Podcast appearances and mentions of Prince Valiant

Basée sur un célèbre comics créé en 1937 par Harold Foster, La Légende de Prince Valiant est une coproduction franco-américaine entre la société IDDH et Hearst Entertainment. Elle est diffusée en France à partir d'avril 1992 dans C'est Lulo, sur FR3. Créé par le groupe canadien Exchange, sur des paroles françaises de Bernard Rissol, le générique est chanté par Frédéric Fresson...

Mememes: Onward (film); John Carpenter's Vampires (film); Kajillionaire (film); Prince Valiant (film); True Blood (tv); My Hero Academia (tv)

MJ welcomes Alan Oppenheimer, a legendary actor with a career spanning over 70 years. The conversation explores their deep friendship, Alan's vibrant spirit, and his remarkable journey through Hollywood. They share laughter, stories of love, and insights into the entertainment industry, highlighting Alan's experiences and the importance of positivity and romance in life. In this engaging conversation, Alan Oppenheimer and MJ delve into personal stories about relationships, career milestones, and the lessons learned throughout their lives. They reflect on the beauty of aging, the importance of living in the moment, and the value of communication and honesty in relationships. Alan shares anecdotes from his Broadway career and discusses the unexpected turns in his life that led to significant opportunities. The conversation is filled with humor, wisdom, and a deep appreciation for the journey of life. More about Alan Oppenheimer: Alan Oppenheimer is recognized as the voice of many characters, often for Filmation in the 1970s and 1980s, such as Mighty Mouse, Ming the Merciless on Flash Gordon, the Overlord on BlackStar, and Skeletor, Man-At-Arms and Mer-Man from Filmation's 1980s cartoon He-Man and the Masters of the Universe. Other notable voice roles include Thundarr the Barbarian, Vanity on The Smurfs, Rhinokey and Crock from The Wuzzles and Falkor, Gmork, Rockbiter, and the Narrator from 1984's The NeverEnding Story. In the early 1990s, Oppenheimer was the voice of Merlin in The Legend of Prince Valiant. He also performed various supporting roles in various incarnations of Scooby Doo. He took over the voice of Roger Smith's butler Norman Burg in the second season of The Big O. Oppenheimer also worked on The Transformers, most notably as two contrasting characters, the pacifist Beachcomber and the bellicose Warpath.. He was the voice of Alistair Crane on the soap opera Passions. Oppenheimer recently provided the voice of the Scientist for the film “9.” Oppenheimer's repertoire also includes video games, voicing Dr. Piotr Ivanovich in Soldier of Fortune II: Double Helix, Prometheus in God of War II and Jandor the Airship Captain in Nox. In Fallout: Brotherhood of Steel, he spoke the part of Harold, an ancient mutated survivor of nuclear holocaust who has appeared in four of the Fallout series games. Oppenheimer was Dr. Rudy Wells in the Six Million Dollar Man. He was nominated for an Emmy for ‘MURPHY BROWN' and starred in many TV shows and films, including LITTLE BIG MAN, THE HINDENBURG, FREAKY FRIDAY. He also co-starred on Broadway as Cecil B. DeMille in SUNSET BOULEVARD.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready to rethink everything you knew about comic book movies. They're not a recent phenomenon! Join us as we explore the rich history of comics in film, starting from the late 1880s up to the groundbreaking release of "Batman" in 1989. Discover how early comic book adaptations shaped pop culture long before today's blockbuster hits and how the infamous "Seduction of the Innocent" almost derailed the entire industry.Ever heard of Golden Bat, the superhero who predates Superman and Batman? We'll take you on a journey through forgotten classics like the 1950 tokusatsu film and other early comic book adaptations, recounting personal anecdotes and cultural impacts. We also delve into the significant influence of Osamu Tezuka, the father of modern manga, and the uncanny parallels between his work and Disney's "The Lion King." Enjoy a nostalgic trip through characters like Prince Valiant, Sheena, Queen of the Jungle, and Dennis the Menace, as we discuss their evolution from comic strips to the silver screen.Jumping into the 60s and beyond, we analyze iconic TV shows and movies like the Green Hornet, "Barbarella," and "Modesty Blaise." We also reflect on the enduring legacy of the Incredible Hulk, Little Orphan Annie, Swamp Thing, and Conan the Barbarian. Through all this, we stress the importance of supporting your local comic shops and engaging with the comic book community. From humorous insights to critical reflections, this episode promises a captivating discussion on the enduring influence of comic books in film and pop culture.

What does an insulted German aristocrat, pulp comics, Prince Valiant, Blue Beetle, Captain America, Stan Lee and,  World War II all have in common? All of them are the different panels in the life of Jack Kirby. Known as the "King of Comics," Jack Kirby's groundbreaking artistry and innovative storytelling transformed the comic book industry, leaving a legacy that's still felt today. From the cosmic realms of Darkseid to the vibrant, otherworldly landscapes of the New Gods, Kirby's creations have captivated fans for generations. So, buckle up as we explore the universe of Jack Kirby, where imagination knows no bounds and every page is a new adventure. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Missing Chapter Podcast website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for more information, previous episodes, and professional development opportunities. --- Support this podcast: https://podcasters.spotify.com/pod/show/themissingchapter/support

Review of Legend of Prince Valiant #36 Crossbow. We took extra time editing out all the funny content to make this our shortest episode ever. Opening: https://www.youtube.com/watch?v=v87iwPlNBcY Episode: https://www.youtube.com/watch?v=I1Rec-ah8q0

Everyone knows Prince Valiant, the comic strip that's NO FUN. You look at that wall of text and those serious illustrations and you just know this is a scam -- it's no whimsical fun comic strip, it's probably trying to teach you something! In 1997, Prince Valiant was adapted into a theatrical film with Katherine Heigl, Ron Pearlman, Warwick Davis, and Joanna Lumley, which, in a different world, might have filled the Krull-shaped hole in our hearts... If only!

Everyone knows Prince Valiant, the comic strip that's NO FUN. You look at that wall of text and those serious illustrations and you just know this is a scam -- it's no whimsical fun comic strip, it's probably trying to teach you something! In 1997, Prince Valiant was adapted into a theatrical film with Katherine Heigl, Ron Pearlman, Warwick Davis, and Joanna Lumley, which, in a different world, might have filled the Krull-shaped hole in our hearts... If only!

We've weathered several recessions and a pandemic, but there's an ever-present threat of ... Green Fuz. It all started back in 1968, when The Green Fuz had everything go wrong at the Crossroads Cafe in Bridgeport, Texas, and there's been several sightings of the escaped mold spores ever since. The original is primo primitive, a legendary tune amongst the garage gang - just ask your local weirdo with a Prince Valiant haircut. But why is there a Max Roach solo in there? We of course discuss the version by The Cramps, and we throw in a spaghetti western adaptation by The Lemonheads, plus there's a Farsi-language version by Habibi! You better run!!

1. Prince Valiant Returns to Royal Duties as Mystery Over Missing Middleton is Solved!2. Aaron Taylor-Johnson Lands 007 Role - Idris Elba Snubbed for Being Too Old?3. Real-Life Couples Can't Fake On-Screen Passion - Intimacy Coaches Called In!4. Jonas-Turner Divorce War Explodes - Battle Over Kids Turns Ugly!5. Pitt Crushes Ex Jolie in Brutal French Winery Brawl!

In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century. In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance. Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century. In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance. Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century. In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance. Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century. In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance. Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century. In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance. Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century. In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance. Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Medievalist Comics and the American Century (UP of Mississippi, 2016), Chris Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century. In this interview Dr. Bishop talks about the uses and abuses of classical and medieval texts in popular media, the value of studying flops, and how we all might misunderstand history for our own reassurance. Dr. Chris Bishop is a honorary lecturer at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as on comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research, which led to the publication of the book. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Beat the Kayfabe Effect at our Patreon: https://patreon.com/cartoonistkayfabe Ed's Links (Order RED ROOM!, Patreon, etc): https://linktr.ee/edpiskor Jim's Links (Patreon, Store, social media): https://linktr.ee/jimrugg ------------------------- E-NEWSLETTER: Keep up with all things Cartoonist Kayfabe through our newsletter! News, appearances, special offers, and more - signup here for free: https://cartoonistkayfabe.substack.com/ --------------------- SNAIL MAIL! Cartoonist Kayfabe, PO Box 3071, Munhall, Pa 15120 --------------------- T-SHIRTS and MERCH: https://shop.spreadshirt.com/cartoonist-kayfabe --------------------- Connect with us: Instagram: https://www.instagram.com/cartoonist.kayfabe/ Twitter: https://twitter.com/CartoonKayfabe Facebook: https://www.facebook.com/Cartoonist.Kayfabe Ed's Contact info: https://Patreon.com/edpiskor https://www.instagram.com/ed_piskor https://www.twitter.com/edpiskor https://www.amazon.com/Ed-Piskor/e/B00LDURW7A/ref=dp_byline_cont_book_1 Jim's contact info: https://www.patreon.com/jimrugg https://www.jimrugg.com/shop https://www.instagram.com/jimruggart https://www.twitter.com/jimruggart https://www.amazon.com/Jim-Rugg/e/B0034Q8PH2/ref=sr_tc_2_0?qid=1543440388&sr=1-2-ent

Le vocable "Moyen Âge" a été inventé à la Renaissance pour désigner un âge supposé sombre, coincé entre deux périodes brillantes. Aujourd'hui, le regard sur le Moyen Âge est plus contrasté mais les stéréotypes sont tenaces. Dans la bande dessinée, cette période a régulièrement été instrumentalisée à des fins de politisation des jeunes lecteurs un peu partout en Europe. Laurent Huguenin-Elie s'est rendu à la dernière édition des rendez-vous de l'Histoire à Blois pour rencontrer Tristan Martine, maître de conférences en histoire médiévale et spécialiste de la bande dessinée. Illustration: couverture de l'album "Le complot diabolique" (1974), un épisode de la série "Prince Vaillant" par Harold R Foster (éd. Hachette). "Prince Valiant in the Days of King Arthur" est une bande dessinée américaine créée en 1937. Bien que ces aventures soit manifestement censées se dérouler durant le Bas-Empire romain, Foster y a incorporé des éléments anachroniques: des drakkars vikings, des musulmans, des alchimistes et des avancées technologiques datant de la Renaissance. (© Foster/Hachette)

Welcome to the Instant Trivia podcast episode 818, where we ask the best trivia on the Internet. Round 1. Category: the inc.-uisition 1: This Michigan company formerly had a 30-minute pizza delivery guarantee. Domino's Pizza. 2: The rhyming New England chain Stop and do this is mentioned in the classic song "Roadrunner". Shop. 3: Made for over a century by Hillerich and Bradsby Inc., it's the best-known brand of baseball bat. Louisville Slugger. 4: In the '90s this clothing retailer introduced a "Crewcuts" line for kids. J. Crew. 5: In 1989 the company called Corning these Works became simply Corning Inc.. Corning Glass Works. Round 2. Category: nations of africa 1: Add 2 letters to Niger to get the name of this country just south of it. Nigeria. 2: In a song title, this country whose capital is Nairobi might come before "Feel the Love Tonight". Kenya. 3: In a song title, this country whose capital is Accra might come before "Fly Now". Ghana. 4: (Hi, I'm NBA All-Star Dikembe Mutombo) One of the many languages I speak is this official one of my birthplace, Congo. French. 5: Milton Obote, no bargain either, ran this country before and after Idi Amin. Uganda. Round 3. Category: movie princes 1: R. Chamberlain was charming as the prince in "The Slipper and the Rose", a movie based on this. "Cinderella". 2: In her last Hollywood film, "The Swan", she was engaged to a prince named Albert, not Prince Rainier. Grace Kelly. 3: Prince, the rock star, began his reign as a movie star in this, his 1st film. Purple Rain. 4: In 1954 Robert Wagner played this comic strip cutie. Prince Valiant. 5: Mario Lanza was fired from this movie operetta, but the songs he recorded are still in the film. The Student Prince. Round 4. Category: brave words 1: This song calls the U.S. "The land of the free and the home of the brave". "Star-Spangled Banner". 2: "A hero is brave in deeds as well as words" is the moral of one of his fables. Aesop. 3: "It is hard to be brave", said this friend of Winnie-The-Pooh, "when you're only a very small animal". Piglet. 4: In his "Plea For" this abolitionist, Thoreau asked, "When were the good and the brave ever in a majority?". John Brown. 5: This 20th century novelist defined "guts" as "grace under pressure". Ernest Hemingway. Round 5. Category: nyc street foods 1: (Sofia is on Park Avenue, enjoying a pretzel, when....) Oops! I forgot to get a side of this traditional yellow condiment. mustard. 2: (Sofia is tasting a Mediterranean delicacy.) This pita contains little balls of this, a deep-fried Mideast treat made from chickpeas or fava beans. falafel. 3: (Sofia is enjoying a foreign potato product.) From the Ukranian for "dumpling", it's the name of the potato product I'm eating. knish. 4: (Sofia holds up a slice of thin-crust pizza.) You can get pizza New York-style or in this thicker style named for an Italian island. Sicilian. 5: (Sofia wraps up our taste of the Big Apple--with a stomache--and a bottle of a well-known product for curing such.) Fortunately, also available in New York is this Procter and Gamble tummy-soothing liquid. Pepto-Bismol. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

A week late and Dave Sim and Manly Matt Dow return with the best Please Hold For Dave Sim since the last one! In this one: Steve Peters (who has a new comic on crowdfunder) remembers Jeff Seiler Hal Foster tries to get a Sunday page from Milt Caniff (in 1939) (And Dave and Matt discuss the letter Hal sent) Dave doesn't believe Austin Briggs kid's story about Alex Raymond: SPEED FREAK! Mike(MJ) Sewall wants to know what Dave's plan is after he's dead (Dave, not Mike.) Eddie. Eddie is the plan... Michael R. of Easton, PA wants to know about Dave's collection of Canadian Price Variants Margaret Liss has a question about Dave's notebooks. (She always has questions about Dave's notebooks...) And Rick Norwood (of the Comics Revue Norwoods) asks about Politics and Prince Valiant... Which leads to a question Dave got in the mail from Travis H. In. The. Mail! All that and how Dennis Kitchen was almost sorta kinda (if you squint) Matt's Daddy! (Not really...) --- Support this podcast: https://podcasters.spotify.com/pod/show/matt-dow/support

So, the government really did bug Edda's bikini bottoms. And her response to that is to dangle her recently removed bikini from a window to confuse the agents of the Creepy National Furtiveness Agency (you know, the CNFA). Somehow, Edda knows to lower the bikini bottom down to the open window (she knows it's open somehow?) where two children are talking about inflatable office buildings. As if "inflatable office building" is a toy that children can buy and/or would be interested in for some reason. The children talking about "blowing up" these inflatable buildings convinces the CNFA that actual buildings are being exploded. So they arrest Amos & Edda (hooray!) only to let them go immediately (boo!). They explain that they overheard the plot on Edda's bugged bikini bottom. Edda, wearing a dress, explains that she is not in fact wearing her bikini bottom under her dress. Because that is something that needs to be clarified. Edda talking about not wearing her bikini bottom convinces the CNFA agents that she's likely not wearing underwear, I guess. So it short circuits their brains, because that's what women talking about undergarments does to men ALWAYS. Edda & Amos leave the short-circuited agents in their apartment and go to dinner. And at dinner, Edda tells Amos she's not wearing her bikini bottom and that short-circuits him too. Because men are incapable of hearing about undergarments without being paralyzed. Fun stuff! (Part 2 of 2) The Chickweed strips we discuss this episode: Prince Valiant and the Hyena Girl examine the inflatable office buildings here (https://twitter.com/9chickweedRAGE/status/1579139678393237504?s=20&t=mSGuuhAbe4_ToGTx-mDr7g). Things escalate and Edda & Amos are arrested here (https://twitter.com/9chickweedRAGE/status/1579139684352999424?s=20&t=mSGuuhAbe4_ToGTx-mDr7g). Adult human men are incapacitated when a woman speaks about her undergarments here (https://twitter.com/9chickweedRAGE/status/1579139689788846080?s=20&t=mSGuuhAbe4_ToGTx-mDr7g). This episode's bottom-less journey includes: Swedish accent Diminishing returns Brooke's (Dillman) home phone number Microphones McEldowney's horrible blog "As Time Goes By" Alan Dean Foster Pibgorn Amos & Edda Prince Valiant Hyena Dick jokes Greek mythology Dominatrixes Looking For Mr. Goodbar Goodyear Blimp Murder Mysteries Inflatable Cotton Exchange The Lehman Trilogy Erector Sets The New York Central Office Building Sirens Urine Duane Reade Headphones Richard Belzer / Jay Leno Show Notes The best of the Swedish Chef (https://youtu.be/YN1hL9cn7s0). If you want to read the Brooke McEldowney interview (https://chickweedcafe.blogspot.com/p/alan-dean-foster-asks.html), you can't claim you weren't warned. "As Time Goes By" (https://www.youtube.com/watch?v=d22CiKMPpaY) from Casablanca Bathe in the magnificence of the Prince Valiant haircut (https://www.google.com/search?q=prince+valiant+haircut&sxsrf=ALiCzsaosWGe5UqbdoEG4sOJTOi8ca0QVw:1665173499169&source=lnms&tbm=isch&sa=X&ved=2ahUKEwjl1qDX9s76AhVcLkQIHVeACr8Q_AUoAXoECAIQAw&biw=1318&bih=754&dpr=1). What exactly is a Gorgon (https://www.britannica.com/topic/Gorgon)? Is a dominatrix always a sexual thing? I mean, not necessarily, but also yes, probably (https://www.shape.com/lifestyle/sex-and-love/what-is-a-dominatrix)? That Old Black Magic (https://www.youtube.com/watch?v=Qpjxx9BOm-0) Talk to Us! Having trouble understanding what's going on in a 9 Chickweed Lane strip you just read? Send it our way! We'll take a shot at interpreting it for you! Or maybe you just want someone to talk to? We're on Twitter: @9ChickweedRAGE (https://twitter.com/9chickweedRAGE)

The MacArthur Memorial has a collection of 31 works of art by John Cullen Murphy as well as an additional 2 works on loan to the museum. Why? While Murphy is famous for his work as the illustrator for the comics Big Ben Bolt and Prince Valiant, he was also a veteran of the Pacific War and an aide to one of MacArthur's generals. People often refer to MacArthur's staff as his “court.” We've talked about why that's true (and not true) on other podcast episodes, but in this case, it's an interesting way to think about the connection between Murphy and MacArthur. Every court has a court painter/artist. MacArthur had signal corps photographer Gaetano Faillace who captured many of the iconic MacArthur images of the war, but Murphy was clearly the artist of MacArthur's HQ. To discuss Murphy, WWII, and the MacArthurs, the MacArthur Memorial Podcast interviewed Andrew Woelflein, presiding trustee of the Anne SK Brown Military Collection at Brown University - one of the largest military art collections in the US. 

Katie and Sally are joined by John Vasquez Mejias to discuss "Conan The Barbarian Epic Collection: The Original Marvel Years - The Coming Of Conan" (1970-1972) by Barry Windsor-Smith and Roy Thomas. Topics discussed include Marie Severin, X-Men, Jack Kirby, elephants, Conan Exiles, Monsters, Prince Valiant, and lots more. Visit Katie and Sally at Autoptic Festival in Minneapolis on August 13 & 14! Details at autoptic.org. Find John's work at johnvasquezmejias.com and follow him on Instagram @john_vasquez_mejias. Support Thick Lines at patreon.com/thicklinespod and follow us on Instagram @thicklinespod.

For a period of about 50 years, many of America’s top cartoonists and illustrators lived within a stone’s throw of one another in the southwestern corner of Connecticut. Comic strips and gag cartoons read by hundreds of millions were created in this tight-knit group — Prince Valiant, Superman, Beetle Bailey, Hägar the Horrible, Hi and Lois, Nancy, The Wizard of Id, Family Circus … I could keep going. This hour, a look at the funny pages, and at Connecticut’s cartoon county. GUESTS: Bill Griffith: The creator and author of the daily comic strip Zippy Henry McNulty: A writer and editor who worked for the Hartford Courant for more than 25 years Cullen Murphy: Editor-at-large for Vanity Fair and the author of Cartoon County: My Father and His Friends in the Golden Age of Make-Believe The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe, Kevin MacDermott, and Chion Wolf contributed to this show, which originally aired January 11, 2018.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

In his mission to further illuminate the not-so-brightly lit corners of the Amazing Comics Group, our Host describes the various features of Amazing Weekly with a wit wetted by wine and Pepsi. Take #116 for example. Cover by L.B. Cole, a Thun'da story by Frank Frazetta, a Plastic Man adventure by Jack Cole, Spacehawk by Basil Wolverton, a western tale by Everett Raymond Kinstler, a Prince Valiant reprint by Hal Foster, a classic post-war Spirit by Will Eisner, Hey Look by Harvey Kurtzman, a romance comic by Jack Kirby and Joe Simon, Babe by Boody Rogers, and a Bernard Krigstein story. Now that's a gonga!

Harvey Brownstone conducts an in-depth interview with Legendary Actor, Producer and Author, Robert Wagner About Harvey's guest: Robert Wagner is one of the most popular and successful stars in the entertainment industry, boasting three hit television series and an impressive list of both feature and television films.  He has acted in over 100 films and made hundreds of television appearances in his 70+ year career.   As a young man under contract to 20th Century Fox, Robert Wagner was cast by Darryl F. Zanuck in With a Song in My Heart. Although the part lasted a scant minute, his performance as a crippled soldier responding to the song of Susan Hayward's Jane Froman brought immediate public reaction to the studio. Spencer Tracy saw his performance in Beneath the Twelve Mile Reef and requested Wagner for the role of his son in Broken Lance. Tracy was so impressed with Wagner, he cast him again as his brother in The Mountain. A small sample of Wagner's numerous film credits includes Dragon: The Bruce Lee Story, The Pink Panther, The Curse of the Pink Panther, Midway, The Towering Inferno, Banning, Harper, Prince Valiant, The True Story of Jesse James, and All the Fine Young Cannibals. He starred with Joanne Woodward in her film debut, A Kiss Before Dying.  Antonio Banderas directed Wagner in Crazy in Alabama.  In the 1990s, he was introduced to a new legion of fans with the role of Number Two, the villainous henchman to Dr. Evil, the archenemy of Mike Myers' title character in the Austin Powers trilogy.  On television, Wagner starred in three long-running series.  He was nominated for an Emmy for his role as suave cat-burglar Alexander Mundy in It Takes a Thief with Malachi Throne and Fred Astaire.  He portrayed con man-turned-detective Pete Ryan in Switch with Eddie Albert and Sharon Gless.  And Wagner became a fan favorite as the debonair and charming millionaire/amateur detective Jonathan Hart in Hart to Hart with Stefanie Powers. Other illustrious television performances include starring with Jaclyn Smith in the top-rated miniseries, Windmills of the Gods — based on Sidney Sheldon's best-selling novel; Angie Dickinson in the miniseries Pearl; Audrey Hepburn in Love Among Thieves; Lesley Anne Down in Indiscreet; and Elizabeth Taylor in There Must Be a Pony, which he also executive-produced. He appeared alongside such notable names as Philip Casnoff, Kyle Chandler, Cathy Lee Crosby, Leslie-Ann Down, and Billy Dee Williams in North and South: Book 3, Heaven and Hell.  Sir Laurence Olivier chose Wagner to star with him in the television adaptation of Cat on a Hot Tin Roof.  Wagner's wife, the late Natalie Wood, co-starred with them. In addition to his film and television ventures, Robert toured the world performing in A.R. Gurney's Love Letters with Stefanie Powers.  They were the first to launch the tour internationally. After his tour with Powers ended, Wagner enjoyed the play so much, he continued performing it at charity events and around the world with his wife, actress Jill St. John. Away from the acting world, Robert Wagner has long been a fan of golf and boasted a five handicap. He once beat professional golfer  Sam Snead in a head-to-head competition.  Footage of this win is posted in the Video section of this page under Additional Videos.  For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/https://www.robert-wagner.com/ https://www.facebook.com/groups/277363364879/ https://www.instagram.com/robertwagnerofficial/#RobertWagner    #harveybrownstoneinterviews

In this episode, Carsten & Stephen have a look at a selection of adventure films and dramas inspired by the sagas of those bold raiders from the north, the Vikings, currently represented in theatres by The Lighthouse director Robert Eggers' highly anticipated big screen saga The Northman. Stephen & Carsten put out their oars and row their way through Viking films past and present, from Hollywood adventures like Prince Valiant (based on Halifax artist Hal Foster's classic comic strip) and The Vikings with Kurt Douglas to modern-day adaptations like Beowulf & Grendel and The Last King. Follow us on twitter: @Lensmeyourears and like us on Facebook! Stephen's twitter:@NS_scooke Carsten's twitter: @FlawInTheIris

This episode Mike celebrates the 85th anniversary of the Prince Valiant comic strip!

Ed's Links (Order RED ROOM!, Patreon, etc): https://linktr.ee/edpiskor Jim's Links (Patreon, Store, social media): https://linktr.ee/jimrugg ------------------------- E-NEWSLETTER: Keep up with all things Cartoonist Kayfabe through our new newsletter! News, appearances, special offers, and more - signup here for free: https://bit.ly/3eFPJ7b --------------------- SNAIL MAIL! Cartoonist Kayfabe, PO Box 3071, Munhall, Pa 15120 --------------------- T-SHIRTS and MERCH: https://shop.spreadshirt.com/cartoonist-kayfabe --------------------- Connect with us: Instagram: https://www.instagram.com/cartoonist.kayfabe/ Twitter: https://twitter.com/CartoonKayfabe Facebook: https://www.facebook.com/Cartoonist.Kayfabe Ed's Contact info: https://Patreon.com/edpiskor https://www.instagram.com/ed_piskor https://www.twitter.com/edpiskor https://www.amazon.com/Ed-Piskor/e/B00LDURW7A/ref=dp_byline_cont_book_1 Jim's contact info: https://www.patreon.com/jimrugg https://www.jimrugg.com/shop https://www.instagram.com/jimruggart https://www.twitter.com/jimruggart https://www.amazon.com/Jim-Rugg/e/B0034Q8PH2/ref=sr_tc_2_0?qid=1543440388&sr=1-2-ent

Do YOU need Younger Stocks!?  Ask Alex the Greek, Prince Valiant, or Cutoffs & Koozies Portfolio Manager DV so you don’t get left holding the bag in a trade that’s overcrowded with plausible deniability.  Sign up for our short, Spam Free Daily Market Insight Video Newsletter

Do YOU need Younger Stocks!?  Ask Alex the Greek, Prince Valiant, or Cutoffs & Koozies Portfolio Manager DV so you don't get left holding the bag in a trade that's overcrowded with plausible deniability.  Sign up for our short, Spam Free Daily Market Insight Video Newsletter

On the pod this week all four hosts discuss the disgusting, disquieting, damn-good graphic novel BLACK HOLE by Charles Burns. We'll get into whether or not there are any blonde people in Burns' woodcut world, engage in the eternal debate between paperback and hardback editions, and briefly mention the long-dead serialized comic Prince Valiant! Plus, a game by Bailey and Dillon???

The new exhibition "Enchanted: A History of Fantasy Illustration" is now on display at the Norman Rockwell Museum in Stockbridge, Massachusetts. The exhibition presents the immutable concepts of mythology, fairy tales, fables, good versus evil, and heroes and villains through paintings, etchings, drawings, and digital art created by artists from long ago to illustrators working today. Mythology explores the adventures of Apollo and Thor, Perseus rescuing Andromeda with the head of Medusa, and the labours of Hercules; fairy tales depict the worlds of elves, fairies, and mermaids, and conjure dreams of Little Nemo in Slumberland, Alice in Wonderland, and Cinderella; heroes and villains follow the exploits of Arthurian legends, Prince Valiant, Conan the Barbarian, and The Lord of the Rings; and haunting images of sorcerers and witches, and battles between angels and demons embody the struggle between good and evil. That is a LOT is one exhibit. Jesse Kowalski, Curator of Exhibitions at

For a period of about 50 years, many of America's top cartoonists and illustrators lived within a stone's throw of one another in the southwestern corner of Connecticut. Comic strips and gag cartoons read by hundreds of millions were created in this tight-knit group -- Prince Valiant, Superman, Beetle Bailey, Hägar the Horrible, Hi and Lois, Nancy, The Wizard of Id, Family Circus... I could keep going. This hour, a look at the funny pages, and at Connecticut's cartoon county. GUESTS: Bill Griffith - The creator and author of the daily comic strip Zippy Henry McNulty - A writer and editor who worked for the Hartford Courant for more than 25 years Cullen Murphy - Editor-at-large for Vanity Fair and the author of Cartoon County: My Father and His Friends in the Golden Age of Make-Believe Join the conversation on Facebook and Twitter. Colin McEnroe, Kevin MacDermott, and Chion Wolf contributed to this show, which originally aired January 11, 2018.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Noelle North: Cubbi Gummi & Princess Calla (Disney's Adventures of the Gummi Bears), Slouchy Smurfling (The Smurfs), Twilight (My Little Pony), and Rowanne (Legend of Prince Valiant) --- joins Tim Nydell (of Saturday Morning Rewind) to talk all about her voice over career!   If you want to WATCH the full interview - hop on over to Tim's YouTube Channel: https://www.youtube.com/c/TimNydell We would like to thank our Patreon supporters for this month:     Mike Clemons Gemma Bright Torrie Garvin Chris          Alan          Visit our Patreon page and get some rewards for donating each month: PATREON Check out our CLOTHING LINE: REWIND WEAR Don't forget to donate to help keep us going - even if it's two dollars: DONATE Please rate us on iTunes: iTunes Visit our website: www.SaturdayMorningRewind.com Follow us on Twitter: @SaturdayRewind Follow us on Facebook: Facebook Follow us on Instagram: @SaturdayRewind

Welcome to Genre Talk, a podcast for fans by fans. Peter and Bryan created it out of their own fandom of many things and hope to share with you guests and conversations that celebrate the things we all love. This week's guests are TV writers Brooks Wachtel and Shari Goodhartz. Brooks has written for A & E's Dogfights, Clifford The Big Red Dog, Spider-Man, X-Men, and The Legend of Prince Valiant, among others, and is the author of the novel Lady Sherlock, which was edited by Shari. Shari has written for Star Trek: The Next Generation, Bonkers, and Exosquad--which Brooks also wrote for--amongst others. They join us to discuss writing and the creative process behind Lady Sherlock. To continue the conversation, find Brooks online at the Lady Sherlock Page or IMDB. Find Shari on IMDB. Don't forget to check out our Facebook page: https://www.facebook.com/GenreTalkPodcast/ where you can post questions to Brooks and Shari and us yourself starting Wednesday as a follow up to this interview. Also our Twitter at: https://twitter.com/genretalk. Meanwhile, thanks for listening. Please let us know how you enjoy the show, and please tell your friends. To sign up as a future guest fan co-host, email us at genretalkpodcast@gmail.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/genretalkpodcast/support

On this week's comic book review podcast: Crossover #1 Image Comics Story by Donny Cates Art by Geoff Shaw Sweet Tooth: The Return #1 DC Comics Creator, writer, artist Jeff Lemire Wolverine: Black, White & Blood #1 Marvel Comics Written by Gerry Duggan, Matthew Rosenberg and Declan Shalvey Art by Adam Kubert, Joshua Cassara and Declan Shalvey Origins #1 BOOM! Studios Created by Arash Amel, Lee Krieger and Joseph Oxford Script by Clay McLeod Chapman Art by Jakub Rebelka Stranger Things and Dungeons & Dragons #1 Dark Horse Comics/IDW Written by Jody Houser & Jim Zub Line art by Diego Galindo Backtrack #8 Oni Press Written by Brian Jones Art by Jake Elphick U.S.Agent #1 Marvel Comics Written by Priest Art by Georges Jeanty That Texas Blood #5 Image Comics By Chris Condon and Jacob Phillips Mighty Morphin' #1 BOOM! Studios Written by Ryan Parrott Illustrated by Marco Renna Spy Island #3 Dark Horse Comics Written bye Chelsea Cain Art by Lea Mitternique Web of Venom: Empyre's End #1 Marvel Comics Written by Clay McLeod Chapman Art by Guiu Villanova Batman #102 DC Comics Written by James Tynion IV Art by Carlo Pagulayan Dryad #6 Oni Press Written by Kurtis Wiebe Illustrated by Justin Barcelo The Goddamned: The Virgin Brides #4 Image Comics Written by Jason Aaron Art by r.m. Guéra Thor #9 Marvel Comics Written by Donny Cates Art by Nic Klein Wicked Things #6 BOOM! Box Created and written by John Allison Art by Max Sarin DCeased: Dead Planet #5 DC Comics Written by Tom Taylor Art by Trevor Hairsine Inkblot #3 Image Comics Written by Emma Kubert Art by Rusty Gladd X-Men #14 Marvel Comics Written by Jonathan Hickman Art by Mahmud Asrar and Leinil Yu Marauders #14 Marvel Comics Written by Gerry Duggan Art by Stefano Caselli SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript: Alex:                 What's up, everybody? Welcome to The Stack. I'm Alex. Justin:              I'm Justin. Pete:                I'm Pete. Alex:                 And on The Stack, we talk about a bunch of comic books that have come out this week. Pete:                We sure do. Justin:              Yeah. Alex:                 This is the main thing people are concerned about right now is new comics. That's what we're all talking about on this Wednesday morning. So let's get into it. Let's talk about new comics. Let's just chill out and have a good time and not stress about absolutely anything else going on in the world. Kick it off with Crossover #1 from Image Comics, story by Donny Cates, art by Jeff Shaw. This is a highly anticipated comic. And I got to say, I feel like it was worth the wait. If you didn't pick it up, mild spoilers here. But the idea of the book is it takes place in a world where a comic book crossover suddenly pops up in the real world, in Colorado, essentially changing the entire world. And a bunch of things reverberate off of there years later, as we meet various characters who have been affected by this comic book crossover. What did guys think about this book? Pete:                Well, from the cover, I really wanted to get blasted in the face with a rainbow. And I'm glad that they took the time to make sure that happened in the comic, so- Justin:              So you felt like you got blasted in the face? Pete:                Yeah, yeah. I felt like they did a good job of getting that across. Justin:              I like this book a lot as well. It's one of those like, bang bang premise books where it's just like, this is it. And then it's like you slowly then start to meet the characters. And I do think in this book specifically, you don't really get too much of a sense of the characters by the end of the first issue. But the premise is such a sort of satisfying idea that I think it sells it on that alone. Pete:                Can I just be the guy who says the thing we're all thinking? That little girl in the comic, shitty artist, she's probably not going to be able to get any work. Justin:              Wow. Because she's got dots. Alex:                 No, no she draws- Pete:                No, because of her artist skills. Alex:                 Yeah, she draws a not so great drawing by the end of the book. Justin:              I see, I see, I got you. Oh at the end, yes. Alex:                 What I really appreciate about this, like you're saying Justin is, there's so many things that are nicely set up in this book beyond the central concept of the book. It's such, as usual, smart writings from Donny Cates. It also really stretches Jeff Shaw, in terms of multiple comic book styles. The promise here is that Donnie and Jeff have gotten characters that we know. This isn't just them, creating a world whole cloth. This is also them bringing in characters from Image from other comic book companies, that this is legitimately a actual comic book crossover. And we haven't quite gotten there yet. Because most of it, we're spending outside of Colorado and the ground zero zone where it all goes down. Alex:                 But the promise is, we're going to get there soon. And I would be shocked if we don't get things like Rick Grimes walking in front of a comic book store, Savage Dragon popping through. At least all of these Image Comics characters, and potentially some DC and Marvel characters through as well. As long as it stays grounded in those characters, the main characters of the book, I think it's going to be a wild ride to take. Justin:              Yeah, and the revelation at the end of the first issue was like, “Oh, shit, can they do this?” And I think that's a great feeling to have at the end of an issue. Like, can they pull this off? And feeling like, “Well, this issue is good.” So yeah, they probably can. Alex:                 Yeah. Pete:                It'll be interesting. I think it does a good job of being like, “Here is something that… We all know what a crossover means. Like, here's the title that's going to grab you and then kind of try to put a twist on it.” And it is that will they be able to pull this off? And that's very exciting for a first issue. Alex:                 Let's talk about another book that probably shouldn't work. But I think of course totally does. Sweet Tooth: The Return #1 from DC Comics creator, writer and artist, Jeff Lemire. As you can figure out from the title, this is Jeff Lemire, returning to a almost perfect comic book series, Sweet Tooth years later, that was about a young animal boy that pairs up with an old man journeys through a post apocalyptic world try to find Safe harbor. They eventually kind of found it. And this picks up as happens in the first panel of the first issue, 300 years later, except things are happening again. As they say in old Twin Peaks, it is happening again. And that's definitely a lot of the vibe that I think we get here. Man, I loved this book and the audacity of it and the fact that I have no idea where it's going to go. Particularly by the end, how'd you guys feel? Justin:              I agree with you like the idea of setting the premise like, oh, the story is starting over and we're hitting very similar beats, but in a totally different world, means they're going to just like totally throw that out of whack. Like very quickly, I think. And I love Sweet Tooth. It's such a distinct book, and to be able to see it back on the shelves in a limited series though. Right. So that's a totally different thing. Alex:                 Yes. Pete What do you think about this one? You're a big Sweet Tooth fan. Pete:                Yeah, this was- Justin:              You got a real sweet tooth. Pete:                Yeah, it just… Don't get me started, I eat so much fucking candy. Alex:                 Hey Pete you got the sweetest teeth I've ever seen. Justin:              Hey it's Sweet Pete. Who's here? It's Sweetie Petey. Looking for his little sugar lick. Alex:                 Sweet Pete you want one of your meat treats? Pete:                When you guys are done. Alex:                 Never. Justin:              Never done. Pete:                So Black Label's putting this, which is interesting. It means they can kind of get a little crazier. So it'll be interesting to see how much they push on that side. But I thought like the art was great. It really felt like Sweet Tooth. I thought it was very kind of weird world that he kind of woke up in. This inside, but kind of outside world. So I think they did a good job being like, “Hey, remember everything you love still here? New-ish kind of scenario. Come along for this ride.” And I think yeah, it does a great job of getting you excited for another story, with this team with this kind of gang that we know and love. So I think they did a great job of kind of returning to the well on this. Alex:                 Yeah, I agree. Let's move on to another one that I'm sure you like Pete. Wolverine Black, White and Blood #1 from Marvel Comics written by Gerry Duggan, Matthew Rosenberg, Declan Shalvey, art by Adam Kubert, Joshua Cassara and Declan Shalvey. As you could probably figure out from the title, I think this is an anthology all about Wolverine that uses black, white, and blood and that's pretty much it. So- Justin:              Actual blood. Alex:                 Yeah. Justin:              Human blood is what it's printed in this book. Pete:                So, this is just the story that I need right now. With all the insane shit going on I just want a Wolverine story. Okay, I don't want to have to think about Fuck Island or how many swords, whatever, who's got and read a bunch of fucking menus or articles or whatever the fuck in between panels. Just give me a fucking comic book about Wolverine. Thank you. Yes, this is my favorite pick from the week. I loved it. Great use of red, and then the black and white coloring. This is just a lot of fun and good times. Justin:              Exactly. Pete, you're right. It's so simple. The first story is just a simple story about a man from the 19th century who is born a mutant, has a healing factor he falls in love with the red haired woman. Later he is absorbed into a Weapon X program which is run by a secret government organization. He's experimented on, adamantium is added to his claws for some reason, in his skeletal system. He is then trained to fight using magnets, fight other monsters, that are built in this thing, and that people eventually feel pity for him because he does have some sort of conscience. It's a simple story. Pete:                Yeah it's simple. Just give me a Wolverine story. All right. Alex:                 Classic. It's like Dick and Jane, basically. Justin:              Yes. Exactly, you're talking about of course, the Jim Carrey movie. Alex:                 As usual with this sort of thing I think. Gerry Dugan and Matthew Rosenberg, Declan Shalvey, all good storytellers. Pete:                The Dugs. Alex:                 The Dugs. So they're all solid stories. For my money, the Declan Shalvey- Pete:                Rosenberg's great. Alex:                 … The third story is easily the best one. And I think part of that is that Declan Shalvey, as both the writer and the artist understands the challenge here and creates a story that plays to the strengths of the panels. It's simpler, it's more straightforward. It plays to those splashes, the small splashes both of blood but also the splash of the paddles. And I like that one quite a bit. Personally. Justin:              Interesting. I really like the Weapon X story from Gerry Dugan. Pete:                I loved the Rosenberg story the most. The Wolverine and a baby, I don't need to see that. But [Zaubs 00:09:40] you do you. But what's nice is three stories. If you pick this book up, probably like one of them. I thought this was great. You what you're getting and it delivers. Justin:              One of my favorite movies was Three Claws and a Little Baby. So I get it. Pete:                I thought you were going to say and a little lady, but you didn't. Justin:              No, I preferred baby. Alex:                 That's the sequel. Justin:              The sequel, yeah. Alex:                 Origins- Justin:              One claw's played by Steve Gutenberg, one claw's played by Ted Danson… Pete:                Come on, The Gute- Alex:                 What do you prefer? Do you prefer Three Claws and a Baby or Claws Academy? Justin:              That's though, or the Santa Claws? We're getting to that season. Alex:                 Origins #1 from Boom Studios created by Arash Amel, Lee Krieger and Joseph Oxford, script by Clay McLeod Chapman and art by Jacob Rebelka . I got to tell you I probably should have done some research here because I was very confused about the credits. Is this a video game or was this a previous property Why are there so many creators and a different script writer? What's going on? But as it is the hero here I think is Jacob Rebelka's art which is weird, set in a post-apocalyptic world, there's a bunch of people wandering through. It seems very close to the Museum of Natural History but clearly isn't. They pick up those strawberries but the strawberries are very bad for you. I needed more information personally in this first issue, but I still like the art quite a bit. Justin:              The strawberries are just filled with worms. It's not like they're… Alex:                 Oh, okay. Gotcha. So normal strawberries. Justin:              A normal strawberry. Alex:                 Yes. Justin:              I agree with you, the art in this book is amazing. I'm very intrigued by the story. I don't know exactly what's happening. It feels like there's a some sort of clone baby, but they talk about the baby, who is then later somewhat more of an adult, is named David. But they make it seem like he's famous somehow. Is there a David that you think it is, like David Beckham? Alex:                 Copperfield? Justin:              Oh, yes. When I was five, David Copperfield made me disappear. Pete:                Yeah, you've told us that story. Alex:                 Yeah, we know. Justin:              Have I told you that story? Yeah, well, just letting me know, it's available- Alex:                 Not to interrupt but when I was five, David Beckham made me disappear. Pete:                Wow. Justin:              He bent you out of reality. Alex:                 Pete, what do you think about this one? Pete:                I think the art's are unbelievable. I love the kind of like, seeing the subway entrance in the middle of the grass was kind of really cool. Justin:              It's lush. Pete:                Yeah, it's very creative. It's a cool story. I'm excited to see where this goes. But as of now, it's like, there's this baby named David. And so it's like, is this… Justin:              Oh, David Schwimmer. Pete:                Oh, it's a friend's reference. Because David Schwimmer did have that scene where he got it on in the museum. Justin:              Yes, he worked in a museum and it's in New York. Pete:                Yeah. So that's it, right there. Justin:              And if you're going to need to clone a human to restart the population. You're going to want a Schwimmer. You're going to want to get a Schwimmer. Pete:                Yeah, you're going to want a Schwimmer. Alex:                 You got to yell “Get me the pall bearer.” Justin:              Yes, definitely. Iconic film. Alex:                 Stranger Things Dungeons and Dragons #1 from Dark Horse Comics and [crosstalk 00:13:16]- Pete:                Yeah. Alex:                 Written by Jody Houser and Jim Zub. Line art by Diego Galindo. This is something that Jim Zub plugged on our live show many, many weeks ago at this point. I still kind of didn't know what to expect going in this. But I was surprised how much I enjoyed this. There are less of the Stranger Things and more as an homage, a loving tribute to the history of Dungeons and Dragons is what kind of comes through here. And that's kind of nice. Pete:                Yeah, that's what the Zub-hub was talking about. Like he was really talking about how this really is a love letter to D&D, and kind of really gets into it. And I thought that was a cool kind of way to come at it. You can tell from this, the passion kind of just comes through in the pages. At first when he was telling us on the show, I was like, “Okay.” But this really works in this comic, I thought this was a lot of fun. And I love the kind of little pages at the end where you can kind of start your own. I thought this was great. I thought this was a lot of fun. Justin:              It felt like regular things. It felt like, just things. They were just going about their business as kids. That's not a criticism per se it's just I think this is a hard prequel to the TV show Stranger Things. Bringing in how they got into D&D, which is very cool. And I like this book a lot better than the other Stranger Things book that we read, I think last week, because it feels a little more true to the characters and it feels like in line with the story of the TV show. Pete:                It's going to get strange. All right, they're just kind of starting things out first. Alex:                 Yeah, they've started with Dungeons and Dragons. They're going to move to Advanced Dungeons and Dragon and that's when things are going to get real fucked up. Pete:                Real strange. Justin:              That's crazy. Alex:                 Let's move on to Backtrack #8 from Oni Press written by Brian Joines and are by Jake Elphick. This is, as we've plugged in many, many times, about a Cannonball Run style race but through time. Here mysteries are slowly starting to unfold about the racers who are all tied to the race in different ways. They also end back in pirate times, which is a fun era to put them in. I, as usual, had quite a blast reading this issue. How'd you guys feel about this one? Justin:              It's fun. We're getting into a lot of like, specific character, small moves. And I feel like we're building up towards sort of some big revelations here pretty soon. And yeah, I like them being in pirate times. It's a fun, iconic place for them to be. Pete:                Yeah, it's interesting, because it's like this crazy race throughout time. So you're like, “Oh, Fast and Furious meets Back to the Future.” But like, what's great is we're getting as we're in this insane race, we're getting little kind of windows into people's backstory, why they're here, why they are the way that they are. And it's nicely layered, like some comics issues are more focused on the race. This one's a little bit more focused on the kind of story, which is good. This comic continues to be really great, the art is fantastic. And it really adjusts to what time period it's in such a great way. Alex:                 I also like that we've finally gotten to a point with this book where it feels like Well, you can't eliminate any of these characters. But of course, they're going to and that's going to make it hurt that much more. We're not quite there yet, but in the next couple of issues, it feels like that's coming. And that's a good emotional place for the book to be in. Still a blast to read. If you haven't read it, definitely pick it up. Alex:                 Next up US Agent #1 from Marvel Comics written by Priest, art by George Jeanty. I was very excited personally to see George Jeanty on this book. I've really liked his art a lot since he was on Buffy the Vampire Slayer and other things. He's good stuff. Of course priest, always reliable. And this is a bonkers book about the asshole Captain America going through the heartland, fighting who even knows why. But I really really enjoyed this quite a bit just for how best up it was. How'd you guys feel about it? Justin:              Yeah, if you're looking for sort of a Hawkeye style comic. I feel like this has some strong like Hawkeye vibes back when he was living in Brooklyn with the Russian tracksuit dudes. That whole thing feels very much in line with what this book is. Except he's a little bit more of a shit head. Sort of in the Scott Lane Ant Man style and constantly being mistaken for Captain America which that's going to burn. Pete:                Yeah, I was really happy when that one pizza delivery guy kicked the shit out of them. That was great. Justin:              It is a weird… Like the story, like USA Agent. There's a pizza delivery man who becomes his sort of sidekick. He's keeping all these other pizza delivery people in the basement. Like I don't quite know what the whole thing, the whole deal is here. But it's fun. And it's super unique, I feel like. Alex:                 Yeah, that feels like typical Priest stuff to be where it's just these details thrown in. Where you're like, “What I can't quite get a handle on this, but it's still fascinating at the same time.” Let's move into a very dark turn for a book that we've been enjoying quite a bit. That Texas Blood #5, from Image Comics by Chris Condon and Jacob Phillips. Again, when we had Chris Condon on the show a couple of weeks back, he promised that things were going to get real bad real soon, and oh, boy, they got real bad as our main character is losing his mind down in Texas doing some very dark stuff. In the name of his brother being killed. This is definitely the most brutal issue of this yet. I would say. Justin:              Yeah, I like this book a lot. I feel like the art in this issue specifically is so good. Some hard boiled crime I'm sure this book gets compared to Criminal a ton. And if you're a fan of that, like this is right in line. I do think it's strange that they use the same interior monologue lettering as a Criminal. And Jacob Philips is Sean Phillips' son. I would move away from that because I think this book really stands alone on its own right. It doesn't need to feel like it's drafting off of Criminal's success. Alex:                 How do you feel about Pete? Pete:                Yeah, I think the art's unbelievable. This is some real great storytelling, very intense. This book moves at a very interesting pace. It's sometimes very fast, sometimes it seems like slow. But this is a really kind of great storytelling. Great character stuff. I'm very much enjoying myself. Alex:                 Let's move on then and talk about Mighty Morphin #1 from Boom Studios, written by Ryan Parrott, illustrated by Marco Renna like that Texas blood This is a brutal issue for the Power Rangers. Just devastating, it's a lot of blood. Justin:              Devastating. Oh, Power Rangers. That makes sense, now. They must have left the other two words off the title. Alex:                 Yeah, well, that's how you know they're being serious. Unlike the other actually very dark Power Rangers books that we've been reading recently. This is a return to form. This is like classic Power Rangers. The Green Ranger is evil is he not? We don't even know who he is. Doesn't matter. You got all the villains here. You got all the Power Rangers. But with a slightly more modern style. How did you people feel about this one, particularly given that we've been quite enjoying the other Power Rangers books that have been coming out from Boom. Justin:              This book felt like when you're at a party, when we used to go to parties, and you end up talking to someone you don't really know. And they tell you a very long story and you're like, “I don't know you. Why are you telling me this crazy involved story about your life? Like where are we going with this?” It felt like, “Oh yeah, I guess I see how that relates. Oh, the mighty Mighty Morphin Power Rangers. Yeah. Oh, I see like we're dealing with Zed and all this stuff.” But I will say I enjoyed reading. Despite the fact that it's definitely feels like not my wheelhouse. Pete, how did you feel? Got to shoot your Bulk and Skull? Pete:                Yeah, I mean, this is great. This is just fun. This, to me was like a animated version of Mighty Morphin Power Rangers kind of like the new update of Voltron. I very much had a lot of fun. We got some great fighting, some badass panda stuff. It was fun to see them talk about making the villains and that kind of stuff. Yeah, I thought the reveal at the end was great. I think this was just fun, Mighty Morphin comic stuff. Justin:              It checks out. That's the title and he said stuff at the end. So that's what it is. Alex:                 I did like the reveal at the end. I think what I have been responding to and the other Mighty Morphin books that have been set in this post apocalyptic world where the Power Rangers mostly lost in the villains that are trying to just kind of hold on to what they have, is this idea of playing with the continuity. Which the shows could never do because they're mostly working off of what the Japanese versions, right? Of Power Rangers then remixing them. So they're all very kiddy and very silly and badly dubbed on purpose and all of these things. That just I never liked, this splits the difference between those two things. So to your point Justin, I also actually had a fun time reading this even if it is not quite my thing. But definitely more of my thing is those other books I would personally lean towards those. Justin:              I agree and obviously I've always been a Mystic Knights of Tir Na Nog. But it's especially funny the way that… I was surprised by how all their animals, the animal machines they ride are like saber toothed tiger and all that. I was like, “They all look exactly the same, but they're all different.” The mythology of the Power Rangers is so weird and convoluted. Alex:                 Yeah, I just can't get a handle on it. Pete:                Yeah, if that stuff made sense to you won't be pulled out of the story like that I think. Alex:                 I'll tell you, not to pull back the curtain too much but at my day job I got offered this exclusive clip for I want to say Mighty Morphin Power Rangers: Dino Thunder or something like that. Pete:                Oh, wow. Alex:                 Yeah, I know. And they sent it to me. And it was the casts from like four different Power Rangers shows all getting together. So clearly we've done enough stuff that I could watch it I was like, “Okay, this is like Avengers: Endgame for Power Rangers.” But it was such a deep dive to understand what they were talking about at any point in that clip. Normally a clip I'm like, all right, I could write this up and half an hour tops. That's it. But this one I was like opening up wikis and looking at casts, and debut dates and everything. I was like “What is happening here? This is weird.” But there you go. Deep dives. Alex:                 Let's move on to another one. Which is a one of my favorite books that is coming out right now, Spy Island #3 from Dark Horse Comics written by Chelsea Kane art by Lia Miternique. So this is set on an island in the Bermuda Triangle that is filled with spies of different types. In this issue our mean spy is starting to figure out that her father, who is also on the island hiding out as a mime may have a bigger plan at work. We also find out more about what happened to the first two issues in terms of what she laid down. This book is fantastic. In my mind, it is like a perfect mix between Mind Management and Superior Foes of Spiderman with a flavor of his own. And I am loving every single issue of it. How are you guys feeling? Justin:              Pete? Pete:                Well, I was waiting for you to go. This is really kind of crazy, but it's also a lot of fun. I also like the kind of art. The way the art changes throughout the book. The whole like a series where she's dating different dudes and the kind of like the way the father sees the dudes, very interesting. Yeah, I think this is a very creative, cool book and the art matches it perfectly in such a cool way. Yeah, I'm not always understanding what's happening, but it's very interesting and very creative. So yeah, I think this is a great book. Justin:              Yeah, I agree. It's really funny. It reminds me a bit of Mark Russell's Flintstones, I guess all of Mark Russell's stuff. If you're a fan of that, like this book is like legitimately funny, it has sort of an irreverent tone. The way they do full page sort of jokes, visual jokes is really awesome. But it's still has like some… I'm very interested in the story as well. Like, these characters are fun. Like I don't quite know what's happening with the mystery itself. But it's just a smart world and universe this book creates in every issue. Alex:                 Yeah. I just wanted to reiterate what you said Pete about Lia Miternique's art which collages in so many different styles throughout the book, it's so impressive. Pete:                Very impressive. They're straight flexing. It's unbelievable in this. Alex:                 It's great. Yes, straight flexing is actually a really good way to put it. It's definitely a book to be like, “Here's what we could do. Here's what we can show off.” It's awesome. Definitely pick it up. Next up Web of Venom: Empyres End #1 for Marvel Comics, written by Clay McCloud Chapman, art by Guiu Villanova. This is as you can probably tell from the title, following up on the End of Empyre as a bunch of the Skrull and Cree leave Earth at run directly into the King in Black, the next event, and have literally like a crossover, while one of them is heading one way the other is heading the other. And ends up like aliens on a Skrull ship. I like this, I was a little hesitant, just because it wasn't Donny Cates ready to get and he's been such a mastermind behind this event. But I thought this was a very good, scary book. Justin:              That's such a funny way to put it, Alex. Because it really does feel like it's we're backstage at Marvel and one event is like, “Hey, we finished our performance. Thank you so much.” And another event is like, “Oh, we're up next. We're going to… Sorry. Oh, did we sorry, we bumped into you and made a big mess with all of our symbiont juice. So sorry.” Because it is like, when I saw this I was like, “Empyre. No way.” But it is actually a great story and it does have that sort of Aliens. Like it's game over man for everybody in this issue. And the King in Black is terrifying. Like I'm excited to see this event the more I see of sort of the insanity. Reminds me of the insane Adam Warlock from back in Infinity Gauntlet days, as the villain here. And it's a good read even though it feels unessential from the title. It's worth picking up. Pete:                Yeah, I mean, they got some space vampire bats in here. This is just some crazy, fun stuff that's going on. Yeah, I mean, it's just kind of like alright, space aliens. Cool. There's not too much more going on but it's definitely a cool comic and worth checking out. Alex:                 Next up Batman 102 from DC Comics written by James Tynion IV in art by Carlo Pagulayan. This is the intro of Ghost-Maker who of course, is the guy who builds ghosts. We all know that in the DC Universe. Justin:              Yes. Pete:                No, no, because when he makes ghost by killing you and then you're a ghost. That's how that's… Justin:              Oh no, I think he makes the ghost in the original Pac Man game. He made Inky, Blinky, Dot. Pete:                And also just in case you're wondering he doesn't like crochet little ghosts either makes them. No. Okay, he kills people turning them into ghosts. Justin:              I guess we have different takes. Alex:                 So this introduces that character. And Ghost-Maker, well, he got introduced before, but this is his official introduction. He is going directly for Clownhunter. So we got two new additions to the Batman mythos, going head to head with Batman, of course stuck in the middle. As it turns out, though, Ghost-Maker has a deep tie to Batman's origin. Pete you got to like this right? There was a lot of fighting. Pete:                Yeah, this was a great issue. I love the action. Also fun reveal. Well, all right, let me back up the truck a little bit. Love the Batman like punch entrance. Nice when you can like make your entrance and punch someone in the face. I mean, that's like- Justin:              Yes. I've seen you walk into a lot of weddings. Pete:                Yeah, anyways. But I think this was a ton of action, which is great. But also the way they kind of knew each other, the way it was like, “Ghost-Maker.” “Batman.” And like right into it. It was really cool. Also very interesting how Clownhunter is still hanging on like still a thing. I thought Clownhunter would have kind of like faded away after Batman gave him his talking to. But not the case. And now we're also dealing with Grinners which is interesting. Talking to Oracle on the old earpiece there “Okay, that's cool.” But I think that they also had some funny moments like when Knife Guy was like, “I hate teenagers.” That was hilarious. Justin:              Because you hate teenagers? Pete:                No, no, I just think that it was like a funny line, where he's like, “Teenagers.” But yeah, I think there's some interesting stuff happening in this. And instead of kind of like a cool down from such a big event that we just had. The fact that they kind of ramped it right back up into that it's very kind of interesting. And also cool name, Ghost Stories part one. Justin:              I feel like James Tynion got sort of his first big story out of the way. And now he can really settle in and create his bat universe. And I think Clownhunter, Ghost-Maker are a big part of that. Really leaving his mark on Batman as a character and the whole world there. And I like that. I'm excited that we're sort of in that point in his arc here. Pete:                And it's also interesting to have a villain that's like, “Yo, Batman, do your fucking job. Gotham is a shit show. It's constantly on fire. Like What's your deal?” That's an interesting way to come at it. Alex:                 A lot of the discussion in this book is about what Gotham is now that the Joker War is done and what it's going to become next. I'm excited for what's going to become next. And I trust James Tynion enough to bring it there. But to your point, Justin, he thought he was only going to be on until Issue 100 and he's continuing from there. So in my mind definitely feels like “Oh, okay, I'm going to keep going. Alright, I'm going to set up the next 15, 20, 30 issues, however long I'm on for.” Versus what I was doing before, which was my definitive Batman story. Alex:                 So I'm curious to see what this sets up and where it goes. Because again, I trust James Tynion's storytelling, he has certainly proved himself more than capable. Let's move on to Dryad #6 from Oni Press written by Kurtis Wiebe, and illustrated by Justin [Barcello 00:33:49]. This issue our main family is still hanging out in cyberpunk Tech City, trying to figure out what's going on. Trying to figure out if they should help the kids who are currently in a coma. Turns out they don't need help, they do wake up by the end. We find out another huge revelation about our family. I got to tell you, I was not totally into the cyberpunk stuff in this issue. But I definitely turned around by the end. Love the twist there. I thought that was so great for the series going forward. What was your guys take on it? Justin:              I agree. I love the way the story is unfolding. I think the way they're able to capitalize on this two pronged like fantasy side of the story and the technological side of the story. In a way that it's a tough trick to pull off. And I think it is working on both fronts. I like the sort of Blade Runner vibe to the front end of the book. And then when we shift generations to the kids for the back end, I like all these characters. I'm curious to hear… It feels like this is sort of like a mission went bad a long time ago and we're dealing with the fallout is what this series is actually about. So I want to know What that is. I feel like that was a reveal in this issue that we didn't really know from before. Pete:                This book continues to be very, very creative. Each issue kind of comes at things a little differently. It's fun to see what you're going to get with every issue. Yeah, and we keep getting deeper into the story. They're doing a good job of kind of piecemealing information while still giving us a lot of action. Fun reveal at the end. I think this is very interesting. And also it's cool the way they kind of swap around styles. So I continued to be impressed by this book. Alex:                 Cool. Next up The Goddamned: the Virgin Brides from Image Comics written by Jason Aaron and art by R.M. Guera. Pete, I know what you're going to say it's creepy. So Justin, what did you think about this button? Justin:              This is a book you want to leave out for your grandparents, they're going to love the fighting, they're going to love the very short tops that expose all of your breasts. It's a good stuff for the older generation. But I like this book a lot. The R.M. Guera art is unbelievable. It's so detailed. It feels like it's in the style of Prince Valiant, but with a exciting, much more irreverent story. And the twists and turns, it's also written from the point of view where like, I don't know… We have our protagonists who are on the run. They're virgin brides who are supposed to mate with this like monster basically, that is the god here. And they escaped, we're on the run. And then things aren't going well, basically. And I feel like this book could be very harsh with its character, so I really don't know what's going to happen next. Alex:                 Yeah, I agree. That's one of the biggest things about the book is it's very dark, and it's a super gritty, I hesitate to say realistic but that probably gives the best sense of it take on the Bible and biblical mythology. But if you look at the Bible, lots of people dying all the time, or almost dying or horrible things happening to them almost constantly. So it's actually very- Justin:              Not a fun read. Not a fun read. Alex:                 Yeah. Not a beach… I don't usually take the Bible to the beach, to be honest, like to read it, to just chill out. But like you said, R.M. Guera's art is fantastic. This is very dark. I don't know what's going to happen in the next issue at all. But there's a crazy cliffhanger that happens that was awesome. Good stuff. Let's move on to talk about Thor #9. Pete:                I just wanted to say. Alex:                 Yeah, yeah. Pete:                I agree with you. The ending was really kind of amazing. Justin:              You do like it, you love it. Pete:                No, it's creeptastic in all the wrong ways. Justin:              But do you like the art Pete? Because this is R.M. Guera, same artist on Scalped? Which you like. Pete:                Yeah, amazing artist. Alex:                 Would you say it's worth it for the art alone? Pete:                Nope. Justin:              Wow. Alex:                 You're very wrong. Justin:              Can't get past it. Alex:                 Yeah. Thor #9 from Marvel Comics written by Donny Cates art by Nick Klein. So this is kicking off a new crazy story arc. Donny Cates doing his Donny Cates Marvel thing as he goes back to an old part of Marvel continuity, lifts it up again and makes it as fucked up as possible. In this case, we're exploring what happens to Donald Blake when Thor comes out. Something that we haven't touched out in years. Where does he go? And it ends up being pretty messed up. But I love where the storyline is going. And Nick Klein's art of this book is phenomenal. So good. What did you guys think? Justin:              Totally agree. Like I love… This is my favorite book of the week, the way that finding this little bit of Thor mythology that has been just legitimately ignored. Dr. Blake was the character that was Thor's human form and he would tap his walking stick and become Thor. And Thor just hasn't transformed out of him. It's like Bruce Banner has been the Hulk for so long that like what's Bruce Banner up to? And we get to explore that side of that here. And it is fucked up. And it's super smart the way we get there and to have Donald Blake become this new aspect of the Thor mythology I think is super exciting. Pete:                I don't know man. Like this is to me, it's like, it's okay if we're out of ideas, guys, we can just maybe… Justin:              Jesus. Alex:                 Wow. Justin:              Harsh take. Pete:                What it's like, “Hey, remember how I turn into this guy? Well, when I turn into him, he just kind of walks the earth. What if he got angry about that?” And it's like “Wait, what is happening? What are we doing right now?” Alex:                 That's what's happening, you just described what's happening. Pete:                Yeah, I know, but that doesn't make it a good idea. Justin:              It's fun though. It's like when Wolverine when he died he had to fight a sword dude. Like that was cool. Pete:                Okay. Alex:                 Was it? Pete:                Yeah, I don't know if it was. Justin:              I liked the fighting this sword dude. I didn't like the fact that he came back from just a little speck of blood Lobo-style. Alex:                 I do love… I don't know, just I love the visual of what happens when Donald Blake finally comes out of his reverie, the way that Nick Klein draws him. I don't know if Nick Klein specifically designed him Pete:                The art's unbelievable. Alex:                 What? Pete:                The art's unbelievable. Alex:                 Yeah, it's great. It's worth it for the art alone, I would say. Pete:                Wow. Justin:              Wow. Alex:                 The that Nick Klein designs the new Dr. Donald Blake is great. Justin:              What a cool turn of phrase. Alex:                 It's a great new villain for the Marvel Universe. Spoiler, obviously, but I think in the same way that Donny introduced Cosmic Ghost Rider. And it immediately became like, “Oh, it's this thing. Like that exists. That's fun. That is a fun thing to look at.” Yeah, it's the same thing with whatever Dr. Donald Blake has become. It's a fun clear visual and I love it. And I'm excited to see what this means, it ties into the overall mythology that he's building for Thor, with what's happening with Mjolnir. It just feels very smart across the board. Justin:              100%. Alex:                 Next up, Wicked Things #6 from Boombox created written by John Allison and art by Max Sarin. We've been very complimentary of this book, which follows a teen detective who is framed, probably for murder, as she ends up teaming up with the police department in I believe London. Not 100% sure, but I'm going to say yes. And she is pretty much smarter than him. This is a weird ending for this book I got to say. It feels like there were supposed to be more issues. And then it got cut short, personally, which is disappointing, even though I enjoyed this issue as well. Justin:              Well, that may be true. It does feel… It could also just be a cliffhanger that they're really pushing. I think the last page makes it feel like there was truly like a page ripped out of the back of the book. And I was like, “Wait, what?” I wanted to know how this conversation ends. But in general, it's fun. This main character is such a fun… I love her energy. I like the world this is in which is like this detective, 14 to 16 years old, the best detective in the world. And there's a moment where she's being held hostage and you expect her to like elbow the guy and get away. But it doesn't happen because she's just a regular teen detective. And I think that's fun that they're really keeping within the storyline. Pete:                Just a regular teen detective? Justin:              Yeah, like a… Pete:                Like a normal teen detective. Justin:              Because like, surely you were a teen… You solved some crimes in your small town, right Pete? Pete:                Oh definitely. Definitely did. Yeah, I agree. This is a ton of fun. Alex:                 Sorry, Pete, what did they call you? They called you Thesaurus LePage? Pete:                No they didn't. Justin:              He was really good with saying other words that were like words. Pete:                Yeah. Justin:              He didn't solve a lot of mysteries but he was like, “Oh, I think you mean sweaty.” Alex:                 Yeah. Pete:                Yeah, I think it did feel a little rushed. Every issue up until this issue didn't feel that way. But man, this is still a great story. Really creative, fun, main character. I could definitely see a lot more with her. I hope they keep going in some iteration or whatever. But yeah, this has been a lot of fun and I hope this doesn't end. Alex:                 I agree with definitely worth picking up in trade whenever it's collected and hopefully we'll get a second series of it. Moving on to DCeased: Dead Planet #5 from DC Comics, written by Tom Taylor and art by Trevor Hairsine. In this issue John Constantine is launching a desperate mission to fight back against the anti life plague. And it's predictably dark but with moments of real humanity and humor, everything that we've come to expect from this series I think so far. Justin:              This book has really migrated to the top of my stack like I love reading a book. It's a good book. The characters are fun. The Damian Wayne Batman is great. Constantine still a dick. Just a straight up dick. Pete:                Oh man. Justin:              There's some fun jokes here. Pete:                Constantine is great in this book, this book continues to impress. And I think this was a really great Constantine, hilariously messing with Dr. Fate and Swamp Thing even getting in on the joke. Batman doing father jokes, I don't know. I don't know how I feel about that. But Batman getting a punch in at the end, liked that. That was good. But yeah, this continues to be a very creative, very funny, well done comic that does like a lot of cool things. The Shazaam moment in this is so badass. That was so cool. Yeah, I thought this was a great, great issue. Justin:              And there's a lot of dread here still where like any character could die and everything could go wrong at any moment. And I believe on the last page at the bottom they say things get worse. Alex:                 There we go. Next up Inkblot #3 from Image Comics written by Emma Kubert, art by Rusty Gladd. I got to tell you I keep throwing this book in the stack because I can't wait to figure it out. Like what's going on here. There's a little bit more of a hint in terms of this is a cat that can jump through universes? Pete:                That's the thing. Alex:                 I guess that's the idea of the book that they establish at the beginning here. Pete, you've been enjoying this book. What did you think about this issue? Pete:                Yeah, I don't know what it is. It's just the two eyes are so adorable. It gets me. Justin:              You're a cat guy. Pete:                I'm a cat guy now. So like I get it, cats are very mysterious. They have a lot of things going on that they don't share with us. And yeah, I think that this makes sense of how the Loch Ness Monster came into fruition. I think this is just a crazy kind of creative book. And the art is phenomenal, some adorable storytelling. This is just fun. Alex:                 I just wanted to mention Justin before you get into your comments if you are a cat who would like to share something with us. Please email us at ComicBookClublive@gmail.com. We'd love to hear from you. Justin over to you. Justin:              Yes. I always pick up after the cat call out. Pete:                After the cat plug. Justin:              Cat plug. We're looking to meet some single cats. There's something about this book. The art is really cool. And I think changing gears a little bit with this issue, for the few issues it was like what's the big story here? But I think reading this issue it was like, oh maybe it's just like fun little romps with this cat. Alex:                 Yeah, yeah I think so too. I felt a lot better about this one that I did for the first two because I was trying to figure it out. But I had the same sense as you did Justin. I reserve the right to be robbed with issue #4. But the art is so good and it is a fun little pirate adventure with a cat and the Loch Ness Monster, enjoyable stuff. Justin:              I reserve the right to be wrong. Alex:                 Last thing here we're going to end with our X of Swords, X of Swords block, talking about two issues that came out from Marvel. We got X-men #14, written by Jonathan Hickman art by Mahmud Asrar and Leinil Yu. Marauders #14 written by Gerry Dugan and art by Stefano Caselli, two very different issues. So I do think actually, if anything, we kind of need to talk about them differently. But so far, the champions of Arakko and the champions of Krakoa and they gathered in Otherworld for a dinner. In the first issue and X-men we find out about Apocalypse and his wife, what went on there we find out about her secret history. Pete's got to love that one because there was a lot of text and confusing things that happened. Alex:                 And then in Marauders everybody gets together for dinner and things go predictably badly. Would you think about these chapters of X of Sword? And Pete I know you're upset they're not fighting with swords yet. That aside, how'd you feel about these books? Pete:                Alright, so first off you know what's better than having a huge battle that we've been building to taking the time out to have a dinner first. Alex:                 Agreed, agreed. Pete:                And let's just talk at the dinner table. Justin:              When you're hungry. Pete:                And really just kind of talk things out and have a walk? “Hey, Apocalypse, why don't we hold hands and talk about the past and not fight. And get into a giant action sequence like maybe some people would enjoy?” Justin:              Well, let me give you a quick breakdown of the way the story. They teleport to this strange dimension. Dinner, dinner, sleep, midnight snack, brunch, coffee, sword sharpening and shining. Alex:                 You're forgetting something in the middle there Justin, there's several times when they get handed cards. Pete:                What's not to love. Justin:              That's right. Let's not forget about the… Pete:                [crosstalk 00:49:38]. Justin:              So I feel like there's some like magic happening, some light table magic. I think someone's going to eventually have a yo-yo and other like juggling tricks. It's just a fun day out. Anyway, where was I? Okay, then it's going to be lunch. And then they're going to have like a baseball game. Pete:                Don't forget to show the menu. They're going to show the menu a couple times. Alex:                 The menu was fun. It was a fun menu. Justin:              The menu was very fun. Well, let me say so Pete's criticisms aside, and let's put them far, far aside. I love this. I think that the X-Men issue by Jonathan Hickman is a full take down of Apocalypse. It's like a subtle takedown of Apocalypse. Apocalypse went to earth and he like had these like piddling battles with the X-Men, claiming that he was like survival of the fittest. We need to all be better. The mutants must rise. Justin:              Meanwhile, the world he left behind had everyone literally fighting for their lives, constantly. They became the fittest and he has to come back hat in hand, sword in hand with this woman that he left behind that he maybe still loves and be like, “Oh, you've been literally becoming the best fighters in the universe while I have been shitting the bed on Earth. Okay, cool, cool, cool. Let's go have a little day off.” And then the Marauders issue I feel like is a little bit more focused on the Wolverine side of it, but I do think this series- Pete:                Had time for a nice dance. Did you like the dance? Justin:              Some dancing. Wolverine likes to get fucked up. And I think he feels like he really gets to drink in this issue, which he never really… He's always like, I drink. But then the healing factor eradicates everything. Pete:                Yeah, Wolverine gets real fucked up in this issue. Justin:              Yeah. But I do think a lot of this arc, this whole storyline is about repositioning Apocalypse and I'm curious what the landing point of that is. And I do feel like the Marauders issue definitely had that sense of dread. Like an Agatha Christie story where you're like, “Fuck, some of these people are going to die.” Alex:                 Yeah, it really does feel like… And this is something that was a big point of conversation when the X-men introduced resurrection. It feels like these people are a danger. It feels like all of these characters are not actually going to make it out of this or at least in the same way at the end of the day. And that's great that they went in what has it been, a year, something like that. From everybody being like the exploiter just come back to life whenever, to positioning them into a place where they are in actual danger. And bad things may happen to them maybe for the first time at a really long time. That's super smart. Alex:                 And the Marauders issue in particular plays with that with Storm dancing with the literal personification of death, and mentioning “Hey, you've never actually died. You're one of the few X-men that has not died and come back. So let's talk about that. Isn't that interesting?” I thought there was such smart character work in the Marauders thing, the X-men issue as well. Both with Apocalypse and Annihilation I love as usual the insane world building. I do know where he pulls it out from with Jonathan Hickman there. Alex:                 I do think there are touches of East of West going on with the apocalypse, Annihilation stuff. Particularly in the relationship that's popping up there. But that's fine. That's a great book. So I'm okay to skim some of those ideas a little bit. And of course, the art. Mahmud Asrar, Leinil Yu, Stefano Caselli. Awesome. I know I said this the last time. But this is one of, not just with Marvel, but one of the best crossovers I've read in years. At this point. Pete:                Oh shut up. That's just… Shut up. Alex:                 Years. Pete:                Awful, just awful. Alex:                 Years. Decades. Pete:                First off- Alex:                 Millennia. Justin:              Lifetimes. Pete:                … X of Swords, are we even going to get 10 individual issues, like we got to see how they fought… If we don't get to see like 10 issues of fighting after all this fucking lead up. Oh, if we get no… I'm worried, we're getting close. We're past halfway, we still don't have any fighting yet. Justin:              Would you be disappointed Pete if we only got this fighting from the source perspective? Like it was just like metal banging another metal. Pete:                Just clang clang? Justin:              Clang, clang. Alex:                 And you don't actually get to see it. It's just the interior monologue of the swords. “Wow this hurts.” Pete:                I got to say in the Marauders ep, seeing magic like sizing everybody up. That was pretty cool. Justin:              She's a badass. Alex:                 Super fun. Justin:              You mentioned it before, but the menu at the top of the Marauders issue was super fun. Like I love that, the detail there was great. Pete:                Waste of a page. Justin:              I'd eat that shit. Alex:                 Pogg Ur-Pogg, very fun character. I'm just- Justin:              Marinated in urine. I'm here for it. Alex:                 Yeah, all of the Arakko characters also, I think are great and super fun. They're just… I don't know, I don't know if it's Jonathan Hickman in conversation with other people. I don't know if he's necessarily driving the rest of the X-Men team to this but it's just he comes in just and he's like, “Here's these new additions to Marvel continuity. They totally make sense. You love them know.” They are just these perfect things that absolutely work. And the greater part about all of these new additions from Arokko is only one or two of them are completely black and white, which I think is very cool. And a way of Jonathan Hickman really stretching himself as a creator. Justin:              Yeah. Wow, what a blistering takedown. That's the harshest I've ever heard you speak, Alex. Alex:                 These issues are great at that same for The Stack. If you'd like to support us, patreon.com/comicbookclub. Also we do the live show every Tuesday night at 7:00 PM to crowdcast and YouTube. Come hang out. We would love to chat with you about comics at Comic Book Live on Twitter, iTunes, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. Also leave us comments on iTunes. Those help out quite a bit. Comicbookclublive.com for this podcast more. Until next time, we'll see you at the virtual comic book shop. Justin:              And remember the door is always open for any stray cat looking to wander in. The post The Stack: Crossover, Sweet Tooth And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

Crackpot Cinema: Ep #26 —“Student Bodies” (1981) Craft your horsehead bookends, watch out for gum on the steps, and DON’T drink Malvert’s prom punch! Crackpot Cinema is here to salute writer-director Mickey Rose’s bombastically brilliant slasher spoof, STUDENT BODIES! Jenny Nixon of The Museum of Home Video busts out her finest paperclips and chalky erasers to join Mike and Aaron in discussing all things in the uproarious orbit of this first, best, and of funniest of ’80s horror parodies. Among our topics: • Richard Belzer as Richard Brando as The Breather! • Richard Belzer as Richard Belzer in CAFÉ FLESH! • MTV’s Martha Quinn misconstrued as Prince Valiant in a Plum Sweater! • Woody Allen convulsing over somebody talking through a rubber chicken! • Why STRIPES should have been rated “J” — as in, “Light a J!” • How choosy moms may choose Jif, but Cool Moms rent you FACES OF DEATH from Madman’s Video Vault! • The kid who claimed, “STUDENT BODIES was so gross, it made a dog puke!” — and then Jenny’s dog proves it!

We journey back to Thule and this time its for the 1997 live action adaptation of Prince Valiant! Can Valiant stop the evil Morgan and Thagnar the viking from stealing Excalibur and taking over Britain? Probably yes, because he's the titular hero. Music: Arthurian Mythia Theme by Invictus Media End Theme Monty Python Intermission Song - Monty Python and the Search for the Holy Grail Links: Prince Valiant (1997) - IMDb Prince Valiant (1997 film) - Wikipedia Prince Valiant - Video Detective Our Links: Tumblr, Twitter, Redbubble Store, Twitch, Discord (Where we hang out it doesn't belong to us)

Episode 6 - Creativity - You're Either A Painter Or You're In The Lab Laura and Sunil discuss the albatrosses around their necks, Lynda Barry, how no one reads Prince Valiant, how amazing amateurs artists are, and also, they rear end someone and punch a dude in the face. Questions, comments, maps of Tallahassee? Email us at embraceyourself69420@gmail.com Send us your feedback online: https://pinecast.com/feedback/embrace-yourself/50619224-1a53-44eb-811d-c5e218469847 This podcast is powered by Pinecast.

Episode 6 - Creativity - You're Either A Painter Or You're In The Lab Laura and Sunil discuss the albatrosses around their necks, Lynda Barry, how no one reads Prince Valiant, how amazing amateurs artists are, and also, they rear end someone and punch a dude in the face. Questions, comments, maps of Tallahassee? Email us at embraceyourself69420@gmail.com Send us your feedback online: https://pinecast.com/feedback/embrace-yourself/50619224-1a53-44eb-811d-c5e218469847 This podcast is powered by Pinecast.

It's those Fantastic Funnies! Imagine that it's wayback in 1980 and CBS feels like there's just NOT enough awareness of the funny pages. People just weren't aware of these things called comics. So naturally they decided to make a primetime extravaganza starring Loni Anderson to tell people about the fact that comic strips existed. This special introduces us to popular "new" comics like Cathy and Broomhilda and "popular" old comics like Prince Valiant... and keep listening alllll the way to the end of our 3 part deep dive into THOSE FANTASTIC FUNNIES to meet that brand new star, Garfield!

It's those Fantastic Funnies! Imagine that it's wayback in 1980 and CBS feels like there's just NOT enough awareness of the funny pages. People just weren't aware of these things called comics. So naturally they decided to make a primetime extravaganza starring Loni Anderson to tell people about the fact that comic strips existed. This special introduces us to popular "new" comics like Cathy and Broomhilda and "popular" old comics like Prince Valiant... and keep listening alllll the way to the end of our 3 part deep dive into THOSE FANTASTIC FUNNIES to meet that brand new star, Garfield!

The longest reigning prince in comics is the great Prince Valiant! Learn about his history on today's show.

It's those Fantastic Funnies! Imagine that it's wayback in 1980 and CBS feels like there's just NOT enough awareness of the funny pages. People just weren't aware of these things called comics. So naturally they decided to make a primetime extravaganza starring Loni Anderson to tell people about the fact that comic strips existed. This special introduces us to popular "new" comics like Cathy and Broomhilda and "popular" old comics like Prince Valiant... and keep listening alllll the way to the end of our 3 part deep dive into THOSE FANTASTIC FUNNIES to meet that brand new star, Garfield!

Take up thine earpods, valiant knight, for today we quest for DRAGONHEART! Look upon our hero, Dennis Quaid, as he ventures to slay his vocal chords with a contrived growl! Hear the dulcet tones of Sean Connery cashing in! See David Thewlis summon all his powers yet stand impotent under an awful Prince Valiant haircut!This movie soared into our human hearts, but how does it hold up today?Listen to find out and don't forget to subscribe and rate us on Apple Podcasts, Spotify or Stitcher! Also, you can also support us by either contributing Patreon campaign, or by buying Rewatchability t-shirts from TeePublic. See acast.com/privacy for privacy and opt-out information.

Embrace Yourself - Ep.6 - Creativity · You're either a painter or you're in the labLaura and Sunil discuss the albatrosses around their necks, Lynda Barry, how no one reads Prince Valiant, how amazing amateurs artists are, and also, they rear end someone and punch a dude in the face.Questions, comments, maps of Tallahassee? Email us at embraceyourself69420@gmail.comThis podcast is powered by Pinecast.

Whoa! Aidan’s running the Gaming Table and rambling on about Smash Bros and game pricing. Then there’s a very Prince Valiant heavy installment of Five Links. And back to Aidan and video games for some NERD RAGE! Plus there’s a … Continue reading →

Prince Valiant: The Story-Telling Game is the official role-playing game based on Hal Foster's comic strip of the same name. Created by Greg Stafford the game was first published in 1989. I also answer some call ins from Edwin Worlds United: https://www.drivethrurpg.com/product/264521/Worlds-United The Titan Incident : https://www.drivethrurpg.com/product/260930/The-Titan-Incident --- Website: https://petejones.neocities.org/ Blog: https://dragonsarerealpodcast.tumblr.com/ OSR Anchorites on Audio Dungeon Discord Server: https://discord.gg/VpRjr3A Opening Music Fireflies and Stardust by Kevin MacLeod https://incompetech.com License: CC BY (http://creativecommons.org/licenses/by/4.0/) Closing Music "Fretless" by Kevin MacLeod https://incompetech.com License: CC BY (http://creativecommons.org/licenses/by/4.0/)

Hello, old friend. We meet again. Here in this wasteland of nonsense and old video games. Just remember, we love you. Whatever happens next. We. Love. You. This week, we've got: Parodius, All-Pro Basketball, Conflict, World Games, and The Legend of Prince Valiant. They are all video games. That's all we can say for sure. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nesessary-podcast0/support

American Splendor scene #27 (1:24:49 to 1:28:11) — The trauma and turmoil of Harvey’s treatment; time passes strangely. Meanwhile, Fred — accompanied by Danielle — continues to work on Our Cancer Year with Harvey & Joyce. An addled Harvey wonders if he’s real or if he’s just a character in a comic book. And if he dies will the story end, or will it keep on going? The scene begins and ends out of focus. How Harvey had the sole copyright on his stories. The importance of good — preferably hand-done — lettering. Testimonials to Seth Kushner and Frank Stack. Harvey’s legacy and the added poignancy of this scene now that he is dead. Josh & Dean trade hospital stories. An appreciation of Joyce as Harvey's primary caretaker. Shout-outs to soundtrack composer Mark Suozzo, PA/illustrator Jason Gertsein, Alex Toth, Ben Oda and Oda Balloon, Prince Valiant, Dondi, Irwin Hasen, letterers Patrick Brosseau and Ken Bruzenak, Howard Chaykin, American Flagg!, Vito Delsante, Alex DeCampi, Street Code/Beef With Tomato, Billy Dogma, Keyhole, DC/Vertigo, the School of Visual Arts, Seamus Beyale, The Brooklynite, New Brooklyn, Line Webtoon, Jon Allen, The Red Hook, Baltimore Comic-Con, "Working Man's Nightmare," Jeff Newelt, Dino's "Proud Flesh," Roger Schoening, The Quitter, Mike Hueston, Angry Wade's, Mike Haspiel, chocolate milk and bean curd, and boob-nose jobs. --- This episode is sponsored by · The Colin and Samir Podcast: The Colin and Samir Podcast hosted by LA - based friends and filmmakers Colin and Samir takes a look into what it’s like to make creativity your career. https://open.spotify.com/show/5QaSbbv2eD4SFrlFR6IyY7?si=Dj3roVoJTZmOime94xhjng --- Send in a voice message: https://anchor.fm/scenebyscene/message Support this podcast: https://anchor.fm/scenebyscene/support

Episode 10!  On this special Episode, we talk about TIME BANDITS and how it's beautifully insane, discuss the blue, grey and angst of TWILIGHT, and our special guest brings PRINCE VALIANT(1954) as a movie from his childhood!

The Comic Weekly Man, originally broadcast July 12, 1953, 66 years ago. The first comic read is, "Prince Valiant." Patrick the Monk stops the battle. Brian O'Curry battles Sutton of Wexford. Lon Clark stars.

Giant's interview with Leo Gonzales, a tattoo artist and fine art painter based in Albuquerque, New Mexico. Recorded in Mr. Gonzales' home on June 30, 2019. Topics discussed include: Growing up in Pojoaque, NM, drawing at 2 years old, replicating Disney characters, Garfield, Prince Valiant, Dungeons and Dragons, The Hobbit, browsing book and album covers, frequency range, music/audio books as background noise, mindfulness, Cat Stevens, Kansas, KISS, Lorelei, Sikhs, Logical Nonsense, the punk scene, drugs, The Dark Nineties, tagbanging, Santa Fe vs. Albuquerque, backyard parties, hand poke tattoos, rites of passage, The Decline of Western Civilization, tattooing at school, The Hat, judging people by their tattoos, Dan-O Sanchez, self tattooing, dedication to the craft, apprenticeships, art school, Boris Vallejo’s advice, learning directly from artists, recognizable style, tattoo conventions, Guy Aitchison, Grime, Mike Davis, recognizing tattoos not clients, the pitfalls of getting your own drawings tattooed, quality vs. story, word tattoos, Hardware, assholes in business, good customer interactions, Richard Stell, Lucky 13, Ten In One, Stay Gold, Steve Truitt, body modifications, suspensions, public lynching, fatherhood, Warhammer, 5x Golden Demon Champion, miniature figures, Shawn Warcot, Stranger Things, hiking, the satisfaction of physical exhaustion, skateboarding, Shoggoth, making intestines, Asian Water Monitor, snake breeding, cross platforming. @cthuleo

By now, Lex Fajardo qualifies as honorary co-host! This time out, Geoff & Lex talk Dennis the Menace, Prince Valiant and finally-Lex’s own work on the all-ages graphic novel series featuring Kid Beowulf, published by Andrews McMeel! (Kidbeowulf.com) and there’s some Charles Schulz and Peanuts in there too!

For a period of about fifty years, many of America's top cartoonists and illustrators lived within a stone's throw of one another in the southwestern corner of Connecticut. Comic strips and gag cartoons read by hundreds of millions were created in this tight-knit group -- Prince Valiant, Superman, Beetle Bailey, Hägar the Horrible, Hi and Lois, Nancy, The Wizard of Id, Family Circus... I could keep going. This hour, a look at the funny pages, and at Connecticut's cartoon county.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Hello garage rockers, are you ready to rock and roll? Special delivery to you on this modcast is some great old 80s garage rock. It's loud and brash, with lots of fuzzy guitars and pounding drums. The girls will all be in miniskirts and gogo boots, while the boys will have Prince Valiant hair and lotsa paisley shirts. This show is packed with great music, some of it a little obscure as I've chosen some deeper tracks that maybe don't get played as much. So packed that you won't even hear groups like Gravedigger V, Tell-Tale Hearts, Pandoras, Crawdaddy's, or the Fuzztones. But you do get is going to blow you away. As always find a complete track list over on the modcast homepage at mistersuave.com And keep up with me between modcasts: Twitter - https://twitter.com/mistersuave Facebook - facebook.com/modmodworld Subscribe - iTunes - https://itunes.apple.com/us/podcast/mr-suaves-mod-mod-world/id154325887?mt=2 Mr. Suave's Mod Mod World. Mod friendly music mixes since 2006.

Reviving an interview I conducted with the great artist Mark Schultz in 2011 to discuss his amazing Xenozoic Tales, Prince Valiant and artistic independence. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/classiccomics/message Support this podcast: https://anchor.fm/classiccomics/support

In which Dame Leslie and Sir Blackwood witness the conquest of a kingdom and join Prince Valiant on his journey from Thule to a dinosaur infested swamp that may or may not be somewhere in Britain.   Music: Arthurian Mythia Theme by Invictus Media Where the Truth Lies by The Exchange featuring Marc Jordan The Legend of Prince Valiant soundtrack album on iTunes: https://itunes.apple.com/gb/album/the-legend-of-prince-valiant-original-soundtrack/1389657988   Links: Prince Valiant Wikipedia pages: https://en.wikipedia.org/wiki/The_Legend_of_Prince_Valiant https://en.wikipedia.org/wiki/Prince_Valiant IMDb: https://www.imdb.com/title/tt0101171/ Cynan name meaning: https://en.wikipedia.org/wiki/Cynan http://babynames.allparenting.com/list/Welsh_Baby_Names/Cynan/details/ Thule: https://en.wikipedia.org/wiki/Thule Prince Valiant comic strip: http://comicskingdom.com/prince-valiant/  

In this episode, we explore the return of Harvey Fierstein's "Torch Song Trilogy" (now with a new name and run time) to Broadway. Inside you'll hear The Critic expand on the importance of family as a theme, Easy unable to distinguish one Prince Valiant haircut from another, and an homage to our friend Ms. Spilker by referring to a movie as a show. Enjoy!

In this episode, we explore the return of Harvey Fierstein's "Torch Song Trilogy" (now with a new name and run time) to Broadway. Inside you'll hear The Critic expand on the importance of family as a theme, Easy unable to distinguish one Prince Valiant haircut from another, and an homage to our friend Ms. Spilker by referring to a movie as a show. Enjoy!

D&D authors / historians Michael Witwer and Jon Peterson discuss their fantastic new Dungeons & Dragons Art & Arcana: A Visual History book that’s taking the scene by storm! Plus: RPG news including the unfortunate passing of important figures Greg Stafford and Bruce “Duke” Seifried. Podcast version of the live Shane Plays geek talk radio show from 10/20/2018 Shane Plays airs on Saturdays at 1 PM Central on 101.1 FM The Answer in Little Rock. It can also be heard online at http://1011fmtheanswer.com. Call in at 501-823-0965 or tweet @ShanePlays during the show! Like what you hear? Support Shane Plays Radio on Patreon! https://www.patreon.com/shaneplays Shane Plays is carried on Krypton Radio! Krypton Radio is SciFi for your Wifi. http://kryptonradio.com/ Listen to the Shane Plays podcast on YouTube, SoundCloud, iTunes, Google Play Music, Podbean, Stitcher (and other fine, fine podcast directories) after the live show. SHOW NOTES Podcast zinger is from: Greg Stafford Speech at the ENnies 2018 https://www.youtube.com/watch?v=Ky_X0T-RgBY Greg Stafford 1948 - 2018 https://en.wikipedia.org/wiki/Greg_Stafford Stafford is most famous as the creator of the fantasy world of Glorantha, but he is also a prolific games designer. He was designer of Pendragon, he was co-designer of the RuneQuest, Ghostbusters, Prince Valiant and HeroQuest role-playing systems, founder of the role-playing game companies Chaosium and Issaries, designer of the White Bear and Red Moon, Nomad Gods, King Arthur’s Knights and Elric board games, and co-designer of the King of Dragon Pass computer game. Stafford considered his Arthurian chivalric role-playing game King Arthur Pendragon (1985) his masterpiece. Miniatures wargaming, roleplaying and adventure gaming pioneer Duke Seifried has passed away | Tabletop Gaming https://www.tabletopgaming.co.uk/historical-games/news/miniatures-wargaming-roleplaying-and-adventure-gaming-pioneer-duke BRUCE "DUKE" SEIFRIED Obituary | HMGS https://www.hmgs.org/news/420494/BRUCE-DUKE-SEIFRIED-Obituary.htm DnDSports - New Competitive 'Dungeons & Dragons' Tournament Announced | ComicBook.com https://comicbook.com/gaming/2018/10/15/dungeons-and-dragons-competitive-tournament-/ The Dreams in Gary’s Basement documentary Kickstarter https://www.kickstarter.com/projects/dorksofyore/the-dreams-in-garys-basement-a-documentary-on-gary Realms Beyond: Ashes of the Fallen on Kickstarter by Ceres Games https://www.kickstarter.com/projects/ceresgames/realms-beyond-ashes-of-the-fallen Dungeons & Dragons Art & Arcana: A Visual History - "Unboxing" and First Reactions! https://www.youtube.com/watch?v=qr6edzGSsag What are Shane's first thoughts and reactions to an advance copy of Dungeons & Dragons Art & Arcana: A Visual History? Hint: he may squee (okay, he *actually* squees at one point and he's a big manly man not known for his squeeing). Make sure to watch the parts with the special edition boxed book and ephemera set!

We weren't in town long enough to record a whole episode, so this week we're giving you delightful miscellany! Tids and bits snipped from various conversations that add up to forty jam-packed minutes! A wandering discussion about a new anime cafe in San Antonio becomes a walk down memory lane peppered with people we've nicknamed and obsessed over. Pitney's obsession with a guy who makes Skyrim videos and pronounces words oddly. Amelia's disappointment in Sonic's failed jalapeno chocolate shake and Pitney's fascination with their new pickle slushie. And then Pitney got picked up by a hottie at Target! Promo: the Aggravated Hour podcast (Want to swap show promos? Email us!) We love you for listening! Please take a moment to rate and review us, and earn a STICKER! (Everyone loves stickers!) And please subscribe or add us to your favorites list on your favorite platform so you never miss a show! And share us with your cool friends, not the lame ones. Questions? Comments? Complaints? Write to us at PitneyAndAmelia@gmail.com! Tweet at us at @bitchenboutique! Join the conversation over at our Facebook group! And if you're feeling generous, buy yourself a little something at our Zazzle shop and help to support our show!  (Turn off that Content Filter to see the "uncensored" merch!) Who the heck are Pitney and Amelia? A gay guy and his fat friend talking about everything! We've got over 30 years of stories to share about stuff we love, stuff that annoys us, people we've known, places we've been, and things we've seen. Geeky, silly, and always opinionated. NAMES ARE CHANGED TO PROTECT THE GUILTY! We may be awful, but we're right! New episodes every other Friday. Recorded close enough to Austin, Texas to help with their weirdness factor. LGBTQ | Comedy | Pop Culture | Nerd Culture | Horror | Spirituality

This week Chris goes over what he got at FCBD, Nightwing Volume 5: Raptors Revenge, Nightwing, The New Order, Prince Valiant, Creepy Archives, Eerie Archives, Predator: The Essential Comics Volume 1 TPB, The Paybacks Collection, Harrow County: Library Edition Volume 1. Plus the July 2018 Solicitations that include Project Superpowers Omnibus Vol. 1: Dawn of the Heroes TP (Dynamite); Planet of the Apes Archive Vol. 4 HC (Boom Studios); Prince Valiant Vol 17 1969-1970 HC (Fantagraphics); Star Wars: The Classic Newspaper Comics Vol. 3 HC, Bram Stoker's Dracula HC (IDW/LOAC); Hellboy Omnibus Volume 4: Hellboy In Hell TP (Dark Horse); Marvel Masterworks: The Mighty Thor Vol. 17 HC (Variant Edition Vol. 267), Destroyer by Robert Kirkman TP, Secret Invasion: Rise of the Skrulls TP, Cloak and Dagger: Predator and Prey TP (Marvel); Batman: The Golden Age Omnibus Vol. 6 HC, The Flash: Rogues: Captain Cold TP, Tales of the Batman: Gerry Conway Vol. 2 HC, Crisis on Infinite Earths Companion Deluxe Edition HC (DC Comics).

Chris is back and he goes over his recent “buy” pile that includes Punisher: Platoon, Star Wars Vol. 7: The Ashes of Jedha, Star Wars: Darth Vader: Dark Lord of the Sith Vol. 2: Legacy's End, EC Archives, Creepy Archives, Eerie Archives, and Prince Valiant. Also in the news today is MARVELOCITY: The Marvel Comics Art of Alex Ross, Usagi Yojimbo/TMNT: The Complete Collection, Age of Reptiles, X-O Manowar Compendium One, Aliens Essential Comics Volume 1, and Action Comics #1000 Deluxe Edition. Lastly, Chris goes over a few notable and collected edition-centric Eisner Award categories and gives his guess as to who will win!

The Road to Perdition received a bit of a mixed review from the brothers. J thought it was too predictable but all agree the acting is good. .Along the way the brothers discuss The Shadow, The Phantom, Prince Valiant, Katherine Heigl, Snow, Penny Dreadful, Dead Calm, Dorian Gray, the Invisible Man, Hollow Man, Peter Rabbit, and a truck hitting a highway overpass Housekeeping starts at 47:30 File length 1:01:00 File Size 56.0 MB Subscribe to us on iTunes Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at www.notinacreepyway.com

This podcast has been to Hicksville and Coconino, so why not Fairfield County, CT? Cullen Murphy's new book, Cartoon County: My Father and His Friends in the Golden Age of Make-Believe (FSG), tells the story of Prince Valiant cartoonist John Cullen Murphy and the community of cartoonists, illustrators and comic-book artists who settled the southeastern corner of Connecticut in the '50s and '60s. Cullen & I talk about the confluence of factors that led to that community and his goal of preserving that golden age in this book, his realization that "cartoonist" was not a normal job for one's dad, his own cartooning aspirations, what writing Prince Valiant with his father taught him about storytelling, how his upbringing around cartoonists affected how he worked with illustrators as a magazine editor, why his father stuck with realism and never worked in bigfoot style, and what Cartoon County taught him about himself & his family. • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

This week, we talk to Cullen Murphy, the son of cartoonist John Cullen Murphy, about growing up during the funnies’ midcentury heyday. Cartoon County is part memoir, part history of the giants of the comics world, who drew Superman, Beetle Bailey, Hägar the Horrible, The Wizard of Id … and a bevy of strips and gags read by millions of Americans. Visit the episode page for a slideshow of images from the book, including sketches, comic strips, and Polaroids from Cullen Murphy’s collection.Go beyond the episode:Cartoon County by Cullen MurphyRead the strips online: Prince Valiant, Hägar the Horrible, Beetle Bailey …Learn more about Fairfield County in Cullen’s essay in Vanity FairTune in every two weeks to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. • Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast • Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! • Our theme music was composed by Nathan Prillaman. See acast.com/privacy for privacy and opt-out information.

This week, we talk to Cullen Murphy, the son of cartoonist John Cullen Murphy, about growing up during the funnies’ midcentury heyday. Cartoon County is part memoir, part history of the giants of the comics world, who drew Superman, Beetle Bailey, Hägar the Horrible, The Wizard of Id … and a bevy of strips and gags read by millions of Americans. Visit the episode page for a slideshow of images from the book, including sketches, comic strips, and Polaroids from Cullen Murphy’s collection.Go beyond the episode:Cartoon County by Cullen MurphyRead the strips online: Prince Valiant, Hägar the Horrible, Beetle Bailey …Learn more about Fairfield County in Cullen’s essay in Vanity FairTune in every two weeks to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. • Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast  • Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!  • Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

Alex Grand, Bill Field, and Jim Thompson discuss the 1934 newspaper comic industry specifically the decline of the old guard like Windsor McCay, and the upsurge of the new guys who would end the newspaper golden age with a bang including Milton Caniff and Alex Raymond. How did Milton Caniff and Alex Raymond change the choreography of Newspaper Strips and how did that affect the buddening Golden Age of Comic Books? Why do Newspaper Comic Strips at this time matter? What was the comic book industry doing at this time? Who is Major Malcom Wheeler-Nicholsen and what did he bring to comic books when he created National Allied Periodicals, the company that would later change its name to DC Comics? Where is the Bison head? ©Comic Book Historians, Flash Gordon ©King Feature Syndicate. Support us at https://www.patreon.com/comicbookhistorians Podcast and Audio ©℗ 2019 Comic Book HistoriansSupport the show (https://www.patreon.com/comicbookhistorians)

Taking the Artist’s Edition Index from print to the spoken word, join me monthly for a look at all things Artist’s Edition: * Shipping changes Solicitations Sales (Diamond, eBay) Letters and forums New releases Reviews This month we take a look at the state of the new website, October 2017 Previews, August 2017 Sales Numbers, Out Of Print Sales August 2017, a preview of IDW’s Bernie Wrightson Artifact Edition, and a review of Fantagraphics Studio Edition: Hal Foster’s Prince Valiant. https://dts.podtrac.com/redirect.mp3/cldup.com/h2kXL2fbD9.mp3 Listen here, download or subscribe on iTunes, Stitcher or Google Play. Theme music courtesy of the Internet Archive.

Taking the Artist’s Edition Index from print to the spoken word, join me monthly for a look at all things Artist’s Edition: * Shipping changes Solicitations Sales (Diamond, eBay) Letters and forums New releases Reviews This month we take a look at April 2017 Sales Numbers, Out Of Print Sales April 2017, June 2017 Previews, previews of Walter Simonson’s The Mighty Thor: The Return Of Beta Ray Bill Artist’s Edition and Fantagraphics Studio Editions: Hal Foster’s Prince Valiant & Charles Burns’ Black Hole, and reviews of Deadman: Kelley Jones Gallery Edition and Reed Crandall’s EC Stories Artist’s Edition. https://dts.podtrac.com/redirect.mp3/cldup.com/SLEkpyowch.mp3 Listen here, download or subscribe on iTunes or Google Play. Theme music courtesy of the Internet Archive.

First, in this end-of-May episode 3 part blow-out, Andrew and Jack read some messages from some listeners (one of whom you may know as a certain Guest Star who's name rhymes with 'Hat'). A lot of this concerns the Alien movies, most especially Covenant which we reviewed episode 85. This ends at 21:55 Then, Jack and Andrew talk MORE Comic book movies that are NOT adapted from DC or Marvel comics - remember, there are more comic book movies out there that aren't the big two (we previously talked about this in episode 48.3 last year). We go from talking sources that were comic strips, underground comics, and a Manga. Andrew's choices are wholesome. Jack's are too. Sometimes. Thanks for listening, and send any messages to wagesofcinema@gmail.com; https://facebook.com/wagesofcinema or https://www.twitter.com/wagesofcinema 1) MEN IN BLACK (1 and 3; 1997 and 2012) 2) THE PEANUTS MOVIE (2015) 3) THE ADDAMS FAMILY movies (1991/1993) 4)DICK TRACY (1990) 5) TANK GIRL (1995) 6) PRINCE VALIANT (1954) 7) FRITZ THE CAT (1972) 8) THE PHANTOM (1996) 9) ICHI THE KILLER (2001)

#Today 2pm-3pm EST and 11pm-12am EST bombshellradio.com Jazzamatazz - Retro Dj mixes of many groovy styles of music on Bombshell Radio Repeats Sunday Kaleidoscope 15: Lunar Library The Kaleidoscope series of mixes are a fun,funky,far out trip into groovy sound. A genre juggling journey to hopefully give you an enjoyable,quirky time :) New mixes soon @ www.mixcloud.com/jazzamatazz Enjoy yourself ;) #EasyListening #Lounge #Groove #NuJazz #Funky #Jazzy #FarOut #PornoMusic #FunkSoulJazz #LibraryMusic #DjMix #Mixtape #Jazzamatazz #BombshellRadio Tracklist- 1 Spaced Out Sportsgirl by Alan Hawkshaw 2 Be Quiet (Deep Electronic Beat Mix) by Dave Neville 3 Rollerblade Escapade by Unknown Artist 4 Stiffed by Sex-O-Rama 5 Fly Funk by Alan Parker/Madeline Bell/Elliot Ireland 6 Roscoe's Theme by Unknown Artist 7 Groove by Unknown Artist 8 Can't Get Enough by Unknown Artist 9 Hold it Down by The Quantic Soul Orchestra 10 Eurodisco Affair by Unknown Artist 11 Lauren's The Clock Maker by The Bongolian 12 The New Avengers Theme by Laurie Johnson Orchestra 13 Hard Hitter by Keith Papworth 14 Chinese Chequers by Mark Wirtz 15 The Millionaire by The Dakotas 16 XY Patrol by Manfred Schoof & Uwe Buschkotter 17 Baretta's theme by Henry Mancini 18 Venus by Casey & The Pressure Group 19 A Deeper Shade of Soul by Ray Barretto 20 Back Yard by Prince Valiant & Knights 21 Baby Elephant Walk by Lawrence Welk & His Orchestra

Vi öppnar motorhuven och monterar isär ett mer sentida monster. Tomas försvarar Tarantino-filmen som Quentin inte ens själv tycker är något vidare och Lars berättar om nära-döden-upplevelser i trafiken. Vi pratar också om: Chock, Helljus, Duel, Richard Matheson, Steven Spielberg, Dennis Weaver, Playboy, Prince Valiant, David och Goliat, Peterbilt 238, Death Race 2000, Sylvester Stallone, David Carradine, Lewis Teague, The Wraith, Charlie Sheen, Sherilyn Fenn, Death Proof, Planet Terror, Kurt Russell, Dodge Charger, Stephen King, Trucks, Maximum Overdrive, AC/DC, Emilio Estevez, The Car, James Brolin, Anton LaVey, Ronny Cox, Lincoln Continental Mark III, Christine, John Carpenter, Plymouth Fury, Jurtjyrkogården 2, The Hitcher, Rutger Hauer, Blade Runner, Jennifer Jason Leigh, Hateful Eight, Creepshow 1 & 2, Rick Wakeman, George A Romero, Tom Savini, Liftaren, Mercedes, Karl Marx, Liftarflickan och givetvis Vargtishan. Nostalgi, löst tyckande och akademisk analys i en salig röra.

TODO: Write up Black Stars Rise: Lemonade Edition. Also, Prince Valiant should still be backable when this comes out. Adam’s #Threeforged games, in case you want to tear them apart: Forgeborn (1534) Life as it Was (1572) Bootleggers (1580)

Another “Previews” in the pullbox means another look into our comics future! This first half of our expanded “Previews” coverage focuses on the catalog's Green section, the back half that just so happens to cover about 75% of comics publishers. What impending October 2016 releases catch Mike & Greg's fancy? Charles Burns' “Last Look!” The entire Alternative Comics' publishing slate! Cinebook's “Clear Blue Tomorrows!” “Mega-Man!” Archie jamming with The Ramones! “Betty Boop!” “Chimera Brigade!” “Giant Days!” Kelley Jones & Bob Kane! “Platinum End!” Hester & Ellis! “Kelly - The Cartoonist America Turns To!” “Reich!” King-sized “Prince Valiant!” All that, plus which opinions will get you punched in the f%#*ing mouth if spoken at your LCS. So a little something for everyone on Part one of our two-part “Previews” episode! Robots From Tomorrow is a weekly comics podcast recorded deep beneath the Earth's surface. You can subscribe to it via iTunes or through the RSS feed at RobotsFromTomorrow.com. You can also follow Mike and Greg on Twitter. This episode is brought to you by Third Eye Comics. Enjoy your funny books.

ROBERT WAGNER TALKS ABOUT HIS BOOK YOU MUST REMEMBER THISRobert Wagner is one of the most popular and successful stars in the entertainment industry, boasting three hit series and an impressive list of both feature and television films. As a young man under contract to 20th Century Fox, Wagner was cast by Darryl F. Zanuck in "With a Song in My Heart." Although the part lasted a scant minute, his performance as a crippled soldier responding to the song of Susan Hayward brought immediate public reaction to the studio. Spencer Tracy saw him in "Beneath the Twelve Mile Reef" and requested Wagner for the role of his son in "Broken Lance." Tracy was so impressed with Wagner, he cast him as his brother again in "The Mountain." A small sample of his numerous film credits includes "Dragon: The Bruce Lee Story," "The Pink Panther," "The Curse of the Pink Panther," "Midway," "The Towering Inferno," "Banning," "Harper," "Prince Valiant," "The True Story of Jesse James," and "All the Fine Young Cannibals." He recently re-created his role of "Number Two," the villainous henchman to Dr. Evil, the archenemy of Mike Myers' title character in "Austin Powers: The Spy Who Shagged Me." Antonio Banderas also directed Wagner in "Crazy in Alabama." In 1998, the actor was in "Wild Things," starring Matt Dillon and Kevin Bacon.On television, Wagner has starred on three long-running series, "It Takes a Thief," with Fred Astaire, "Switch," with Eddie Albert and Sharon Gless and "Hart to Hart," with Stefanie Powers. He was nominated for an Emmy for his role as Alexander Mundy in "It Takes a Thief". Since the end of the regular run of the series, the actor has produced eight "Hart to Hart" movies for both NBC and cable's Family Channel. He also starred with Jaclyn Smith in the top-rated miniseries "Windmills of the Gods," based on Sidney Sheldon's best-selling novel; with Angie Dickinson in the miniseries "Pearl"; with Audrey Hepburn in "Love among Thieves"; with Lesley Anne Down in "Indiscreet" and in "North and South III," with Joanne Woodward in "A Kiss Before Dying"; and with Elizabeth Taylor in "There Must Be a Pony," which he also executive-produced. Wagner was chosen by Sir Laurence Olivier to star with him in the television adaptation of "Cat on a Hot Tin Roof," in which he costarred with his wife, the late Natalie Wood. Wagner also teamed up with Sir Laurence Oliver in "This Gun for Hire," Danielle Steel's "Jewels" and "To Catch a King."In addition to all his film and television ventures, Wagner has toured the world performing A.R. Gurney's "Love Letters", with Stefanie Powers, who were the first to launch the tour Internationally. Currently, Wagner performs "Love Letters" at charity events with his wife, actress Jill St. John.Wagner enjoys golfing and spending time with his 3 daughters, Katie (Television Personality), Natasha (Actress) and Courtney (Artist).The legendary actor and bestselling author of Pieces of My Heart offers a nostalgic look at Hollywood's golden age!With a career spanning more than five decades, few actors are more qualified to recount the glamorous Hollywood era of the late 1940s and early 1950s than Robert Wagner. You Must Remember This is Wagner's ode to a bygone age, to its incomparable style and how it was displayed, and to its legendary stars.Wagner revisits the houses, restaurants, and other haunts of Hollywood's elite, offering an intimate view of their lives on and off screen. He fondly recounts mythic figures simply entertaining at home among friends, away from the publicity machine and public eye that morphed into today's paparazzi culture. Wagner also discusses the business of Hollywood and its evolution from an industry once dominated by moguls to one run by agents, and examines the career arcs of his peers, carefully considering why some survived and others faded.Engaging and entertaining, You Must Remember This is a window into the splendors of an erstwhile era and an opportunity for readers to live vicariously through one its most beloved leading men.WWW.ROBERT-WAGNER.COMBILL MEDLEY – THE RIGHTEOUS BROTHERS - THE TIME OF MY LIFE Bill Medley's indelible baritone adorns some of the biggest hits of the twentieth century—"You've Lost That Lovin' Feelin'," "(You're My) Soul and Inspiration," "Rock and Roll Heaven"—and is prominent on the soundtrack of an entire generation. He and his musical partner, the late inimitable Bobby Hatfield, formed the Righteous Brothers in 1963 and forever changed the sound of popular music. The term "blue-eyed soul" was born.After the Phil Spector-produced "You've Lost That Lovin' Feelin'" hit #1 in 1964 and Bobby Hatfield's sweeping solo vocal turn on "Unchained Melody" enchanted millions, the Righteous Brothers found themselves in the thick of the musical and cultural changes sweeping the nation. They toured with the Beatles and the Rolling Stones, became friends with Elvis Presley and the Beach Boys, and brought rhythm and blues to the largest cross-over audience it had reached to date.The Time of My Life is an affecting and vivid memoir of those times and beyond, an unvarnished look at Bill Medley's personal triumphs and tragedies through the filter of five decades of musical, television, motion picture, and live-performance success. Medley opens his head and his heart, sharing his thoughts and feelings about the great African-American music that inspired him, his loving yet tumultuous and complicated relationship with Bobby Hatfield, the murder of his first wife Karen and his struggle to raise their son alone, his close friendship with Elvis and its sad ending, his deep depression over losing his voice (and how he got it back), his smash duet with Jennifer Warnes on "(I've Had) the Time of My Life" for the Dirty Dancingsoundtrack, and how he learned to settle down and become a family man and enjoy a nearly thirty-year (and counting) marriage.But Medley's story isn't just about the #1 hits and the awards. It's the story of an immensely talented young guy who lived the rock star life and reached the pinnacle of fame, success, and excess, and how he was eventually able to renew his commitment to both his faith and his family.WWW.BILLMEDLEY.COM

Writer/artist Mark Schultz is a renowned illustrator with a mastery of drawing dinosaurs, cars and sexy women. In this episode he goes deep inside the artistic process with Wendi as they discuss his legendary book, "Zenozoic Tales" being made into an IDW Artists Edition and the cartoon, "Cadillacs and Dinosaurs". He discusses his recent intricate carbon pencil work in the illustrated story, "Storms at Sea" as well as his interest in environmentalism, his work writing "Superman" and "Prince Valiant", the evolutionary anatomy of drawing Aliens and Predators, and much more!

Your Stupid Minds transitions from Halloween season into Renaissance Festival season with the 90s low-budget medieval fantasy movie Prince Valiant! Based on the boring, overwritten comic strip from the Sunday newspaper’s back page that your grandparents never read, this film adaptation eschews the sweeping ongoing medieval tale and instead opts for a trim 90 minute action movie with swords instead of firearms. Lowly squire Valiant (Stephen Moyer) steps in at the joust for his knight after an unfortunate concussion and proceeds to not even win. King Arthur (Edward Fox) sends him on a mission to return Princess Ilene (Katherine Heigl) to her home country after Excalibur is stolen by what he thinks are Scots. In reality, goons led by Sligon the Usurper are the culprits. Sligon stole Merlin’s spell book (titled simply, “Merlin”) and plans to use it to take over the kingdom. It’s up to Valiant and his new friends Boltar (Ron Perlman) and Pechet (Warwick Davis) to stop him.

Steve Cooper talks with actor William Morgan Sheppard. WIlliam graduated from the Royal Academy of Dramatic Arts 1958 before spending 12 years as Associate Artist with the Royal Shakespeare Company.  He appeared on Broadway in 1966 with Marat/Sade and later in 1975 with Sherlock Holmes. He won the Los Angeles Drama Critics Circle Award for The Homecoming in 1995, at the Matrix Theatre. He appeared in several episodes of different series of Star Trek, as well as the feature films Star Trek VI: The Undiscovered Country and in Star Trek. Outside of Star Trek, he is probably best known for his roles as Blank Reg on Max Headroom and Confederate General Isaac Trimble in the films Gettysburg and God and Generals. A few other movies and TV shows that appear on his resume are MacGyver, Babylon 5, It's Always Sunny in Philadelphia, The Prestige, Wild at Heart, Transformers, SeaQuest 2032, The Elephant Man, Cold Case, Alias, Gilmore Girls, Criminal Minds, American Gothic, Mad Men and many, many more. He has also lent his voice to many projects including Biker Mice from Mars, Gargoyles, The Legend of Prince Valiant, Mighty Ducks, Timon & Pumbaa, Medal of Honor, Justice League, Atlantis: Milo's Return and Civilization V.

Poison Boy runs the gauntlet of February - fighting the frosty fiend with facts and love. In this special episode, we explore all the historical highlights from the shortest, coldest, boringest, crappiest month and manage to shine sriracha -hot sunny beams of knowledge warmth all over the place. Join fellow Safety Rangers Robinson Crusoe, Mark Twain, Darryl Strawberry, Stalin, Gomer Pyle, G.I. Joe, The Rolling Stones (with Marianne Faithful), Einstein, Anna Nicole Smith, Prince Valiant, Socrates, Typhoid Mary, Mr.Spock, Sade and a whole batting order of the cool, the infamous, the ridiculous and the randomly Ranger-ish. 

- Prince Valiant #1. Nate Cosby y Ron Salas. (Dynamite). - Spider-Gwen #1. Jason Latour y Robbie Rodríguez. (Marvel). - Suiciders #1. Lee Bermejo. (Vertigo). - The Black Hood #1. Duane Swierczynski y Michael Gaydos. (Dark Circle). - Darth Vader #2. Kieron Gillen y Salvador Larroca. (Marvel). - Effigy #2. Tim Seeley y Marley Zarcone. (Vertigo). - Uncanny Avengers #2. Rick Remender y Daniel Acuña. (Marvel).

- Prince Valiant #1. Nate Cosby y Ron Salas. (Dynamite). - Spider-Gwen #1. Jason Latour y Robbie Rodríguez. (Marvel). - Suiciders #1. Lee Bermejo. (Vertigo). - The Black Hood #1. Duane Swierczynski y Michael Gaydos. (Dark Circle). - Darth Vader #2. Kieron Gillen y Salvador Larroca. (Marvel). - Effigy #2. Tim Seeley y Marley Zarcone. (Vertigo). - Uncanny Avengers #2. Rick Remender y Daniel Acuña. (Marvel).

Sandman Overture, Prince Valiant and some food manga go into a bar, which is to say they get talked about in this episode, because we’re very bad at making analogies. And telling jokes.

Collected Comics Library Podcast #374 - The three hundred seventy fourth podcast! Adopt A Character 2014 - Namor, The Sub-Mariner; Prince Valiant release dates from Fantagraphics; Watchmen Artifact Edition; Superman Unchained Collected Comics Library, hosted by Chris Marshall, THE Trade Paperback Podcast. The only podcast solely dedicated to news, information and reviews on all sorts of comic book collected editions.

We continue our 2 part conversation with Marvel writer Jeff Parker. Jeff discusses his 2010 Oni book with Steve Lieber UNDERGROUND, and how a leaked pdf of the book at 4chan ended up being a positive publicity happening resulting in new readers and sales for the overlooked project.We also discuss the X-Men First Class Film, and Jeff's minor advisory involvement, more Thunderbolts talk including future guest stars and more on Man-Thing's unique role on the team.We discuss the old guard of comic creators like Alex Toth, Al Williamson and Burne Hogarth . The Will Eisner documentary . Adventure comic strips like Steve Canyon, Rip Kirby, Prince Valiant, and Flash Gordon from old and current creators Milton Cannif, Hal Foster, Alex Raymond, Mark Schultz and Gary Gianni .We talk about fantasy books, from The Harry Potter and Percy Jackson books,  to The Hobbitt and disgraced author James Frey's I Am Number Four . Plus loads of old movie talk. From the implausability of Dean Martin making good westerns, (Rio Bravo & Bandollero) to the best John Ford films like The Searchers, The Last Hurrah, and The Man Who Shot Liberty Valance .

Comic book unions! Gwen Stacy! Prince Valiant! Independent writers! American Flagg vs Judge Dredd! Scott Pilgrim! Pink Flamingos! Commissions! Drunk Cap! And... Yo Gaba Gaba? It can only be the return of an all-listener voice-mail episode! (56:59)

Collected Comics Library Podcast #192 - The one hundred ninety second podcast! Site Updates; Stan Lee Soapbox; Image Comics; Shipping and Product Changes; New Releases of the Week; Prince Valiant Far From Camelot and upcoming Fantagraphics reprints; 45m 04s Collected Comics Library, hosted by Chris Marshall, THE Trade Paperback Podcast. The only podcast solely dedicated to news, information and reviews on all sorts of comic book collected editions.

Collected Comics Library Podcast #176 - The one hundred seventy sixth podcast! Wizard World Chicago Panel; eBay watch; Shipping Updates; New Releases of the Week; Prince Valiant retrospective; email; Giveaway; A huge list of DC Comics 2009 Collected Editions; 36m 12s Collected Comics Library, hosted by Chris Marshall, THE Trade Paperback Podcast. The only podcast solely dedicated to news, information and reviews on all sorts of comic book collected editions.