAT, 23min., UK Directed by Christopher Karallis Beat looks into the world of Saul Eisenberg, musician and performer who turns the discarded junk of our city into instruments that make unique and beautiful sounds. Get to know the filmmaker: I came across Saul when we moved back to London after eighteen years living in the USA. We were temporarily staying with my sister and the back of her house looked out onto a typical London back alley running behind a row of high street shops and rental flats punctuated by overflowing rubbish bins, garage lock ups and the constant hum of industrial extractor fans. It was also my short-cut to the park when I walked the dogs. Passing one of the double garages at the start of the mews I was frozen by a beautiful, lyrical, scale suddenly bursting into life seemingly out of nowhere. It sounded something like a Glockenspiel only more resonant, deeper in pitch and tone with a sound that penetrated my core. I realized the sound was drifting out from the half open door of one of the lock-ups. It stopped suddenly only to be replaced by the explosive whir of a power tool as an angle grinder cut against metal for several seconds. The contrast was stark. I poked my head under the garage door rather awkwardly to find Saul, a friendly, bemused smile on his face, filthy blue overalls, safety goggles pushed high up on his head standing over a series of heavy metal poles cut to various lengths. “I'm sorry but I just had to ask what you're doing in here, that sound is…?” I wasn't quite sure how to finish the sentence. Saul took the uninvited intrusion with warmth and good grace, telling me that he was making a “scaffold-a-phone” out of discarded scaffold poles. I was stunned. How could something so industrial and brutal sound so lovely. I peered around the lock up which was packed with spent gas tanks, fire extinguishers, old decking and even flip flops that had all been salvaged and turned into percussion instruments that, I would come to discover, all sounded not only beautiful but absolutely unique. A type of alchemy was occurring under our very noses and barely anyone knew about it. I realized immediately that I had to tell the story of the remarkable things Saul was doing with the discarded junk of our city and how his work is an inspiration to children, parents, musicians and anyone lucky enough to come into contact with his work. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Alpenkummer Diese Woche mit drei musikalischen Premieren. Blödi Geiss va där Debby.  www.debbymusic.ch Der Satz und z`chlei Muggi uf dinum.....! www.gottfriedsupersaxo.net Dann Musik von Yoki - Numeno https://www.alvaluen.ch/  Und Musik von Eliane Amherd https://elianeperforms.com/ Die Berge haben keine negativen Auswirkungen auf die Einheimischen. Vereinzelt gibt es Einzelfälle. Da mein Po grösser ist – meint man ich hätte mehr Sitzlederfleisch? Stellt keine Fragen – bestellen würde reichen. Es gibt nur ein Satz – mehr Umsatz?   Nach einer nun etwas längeren Funkpause von den Häfligers ist aber doch dennoch sehr viel passiert bei Ehemann sehr sehr günstig abzugeben. Martin Suter hat in seinem Dokufilm – alles über Suter ausser die Wahrheit ja gesagt – wenn man den Anfang und das Ende der Geschichte nicht von Anfang an kennt, wirkt alles improvisiert.  Der Anfang ist klar : sie arbeitet mit ihrer Freundin am Inserat um ihren Ehemann günstig abzugeben. Nun aber zum Schluss. Weil irgendwie wegen Mangels an Interesse oder God(i) knows könnte das Blatt sich drehen. Nun wenn ich nun aber hier als Drehbuchautor den Schluss verrate? Ja wenn sich einfach alles dreht? 3 Freunde nun mit Gunti ein Inserat aufschalten? Wie würde ihnen dieser Schluss gefallen?  Mein Freund Sascha dessen Name wiederum von der Redaktion verändert wurde brachte mich auf eine Idee. Wenn Mücken anstatt Blut nun Fett absaugen würden? Pro Mückenstich direkt via Twint? Endlich reich. Nun da aber Mückenstiche beissen und ja unangenehm übernimmt nun der W-Lan Föhn diese geniale Idee. Präsentiert wird sie wiederum vom Institut für Schneeflockeninventar. Gut es hat geschneit. Es gab zu tun. Nun die Spätsommerhitze und die Vorfreude auf den Winter und den Gang in die Sauna. Chli ga blüttlä u ja fittlagrossi – nei fittlablutti Puttini. Und ja coming soon – das Lied – würde sich der Kreis schliessen? Zurück zum W-Lan Föhn : Gadget : Fett absaugen wie gewohnt via App herunterladen. Föhn platzieren. Absaugen.  Was passiert aber nun mit dem abgesaugten Fett? Ist das nun eine Art – Foodwaste – Human Waste? Kann das abgesaugte Fett als Brattfett fairkauft werden? Was kostet ein Kilo gutes – menschliches – nun in meinem Falle nicht ganz veganem Bratfett? Damit wie immer alles regional ( grün ) und sozial ( pink ) bleibt – würden wir 10% vom Erlös ans Fastenopfer Schweiz spenden. Ja was die einen zu viel haben fehlt den anderen. Erschtwältproblem. Dazu hat Herman ein Tolles Lied gesungen und ja Erschtwältproblem. Eine weitere Erfindung aus Guntis Ideenlabor – powered by Institut für Schneeflockeninventar etc der W-Lan Föhn mit der Funktion Heissleim – aus aktuellem Grund betreffend der Anfrage aller Klimakleber/inner – also ja im Auftrag der … und ja eigentlich ist unser Gunti ja kein Befürworter aber eben – man kann auch nichts tun. So kann man aber mit der neuen Funktion welche bequem im App Store heruntergeladen werden kann auch direkt via Twint bezahlen. Und ja man kann auch einen Tschugger ungefragt auf seinem Barhocker in seiner Stammbeiz festleimen, oder angehende Nationalräte/innen und ?  Kulinarisch haben wir diese Tage die Menschheit bei einem Pimp your Raclette positiv überrascht. Vor allem die Hornychons sind immer wieder der Burner. Das Aprikosenchutney mega fein zum kräftigen Raclette Käse aus dem Turtmanntal. Die Horny Herbs mussten die Teilnehmerinnen selber mischen. Ähnlich so wie eine Wisky sampeln? Quite a Challenge. Und ja für einmal kein Fendant? Nein es gab Petite Arvine Bio Cave Fin Bec. Er verfügt über eine super schöne Säure – eine sehr dezente Frucht so bisschen Grapefruit Noten. Begeisterung pur. Ja Supersaxo`s Vinotainment einmal mehr gut gelungen, löffeln zu Herbert Pixner im Team – Gitanes. Mega Sound aus dem Alpenraum. Alphornwettbewerb und wie könnten wir den digitalisieren? Fahnenschwingen. Tradion. Berge. Melchboden. Mega Location. Raclette am Feuer. Lärchenholz. Hammär. Glockenspiel. Büchel. Top. Bravo Godi.  Z`Gunti welcher ja Ehrenamtlich auch Mitglied bei der Verzettelungsagentur ist arbeitet ja am Projekt der Satz. Wenn das Projekt einmal erwachsen wird = der Satz – Ihre Agentur für den gepflegten Satz. Merchandising. Lieder. Filme. Poster. Karten. Online Games Room im Shop mit Alpenbistro etc. Ähnlich der Ideen welche schon für Ische Hengert und diveres andere Projekte angedacht wurden. Angedacht ist ja nicht ausgelacht! Nun hat Gunti für den W-Lan Föhn noch die Glühwein Funktion und man nehme einen feinen Dole oder Pinot Noir Cave la Chapelle. Glühweinmischung vom Horny Chef und etwas Zaubertrank. Die Mischung kann dann ganz einfach mit dem W-Lan Föhn aufgewärmt werden. So für gemeinsam schöne Stunden fittlablutt ja er so im Wolfsvell und sie im Schwarznasenschafkostüm am Chemine.  Also die Idee mit dem Glühwein – Aufwärmphase via App-Store und ja auch neu gleich mit Twint begleichen möglich wurde ihnen präsentiert von der Dienststelle für mehr Spontanküsserei. Ja da ist Z`Gunti so Gründungsmitglied und sucht gemeinsam mit dem Autor der Geschichte noch weibliche Testpersonen. Da Z`Marie – die beste Ehrefrau nun ihr Talent – also auf und verräumen und ja unangefragt Sachen verschwinden lässt. Also Ihr Talent wird sie nun hauptberuflich beim Ordnugsamt …. und ja auf die Idee von Gunti sich als Aufräumfee in Saas-Fee ist sie nicht und ja. Letzhin wurde sie von einer anderen Frau angesprochen – ich kenne sie doch von irgandwo her? Sie sind doch die beste Ehefrau von allen dessen Ehemann nicht glücklich werden darf?  

Heute mal wieder ein paar Worte für Dich und Euch zur Inspiration. Worte, die spontan aus dem stillen Sitzen auftauchen, ein spontanes Sprechen in das Mikrofon - ohne Konzept, ohne Skript, ohne Vorbereitung oder Agenda. Schauen, was auftaucht. Worte, die vielmehr durch mich hindurchlaufen. Kein gelehrter, vorbereiteter Zen Buddhismus Vortrag, sondern ein Sich-Verbinden mit der Stille und der Wahrheit des Moments, Hier und Jetzt - Satsang, Dharma-Talk, welchen Namen wir dem auch immer geben mögen. Es ist ein Teilen mir Dir und Euch, ein sich Mitteilen zum Leben und über das Leben, bei dem ich verschiedene Ebenen unseres Lebens anspreche, berühre, teils kritisch beobachte, loslasse, wiederaufnehme. Wenn es Dir und Euch hilft, im Moment anzukommen, das Herz zu öffnen und den Stress loszulassen, freue ich mich. Ich freue mich, wenn Ihr mir einen Kommentar oder ein Feedback da lassen möchtet. Alles Gute für Dich. (das Glockenspiel am Ende des Podcasts kommt von einer Kirche in Nordhorn)Hier zur Vollständigkeit die Sechs Paramitas (Tugenden/ Fähigkeiten) im Mahayana Buddhismus, die ich im Podcast anspreche:1. Freigebigkeit (Dāna paramita) 2. ethische Richtlinien (Śīla paramita)3. Geduld (Kṣānti (kshanti) paramita)4. energisches Bemühen (Vīrya paramita)5. Meditation (Dhyāna paramita)6. Weisheit (Prajñā paramita)

Ein großes Instrument, mit Pedalen, viel Mechanik - das meistens in Kirchen zu finden ist. Woran denken Sie da? Wahrscheinlich an eine Orgel. Doch die ist nicht gemeint. Sondern ein Instrument, das in Deutschland deutlich weniger verbreitet ist - aber meist auch in Kirchen zu finden ist: das Carillon. Ein überdimensionales Glockenspiel. Vor allem in Belgien, den Niederlanden und Nordfrankreich ist das Instrument populär. Regelmäßig aber auch zu hören in Würzburg.

We're back with another alphabet itinerary, as Andrew takes us on a five day trip through Germany! Highlights include Berlin, Munich and more (36:45). Before that we talk through the Ted Lasso finale, The Marvelous Mrs. Maisel, Phoenix and some peak podcasting segments. Enjoy! You can follow us on Instagram at Tripittome or email us at tripittome@gmail.com! Please follow and rate the show, let your friends know. We appreciate you listening!

New episode on the 15th of every month! Soundcloud - soundcloud.com/krismortonmusic Facebook - facebook.com/krismortonmusic Twitch - twitch.tv/krismortonmusic YouTube - https://www.youtube.com/@krismortonmusic Mixcloud - mixcloud.com/krismortonmusic itunes - podcasts.apple.com/ca/podcast/krismortonmusic/id1498561500 Instagram - instagram.com/krismortonmusic Tracklist: 1.Sia - The Girl You Lost To Cocaine (Sander van Doorn Remix) 2.Leon Boiler Pres Precursor - XD (Original Mix) 3.Roland Klinkenberg & DJ Remy - Jimmy The Saint (Original Mix) 4.Abel Ramos - Jakarta (Groove Garcia Dark Revision) 5.Umek - Gatex (Fergie Remix) 6.Cliff Coenraad & Thomas Hagenbeek - Filthy Ripper (Original Mix) 7.Marco V - Dudak (Brian Cross Remix) 8.Project FNP - Buzzed Up (J.O.C. Remix) 9.Marco V - Sessions (Marco V Dub) 10.Lens - Beyond the Shadows (Moonbeam Remix) 11.Glockenspiel tt Blackfeel White - Anny (Marcus Schossow Remix) 12.Wippenberg pres Sphaera - Front (Original Mix) 13.Poison Pro - Empty Inside (Ali Wilson Tekelec Remix) 14.Fafaq & Robson - 4 AM (Re-Ward Remix) 15.Sander van Doorn - Look Inside Your Head (123XYZ Remix : SvD Re-edit) 16.Mark Sherry pres Outburst - A Star Within A Star (Stoneface & Terminal Remix) 17.Re-Ward - Cocos Taste 18.Ernesto vs Bastian - Super Jupiter (EvB SpielGlocken Remix) [Kris Morton Edit] 19.Fausto - Lupara (Artento Divini Remix) 20.Stripwalker - Wackjob Dub 21.Beat Service - Ricochet (Original Mix) 22.Sied Van Riel & Claudia Cazacu - Contrasts (Arnejs Tech Dub) 23.Jon Rundell - Dawn Raid (Sander Van Doorn Remix) 24.Rhythmkillaz - Wack Ass MF (Payback Mix Dirty Version)

When super fans Mamma Jamma and Glockenspiel meet Miss Lynn, their favorite musical artist, work slows to a halt at the Bakeroofactory. And strange things happen each time they play her songs… Lessons include: Helping others sometimes means letting them go their own way; what seems commonplace to you may seem extraordinary to others, and vice versa!  Miss Lynn has three live concerts coming up: Miss Lynn on WDVX Kidstuff, Listen on their website at https://wdvx.com/listen/ Miss Lynn at the Children's Festival of Reading, Sat, May 20 (Exact times TBA) World's Fair Park, World's Fair Park Drive, Knoxville, TN 37916 Knoxville Public Library's Children's Festival of Reading! Miss Lynn will be in the music tent.  Miss Lynn at the Chapin Memorial Library, Wed, Jun 21 @ 2:30 PM Chapin Memorial Library, 400 - 14th Avenue North, Myrtle Beach, SC 29577 Sing, dance, and laugh when Miss Lynn returns to the Chapin Library in Myrtle Beach, SC! For ages 3-10. Join our Patreon for ad-free stories, monthly bonus episodes, a shout-out on the show, bi-annual mailings, and more! patreon.com/whatifworld Subscribe to What If World wherever you listen: link.chtbl.com/whatifworld.  What If World is made by Eric and Karen O'Keeffe. Our podcast artwork is by Jason O'Keefe, and our theme song is by Craig Martinson. Our character artist is Ana Stretcu, and our episode artwork is by Lynn Hickernell. The Miss Lynn illustration is by John Haney.Advertise on What If World: advertising@airwavemedia.com

This song combines child vocals, playing a guitar using a credit card as a pick, alto and baritone saxes, mandolin and glockenspiel.

Episode 89 The Theremin Part 2: Recordings After 1970 Playlist Ultimate Spinach, “(Ballad of The) Hip Death Goddess” from Ultimate Spinach (1968 MGM Records). This American psychedelic rock band was from Boston, Massachusetts, although they had a sound that had more an affinity with the free spirit of San Francisco. The Theremin has a prominent part in this song, following the vocalist and filling in some interesting instrumental parts. Bass and Feedback, Richard Nese; Vocals, Drums, Tabla, Bass Drum, Bells, Chimes, Keith Lahteinen; Vocals, Electric Guitar, Guitar, Kazoo, Barbara Hudson; Vocals, Electric Piano, Electric Harpsichord, Organ, Harpsichord, Twelve-String Guitar, Sitar, Harmonica, Wood Flute, Theremin, Celesta, Ian Bruce-Douglas; Vocals, Lead Guitar, Guitar Feedback, Sitar Drone, Electric Sitar, Geoffrey Winthrop. 8:11 Hawkwind, “Paranoia Part 2” from Hawkwind (1970 Liberty). Hawkwind was a pioneering space-rock and psychedelic group from the UK. They were known to use a theremin during their early years—1969 to 1973 and revived its use on stage in later performances using a Moog Etherwave model in the 2000s. This first album features a theremin added to much of the sonic textures, sometimes overtly but often run through effects to provide a looming background, as in this song. It is sometimes difficult to distinguish, but I think there is a theremin providing some of the droning background and then sporadic bursts of tones beginning around 4:25. 14:54 McKendree Spring, “God Bless the Conspiracy” from 3 (1972 Decca). Electric Violin, Viola, Theremin, Michael Dreyfuss; Electronics (Ring Modulator), Tom Oberheim; Vocals, Acoustic Guitar, Dulcimer, Fran McKendree; Electric Bass, Larry Tucker; Electric Guitar, Martin Slutsky. This progressive band with experimental leanings was a quartet without a drummer. Dreyfus later said, “In God Bless the Conspiracy and No Regrets I was able to play viola and Theremin at the same time by bringing my body closer to the Theremin (to change pitch) while playing a harmony part on the viola,”(2006). He played a Theremin beginning 1969. He may have used a Moog theremin, such as the Troubadour. 6:53 Linda Cohen, “Horizon Jane” from Lake Of Light (1973 Poppy). Folky album from Philadelphia featuring several electronic musicians. Acoustic Guitar, Bass, Piano, Polytonic Modulator, Jefferson Cain; Classical Guitar, Composer, Linda Cohen; Flute, Stan Slotter; Producer, Electric Guitar, Matrix Electronic Drums, Modulator, Sitar, Synthesizer, Craig Anderton; Minimoog, Theremin, Charles Cohen. 3:36 Ronnie Montrose, “Space Station #5” from Montrose (1973 Warner Brothers). Ronnie Montrose added a custom-built Theremin to his equipment with the pitch antenna mounted on his aluminum (silver) Velano guitar so that he could play both at the same time. Volume for the theremin was controlled by a black box mounted on a mike stand, to which he stood nearby. He was recording with it throughout the 1970s. Here is a great live clip you where you can see how he played it. Note the end of the clip where he put the theremin guitar up against the speaker and wails on the volume control of the theremin control box. Bass, Bill Church; Drums, Denny Carmassi; Guitar, Theremin-Guitar, Ronnie Montrose; Vocals, Sam Hagar. 5:36 Arthur Brown's Kingdom Come, “Time Captives” from Journey (1974 Passport). Fender Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals, Andy Dalby; Mellotron, ARP 2600, EMS VCS 3, Piano, Theremin, Percussion, Vocals, Victor Peraino. 8:37 Michael Quatro, “Get Away” from In Collaboration with The Gods (1975 United Artists Records). Brother of Detroit rockers Suzi and Patti Quatro, he had a flare for progressive rock and electronic keyboards in the 1970s. The Theremin makes frequent appearances on this album, this track in particular. Arranger, Piano Baldwin, Electric Piano Gretsch Electro, Piano Tack Piano, Sonic Six Synthesizer, Effects Univox Phaser, Univox Stringman, EC-80 Echo, Elka Electric Piano, Hammond Organ, Minimoog Synthesizer, Univox Mini-Korg, Electroharmonix Boxes, Mellotron Violin, Cello, Flute, Effects Wah-Wah Pedals, Effects Syntha-Pedal, Bass Nova Bass, Horns, Organ Pipe Organ, Sounds Ring Modulation, Maestro Theremin, Electronic Effects, Percussion , Michael Quatro;Bass, Lead Vocals, Arranged By Arranging Assistance, Dave Kiswiney; Drums, Kirk (Arthur) Trachsel; Guitar, Teddy Hale. 4:04 Melodic Energy Commission, “Revise The Scene” from Stranger In Mystery (1979 Energy Discs). This is the first album from this Canadian space-rock, psychedelic and folk troupe from British Columbia. The Theremin was a key instrument in their ensemble and was custom-built by group member George McDonald. His Theremin would eventually be known as the Galactic Stream Theremin and would take some 25 years to build and evolve into a six antennae instrument for “tuning into the performers body motions.” During this recording, a simpler, more traditional version was used. Gas & Steam Bass, Bells, Tambourine, Mark Franklin; Dulcimer, Bowed Dulcimer, Khaen, Gongs, Flute, Randy Raine-Reusch; Hydro-electric Guitar, Custom-made Theremin, Aura, Wall Of Oscillation, George McDonald; Percussion, Tablas, Brass Tank, Glockenspiel, Roland SH5 Synthesizer, Organ, Paul Franklin; EMS Synthi AKS, Delatronics, Electric Guitar, Del Dettmar; Wordy Voice, Guitar, Piano, Organ, Roland SH 1000 Synthesizer, Gongs, Vibraphone, Kalimba, Stone Drum, Egyptian Shepherd's Pipe, Xaliman. 6:13 The Nihilist Spasm Band, “Elsinore” from Vol. 2 (1979 Music gallery Editions). Canadian group that used all hand-made instruments, including the kit-made Theremin by Bill Exley. Bass, Hugh McIntyre; Drums, Greg Curnoe; Guitar, John Clement, Murray Favro; Kazoo, John Boyle; Pratt-a-various, Art Pratten; Vocals, Theremin, Bill Exley. Recorded live at the Toronto Music Gallery, February 4th 1978. 5:14 Yuseff Yancy, Garret List, “Sweetness” Garrett List / A-1 Band, “Sweetness” from ‎Fire & Ice (1982 Lovely Music). Alto Saxophone, Byard Lancaster; Maestro Theremin, Electronics, Youseff Yancy; Vocals, Genie Sherman. 4:11. Todd Clark, “Into the Vision” from Into The Vision (1984 T.M.I. Productions). Guitar, Cheetah Chrome; Theremin, Bat-wing Guitar with ARP Avatar, Todd Clark; Found Vocals, William Burroughs. 8:38 Danielle Dax, “Yummer Yummer Man” from Yummer Yummer Man (1985 Awesome). UK artist Danielle Dax. Wah Guitar, Steve Reeves; Guitar, Slide Guitar, Organ, David Knight; Producer, arranger, lyrics, Vocals, Theremin, Tapes, Danielle Dax; Drums, Martyn Watts; Music by Danielle Dax, David Knight. Dax is an experimental English musician, artist, and producer, born as Danielle Gardner. 3:16 Mars Everywhere, “Attack of the Giant Squid” from Visitor Parking (1989 Audiofile Tapes). Cassette release from this space-rock band from the 1980s. Electric Guitar, Electronics, Tape, Ernie Falcone; Synthesizer, Theremin, Keyboards, Tom Fenwick. 5:03 Jon Spencer Blues Explosion, “Vacuum of Loneliness” from The Jon Spencer Blues Explosion (1992 Caroline). This NY band uses an original Moog Vanguard (circa 1960). This rock and blues band was active from 1991 until 2016. Baritone Saxophone, John Linnell; Drums, Russell Simins; Guitar, Vocals, Judah Bauer; Tenor Saxophone, Kurt Hoffman; Trumpet, Frank London; Vocals, Guitar, Moog Vanguard Theremin, Jon Spencer. Here is a video of a live performance of The Jon Spencer Blues Explosion with a Moog Vanguard Theremin (just after the 39-minute mark). 3:02 Calvin Owens and His Blues Orchestra, “Vincent Van Gogh” from That's Your Booty (1996 Sawdust Alley). Trumpet solo and vocals, Calvin Owens; Maestro Theremin, Youseff Yancy; Alto Saxophone, Tenor Saxophone, Eddy De Vos, Kurt van Herck, Peter Vandendriessche; Backing Vocals, B. J. Scott, Frank Deruytter, Mieke Belange, Yan De Bryun; Baritone Saxophone, Bo Vander Werf, Johan Vandendriessche; Bass, Ban Buls, Roman Korohek; Cello, B. Piatkowski, X. Gao; Drums, Cesar Janssens, Laurent Mercier; Guitar, Marty Townsend, Yan De Bryun; Keyboards, Rafael Van Goubergen; Organ, Peter Van Bogart; Saxophone, Jimmy Heath; Tenor Saxophone, David "Fathead" Newman, Shelly Caroll Paul; Trombone, Marc Godfroid, Yan De Breker; Trumpet, Andy Haderer, Rüdiger Baldauf; Violin, D. Ivanov, E. Kouyoumdjian; Vocals, Archie Bell, Otis Clay, Ruby Wilson. 6:23. David Simons, “Music For Theremin And Gamelan (1998-1999), parts I and II” from Fung Sha Noon (2009 Tzadik). Theremin, Rob Schwimmer; Gamelan, Theremin, Sampler, MIDI Controller, Percussion, Marimba, Zoomoozophone, 43 Pitch Zither, Harmonic Canon, Slide Guitar, Chromelodeon harmonium, David Simons; Gamelan, Barbara Benary, Denman Maroney, John Morton, Laura Liben. 6:09 (part I) and 6:29 (part II) Lydia Kavina, “Voice of the Theremin,” composed by Vladimir Komarov from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina. Arranged, mixed, performed by Lydia Kavina. 8:11 Lydia Kavina, “Free Music #1,” composed by Percy Grainger from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina; mixed and spatialized, Steve Puntolillo. This work was originally written for theremin although Grainger had many ideas around how this type of “free music” should be played. This native Australian was fascinated by the sounds of the real world and invented a mechanical machine for making such sounds. In 1938, Grainger said, "...Out in nature we hear all kinds of lovely and touching 'free' (non-harmonic) combinations of tones, yet we are unable to take up these beauties and expressiveness into the art of music because of our archaic notions of harmony.” His adaptation of free music for theremin was an attempt to create sounds that were new to music. This version was multitracked by Kavina and an old acquaintance of mine, sound engineer Steve Puntolillo, to recreate the parts for four theremins. 1:19 The Kurstins, “Sunshine” from Gymnopedie (2000 Rouge Records). Composed by Roy Ayers; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:47 The Kurstins, “Outside” from Gymnopedie (2000 Rouge Records). Composed by Greg Kurstin; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:55 Hecate's Angels, “Shrink-Wrapped Soul” from Saints And Scoundrels (2004 redFLY Records). Los Angeles-based Pietra Wexstun is a composer, singer, keyboard and theremin player. Vocals, Farfisa organ, piano, theremin, sound effects, Pietra Wexstun; bass, Bill Blatt; guitar, Stan Ridgway; drums, Elmo Smith. 3:52 Pamelia Kurstin, “Barrow In Furness” from Thinking Out Loud (2007 Tzadik). From Kurstin first solo record. Composed, Produced, Theremin With L6 Looping Pedals and Microsynth Pedal, Guitar, Piano, Pamelia Kurstin. She played the Etherwave Pro Theremin by Moog fo this recording. Pamelia Kurstin, video with she and Bob Moogdiscussing the Etherwave Pro when it was introduced. Kurstin uses the Etherwave Pro Theremin by Moog Music. 5:12 Barbara Bucholtz, “SixEight” from Moonstruck (2008 Intuition Records). Bucholtz was a German theremin player and composer. She played a TVox Tour model theremin. Drums, Sebastian Merk; Music By, Contrabass Flute, Sampler, programmed, engineered, produced, and recorded by Tilmann Dehnhard; Trumpet, Arve Henriksen. 4:01 Herb Deutsch, “Longing” from Theremin One Hundred Years (2020 Electronic Sound). Composer, Herb Deutsch; Piano, Nancy Deutsch; Moog Melodia Theremin, Daryl Kubian. Recording from 2012. The beloved Herb Deutsch, who died recently at age 90, was an early collaborator with Bob Moog on the creation of the synthesizer. Herb became acquainted with Bob by purchasing a Theremin kit—a Moog Melodia model, in the early 1960s. He was primarily responsible for convincing Moog to add a keyboard to his modular unit. Also, this is taken from a terrific compilation of modern Theremin artists to benefit the New York Theremin Society. Check it out. 3:38 M83, “Sitting” from M83 (2016 Lowlands Festival). This is a live recording from Holland. “Sitting” was a song on M83's first album in 2001. But it didn't have a theremin part until they decided to spice-up the live interpretation of the song in 2016. Jordan Lawlor uses a Moog Theremini when M83 performs this in concert. He puts down his guitar, grabs some drum sticks, beats a rhythm on some electronic drums while dancing in place and moving his hands around a theremin. You can hear the theremin in this track but don't mistake it for the keyboard tones that Gonzalez is playing on his modular system. A longer sequence of theremin begins at 1:38 in the audio. You can view the video here, beginning at 26:54 into the show. M83 is a French electronica band founded in 1999 by Anthony Gonzalez, who remains the only sole member from the original outfit. Performing members on this live tour included: Anthony Gonzalez, lead vocals, modular synthesizers, keyboards, guitars, piano, bass, drums, percussion, programming, arrangement, mixer, production; Loïc Maurin, drums, percussion, guitar, bass, keyboards; Jordan Lawlor, guitars, vocals, multi-instrumentalist; Kaela Sinclair, Dave Smith and M-Audio keyboards, vocals; Joe Berry, piano, synthesizers, electronic wind instrument, saxophone. 4:03 Radio Science Orchestra, “Theme from Doctor Who” (2019). This UK-based band unites theremin, ondes martenot, Moog and modular electronics, for its performances. They've played such events as the TEDSummit, the British Library, and Glastonbury Festival. They made a concert recording with Lydia Kavina in 2009 of the Theme from Doctor Who. This version was made more recently and appears to also include Kavina. She plays the TVox Tour model theremin made by her husband G. Pavlov. 2:18 Thorwald Jørgensen, Kamilla Bystrova, “Moderato” from Air électrique: Original Music For Theremin And Piano (2020 Zefir). Jørgensen is an accomplished Dutch classical theremin player. Piano, Kamilla Bystrova; Liner Notes, Design, Moog Etherwave Pro Theremin, Thorwald Jørgensen. 2:10 Dorit Chrysler, “A Happy Place” from Theremin One Hundred Years (2020 Electronic Sound). Issued with the magazine's 7” vinyl and magazine bundle Electronic Sound Magazine, issue 70. Written, produced, and performed by Dorit Chrysler. 2:06 Dorit Chrysler, “Calder Plays Theremin Side A” from Calder Plays Theremin (2023 NY Theremin Society/Fridman Gallery) Written for Theremin Orchestra in 5 Movements, Chrysler's work is based on a commissioned sound piece by The Museum of Modern Art in conjunction with the exhibition Alexander Calder: Modern from the Start. Chrysler identified two of Alexander Calder's sculptures, Snow Flurry, I (1948) and Man-Eater with Pennants (1945), to interact and “play” multiple Theremins on site. I believe the Theremin are various Moog models. Calder Plays Theremin is a co-release of the NY Theremin Society and Fridman Gallery. 8:48   Opening background tracks: Ronnie Montrose, “Open Fire” (excerpt) from Open Fire (1978 Warner Brothers). Bass, Alan Fitzgerald; Drums, Rick Shlosser; Guitar, Custom-built Theremin mpounted to his electric guitar, Ronnie Montrose; composed by Edgar Winter, Ronnie Montrose. 2:09 Hooverphonic, “‎L'Odeur Animale” from The Magnificent Tree (2000 Columbia). Guitar, Raymond Geerts; Keyboards, Bass, Programmed by Alex Callier; Vocals, Geike Arnaert; Maestro Theremin, trumpet, Youseff Yancy; Fairlight, Effects, Dan Lacksman. 3:46. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

Im himmelhohen Turm einer Kathedrale hängt ein Glockenspiel, das nur zu besonderen Anlässen erklingt. Seit Generationen hat es keiner mehr spielen hören, aber die Menschen erzählen sich, es klinge so, als würde der Himmel singen. Zu Weihnachten versuchen sie, mit prächtigen Gaben das Glockenspiel zum Klingen zu bringen. Ob das gelingt? Ein Märchen mit himmlischer Musik. Michaela Krauss liest „Warum das Glockenspiel erklang“ von Raymond Macdonald Alden. Eine Sendereihe von Monika Fischer. Jeden Adventsonntag, um 13:30 Uhr. DaCapo jeden Mittwoch, um 19.00 Uhr.

Episode 81 Psychedelic Japan, Part 1 Playlist Flower Travellin' Band, “Satori Part 2” from Satori (1971 Atlantic). Japanese rock band formed in 1970 which broke up in 1973 and reformed in 2008. Guitarist Hideki Ishima is a founding member. Moving from Sapporo to Tokyo in the mid-sixties, he played with the Group Sounds band The Outlaws from 1966 to 1969. Following that he joined The Flowers, who later became Flower Travellin' Band. He is also known for inventing the sitarla, a cross between an electric guitar and a sitar. 7:04 English translation of the lyrics: There is no up or down Your truth is the only master Death is made by the living Pain is only intense to you The sun shines every day The sun shines every day Freedom, freedom! The Taj-Mahal Travelers “Between 7:03~7:15P.M.” from July 15, 1972 (1972 CBS/sony). This album was recorded live at Sohgetsu Hall, Tokyo, Japan, July, 1972. Formed in 1969 this group produced entirely improvised music with a remarkably celestial sound. The ensemble regularly played throughout Japan. In 1971, on the way back from touring Europe, they financed a trip to India to see the Taj-Mahal. Upon returning, they played a benefit concert on July 15, 1972 to help pay for their return to U.K. The track heard hear was part of that live performance. Electronic Contrabass, Santoor (Suntool), Harmonica, Sheet Iron, Ryo Koike; Guitar, Percussion, Michihiro Kimura; Electronic Trumpet, Harmonica, Castanets, Seiji Nagai; Vibraphone, Santoor (Suntool), Yukio Tsuchiya; Electronic Violin, Radio Oscillators, Voice, Takehisa Kosugi; Vocals, Tokio Hasegawa. 11:17 Far East Family Band, “Entering/Times” from Parallel World (1976 Mu Land). Far East Family Band was a Japanese Psychedelic-Progressive-Rock band, founded 1975. Psychedelia with synths. Recorded November 15th to December 5th 1976 at the Manor Studio, UK. Music By, Arranged By, Far East Family Band; Music producer, Fumio Miyashita; Recording producer, Recorded and computer mix by, Klaus Schulze. Band included keyboardist Kitaro until this, their third album produced by Schulze. Kitaro was inspired to venture out into solo electronic work after this album. 15:26 Les Rallizes Denudes (Lay RAL-lees DEN-yoo-day) “Strung Out Deeper Than The Night,” recorded live in 1977. From a bootleg recording of “Heavier Than a Death in the Family” (2002 Not on Label). This Japanese experimental rock band formed in November 1967 at Doshisha University in Kyoto, moved to Tokyo, and was led by Takashi Mizutani (1948-2019). Performed their last gig in October 1996. 15:28 English translation of the lyrics for this song: Deeper than the night, darker than the darkness You woke up with blood and madness Spread your black wings under the burning sky You are what I want After the black sun rises I'll meet you every time I go in the flames of ice midnight white venom A white horse runs through my body The hungry beast that died in the rain fly out the window you shatter the mirror you shatter the night A whispering angel surrounds you I send my blue breath to your center You're what I want After the black sun rises Enveloping you, your breath send to your center Deeper than night and darker than darkness When you woke up, you took death and madness Fushitsusha, “3. すきにやればいい” (“Do It When You Want”) from Invincible (First Live)/不失者 (1989 P.S.F. Records). Guitarist Keiji Haino founded Fushitsusha in 1978. This undated track is probably from 1978 and is part of a double album of live performances spanning the previous ten years that he released in 1989. Guitar, harmonica, Keiji Haino; drums, Seijiro Muryama; drums, Akui; bass, Yasushi Ozawa; guitar, Maki Miura. 11:36 High Rise “Induced Depression” from Psychedelic Speed Freaks (1984 P.S.F. Records). First recording, bootleg album. Japanese psychedelic rock band. Formed in 1982 by Asahito Nanjo and Munehiro Narita under the name Psychedelic Speed Freaks. They changed their name to High Rise when the group released their debut album in 1984. Bass, Vocals, Asahito Nanjo; Guitar (Motorcycle Fuzztone), Munehiro Narita. 3:13 Ghost, “Escaped And Lost Down In Medina” from Hypnotic Underworld (2004 Drag City). Japanese experimental rock and improvisation group formed in Tokyo in 1984 and disbanded in 2014.Their gradual evolution from a guitar-based band with assorted acoustic instruments (e.g., oboe, cello, recorder) and atmosphere (e.g., water, wind) to the inclusion of electronics began in the early 2000s. I think this is their first album that actually credits synthesizers and other electronics. Acoustic Guitar (6- and 12-String), Vocals, Masaki Batoh; Drums, Tabla, Percussion, Junzo Tateiwa; Electric Bass, Contrabass, Cello, Takuyuki Moriya; Electric Guitar, Michio Kurihara; Piano, Mellotron, Korg MS-20 Synthesizer, Organ, Lute, Recorder, Celtic Harp, Kazuo Ogino; Theremin, Flute, Saxophone, Tin Whistle, Bouzouki, Other, Producer, Taishi Takizawa; Written by Ghost. 7:10 Ghost, “Aramaic Barbarous Dawn” from Hypnotic Underworld (2004 Drag City). 3:15 Acid Mothers Temple & The Melting Paraiso U.F.O., “In C” from In C (2001 Eclipse Records). Japanese psychedelic rock band founded in 1995 and which exists as a kind of collective with many guests. This unique entry in the Acid Mothers catalog feature an interpretation of the famous Terry Riley minimalist landmark “In C” (1968 Columbia). This version is full of the psychedelic appurtenances you would expect of Acid Mothers and somewhat follows the original score, though much of the scored piece serves as a bed for the other wonderful sounds that swirl about. Bass (Monster), Tsuyama Atsushi; Drums, Ichiraku Yoshimitsu; Electric Guitar, Synthesizer, Higashi Hiroshi; Electric Guitar, Violin, Zuruna, Synthesizer, Kawabata Makoto; Producer, Engineer, Kawabata Makoto; Vibraphone, Glockenspiel, Terukina Noriko; Voice, Cotton Casino. 20:28 Kikagaku Moyo, “Kodama“ from Forest Of Lost Children (2014 Beyond Beyond Is Beyond Records). Japanese psychedelic rock band formed by Tomo Katsurada and Go Kurosawa in 2012. Bass, Kotsuguy; Drums, Vocals, Go Kurosawa; Engineer, Yui Kimijima; Guitar, Daoud Popal; Sitar, Ryu Kurosawa; Theremin, Voice, Angie Gotopo; Vocals, Guitar, Tomo Katsurada; Written-By Go Kurosawa. Another one of the acclaimed bands in the Japanese progressive psych genre, the word is they are breaking up and play their last show in Tokyo in December 2022. 4:21 Opening background music: Les Rallizes Denudes, “Oz Days (1:33)” and “Wilderness of False Flowers”(7:36) from The Oz Tapes (1973 OZ Records). Recorded at OZ, Kichijoji, Tokyo 1973. Bass, Makoto Kubota; Drums, Shunichiro Shoda; Guitar, Takeshi Nakamura; Vocals, Guitar, Takashi Mizutani. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Born: Panama Canal Zone 1956 Hometown: Sierra Vista, AZ Occupation: Career Musician, Organ/keyboards, Entertainer, Composer, Recording Artist, Studio Engineer Experience: 40 years Self Taught Lamont Arthur has been playing, composing and teaching jazz in Tucson for the last three decades. Born in Panama, the son of an army soldier, Lamont found himself growing up at Ft. Huachuca in Southern Arizona. At the age of 12 he became aware of his passion for music. He learned to play the Glockenspiel from his 6th grade music teacher Mrs. Smith. He turned his musical attention to the Hammond B-3 organ and played in mixed-ethnic rock and country groups at places like the Blue Room and Carr Canyon Corral in Sierra Vista. By the late seventies he had moved to Tucson and began playing with groups like Street Pajama, Rapid Transit, Bloolyte, Bondavi and legendary blues-man Sam Taylor to name just a few. He began playing gigs at many of the clubs in Tucson; the Pirates Den, Fun Factory, Bobby McGee's, The Doubletree, Nino's, Gentle Ben's and Merlin's. The scene was very open and loose at that time and his ability to play the Hammond B-3 allowed him to crossover as well and play blues, reggae, latin and gospel. His love for jazz music prompted him to take the jazz improvisation class at Pima Community College under the tutelage of sax man Mike Kuhn and he was asked to assist him with some of the more novice musicians. This, was the turning point for what would become his passion to be a mentor and a better jazz musician. Not only as a keyboardist but as a jazz scat vocalist as well.. For a 7 year stint ('93-2000) he played in a keyboard/guitar duo with Phil Davis named L.A.P.D. at Sakura Japanese Restaurant. They reached a cult status with their penchant for playing standards and uptempo barn-burners then turning things right around to play cumbias or R&B dance tunes. Legions of Tucson-ans flocked to Sakura for their performances. During his career Lamont has tried to give back to the community through his gift of music. He has performed for the Tucson Jazz Society, the Oro Valley Jazz Festival, the Jazz Guild of Tucson, and the Rising Star Baptist Church.. He has collaborated with Tucson Jazz fixtures such as pianist Dan "Sly" Slipetsky, trumpeter Tony Frank, trombonist Rob Boone, bassist Elliot "Kirk" Kuykendal and drummer Gil Rodriguez. He has also been involved in many recording endeavors and has a gospel/Christian CD of all original songs on itunes entitled: "It's Time For Knowing". Over the last several years he has been mentoring a stable of young musicians. One is currently enrolled at the Arizona Jazz Academy. Often he will get a student who is classically trained and Lamont puts it on himself to get them to "get off the sheet" and use their hearts and ears to bring out the music that dwells within them. He has also mentored many musicians within the church. Having not been mentored himself as a young music- ian he feels that being a mentor is a great way to give the younger musicians a head start and leave a continuing musical legacy especially for the future "serious jazz musicians". Lamont had to move back to Sierra Vista to be closer to his mother. He has been an unsung hero in the Tucson Jazz Community and the JJA for 2012 would be a fitting way to acknowledge his humble persona and love of music. Beyond the Music; Jake

Der schöne Prinz möchte gern von einem Glockenspiel geweckt werden. Das Glockenspiel gehört zu den Schlaginstrumenten. Du kannst es zu Hause selber spielen, aber auch in einem Konzert hören.

Episode 78 Strange Synths Little Heard Sounds from Unique Synthesizers Playlist David Behrman, “Pools Of Phase Locked Loops,” from My Dear Siegfried (2005 XI Records). Synthesizers (homemade), David Behrman, Katharine Morton Austin. Recorded live at Radio Bremen in May 1972 and commissioned by Hans Otte. At a time when commercial models of analog synths were widely available, Behrman and other musicians such as Gordon Mumma and David Tudor insisted on creating purpose-built instruments using the same principles. Behrman explains, “The homemade synthesizers had 32 voltage-controlled triangle-wave generators built around a chip utilizing a circuit design called the Phase Locked Loop. The chip made smooth glides possible from one pitch to another. The homemade synthesizers also had voltage-controlled amplifiers, rows of small knobs and frequency counters with the aid of which the performers could retune individual oscillators during a performance.” 14:00 John Ridges, “Fugue In G” (Bach) from Computer Controlled Synthesizer Performances (1977 Tesseract Records). This work was made using a computer-controlled music synthesizer which its makers dubbed Mesmerelda. It was comprised on 200 integrated circuits that could create 96 different pitches assigned to six separate channels. Only one waveform was used, a square wave, and there was no envelope control. Hence, the simple organ-like tone of the piece. 4:49 John Ridges, “Ruffles” (Ridges) from Computer Controlled Synthesizer Performances (1977 Tesseract Records). From the same album comes “Ruffles” performed by composer John Ridges. This track featured a slightly more advanced computer music synthesizer they called the AD8. It featured up to eight synthesis boards each one relating to a single channel. So, eight pitches could be played at a time and there was filtering, waveform generation other than square waves, and simple envelope generation to provide a slightly more advanced sound. As Ridges wrote in the liner notes, with pride, “these pieces are generally free of the bizarre noises usually found on electronic synthesizer albums.” The pieces were recorded in real time without overdubs. 2:36 Patrick Gleeson, “Star Wars Theme (Luke's Theme)” (Williams). (1977 Mercury). Recorded and mixed at Different Fur, San Francisco, July 1977. The piece showcases various beds, rhythms, and sounds made using the E-mu modular synthesizer, also known as an Eµ synthesizer (it's original name). "Selections from the film performed on the world's most advanced synthesizer." Drums, Billy Cobham, Harvey Mason, James Levi, Ronnie Beck; Lyricon, Lenny Picket; Vocals, Sarah Baker; keyboards, performer (Breath Controller), engineered, produced, arranged, and conducted by Patrick Gleeson. 5:36 Bennie Maupin, “Crystals” from Moonscapes (1978 Mercury). Eµ synthesizer (E-mu Modular Synthesizer) programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned an Eµ modular synthesizer (see the earlier Star Wars album which also featured this same synth.) Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, Eµ Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the Eµ synthesizer and other instruments. 1:19 Sylvester, “You Make Me Feel (Mighty Real)” from Step II (1978 Fantasy). One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizers. String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects , Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 6:34 Pere Ubu, “I Will Wait” from Dub Housing (1978 Chrysalis). This second album from this Ohio group always figured high on my playlist of favorites. I was mostly fascinated by the synthesizer fills and hijinks by Allen Ravenstine that punctuated much of the group's music with the quirkiest of sounds, all blended and mixed to provide many weird hooks and twists. This is another example of the EML, Electro-comp duphonic modular synthesizer although almost used in a polar opposite way than Sylvester. This is a unique sound from the time. Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Ravenstine is still active and an electronic musician although he has left the EML for other synthesizer frontiers. He remains very much the experimental improviser. 1:45 Pere Ubu, “Navvy” from Dub Housing (1978 Chrysalis). Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Features sounds of the EML Electro-comp modular synthesizer by Allen Ravenstine. 2:40 Pere Ubu, “On the Surface” from Dub Housing (1978 Chrysalis). Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Features sounds of the EML Electro-comp modular synthesizer by Allen Ravenstine. 2:37 Pascal Languirand, “O Nos Omnes” from De Harmonia Universalia (1980 Polydor). I am featuring a track that uses, among other instruments, the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 7:16 Moebius, “Clone Zone” from Moebius (1979 Plastic Poison). Yes, a progressive rock group that utilized the modular synthesizers developed by Serge Tcherepnin, Rich Gold, and Randy Cohen at CalArts in late 1972. By the mid-1970a, Tcherepnin left CalArts and began to manufacture his instruments in Hollywood. Serge modules were designed to bring many elements of the circuits controllable by the performer, patching them in unusual ways beyond what was considered normal for a given module. The model used on this album probably had a 16-stage sequencer introduced by the company, and I think you can hear such patterns in this song. Listen for the bubbling, sequenced sounds that are contrasted to the monophonic solos of the Minimoog and patch sounds of the ARP Odyssey. I think the track opens with the Serge pattern. Drums, Evan Kaplan; Minimoog synthesizer, Bruce Courtois; Roland Sh3a, AP 2600 synthesizers, Steve Roach; Serge modular, Minimoog synthesizer, vocals, written by, Bryce Robbley; Serge modular synthesizer, Doug Lynner. 4:55 Moebius, “Song For Lya,” from Moebius (1979 Plastic Poison). Serge, Oberheim, and Minimoog synthesizers, vocals, written by, Bryce Robbley; Serge, Oberheim synthesizers, written by, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 3:15 Henry Kucharzyk, “Play Dot Sam” from Walk The Line - Three New Works By Henry Kucharzyk (1985 Artifact Music). This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. Samson stands for the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 3:06 Salvatore Martirano, “The SalMar: Part One” from The SalMar Construction (2014 Sub Rosa). Another escapee from the 1970s was this performance at IRCAM in Paris in 1983. Salvatore Martirano, an American composer, invented the one-of-a-kind Sal-Mar Construction designed for real-time performance of electronic music. It was created from 1969 to 1972 at the University of Illinois. The analog synthesizer looked like a large drawing table with an array of 291 touch-sensitive connections to enable the sound generating circuits. Behind it all were some computer circuits salvaged from the Illiac II computer music system and they generated random sequences with which the performer could interact while managing four parallel processes governing the 16 oscillators, applying pitch, timbre, amplitude and envelope parameters to the sound. Martirano toured the world with the performing/composing music machine and described his live performances in the following manner: “The composer, in performance, interacts with the machine as it composes, creating spontaneously four melodic lines which move throughout the concert space via a network of 24 overhead speakers.” This performance was by Martirano while in Paris at IRCAM. 18:59 Herbie Hancock, “Rough” from Future Shock (1983 Columbia). Hancock was well known as an experimenter of new synthesizer technology. During the early stages of the home computer revolution, Hancock used an AlphaSyntauri synthesizer as part of his ensemble of instruments. The AlphaSyntauri was an add-in synth for the Apple II computer, with its own sound-generating circuit board. The company was around from about 1980 to 1985. Its claim to fame what that it was much more affordable than the digital synthesizers made by New England Digital and Fairlight, each of which cost in the $30,000 to $50,000 range. The AlphaSyntauri was $1500. At this price you got 16-voice polyphony, 16 digital oscillators, and envelope generator, keyboard, and a sequencer capable of storing up to 7000 notes. It's affordable sequencing was a major attraction. This was before the Apple Macintosh was introduced, and with that the AlphaSyntauri was made immediately obsolete. But not before Hancock was able to work it into some of his electronic jazz tracks. If you listen carefully you can pick-out the sounds of the AlphaSyntauri because of all of the other synths and instruments on this track. Backing Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Fairlight CMI Synthesizer, AlphaSyntauri Synthesizer, Emulator Synthesizer, Herbie Hancock; Prophet-5 Synthesizer, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 6:55 Opening background music: P.F.M. (Premiata Forneria Marconi), “Storia In "LA"” from Jet Lag (1977 Asylum Records). Italian progressive rock band founded in 1970. Album recorded at Kendun Recorders, Burbank, California, January, 1977 and Scorpio Sound Studio, London, February, 1977. Mixed at Scorpio Sound Studio, February 1977. Mastered at RCA Studio, London. Bass, Moog B12 Synthesizer, Patrick Djivas; Drums, Percussion, Franz Di Cioccio; Electric Piano, Organ, Moog Synthesizer, Flavio Premoli. 6:28 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Honked Boob Sonata, Dog Feeder Body Horror, Delivery Driver Scam, Reasons to Bee Sad, Coffee Torture IndustryPlease purchase Andy's book with Peader Thomas - Gustav and Henri Volume 1Listen and subscribe to THE POP TEST on Radio National or as a PodcastYou can support the pod by chipping in to our patreon here (thank you!)Join the other TITTT scholars on the TITTT discord server hereGet Magma here: https://sospresents.com/programs/magmaHey, why not listen to Al's meditation/comedy podcast ShusherDon't forget TITTT Merch is now available on Red Bubble. Head over here and grab yourselves some material objectsYou can find us on twitter at @twointankAndy Matthews: @stupidoldandyAlasdair Tremblay-Birchall: @alasdairtb and instaAnd you can find us on the Facebook right hereReciprocating multithanks to George for producing this episode See acast.com/privacy for privacy and opt-out information.

Wolfgang Amadeus Mozart hat eine der berühmtesten Opern geschrieben. Sie heißt "Die Zauberflöte". Der Vogelfänger Papageno fängt mit seiner Panflöte die Vögel. Doch mit einem Glockenspiel zaubert er sich eine Freundin herbei.

Der berühmteste Museumsdirektor unserer Tage präsentiert Einblicke in die Welt des bis heute berühmtesten Dramatikers. Anhand historischer Objekte erzählt Neil MacGregor fesselnde Theatergeschichte aus der Ära Shakespeares. Folge 6: Zeit des Wandels, Wandel der Zeit: Uhr mit Glockenspiel, Londons Rom Bögen, Die Pest und das Theater Mit freundlicher Genehmigung des C.H. Beck Verlags können wir die Sendung bis 03.05.2023 als kostenlosen Podcast anbieten.

Justin Scheid and James Waterman join Xanthe (Band Batch reunion!) in a discussion about A NEW HOPE minutes 116-120, during which Luke Skywalker blows up the Death Star, the Rebels have an awkwardly formal medal ceremony, and Artoo recovers from being zapped. Discussion Guide: 00:00 - Hello there! 07:19 - Listening to the start of these minutes. 09:52 - Four drum timpani part. 13:24 - Crash course in crash cymbals. 24:00 - Minor Main Theme. 29:45 - Analysis of the musical shift during the "Use the force, Luke" part. 38:02 - What is this bassline? 46:30 - Heroic descending tetrachords + us trying to figure out the beats. 51:00 - Main Theme variations and the (Not) Death of Artoo. 1:02:20 - Hard mallets vs. soft mallets on timpani. 1:05:25 - The visual interface of the war room screen. 1:10:25 - Main Theme where "all the harmonies are wrong" 1:17:10 - Death Star go boom! End of the Disney ride. Happy glockenspiel. 1:19:03 - Difference between glockenspiel, xylophone, vibraphone, marimba. 1:29:27 - Feeling stressed about Artoo getting zapped in the Battle of Yavin. 1:35:25 - The Throne Room AKA Star Wars Pomp and Circumstance. 1:43:09 - Why is the medal ceremony so formal? 1:51:15 - Is the music during the medal ceremony diegetic? A debate. 2:00:09 - B section of the Main Theme that barely gets any love. 2:05:40 - SWMM Questionnaire Things Mentioned: "Symphonie Fantastique" by Hector Berlioz - https://youtu.be/5HgqPpjIH5c "Entrance of the Gladiators" by Julius Fucik - https://youtu.be/_B0CyOAO8y0 Medal ceremony/"Trumph of the Will" comparison: https://imgur.com/gallery/JDWlR3Z Carol of the Bells - violin, synth, electronics! - Chrysanthe Tan and Justin Scheid - https://youtu.be/k1rDgM1FN8A SWMM: TLJ 3: Falling Jedi Steps (Minutes 11-15 with James Waterman) - https://youtu.be/1nQ2EzZih8A SWMM: TLJ 20: Palpatine's Musical Legacy (Minutes 96-100 with Justin Scheid) - https://youtu.be/AeSB3oNtbo8 Themes: 18) Descending Heroic Tetrachords 17) Heroic Determination 3) Martial Chords 3. Force 1b. Main Theme (B Section) 9. Throne Room Note: I use the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. You can download it free at his website: https://franklehman.com/starwars/. Where are we in the soundtrack? "The Battle Of Yavin (Launch From The Fourth Moon/X-Wings Draw Fire/Use The Force") "The Throne Room/End Title" STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Justin: pew pew pew James: The Band Batch 2. What's something related to Star Wars music or sound that you want to learn more about? James: The idea that John Williams composes with pencil and paper. What is his writing process like? James wants to know all the little factoids. Justin: How all the sound effects were made. Justin would love to be a fly on the wall while the sound designers and foley artists are doing their thing. 3. What's a score or soundtrack you're fond of besides anything Star Wars? Justin: The village (composed by James Newton Howard) James: Hereditary (composed by Colin Stetson) ---- THE BAND BATCH = Xanthe, James, and Justin. Join us for music commentary livestreams on YouTube whenever new Star Wars shows come out! Check out our coverage of The Bad Batch season 1: https://youtube.com/playlist?list=PLE4n8ygyS0MI9s-a1nJOMYqpE8G_tlxLW Check out our coverage of Star Wars: Visions season 1: https://youtube.com/playlist?list=PLE4n8ygyS0MJh0BOUIeScYaGSOjPVhxh- Check out our coverage from The Book of Boba Fett: https://youtube.com/playlist?list=PLE4n8ygyS0ML0GLUcTVpaEUlV58BNkljs James Waterman Bandcamp: https://jerichojericho.bandcamp.com/ https://www.youtube.com/jameswaterman https://www.instagram.com/jameswatermanmusic https://www.jameswatermanmusic.com/ https://open.spotify.com/artist/2GI8X12qG1udx4RMKCE7Xa? Justin Scheid https://www.instagram.com/jcscheid/ https://www.soundcloud.com/rain-goat-music https://raingoatmusic.bandcamp.com https://www.youtube.com/channel/UCrlciBsEZTCnF7uK3S1NBXw ------------------ If you enjoyed this episode and want to show extra appreciation, feel free to buy me a coffee and shout out the guests! https://buymeacoffee.com/starwarsmusmin If you want to support the show, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Twitter: https://twitter.com/StarWarsMusMin Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com

This is the seventh in a series entitled "German Culture Alive”, a special "SaskScapes Podcast presents" feature sponsored by the Saskatchewan German Council. Visit the website to learn more about the non-profit organization, its mandate, and outreach.The Glockenspiel at Regina's City Square Plaza is playing again! The Glockenspiel stood in Victoria Park from 1986 to 2010, was removed during constructions, restored, then re-installed in 2020. Join Kevin Power in conversation with his guest Alvin Knoll as they recount the history of this unique landmark; from the original to the refurbished and the passionate people involved over the years.Glockenspiel music provided courtesy of this video https://www.youtube.com/watch?v=UjuEa5N0oKw produced by Gerald Freyer of the SGC===================================================================SaskScapes is a podcast featuring the stories of arts, culture and heritage in Saskatchewan. The series is produced and hosted by Kevin Power.  To sponsor your own episodes contact SaskScapes via Twitter, Facebook or email (saskscapes (at) icloud (dot) com for more information.  Reviews in the iTunes store help boost the ratings so be sure to have your say!Host: Kevin Power www.kevinpower.netSaskScapes theme music ("Slings & Arrows) provided by Jeffery Straker www.jefferystraker.comSaskScapes is also available on all major podcasting apps including Apple Podcasts, Google Play store, Stitcher, Podbean, and more! SaskScapes is part of The Saskatchewan Podcast NetworkFollow SaskScapes on Twitter @saskscapesFollow SaskScapes on Facebook: Facebook.com/saskscapesFollow Kevin Power on Twitter @kevinpowerlive

Warren Zevon, hailed by Bruce Springsteen as “one of the great, great American songwriters”, is like a Greek tragedy, where everything that could happen to him, happened - and it was all his own fault! He was a musician's songwriter, whose simple songs were masterpieces of technique, full of characters, and, often, achingly beautiful love songs.  He had his demons, and was not afraid of baring his soul to his audience, once saying, “I'd prefer you didn't dance; these songs are kind of personal”. You can always count on finding great lyrics, like where he's “so confused / (he) can't tell the salt from the wound” We're Zevon fan-boys. Wherever you start listening to his work, you'll always be rewarded by wonderful songs. Also featured: Zevon, Velvet Underground, Lou Reed, Glockenspiel, Serge Gainsbourg, Isaac Hayes, 1978 Top 40, Bruce Springsteen, Linda Ronstadt & Jackson Browne  Book  “I'll sleep when I'm dead” - Crystal Zevon  ______________________________ Laissez-Moi Tranquille Hot Buttered SoulBlack is Black La Belle Epoque

 Crowded House, Split Enz, Countdown, Gary Numan, Stranglers, The Clash, Duran Duran, Bowie, Ashes to Ashes, Ultravox, Roxy Music.  Welcome to "Mick and the Phatman Talking Music #10", coming to you live from Koletti's Corner Shop in Riverwood, in suburban South-East Sydney, Australia.   Mick's been watching a TV show called “Ashes to Ashes”, set in 1981, with a soundtrack from that era, with The Clash, Duran Duran, Bowie (title track), Ultravox, The Stranglers, late-period Roxy Music and Gary Numan.  The boys talk about how Gary Numan was an agoraphobic recluse who lived in a caravan in his parents' backyard and that “Cars” is not just a song, (“Here in my car / I feel safest of all / I can lock all my doors”), it's a lifestyle for him.  The Phatman's been listening to outtakes showing how The Velvet Underground's "Sunday Morning" might have sounded with different instruments - Glockenspiel,  Ukulele and Guitar   Feature topic: Crowded House  Crowded House arose from the ashes of Split Enz, a NZ band but Australian by adoption, where they were huge.   The Phatman saw "the Enz" at the Bondi Lifesaver (aka "the Wife-Swapper").  Split Enz appeared many times on "Countdown".  Mick recalls one time where the band were pretending to be school pupils, with Tim Finn as a very bizarre Headmaster!  After Split Enz, Neil Finn went to LA, where he put together a band he planned to call "The Mullanes".  However, Capitol, their US label, wanted a “better” name.  They were all living together in one house rehearsing, so, voila! “Crowded House”.  After a slow start, they became huge in America.  They were great TV - good looking guys, with no tattoos, long hair or drug convictions - who were pleasant, fun and funny, the same qualities that the Beatles brought over 30 years before.  Crowded House are commonly compared to The Beatles, for their types of song & approach to their audience (and the media).  Mick's encounters with Crowded House included a group trip to Bali, where someone had a cassette of “Don't dream it's Over” that got flogged for over 7 days .  On his first trip away with his girlfriend, now wife, they went to Coffs Harbour (east coast Australia).  With no music for the car, they went to a record shop & bought a cassette (!!?) of Woodface, which they played non-stop for 4 days. The boys saw Crowded House when they were one of the few bands ever to play the forecourt of the Sydney Opera House. Crowded House left a strong body of work. Their first album, Crowded House contained the perfect single, "Don't Dream It's Over".  The second album, Temple of Low Men, was a solid album from start to finish, with good pop songs and some really sensitive love songs (that's why women love it !).  Also nice drumming from Paul Hester! Woodface was full of lovely songs like "It's Only Natural", but it was brave of the band to include the song "Chocolate Cake", which lampooned the USA.  Americans are so thin skinned; they would have been horrified at how their little darlings had turned on them with lyrics like, "The excess of fat on your American bones / will cushion the impact as you sink like a stone”. Ashes to Ashes Playlist https://open.spotify.com/playlist/55HqiQ9VlIfKVJX4oEhHYn?si=9b4310d5d0a24d04  Kevin Bloody Wilson https://open.spotify.com/album/5orAfKmNqVCKLWdBVomveP?si=e99383a2d86d48da 

Fremde Federn. Aufnahmen aus über 20 Jahren. Das Cover- Design und die Sache mit den Gewürzdosen. Der nautische Wiener. Der Film NVA. Glockenspiel und Mundharmonika. Der Stein von Rosetta. Eine Genehmigung von Bob. Spooky, Weilerswist und fiebrige Drums. Udo L. und sein 25jähriges Bühnenjubiläum. Ein Mann verrechnet sich. Der Riesensaal vom SFB. Bongos auf der Espressomaschine. Thirsty Moon, wie lange habe ich das denn nicht mehr gehört. Onkel Pö. Blaumeisen und Tödliche Doris. Das Wunder Dorau. Sterilisation und I Started A Joke. Die Bee Gees und der Karaoke-Keller. Das Bongo-Stück als Rarität. Der Gemüsegarten und das Mastering. Alexandra und die Dekonstruktion von Schlager. Mit Can kommt die Freiheit. Der Grid, der Click und der Autotuner. Die Beatles haben immer recht und wollen auch gesungen sein.