Podcasts about new millennium

Marcie R. Rendon, citizen of the White Earth Nation, is the best-selling author of Where They Last Saw Her, and acclaimed author of the Cash Blackbear crime series, the most recent is Broken Fields.Rendon's poetry, Anishinaabe Songs for the New Millennium, was released in 2024; and Stitches of Tradition, a picture book, Oct 2024.Mni Giizhik Theater is producing Rendon's scripts Say Their Names and Sweet Revenge in 2025 and 2026. Out of Hand Theater, Atlanta, GA is producing Say Their Names in November 2025.Rendon was the 2020 MN McKnight Artist of the Year, she was named a 50 over 50 Change-maker by MN AARP and POLLEN in 2018, and was listed in Oprah's 2020 list of 31 Native American Authors to read. Website: https://www.marcierendon.com/Facebook Page: https://www.facebook.com/MarcieRendonMN/*****************About SinCSisters in Crime (SinC) was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgFacebook: https://www.facebook.com/sincworldwideInstagram: https://www.instagram.com/sincworldwide/Threads: https://www.threads.com/@sincworldwideBluesky: https://bsky.app/profile/sincworldwide.bsky.socialTikTok: https://www.tiktok.com/@sincworldwideeTikTok:: https://www.tiktok.com/@sincnationalLinkedIn: https://www.linkedin.com/company/sisters-in-crime/The SinC Writers' Podcast is produced by Julian Crocamo https://www.juliancrocamo.com/

Konstantin Efimov was born in 1958 in St. Petersburg, Russia, the elder (by 10 years) of two sons born to Igor Efimov, well-established movie actor, and his wife, Irina, whom he met while attending Moscow's prestigious Maly Theater School.  Irina performed on stage until a few days before Kostia's birth.  "That must be why I enjoy being on stage so much," says Kostia, who goes by his childhood nickname.  His parents chose to live in St. Petersburg to be close to Igor's elderly mother.  In 1961, they signed a five-year contract with the Theater Group of the Soviet Army Force, performing in East Berlin.  KGB regulations, however, did not allow them to bring Kostia, then age 2-½ with them.  He stayed, as an "insurance policy," with his grandmother, Valya, living in a communal apartment that housed nine families (33 people) in 11 rooms, all sharing the same hallway, kitchen and bathroom.  "The bathtub was always filled with laundry," Kostia recalls.  "We took our baths twice a week in the community bathhouse."  As a child, Kostia displayed a tremendous interest in music, spending much time in front of the radio in his grandmother's tiny room.  At age 4, a present was delivered to him from his parents -- a 1937 Wolkenhauer upright piano, upon which he soon learned to play hundreds of Russian folk songs.  "It became the center of life in our home," Kostia remembers.  "Even my pet rooster, Peter, used the lid as his favorite perch, and he would sit there and listen while I played."  Kostia's parents returned from East Germany in July of 1965, when he was 7.  His grandmother died of a stroke the following month.  The same year, Kostia was accepted into a special music preparatory school of the Rimsky-Korsakov Conservatory.  For the next 11 years, each day involved four to six hours of piano practice.  At the school he met his first great influence, teacher Tamara Karetkina.  "I was her first student," Kostia recalls.  "She was a tremendous pianist and a beautiful woman, very much resembling Jacqueline Bisset.”  Because of his talent, Kostia and other elite prodigies were forbidden to play sports, for fear of hand injuries.  At 14, Kostia, who loved basketball, broke a finger in his right hand during a clandestine pick-up game.  "I was so frightened," Kostia says. "The thought of not being able to play again was so horrifying!  It was worse than death for me.  I didn't tell my mother that I did it playing basketball; I told her I fell down carrying my briefcase."  While his right hand healed, Kostia passed the time mastering pieces written by Ravel and Scriabin for left hand.  Ravel's piece was composed in honor of a pianist who lost his right hand during World War I.  At 18, Kostia entered the famed St. Petersburg Conservatory.  Here he met and studied under Vladimir Nielsen, one of the last great masters of Russian Romanticism.  He completed his Conservatory studies in 1982 with advanced graduate degrees in four disciplines:  concert (solo) pianist, pianist for chamber ensemble, accompanist, and piano teacher.  Following graduation, Kostia performed throughout Russia, Eastern Europe and Scandinavia as a soloist, with orchestras, with ethnic ensembles and his own jazz-fusion group.  Typically, Conservatory graduates move into teaching.  "I decided to go another way.  I was already involved with jazz and pop performances, and I was pretty well known as an arranger, so I wanted to explore new music.  Friends introduced me to Oscar Peterson, and modern jazz and progressive rock bands like Genesis, Yes and King Crimson.  It was very different, extremely energetic, and absolutely spontaneous, like myself.  I am definitely a free spirit, and playing this music allowed me a certain level of freedom that I wasn't able to explore in classical music."  Kostia received a proposal from the St. Petersburg Cultural Center to start, essentially, an experimental music group.  "This was 1982," he says, "and things were warming up a little bit."  Kostia called the group “ARS” -- Latin for "art.”  While working with ARS, Kostia started composing and arranging music for movies, documentaries and theatrical productions.  He freelanced as an arranger, working on a number of soundtracks for the various stage productions.  His skills as a performer led him to work with some of the well-established Russian composers (i.e., Alfred Schnitke, Vladislav Uspensky, Vladislav Panchenko), and a number of Soviet pop stars, including Marina Kapuro and Aleksander Rosenbaum, among others.  During a visit to the United States in 1989 with the Soviet-American Cultural Exchange project "Clay Stomp," Kostia had an opportunity to perform for his first American audience at the Milwaukee Art Museum, where he shared the stage with Narada artist David Lanz.  That day changed Kostia's life forever.  The next morning he received a call from Narada records offering him a recording contract.  From 1989 until 1997, Kostia worked extensively on various Narada projects as a performer, arranger and producer, including David Arkenstone's Grammy-nominated In the Wake of the Wind, and Narada's most celebrated recording, Nutcracker.  Kostia's music appeared on more than a dozen of Narada's collections and compilation albums.  In 1992, Kostia and David Arkenstone collaborated on the first album ever endorsed by the United States Olympic Committee, Spirit of Olympia.  In 1994, Narada released Kostia's first piano solo album Suite St. Petersburg, which he describes as "a piano portrait of my beloved city."  1996 brought another critically acclaimed piano album, Ten Pebbles, where Kostia revisits some of his most cherished memories.  Both albums won him respect and recognition of his fellow musicians and the love of fans around the world.  Beginning in 1997, Kostia started a series of recordings with North Sound Music Group dedicated to piano idols of pop music.  That year, he released Kostia's Interpretations of Billy Joel followed by Kostia's Interpretations of Elton John in 1998.  The success of these projects led to a number of tribute recordings completed with world renowned instrumentalists such as Daryl Stuermer, guitarist from Genesis and Phil Collins Band; Paul McCandless, Windham Hill artist and reed and saxophone player from the band Oregon; and Windham Hill guitarist, Alex De Grassi.  In 1999, Kostia composed the soundtrack for the motion picture Czar of Make Believe from Italian director Daniel Alegi, which won an award for Best Short Film at the Rhode Island International Film Festival. In 2001, Kostia released Piano Ocean, an album of original music recorded in collaboration with ex-Narada star Spencer Brewer.  At the same time, he composed the soundtracks for a motion picture, The Play in the Modern Style, and a short film of Alex Boguslavsky entitled Blue Lamp.  New Millennium also brought several other exciting projects to Kostia as well – a collaboration between LEGO and George Lucas Film, celebrated short animated film “Star Wars: “Revenge of the Brick.”; new Alex Boguslavsky's film “My Little Philosopher”; a pilot for an independent motion picture “Slow Poison.”; a collaboration with legendary band Sweetbottom (original Indi fusion group) – “Sweetbottom Live”; several new albums with old band mate, Daryl Stuermer – “GO!”, “Rewired”, “Retrofit”; debut album of Carmen Nickerson “Tomorrow Is Another Day” etc. One of Kostia's compositions made it to the world renown TV series “Sex and the City.”  In addition to collaborations with well-established music groups and individual artists, Kostia has had his music performed by the Milwaukee Symphony Orchestra, Utah Symphony Orchestra, the internationally famed Veronica String Quartet, and Present Music cellist, Paul Gemainder, to name a few.  Currently, Kostia is at work composing music for his next CD, performing solo piano concerts around the country, and recording and performing with the Daryl Stuermer Band.  Future plans?  "I am thinking about something I always wanted to do – a series of pieces for chorus, poem for string quartet, and six pictures for piano and orchestra," says Kostia.  His journey continues.  "Musical Columbus," as he is often called by journalists, is again on the way to discovering new worlds for himself and his fans. Kostia plays regularly at Fox River Congregational Church where he is a composer in residence.  

We celebrate the sounds of electroclash with Jonny Slut and Mark Wood, compilers of a new compilation, ‘When The 2000s Clashed: Machine Music For A New Millennium’, celebrating the genre and its influence on music today. See omnystudio.com/listener for privacy information.

Director of the Office of Paranormal Investigations - and author of A PARANORMAL CASEBOOK: Ghost Hunting in the New Millennium, which hit the bookshelves October 1, 2005 His 2004 releases were GHOST HUNTING: How to Investigate the Paranormal and HAUNTINGS & POLTERGEISTS: A Ghost Hunter's Guide (Ronin Publishing). His first book, ESP, HAUNTINGS AND POLTERGEISTS (1986, Warner Books) was named the "Sacred Text"` on ghosts by NEWSWEEK (in August, 1996). PSYCHIC DREAMING (1991, Warner Books; 1999 Barnes & Noble Books), deals with the current understanding of dreams in general and psychic dreams in particular. His third book, REINCARNATION, CHANNELING AND POSSESSION, was published by Warner Books in April, 1993. MIND OVER MATTER (Kensington Books, 1996) focused on the limits human beings set for themselves and on psychokinesis. Auerbach has recounted some of his more interesting paranormal investigations on a two audio-CD set called GHOST STORIES (Michael Scott Studios, 2001). In addition, he has a video lecture ("Exploring the Real-Life X-FILES: GHOSTS) and video seminar (with psychic Annette Martin). available. The seminar, GHOST HUNTING IN THE NEW MILLENNIUM, is a 5-plus hour video seminar that also offers a test of one's knowledge in order to become a part of the Office of Paranormal's referral network. In 1999, he released the first videotape on "The Haunting of the USS Hornet" (a haunted WWII era aircraft carrier in Alameda , CA ). He was a Consulting Editor & columnist for FATE Magazine, a 50+ year old national publication dealing with the "unexplained," from the beginning of 1991 to the end of 2004. He was President of the Psychic Entertainers Association (PEA) from 2001 - 2005. The PEA is an international organization of psychic entertainers (performers of including mentalism, bizarre magick, hypnotism, cold reading, and allied arts). He is immediate past President of the California Society for Psychical Study (repeating a run from 1988-92), and was 1989 President of Assembly 112 of the Society of American Magicians, making him the first parapsychologist to have actively served as an officer of both a psychical research group and a magicians' organization. He has been one of the very few parapsychologists active in both psychical research and mentalists and magicians' organizations -- -- he's also served as Chairman of the San Francisco Bay Area magician/mentalist group Club 53. - www.mindreader.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media

This week, a special extended interview from a past segment. CJ Younger interviews writer Marcie R. Rendon about her 2024 released poetry book, Anishinaabe Songs for a New Millennium.-----Producer: CJ YoungerEditing: Britt Aamodt, Victor PalominoAnchor: Marie Rock Mixing & mastering: Emily KrumbergerPhoto credit: Marcie RendonFor the latest episode drops and updates, follow us on social media. instagram.com/ampersradio/instagram.com/mnnativenews/ Never miss a beat. Sign up for our email list to receive news, updates and content releases from AMPERS. ampers.org/about-ampers/staytuned/ This show is made possible by community support. Due to cuts in federal funding, the community radio you love is at risk. Your support is needed now more than ever. Donate now to power the community programs you love: ampers.org/fund

What does it take to keep your voice—and your purpose—strong through every season of life? In this episode of Unstoppable Mindset, I sit down with my friend Bill Ratner, one of Hollywood's most recognized voice actors, best known as Flint from GI Joe. Bill's voice has carried him through radio, animation, and narration, but what stands out most is how he's used that same voice to serve others through storytelling, teaching, and grief counseling. Together, we explore the heart behind his work—from bringing animated heroes to life to standing on The Moth stage and helping people find healing through poetry. Bill shares lessons from his own journey, including losing both parents early, finding family in unexpected places, and discovering how creative expression can rebuild what life breaks down. We also reflect on 9/11, preparedness, and the quiet confidence that comes from trusting your training—whether you're a first responder, a performer, or just navigating the unknown. This conversation isn't just about performance; it's about presence. It's about using your story, your craft, and your compassion to keep moving forward—unstoppable, one voice at a time. Highlights: 00:31 – Hear the Flint voice and what it takes to bring animated characters to life. 06:57 – Learn why an uneven college path still led to a lifelong acting career. 11:50 – Understand how GI Joe became a team and a toy phenomenon that shaped culture. 15:58 – See how comics and cartoons boosted classroom literacy when used well. 17:06 – Pick up simple ways parents can spark reading through shared stories. 19:29 – Discover how early, honest conversations about death can model resilience. 24:09 – Learn to critique ads and media like a pro to sharpen your own performance. 36:19 – Follow the pivot from radio to voiceover and why specialization pays. 47:48 – Hear practical editing approaches and accessible tools that keep shows tight. 49:38 – Learn how The Moth builds storytelling chops through timed, judged practice. 55:21 – See how poetry—and poetry therapy—support grief work with students. 59:39 – Take notes on memoir writing, emotional management, and one-person shows. About the Guest: Bill Ratner is one of America's best known voice actors and author of poetry collections Lamenting While Doing Laps in the Lake (Slow Lightning Lit 2024,) Fear of Fish (Alien Buddha Press 2021,) To Decorate a Casket (Finishing Line Press 2021,) and the non-fiction book Parenting For The Digital Age: The Truth Behind Media's Effect On Children and What To Do About It (Familius Books 2014.) He is a 9-time winner of the Moth StorySLAM, 2-time winner of Best of The Hollywood Fringe Extension Award for Solo Performance, Best of the Net Poetry Nominee 2023 (Lascaux Review,) and New Millennium "America One Year From Now" Writing Award Finalist. His writing appears in Best Small Fictions 2021 (Sonder Press,) Missouri Review (audio,) Baltimore Review, Chiron Review, Feminine Collective, and other journals. He is the voice of "Flint" in the TV cartoon G.I. Joe, "Donnell Udina" in the computer game Mass Effect, the voice of Air Disasters on Smithsonian Channel, NewsNation, and network TV affiliates across the country. He is a committee chair for his union, SAG-AFTRA, teaches Voiceovers for SAG-AFTRA Foundation, Media Awareness for Los Angeles Unified School District, and is a trained grief counsellor. Member: Actors Equity Association, Screen Actors Guild-AFTRA, National Storytelling Network • https://billratner.com • @billratner Ways to connect with Bill: https://soundcloud.com/bill-ratner https://www.instagram.com/billratner/ https://twitter.com/billratner https://www.threads.net/@billratner https://billratner.tumblr.com https://www.youtube.com/@billratner/videos https://www.facebook.com/billratner.voiceover.author https://bsky.app/profile/bilorat.bsky.social About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well on a gracious hello to you, wherever you may be, I am your host. Mike hingson, and you are listening to unstoppable mindset. Today, we get to have a voice actor, person, Bill Ratner, who you want to know who Bill Radnor is, go back and watch the old GI Joe cartoons and listen to the voice of Flint.   Bill Ratner ** 01:42 All right. Lady Jay, you better get your battle gear on, because Cobra is on their way. And I can't bring up the Lacher threat weapon system. We got to get out of here. Yo, Joe,   Michael Hingson ** 01:52 there you go. I rest my case Well, Bill, welcome to unstoppable mindset.   Bill Ratner ** 02:00 We can't rest now. Michael, we've just begun. No, we've just begun.   Michael Hingson ** 02:04 We got to keep going here. Well, I'm really glad that you're here. Bill is another person who we inveigled to get on unstoppable mindset with the help of Walden Hughes. And so that means we can talk about Walden all we want today. Bill just saying, oh goodness. And I got a lot to say. Let me tell you perfect, perfect. Bring it on. So we are really grateful to Walden, although I hope he's not listening. We don't want to give him a big head. But no, seriously, we're really grateful. Ah, good point.   Bill Ratner ** 02:38 But his posture, oddly enough, is perfect.   Michael Hingson ** 02:40 Well, there you go. What do you do? He practiced. Well, anyway, we're glad you're here. Tell us about the early bill, growing up and all that stuff. It's always fun to start a good beginning.   Bill Ratner ** 02:54 Well, I was a very lucky little boy. I was born in Des Moines, Iowa in 1947 to two lovely people, professionals, both with master's degree out at University of Chicago. My mother was a social worker. My father had an MBA in business. He was managing editor of Better Homes and Gardens magazine. So I had the joy of living in a better home and living in a garden.   Michael Hingson ** 03:21 My mother. How long were you in Des Moines?   Bill Ratner ** 03:24 Five and a half years left before my sixth birthday. My dad got a fancy job at an ad agency in Minneapolis, and had a big brother named Pete and big handsome, curly haired boy with green eyes. And moved to Minneapolis, Minnesota, and was was brought up there.   Michael Hingson ** 03:45 Wow. So you went to school there and and chased the girls and all that stuff.   Bill Ratner ** 03:54 I went to school there at Blake School for Boys in Hopkins, Minnesota. Couldn't chase the girls day school, but the girls we are allowed to dance with certainly not chase. Michael was at woodhue dancing school, the Northrop girls from Northrop girls school and the Blake boys were put together in eighth grade and taught the Cha Cha Cha, the waltz, the Charleston, and we danced together, and the girls wore white gloves, and we sniffed their perfume, and we all learned how to be lovers when we were 45   Michael Hingson ** 04:37 There you are. Well, as long as you learned at some point, that's a good start.   Bill Ratner ** 04:44 It's a weird generation. Michael,   Michael Hingson ** 04:46 I've been to Des Moines before. I was born in Chicago, but moved out to California when I was five, but I did some work with the National Federation of the Blind in the mid 19. 1970s 1976 into 1978 so spent time at the Iowa Commission for the Blind in Des Moines, which became a top agency for the Blind in well, the late 50s into the to the 60s and so on. So   Bill Ratner ** 05:15 both my parents are from Chicago. My father from the south side of Chicago, 44th and Kenzie, which was a Irish, Polish, Italian, Jewish, Ukrainian neighborhood. And my mother from Glencoe, which was a middle class suburb above Northwestern University in Evanston.   Michael Hingson ** 05:34 I Where were you born? 57th and union, north, south side, no, South   Bill Ratner ** 05:42 57th union is that? Is that west of Kenzie?   Michael Hingson ** 05:46 You know, I don't remember the geography well enough to know, but I know that it was, I think, Mount Sinai Hospital where I was born. But it was, it's, it's, it's a pretty tough neighborhood today. So I understand,   Bill Ratner ** 06:00 yeah, yeah, my it was tough, then it's tough now,   Michael Hingson ** 06:03 yeah, I think it's tougher, supposedly, than it was. But we lived there for five years, and then we we moved to California, and I remember some things about Chicago. I remember walking down to the local candy store most days, and had no problem doing that. My parents were told they should shut me away at a home somewhere, because no blind child could ever grow up to amount to anything. And my parents said, You guys are you're totally wrong. And they brought me up with that attitude. So, you   Bill Ratner ** 06:32 know who said that the school says school so that   Michael Hingson ** 06:35 doctors doctors when they discovered I was blind with the   Bill Ratner ** 06:38 kid, goodness gracious, horrified.   Michael Hingson ** 06:44 Well, my parents said absolutely not, and they brought me up, and they actually worked with other parents of premature kids who became blind, and when kindergarten started in for us in in the age of four, they actually had a special kindergarten class for blind kids at the Perry School, which is where I went. And so I did that for a year, learn braille and some other things. Then we moved to California, but yeah, and I go back to Chicago every so often. And when I do nowadays, they I one of my favorite places to migrate in Chicago is Garrett Popcorn.   Bill Ratner ** 07:21 Ah, yes, with caramel corn, regular corn, the   Michael Hingson ** 07:25 Chicago blend, which is a mixture, yeah, the Chicago blend is cheese corn, well, as it is with caramel corn, and they put much other mozzarella on it as well. It's really good.   Bill Ratner ** 07:39 Yeah, so we're on the air. Michael, what do you call your what do you call your program? Here I am your new friend, and I can't even announce your program because I don't know   Michael Hingson ** 07:48 the name, unstoppable mindset. This   Bill Ratner ** 07:51 is unstoppable mindset.   Michael Hingson ** 07:56 We're back. Well, we're back already. We're fast. So you, you, you moved off elsewhere, out of Des Moines and all that. And where did you go to college?   Bill Ratner ** 08:09 Well, this is like, why did you this is, this is a bit like talking about the Vietnam War. Looking back on my college career is like looking back on the Vietnam War series, a series of delusions and defeats. By the time I the time i for college, by the time I was applying for college, I was an orphan, orphan, having been born to fabulous parents who died too young of natural causes. So my grades in high school were my mediocre. I couldn't get into the Ivy Leagues. I got into the big 10 schools. My stepmother said, you're going to Michigan State in East Lansing because your cousin Eddie became a successful realtor. And Michigan State was known as mu u it was the most successful, largest agriculture college and university in the country. Kids from South Asia, China, Northern Europe, Southern Europe, South America all over the world came to Michigan State to study agricultural sciences, children of rich farmers all over the world and middle class farmers all over the world, and a huge police science department. Part of the campus was fenced off, and the young cadets, 1819, 20 years old, would practice on the rest of the student body, uniformed with hats and all right, excuse me, young man, we're just going to get some pizza at eight o'clock on Friday night. Stand against your car. Hands in your car. I said, Are you guys practicing again? Shut up and spread your legs. So that was that was Michigan State, and even though both my parents had master's degrees, I just found all the diversions available in the 1960s to be too interesting, and was not invited. Return after my sophomore year, and in order to flunk out of a big 10 University, and they're fine universities, all of them, you have to be either really determined or not so smart, not really capable of doing that level of study in undergraduate school. And I'd like to think that I was determined. I used to show up for my exams with a little blue book, and the only thing I would write is due to lack of knowledge, I am unable to complete this exam, sign Bill ranter and get up early and hand it in and go off. And so what was, what was left for a young man like that was the theater I'd seen the great Zero Mostel when I was 14 years old and on stage live, he looked just like my father, and he was funny, and if I Were a rich man, and that's the grade zero must tell. Yeah, and it took about five, no, it took about six, seven years to percolate inside my bread and my brain. In high school, I didn't want to do theater. The cheerleaders and guys who I had didn't happen to be friends with or doing theater. I took my girlfriends to see plays, but when I was 21 I started acting, and I've been an actor ever since. I'm a committee chair on the screen actors guild in Hollywood and Screen Actors Guild AFTRA, and work as a voice actor and collect my pensions and God bless the union.   Michael Hingson ** 11:44 Well, hey, as long as it works and you're making progress, you know you're still with it, right?   Bill Ratner ** 11:53 That's the that's the point. There's no accounting for taste in my business. Michael, you work for a few different broadcast entities at my age. And it's, you know, it's younger people. It's 18 to 3418 years to 34 years old is the ideal demographic for advertisers, Ford, Motor Company, Dove soap, Betty, Crocker, cake mixes and cereals, every conceivable product that sold online or sold on television and radio. This is my this is my meat, and I don't work for religion. However, if a religious organization calls, I call and say, I I'm not, not qualified or not have my divinity degree in order to sell your church to the public?   Michael Hingson ** 12:46 Yeah, yeah. Well, I, I can understand that. But you, you obviously do a lot, and as we talked about, you were Flint and GI Joe, which is kind of cool.   Bill Ratner ** 13:01 Flynn GI Joe was very cool. Hasbro Corporation, which was based in Providence, Rhode Island, had a huge success with GI Joe, the figure. The figure was about 11 and a half inches tall, like a Barbie, and was at first, was introduced to the public after the Korean War. There is a comic book that was that was also published about GI Joe. He was an individual figure. He was a figure, a sort of mythic cartoon figure during World War Two, GI Joe, generic American soldier, fighting man and but the Vietnam war dragged on for a long time, and the American buying public or buying kids toys got tired of GI Joe, got tired of a military figure in their household and stopped buying. And when Nixon ended the Vietnam War, or allotted to finish in 1974 Hasbro was in the tank. It's got its stock was cheap, and executives are getting nervous. And then came the Great George Lucas in Star Wars, who shrank all these action figures down from 11 and a half inches to three and a half inches, and went to China and had Chinese game and toy makers make Star Wars toys, and began to earn billions and billions dollars. And so Hasbro said, let's turn GI Joe into into a team. And the team began with flint and Lady J and Scarlett and Duke and Destro and cover commander, and grew to 85 different characters, because Hasbro and the toy maker partners could create 85 different sets of toys and action figures. So I was actor in this show and had a good time, and also a purveyor of a billion dollar industry of American toys. And the good news about these toys is I was at a conference where we signed autographs the voice actors, and we have supper with fans and so on. And I was sitting next to a 30 year old kid and his parents. And this kid was so knowledgeable about pop culture and every conceivable children's show and animated show that had ever been on the screen or on television. I turned to his mother and sort of being a wise acre, said, So ma'am, how do you feel about your 30 year old still playing with GI Joe action figures? And she said, Well, he and I both teach English in the Pittsburgh, Pennsylvania school system, and last year, the literacy level of my ninth graders was 50% 50% of those kids could not read in ninth grade. So I asked the principal if I could borrow my son's GI Joe, action figures, comic books and VHS tapes, recordings of the shows from TV. And he said, Sure, whatever you want to try. And so she did, and she played the video tapes, and these kids were thrilled. They'd never seen a GI Joe cartoon in class before. Passed out the comic books, let him read comics. And then she said, Okay, you guys. And passed out notebooks and pens and pencils, and said, I want you guys to make up some some shows, some GI Joe shows. And so they said, Yeah, we're ready. All right, Cobra, you better get into the barber shop, because the barber bill is no longer there and the fire engines are in the way. And wait a minute, there's a dog in the street. And so they're making this up, using their imagination, doing their schoolwork, by coming up with scenarios, imaginary fam fan fiction for GI Joe and she raised the literacy level in her classroom by 50% that year, by the end of that year, so, so that was the only story that I've ever heard about the sort of the efficacy of GI Joe, other than, you know, kids play with them. Do they? Are they shooting each other all the time? I certainly hope not. I hope not. Are they using the action figures? Do they strip their guns off and put them in a little, you know, stub over by the side and and have them do physical battle with each other, or have them hump the woods, or have them climb the stairs, or have them search the trees. Who knows what kids do? Same with same with girls and and Barbies. Barbie has been a source of fun and creativity for lots of girls, and the source of of worry and bother to a lot of parents as   Michael Hingson ** 17:54 well. Well, at the same time, though, when kids start to react and relate to some of these things. It's, it's pretty cool. I mean, look what's happened with the whole Harry Potter movement and craze. Harry Potter has probably done more in the last 20 or 25 years to promote reading for kids than most anything else, and   Bill Ratner ** 18:17 that's because it's such a good series of books. I read them to my daughters, yeah. And the quality of writing. She was a brilliant writer, not only just the stories and the storytelling, which is fun to watch in the movies, and you know, it's great for a parent to read. If there are any parents listening, I don't care how old your kids are. I don't care if they're 15. Offer to read to them. The 15 year old might, of course, say mom, but anybody younger than that might say either, all right, fine, which is, which means you better do it or read, read a book. To me, sure, it's fun for the parent, fun for the kid, and it makes the child a completely different kind of thinker and worker and earner.   Michael Hingson ** 19:05 Well, also the people who they got to read the books for the recordings Stephen Fry and in the US here, Jim Dale did such an incredible job as well. I've, I've read the whole Harry Potter series more than once, because I just enjoy them, and I enjoy listening to the the voices. They do such a good job. Yeah. And of course, for me, one of the interesting stories that I know about Jim Dale reading Harry Potter was since it was published by Scholastic he was actually scheduled to do a reading from one of the Harry from the new Harry Potter book that was coming out in 2001 on September 11, he was going to be at Scholastic reading. And of course, that didn't happen because of of everything that did occur. So I don't know whether I'm. I'm assuming at some point a little bit later, he did, but still he was scheduled to be there and read. But it they are there. They've done so much to help promote reading, and a lot of those kinds of cartoons and so on. Have done some of that, which is, which is pretty good. So it's good to, you know, to see that continue to happen. Well, so you've written several books on poetry and so on, and I know that you you've mentioned more than once grief and loss. How come those words keep coming up?   Bill Ratner ** 20:40 Well, I had an unusual childhood. Again. I mentioned earlier how, what a lucky kid I was. My parents were happy, educated, good people, not abusers. You know, I don't have a I don't have horror stories to tell about my mother or my father, until my mother grew sick with breast cancer and and it took about a year and a half or two years to die when I was seven years old. The good news is, because she was a sensitive, educated social worker, as she was actually dying, she arranged a death counseling session with me and my older brother and the Unitarian minister who was also a death counselor, and whom she was seeing to talk about, you know, what it was like to be dying of breast cancer with two young kids. And at this session, which was sort of surprised me, I was second grade, came home from school. In the living room was my mother and my brother looking a little nervous, and Dr Carl storm from the Unitarian Church, and she said, you know, Dr storm from church, but he's also my therapist. And we talk about my illness and how I feel, and we talk about how much I love you boys, and talk about how I worry about Daddy. And this is what one does when one is in crisis. That was a moment that was not traumatic for me. It's a moment I recalled hundreds of times, and one that has been a guiding light through my life. My mother's death was very difficult for my older brother, who was 13 who grew up in World War Two without without my father, it was just him and my mother when he was off in the Pacific fighting in World War Two. And then I was born after the war. And the loss of a mother in a family is like the bottom dropping out of a family. But luckily, my dad met a woman he worked with a highly placed advertising executive, which was unusual for a female in the 1950s and she became our stepmother a year later, and we had some very lovely, warm family years with her extended family and our extended family and all of us together until my brother got sick, came down with kidney disease a couple of years before kidney dialysis was invented, and a couple of years before kidney transplants were done, died at 19. Had been the captain of the swimming team at our high school, but did a year in college out in California and died on Halloween of 1960 my father was 51 years old. His eldest son had died. He had lost his wife six years earlier. He was working too hard in the advertising industry, successful man and dropped out of a heart attack 14th birthday. Gosh, I found him unconscious on the floor of our master bathroom in our house. So my life changed. I My life has taught me many, many things. It's taught me how the defense system works in trauma. It's taught me the resilience of a child. It's taught me the kindness of strangers. It's taught me the sadness of loss.   Michael Hingson ** 24:09 Well, you, you seem to come through all of it pretty well. Well, thank you. A question behind that, just an observation, but, but you do seem to, you know, obviously, cope with all of it and do pretty well. So you, you've always liked to be involved in acting and so on. How did you actually end up deciding to be a voice actor?   Bill Ratner ** 24:39 Well, my dad, after he was managing editor of Better Homes and Gardens magazine in Des Moines for Meredith publishing, got offered a fancy job as executive vice president of the flower and mix division for Campbell within advertising and later at General Mills Corporation. From Betty Crocker brand, and would bring me to work all the time, and would sit with me, and we'd watch the wonderful old westerns that were on prime time television, rawhide and Gunsmoke and the Virginian and sure   Michael Hingson ** 25:15 and all those. Yeah, during   Bill Ratner ** 25:17 the commercials, my father would make fun of the commercials. Oh, look at that guy. And number one, son, that's lousy acting. Number two, listen to that copy. It's the dumbest ad copy I've ever seen. The jingles and and then he would say, No, that's a good commercial, right there. And he wasn't always negative. He would he was just a good critic of advertising. So at a very young age, starting, you know, when we watch television, I think the first television ever, he bought us when I was five years old, I was around one of the most educated, active, funny, animated television critics I could hope to have in my life as a 56789, 1011, 12 year old. And so when I was 12, I became one of the founding members of the Brotherhood of radio stations with my friends John Waterhouse and John Barstow and Steve gray and Bill Connors in South Minneapolis. I named my five watt night kit am transmitter after my sixth grade teacher, Bob close this is wclo stereo radio. And when I was in sixth grade, I built myself a switch box, and I had a turntable and I had an intercom, and I wired my house for sound, as did all the other boys in the in the B, O, R, S, and that's brotherhood of radio stations. And we were guests on each other's shows, and we were obsessed, and we would go to the shopping malls whenever a local DJ was making an appearance and torture him and ask him dumb questions and listen obsessively to American am radio. And at the time for am radio, not FM like today, or internet on your little radio tuner, all the big old grandma and grandpa radios, the wooden ones, were AM, for amplitude modulated. You could get stations at night, once the sun went down and the later it got, the ionosphere would lift and the am radio signals would bounce higher and farther. And in Minneapolis, at age six and seven, I was able to to listen to stations out of Mexico and Texas and Chicago, and was absolutely fascinated with with what was being put out. And I would, I would switch my brother when I was about eight years old, gave me a transistor radio, which I hid under my bed covers. And at night, would turn on and listen for, who knows, hours at a time, and just tuning the dial and tuning the dial from country to rock and roll to hit parade to news to commercials to to agric agriculture reports to cow crossings in Kansas and grain harvesting and cheese making in Wisconsin, and on and on and on that made up the great medium of radio that was handing its power and its business over to television, just as I was growing As a child. Fast, fascinating transition   Michael Hingson ** 28:18 and well, but as it was transitioning, how did that affect you?   Bill Ratner ** 28:26 It made television the romantic, exciting, dynamic medium. It made radio seem a little limited and antiquated, and although I listened for environment and wasn't able to drag a television set under my covers. Yeah, and television became memorable with with everything from actual world war two battle footage being shown because there wasn't enough programming to 1930s Warner Brothers gangster movies with James Cagney, Edward G   Michael Hingson ** 29:01 Robinson and yeah   Bill Ratner ** 29:02 to all the sitcoms, Leave It to Beaver and television cartoons and on and on and on. And the most memorable elements to me were the personalities, and some of whom were invisible. Five years old, I was watching a Kids program after school, after kindergarten. We'll be back with more funny puppets, marionettes after this message and the first words that came on from an invisible voice of this D baritone voice, this commercial message will be 60 seconds long, Chrysler Dodge for 1954 blah, blah, blah, blah, blah. And I watched hypnotized, hypnotized as a 1953 dodge drove across the screen with a happy family of four waving out the window. And at the end of the commercial, I ran into the kitchen said, Mom, mom, I know what a minute. Is, and it was said, it had suddenly come into my brain in one of those very rare and memorable moments in a person's life where your brain actually speaks to you in its own private language and says, Here is something very new and very true, that 60 seconds is in fact a minute. When someone says, See you in five minutes, they mean five times that, five times as long as that. Chrysler commercial, five times 60. That's 300 seconds. And she said, Did you learn it that that on T in kindergarten? And I said, No, I learned it from kangaroo Bob on TV, his announcer, oh, kangaroo Bob, no, but this guy was invisible. And so at five years of age, I was aware of the existence of the practice of the sound, of the magic of the seemingly unlimited access to facts, figures, products, brand names that these voices had and would say on the air in This sort of majestic, patriarchal way,   Michael Hingson ** 31:21 and just think 20 years later, then you had James Earl Jones,   Bill Ratner ** 31:26 the great dame. James Earl Jones, father was a star on stage at that time the 1950s James Earl Jones came of age in the 60s and became Broadway and off Broadway star.   Michael Hingson ** 31:38 I got to see him in Othello. He was playing Othello. What a powerful performance. It was   Bill Ratner ** 31:43 wonderful performer. Yeah, yeah. I got to see him as Big Daddy in Canada, Hot Tin Roof, ah, live and in person, he got front row seats for me and my family.   Michael Hingson ** 31:53 Yeah, we weren't in the front row, but we saw it. We saw it on on Broadway,   Bill Ratner ** 31:58 the closest I ever got to James Earl Jones. He and I had the same voice over agent, woman named Rita vinari of southern Barth and benare company. And I came into the agency to audition for Doritos, and I hear this magnificent voice coming from behind a closed voiceover booth, saying, with a with a Spanish accent, Doritos. I thought that's James Earl Jones. Why is he saying burritos? And he came out, and he bowed to me, nodded and smiled, and I said, hello and and the agent probably in the booth and shut the door. And she said, I said, that was James Earl Jones. What a voice. What she said, Oh, he's such a nice man. And she said, but I couldn't. I was too embarrassed. I was too afraid to stop him from saying, Doritos. And it turns out he didn't get the gig. So it is some other voice actor got it because he didn't say, had he said Doritos with the agent froze it froze up. That was as close as I ever got to did you get the gig? Oh goodness no,   Michael Hingson ** 33:01 no, you didn't, huh? Oh, well, well, yeah. I mean, it was a very, it was, it was wonderful. It was James Earl Jones and Christopher Plummer played Iago. Oh, goodness, oh, I know. What a what a combination. Well, so you, you did a lot of voiceover stuff. What did you do regarding radio moving forward? Or did you just go completely out of that and you were in TV? Or did you have any opportunity   Bill Ratner ** 33:33 for me to go back at age 15, my brother and father, who were big supporters of my radio. My dad would read my W, C, l, o, newsletter and need an initial, an excellent journalism son and my brother would bring his teenage friends up. He'd play the elderly brothers, man, you got an Elvis record, and I did. And you know, they were, they were big supporters for me as a 13 year old, but when I turned 14, and had lost my brother and my father, I lost my enthusiasm and put all of my radio equipment in a box intended to play with it later. Never, ever, ever did again. And when I was about 30 years old and I'd done years of acting in the theater, having a great time doing fun plays and small theaters in Minneapolis and South Dakota and and Oakland, California and San Francisco. I needed money, so I looked in the want ads and saw a job for telephone sales, and I thought, Well, I used to love the telephone. I used to make phony phone calls to people all the time. Used to call funeral homes. Hi Carson, funeral I help you. Yes, I'm calling to tell you that you have a you have a dark green slate tile. Roof, isn't that correct? Yes. Well, there's, there's a corpse on your roof. Lady for goodness sake, bring it down and we laugh and we record it and and so I thought, Well, gee, I used to have a lot of fun with the phone. And so I called the number of telephone sales and got hired to sell magazine subscriptions and dinner tickets to Union dinners and all kinds of things. And then I saw a new job at a radio station, suburban radio station out in Walnut Creek, California, a lovely Metro BART train ride. And so I got on the BART train, rode out there and walked in for the interview, and was told I was going to be selling small advertising packages on radio for the station on the phone. And so I called barber shops and beauty shops and gas stations in the area, and one guy picked up the phone and said, Wait a minute, wait a minute. Wait a minute. Are you on the radio right now? And I said, No, I'm just I'm in the sales room. Well, maybe you should be. And he slams the phone on me. He didn't want to talk to me anymore. It wasn't interested in buying advertising. I thought, gee. And I told somebody at the station, and they said, Well, you want to be in the radio? And he went, Yeah, I was on the radio when I was 13. And it just so happened that an older fellow was retiring from the 10am to 2pm slot. K I S King, kiss 99 and KD FM, Pittsburgh, California. And it was a beautiful music station. It was a music station. Remember, old enough will remember music that used to play in elevators that was like violin music, the Percy faith orchestra playing a Rolling Stone song here in the elevator. Yes, well, that's exactly what we played. And it would have been harder to get a job at the local rock stations because, you know, they were popular places. And so I applied for the job, and   Michael Hingson ** 37:06 could have lost your voice a lot sooner, and it would have been a lot harder if you had had to do Wolfman Jack. But that's another story.   Bill Ratner ** 37:13 Yeah, I used to listen to Wolf Man Jack. I worked in a studio in Hollywood. He became a studio. Yeah, big time.   Michael Hingson ** 37:22 Anyway, so you you got to work at the muzack station, got   Bill Ratner ** 37:27 to work at the muzack station, and I was moving to Los Angeles to go to a bigger market, to attempt to penetrate a bigger broadcast market. And one of the sales guys, a very nice guy named Ralph pizzella said, Well, when you get to La you should study with a friend of mine down to pie Troy, he teaches voiceovers. I said, What are voice overs? He said, You know that CVS Pharmacy commercial just carted up and did 75 tags, available in San Fernando, available in San Clemente, available in Los Angeles, available in Pasadena. And I said, Yeah. He said, Well, you didn't get paid any extra. You got paid your $165 a week. The guy who did that commercial for the ad agency got paid probably 300 bucks, plus extra for the tags, that's voiceovers. And I thought, why? There's an idea, what a concept. So he gave me the name and number of old friend acquaintance of his who he'd known in radio, named Don DiPietro, alias Johnny rabbit, who worked for the Dick Clark organization, had a big rock and roll station there. He'd come to LA was doing voiceovers and teaching voiceover classes in a little second story storefront out of the San Fernando Valley in Los Angeles. So I signed up for his class, and he was an experienced guy, and he liked me, and we all had fun, and I realized I was beginning to study like an actor at 1818, who goes to New York or goes to Los Angeles or Chicago or Atlanta or St Louis to act in the big theaters, and starts acting classes and realizes, oh my goodness, these people are truly professionals. I don't know how to do what they do. And so for six years, I took voice over classes, probably 4050, nights a year, and from disc jockeys, from ex show hosts, from actors, from animated cartoon voices, and put enough time in to get a degree in neurology in medical school. And worked my way up in radio in Los Angeles and had a morning show, a lovely show with a wonderful news man named Phil Reed, and we talked about things and reviewed movies and and played a lot of music. And then I realized, wait a minute, I'm earning three times the money in voiceovers as I am on the radio, and I have to get up at 430 in the morning to be on the radio. Uh, and a wonderful guy who was Johnny Carson's staff announcer named Jack angel said, You're not still on radio, are you? And I said, Well, yeah, I'm working in the morning. And Ka big, get out of there. Man, quit. Quit. And I thought, well, how can I quit? I've always wanted to be a radio announcer. And then there was another wonderful guy on the old am station, kmpc, sweet Dick Whittington. Whittington, right? And he said at a seminar that I went to at a union voice over training class, when you wake up at four in the morning and you swing your legs over the bed and your shoes hit the floor, and you put your head in your hands, and you say to yourself, I don't want to do this anymore. That's when you quit radio. Well, that hadn't happened to me. I was just getting up early to write some comedy segments and on and on and on, and then I was driving around town all day doing auditions and rented an ex girlfriend's second bedroom so that I could nap by myself during the day, when I had an hour in and I would as I would fall asleep, I'd picture myself every single day I'm in a dark voiceover studio, a microphone Is before me, a music stand is before the microphone, and on it is a piece of paper with advertising copy on it. On the other side of the large piece of glass of the recording booth are three individuals, my employers, I begin to read, and somehow the text leaps off the page, streams into my eyes, letter for letter, word for word, into a part of my back brain that I don't understand and can't describe. It is processed in my semi conscious mind with the help of voice over training and hope and faith, and comes out my mouth, goes into the microphone, is recorded in the digital recorder, and those three men, like little monkeys, lean forward and say, Wow, how do you do that? That was my daily creative visualization. Michael, that was my daily fantasy. And I had learned that from from Dale Carnegie, and I had learned that from Olympic athletes on NBC TV in the 60s and 70s, when the announcer would say, this young man you're seeing practicing his high jump is actually standing there. He's standing stationary, and the bouncing of the head is he's actually rehearsing in his mind running and running and leaping over the seven feet two inch bar and falling into the sawdust. And now he's doing it again, and you could just barely see the man nodding his head on camera at the exact rhythm that he would be running the 25 yards toward the high bar and leaping, and he raised his head up during the imaginary lead that he was visualizing, and then he actually jumped the seven foot two inches. That's how I learned about creative visualization from NBC sports on TV.   Michael Hingson ** 43:23 Channel Four in Los Angeles. There you go. Well, so you you broke into voice over, and that's what you did.   Bill Ratner ** 43:38 That's what I did, darn it, I ain't stopping now, there's a wonderful old actor named Bill Irwin. There two Bill Irwin's one is a younger actor in his 50s or 60s, a brilliant actor from Broadway to film and TV. There's an older William Irwin. They also named Bill Irwin, who's probably in his 90s now. And I went to a premiere of a film, and he was always showing up in these films as The senile stock broker who answers the phone upside down, or the senile board member who always asks inappropriate questions. And I went up to him and I said, you know, I see you in everything, man. I'm 85 years old. Some friends and associates of mine tell me I should slow down. I only got cast in movies and TV when I was 65 I ain't slowing down. If I tried to slow down at 85 I'd have to stop That's my philosophy. My hero is the great Don Pardo, the late great   Michael Hingson ** 44:42 for Saturday Night Live and Jeopardy   Bill Ratner ** 44:45 lives starring Bill Murray, Gilder Radner, and   Michael Hingson ** 44:49 he died for Jeopardy before that,   Bill Ratner ** 44:52 yeah, died at 92 with I picture him, whether it probably not, with a microphone and. His hand in his in his soundproof booth, in his in his garage, and I believe he lived in Arizona, although the show was aired and taped in New York, New York, right where he worked for for decades as a successful announcer. So that's the story.   Michael Hingson ** 45:16 Michael. Well, you know, I miss, very frankly, some of the the the days of radio back in the 60s and 70s and so on. We had, in LA what you mentioned, Dick Whittington, Dick whittinghill on kmpc, Gary Owens, you know, so many people who were such wonderful announcers and doing some wonderful things, and radio just isn't the same anymore. It's gone. It's   Bill Ratner ** 45:47 gone to Tiktok and YouTube. And the truth is, I'm not gonna whine about Tiktok or YouTube, because some of the most creative moments on camera are being done on Tiktok and YouTube by young quote influencers who hire themselves out to advertisers, everything from lipstick. You know,   Speaker 1 ** 46:09 when I went to a party last night was just wild and but this makeup look, watch me apply this lip remover and blah, blah, blah, blah, blah, no, I have no lip.   Bill Ratner ** 46:20 You know, these are the people with the voices. These are the new voices. And then, of course, the faces. And so I would really advise before, before people who, in fact, use the internet. If you use the internet, you can't complain if you use the internet, if you go to Facebook or Instagram, or you get collect your email or Google, this or that, which most of us do, it's handy. You can't complain about tick tock, tick tock, tick tock. You can't complain about tick tock or YouTube, because it's what the younger generation is using, and it's what the younger generation advertisers and advertising executives and creators and musicians and actors are using to parade before us, as Gary Owens did, as Marlon Brando did, as Sarah Bernhardt did in the 19 so as all as you do, Michael, you're a parader. You're the head of the parade. You've been in on your own float for years. I read your your bio. I don't even know why you want to waste a minute talking to me for goodness sakes.   Michael Hingson ** 47:26 You know, the one thing about podcasts that I like over radio, and I did radio at kuci for seven years when I was in school, what I really like about podcasts is they're not and this is also would be true for Tiktok and YouTube. Primarily Tiktok, I would would say it isn't as structured. So if we don't finish in 60 minutes, and we finish in 61 minutes, no one's gonna shoot us.   Bill Ratner ** 47:53 Well, I beg to differ with you. Now. I'm gonna start a fight with you. Michael, yeah, we need conflict in this script. Is that it The Tick Tock is very structured. Six. No,   Michael Hingson ** 48:03 no, I understand that. I'm talking about podcasts,   Bill Ratner ** 48:07 though, but there's a problem. We gotta Tone It Up. We gotta pick it up. We gotta there's a lot of and I listen to what are otherwise really bright, wonderful personalities on screen, celebrities who have podcasts and the car sucks, and then I had meatballs for dinner, haha. And you know what my wife said? Why? You know? And there's just too much of that. And,   Michael Hingson ** 48:32 oh, I understand, yeah. I mean, it's like, like anything, but I'm just saying that's one of the reasons I love podcasting. So it's my way of continuing what I used to do in radio and having a lot of fun doing it   Bill Ratner ** 48:43 all right, let me ask you. Let me ask you a technical and editorial question. Let me ask you an artistic question. An artist, can you edit this podcast? Yeah. Are you? Do you plan to Nope.   Michael Hingson ** 48:56 I think conversations are conversations, but there is a but, I mean,   Bill Ratner ** 49:01 there have been starts and stops and I answer a question, and there's a long pause, and then, yeah, we can do you edit that stuff   Michael Hingson ** 49:08 out. We do, we do, edit some of that out. And I have somebody that that that does a lot of it, because I'm doing more podcasts, and also I travel and speak, but I can edit. There's a program called Reaper, which is really a very sophisticated   Bill Ratner ** 49:26 close up spaces. You   Michael Hingson ** 49:28 can close up spaces with it, yes, but the neat thing about Reaper is that somebody has written scripts to make it incredibly accessible for blind people using screen readers.   Bill Ratner ** 49:40 What does it do? What does it do? Give me the elevator pitch.   Michael Hingson ** 49:46 You've seen some of the the programs that people use, like computer vision and other things to do editing of videos and so on. Yeah.   Bill Ratner ** 49:55 Yeah. Even Apple. Apple edit. What is it called? Apple? Garage Band. No, that's audio. What's that   Michael Hingson ** 50:03 audio? Oh,   Bill Ratner ** 50:06 quick time is quick   Michael Hingson ** 50:07 time. But whether it's video or audio, the point is that Reaper allows me to do all of that. I can edit audio. I can insert, I can remove pauses. I can do anything with Reaper that anyone else can do editing audio, because it's been made completely accessible.   Bill Ratner ** 50:27 That's great. That's good. That's nice. Oh, it is. It's cool.   Michael Hingson ** 50:31 So so if I want, I can edit this and just have my questions and then silence when you're talking.   Bill Ratner ** 50:38 That might be best. Ladies and gentlemen, here's Bill Ratner,   Michael Hingson ** 50:46 yep, exactly, exactly. Now you have won the moth stories. Slam, what? Tell me about my story. Slam, you've won it nine times.   Bill Ratner ** 51:00 The Moth was started by a writer, a novelist who had lived in the South and moved to New York City, successful novelist named George Dawes green. And the inception of the moth, which many people listening are familiar with from the Moth Radio Hour. It was, I believe, either late 90s or early 2000s when he'd been in New York for a while and was was publishing as a fiction writer, and threw a party, and decided, instead of going to one of these dumb, boring parties or the same drinks being served and same cigarettes being smoked out in the veranda and the same orders. I'm going to ask people to bring a five minute story, a personal story, nature, a true story. You don't have to have one to get into the party, but I encourage you to. And so you know, the 3040, 50 people showed up, many of whom had stories, and they had a few drinks, and they had hors d'oeuvres. And then he said, Okay, ladies and gentlemen, take your seats. It's time for and then I picked names out of a hat, and person after person after person stood up in a very unusual setting, which was almost never done at parties. You How often do you see that happen? Suddenly, the room falls silent, and someone with permission being having been asked by the host to tell a personal story, some funny, some tragic, some complex, some embarrassing, some racy, some wild, some action filled. And afterward, the feedback he got from his friends was, this is the most amazing experience I've ever had in my life. And someone said, you need to do this. And he said, Well, you people left a lot of cigarette butts and beer cans around my apartment. And they said, well, let's do it at a coffee shop. Let's do it at a church basement. So slowly but surely, the moth storytelling, story slams, which were designed after the old poetry slams in the 50s and 60s, where they were judged contests like, like a dance contest. Everybody's familiar with dance contests? Well, there were, then came poetry contests with people singing and, you know, and singing and really energetically, really reading. There then came storytelling contests with people standing on a stage before a silent audience, telling a hopefully interesting, riveting story, beginning middle, end in five minutes. And so a coffee house was found. A monthly calendar was set up. Then came the internet. Then it was so popular standing room only that they had to open yet another and another, and today, some 20 years later, 20 some years later, from Austin, Texas to San Francisco, California to Minneapolis, Minnesota to New York City to Los Angeles. There are moth story slams available on online for you to schedule yourself to go live and in person at the moth.org as in the moth with wings. Friend of mine, I was in New York. He said, You can't believe it. This writer guy, a writer friend of mine who I had read, kind of an avant garde, strange, funny writer was was hosting something called the moth in New York, and we were texting each other. He said, Well, I want to go. The theme was show business. I was going to talk to my Uncle Bobby, who was the bell boy. And I Love Lucy. I'll tell a story. And I texted him that day. He said, Oh man, I'm so sorry. I had the day wrong. It's next week. Next week, I'm going to be back home. And so he said, Well, I think there's a moth in Los Angeles. So about 15 years ago, I searched it down and what? Went to a small Korean barbecue that had a tiny little stage that originally was for Korean musicians, and it was now being used for everything from stand up comedy to evenings of rock and roll to now moth storytelling once a month. And I think the theme was first time. And so I got up and told a silly story and didn't win first prize. They have judges that volunteer judges a table of three judges scoring, you like, at a swim meet or a track beat or, you know, and our gymnastics meet. So this is all sort of familiar territory for everybody, except it's storytelling and not high jumping or pull ups. And I kept going back. I was addicted to it. I would write a story and I'd memorize it, and I'd show up and try to make it four minutes and 50 seconds and try to make it sound like I was really telling a story and not reading from a script. And wish I wasn't, because I would throw the script away, and I knew the stories well enough. And then they created a radio show. And then I began to win slams and compete in the grand slams. And then I started submitting these 750 word, you know, two and a half page stories. Literary magazines got a few published and found a whole new way to spend my time and not make much   Michael Hingson ** 56:25 money. Then you went into poetry.   Bill Ratner ** 56:29 Then I got so bored with my prose writing that I took a poetry course from a wonderful guy in LA called Jack grapes, who had been an actor and a football player and come to Hollywood and did some TV, episodics and and some some episodic TV, and taught poetry. It was a poet in the schools, and I took his class of adults and got a poem published. And thought, wait a minute, these aren't even 750 words. They're like 75 words. I mean, you could write a 10,000 word poem if you want, but some people have, yeah, and it was complex, and there was so much to read and so much to learn and so much that was interesting and odd. And a daughter of a friend of mine is a poet, said, Mommy, are you going to read me one of those little word movies before I go to sleep?   Michael Hingson ** 57:23 A little word movie, word movie out of the   Bill Ratner ** 57:27 mouths of babes. Yeah, and so, so and I perform. You know, last night, I was in Orange County at a organization called ugly mug Cafe, and a bunch of us poets read from an anthology that was published, and we sold our books, and heard other young poets who were absolutely marvelous and and it's, you know, it's not for everybody, but it's one of the things I do.   Michael Hingson ** 57:54 Well, you sent me pictures of book covers, so they're going to be in the show notes. And I hope people will will go out and get them   Bill Ratner ** 58:01 cool. One of the one of the things that I did with poetry, in addition to wanting to get published and wanting to read before people, is wanting to see if there is a way. Because poetry was, was very satisfying, emotionally to me, intellectually very challenging and satisfying at times. And emotionally challenging and very satisfying at times, writing about things personal, writing about nature, writing about friends, writing about stories that I received some training from the National Association for poetry therapy. Poetry therapy is being used like art therapy, right? And have conducted some sessions and and participated in many and ended up working with eighth graders of kids who had lost someone to death in the past year of their lives. This is before covid in the public schools in Los Angeles. And so there's a lot of that kind of work that is being done by constable people, by writers, by poets, by playwrights,   Michael Hingson ** 59:09 and you became a grief counselor,   Bill Ratner ** 59:13 yes, and don't do that full time, because I do voiceovers full time, right? Write poetry and a grand. Am an active grandparent, but I do the occasional poetry session around around grief poetry.   Michael Hingson ** 59:31 So you're a grandparent, so you've had kids and all that. Yes, sir, well, that's is your wife still with us? Yes?   Bill Ratner ** 59:40 Oh, great, yeah, she's an artist and an art educator. Well, that   Michael Hingson ** 59:46 so the two of you can criticize each other's works, then, just   Bill Ratner ** 59:52 saying, we're actually pretty kind to each other. I Yeah, we have a lot of we have a lot of outside criticism. Them. So, yeah, you don't need to do it internally. We don't rely on it. What do you think of this although, although, more than occasionally, each of us will say, What do you think of this poem, honey? Or what do you think of this painting, honey? And my the favorite, favorite thing that my wife says that always thrills me and makes me very happy to be with her is, I'll come down and she's beginning a new work of a new piece of art for an exhibition somewhere. I'll say, what? Tell me about what's, what's going on with that, and she'll go, you know, I have no idea, but it'll tell me what to do.   Michael Hingson ** 1:00:33 Yeah, it's, it's like a lot of authors talk about the fact that their characters write the stories right, which, which makes a lot of sense. So with all that you've done, are you writing a memoir? By any chance, I   Bill Ratner ** 1:00:46 am writing a memoir, and writing has been interesting. I've been doing it for many years. I got it was my graduate thesis from University of California Riverside Palm Desert.   Michael Hingson ** 1:00:57 My wife was a UC Riverside graduate. Oh, hi. Well, they   Bill Ratner ** 1:01:01 have a low residency program where you go for 10 days in January, 10 days in June. The rest of it's online, which a lot of universities are doing, low residency programs for people who work and I got an MFA in creative writing nonfiction, had a book called parenting for the digital age, the truth about media's effect on children. And was halfway through it, the publisher liked it, but they said you got to double the length. So I went back to school to try to figure out how to double the length. And was was able to do it, and decided to move on to personal memoir and personal storytelling, such as goes on at the moth but a little more personal than that. Some of the material that I was reading in the memoir section of a bookstore was very, very personal and was very helpful to read about people who've gone through particular issues in their childhood. Mine not being physical abuse or sexual abuse, mine being death and loss, which is different. And so that became a focus of my graduate thesis, and many people were urging me to write a memoir. Someone said, you need to do a one man show. So I entered the Hollywood fringe and did a one man show and got good reviews and had a good time and did another one man show the next year and and so on. So But writing memoir as anybody knows, and they're probably listeners who are either taking memoir courses online or who may be actively writing memoirs or short memoir pieces, as everybody knows it, can put you through moods from absolutely ecstatic, oh my gosh, I got this done. I got this story told, and someone liked it, to oh my gosh, I'm so depressed I don't understand why. Oh, wait a minute, I was writing about such and such today. Yeah. So that's the challenge for the memoir is for the personal storyteller, it's also, you know, and it's more of a challenge than it is for the reader, unless it's bad writing and the reader can't stand that. For me as a reader, I'm fascinated by people's difficult stories, if they're well   Michael Hingson ** 1:03:24 told well, I know that when in 2002 I was advised to write a book about the World Trade Center experiences and all, and it took eight years to kind of pull it all together. And then I met a woman who actually I collaborated with, Susie Florey, and we wrote thunder dog. And her agent became my agent, who loved the proposal that we sent and actually got a contract within a week. So thunder dog came out in 2011 was a New York Times bestseller, and very blessed by that, and we're working toward the day that it will become a movie still, but it'll happen. And then I wrote a children's version of it, well, not a children's version of the book, but a children's book about me growing up in Roselle, growing up the guide dog who was with me in the World Trade Center, and that's been on Amazon. We self published it. Then last year, we published a new book called Live like a guide dog, which is all about controlling fear and teaching people lessons that I learned prior to September 11. That helped me focus and remain calm.   Bill Ratner ** 1:04:23 What happened to you on September 11,   Michael Hingson ** 1:04:27 I was in the World Trade Center. I worked on the 78th floor of Tower One.   Bill Ratner ** 1:04:32 And what happened? I mean, what happened to you?   Michael Hingson ** 1:04:36 Um, nothing that day. I mean, well, I got out. How did you get out? Down the stairs? That was the only way to go. So, so the real story is not doing it, but why it worked. And the real issue is that I spent a lot of time when I first went into the World Trade Center, learning all I could about what to do in an emergency, talking to police, port authorities. Security people, emergency preparedness people, and also just walking around the world trade center and learning the whole place, because I ran an office for a company, and I wasn't going to rely on someone else to, like, lead me around if we're going to go to lunch somewhere and take people out before we negotiated contracts. So I needed to know all of that, and I learned all I could, also realizing that if there ever was an emergency, I might be the only one in the office, or we might be in an area where people couldn't read the signs to know what to do anyway. And so I had to take the responsibility of learning all that, which I did. And then when the planes hit 18 floors above us on the other side of the building, we get we had some guests in the office. Got them out, and then another colleague, who was in from our corporate office, and I and my guide dog, Roselle, went to the stairs, and we started down. And   Bill Ratner ** 1:05:54 so, so what floor did the plane strike?   Michael Hingson ** 1:05:58 It struck and the NOR and the North Tower, between floors 93 and 99 so I just say 96 okay, and you were 20 floors down, 78 floors 78 so we were 18 floors below, and   Bill Ratner ** 1:06:09 at the moment of impact, what did you think?   Michael Hingson ** 1:06:13 Had no idea we heard a muffled kind of explosion, because the plane hit on the other side of the building, 18 floors above us. There was no way to know what was going on. Did you feel? Did you feel? Oh, the building literally tipped, probably about 20 feet. It kept tipping. And then we actually said goodbye to each other, and then the building came back upright. And then we went,   Bill Ratner ** 1:06:34 really you so you thought you were going to die?   Michael Hingson ** 1:06:38 David, my colleague who was with me, as I said, he was from our California office, and he was there to help with some seminars we were going to be doing. We actually were saying goodbye to each other because we thought we were about to take a 78 floor plunge to the street, when the building stopped tipping and it came back. Designed to do that by the architect. It was designed to do that, which is the point, the point.   Bill Ratner ** 1:07:02 Goodness, gracious. And then did you know how to get to the stairway?   Michael Hingson ** 1:07:04 Oh, absolutely. And did you do it with your friend? Yeah, the first thing we did, the first thing we did is I got him to get we had some guests, and I said, get him to the stairs. Don't let him take the elevators, because I knew he had seen fire above us, but that's all we knew. And but I said, don't take the elevators. Don't let them take elevators. Get them to the stairs and then come back and we'll leave. So he did all that, and then he came back, and we went to the stairs and started down.   Bill Ratner ** 1:07:33 Wow. Could you smell anything?   Michael Hingson ** 1:07:36 We smelled burning jet fuel fumes on the way down. And that's how we figured out an airplane must have hit the building, but we had no idea what happened. We didn't know what happened until the until both towers had collapsed, and I actually talked to my wife, and she's the one who told us how to aircraft have been crashed into the towers, one into the Pentagon, and a fourth, at that time, was still missing over Pennsylvania. Wow. So you'll have to go pick up a copy of thunder dog. Goodness. Good. Thunder dog. The name of the book is Thunder dog, and the book I wrote last year is called Live like a guide dog. It's le

What if your mental struggle isn't a personal failure, but a logical reaction to a broken society?This week on A Mental Health Break, we are joined by poet, playwright, Yale graduate, and cultural critic D.C. Copeland, author of the forthcoming book, Societal Dropout: A Culture Manifesto for the New Millennium. D.C. brings a unique, potent voice to the show, leveraging the philosophy of Jung, Freud, and Nietzsche to dissect our modern anxieties.In this profound and provocative discussion, we dive deep into:The Societal Roots of Illness: We tackle the core question: How do we fundamentally remove the negative stigmatization about mental illness by shifting the focus from individual flaw to systemic failure?The Millennial Divide: D.C. offers a compelling analysis of the generation caught between extremes—why are Millennials either doing incredibly well or struggling with housing insecurity, and what does this financial anxiety do to their mental health?Gender and Constraint: We dissect a powerful quote from D.C.'s book: "My experience of the feminine is one of deep pain and glorious power." We explore how rigid gender constraints limit not only art, but the soul, and why finding power requires creating outside those boundaries.Life Beyond the Line: D.C. defines what "dropping out of society" truly means—is it a physical exit, or a necessary philosophical break to protect your well-being?If you've ever felt that you don't fit into the demands of modern life, this episode is your permission slip to rethink the system and prioritize your own mental freedom.Find D.C. Copeland's upcoming book, Societal Dropout: A Culture Manifesto for the New Millennium, on Amazon today.Support the showHave a question for the host or guest? Want their freebee? Are you looking to become a guest or show partner? Email Danica at PodcastsByLanci@gmail.com.This show is brought to you by Coming Alive Podcast Production.CRISIS LINE: DIAL 988

Ezra8: 15-20: Servants for the Temple. What does this couple of verses have to do with a future peek into the New Millennium and what we will be doing in the Temple with Jesus?  Come and see!  ;() If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family!  I am not a Pastor, and agree with God's word that women are not supposed to be Pastors.  However, all people are called to share the gospel. It is perfectly acceptable and Biblical for women to lead Bibles studies outside the church as an ancillary addition to the church, and especially if it is a viable avenue for study of the Word on a daily basis, like I'm doing on this show, and paving the way for all of us to be closer to the Lord and become more knowledgeable of the Bible.  If you care to contribute to my work with the Daily Bible study and sharing the Gospel, as part of your tithes and offerings, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com You are also welcome to email me at the same email address above if you have any thoughts you'd like to share about this episode!    Thank you for watching and God Bless you all! ;()

Rev. 20:1-15: Satan Bound 1,000 Years!  Join me today to hear more about the New Millennium!   If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family!  I am not a Pastor, and agree with God's word that women are not supposed to be Pastors.  However, all people are called to share the gospel. It is perfectly acceptable and Biblical for women to lead Bibles studies outside the church as an ancillary addition to the church, and especially if it is a viable avenue for study of the Word on a daily basis, like I'm doing on this show, and paving the way for all of us to be closer to the Lord and become more knowledgeable of the Bible.  If you care to contribute to my work with the Daily Bible study and sharing the Gospel, as part of your tithes and offerings, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com You are also welcome to email me at the same email address above if you have any thoughts you'd like to share about this episode!    Thank you for watching and God Bless you all! ;()

For the "Audience Interrogation" cycle's Suggestion Box episode, Emilio, Julian and Madeline go with a pick that's been a long time coming: 'Bamboozled', Spike Lee's unapologetically confrontational satire from 2000 about racial stereotypes and the media.  The group welcomes back multi-disciplinary artist, professor, and fellow appreciator of satire Idris Goodwin to the discussion, and consider why, now a quarter of a century after it was initially released, 'Bamboozled' continues to captivate audiences and grow in esteem.  They discuss the film as a time capsule of the year 2000, how the mini DV format it's shot on creates a feeling of discomfort, how Spike Lee spotlights multiple forms of black expression in his films, the many cinematic influences the film wears on its sleeve, why Paul Mooney's scene is so pivotal to the narrative, the film's prescient "defense strategy" scene, and much more.  It's an earnest and far reaching conversation about why this particular Spike Lee Joint is, whether you like it or not, one of the writer/director's most essential and important works.  Be sure to follow Idris Goodwin on IG at idrisgoodwin.  His latest book "King of the Neuro Verse" is available for pre-order and can be found wherever books are sold next month.  Additionally, you can follow him and find his plays, music, published works, and varied artistic endeavors at http://www.idrisgoodwin.com/If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Send us a textDan Wheeler has worked in radio and television for over 40 years.  He has interviewed hundreds of celebrities, including Hall of Fame athletes, actors, and recording artists. In this edition of Finish Strong, Dan will share many fascinating stories and the lessons he learned along the way from his encounters with the rich and famous. He discusses his relationship with Mickey Mantle and the secret he admitted before he died.  You'll learn the amazing story of world-renowned gymnast Nadia Comaneci and her Olympic achievements.  Dan has powerful stories from Charlton Heston, Joe DiMaggio, and many more.Don't miss this exciting podcast and share it with your friends and family!Support the showFearless Faith Websiteffaith.orgTo leave a review - Open Finish Strong on the Apple Podcast app and scroll down until you see "Ratings & Reviews". There will be a link to click so that you can "Write A Review"FacebookYouTubeInstagram

The random turning for Monday, 9-1-25: Psalm 23! Join me to hear this delightful short Psalm and it's significance with the New Millennium! If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family!  I am not a Pastor, and agree with God's word that women are not supposed to be Pastors.  However, all people are called to share the gospel. It is perfectly acceptable and Biblical for women to lead Bibles studies outside the church as an ancillary addition to the church, and especially if it is a viable avenue for study of the Word on a daily basis, like I'm doing on this show, and paving the way for all of us to be closer to the Lord and become more knowledgeable of the Bible.  If you care to contribute to my work with the Daily Bible study and sharing the Gospel, as part of your tithes and offerings, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com You are also welcome to email me at the same email address above if you have any thoughts you'd like to share about this episode!    Thank you for watching and God Bless you all! ;() --------------------- The primary study bible that Rene' uses is the 'Spirit-filled Life Bible, by Jack Hayford, and is available in hard cover or faux leather on Amazon at:  https://amzn.to/434fBnQ You can watch this episode on Youtube at:  https://www.youtube.com/watch?v=2v9ekffu7ds Please be sure to LIKE, SUBSCRIBE, COMMENT, and SHARE!

Part 2 of 2: Psalm 24: 1-10: "The Glory of the King and His Kingdom."  YES!! We'll take it!! ;()   Come and see how this Psalm relates to last week's week long study of what the New Millennium will look like for us, and how this Psalm pulls multiple parts together that is related to the Rapture as well as the New Millennium! If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family!  I am not a Pastor, and agree with God's word that women are not supposed to be Pastors.  However, all people are called to share the gospel. It is perfectly acceptable and Biblical for women to lead Bibles studies outside the church as an ancillary addition to the church, and especially if it is a viable avenue for study of the Word on a daily basis, like I'm doing on this show, and paving the way for all of us to be closer to the Lord and become more knowledgeable of the Bible.  If you care to contribute to my work with the Daily Bible study and sharing the Gospel, as part of your tithes and offerings, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com You are also welcome to email me at the same email address above if you have any thoughts you'd like to share about this episode!    Thank you for watching and God Bless you all! ;() --------------------- The primary study bible that Rene' uses is the 'Spirit-filled Life Bible, by Jack Hayford, and is available in hard cover or faux leather on Amazon at:  https://amzn.to/434fBnQ You can watch this episode on Youtube at:  https://www.youtube.com/watch?v=2v9ekffu7ds Please be sure to LIKE, SUBSCRIBE, COMMENT, and SHARE!

It's one of the most high-energy, foot-tapping, rump-shaking guitar styles you can name, and JONATHAN STOUT is the perfect player to funnel its magic straight into your ears and down to your fingertips — we're talking swing guitar. It's got an infectious groove nobody can ignore, and Jonathan is about to show you tons of licks and tricks, two sterling ‘30s-era Gibson L-5'S, and tell you all about Charlie Christian and other legends of big band guitar. AND GET THIS: This episode is brought to you by your friends at the amazing guitar lessons site Truefire, and if you want a 30-day all-access pass to lessons from Eric Johnson, Guthrie Trapp, Steve Vai, Robben Ford, and countless other A-list instructors, simply visit https://go.truefire.com/safe, enter the code SAFE30, and you're IN! PLUS, you'll get a free download of TrueFire's 50 Licks Greatest Hits, Top 20 Guitar Lessons, 10 Guitar Licks You Must Know, and The Best of In The Jam! Enjoy! — JUDE GOLD, host and creator, No Guitar Is Safe

Part 6 of 6: Ezekiel 48: 1-35: "Division of the Land" in the New Millennium! Are you familiar with how the land and temple area will be divided and given to different groups of people when we rule and reign with Jesus?  If not, come and see!! Some very revealing things in this final chapter in the description of the landscape  in the New Millennium! Come and find out where YOU will be!  ;() If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family!  I am not a Pastor, and agree with God's word that women are not supposed to be Pastors.  However, all people are called to share the gospel. It is perfectly acceptable and Biblical for women to lead Bibles studies outside the church as an ancillary addition to the church, and especially if it is a viable avenue for study of the Word on a daily basis, like I'm doing on this show, and paving the way for all of us to be closer to the Lord and become more knowledgeable of the Bible.  If you care to contribute to my work with the Daily Bible study and sharing the Gospel, as part of your tithes and offerings, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com You are also welcome to email me at the same email address above if you have any thoughts you'd like to share about this episode!    Thank you for watching and God Bless you all! ;() --------------------- The primary study bible that Rene' uses is the 'Spirit-filled Life Bible, by Jack Hayford, and is available in hard cover or faux leather on Amazon at:  https://amzn.to/434fBnQ You can watch this episode on Youtube at:  https://www.youtube.com/watch?v=2v9ekffu7ds Please be sure to LIKE, SUBSCRIBE, COMMENT, and SHARE!

Part 5 Mini-series on the New Millennium! Ezekiel 47: 1-23: "The Healing Waters and Trees." Come and see what Jesus does with the Dead Sea in the New Millennium that make the Ecologists heads pop off at the UN!  LOL ;() If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family!  I am not a Pastor, and agree with God's word that women are not supposed to be Pastors.  However, all people are called to share the gospel. It is perfectly acceptable and Biblical for women to lead Bibles studies outside the church as an ancillary addition to the church, and especially if it is a viable avenue for study of the Word on a daily basis, like I'm doing on this show, and paving the way for all of us to be closer to the Lord and become more knowledgeable of the Bible.  If you care to contribute to my work with the Daily Bible study and sharing the Gospel, as part of your tithes and offerings, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com You are also welcome to email me at the same email address above if you have any thoughts you'd like to share about this episode!    Thank you for watching and God Bless you all! ;() --------------------- The primary study bible that Rene' uses is the 'Spirit-filled Life Bible, by Jack Hayford, and is available in hard cover or faux leather on Amazon at:  https://amzn.to/434fBnQ You can watch this episode on Youtube at:  https://www.youtube.com/watch?v=2v9ekffu7ds Please be sure to LIKE, SUBSCRIBE, COMMENT, and SHARE!

Part 4: Ezekiel 46: 1-24: "The Manner of Worship" in the New Millennium!  Come and see what to expect daily in the Temple when we are ruling and reigning with Jesus!!   If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family!  I am not a Pastor, and agree with God's word that women are not supposed to be Pastors.  However, all people are called to share the gospel. It is perfectly acceptable and Biblical for women to lead Bibles studies outside the church as an ancillary addition to the church, and especially if it is a viable avenue for study of the Word on a daily basis, like I'm doing on this show, and paving the way for all of us to be closer to the Lord and become more knowledgeable of the Bible.  If you care to contribute to my work with the Daily Bible study and sharing the Gospel, as part of your tithes and offerings, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com You are also welcome to email me at the same email address above if you have any thoughts you'd like to share about this episode!    Thank you for watching and God Bless you all! ;() --------------------- The primary study bible that Rene' uses is the 'Spirit-filled Life Bible, by Jack Hayford, and is available in hard cover or faux leather on Amazon at:  https://amzn.to/434fBnQ You can watch this episode on Youtube at:  https://www.youtube.com/watch?v=2v9ekffu7ds Please be sure to LIKE, SUBSCRIBE, COMMENT, and SHARE!

Ezekiel 43: 1-27, Part 1: "The Temple, The Lord's Dwelling Place." Wow- we were just talking about that on Saturday!  So here is the Holy Spirit's teaching of more details about the Temple in the New Millennium so we can see what to expect if you haven't read through any of this lately on your own?  I'm glad to see it because I think most Christians are by and large lacking in knowledge about the New Millennium that is fast approaching the Church!  Join me today to see this mini-series on Ezekiel's Temple of the New Millennium!  You'll be glad you did!  ;() If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family!  I am not a Pastor, and agree with God's word that women are not supposed to be Pastors.  However, all people are called to share the gospel. It is perfectly acceptable and Biblical for women to lead Bibles studies outside the church as an ancillary addition to the church, and especially if it is a viable avenue for study of the Word on a daily basis, like I'm doing on this show, and paving the way for all of us to be closer to the Lord and become more knowledgeable of the Bible.  If you care to contribute to my work with the Daily Bible study and sharing the Gospel, as part of your tithes and offerings, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com You are also welcome to email me at the same email address above if you have any thoughts you'd like to share about this episode!    Thank you for watching and God Bless you all! ;() --------------------- The primary study bible that Rene' uses is the 'Spirit-filled Life Bible, by Jack Hayford, and is available in hard cover or faux leather on Amazon at:  https://amzn.to/434fBnQ You can watch this episode on Youtube at:  https://www.youtube.com/watch?v=2v9ekffu7ds Please be sure to LIKE, SUBSCRIBE, COMMENT, and SHARE!

Part 2!  Ezekiel Chapter 44: 1-31.  Do you want to know how you verify what you believe as a Christian?  Compare what you believe to what is happening in the New Millennium when we rule and reign with Jesus Christ!  If what you're doing doesn't match what Jesus is doing, you need to research more about what is really going on in the New Millennium. This is that study.  Join me to learn more! If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family!  I am not a Pastor, and agree with God's word that women are not supposed to be Pastors.  However, all people are called to share the gospel. It is perfectly acceptable and Biblical for women to lead Bibles studies outside the church as an ancillary addition to the church, and especially if it is a viable avenue for study of the Word on a daily basis, like I'm doing on this show, and paving the way for all of us to be closer to the Lord and become more knowledgeable of the Bible.  If you care to contribute to my work with the Daily Bible study and sharing the Gospel, as part of your tithes and offerings, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com You are also welcome to email me at the same email address above if you have any thoughts you'd like to share about this episode!    Thank you for watching and God Bless you all! ;() --------------------- The primary study bible that Rene' uses is the 'Spirit-filled Life Bible, by Jack Hayford, and is available in hard cover or faux leather on Amazon at:  https://amzn.to/434fBnQ You can watch this episode on Youtube at:  https://www.youtube.com/watch?v=2v9ekffu7ds Please be sure to LIKE, SUBSCRIBE, COMMENT, and SHARE!

Hour 3 for 8/21/25 Drew welcomed Dr. Robert Royal to discuss his new book The Martyrs of the New Millennium (1:00) and Islam (6:57). Then, CFO Preston Allex covered what is going on at Relevant today (18:26) and why it's a great place to give (32:26). Link: https://sophiainstitute.com/product/the-martyrs-of-the-new-millennium/?srsltid=AfmBOooBrd1NVKpVOf_Pf_TNuR-KdkYS2amKzWdnaKvYHcYH_w6hma4p

We are joined by Jerin from Phive8 Distribution! Makers of New Millennium Nutrients and DLI Lights.We talk about LED lights and how long you can expect your light to last. We also discuss New Millennium's nutrient line and check in with Jerin on the current state of the industry.

https://alexkazemi.comBuy the book from https://www.simonandschuster.com/books/New-Millennium-Boyz/Alex-Kazemi/9781637583913Current reads Honor Levy - My First BookDenis Cooper - Hunker Zoe Dubno - Happiness and Love Desert Island Books The War of Art - Steven PressfieldGuy Debord

Ken talks with Robert Royal “The Martyrs of the New Millennium: The Global Persecution of Christians in the Twenty-First Century” (Sophia Institute Press) and Stacy Sumereau “Adventure Awaits: My Journey from Broadway to the Convent to Motherhood” (Ave Maria Press). Robert's book is available at: https://sophiainstitute.com/product/the-martyrs-of-the-new-millennium/ and Stacey's at: https://www.avemariapress.com/products/adventure-awaits?_pos=1&_sid=69045f48d&_ss=r Follow Robert at: https://www.thecatholicthing.org/ and […] L'articolo Meet the Author with Ken Huck – July 3, 2025 -Robert Royal “The Martyrs of the New Millennium: The Global Persecution of Christians in the Twenty-First Century” and Stacy Sumereau “Adventure Awaits: My Journey from Broadway to the Convent to Motherhood” proviene da Radio Maria.

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius R.I.P. Johnny Bruhns https://www.youtube.com/live/QkQRiUdVUag?si=-VMIOIbSdCzLqNYU https://johnnybruhns.bandcamp.com/album/welcome-to-the-kingdom https://www.youtube.com/live/1wOQPyQMbE4?si=4rzlFs59JGG5RAsX This week, Mark and I considered the Yes music of the new Millennium - 25 years after it began. In this time, the band have produced just 5 studio albums and 1 EP: Magnification Fly From Here From a Page (EP) Heaven and Earth The Quest Mirror to the Sky However, there are plenty of examples of great Yes music to enjoy and Mark and I chose 3 examples each. What did we choose? Anything from Heaven and Earth? Did we get it 'right'? See if you agree with us and let us know by leaving a comment below. Let us know if you agree with us! https://youtu.be/_yWOGPVSifk?si=2pkwqcoB9ryDUwQY https://youtu.be/5-fwXBRlihc?si=XWz0kM7Vbsc8zHgw https://youtu.be/odC9FHTWzP8?si=3pEZ2NLmrdl_BJc2 https://youtu.be/1SkVH-lbDzc?si=DgDKnGypsKNKLcOq https://youtu.be/jj2CulCC-uk?si=Jea1sn1JC4HY77dk Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron!

First, an announcement: we're excited to show you our new best-of playlist. Let us know if we've done an expert interview that you think is missing from the list. In this episode from 2020, where Elizabeth, Jamilah, and Rebecca Lavoie were joined by Trina Greene Brown, the founder of Parenting for Liberation, to answer questions about race and police violence.  We've also unlocked the Slate Plus bonus segment from this episode, where Jamilah was joined by Dr. Kira Banks to answer a listener question about colorism and complexion bias. Resources:  ⁠Parenting for Liberation⁠ ⁠Parenting for Liberation podcast⁠ ⁠Parenting for Liberation: A Guide for Raising Black Children⁠ ⁠Raising Equity⁠ ⁠Raising Equity YouTube channel⁠ ⁠Raising Equity podcast⁠ ⁠Why Are All the Black Kids Sitting Together in the Cafeteria?⁠ by Dr. Beverly Daniel Tatum ⁠The Color Complex: The Politics of Skin Color in a New Millennium⁠ by Kathy Russell, Midge Wilson and Ronald Hall. ⁠A History of Policing⁠, an online class by ⁠Freedom Lifted⁠ for young people.  The “⁠American Police⁠” episode of NPR's ⁠Throughline⁠ podcast.  Rebecca Lavoie's ⁠instagram post⁠ of Henry's protest sign.  Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get to hang out with us on the Plus Playground every week for a whole additional grab-bag of content — and you'll get an ad-free experience across the network. And you'll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus – or try it out on Apple Podcasts. Podcast produced by Maura Currie and Rosemary Belson. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does a financial planning firm cope and grow during these challenging times? Host Mike Switzer interviews Margaret Ellen Pender, a principal at Anchor Investment Management in Columbia, SC.

How do you check out your interpretation of scripture?  One way is to look at what Jesus is doing in the future and compare that to how you live and how you are interpreting the Bible. In today's Part 2 Bible study, we cover Ezekiel 46: 1-18 that covers a part of what the New Millennium looks like with Jesus! If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family! If you care to contribute to my work with the Daily Bible study and sharing the Gospel, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com Thank you all for watching and God Bless you all! ;() --------------------- The primary study bible that Rene' uses is the 'Spirit-filled Life Bible, by Jack Hayford, and is available in hard cover or faux leather on Amazon at:  https://amzn.to/434fBnQ You can watch this episode on Youtube at:  https://www.youtube.com/watch?v=2v9ekffu7ds Please be sure to LIKE, SUBSCRIBE, COMMENT, and SHARE!

Today's Episode is the 75th Episode since I have started on YouTube!  Wow! I am covering Part 3 of "The New Millennium and what Christians need to know!" If you are blessed by today's Bible study, please support my channel by liking, subscribing, commenting, and sharing with your friends and family! If you care to contribute to my work with the Daily Bible study and sharing the Gospel, you can do so through PayPal by sending it to my PayPal address of: ReneHoladay@gmail.com Thank you all for watching and God Bless you all!  ;()

Reviewed: Friendship, Final Destination: Bloodlines Top Lists: Comedies of the New Millennium Celebrating This Month: Natalie Portman

Send us a textDan Wheeler has worked in radio and television for over 40 years.  He has interviewed hundreds of celebrities, including Hall of Fame athletes, actors, and recording artists. In this edition of Finish Strong, Dan will share many fascinating stories and the lessons he learned along the way from his encounters with the rich and famous. He discusses his relationship with Mickey Mantle and the secret he admitted before he died.  You'll learn the amazing story of world-renowned gymnast Nadia Comaneci and her Olympic achievements.  Dan has powerful stories from Charlton Heston, Joe DiMaggio, and many more.Don't miss this exciting podcast and share it with your friends and family!Support the showFearless Faith Websiteffaith.orgTo leave a review - Open Finish Strong on the Apple Podcast app and scroll down until you see "Ratings & Reviews". There will be a link to click so that you can "Write A Review"FacebookYouTubeInstagram

William Lee Rand, is founder and president of The International Center for Reiki Training (ICRT), The Center for Reiki Research and The Reiki Membership Association. He is also the publisher and editor in chief of the Reiki News Magazine. He has authored Reiki, The Healing Touch, The Reiki Touch Kit, Reiki for a New Millennium, The Spirit of Reiki and over 100 articles on the history, philosophy and practice of Reiki.  William has done extensive research on the origin and nature of Reiki and produced a pioneering work titled An Evidence Based History of Reiki. William is the originator of the Usui/Tibetan system of Reiki which he developed in 1989. In 1995, with the help of some of his students, he developed the Karuna Reiki® system of healing. In January, 2014 he introduced the Holy Fire® system of Reiki which was upgraded to Holy Fire® II in November 2015 and then upgraded to Holy Fire® III in September, 2018. Between 1997 and 2004, he placed World Peace Crystal Grids at the North and South Pole and in Jerusalem. This system allows Reiki students all over the world to join together each month in sending Reiki to the peace grids to promote world peace.  Over 428,000 sets of the World Peace Grid cards have been downloaded for use in this mediation. William received Reiki I in 1981, Reiki II in 1982, and became a Reiki Master in 1989. He has received the Reiki Master level of training from six Reiki Masters including three from Japan. He also received Reiki I&II training from Bethel Phaigh Sensei, one of Takata Sensei's Masters and from Chiyoko Yamaguchi Sensei who is a Reiki Master or Shinpi-den who took classes from Hayashi Sensei. In addition, William also has a strong background in metaphysics and has previously been a professional astrologer, hypnotherapist, past life regression therapist, rebirther, and is certified in Neuro Linguistic Programing. William has dedicated his life to Reiki and has practiced and taught full time in classes around the world since 1989. He encourages all Reiki practitioners to work together in harmony to bring peace to the earth. Website: https://www.reiki.org Email: williamreiki@gmail.com Facebook: https://www.facebook.com/internationalcenterforreikitraining Instagram: https://www.instagram.com/icrtofficial/ ✨Connect with Colleen and Robyn  Classes: https://reikilifestyle.com/classes-page/ FREE Distance Reiki Share: https://reikilifestyle.com/community/  Podcast: https://reikilifestyle.com/podcast/ (available on all major platforms too) Website: https://reikilifestyle.com/ Colleen Social Media: Facebook: https://www.facebook.com/ReikiLifestyle Instagram: https://www.instagram.com/reikilifestyleofficialempo Robyn Social Media: Instagram: https://www.instagram.com/robynbenellireiki Facebook: https://www.facebook.com/robynbenellireiki **DISCLAIMER** This episode is not a substitute for seeking professional medical care but is offered for relaxation and stress reduction which support the body's natural healing capabilities. Reiki is a complement to and never a replacement for professional medical care. Colleen and Robyn are not licensed professional health care providers and urge you to always seek out the appropriate physical and mental help professional health care providers may offer. Results vary by individual.    

Jon Hartley and Robert Barro discuss Robert's career in economics including his long list of famous students, and research on Ricardian equivalence, fiscal theory of the price level, government spending multipliers, business cycles and the legacy of New Keynesian modeling, economic growth, political economy, the interplay between religion and economics, and much more. Recorded on March 18, 2025. ABOUT THE SPEAKERS: Robert J. Barro is a Paul M. Warburg Professor of Economics at Harvard University, a visiting scholar at the American Enterprise Institute, and a research associate of the National Bureau of Economic Research. He has a Ph.D. in economics from Harvard University and a B.S. in physics from Caltech. Barro is co-editor of Harvard's Quarterly Journal of Economics and has been President of the Western Economic Association and Vice President of the American Economic Association. He was a viewpoint columnist for Business Week from 1998 to 2006 and a contributing editor of The Wall Street Journal from 1991 to 1998. He has written extensively on macroeconomics and economic growth. Recent research involves rare macroeconomic disasters, corporate tax reform, religion & economy, empirical determinants of economic growth, and economic effects of public debt and budget deficits. Recent books include The Wealth of Religions: The Political Economy of Believing and Belonging (with Rachel M. McCleary), Economic Growth (2nd edition, with Xavier Sala-i-Martin), Nothing Is Sacred: Economic Ideas for the New Millennium, Determinants of Economic Growth, and Getting It Right: Markets and Choices in a Free Society. Jon Hartley is currently a Policy Fellow at the Hoover Institution, an economics PhD Candidate at Stanford University, a Senior Fellow at the Foundation for Research on Equal Opportunity (FREOPP), a Senior Fellow at the Macdonald-Laurier Institute, and an Affiliated Scholar at the Mercatus Center. Jon also is the host of the Capitalism and Freedom in the 21st Century Podcast, an official podcast of the Hoover Institution, a member of the Canadian Group of Economists, and the chair of the Economic Club of Miami. Jon has previously worked at Goldman Sachs Asset Management as a Fixed Income Portfolio Construction and Risk Management Associate and as a Quantitative Investment Strategies Client Portfolio Management Senior Analyst and in various policy/governmental roles at the World Bank, IMF, Committee on Capital Markets Regulation, U.S. Congress Joint Economic Committee, the Federal Reserve Bank of New York, the Federal Reserve Bank of Chicago, and the Bank of Canada.  Jon has also been a regular economics contributor for National Review Online, Forbes and The Huffington Post and has contributed to The Wall Street Journal, The New York Times, USA Today, Globe and Mail, National Post, and Toronto Star among other outlets. Jon has also appeared on CNBC, Fox Business, Fox News, Bloomberg, and NBC and was named to the 2017 Forbes 30 Under 30 Law & Policy list, the 2017 Wharton 40 Under 40 list and was previously a World Economic Forum Global Shaper. ABOUT THE SERIES: Each episode of Capitalism and Freedom in the 21st Century, a video podcast series and the official podcast of the Hoover Economic Policy Working Group, focuses on getting into the weeds of economics, finance, and public policy on important current topics through one-on-one interviews. Host Jon Hartley asks guests about their main ideas and contributions to academic research and policy. The podcast is titled after Milton Friedman‘s famous 1962 bestselling book Capitalism and Freedom, which after 60 years, remains prescient from its focus on various topics which are now at the forefront of economic debates, such as monetary policy and inflation, fiscal policy, occupational licensing, education vouchers, income share agreements, the distribution of income, and negative income taxes, among many other topics. For more information, visit: capitalismandfreedom.substack.com/

Technology has reversed the information balance of power between the public and the elites .

In this bonus episode, we share a LIVE conversation from the 2024 Greenbuild International Conference and Expo in Philadelphia.Cherise is joined by Seamus Robins, National Accounts Sales Manager for New Millennium/Steel Dynamics. Seamus highlights the advancements in steel fabrication, showcasing the transformation of flat roll sheets, beam sections, rebar, and other materials into steel joists and decks—key components of modern roofing systems. If you enjoy this episode, visit arcat.com/podcast for more. If you're a frequent listener of Detailed, you might enjoy similar content at Gābl Media. Mentioned in this episode:ARCAT Detailed on Youtube

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jan Engels-Smith ShD., MEd. is an author, a Shamanic Practitioner, Licensed Professional Counselor, a Chemical Dependency Specialist, Hypnotherapist and a Reiki Master.  Through decades of experience as a master teacher and shamanic practitioner, Jan has captured the essence of transformation and well-being.  Jan's mission is to provide excellence in shamanic education, and to support personal growth for well-being, adapting ancient healing techniques to contemporary life in the 21st century. Jan is a leading expert in her field. She personally has performed 3500 soul retrievals, which is a shamanic healing method. In 1994, Jan founded LightSong School of 21st Century Shamanism and Energy Medicine and has developed the first energy medicine curriculum of its kind, which allows for those with a curious interest in energy medicine, right through to those that would like to obtain a bachelors, masters or doctorate in shamanism.  Jan's has written two books: Through the Rabbit Hole: Exploring Energy and the Shamanic Journey and Becoming Yourself: The Journey from Head to Heart, which won the readers choice award. Jan writes a monthly article for Sedona Journal of Emergence. Jan authored two CDs: Take Your Body With You a shamanic drumming CD. Awaken~Unburden~Create a meditation CD package of shamanic healing ceremonies in guided imagery formats. Jan is a featured author in: Shamanic Transformation:  True Stories of the Moment of Awakening and Shamanism for the New Millennium by best-selling authors Betsy Chasse (What the Bleep Do We Know) and Cate Montana  Jan is published in The Journal of Science and Healing. A case study: Shamanic Healing for Veterans with PTSD Contact Jan: Website: wwwlightsong.net  Email:  jan@lightsong.net ✨Connect with Colleen and Robyn 
Classes: https://reikilifestyle.com/classes-page/
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The ultimate in Gaelic football? This week James Horan, Maurice Brosnan and Paul Rouse look at the intense and memorable 2005 All-Ireland final between Kerry and Tyrone to investigate how football was changing in the early years of the new millennium, while Tony Leen speaks to Kingdom boss Jack O'Connor.This is Episode 7 in a 10-part series which was initially produced for Irish Examiner subscribers earlier this year, in which we explore the development of Gaelic football over the decades.Subscribe to the Irish Examiner for more exclusive podcasts like the Gaelic Football Show and Dalo's Hurling Show, columns and other benefits. Hosted on Acast. See acast.com/privacy for more information.

In this deeply symbolic gospel addressing the end times, Fr. Jim explains that Mark's message calls for a profound transformation of the entire world as we know it. However, as the gospel reminds us, even Jesus did not know the exact moment of His return. Only the Father holds that knowledge.from Mark 13:24-32Jesus said to his disciples:"In those days after that tribulationthe sun will be darkened,and the moon will not give its light,and the stars will be falling from the sky,and the powers in the heavens will be shaken."And then they will see 'the Son of Man coming in the clouds'with great power and glory,and then he will send out the angelsand gather his elect from the four winds,from the end of the earth to the end of the sky.Read the full scripture passage: https://bible.usccb.org/bible/readings/111724.cfmHeart to Heart Catholic Media MinistryEvangelize Seekers. Inspire Believers. Foster Disciples.--Join Heart to Heart: htoh.us/subscribeSupport Heart to Heart: htoh.us/donate

Today's Topics: 1) "As We Enter the New Millennium" 2) JPII and Saintt Bernard of Clairvaux 3)  Deuteronomy 6:2-6; Hebrews 7:23-28;  Mark 12:28b-34 4) What is Holiness?; Book Three, Chapter 57 of "The Imitation of Christ"

Aldo Leopold's Land Ethic has been both hugely influential in the environmental conservation movement – and also often misinterpreted. In The Land is Our Community: Aldo Leopold's Environmental Ethic for the New Millenium (University of Chicago Press), Roberta Millstein aims to set the record straight. Millstein, who is professor emerit of philosophy at the University of California – Davis, offers interpretations of Leopold's key concepts of the “land community” based in complex webs of causal interactions and “land health” as an ability of the land community to renew itself over time. She provides a comprehensive overview of Leopold's prescient ideas regarding the expansion of humanity's scope of moral concern to the land communities to which we belong. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Aldo Leopold's Land Ethic has been both hugely influential in the environmental conservation movement – and also often misinterpreted. In The Land is Our Community: Aldo Leopold's Environmental Ethic for the New Millenium (University of Chicago Press), Roberta Millstein aims to set the record straight. Millstein, who is professor emerit of philosophy at the University of California – Davis, offers interpretations of Leopold's key concepts of the “land community” based in complex webs of causal interactions and “land health” as an ability of the land community to renew itself over time. She provides a comprehensive overview of Leopold's prescient ideas regarding the expansion of humanity's scope of moral concern to the land communities to which we belong. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

“Post-journalism essentially is the idea that journalism commodifies polarization,” says former CIA media analyst Martin Gurri.Instead of seeking objectivity and broad appeal to the general public, media seek to become a refuge for a subset of the population: “a temple of ideology” for people who share the same worldview, Gurri argues.“If you take the Russia story where [Trump] was supposed to have been basically Vladimir Putin's agent, [the New York Times] published at least 3,000 (by my estimate) stories on Trump being manipulated by the Russians. … They got millions and millions of subscribers because of that,” Gurri says.He's the author of the “The Fifth Wave” Substack column and author of “The Revolt of the Public and the Crisis of Authority in the New Millennium.”In this episode, we dive into the radical transformation of the media and information ecosystems.Views expressed in this video are opinions of the host and the guest, and do not necessarily reflect the views of The Epoch Times.

The Cognitive Crucible is a forum that presents different perspectives and emerging thought leadership related to the information environment. The opinions expressed by guests are their own, and do not necessarily reflect the views of or endorsement by the Information Professionals Association. During this episode, Doug Abdiel "reverse-interviews" John Bicknell, the CEO|Founder of More Cowbell Unlimited and traditional Cognitive Crucible podcast host.  John discusses More Cowbell Unlimited's cognitive indicators and related technology that the US Army is prototyping in order to create effects, maintain Information Advantage, and compete globally. Recording Date: 26 Sept 2024 Research Question: John Bicknell suggests an interested student or researcher examine:  How can information professionals use complex system communication channel noise levels to improve goal pursuit? Resources: Cognitive Crucible Podcast Episodes Mentioned #47 Yaneer Bar-Yam on Complex Systems and the War on Ideals #85 Josh Kerbel on Complexity and Anticipatory Intelligence #148 Kalev Leetaru on GDELT More Cowbell Unlimited YouTube: More Cowbell SNL Skit The Magical Number Seven, Plus or Minus Two: Some Limits on our Capacity for Processing Information by George A. Miller Maxwell's Demon and the Golden Apple: Global Discord in the New Millennium by Randall L. Schweller Where Is the Green Sheep? by Mem Fox and Judy Horacek Link to full show notes and resources Guest Bio: John Bicknell founded More Cowbell Unlimited to help America remain a beacon of hope and strength on the world stage. America must adopt Process Dominance as a core capability in order to innovate and survive in the Information Age. His vision is for process technologies to be as ubiquitous as processes are. John is a national security thought leader and passionate analytics visionary. He has written extensively on national security matters related to information warfare, critical infrastructure defense, and space situational awareness. John leads software and business development efforts for More Cowbell Unlimited. John is a retired Marine Corps officer who served worldwide. He led enterprise-level process-intensive human resources supply chain projects designed to discover inefficiencies, architect solutions, and re-purpose manpower savings. In his corporate career, he operationalized an Analytics Center of Excellence for a large EdTech firm, among other accomplishments. John is also Vice President for the Information Professionals Association and host of The Cognitive Crucible podcast. His Master's degree from the Naval Postgraduate School emphasizes econometrics and operations research. About: The Information Professionals Association (IPA) is a non-profit organization dedicated to exploring the role of information activities, such as influence and cognitive security, within the national security sector and helping to bridge the divide between operations and research. Its goal is to increase interdisciplinary collaboration between scholars and practitioners and policymakers with an interest in this domain. For more information, please contact us at communications@information-professionals.org. Or, connect directly with The Cognitive Crucible podcast host, John Bicknell, on LinkedIn. Disclosure: As an Amazon Associate, 1) IPA earns from qualifying purchases, 2) IPA gets commissions for purchases made through links in this post.

Tonight my special guest is William Ramsey who's here and this time we discuss the occult and Alister Crowley.   In the book Children of the Beast, author William Ramsey traces the influence of the Great Beast, Aleister Crowley, upon the culture and history of the Twentieth Century and the New Millennium. Based upon a vast examination of diverse sources, Ramsey exposes how varied individuals such as Adolf Hitler, Ian Fleming, Arthur C. Clarke, H. R. Giger, Timothy Leary and David Bowie are connected to and influenced by Aleister Crowley, the Prophet of the New Age. Packed with original research and containing unique insights into the lives of famous personalities, Children of the Beast grasps the immense impact of Aleister Crowley upon modern history.Follow Our Other ShowsFollow UFO WitnessesFollow Crime Watch WeeklyFollow Paranormal FearsFollow Seven: Disturbing Chronicle StoriesJoin our Patreon for ad-free listening and more bonus content.Follow us on Instagram @mysteriousradioFollow us on TikTok mysteriousradioTikTok Follow us on Twitter @mysteriousradio Follow us on Pinterest pinterest.com/mysteriousradio Like us on Facebook Facebook.com/mysteriousradio

re you prepared to experience the most experience the most exciting events scheduled for Planet Earth?Join Robert Perala as he shares the startling yet intelligent wisdom revealed to him by extraterrestrials emissaries. Dubbed a "messenger," Robert reveals the mysteries of UFOs, Ets, near-death experiences, alien abductions, mystical people, magical phenomena, angelic visitations, secrets of the pyramids, extraterrestrial wisdom, and much, much more! Travel with him around the world and discover the mysteries of our origins and what lies ahead for humanity.We are embarking on an awesome journey as we enter the New Millennium. It's time for us to remember who we are and to follow our Divine Plan.Mr. Perala is a messenger with a message of ... "reawakening ancient memories that lie deep within all of us - The Divine Blueprint. The Divine Blueprint is a divine work about ascension. The true meaning a purpose of The Divine Blueprint, though, is transformation... and Mr. Perala succeeds wonderfully. The Divine Blueprint is aptly subtitled 'Roadmap for the New Millennium' and is a well written and insightful guide to betterment. In this reviewer's opinion, Robert Perala is giving us an enthralling look to our future!" Richard Fuller, Senior Editor, Metaphysical Reviews"Warm, Witty, Wonderful and irrepressibly human. Robert Perala's tales take us into an adventure of discovery and awakening. A Great Bridge Book for Everyone!" Tricia McCannon, Author of Dialogues with the Angels"The Divine Blueprint is great mind food to help us take total responsibility for our lives and our future. Randolph Winters, International Lecturer and Author of The Pleiadian Mission.After being abducted by extraterrestrials in 1977, Robert devoted the rest of his life to understanding that experience. In doing so he had many more experiences, just as fascinating. His quest has taken him over all the world, including expeditions to Egypt and England.In 1992, Robert was approached by extraterrestrial emissaries and asked to be a messenger to humanity and convey the truths that remarkable shifts are already happening on this planet, and will continue to happen, as we enter the new millennium and approach the Biblical "end-times." The Extraterrestrials were also explicit about what we can and must do to prepare for the changes.Today, Robert uses every means at his disposal to get his message out. His is the founder of United Light Publishing and is a sought after guest on TV and radio shows. He even hosts his own radio show on KEST 1450 AM out of San Francisco and hosts a TV show, Space Cities in the Bay Area. In honor of Robert's contribution to society, the American Biographical Institute bestowed on him their Distinguished Leadership award.The Divine Blueprint: Roadmap for the New Millennium is the next logical outlet for this cosmic message and his enthralling message.https://robertperala.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

What's the purpose of conservative media? In Part Two, we continue our deep dive into the topic of human sex trafficking. Along the way, we speak to Dr. Kimberly Mehlman-Orozco, expert human trafficking witness and author of Hidden in Plain Sight: America's Slaves of the New Millennium.Support the show: https://redpilledamerica.com/support/See omnystudio.com/listener for privacy information.