1966
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In vier Folgen widmen wir uns Gillo Pontecorvos Meisterwerk SCHLACHT UM ALGIER. In der vierten und letzten Folge beschäftigen wir uns mit den filmischen Mitteln. Für diesen wirklich herausragenden Film habe ich mir kompetente Unterstützung geholt: Dr. Joachim Görgen, der sowohl in Frankreich als auch in Algerien als ARD-Korrespondent gearbeitet hat.Worum geht es? Wir sind in Algier 1957. Die Franzosen sind die Kolonialmacht in Algerien, französisches Militär und Polizei kontrollieren alles, sie bilden eine zivile, offenbar wohlhabende Oberschicht. Einige Algerier der FLN beginnen einen Aufstand, ausgehend von der Kasbah, der Altstadt in Algier. Polizisten werden getötet, es werden gegenseitig Bombenattentate verübt. Die französischen Fallschirmjäger werden gerufen – der Kommandeur Colonel Mathieu jagt die Anführer des Aufstands, vor allem Ali la Pointe. Grausamkeiten von beiden Seiten wie die Folter von Verdächtigen durch die Franzosen und die Morde der FLN an „Verrätern“ sehen wir ungeschönt. Der italienische Regisseur Gillo Pontecorvo hat den Film 1966, also bereits vier Jahre nach Ende des Algerienkriegs, gedreht – unter besonderen Umständen.In dieser vierten und abschließenden Folge fragen wir uns: Wer steckt hinter dem Film? (Regie, Schauspieler, Musik, Produktion) Durch welche filmischen Mittel entsteht der „authentische“ Eindruck? (Perspektiven, Schnitt, Kameratechnik). Ist der Film Teil des italienischen Neorealismus, bzw. des Cinéma Vérité? Wir sprechen über den Regisseur Pontecorvo, der Widerstandskämpfer gewesen war, bevor er sich der Fotografie und dem Film zuwandte und über seinen Film KAPO von 1955. Wir reden über den einzigen ausgebildeten Schauspieler Jean Martin (der selbst Widerstandskämpfer und Fallschirmjäger gewesen war), staunen, dass Pontecorvo den Cutter austauschte, um den Film einen rauen, nachrichtlichen Ton zu geben. Und wir diskutieren die Rolle des FLN-Führers Saadi Yacef, der nicht nur als Darsteller und Produzent von großer Bedeutung für den Film war.
In vier Folgen widmen wir uns Gillo Pontecorvos Meisterwerk SCHLACHT UM ALGIER. In der dritten Folge beschäftigen wir uns mit der Rezeptionsgeschichte. Für diesen wirklich herausragenden Film habe ich mir kompetente Unterstützung geholt: Dr. Joachim Görgen, der sowohl in Frankreich als auch in Algerien als ARD-Korrespondent gearbeitet hat.Worum geht es? Wir sind in Algier 1957. Die Franzosen sind die Kolonialmacht in Algerien, französisches Militär und Polizei kontrollieren alles, sie bilden eine zivile, offenbar wohlhabende Oberschicht. Einige Algerier der FLN beginnen einen Aufstand, ausgehend von der Kasbah, der Altstadt in Algier. Polizisten werden getötet, es werden gegenseitig Bombenattentate verübt. Die französischen Fallschirmjäger werden gerufen – der Kommandeur Colonel Mathieu jagt die Anführer des Aufstands, vor allem Ali la Pointe. Grausamkeiten von beiden Seiten wie die Folter von Verdächtigen durch die Franzosen und die Morde der FLN an „Verrätern“ sehen wir ungeschönt. Der italienische Regisseur Gillo Pontecorvo hat den Film 1966, also bereits vier Jahre nach Ende des Algerienkriegs, gedreht – unter besonderen Umständen.Nachdem wir uns in der zweiten Folge mit den historischen Hintergründen beschäftigt haben, werfen wir diesmal einen Blick werfen auf die Rezeption und stellen uns folgende Fragen: Wie war die Rezeption damals 1966? Wie lange gab es Aufführungsverbote? Wie war die Rezeption 2004 als der Film einer breiteren frz. Öffentlichkeit bekannt wurde? Und schließlich; Wie schätzen andere Regisseur:innen den Film ein?Bernd Nitzschke schrieb: „In welcher Liga dieser Film angesiedelt ist, kann man durch die Passage eines Briefes verdeutlichen, den Billy Wilder 1994 an Steven Spielberg schrieb, in dem er dessen Film Schindlers Liste mit den Worten würdigte: „Was Sie geschaffen haben, ist mehr als bloß ein Film. Es ist […] ein ‚Panzerkreuzer Potemkin'‘ oder eine ‚Schlacht um Algier‘. Es ist schwarz-weiß. […] Es ist wahr. Es wurde nicht von Hollywood vorgegaukelt. Es ist wahr. Es ist ein leiser, quälender Schrei […]“ (zit. nach Karasek 2006). Genauso kann man den Film Schlacht um Algier charakterisieren: Er ist wahr. Er gaukelt nichts vor. Er ist ein leiser, quälender Schrei, der den Zuschauern durch Mark und Bein geht.“Im Podcast sprechen wir u.a. darüber, dass der Film für verschiedene Seiten als miltärische Lehrstunde eingesetzt wurde. Auch den Offizieren der US-Streitkräfte wurde SCHLACHT UM ALGIER 2003 vorgeführt, um sie auf die Guerilla-Taktiken vorzubereiten. Wir werfen einen Blick auf die Einschätzung verschiedener Filmregisseur:innen, zum Beispiel Spike Lee, Steven Soderbergh und Oliver Stone, diskutieren über die Aufführungsverbote in Frankreich und zitieren Angela Errigo: „Der Film macht keinen Hehl aus seiner antikolonialistischen Überzeugung; aber furchtbare und herzzerreißende Szenen von Gräueltaten und Vergeltungsmaßnahmen sind lobenswert ausgewogen und zeigen beide Seiten des Konflikts und seinen schrecklichen menschlichen Preis. Der Film ist packend von Anfang bis Ende. […] Er hat nichts von seiner leidenschaftlichen Kraft verloren.“Tom Schünemann von filmsucht.org sagt: „Gillo Pontecorvo erzählt diesen Konflikt ohne eine klassische Dramaturgie und verzichtet auch auf eine detaillierte Figurenzeichnung. Der französische Colonel und einige algerische Widerstandskämpfer spielen zwar eine wichtige Rolle, doch wir erleben die Akteure stets von außen; ihre private Seite und ihre innere Überzeugungen enthält uns der Film vor. Indem sich Schlacht um Algier von etwaigen Helden und einer an sie gebundenen Erzählung freimacht, kann sich Gillo Pontecorvo aus einer ambivalenten Position durch den Konflikt bewegen. Statt Einzelschicksale von Protagonisten in ein dramaturgisches Korsett zu pressen, konzentriert sich der italienische Regisseur auf das Gesamtbild und schildert den Krieg in Algier in vielen kleinen Episoden, die sich über mehrere Jahre erstrecken. (…) Aufgrund seiner eigentlich gegensätzlichen Mischung aus dokumentarischer Übersicht und fesselnder Distanzlosigkeit zählt Schlacht um Algier zu den unkonventionellsten Antikriegsfilmen – und zu den besten.“
In vier Folgen widmen wir uns Gillo Pontecorvos Meisterwerk SCHLACHT UM ALGIER. In der zweiten Folge beschäftigen wir uns mit den historischen Zusammenhängen. Für diesen wirklich herausragenden Film habe ich mir kompetente Unterstützung geholt: Dr. Joachim Görgen, der sowohl in Frankreich als auch in Algerien als ARD-Korrespondent gearbeitet hat.Worum geht es? Wir sind in Algier 1957. Die Franzosen sind die Kolonialmacht in Algerien, französisches Militär und Polizei kontrollieren alles, sie bilden eine zivile, offenbar wohlhabende Oberschicht. Einige Algerier der FLN beginnen einen Aufstand, ausgehend von der Kasbah, der Altstadt in Algier. Polizisten werden getötet, es werden gegenseitig Bombenattentate verübt. Die französischen Fallschirmjäger werden gerufen – der Kommandeur Colonel Mathieu jagt die Anführer des Aufstands, vor allem Ali la Pointe. Grausamkeiten von beiden Seiten wie die Folter von Verdächtigen durch die Franzosen und die Morde der FLN an „Verrätern“ sehen wir ungeschönt. Der italienische Regisseur Gillo Pontecorvo hat den Film 1966, also bereits vier Jahre nach Ende des Algerienkriegs, gedreht – unter besonderen Umständen.In dieser Folge stellen wir uns folgende Fragen: Was passierte in Algerien seit die Franzosen 1830 auftauchten, was passierte vor dem Aufstand, während des Aufstands, danach? Welche Auswirkungen hat das bis in die Gegenwart und: Gewalt, Terror, Folter als Mittel der Politik? Wie war die Rezeption damals, Aufführungsverbote, Rezeption 2004, Rezeption von anderen Regisseur:innen? Was halten die Franzosen heute vom Film? Wir sprechen über eine tragische Geschichte, die 1830 mit der ersten Besetzung begonnen hat, mit dem Fehler, ein Land als Teil der Republik zu betrachten, den Einheimischen aber nicht die Bürgerrechte der Republik zu geben. Wir sprechen über Schwarzstiefel und die grausame „Französische Doktrin“.Die dritte Folge erscheint am 15. Dezember und widmet sich der Rezeptionsgeschichte.
SCHLACHT UM ALGIER ist ein Film, den ich in wirklich jeder ausführlichen Bestenliste gefunden habe, als bester politischer Film, als bester Antikriegsfilm, als bester historischer Film, als einer der besten Filme überhaupt.Worum geht es? Wir sind in Algier 1957. Die Franzosen sind die Kolonialmacht in Algerien, französisches Militär und Polizei kontrollieren alles, sie bilden eine zivile, offenbar wohlhabende Oberschicht. Einige Algerier der FLN beginnen einen Aufstand, ausgehend von der Kasbah, der Altstadt in Algier. Polizisten werden getötet, es werden gegenseitig Bombenattentate verübt. Die französischen Fallschirmjäger werden gerufen – der Kommandeur Colonel Mathieu jagt die Anführer des Aufstands, vor allem Ali la Pointe. Grausamkeiten von beiden Seiten wie die Folter von Verdächtigen durch die Franzosen und die Morde der FLN an „Verrätern“ sehen wir ungeschönt. Der italienische Regisseur Gillo Pontecorvo hat den Film 1966, also bereits vier Jahre nach Ende des Algerienkriegs, gedreht – unter besonderen Umständen.Für diesen wirklich herausragenden Film habe ich mir kompetente Unterstützung geholt: Dr. Joachim Görgen, der sowohl in Frankreich als auch in Algerien als ARD-Korrespondent gearbeitet hat. Wir haben uns Zeit genommen und den Film in vier Episoden von verschiedenen Seiten aus betrachtet und die historischen Zusammenhänge beleuchtet. In der ersten Episode geht es um unseren ersten Eindruck und die Frage, ob der Film nach 58 Jahren an Wirkung eingebüsst hat. (Hat er nicht.) Wir sprechen unter anderem über die bewegliche Kamera, über Morricones Musik, über Massenszenen und Joachim erzählt, wie er den Film 1983 in London zum ersten Mal gesehen hat. Zu einer Zeit als ihn in Paris kein Kino gezeigt hätte.Die zweite Folge erscheint am 8. Dezember und widmet sich den historischen Hintergründen.
Lisbeth Bischoff hat als Gesellschaftsjournalistin den Sänger Udo Jürgens vierzig Jahre lang begleitet. Noch zu Lebzeiten veröffentlichte sie ihr Buch "Merci" beim Amalthea Verlag, das sie 2024 - zu seinem 90. Geburtstag und seinem 10. Todestag - mit einem Update vorgesehen hat. Sonja, Alkis und Marco lassen mit Frau Bischoff Udo Jürgens drei (eigentlich vier) Eurovision-Auftritte Revue passieren und beleuchten noch einmal diese unglaubliche Karriere.Es ist wieder einmal soweit. Der Eurovision-Podcast "Merci, Chérie" und die OGAE Austria bitten um eure 12 Punkte! Welcher Beitrag der Schweiz ischt dr Beschte aller Zeiten? Eure Votes sind wieder gefragt – traditionell zum Jahresende. Wer wissen will, wer alles für die Schweiz angetreten ist: Hier ist eine Youtube-Playlist. Hier gehts zum Abstimmungsformular. Wir freuen uns natürlich auch über Sprachnachrichten, wir sind schließlich ein Podcast.Deutschland sucht einen neuen Act für den Song Contest - und fand ein neues Format. Altmeister Stefan Raab und sein Haussender RTL stehen der ARD zur Seite und unsere Kollegen vom NDR-Podcast "ESC Update" haben das Prozedere mal genauer angeschaut. Sonja Riegel hat ihre Meinung zu “Chefsache ESC 2025 - Wer singt für Deutschland?” schon mal aufgeschrieben. Auf ihrem Blog "Bleistiftrocker.de" kann man die nachlesen.Mit Lisbeth Bischoff sprechen wir über Udos verschiedene Songs, über seine Karriere und über seine Auftritte beim Eurovision Song Contest, bekanntich waren es drei vor Ort und einer als Komponist: "Warum nur warum" wurde ein Welthit in der englischsprachigen Version "Walk Away" von Matt Munro. In der Hommage an Udo Jürgens, ein Jahr nach seinem Tod 2015, sang Conchita ihre Version. 1965 trat er wieder an mit "Sag ihr, ich lass sie grüßen". Aber erst mit "Merci, Cherie" gewann er 1966 endlich. Lisbeth Bischoff lernte Udo Jürgens bereits als 13-Jährige kennen, Später, als sie beim ORF als Gesellschafts-Journalistin arbeitete, begleitete sie seine Karriere 40 Jahre lang fachlich.Natürlich muss sie auch die Fragen am Schluss beantworten, zum Beispiel die zum Lieblingssong aus dem Jahr 2024. Obwohl sie Nemo gut findet, liebt sie Slimane mit "Mon amour". Und ihr absoluter Lieblingssong beim Eurovision Song Contest? Weil die Performance damals so ein Aufreger war und das Lied ein Hit: Sandy Shaw mit "Puppet On A String".In der Kleinen Geschichte am Schluss erzählt Marco, was zwei Sieger von einander gehalten haben. Creators: Marco Schreuder & Alkis Vlassakakis & Sonja RiegelMerci Chérie Online:www.MerciCherie.atFacebook: MerciCheriePodcastInstagram: Merci_Cherie_PodcastTikTok: @merci_cherie_podcastx/twitter: @_Merci_Cheribluesky: @mercicherie.bsky.socialBitte bewertet uns und schreibt Reviews, wo immer ihr uns hört.
“The reason, Mr. Gashade, for the hunt is the kill.”A Low-Budget Western from the Corman-Hellman-Nicholson TrioAfter impressing producer Roger Corman with their previous work, director Monte Hellman and actor Jack Nicholson presented him with a spec script, but Corman had a different idea. He proposed that they make two Westerns instead, giving them three weeks to shoot each film. Hellman and Nicholson agreed, and the result was a pair of existential Westerns – The Shooting and Ride in the Whirlwind – shot in 1965 in Utah. Join us – Pete Wright and Andy Nelson – as we continue our 12-episode, 14th season-long Roger Corman series with a conversation about The Shooting, our second installment and member bonus episode.Unraveling the Mysteries of The ShootingIn this episode, we delve into the enigmatic world of The Shooting, discussing the film's unique narrative structure and the questions it raises. We explore the mysterious characters, their motivations, and the shocking revelation at the end. The story follows a former bounty hunter turned miner who is hired by a woman to track down an unknown individual. As they embark on their journey, they are pursued by a menacing gunslinger clad in black. Throughout our conversation, we examine how the film's minimalistic approach and existential themes set it apart from traditional Westerns of the era.The Corman Connection and the Film's Place in Cinema HistoryWe discuss how The Shooting fits into the larger context of Roger Corman's productions and its significance in the careers of Monte Hellman and Jack Nicholson. The film's low-budget, experimental nature aligns with Corman's reputation for producing cost-effective, boundary-pushing cinema. We also explore how The Shooting, along with its companion piece, Ride in the Whirlwind, served as a precursor to the independent, counterculture-influenced films of the late 1960s and early 1970s.A Divisive Film: Contrasting OpinionsWhile Andy enjoyed The Shooting, finding its fatalistic and existential themes compelling, Pete struggled to connect with the film. He found the experimental editing choices and the overall pacing to be challenging, making it a difficult watch for him. Despite their differing opinions, both hosts agree that the film's ambiguity and unconventional approach make it a unique entry in the Western genre.Other Topics Covered in the EpisodeThe film's status as one of the first "acid Westerns"The symbolic and metaphorical elements woven throughout the narrativeThe effective use of the stark Utah landscape to convey isolation and despairStandout (?) performances from the cast, including Will Hutchins and Millie PerkinsA Thought-Provoking and Unconventional WesternWhile Andy appreciated The Shooting's ambiguity and haunting atmosphere, Pete ultimately deemed it a "Casablanca movie," alluding to the exchange between Rick and Ugarte in the classic film: "You despise me, don't you?" "If I gave you any thought, I probably would." Despite their contrasting views, both hosts agree that the film remains a testament to Corman's passion for cranking out low budget films and giving experimenting filmmakers like Monte Hellman and Jack Nicholson the chance to play. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesNew Glossary Term: Casablanca MovieWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxdThis is a member bonus episode. We'd love it if you became a member to support our show, but you'd love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
durée : 00:21:07 - Le Feuilleton - De l'art de construire l'un après l'autre les succès du hit-parade et des paroles qu'on y met, et de la rencontre d'Anita Pallenberg.
Movie Meltdown - Episode 632 (For our Patreon "Horror Club") Join us as the horror club discusses She Beast, directed by Michael Reeves and starring Barbara Steele, John Karlsen and Ian Ogilvy. And while we try to decide our favorite thing about Ghost Toast, we also mention… Sarah Squirm, pumpkins, Longlegs, Dr. Goldfoot and the Girl Bombs, Alien: Romulus, Halloween encroachment, a dunking chair, because Communism, terrible fashion choices, The Thing with Two Heads, he creeped me the hell out, fake grilled cheese sandwiches, British accents, Witchfinder General, my circadian rhythms were screwed up just watching this, who designed your kitchen, it never got dark that day, you don't look for your wife, special popcorn buckets… doing things, the screaming was really distracting, is this Back to the Future, Osgood Perkins, Black Sunday, torches at noon, the thematic through line of Communism, alcohol and barbiturates, I expected at some point to have raw meat thrown at me, slow atmospheric and bleak, about spending about 90% of the movie unconscious, state fair fun and we ask, do Volkswagen Beetles actually float? Spoiler Alert: Full spoilers for She Beast (aka Revenge of the Blood Beast) so watch the movie before you listen. “That should be the tagline… what was the point of any of this?!”
Life isn't full of too many second chances but what happens when you are given a new lease on life? Now that's a big question for a small podcast. Luckily for us, friend of the show, Steve is here to enlighten us to all of the mysteries and wonders that accompany such a profound inquiry with John Frankenheimer's science-fiction masterpiece, Seconds. So join us as Joe & Graham experience what is arguably Rock Hudson's greatest film & performance.
durée : 00:32:15 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - La pilule contraceptive, qui émerge dans les années 1960, ne manque pas de créer le débat parmi les différentes religions, comme le montre cette table-ronde en 1966 avec des représentants religieux. Il y est question de pilule, de mariage sacré et de procréation et de perpétuation de l'humanité. - réalisation : Thomas Jost
The number 66 may not be 666, but it does prompt us to take a look at the year 1966, with the book "We Are Satanists" offering much insight into the foundation of the Church of Satan. We'll also hear Anton LaVey's later message to the scavengers and detractors of what he established ("Get a life!"), and the meaning of "the black flame". 00:00 - Intro 03:20 - On (not) joining the COS: valid reasons and invalid reasons 09:41 - More lame reasons we hear 12:28 - Anton LaVey: "Get a Life" essay 16:13 - Santecdote 20:48 - Will AI replace comedians? 23:11 - The Black Flame 27:47 - Excerpts from "We Are Satanists" (and misuse of "Anton") 30:15 - "Anton LaVey invented Satanism" 32:40 - All religion founders had their influences 34:21 - More from "We Are Satanists"
durée : 00:20:00 - Disques de légende du vendredi 14 juin 2024 - Arthur Rubinstein enregistrera trois versions des Mazurkas de Frédéric Chopin
This episode we are joined by Rachel and Ariel from The More Deadly Podcast to chat about Věra Chytilová's Daisies, a movie near and dear to Joe's chaotic heart. For maximum chaos, subjects include food fights, blacklists, feminsim in film, taking mushrooms and talking to the police, and surprise appearance from Ariel's cat! Check it out!!
durée : 00:45:00 - Les Nuits de France Culture - par : Philippe Garbit - John Coltrane, Charlie Mingus et Max Roach : dans le dernier volet de la série "Connaître le jazz" sur Duke Ellington en 1966, nous explorons les nombreuses collaborations du chef d'orchestre, notamment avec la jeune garde du jazz durant la période de 1959 à 1966. - invités : Lucien Malson
durée : 00:04:02 - Le Pourquoi du comment : histoire - par : Gérard Noiriel - Comment comprendre l'exclusion de trois grands athlètes antillais au championnat d'Europe de 1966 ? Comment les représentations des athlètes d'Outre-mer ont-elles évolué ?
durée : 00:54:49 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires Sensibles, retour sur les aventures nord-coréennes dans l'arène la plus lumineuse et scrutée du monde : le football-spectacle. - invités : Lukas Aubin - Lukas Aubin : Docteur en études slaves et spécialiste de la géopolitique de la Russie et du sport - réalisé par : Charles De Cillia
“I think I could turn into you if I really tried.”Talking About Persona with our guest, writer/director Sophie BarthesOn this episode of Movies We Like, we speak with writer/director Sophie Barthes about one of her favorite films, Ingmar Bergman's 1966 psychological drama Persona. We also discussed Barthes' own directing career and thoughts on filmmaking.We have an in-depth discussion about Bergman's avant-garde masterpiece Persona, analyzing its dreamlike atmosphere, innovative editing and cinematography, complex characters and themes of identity and psychology. We talk about how the film's shocking opening montage and sparse narrative puts the viewer in an unsettled state of mind. Overall, we find Persona to be an endlessly discussable classic that still feels fresh and boundary-pushing today.We also speak with Barthes about her three feature films - Cold Souls, Madame Bovary, and The Pod Generation. Barthes explains how she often explores themes of consumerism, psychology and identity through different genres and time periods. She shared insights into her creative process, from conceptualizing stories based on her dreams to her highly-stylized production design. Barthes also discussed the challenges of portraying human truths and darkness as a director today versus Bergman's time.Barthes gives thoughtful perspective as both a director and film lover. Her pick certainly leads to a rich discussion about cinematic art today as Persona proves to be a multilayered classic ripe for analysis.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel's Movies We Like through your own membership with The Next Reel. Check out Sophie's films Cold Souls Madame Bovary The Pod Generation on Amazon or Apple Watch Persona on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our PROMO CODE to get a DISCOUNT and help us out in the process!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.
“I think I could turn into you if I really tried.”Talking About Persona with our guest, writer/director Sophie BarthesOn this episode of Movies We Like, we speak with writer/director Sophie Barthes about one of her favorite films, Ingmar Bergman's 1966 psychological drama Persona. We also discussed Barthes' own directing career and thoughts on filmmaking.We have an in-depth discussion about Bergman's avant-garde masterpiece Persona, analyzing its dreamlike atmosphere, innovative editing and cinematography, complex characters and themes of identity and psychology. We talk about how the film's shocking opening montage and sparse narrative puts the viewer in an unsettled state of mind. Overall, we find Persona to be an endlessly discussable classic that still feels fresh and boundary-pushing today.We also speak with Barthes about her three feature films - Cold Souls, Madame Bovary, and The Pod Generation. Barthes explains how she often explores themes of consumerism, psychology and identity through different genres and time periods. She shared insights into her creative process, from conceptualizing stories based on her dreams to her highly-stylized production design. Barthes also discussed the challenges of portraying human truths and darkness as a director today versus Bergman's time.Barthes gives thoughtful perspective as both a director and film lover. Her pick certainly leads to a rich discussion about cinematic art today as Persona proves to be a multilayered classic ripe for analysis.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel's Movies We Like through your own membership with The Next Reel. Check out Sophie's films Cold Souls Madame Bovary The Pod Generation on Amazon or Apple Watch Persona on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Poster artwork Flickchart Letterboxd Visit our ORIGINALS PAGE to buy books, comics, plays, or other source material for the movies we've talked about on the show. By doing so, you get to find your next book to dig into and help us out in the process as a portion comes back our way. Enjoy!Star your own podcast journey with the best host in the business. Try Transistor today!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
durée : 01:31:25 - Les Nuits de France Culture - par : Albane Penaranda - En 1966, le rouge était à l'honneur, qu'il s'agisse de la révolution culturelle en Chine, des coups d'état en Afrique ou de la couverture du Times marquant l'arrivée d'Indira Gandhi au pouvoir. Au Vietnam, toutefois, c'était le orange qui marquait l'empoisonnement de la population locale.
Filmmaker Nick Alvear joins the program to discuss his new series on the Tartarian Empire and the high strangeness surrounding it's history. We also discuss his massive film collection including one his favorite about the conspiracy regarding Paul McCartney's death in 1966. For conspiracy theory lovers, this show is a must see.You can learn more about Nick Alvear and watch his films at https://GoodLion.TVThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4656375/advertisement
durée : 00:21:07 - Le Feuilleton - De l'art de construire l'un après l'autre les succès du hit-parade et des paroles qu'on y met, et de la rencontre d'Anita Pallenberg.
durée : 00:21:07 - Le Feuilleton - De l'art de construire l'un après l'autre les succès du hit-parade et des paroles qu'on y met, et de la rencontre d'Anita Pallenberg.
"Mr Xavier was threatened with having his throat cut"
"Mellow Yellow" Written and Released by Donovan 1966.Producer Renee plays piano, guitar, melodica, trombone, snare drum + whistle !YIKES ! It's a Little " Squirrelly " Instrumental Only. SING ALONG Here Are the Lyrics: I'm just mad about Saffron, Saffron's mad about me,I'm just mad about Saffron, he's just mad about me,They call me Mellow Yellow, They call me Mellow Yellow, They call me Mellow Yellow,I'm just mad about Fourteen, Fourteen's mad about me,I'm just mad about Fourteen, he's just mad about me,They call me Mellow Yellow, (Quite rightly),They call me Mellow Yellow, (Quite rightly)They call me Mellow Yellow, Born high forever to fly, wind velocity nill,Born high forever to fly, If you want your cup, I will fill,They call me Mellow Yellow, (Quite rightly),They call me Mellow Yellow, (Quite rightly)They call me Mellow Yellow, So mellow... He's so yellow,INSTRUMENTAL ***** TIME TO DANCE !Electrical banana, is gonna be a sudden craze,Electrical banana, is bound to be the very next phase,They call me Mellow Yellow, (Quite rightly),They call me Mellow Yellow, (Quite rightly)They call me Mellow Yellow, And I'm so mellow.
Pinkie Sings "Mellow Yellow" Written and Released by Donovan 1966.Producer Renee plays piano, guitar, melodica, trombone, snare drum + whistle !YIKES !
Eric Abrams, Paul Danke, Joe Kilgallon, Joe Kwaczala, and JoAnn Schinderle join Brido on the panel. Video and extras are at www.patreon.com/brido
On this day in 1966, late-night talk show host Johnny Carson and actress Eva Gabor demonstrated how to play a new party game called Twister.See omnystudio.com/listener for privacy information.
At the height of Batmania in the first half of 1966, nearly every press outlet found it necessary to do a feature story on the phenomenon. But many in the media were not terribly impressed by Batman, so these articles tend to look down their noses at the show. One such example is “Has TV Gone Batty?”, an article by John Skow in the May 7, 1966, issue of The Saturday Evening Post. Aside from the snark, and misinformed discussion of camp, the article gives us some interesting insights into the shooting of the show and the thoughts of Adam West, William Dozier, Lorenzo Semple Jr, and others involved in making it. This time, we dig into this article. PLUS: the Guy with an Amazing Hat version of the theme, more from Adam West's July 24, 1997, appearance on Late Night with Conan O'Brien, and your mail responding to several of our recent episodes! #200: "Batman: The Movie": The Novel #201: Chip Kidd's Book of Bat-Merch
Today on the 5: While I'm not generally someone who enjoys Westerns, I saw one recently added to the Criterion Channel that sounded interesting. It's titled The Shooting, and it was a wonderfully different type of Western that I liked quite a bit.
durée : 00:54:49 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires Sensibles, retour sur les aventures nord-coréennes dans l'arène la plus lumineuse et scrutée du monde : le football-spectacle.
Dick Jerardi joins Nestor to discuss Happy Valley, Terps season, Big 10 hoops and Kentucky Derby hopefuls
Luke Jones and Nestor wax nostalgic about the World Series, the Orioles and the WBC
In 1966, 3 year old David Dixon went missing from the Sylmar neighborhood in Los Angeles, CA. The entire community searched for him for several days but found no clues or witnesses. After the search died down this case would end when the young toddler was found in a unsuspected place.If you would like to support us we have a Patreon page at: https://www.patreon.com/californiatruecrime Website: californiatruecrime.com CaliTrueCrime Store: https://www.teepublic.com/stores/california-true-crime?ref_id=24335Facebook: https://www.facebook.com/calitruecrime Twitter: https://twitter.com/calitruecrime Instagram: https://www.instagram.com/calitruecrime
NEW DOCTOR! NEW COMPANIONS! NEW CYBERMEN! Join your tour guides Jason Thomason and Justin Clark as they discuss the most important and mostly missing season in the show's history starring Patrick Troughton, Anneke Wills, Michael Craze, Frasier Hines and Deborah Watling. Be sure to follow us on Facebook at Grand Circle Tour Magic Ticket Holders, on Instagram at https://www.instagram.com/grandcircletourpodcast/ and YouTube at https://www.youtube.com/@grandcircletour The Grand Circle Tour Podcast is in no way part of, endorsed or authorized by, or affiliated with the Walt Disney Company, BBC, BBC America, Bad Wolf Productions or their affiliates. As to Disney artwork/properties: © Disney. Disclosure | Privacy Policy
3x4 - DRACULA: PRINCE OF DARKNESS (1966)It's Hammer time again! We venture back into the vault of the legendary British horror studio for Dracula: Prince of Darkness, starring Christopher Lee as the master vampire who's resurrected after four English travellers make the mistake of staying in his castle.And we have real expertise at hand this week, with Stacey Abbott, a professor of film and television and self-proclaimed vampire/horror/zombie scholar...HostsDan Owen & Hugh McStayGuestProfessor Stacey AbbottEditorDan OwenVisit our podpage! Subscribe and leave us a rating or review to help spread the word.You can also follow us directly on Twitter and leave a donation at Ko-fi. More links here.Follow STACEY ABBOTT on Twitter.A proud part of the We Made This podcast network.Theme music: 'The Victim' by Mary Riddle via Epidemic Sound • Podcast Artwork designed by Dan Owen.Become a supporter of this podcast: https://www.spreaker.com/podcast/vampire-videos--5546381/support.
Today on the Reactions To The Classics Music podcast we kick off our brand new series where we pick/draft the top 10 albums of every year from 1965-2022! Today, we discuss the greatness of 1966! Make sure to subscribe and leave a 5-star review as that really helps us out!Also make sure to check out our YouTube channel - https://www.youtube.com/@ReactionsToTheClassicsWant us to React to a Song or Album? Support us on Patreon!: https://www.patreon.com/reactionstotheclassics - You can support us for as little as $1 a month!Check out our Livestreams every Monday Night at 7pm CST and Wednesday at 5pm CST on Youtube!Follow us on Instagram - https://www.instagram.com/reactionstotheclassics/Join our Discord!: https://discord.gg/2PY5bZMJoin our Facebook Group!: https://www.facebook.com/groups/432430687517673/
The Aberfan Disaster 9:13am on October 21st 1966, Pantglas School in the small Welsh mining village of Aberfan Inside the school, more than 200 children and nine teachers were waiting for their first lesson of the day to begin when the air was filled with the sound of a distant rumble. A massive coal tip - a mountain of waste generated by the town's mines that employed 8000 people had collapsed and a landslide of mud and debris flooded into the classroom, burying the school and engufing everyone inside 116 children and 28 adults were killed It was one of the worst industrial disasters Britain has ever seen. An accident that could and should have been prevented and a tragic account of a mistake that cost a village an entire generation of its children. You can follow the podcast on Twitter @rv_podcast Join our Facebook group at Facebook/rainbowvalleypodcast Or send us your thoughts and feedback to rainbowvalleypod@gmail.com You can also listen to our weekly sixties chart rundown at: https://www.mixcloud.com/scophi/rainbow-valley-sixties-chart-show-1st-january-1960/ This has been a Stinking Pause production. Thanks for listening Scott
This week we encounter shocking sights, nasty noises and objectionable odors – no its not a depraved horror movie… its the human body in Fantastic Voyage! Before we get there, we also inhabit Disney's latest, Strange World. Uh oh – looks like we're headed towards the exit! #strangeworld #fantasticvoyage #disney #raquelwelch #donaldpleasance #1966 #proteus #jakegyllenhaal #dennisquaid
Bilgisel'in bu bölümünde futbol tarihinin en ikonik rekabetlerinden birini, Arjantin ve İngiltere arasındaki çekişmeyi ele alıyoruz. 1966'da sahada başlayan bu husumetin tarihsel akışını inceliyoruz. Hazırsanız başlayalım.------- Podbee Sunar ------- Bu podcast, GetirAraç hakkında reklam içerir. GetirAraç'ı indirmek ve ilk kullanımda 500 TL indirimden faydalanmak için, tıklayın. Bu podcast, Hiwell hakkında reklam içerir. Hiwell'i indirmek ve "pod10" koduyla %10 indirimden faydalanmak için tıklayın. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Llegamos al fútbol de la segunda mitad del siglo veinte. El tiempo en que Pelé y su magnifica selección brasileña fulguran sobre el resto. Después de la Segunda Guerra Mundial, la copa regresa a Europa en Suiza ‘54 y Suecia ‘58. Sudamérica es anfitriona para Chile ‘62, donde la violencia de un feroz terremoto parece trasladarse a las canchas. En el ‘66, Inglaterra recibe a la máxima competencia universal por primera y única vez. En México ‘70 O Rei juega en el que fue, para muchos, el mejor equipo de la historia de los mundiales.Conducción: Lola del Carril /Producción Ejecutiva: Andreina Himy & Federico Novick /Producción Periodística: Federico Kotlar /Guión: Gustavo Dejtiar /Diseño Sonoro: Federico Schujman, Ariel Schujman y Gonzalo Messi de Estudio Red /Dirección Visual: Manuel Sebastian Smith / Branding: Mila Fiuza / Asesoramiento Legal: Felix Helou
Kenneth McDuff ermordet am 6. August 1966 die 3 Teenager Robert Brand, seine Freundin Edna Louise Sullivan sowie Roberts Cousin Marcus Dunman. An Edna Louise Sullivan vergeht er sich vor ihrem Tod sexuell und erdrosselt sie anschließend mit einem Besenstiel. Für seine Taten wird er zum Tode verurteilt. Die Strafe findet jedoch nie Anwendung und McDuff kommt stattdessen sogar wieder auf freien Fuß. Ein fataler Fehler und Justizskandal wie sich auf grausame Art und Weise herausstellen wird. Denn nach seiner Freilassung geht das Morden weiter.
It began a routine patrol for Deputy Sheriff Dale Spaur in the early morning hours of April 17, 1966, as he and his partner, Mounted Officer Barney Neff, stopped to investigate a parked vehicle along a roadway. Behind them, Spaur noticed a bright light rising from behind the trees, and heading silently in their direction. What would transpire over the course of the next several hours would change their lives forever. This week, we examine the true story of a group of police officers that chased a UFO, and reveal why this case became one of the most infamous ever investigated by the Air Force, destroying the lives of the officers involved, and even leading to an attempt to terminate its contract with its science advisor, J. Allen Hynek. All this, and much more, in this installment of The Micah Hanks Program. The story doesn't end here... become an X Subscriber and get access to even more weekly content and monthly specials. Enjoy The Micah Hanks Program? Check out Micah's other podcasts here. Want to advertise/sponsor The Micah Hanks Program? We have partnered with the fine folks at Gumball to handle our advertising/sponsorship requests. If you would like to advertise with The Micah Hanks Program, all you have to do is click the link below to get started: Gumball: Advertise with The Micah Hanks Program Show Notes Below are links to stories and other content featured in this episode: Russia blasts Kyiv, other Ukrainian cities in deadly strikes October meteor shower could deliver fireballs, extra bright meteors AI-driven ‘thermal attack' system reveals passwords in seconds The World War II story of the first time US military pilots encountered UFOs COPS AND UFOs: The Portage County UFO Incident of 1966 BECOME AN X SUBSCRIBER AND GET EVEN MORE GREAT PODCASTS AND MONTHLY SPECIALS FROM MICAH HANKS. Sign up today and get access to the entire back catalog of The Micah Hanks Program, as well as “classic” episodes of The Gralien Report Podcast, weekly “additional editions” of the subscriber-only X Podcast, the monthly Enigmas specials, and much more. Like us on Facebook Follow @MicahHanks on Twitter Keep up with Micah and his work at micahhanks.com.
One of the first titles I ever planned on us covering, yet somehow it’s taken more than eight years to find our way back to it. It’s Harry Harrison’s 1966 novel Make Room! Make Room!, loosely adapted into the classic 1973 movie Soylent Green. Rankings!: Colin: Movie Book James: Book Movie Seth: Book Movie
Essay 79: Enemies of Freedom: Mao Zedong and the 1966 Cultural Revolution in China by Chris Burkett. Click here to explore our 2022 90-Day Study: American Exceptionalism Revealed: The Historic Rise and Fall of Worldwide Regimes and How United States Founding Wisdom Prevails. America's Founders understood the failings of totalitarian regimes, and thus attempted an experiment in liberty they hoped future Americans would find invaluable and maintain. Constituting America's 2022 90-Day Study looks at the rise and fall of worldwide regimes throughout history, juxtaposed to founding principles of the United States Constitution and federalists' and anti-federalists' views of their day regarding what history taught them about human nature and what is required to preserve our freedom!
As broadcast June 14, 2022 with plenty of wiggle room for your new music tastes. Tonight we mark a very weird instance in 1966 when a girl shipped herself to The Beatles in order to meet The Fab Four. However, she was foiled by attentive railway station workers in London, but it is amazing stuff of pure fantasy. After this, we went through the usual bevvy of new indie just out this past week with Kat Bass doing the majority of heavy lifting, with a new EP from Nurdjana along with cuts from Ruby Red, Scoobert Doobert, and Night Tapes being definite highlights. #feelthegravityTracklisting:Part I (00:00)Earth Wind & Fire – Fantasycln feat Holly Hebe – Undonescott is okay – Split ScreensLITCHE feat Anna – Colour of YouNurdjana – I'm coming homeNurdjana – Supermarine Spitfire (for Isa) Part II (31:46)Ruby Red - No Feeling is Forever Delights - Iris maxime. - can't you tell? BETWEEN FRIENDS - navigate Mr. Little Jeans - Blitz Hector Gachan - Electric Company Part III (59:20)Slowdaze - Transurfing Scoobert Doobert - Who Am I Really Fooling Anyway Surfaces - What's Been On Your Mind Will Joseph Cook - Gummy Clay and Friends - Chocolat Stray Fossa - So Still Part IV (89:23)Night Tapes - Humans TOLEDO - L-Train Yot Club - PrioritiesI SEE RIVERS - Your Love OVAN - Do I Do carlina - d e e p e r
This week, the fellas are covering one more nuclear war movie (ya know, because 4 wasn't enough). So jump in your Volvo(the safest place to be during a nuclear attack), turn those speakers up, hit play and let's get into The War Game!www.droppedculture.comdroppedculturepodcast@gmail.com
Hugo-nominated Fan Writer Paul Weimer joins me for a discussion of ...And Call Me Conrad, by Roger Zelazny, co-winner of the 1966 Hugo Award for Best Novel. Start - 10:26Intro through "Why this book?"10:27 - 22:59Non-Spoiler discussion23:00 - endSpoiler discussion Notes & Mentions: The Dying Earth, by Gene WolfeCage of Souls, Adrian TchaikovskyCharlie Jane Anders' worksJo Graham's workThe Martian Obelisk, Linda NagataNightwings, Robert SilverbergThe Gurkha and the Lord of Tuesday, Saad Z. HossainDreamsnake, by Vonda McIntyre Paul's Links: Twitter: https://twitter.com/princejvstin Patreon: https://www.patreon.com/princejvstin
The Sweep Spot - Former Disneyland Cast Members Talking Disneyland
Connie joins us to talk about being one the first Disneyland Ambassadors, being a Tour Guide, Walt Disney, and more! We also catch up on current events at the Disneyland Resort, as always.We have authored two books: Cleaning The Kingdom: Insider Tales of Keeping Walt's Dream Spotless and Cleaning The Kingdom: Night, Day, Past and Present. The Sweep Spot is a podcast with full episodes every two weeks, focusing on the Disneyland Resort. Lynn Barron and Ken Pellman, former Disneyland Day Custodial Foremen are your hosts.For more information and to order books, visit our official website: http://www.TheSweepSpot.com
R&SRNR_155 – “THE TOP 40 LOST HITS OF 1966” This episode spotlights The Top 40 Lost Hits Of 1966. It was a vintage year for music, including some great records you never seem to hear on the radio, or the satellite or on anyone's live stream anymore. Featured artists include a British band who named themselves after an American rock and roll icon. We'll also spotlight a dynamic singer known as “Mr. Excitement” as well as the “Black Elvis.” And we'll demonstrate how some genuine, original hit 45s by two selected acts are probably not the versions contained on some of the greatest hits collections for these artists that are available on CDs or online downloads. 1966 also was a vintage year for network television – including the debut of the only prime time action-adventure series ever with first run episodes broadcast two nights every week. Our resident Rockologist, Ken Deutsch, will be along to cover that plus some other news worth noting from that memorable year. And Ken will join Radio Dave as we present more of the greatest rock and roll stories on record. Hear it all here.