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CBH's Alex Grand travels to Johnstown, PA for the 2021 Ditko Comic Convention hosted by the Bottleworks Ethnic Art Center and the Ditko Family. Steve Ditko, his Bottleworks art exhibit and the Ditko convention is discussed here with Ditkoverse coordinator and nephew, Mark Ditko as well as comics editor and writer Carl Potts, writer-artist Javier Hernandez, visuaLecturist Arlen Schumer, and former senior VP at MGM David Armstrong. Each one shares an aspect or anecdote about Steve Ditko that most people don't know about. Where do Ditko hands come from?
Alex Grand and Jim Thompson interview comic archivist, author, critic and historian, Peter Sanderson who discusses the end of his Marvel tenure, Mark Gruenwald's death, the circumstances of the layoffs during the 1995 bankruptcy era, working with Bill Jemas, working for IGN for Comics in Context, later for Kevin Smith, and publishing various works on Marvel history and continuity like Marvel Vault 2006 with Roy Thomas, Marvel Travel Guide to New York City 2007, and curating an exhibition on Stan Lee for Museum of Comic and Cartoon Art. Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians.Support the show (https://www.patreon.com/comicbookhistorians)
Alex Grand and Jim Thompson interview comic writer Don McGregor, in a second parter on his road to Black Panther, discussing how he moved from Warren Magazines to Marvel in the early 1970s, his first writing job with Gardner Fox, Amazing Adventures with Killraven with P. Craig Russell, his Black Panther run with Rich Buckler, Gil Kane, Billy Graham and his sincere fondness for Gene Colan. Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians.Support the show (https://www.patreon.com/comicbookhistorians)
Alex Grand and Jim Thompson interview comic artist, Joe Staton, from his early fanzine days in the 60s, to starting his professional comic's career with Jim Warren Magazines, Charlton with their bullseye fanzine and the CPL gang, co-creating E-Man with Nick Cuti, Space: 1999, Six Million Dollar Man, inking Sal Buscema on the Avengers and Herbe Trimpe on the Hulk in the mid 1970s, the Marvel black and white magazines and his work on Mike Friedrich's Star Reach in this first of a 2 parter. Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Support the show (https://www.patreon.com/comicbookhistorians)
Alex Grand and Jim Thompson interview Michael Dooley, Professor of Comics and Animation History at Pasadena’s ArtCenter College of Design and Print Magazine Contributing Editor for the past 20 years. Born in 1948, he discusses his youth as a New Yorker, reading Mad Comics and following the careers of Harvey Kurtzman and his disciples, Robert Crumb and Art Spiegelman. He earned his Design Degree at Pratt, entered his feld of graphic design, and launched a career teaching Comic Art history as well as curating Museum exhibits on the topic. He was involved with Comic Fandom in the ’80s, contributing to The Comics Journal. In this episode he covers a variety of topics, including Kurtzman, Steranko, Sienkiewicz, magazine cartoons, editorial cartoons, political comics, comic strips, adventure comics, alternative comics, graphic novels, and the profession and business of Comics. He also discusses his ArtCenter lectures, which include guests like Howard Chaykin and Bill Sienkiewicz, as well as an updating of his 2005 book, The Education of a Comics Artist. Plus, he recommends great comic academic sources like the Comic Book Historians podcast and YouTube channel videos, wink wink ;). Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Support us at https://www.patreon.com/comicbookhistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
A very special podcast, Alex Grand and lawyer/panel originator Jim Thompson, team up with attorney Daniel Barer, and entertainment law professor Marc Greenberg at San Diego Comic Con 2019 Comics Art Conference to discuss how Cease and Desist changes the narrative of stories in the comics world using examples from the late 1970s to early 1980s, Steve Gerber's Howard the Duck, Destroyer Duck and Dave Sim's Cerberus. How is Jim Shooter involved in all three cases? how does this relate to Spider-Ham? what about that odd Howard the Duck appearance at the end of the Guardian's of the Galaxy movie? Does any of this change the price of custard in china? Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Support us at https://www.patreon.com/comicbookhistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand and Jim Thompson interview Mark Chiarello, former painter, art director and editor in the comics business. As a painter, he has worked on such projects as the Batman story Batman/Houdini: The Devil's Workshop and Clive Barker's Hellraiser. As an editor for DC Comics, he co-created the Batman: Black & White mini-series (for which he received Eisner Awards in 1997 and again in 2003) and fan favorite series like Solo and Wednesday Comics. In this episode we discuss the second half of his career discussing his work with creators like Darwyn Cooke, Tim Sale, on projects like Solo and Wednesday Comics and some details around his leaving DC Comics in 2019. Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Support us at https://www.patreon.com/comicbookhistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand and Bill Field interview the chief comic book illustrator himself, Neal Adams. We discuss his life and times starting when he graduated from the School of Industrial Art in 1959, his news strip and advertising work in the early 60s, his late 60s Superhero books, through the 70s with Jerry Siegel and Joe Shuster and Superman Muhammad Ali, through his Continuity era during the 1980s and beyond. Who was Green Lantern and Green Arrow based on? Was Christopher Reeve his favorite Superman? How did Neal get his start? Robot Coupe - Lost European - Standard License. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Live from SDCC 2018 your favorite Comic Book Historians, Alex Grand, Bill Field and Jim Thompson walk around the Convention Floor in the second of a 2 parter discussing Comic Book History with Rand Hoppe from the Jack Kirby Museum with a crash course of Jack Kirby circa 1958, Mark Texeira Illustrator for both Marvel and DC, Jimmy Palmiotti inker and writer for Marvel and DC as they discuss their illustrator inspirations and encounter with Frank Frazetta, Nicky Wheeler-Nicholson, published Comic Book Historian and granddaughter of the creator of DC Comics in 1934, Major Malcolm Wheeler-Nicholson and N. Scott Robinson, head of Globo Comico International. Images Logo ©Jack Kirby Museum,Cover ©Hermes Press, Marvel Characters ©Marvel, Globo Comico ©Robinson, Robot Coupe - Lost European - Standard License. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Live from SDCC 2018 your favorite Comic Book Historians, Alex Grand and Bill Field walk around the Convention Floor in the first of a 2 parter discussing Comic Book History with Star Wars and ERB Illustrator, Dan Parsons, Larry Houston the creator of the 90s X-Men TV Show, Athena Finger the granddaughter of the co-creator of Batman, Chris Burnham from Batman Incorporated, Ron Lim from the Infinity Gauntlet, and Ger Appeldoorn from Behaving Madly. X-Men ©Marvel, Batman ©DC Comics, Star Wars ©Disney, Robot Coupe - Lost European - Standard License. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Join us Live at San Diego Comic Con 2018 with your favorite CBHer's Alex Grand, Jim Thompson and Bill Field for a sit down podcast interview with Arlen Schumer, published Comic Book Historian and Silver Age expert as we discuss Marvel Comics 1965 to 1968 ranging from Jim Steranko to Jack Kirby, to Nick Cardy to Wally Wood to Neal Adams and many others. Robot Coupe - Lost European - Standard License, The Silver Age of Comic Book Art ©Schumer. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Jon M. Wilson, W. Blaine Dowler and Brian Zino join me as we wrap up our epic discussion to determine what exactly makes up the different ages of comics. Blackest Night [https://comicvine.gamespot.com/blackest-night/4045-55766/] Bureau 42 Podcast Network [https://bureau42.com] Chris and Reggie's Cosmic Treadmill [https://chrisandreggie.podbean.com] Comic Book Historians [http://www.comicbookhistorians.com/archives/102] Comic Book Ages Part 1 [https://www.thepopculturepalace.com/single-post/2018/02/09/Pop-Culture-Palace-Presents-Episode-8--Comic-Book-Ages-Part-1] Comic Book Ages Part 2 [https://www.thepopculturepalace.com/single-post/2018/03/11/Pop-Culture-Palace-Presents-Episode-9--Comic-Book-Ages-Part-2] Comic Book Ages Part 3 [https://www.thepopculturepalace.com/single-post/2018/04/01/Pop-Culture-Palace-Presents-Episode-10--Comic-Book-Ages-Part-3] Comic Book Ages Part 4 [https://www.thepopculturepalace.com/single-post/2018/04/29/Pop-Culture-Palace-Presents-Episode-11--Comic-Book-Ages-Part-4] Comic Book Ages Part 5 [https://www.thepopculturepalace.com/single-post/2018/05/30/Pop-Culture-Palace-Presents-Episode-12--Comic-Book-Ages-Part-5] Comics in the Golden Age Podcast [https://comicsinthegoldenage.bandcamp.com] Diamond Distributions [https://www.ranker.com/list/dark-facts-about-diamond-distributors/jacob-shelton] Direct Market [https://en.wikipedia.org/wiki/Direct_market] Facebook [https://www.facebook.com/ThePopCulturePalace/] Ghostbusters- What About The Twinkie? [https://www.youtube.com/watch?v=pzaQjS1JstY] Jon's Twitter [https://twitter.com/jonreadscomics?lang=en] Kirby Cast [https://castbox.fm/channel/The-KirbyCast-id1093697?country=us] Make Ours Marvel [http://makeoursmarvel.com] Marvel Team-Up #137 (assistant editors month0 [http://www.comicbookdb.com/graphics/comicgraphics/1/118/6190820060908111623_large.jpg] Midnight- The Podcasting Hour [http://fireandwaterpodcast.com/show/midnight-the-podcasting-hour-2/] Pop Culture Palace [https://www.thepopculturepalace.com] Power of Fishnets [http://fireandwaterpodcast.com/show/power-of-fishnets/] Resurrections- An Adam Warlock and Thanos podcast [http://resurrectionsadamwarlock.tumblr.com] Revenge of the Nerds 2 [https://www.youtube.com/watch?v=te1MT-hYh-4] Superman Triangle Era [http://supermanfanpodcastblog.blogspot.com/2010/12/episode-153-superman-triangle-years.htmlthe] Taschen DC Books [https://www.taschen.com/pages/en/search/dc-comics] Thecomicbooks.com [http://www.thecomicbooks.com] Thunderground Comics and Collectables [https://www.facebook.com/Thunderground-Comics-Collectibles-130217807009777/] Twitter [https://twitter.com/ThePcPalace] Unofficial 75 Greatest Marvels Countdown Podcast [https://itunes.apple.com/ca/podcast/unofficial-75-greatest-marvels/id947395487?mt=2] Wah Hoo- A Sgt. Fury Podcast [http://furycast.podwits.com] Worst Comic Podcast Ever [https://worstcomicpodcastever.wordpress.com] Opening and Closing Theme "Going Higher" Royalty Free Music from Bensound.com [https://www.bensound.com/index.php?route=product/search&search=going%20higher] This podcast is powered by Pinecast.
Alex Grand, Bill Field, and Jim Thompson celebrate the Holidays and Dawn of the New Year by going over each of their top 5 Christmas Comics of all time. Bill and Jim come up with their theories on why Stan Lee hardly ever wrote a Christmas story, Bill wrestles a gay bear, Alex brings up a yuletide christmas Superman tale that reaks of a prison (g)rape scene, and Jim weeps and mourns... for Starman!? Is the best comic story of all time found in a comic strip or comic book? You decide! Topics range from Strips, to Marvel to DC Comics, to Harvey Kurtzman, Walt Kelly and More! ©Comic Book Historians, Vault of Horror ©Gaines, Fallin Remix - Standard License. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand, Bill Field, and Jim Thompson interview legendary Marvel, Image and Darkhorse Comics Letterer, Tom Orzechowski discussing the history of Comic Books alongside his personal and professional involvement in comics, in part 2 starting with why he left Marvel Comics and started working with Todd McFarlane on Spawn, as well as his heavy involvement with Manga, and the change from manual to digital lettering. Alex asks Tom about Jim Shooter’s editorial involvement in the X-Men, and more fun specifics about his professional involvement with Chris Claremont. Jim asks more about Tom’s Silver Age influences, which artist Tom wishes he could have worked with, and who Tom feels was the very best letterer of all time. ©Comic Book Historians, Spawn ©McFarlane/Image Comics, Dirty Pair ©Dark Horse, The Advance Team ©Tor Books, No Sense Remix - Standard License. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand, Bill Field, and Jim Thompson interview legendary Comics Letterer, Tom Orzechowski discussing the history of Comic Books alongside his personal and professional involvement in comics starting in 1958, through the impression that Jack Kirby, Steve Ditko and Artie Simek made in the Silver Age, through to the Detroit Fan Fair Comic Convention that united him, Jim Starlin, Arvell Jones, Rich Buckler, Al Milgrom and Mike Vosburg as they entered Marvel Comics with a passion pushing the company into the Bronze Age. Tom also describes his career lettering over 6000 pages of Chris Claremont's run on the Uncanny X-Men through the series' best years, and why they left it in 1992. ©Comic Book Historians. Uncanny X-Men ©Marvel Comics, No Sense Remix - Standard License. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand, Bill Field, and Jim Thompson discuss 1986 as the year comics grew up, or became modern, or just became dark while discussing some of the creative achievements of Alan Moore, Frank Miller, and Jim's not personal favorite, John Byrne. How did Frank Miller and Alan Moore change comics forever? Did John Byrne break a new creative height or did he jump the shark that year? What did Mark Gruenwald have to do with DC's Crisis on Infinite Earths? Did Maus popularize the serious adult themed graphic novel? How did Jim Shooter permanently affect DC Comics and how did Cadence selling Marvel to New World Entertainment change the Marvel we all knew and loved? Where did the Bison head go? ©Comic Book Historians, Dark Knight Returns ©DC Comics, Tropical House / Yuriy Bespalov - Standard License. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand, Bill Field, and Jim Thompson discuss the 1934 newspaper comic industry specifically the decline of the old guard like Windsor McCay, and the upsurge of the new guys who would end the newspaper golden age with a bang including Milton Caniff and Alex Raymond. How did Milton Caniff and Alex Raymond change the choreography of Newspaper Strips and how did that affect the buddening Golden Age of Comic Books? Why do Newspaper Comic Strips at this time matter? What was the comic book industry doing at this time? Who is Major Malcom Wheeler-Nicholsen and what did he bring to comic books when he created National Allied Periodicals, the company that would later change its name to DC Comics? Where is the Bison head? ©Comic Book Historians, Flash Gordon ©King Feature Syndicate. Support us at https://www.patreon.com/comicbookhistorians Podcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand, Bill Field, and Jim Thompson wrap up 1966 as Batmania declines and the Superhero glut is shown not to be the significant cash cow it used to be, Carmine Infantino uses corporate change at old DC, as an opportunity to change the creative face of their comics line by enabling the release of the old guard and replacing them with the new artists and writers that would transition into the bronze age. What were the creative titles in 1968 that echoed these internal changes? What does it mean for DC when its old pulp writer editors are replaced with next generation artists? Can DC tap into nonsuperhero genres to soften the superhero crash after the moneymaking glut? ©Comic Book Historians, Deadman ©DC Comics. Support us at https://www.patreon.com/comicbookhistorians Podcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand, Bill Field, and Jim Thompson discuss more aspects to 1966 and the superhero glut as it strikes Tower Comics, Charlton and Harvey Comics. This episode also goes over where Wally Wood and Steve Ditko went after leaving Marvel in 1966, and how successful those lines showed to be, as well as Charlton Superhero comics and their relation to the Watchmen graphic novel series. What was Joe Simon doing at Harvey Comics? What are Bill and Jim's pet peeves? Do we need lawyers yet?©Comic Book Historians, Thunder Agents ©IDW Publishing. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand, Bill Field, Jim Thompson, and special guest, Marvel historian and 4 time published author / co-author, Barry Pearl discuss more aspects to 1966 and its place in the 1960s Marvel Age. This episode goes over the 1954 Comic Code Authority, the 1957 Atlas Implosion, and the 1966 Batman TV's effect on Martin Goodman, Jack Kirby, Steve Ditko, Stan Lee and other freelancers in the "bullpen" and their adaptability and creativity in the market that left Marvel as the ultimate winner of the Silver Age. There's a segment discussing why Jack Kirby, Steve Ditko and Wally Wood left Marvel. Also the weekly rant evolves into a discussion of our current 2017 Superhero glut and how pop culture history will likely repeat itself. ©Comic Book Historians, marvelmania ©marvel comics. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand, Bill Field and Jim Thompson discuss more aspects to 1966 and its place in the Silver Age of Comic Books. This episode goes beyond Superhero TV shows discussing how there was a Superhero glut this year flooding the market and children’s living rooms creating a whole host of me-too Superhero comics including Dell Superhero Monsters, Gold Key, King Comics, ACG, Myron Fass enterprises, the superhero Archie comics, its subsidiary Mighty Comics Group, Charlton, Tower Comics and the new era of Blackhawk. ©Comic Book Historians, Frankenstein ©Universal. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)
Alex Grand, Bill Field and Jim Thompson discuss 1966 and its place in the Silver Age of Comic Books as well as Animation and Television Pop Culture in general. Topics include the Batman 1966 show, the Spider-Man animated show, Dell Superhero Monsters, Captain Action, and more. ©Comic Book Historians,Batman ©DC Comics. Support us at https://www.patreon.com/comicbookhistoriansPodcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)