Podcasts about Continuity

On the one hand, "Jewish cuisine" or "Jewish food" is difficult to define, because it is influenced by the foods in the many countries where Jews have emigrated to, and it's as diverse and adaptive as the Jewish people themselves.  On the other hand, there is indeed something we can call "Jewish food," characterized by a rich tapestry of flavors, ingredients, and cooking techniques, and influenced by the dietary laws and culinary traditions found in Jewish religious texts. Jewish cuisine celebrates diversity while at the same time serving as a unifying element for a commuity that has been dispersed across the world.  Let's explore this together in today's episode.  —————— Support this podcast today at JoyfulVegan.com/Donate Visit my website: JoyfulVegan.com Join me on an all-inclusive vegan trip: JoyfulVeganTrips.com AFFILIATE PARTNERS: Nama Juicer — Use this link and coupon code COLLEEN20 and get 20% off my favorite juicer. Plaine Products — Use this link and coupon code "compassion" for 15% off my favorite zero waste bath and body products. Complement — Use this link and coupon code "joyfulvegan" and get 10% off my favorite supplements. Thank you for listening.

Join Andy and Gandhi for a recap on all the latest changes in primary care including the fallout from the LMC conference and more00:00 Intro 01:07 LMC conf09:06 GP salaried service? 12:56 BMA SurveyComplete the survey: www.research.net/r/bmagp2316:43 Consultant pay22:00 CBT update28:26 Continuity in GP44:18 Online consultations reviewSign up for the webinar for free: https://youtube.com/live/FzgJQmpl8Nc?...Join Dr Mike as he shares how to get started and fly using EMIS to make your life easier with this clinical systembit.ly/EMIScourse Learn how to use TPP SystmOne as a clinician in this comprehensive online course with a full money back guaratneeSign up by bit.ly/TPPS1Course

Romare Bearden and Jacob Lawrence profoundly shaped the depiction of American history in art through their ambitious and insightful oeuvres. From generating new national traditions through the Harlem Community Art Center to capturing communal experience through paint and collage, they paved the way for subsequent generations of storytellers. In this episode, hear from each artist as they recount the social, political, and artistic currents that guided their paths. Show Notes and Transcript available at www.aaa.si.edu/articulated

Hour 1: Continuity or Change? Former Bears Linebacker Lance Briggs thinks changing Head Coaches would stall the process of the Bears growth. Do you agree? Are you starting to worry Eberflus could come back?

Set in the fictional Coral Key Marine Park, the original tv series of Flipper gave everyone a glimpse into a fantastical world of tropical sea life and adventure! Continuity and accuracy be damned, this was the 1960's! Watching the show from the mossy permafrost of upstate New York was particularly enthralling for a young, perpetually shivering Kevin. 

The best art doesn't always necessarily rise to the top anymore, it's more likely the best marketed art rises to the top. Author and music industry entrepreneur Jeremy Shiloh has been brainstorming this problem as how to get the best singer/songwriters to reach that goal. What came out of this process was to create a peer review process for the totally undiscovered singer/songwriter called Circate. So exactly what is Circate? Cricket's peer promotion system is designed for creators, such as musicians, filmmakers, video game developers, and writers. The outcome of the peer support in determining your projects are solely judged by fellow creators. The system is designed to have no AI algorithms. Consumer markets, and marketing don't make a difference, and your creation is put on a level playing field, no matter who is involved in the process. Officially launching in January 2024, The program is currently in its Beta testing, and seeking creative people to be included in the journey. For further information, please visit their website: www.circate.com Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2023 Lotta Dogs Productions, LLC, All rights reserved.  

APPY THANKSGIVING EPISODE: As it has become an annual tradition in the Locked On Rays podcast, let's talk about what we are thankful for as Rays fans. -Stability knowing the Rays stadium will be staying in Tampa Bay. -Winning culture led by the front office and coaching staff. -Continuity of roster such as Brandon Lowe, Randy Arozarena, Yandy Diaz, Pete Fairbanks, etc. -Looking ahead for more positives in the future for the franchise. Follow Kevin Weiss @KevinWeiss_ Follow Ulises Sambrano @SambranoUlises Follow the show @LockedOnRaysFollow & Subscribe on all Podcast platforms…

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Haize & Pat The Designer discuss how continuity failed the Chicago Bulls. THe guys also give their thoughts on the Hornets reported interest in Zach LaVine & why this road trip is going to be a tough one for the team. Call or text the show: (331) 979-1369 Follow & Subscribe on all Podcast platforms…

Dr. Kelsey Moody is a process-oriented biotechnology executive who has specialized in the study of aging and aging mechanisms for over a decade. Since 2013, He has successfully built Ichor from a living room start-up into a premier, vertically integrated contract research organization that focuses on pre-clinical research services for aging pathways. Proceeds from this work are used to self-fund R&D initiatives that constitute Ichor's portfolio companies in enzyme therapy (Lysoclear, Inc.), small molecule drug discovery (Antoxerene, Inc.), and protein engineering (RecombiPure, Inc.). Kelsey has received graduate-level training in medicine, business, and laboratory research. Newsletter sign up (new and exciting developments) https://learningwithlowell.us12.list-manage.com/subscribe?u=08ed8a56013d8b3a3c01e27fc&id=6ecaa9189b Join this channel to get access to perks: https://www.youtube.com/channel/UCzri06unR-lMXbl6sqWP_-Q/join https://youtu.be/-7gk195mhGc Over 321 books from 170 plus interviews over 5 years https://www.learningwithlowell.com/over-321-books-from-170-interviews-over-5-years-for-autodidacts/ PODCAST INFO: The Learning With Lowell show is a series for the everyday mammal. In this show we'll learn about leadership, science, and people building their change into the world. The goal is to dig deeply into people who most of us wouldn't normally ever get to hear. The Host of the show – Lowell Thompson- is a lifelong autodidact, serial problem solver, and founder of startups. LINKS Spotify: https://open.spotify.com/show/66eFLHQclKe5p3bMXsCTRH RSS: https://www.learningwithlowell.com/feed/podcast/ Youtube: https://www.youtube.com/channel/UCzri06unR-lMXbl6sqWP_-Q Youtube clips: https://www.youtube.com/channel/UC-B5x371AzTGgK-_q3U_KfA Website: https://www.learningwithlowell.com/ Kelsey moody links https://www.linkedin.com/in/kelsey-moody-phd-mba-55434421 https://ichorlifesciences.com/about/ Timestamps /show notes 00:00 Intro 00:30 How are ichor life sciences not out of business 02:30 why don't more people copy his business model 04:40 Finding the right investors 08:10 Sales in biotech 10:05 approach to hiring, managing, etc  11:20 Liquid liquid phase separation 16:00 Using phase separation  18:40 Protein vs Phase  22:24 Phase separation to find black swans  21:25 downside to phase separation 24:00 Phase separation being incorporated into portfolio / building tools.  27:11 Why choose phase separation / tool building 29:11 Future of ichor  30:10 Missing to meet that future 31:30 Build the headquarters / USA 33:33 Will they need $100 million 36:10 Startups / biotech wasting money   39:00 Continuity of vision / delusions / Moody in control  39:50 Getting the most from his team / biggest struggle 43:25 innovation days 45:30 Breakdown of startups in portfolio / interventions they're developing FanQ 49:20 How far from clinical trials Fanq 51:18 Lipid Nano Particle to deliver your Lysoclear enzyme FANQ 54:24 Lysoclear enzyme compared to other interventions  / macular degeneration 57:30 how will Lysoclear enzyme be applied elsewhere  59:30 Functional rejuvenation / aubrey de grey / repair future 01:02:30 Criticism Roche is leading these Ph2a trials / FanQ 01:07:18 Aubrey de grey LEV robust mouse rejuvenation study at ichor / insane! 01:10:50 Surprising / relieved developments from mouse rejuvenation study 01:12:18 building a ginkgo bioworks biobank 01:14:30 Surprising legal document 01:15:03 When was Kelsey happiest in life 01:16:07 Big sacrifice as a founder 01:18:50 Bryan johnson blueprint protocol / health optimization  01:20:33 Staying up to date.

A third-generation firefighter, Jason Byrd has always had another fire burning within … as a traditional country music singer, songwriter and performer. Mentored by none other than George Jones,  Byrd has played stages across the US and Canada, opening for powerhouse artists such as Tracy Lawrence, Loretta Lynn, Mark Chesnutt, Dierks Bentley and, of course, George Jones. Jason has appeared on the world-famous Grand Ole Opry and made multiple TV appearances. In 2019, Jason retired from his post as a Battalion Chief of the Tallahassee Fire Department to focus on music.  Byrd released a self-penned duet with George Jones called, “Better Life," which he'd kept under wraps for years prior. The song was ready for release just prior to Jones' passing and Byrd held onto it out of respect for his friend. In 2021, with the blessing of Nancy Jones, he released the tune, which was nominated for Single of the Year at the Josie Music Awards. Jason was invited to perform the song recently for celebrity guests at a VIP dinner in Hunstville, AL prior to the Still Playin' Possum concert marking a decade since the passing of George Jones. Jason currently has two songs nominated for the 2023 Josie Music Awards Song of the Year and continues to delight real country fans with a full tour schedule. After working several shows with Lauren Spring, another Florida-based writer, Byrd chose to record and release “Gulf Coastin'” as a Summer song for 2023. www.jasonbyrdmusic.com © 2023 Lotta Dogs Productions LLC Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2023 Lotta Dogs Productions, LLC, All rights reserved.  

We glory in the greatness of Jesus. I. Jesus is faithful in God's house, just as Moses was, vv1-2. II. Jesus is the builder of God's house, but Moses is just a member of it, vv3-4. III. Jesus is the Son over God's house, but Moses was just a servant in the house, vv5-6. 

From the Humongous Fungus of Oregon to the wave of human migration spreading across our planet, life has become more dependent than ever on the value of connectivity.Duration: 28:19VoxBox: Tim Berners-Lee, inventor of the World Wide Web.Posted: November 19, 2023Highlights:Importance of connection and continuity in communitiesSymbiotic relationship between a Hippo and an OxpeckerInterconnectedness of nature and the humongous fungusRole of storytelling in communitiesChallenges of technology, including software updates and lack of compatibilityConcept of open source technologyImpact of social media on global connectivity and individual isolationPower of art to connect people universallyRelationships and the need for flexibility and acceptanceRecognizing global interrelation to climate change

With the debate over the removal of Richard Allen's counsel in Delphi raging, we take a step back and look at the law. What has the Supreme Court said about right to counsel? The right to continuity of counsel? What does that mean? And does it matter if it's counsel you hired versus counsel appointed to you? We talk about it all. Citations: Anne Bowen Poulin, Strengthening the Criminal Defendant's Right to Counsel, 28 Cardozo L. Rev. 1213, 1249 (2006). Keith Swisher, Disqualifying Defense Counsel: The Curse Of The Sixth Amendment Caplin & Drysdale, Chartered v. United States, 491 U.S. 617, 624 (1989). Morris v. Slappy, 461 U.S. 1, 13–14 (1983).

The gang recovers from Alex's wedding and delivers some much-requested continuity on topics from the past.

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Angela Pointon, President of 11 out of 11, joins the show to talk about employee extended leave—and offers tips on how you can plan for things like parental leave without destroying your P&L or the client experience. Angela walks us through her approach staff-wise, how she manages a mix of both full-time and contract employees to maintain flexibility, and when, where, and how redundancies and coverage models are established. We also talk about how it's handled on the client-side—how they're made aware, how the transition is positioned, and how Angela's team mitigates any client concerns or reservations. Lastly, apart from staffing, we hit on the other operational measures and processes she's put into place to ensure continuous service delivery.

Subscriber-only episodeHave you been told grieving the loss of a loved one meant severing ties with them, letting go, and moving on? Religion tells us this- maybe we'll see them later. Materialism tells us they're gone for good.What if I told you there's another way? In this heartfelt episode, I share my journey with grief and how it led me to discover the Continuing Bonds Model. This approach says our connections with loved ones don't have to end when they pass on. It's been a transformative journey for me, particularly after my daughter Shayna's passing, and I hope sharing it brings comfort and hope to those grappling with their grief.As we explore the traditional Freudian view of grief and how it contrasts with the Continuing Bonds Model, I share my experiences and learnings about how I've been able to include Shayna in my daily life, communicate with her, and carry her legacy forward. This isn't about rushing through life to 'get to the good stuff'; it's about embracing the present and understanding that our loved ones are still part of our lives, even if in a different way. Whether you're dealing with loss or just curious about alternate approaches to grief and mourning, this episode offers a compassionate, integrative perspective that challenges conventional wisdom.Join my newsletter and get a gift!

On August 13th, 2011, prior to an outdoor performance at the Indiana State Fair by the hit Country recording act “Sugarland”, an approaching severe thunderstorm hit the temporary roof structure of the stage, causing it to collapse. The structure landed among a crowd of spectators, killing seven people and injuring 58 others. The cause was later determined to be a breakdown or lack of communication (a paralysis of sorts) between the Fair management, the production company, and the band, among other entities. Out of this, it was determined that there needs to be a certification process, not only for the actual production aspect, but also the people who put these shows together. Enter Jim Digby. Jim Digby, PMP, is the President of Show Makers, Inc., which proves strategic, tactical and operational project and production management support in the delivery of live events and music touring. He is also the Cofounder and President of the Event Safety Alliance, a Board member of Behind the Scenes Charity, and a frequent keynote speaker and presenter in matters relating to event safety, the events production career path, and mental health in live events. Jim tirelessly and passionately advocates for the safety, health and sustainability of the industry at large. Jim's nearly four-decade journey in production, operations, and project management roles within the live entertainment, corporate, and music touring industry has had him working alongside artists as diverse as Linkin Park, Enrique Iglesias, Back Street Boys, the Bolshoi Ballet, Phil Collins, and most recently delivering marquee corporate events. Jim also spent four years delivering entertainment mega-projects inside Saudi Arabia including the first-ever international music festival in the Kingdom in 2018. © 2023 Lotta Dogs Productions LLC Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2023 Lotta Dogs Productions, LLC, All rights reserved.

Have you ever felt like you were seeing a revolving door of different doctors throughout your pregnancy? HOW can you feel confident and comfortable with the provider if it just. keeps. changing?   This week we're speaking with Shayna- a mother to two precious boys, one born in the hospital and one at home. We'll hear how Shayna dealt with switching doctors in her first pregnancy, and how a revolving door of doctors in her second pregnancy sent her seeking the continuity and CARE of a midwife.   As you prepare for YOUR homebirth, I want to remind you that my desire is to serve you as deeply as possible. While so many mothers gain so much from this podcast, a totally free resource, I know that many of you are seeking deeper preparation. That's exactly what we do inside of Happy Homebirth Academy and The Homebirth Collective. I give you a clear-cut framework for preparing for your homebirth, or preparing for your homebirth AND the transformation into motherhood. No wondering if you have what you need. No stone goes unturned.   Click the link in the show notes to join, and don't forget to apply the code PODCAST at checkout for 10% for being a listener of the show.   Episode Roundup   How amazing was that? As we head into this week's episode roundup, I want to ask you- how do you think it impacts our transition into motherhood to be supported continuously by the same person, or the same small group of people, as opposed to a massive conglomerate of doctors who may or may not know anything about you?   I think we can all agree that the sacredness of this transition into motherhood is deserving of respect and individualization. Without continuity of care, it's sure hard to truly receive either. If you're on the fence about how you want to give birth, keep this in mind as you consider your options and seek care.   This Week's Sponsors: Araza Beauty: Code HOMEBIRTH for 15% off Informed Pregnancy+   Join The Homebirth Collective Join Happy Homebirth Academy Code PODCAST for 10% off

Try this meditation with Alexis to explore an open, easy style of practice‚ which can lead toward more awareness throughout your day.About Alexis Santos:Alexis has practiced and taught Insight Meditation in both the East and West since 2001. He has been a long-time student of Sayadaw U Tejaniya (a well respected meditation teacher in Burma whose teachings have attracted a global audience), and his teaching emphasizes knowing the mind through a natural and relaxed continuity -- a style of practice that's particularly useful during our crazy lives. Alexis has completed the Spirit Rock/IMS Teacher Training, teaches retreats across the globe, and currently lives in Portland, Maine.To find this meditation in the Ten Percent Happier app, you can search for “Continuity of Awareness.” See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jessicka, or Jessie (JP) Herman is a life coach, Pranic energy healer for people and their pets, an artist, and the channel for the non-physical entity group known as Vagrein. Jessie has published 2 channeled books with Vagrein and is the creator of a life management planner tool - the GYST planner; she has worked with countless clients towards achieving their dreams and reaching their spiritual and material goals. In coaching, she has expertise guiding people in many difficult aspects such as: moving home, living in a foreign country, quitting their job, striving for enlightenment, navigating psychic gifts, miscarriage, separation, legal issues, death/mourning, serious/chronic illness and childhood trauma. For the past 3 years, she also enjoyed the more esoteric side of her skillset, bringing people peace and direct guidance as the messenger for Vagrein. Jessie absolutely loves passing on their channeled messages and true advice, which consistently up levels anyone who speaks with them towards creating their dream life. ___________________ PODCAST CHAPTERS 00:00:00 - Jessie Herman Intro 00:03:11 - The Path of Channeling 00:06:05 - Living in the Moment and Pre-Nostalgia 00:09:00 - Mystical Experiences During Meditation 00:11:33 - Discovering Channeling Abilities 00:14:24 - The Power of Vagrein's Guidance 00:17:23 - Surrendering to Destiny 00:20:25 - Personal Experiences with ETs + Hydbridization Project 00:23:18 - Energy Healing and Activation of Gifts 00:29:00 - Transcribing Channeled Material 00:35:01 - The Channeling Process 00:38:00 - Jessie Begins Channeling Vagrein 00:42:07 - The Parallels with Animal Domestication 00:45:17 - Evolution of Consciousness 00:48:30 - Unity Consciousness and Relationships 00:51:51 - The Nature of Soul Contracts 00:55:21 - The Power of Inspiration 00:58:39 - Life After Death: The Perception of Existence 01:01:39 - The Continuity of Energy 01:05:06 - Transmutation of Separation Consciousness 01:08:54 - Jessie Reflects on the Channeling Experience 01:13:30 - A Burning Desire For Jessie 01:14:30 - One Question For Vagrein 01:15:50 - Time Capsule Question ___________________ Guest: Jessie Herman, Vagrein ✦ Website | https://www.jpherman.com/ ✦ YouTube |  @JPHerman  ✦ Channeled Books By Vagrein | https://www.jpherman.com/vagreinbook ✦ Instagram | https://www.instagram.com/jessickaherman/ ✦ Upcoming Vagrein Events | https://www.jpherman.com/events Host: Emilio Ortiz ✦ Instagram | https://www.instagram.com/iamemilioortiz/ ___________________ Special Offerings to Support the Show: ✦ Receive 15% off any purchase from Ra Optics, the world's best blue-light-blocking glasses. Use our code "justtapin" at checkout for your special discount - https://bit.ly/RaOptics-EmilioOrtiz ✦ Receive 10% off any purchase from Intelligent Change, elegant tools, and simple daily routines to instill positive change, including products such as "Five Minute Journal." Use our code "EMILIO10" at checkout for your special discount - https://bit.ly/IntelligentChange-EmilioOrtiz ✦ Become a Member of GAIA, which offer the largest resource of consciousness-expanding videos. Get your FREE 7-day trial of Gaia here! https://bit.ly/emilio_invite Leave a Rating for Just Tap In with Emilio Ortiz: ✦ Spotify | https://spoti.fi/3BOnqQr ✦ Apple Podcasts | https://apple.co/3IeWnjD

Dan Panosian does it all: pencilling, inking, writing, advertising, video game designing... the list goes on. But like most of our guests, he's a comics guy at heart. Starting with Neal Adams at Continuity and Walt Simonson and Ralph Macchio at Marvel, Dan's inking work soon caught the eye of the X-Men editors, and he was off to the races! After runs on Uncanny X-Men and Alpha Flight (among others), he was recruited to Image, where he worked on the big guns like Spawn, Cyberforce, PITT, Prophet, Savage Dragon, and Wetworks. Branching out from inking, Dan pencils and writes too, taking on assignments across the industry, from Dark Horse and Dynamite to Boom! Studios. To see what's coming from Dan next, follow him on X and Instagram @UrbanBarbarian._____________________Check out a video version of this episode on our YouTube channel: youtube.com/dollarbinbandits.If you like this podcast, please rate, review, and subscribe on Apple Podcasts. And if you really like this podcast, support what we do as a member of the Dollar Bin Boosters: buzzsprout.com/1817176/support.Looking for more ways to express your undying DBB love and devotion? Email us at dollarbinbandits@gmail.com. Follow us @dollarbinbandits on Facebook and Instagram, and @DBBandits on X._____________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com.Support the show

You love the music business. You want to find a gig on the road as a Tour Manager, Guitar Tech, Front of House or Monitor Engineer. Maybe your speciality is as a production assistant, catering, wardrobe, lighting director or set carpenter. But you don't know anyone in the industry, and you don't know how to get your foot in the door. Enter Giggs. Founder and CEO Nikki Sanz is the brains and heart behind Giggs, the first job posting and social networking platform for the touring industry. Based out of Nashville TN, Nikki has navigated the entertainment industry with hustle and ambition, and in turn has created a social and networking platform designed for the touring industry. On this episode, we talk with Nikki as to how she got in the business, spent time on the road touring, the perils and pitfalls that sometimes go along with being on the road, and how she came up with the concept of Giggs for the concert touring industry. www.giggs.live Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2023 Lotta Dogs Productions, LLC, All rights reserved.  

Industrial Talk is onsite at SMRP 31 and talking to Paul Casto, APM Industry Principal at GE Digital about "The trends and benefits of being connected with SMRP.org".  Here are some of the key takeaways from our conversation: Securing operational technology with zero trust. 0:00 Palo Alto Networks offers zero trust security for operational technology, simplifying management and protecting assets. Industrial talk podcast with Scott Mackenzie. 1:16 Scott Mackenzie welcomes listeners to the SMRP 31 conference in Orlando, where he will be talking to Paul GE Digital about industry trends and innovations. Paul Casto discusses APM, maintenance, reliability, and asset performance management, highlighting the differences between these concepts. Asset management strategies and technology adoption. 4:55 Paul Casto emphasizes the importance of aligning asset management with business outcomes, identifying blockers to achieving those outcomes, and addressing them through strategic planning and asset performance management. Paul Casto highlights the need to think about asset management as a strategic part of the organization, rather than just a maintenance or reliability issue, and to prioritize value creation through asset-focused initiatives. Successful organizations prioritize sustainability and adoption when implementing new technologies. Prioritizing assets for maintenance and reliability. 9:27 Leaders must prioritize and educate operational teams on asset management to ensure proper execution. Continuity between leadership is crucial for long-term success, but it can be challenging to maintain as executives move on. Risk management and asset performance in maintenance and reliability. 13:30 Paul Casto emphasizes the importance of embedding risk management into the organization's culture, as it's hard to do it if it were easy. Paul Casto and Scott MacKenzie discuss how to infuse risk and quantify risks, dynamically, using criticality analysis and asset health data. Scott MacKenzie highlights the importance of dynamic risk management in asset performance management, particularly in the context of GE Digital's work with customers. Paul Casto discusses the growth of SMRP, including the organization's certifications, training, and working relationships with other organizations globally. SMRP certification and its impact in asset management. 19:29 Scott MacKenzie interviews Paul Hall about SMRP, a professional organization for asset management, reliability, and maintenance. Paul Casto provides contact information for SMRP and encourages listeners to reach out for more information. Finally, get your exclusive free access to the Industrial Academy and a series on “

Taylor Sheridan is the actor and director who has probably become best know as the co-creator of the epic Paramount Network series "Yellowstone" and its prequels "1883" and "1923." His newest project is serving as executive producer for "Lawmen: Bass Reeves," a Paramount+ anthology series that launches Nov. 5 that feels like it should be part of the "Yellowstone" arc but is separate entity. "Lawmen: Bass Reeves" is a passion project of star David Oyelowo, who takes on the title role, and tells the story of the first Black U.S. Marshal, Bass Reeves. The show also stars Donald Sutherland, Dennis Quaid, Lauren E. Banks and Demi Singleton. In this week's episode, co-host Bruce Miller has interviews with showrunner Chad Feehan and Damian Marcano, one of the directors. Where to watch and more coverage "Lawmen: Bass Reeves" on Paramount+ (Nov. 5) "Yellowstone" on CBS "Yellowstone" on Paramount Network "1883" on Paramount+ "1923" on Paramount+ Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed & Screened, an entertainment podcasts about movies and TV from Lee Enterprises, I'm Terry Lipshetz, a senior producer at Lee and co-host of the program. Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Well, howdy, partner. I reckon we have a show set in the wild, Wild West we're going to be talking about this week. Bruce Miller: I'm, fixing to come in here anytime now. And can you put me two fingers of whiskey on the counter? And we should be fine. Terry Lipshetz: I got my can of beans heating. Bruce Miller: Up over the open flame now. It sounds like Blazing Saddles. I think we've done. Terry Lipshetz: We have, yeah. All right. Bruce Miller: Yeah. 'Lawmen: Bass Reeves' is an epic miniseries Bruce Miller: It's Western week because there's this huge miniseries, and I'm not kidding you, it is, a grand effort called Lawmen, M-E-N Bass Reeves. So you go lawmen. There's only one. What's the deal? And what this is hopefully going to be is a series of profiles of various and sundry law men over the course of time. But Bass Reeves was a kind of a passion of David O. Yellowo, the star of the limited series. And he had always wanted to do this story because he thought it was so rare. He's the first black deputy US. Marshal west of the you, know, is there one east of the Mississippi? I have no. But it's a fascinating look at this man and his standards. It really is a lot know, what he does is what he thinks is right, and right becomes the driving force behind all of this. And you see Bass in a lot of situations. It is epic. An epic, epic limited, series. There are huge battle scenes. There are huge kind of roundups. There's a lot of violence. I'm giving you that right away. There's a lot of violence in this thing. And there's a lot of intimate moments where you see him one on one with his family, with others, with people that used to be in charge of his life. And it's a fascinating look at a period that I really didn't realize I needed to know more of. I thought most of these stories were already told, but Bass Reeves story is one that's been out there for years that people have wanted to do, but nobody has gotten the ability to do it. And what we learned is that it took, you know, when you've got somebody behind Yellowstone, saying, yeah, I think we should do this, they suddenly pop too, and decide that they're going to do it, too. People were wrongly saying that this was another 'Yellowstone' series Terry Lipshetz: Yeah. Now, I have a question for you about that, because I saw Taylor Sheridan is an executive producer, and I saw this show. It is coming to Paramount Plus. But this is not part of the Yellowstone universe. Correct. Bruce Miller: No, there was talk, and I think you'll see when we play the interviews, that there is a connection or was a connection and they couldn't make it, the time frame was wrong. And so people were wrongly saying that this was another Yellowstone series. It's not okay. It has a vague time reference, kind of lap over with 1883, but that's as close as it comes. It's a standalone thing that just happens to come from that factory known as Taylor Sheridan, but his name is on it. He isn't necessarily the writer of this, he isn't necessarily the director of this, but he is an executive producer. So he's kind of a mentor that helps get this done. Terry Lipshetz: So he's a cog in the wheels here. He's helping getting this thing going. Bruce Miller: You know, he looked at all the scripts and, you know, he saw the film and he says, yeah, we should do this or we should do that. I think the most telling thing was they would throw out ideas and there was money for it. a lot of times when you do these big westerns, they're not cheap to do because there are so many other things that progress has gotten in the way of shooting a good Western these days. And so you either have to build the community or you have to find towns that were relatively untouched, so you could just cover up some of the things that are there. But, yeah, it was expensive film to make, and I think it shows when you look at it on the screen, you go, wow, this isn't just we're not closing in on two people and looking very tightly at what's going on. Terry Lipshetz: And there's some big names attached to this also. I saw this. Bruce Miller: Yeah, there are big names that are kind of like, Sam Elliott. They're kind of the bait that'll get you in to look at this. But there's another story there that's much bigger than what their stories are. Terry Lipshetz: Sure. But it's also, with all of these, even though it's not a Yellowstone project, the one piece that all of those Yellowstone programs had or know, because they're still on is they have like, your Kevin Costner or Harrison Ford or somebody that has a name and is pulling you in. So there's definitely this isn't some no name project of people. Bruce Miller: David Oyelowo, you may remember him from Selma. He played Martin Luther Jr. And, I put him in the same league as Chadwick Boseman, where he is somebody who can play just about everything, but doesn't always get the opportunity. And you can see why he would spend eight years trying to get this thing made, because it does tell a story that we, don't know, we haven't heard, and he gets a great acting part. Now, some of the things I would have protested, I would have said, do we need to do this? Do I need to be dragged through fire? And do I need to have somebody beat me up? And should we really have to mess with all those animals, but he wanted it to be as realistic as it could be. So he was willing to do just about anything to make sure that it came through to the audience. Because he doesn't think that it's a story about it isn't a historic story, necessarily, as much as it is story about a person's inner self and what they're really like. Terry Lipshetz: Got it. I, saw the trailer even before you had mentioned that this was coming up and you had some interviews tied to just I was watching something and the trailer popped up for the show and I was like, whoa, I need to subscribe to Paramount Plus. Because, first of all, I've never seen any of the Yellowstone programs because it's just again, and we've talked about this with like Apple TV Plus and a few others where I'll just kind of come and go and pick my battles because I just can't have 35 different subscriptions. But I feel like between this program and then maybe going back and watching some of those Yellowstone programs, this is what's going to push me over the edge to finally subscribe. Bruce Miller: Yellowstone is being run or rerun on CBS now, so you will be able to see those without having to pay extra. But this is definitely a Paramount Plus project and so I don't think we're going to see that slip over. So spend the bucks. Go for it. Terry Lipshetz: Have you been able to watch any, did you get any screeners? Bruce Miller: The first three of it? I saw the first three, yeah. And it sets up the story and you see how he gets his freedom and what he does with it and where he goes from there. And then they offer him this job, this job of being a deputy marshal. And then you see how he interacts with the Native Americans or the natives and how he can speak their languages. And, he becomes a very valuable asset to be able to find out what's going on in this part of the world. Terry Lipshetz: How does this stack up with other kind of recent Westerns, either movies or TV shows that you've seen? Because I'm always fascinated by Westerns as a genre, especially. I'm not even talking about the old ones with John Wayne, but I'm m even talking about just the new ones because I feel like this planet, it's expanding so much that it's so hard now to film anything because you make a left, you make a right, and you're running into civilization. So does it feel like you're back out in the west? Bruce Miller: Oh, most definitely, because it looks so great. The visuals are just spot on in all these places. You sense what they valued at that time. And what, matters is there's a scene in there where this one woman I don't want to detail too much of it for you because I don't want to spoil it, but she really wants a piano. and you can see how we've changed. And we don't realize what something which seems simple becomes this huge deal for them. So, yeah, there are many kind of flashpoint moments where you go, okay, I get it. What happened was Star Wars came in to play and started doing westerns. Basically, they're Westerns, right? Terry Lipshetz: Space westerns. Bruce Miller: So that's where they think we got to spend all of our time and our money is making more space epics. But really, do we need more of those? And I know you love them, so forgive me, but this is just a way of telling those same kinds of stories but in a different period. And maybe we're able to, approach some of their lessons a little better because we see that it's removed from us, but then you realize we're not that far away from what they're talking about. Terry Lipshetz: I really feel like I'm definitely going to go ahead and watch this, because the genre, just in general, I love it. Deadwood on HBO was one of my favorite series of all time. and I did like that movie that came out a couple of years ago. It was about ten years after the TV series, and it sort of tied up the loose ends that they couldn't quite get to before the show went off the air. But this past summer, we made a trip out to the Badlands, and I did insist that we do a day trip to we were we went to downtown Deadwood, and we're checking out all the modernized old timey places that were named after characters on the show because griswold yeah. Bruce Miller: Did you go to the graves and. Terry Lipshetz: Look at all that or we went, and it was kind of interesting. the grave for Wild Bill Hickok and Calamity Jane, they're right next to each other, not too far into the main cemetery in town, which is up on a hill. So we had to drive up this really tall hill. But then I also want to see the grave for Seth Bullock, who is kind of the marshal of the town and kind of the first lawmen. And they're like, well, it's up around the corner. So we all start walking up the hill and it's like, not part of the cemetery, so it's like part of the old cemetery. So we're walking, walking, walking. And then this family is coming down and they're like, you going up to see Seth Bullock? And we're like, yeah, how bad is it? And they're laughing, it's not that bad. So my wife and one of my daughters kind of just sat down there and then my other daughter and we we trekked up to the top and saw it and caught our breath. Bruce Miller: So the Von, traps worked up the mountain. Is that the deal you were I. Terry Lipshetz: Did make it up to the top. It was a spectacular view of Deadwood from the top of that hill. But yeah, it was a bit of a hike to the top. Bruce Miller: Did you go down then and gamble at Morningstar? Terry Lipshetz: No, we had the kids and those places are all 18 plus. But it was fascinating. There was one place in town which did, a brothel tour, and you had to be 16 to go in. Bruce Miller: So we sound like, I know this. Terry Lipshetz: We didn't go in because my daughters are under 16 and just didn't feel as appropriate anyway. But, I found it fascinating because they had a sign outside the place. And the brothel was formed in 1870 something. And it didn't get shut down until 1980. 1980? Wow. Bruce Miller: This is like the Bunny Ranch outside of Vegas. Terry Lipshetz: Yes, exactly. Yeah. Bruce Miller: It's amazing how they really are good at capturing a piece of time. When you go out to the Badlands, it's really OOH. Is this really what it was like? And yes, it was. And it's, the land that Time forgot. You can just go there and feel like you're back in the Old West. Terry Lipshetz: It was fun. It was fun. It was a good time. Chad Feehan is the showrunner behind ‘Bass Reeves' Terry Lipshetz: So you had a couple interviews here. the first one up was, Chad Feehan. Right? Bruce Miller: Chad is the writer, the showrunner, and the executive producer behind Bass Reeves. And he was the one who sat down with David and kind of picked his brain. And then they did the research on how are we going to tell this story? Is it going to be a movie? That was initially the thought is it be a movie, a standalone movie. And he is there throughout the whole run of this. And he got a chance to do things that maybe he has never done before. It's so big. He said he has never had a project that sweeping. Yeah. So, he's the showrunner, the person behind every episode of the film. And he was the one who helped David get this off the ground and find the point of all of it. Bruce Miller: Well, what is it like not having David around during this kind of the selling of the show when it's his passion project, for God's sakes? Chad Feehan: I am, the reluctant spokesman, because this is his show, and he's been pursuing it for eight years. And it truthfully breaks my heart that he's not here, with me, leading the charge, to communicate all of his passion for the story. Bruce Miller: How did he involve you in that? Mean, I'm sure that Bass reads was not one that you would I've got to, I've got to write this. Until somebody sparked it in you right. Chad Feehan: Yeah. I mean, I grew up in Texas. I grew up in Fort Worth, Texas. And I heard stories about Bass as a kid. but they were sort of this mythical Glenn Sling and lawman. And it did embed itself in my consciousness, so I was aware of it. and then Taylor, who I've orbited around for years, recommended me to David. And David invited me to dinner. And I anticipated that dinner lasting an hour, an hour and a half, and it lasted 4 hours. and first and foremost, we developed sort of an immediate kinship, that has developed into a very special friendship that I think will last for the rest of our lives. But we also gravitated toward the same things that we wanted to communicate to an audience the triumph of the human spirit, the universality of the human condition. and then he was able to educate me on where fact and fiction converged with separated from the reality of who Bass Reeves was as a man. Bruce Miller: How much of it is factual? Is it 90%, 75%? Chad Feehan: It's hard to answer with a percentage. what I would say is that there are these similar moments we know about Bass's life that we use as pillars for the foundation of our story. but it's impossible to know, for example, what he experienced right before or right after the moment he was sworn in as a Deputy US. Marshal. We have the transcript of him being sworn in, but we don't know what happened before and we don't know what happened after. So our job as storytellers, was to imagine and create the most compelling narrative that we could. Bruce Miller: How difficult was it to conjure this world? Is it difficult? Or do you just get outside and you start thinking, this must be what it's like? Or how do you handle that? Chad Feehan: I had, the benefit of having grown up where I grew up, so the language was easier for me to wrap my head around. we had this great source material that provided an, excellent launching pad. And then I had amazing collaborators, wide array of voices, from a wide array of backgrounds, writers, to, I mean, Wyn Thomas, our production designer, that really educated me on the things I didn't know and didn't understand and helped guide me through that process. Bruce Miller: So does David ever say no, I'm not doing that. Does he have that kind, of I can put up a barrier here because I know more about this. This is mine. Chad Feehan: That is, antithetical to who David Oyelowo is. if I could use one word to embody him, it would be grace. so he's incredibly giving, graceful, compassionate. If there was something that he was unsure about, it would always be a conversation. And he would never say, no, I can't do that. Bruce Miller: He would say, you put him through a lot of stuff. Chad Feehan: Yeah. His commitment to his craft is incredible. Bruce Miller: Yeah. then, ah, being as broad as this is, I did not believe that you could have all those animals, truthfully, the buffalo, all that stuff. Do you say, I want this, and then it just happens? Or how do you make sure that it's that big that kind of lavish. Chad Feehan: I was shocked. This is by far the biggest thing I've ever done and the hardest production I've ever been through. But I would ask the opening Civil War battle, I'd be like, Are you sure I can write this? And to Paramount and 100 and one's credit, the answer was always yes. we'll find a way, we'll figure it out. Write the best story you can write. and I've shied away from that earlier on in my career, and I'm glad that I asked the questions and was given the authority to chase those epic. Bruce Miller: As a writer, that must be really, a, disconnect, because you're used to them having somebody saying, rein it in a little bit. We can't be spending this much money, and this looks like the sky's the limit. Chad Feehan: Yeah. Paramount 101. Very gracious, Taylor. That's the power of Taylor Sheridan. As, know, we didn't get every single thing. We know nothing in life works that way. but we got the majority of what we wanted, and the support that we had, was incredible. Bruce Miller: When it's labeled lawmen, that suggests that there are more have you already started thinking about the more and what that would be? Chad Feehan: I have a few different, historical figures that I'm interested in that I think are worthy of following in the footsteps of Bass Reeves. I don't know who it will be, and I'm not, going to speculate on who it will be, because we have to talk to the studio and the network. but I'm excited about the prospect of doing another, because this does fall. Bruce Miller: During the same time period as 1883, would there ever have been any kind of crossover or connection or not? Chad Feehan: Yeah, we briefly talked about it, and then when I sort of figured out that our story took place from roughly 1862 to 1877, and then also with the knowledge that Bass Reeves operated primarily in Indian territory, it didn't seem, organic to try to make that connection. But we had those conversations, and I was given the opportunity to make that connection if it serviced the story. Bruce Miller: So how does Bass change you personally as a writer? Chad Feehan: I was just talking about, know, the thing about the universality of the human condition was the thing that I wanted to really, really communicate to our audience. And it's something that I've intellectualized for a very long time, but now I feel like it's become part of my DNA based on the experience of I've made this show, and I hope to continue that in future, endeavors that I pursue. Bruce Miller: Ah, that's so great. Well, thank you so much, and thank you. Congratulations. And when you see David, tell him congratulations. Chad Feehan: I will. Thank you so much. Damian Marcano directs three episodes of ‘Bass Reeves' Terry Lipshetz: All right, Bruce, thanks for that interview. And then you had one other with, Damian Marcano, and here's the deal with that. Bruce Miller: Is that they had to have more than one director for these because they were shooting and you'll hear this, they were shooting episodes simultaneously. So in the morning they would do one episode, in the afternoon they'd do another. So the first three episodes are directed by one person. And then Damian took over four, five, and, there are eight altogether. And, you'll see that it was just a lot of work. And he was not familiar with the Western world either. He calls himself a Rasta director because he's not from Texas. He doesn't have that shorthand that the others might have. But he also know everything is just so fast paced. And so who knows what based on the weather. You have to be willing to adapt very quickly. Bruce Miller: What is this like to be part of somebody's passion project? Is that hard to kind of fit in there, or how do you view it? Damian Marcano: No, man. Easy for me to fit in everywhere. I'm a roster man. So, we always find our beat in the whole thing, man. Bruce Miller: Do you talk with David? And now what do you want to do with this? What are you looking to do? And what do you want people to learn from this? Damian Marcano: well, my style of directing is let's go do it and get it wrong. So I never ask questions ahead of time. I just say, let's just go. and then some way and somewhere through because even the actor who is so well rehearsed at this point, it is something when you're actually doing it against your scene partner. And then your scene partner might give you a new little ingredient. And then that's when the discussions happen on set. So we may have locked into a master or a way that we like this set, or a way that we're finding our way into this part of the story. and then once we do that, we say, well, okay, now it's time to sort of make the music right? And for know, the music is the silence in between the notes. and when you work with someone as far as David, and you also put the supporting cast around David, as they have brilliantly done in this show, it just gets scene after scene that you're like, can it get better? Bruce Miller: But you're also dealing with some, real variables, like animals. How do you plan for that? Damian Marcano: You don't. yeah, animals are easy. The weather is the tough part. Bruce Miller: Weather. Damian Marcano: Yeah. We have probably some of the best animal handlers that I haven't had to work with this many animals in my career. Right. So I think this definitely makes them the best. I remember seeing everything from a camel, to a lynx cat that was brought in for one of my episodes. yeah, if the script called for it, we went out, we found it. but like I said, there was the Texas of it. So being there for my portion of this show, which was five and a half to six months, just to film three episodes, that's to tell you the detail, that we went in multiple visits to every location. I mean, we rebuilt a city at one point, and still Texas would still say, not today. I'm going to give you some golf ball sized hail today. Tomorrow there's going to be an actual tornado. and maybe you can shoot that on Thursday. So, you had to lean into your optimistic side on this shoot to figure out on days, and that's with very much respect to our Ad department, they would sort of have to go on the fly. Like, call sheet would be sent out the night before, this is what we're shooting. Not anymore. and that was sort of the only way we got through this. The nice thing about it, however, through it all, you get to watch these brilliant dailies that you work on from time to time, and you say, you know what? I got it. Because if this all comes and cuts together, well, we got something, because we have some pretty special people here, and we have done a great job of capturing it. Bruce Miller: When you get three episodes in a row, it must be like doing a, large film, right? Damian Marcano: It is. Bruce Miller: So then what do you do with the first three? Do you talk to Christina and say, okay, what are you planning here? Damian Marcano: So that I well, we were shooting them simultaneously. so it's really hard on our talent, because in the morning, David is playing one version of Bass, and in the afternoon, it might be twelve years later. All right? So that is the difficulty of it. That is why so much credit has to be given to the Ad department, because those are our eyes and ears, right? They tell us what we can, and they have way much more of a finger on what each department is prepared for and what they can actually do that meets the level of quality that we've been mailing in. So this was a six month affair of just non stop shooting. and we would shoot what we could, when we could. sometimes it was based on the location being ready. Had we built the location, if this called for, the bywater store out in the middle of nowhere, had we built the bywater store in the middle of nowhere, and Wynn Thomas, our production designer, there were just so many talented people that I could look around and see that we had on this project. Bruce Miller: The sets look like actual buildings. They look like ones that you would see in a historic setting. Damian Marcano: They were this was not the example of going over to one of our large studios, that we have in town and saying, oh, you see that backdrop, sort of like the older version of the Western, right, where just the front of the facade was sort of painted. No. There was a set that we had in Strawn, Texas, in which we obviously could not get rid of Strawn's Bank, and the actual bank was there. So we built our set on their main intersection. I remember a day I was there location scouting and just talking with my DPS to how we do something. And an actual person from Strawn, Texas, had just walked out from cashing her check. And she stopped and looked at us, and then we stopped and looked at her, and we're here's. And it was just everything. It was everything colliding. It was, here she is in this small town, and Hollywood's coming town, but on top of that, here we are, making this thing back to its glory. Know? Bruce Miller: Wow. Were you familiar with Bass Reeves? Damian Marcano: Not before doing the project. I couldn't tell you who Bass Reeves was before I did this. I fell in love with a script about a man that was one of the only black men with a gun and a badge at the time. And just the oddities of doing that job while following some type of creed, some kind of mantra, whatever you will, as to how he just wouldn't stop doing that job, and his faith, what he thought, how it would affect his family. All of those things for me, were just like, okay, history is usually depicted from this wide lens way back. We say something happened to a group of people, something happened to another group, and this group was bad. This group, this was like 4D history. So this was like, this actually happened and this is how it happened. And there's no definite answer. So you, as, the viewer in 2023, can make your own mind up. Bruce Miller: That's a great way of viewing it then. Are there more after this run? How far do we get his life? Damian Marcano: well, I do know this first season of Lawmen is anthology series, so I think the other iterations will cover other, does. I'm not sure I couldn't tell you the specificity of how many years this is in Bass's life, but I do know Chad and the team tried to encompass as much of the story as you could know. Essentially, we've made, ah, eight hour film here that we're just cutting up, into episodics. Bruce Miller: Well, it looks like a million bucks, so Westerns must be you. I think they're your thing. Damian Marcano: I would have never thought that growing up, man. But they have become pretty special to me. And I am seriously I don't know, I'm having like this weird missing feeling of Texas, man, because as a creative, it was just really nice to be able we do so much stage work and all the stuff's great, and all our production designers are great, but it was just something to see your entire film. Crew kind of be like childlike again. And we were just all with our boots on out in those fields and Random Cow was doing something over there. And I don't know, it was just a bunch of kids that came together to play. Bruce Miller: Again, thank you so much. It's great. Damian Marcano: Thank you. Bruce Miller: Have a good one. Chad Feehan: You too. Damian Marcano: Thanks for the time. Terry Lipshetz: All right, Bruce, thank you for those two great interviews. As I said, it sounds like a real fascinating program and something that is going to probably push me over the edge to get Paramount. Bruce Miller: Plus now, November 5, mark it on your calendar that's when they start. You'll get episodes the first night and then it will spill out beyond that. Terry Lipshetz: Excellent. Excellent. Movies need two weeks of theater exposure before they're considered Oscar potential Terry Lipshetz: So what do we have on tap next week? Bruce Miller: Oh, we're starting to get into that Oscar season now. All those kind of films that you start kicking yourself and saying, how come they have them all, all those good ones right at once. Well, they're starting you're going to start seeing the Oscar beta, as I like to refer to it. The Holdovers had a sneak last night or this last weekend, and it'll be coming out in November. And that's the one with Paul Giamatti, directed by Alexander Payne and set in the 1970s. And we'll talk about that. NIAD is the story of Diana Nayad and how she tried to swim 100 and some miles off Florida from Cuba, right? Terry Lipshetz: It was Cuba to Florida. Bruce Miller: And that's coming up. So there are a whole bunch of these ones that are just lining up, waiting to get into theaters. They have to have two weeks of theater exposure before they can be considered an Oscar potential film. They changed the rules this year so that it wasn't just that's on streaming. It's okay. They need to have this window of opportunity that they're in theaters before they can be officially considered, a candidate for the Academy Awards. So, as a result, they're getting a little better at showcasing them in theaters before the end of the year. in years past, it was usually Los Angeles and New York, and they had a week there or something. Now the rest of the world is actually getting to see these films before January, February, March, whatever it might be. Terry Lipshetz: Yeah, I was going to say because there was a period of time where it was almost like you would come out and it would be, as you said, New York, La. And you might get a couple of these art house theaters around that might get it over a course of a weekend, a long weekend, and then they'd be gone until you maybe caught it on, a red box or streaming or something. Bruce Miller: Now everybody gets a chance to kind of play the Oscar game where we all can see those films that you always go, what was that one? And now we get an opportunity to. Terry Lipshetz: See know, I feel like if you want to be considered for an Oscar, you have to be in a movie theater for the masses for at least a period of time, as you said. Is it two weeks? If that's the bare minimum, I think that's fine. You got to be able to get out there. You got to go into theaters. You got to allow for people to go in and see you on that giant screen with the giant bucket of popcorn just because it doesn't feel right otherwise. Bruce Miller: Well, I think when you watch it on TV, it does diminish it right. As big as your screen might be at home, it's not the same. And if you can hold an audience on a theater, screen, then that must say something about your film. But when it's reduced to the size of a TV set, I don't know if it's there, but did you get to Killers of the Flower Moon? Terry Lipshetz: Not Harry. Bruce Miller: That's one of the ones we've got to see, because I know it's figuring in the, I've already started to make lists of who could possibly be nominated for each of the categories. Terry Lipshetz: Okay. Bruce Miller: That figures in a lot. Terry Lipshetz: Okay. Yeah, I got to get there. It's gotten a lot tougher of late just because the kids activities ah. Have increased. I'm coaching basketball again. Bruce Miller: Don't blame the kids for this. This is not their problem. This is your problem. Terry Lipshetz: It is. I'm just deflecting you put that down. Bruce Miller: On your list that you're going to go see the, Killers to the Flower Moon, and you're going to subscribe to Paramount plus I am. Bruce: How big exactly is your TV?Bruce: 60 inches Terry Lipshetz: Bruce, one other thing before we depart here. We've never had this conversation before, and it is a little bit personal, but how big exactly is your TV? Bruce Miller: It's not that big. No, it's not big. It's 60 inches. Terry Lipshetz: 60? That's it? Yeah, I'm 65. Bruce Miller: Oh, well, see, I'm used to watching most things on a laptop. That's how they send it. You can't always transfer, it to your TV set. Terry Lipshetz: All you need is that HTM. I need to be your technical support. Bruce, I will come to your house because I can get it from your computer on your laptop onto running on you. Okay. Bruce Miller: The door is open. I will bring snacks. We'll be good. You can watch anything you want to see because I think I probably have it around the house somewhere. Terry Lipshetz: On that note, thank you again for listening to this week's episode, and we will see you again next week on another episode of streamed and screened. Bruce Miller: So long, partner. Bye.See omnystudio.com/listener for privacy information.

“The information I am providing is my opinion and not necessarily that of my firm or this platform. I am only providing general educational information and not any customized investment recommendations. You should consult with your Financial Advisor, Tax Advisor or Attorney on your specific situation. Nothing shall be construed as Financial, Tax or legal advice or recommendations”   In this podcast episode, Kris Flammang talks with guest Michele Diglio-Benkiran. Michele is a seasoned attorney with a strong background in business law and over two decades of experience. Growing up in an entrepreneurial family and owning her own businesses, she has developed a unique perspective on the importance of personalized legal advice in business law.   Kris and Michele discuss Michele's belief that generic forms from online platforms like LegalZoom often lack state-specific provisions and may not adequately protect the interests of businesses. Michele emphasizes the importance of hiring an attorney with experience in both business law and practicalities, as this combination allows for a more holistic approach to assisting clients. She also advises businesses to invest in proper legal setup to avoid future legal complications and litigation.   The episode also touches on the often-overlooked aspect of continuity planning in business. Many business owners fail to consider what would happen if the owners or key individuals were to pass away or become disabled. Diglio-Benkiran stresses the importance of addressing this issue and having a plan in place. Whether it involves learning all aspects of the business or hiring someone else, having a continuity plan can prevent a crisis situation and ensure the business can continue to operate smoothly.   While technology, particularly artificial intelligence (AI), is rapidly advancing in various industries, including law, Michele and Kris discuss the limitations of AI in providing personalized legal advice. While AI can provide information and knowledge, it lacks the wisdom and human touch required to understand individual circumstances and provide tailored legal protection. This highlights the irreplaceable value of human attorneys who can apply their expertise and experience to each unique situation.   Looking ahead, Michele expresses her goal of helping people and assisting them in growing their businesses. She emphasizes the importance of engaging with clients who share the same values and objectives. However, she also acknowledges the challenges that AI technology may pose to the legal profession in the future. The impact of AI on the legal field remains uncertain, but it is a topic that legal professionals need to monitor closely.   Join Kris Flammang and Michele Diglio-Benkiran on this episode of The Confident Retirement podcast to learn more about why there's no substitute for the right business attorney.   Here is what to expect on this week's show: •  The importance of personalized legal advice •  Avoiding generic legal templates •  Continuity planning •  AI's limitation in providing personalized legal advice •  The importance of mentorship   Connect with Michele Diglio-Benkiran: https://legalcounselpa.com/attorneys/michele-diglio-benkiran/   Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, when we first put this together, our guest Scott Welch indicated that we could pick the topics of discussion, as long we didn't involve how quantum physics works. We agreed. So instead, we chat about the aspects of the music business, from Artificial Intelligence, to touring, to managing acts, and how artists need to take control of their careers. In other words, we take a peek behind the curtain, and chat about all things regarding the music biz! Scott Welch is a highly accomplished individual with a diverse range of experiences in the music industry, entertainment sector, and technology ventures. He currently serves as the President of Scott Welch Management Inc, where he oversees the careers of various talented artists and provides consulting services to multiple Nashville-based music technology companies. In addition to managing acts, Scott also offers his expertise to influential companies such as Soundstripe, Single Music, Eva, Giggs and AtoZ Sports. In recognition of their outstanding contributions, these four companies were nominated for the prestigious 2022 Nashville Entrepreneur Center's NEXT Awards, with three of them emerging as Winners. Scott's involvement in the entertainment industry expands beyond music and serves on the board of directors of Wherever TV, a publicly traded television company. These roles demonstrate his commitment to supporting and nurturing diverse ventures in the entertainment realm. Among his notable achievements, Scott is an integral part of the team responsible for building the highly anticipated Game of Thrones attraction in Las Vegas, Nevada, in partnership with HBO and Caesars Entertainment. Scheduled to open in 2024, this attraction promises an immersive experience for fans of the renowned television series. Furthermore, he is involved in the development of another exciting venture called XPERIA, set to open in September 2023 in Pigeon Forge, Tennessee. With these projects, Scott showcases his passion for creating captivating experiential attractions on a global scale. Prior to his current endeavors, Scott managed the careers and development of numerous multi-platinum recording artists. Icons such as Alanis Morissette, LeAnn Rimes, Steve Perry, Paula Abdul, Collective Soul, and C&C Music Factory flourished under his guidance. Notably, Alanis Morissette's debut album, "Jagged Little Pill," achieved remarkable success, becoming the largest-selling debut album in history, with over 36 million records sold worldwide. This monumental achievement earned the album seven Grammy Awards, in addition to various accolades and critical acclaim. Scott's expertise extends to his previous role as a partner at Mosaic Media Group, where He worked with renowned artists and celebrities across music, film, and television. Notable clients included Green Day, Goo Goo Dolls, Seal, Jim Carrey, Ellen DeGeneres, and Vince Vaughn, among many others. At Mosaic, Scott also had the opportunity to oversee Dick Clark Productions and manage the music publishing catalogs of esteemed artists such as ZZ TOP and Aerosmith. Through his involvement with Mosaic, Scott contributed significantly to the growth and success of various high-profile entertainment Ventures. Furthermore, Scott played a pivotal role in the pioneering days of digital music with his involvement in MP3.com. As part of the team that launched the website, he contributed to its initial public offering (IPO), which raised an impressive $370 million, making it the largest technology IPO at the time. Scott's forward-thinking approach also led him to invest in and advise the development of StubHub, the first online secondary ticketing company. StubHub's success ultimately culminated in its acquisition by eBay for $310 Million. © 2023 Lotta Dogs Productions LLC Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2023 Lotta Dogs Productions, LLC, All rights reserved.  

Discuss the Bulls overall status after three games Quick reviews of players after three games Look at upcoming schedule Discussion of rotations and how they can be fixed Bulls paper tiger defense exposed and why

Dr. Kate Conti and Dr. Kathy French of Hamilton Lakes Dentistry join Jon Hansen on Your Money Matters. October is National Women’s Small Business Month and Dr. Conti and Dr. French talk about the 57-year combined experience of the doctors and the services that they offer. From the diagnosis to the treatment options, the doctors […]

In this episode, Tara breaks down the "how" to build a continuity program. In this year's FHL, Russell Brunson explains that "if you don't have a continuity program, you don't have a business". But the big question now is, how do you get started to build a continuity program? This episode will give you the answer.

Fear the 'Fro is back with the final podcast before the season opener against the Nets.  Bob Schmidt, of Fox Sports Radio, jumps into his expectations for the team as a whole, and the individual pieces.  Who can break out?  Is this Isaac Okoro's year to make a leap?  Will Evan Mobley ascend in the pecking order? Where do the Cavs stack up in the east.(0:00) Intro(2:38) Donovan Trade Then Vs. Now (and it's impact on expectations)(4:22) Vegas Odds Last Year Vs. Now, The Value of Continuity(7:04) The Rotation Discussion(8:01) What is Okoro's role this year? (the extension conversation)(10:31) Mobley as the full-time center.... Still Blasphemy (15:03) Jarrett Allen's Expectations for this year(17:05) Evan Mobley's Third Year Leap? (for the numbers see the linked google sheet)(27:46) Strus Expectations and the Cavs hierarchy(28:48) Expectations For Cavs Seeding(30:00) Eastern Conference Breakouts and Boston vs. Milwaukee(31:58) Acceptable Outcome For This SeasonAudio on this pod from The Game Theory w/ Sam Vecenie found here: https://open.spotify.com/episode/7bWpXFjaWDiGPR9Dff0KmM?si=51a4586a74014b14----Mobley Data (Google Doc): https://docs.google.com/spreadsheets/d/1-7Aq7esCJG89qOVh5arG9H_d-Ie-mDRZ1wOiRCqvvow/edit?usp=sharing

Do you know what your brand is? Are you seeking more streams and likes as is the norm these days, or are you wanting a bigger picture that incorporates who you actually are as not only an artist, but as an individual working in the music industry. Something that is sustaining to your career, and sets you above all the noise and clutter in social media, and ultimately the music business? Rick and Melissa Core Caballo, who are founders of the Nashville TN, and Wollongong Australia based Dead Horse Branding have taken the lead in creating a curriculum called DH7, which is being taught in college, along with online courses, which incorporates the top 7 seven formulas to help create and launch your brand. These include; Strategy, logo, photography, website, a marketing and social media plan, publicity, along with distribution and licensing. Rick and Melissa have put these together, to help create that branding needed these days for the artist seeking a successful career. www.deadhorsebranding.com © 2023 Lotta Dogs Productions LLC Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2023 Lotta Dogs Productions, LLC, All rights reserved.  

Continuing the conversation from last week, Mary discusses ways to stay present in the face of tragedy and the challenging moments we're walking through. Continuity of mindfulness, guarding the sense doors, skillful means, continuity of compassion and seeking connection with others are ways we can be present for this moment with wisdom and kindness.Recorded Oct. 21, 2023 in the virtual worldVisit Mary's website for more info on classes and teachings.

This week... A Gameboy, a pond, a holiday (somewhere) in Devon and a backpack... Enjoy!You can email your questions, thoughts or problems to TheWitteringWhitehalls@gmail.comThis episode contains explicit language and adult themes that may not be suitable for all listeners.Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

In this episode, Richard is joined by Daisy Pike, manager of Solution Consultants EMEA at PAX8. Daisy has a wealth of experience in the IT industry, as well as a degree in electrical engineering. Pax8 are a groundbreaking cloud marketplace platform for MSPs.Daisy explains a typical day for her and what her team does, and how that fits in with the wider Pax8 mission. She also describes her background in STEM and nuclear power, and how that led her where she is today.Richard and Daisy dig into continuity, why it's so important for MSPs and why you need a good backup solution. She also explained why MSPs need to be aware of Microsoft Clause 6B.Richard asked Daisy what MSPs should look for in a continuity platform, how they should explain the importance of it to their clients, and the various Pax8 continuity bundles to make it easier to implement into your existing stack.Finally, Daisy shares her experiences as a woman in IT, her advice to girls wanting to get into STEM and who she considers her mentors.Mentioned in This EpisodeMicrosoft DynamicsSharePointSentinelOneBackup tool: AcronisAutomation Tool: RoostBackup tool: DropsuiteAzure backup: redstorPax8 AcademyBook: Bernadine Evaristo: Girl, Woman, Other Cookbook: Ixta Belfrage: Mezcla

Today will discuss the continuation of the slump in the stock market. Stocks open and continue to drop on Friday morning we will see what the day brings.

In today's ever-expanding digital landscape, it's essential for businesses and content creators to stand out from the competition. One way to achieve this is by harnessing the power of association and creating a memorable brand identity. Today we dive into the concept of association and how it can lead to organic growth. Selecting the Perfect Association: The first step in creating a powerful brand association is to carefully select what you want to be known for. Choose an area that is both broad enough to resonate with a wide audience yet unique enough to differentiate yourself.  For example, instead of aiming to be known for just "content," narrow it down to a more specific niche or approach, such as "scientific content creation." Expressing Your Association: Once you've chosen your association, it's important to express it clearly and distinctively to your audience. Find ways to communicate your unique value proposition and stand out from the crowd. Remember, valuable content means different things to different people, so consider your target audience's needs and preferences. Whether it's entertaining, informative, or calming, ensure your content aligns with your brand identity and reinforces your chosen association. Action Items - Differentiating Your Brand: 1. Identify your target audience's needs and preferences to tailor your content accordingly. 2. Highlight your unique value proposition by expressing your chosen association in a clear and distinctive way. 3. Use various mediums such as podcasts, blogs, or videos to reach your audience effectively. 4. Continuously engage with your audience by encouraging feedback and conversation. 5. Leverage social media platforms and newsletters to extend your brand's reach and strengthen your association with your target market. By understanding this powerful concept and incorporating it into your brand strategy, you can create a lasting impact in the minds of your audience.  Selecting the right association, expressing it effectively, and continuously differentiating your brand will set you apart in the crowded digital landscape. Embrace the power of association and watch your organic growth go through the roof! Timestamped Overview: 00:02:00 Hat tip to Jake Klaus for inspiration. 00:04:26 Curious about your post, wanted similar answers. 00:09:57 Continuity of show builds strong relationships. 00:11:45 Limited content creation, disappointed by responses. 00:14:51 Personality-driven content, limited interactions, room for improvement. 00:17:16 Answer email, do not unsubscribe. Summary: Organic audience through association, select, differentiate, repeat. Connect with BIZBROS: Join the Content Is Profit's Facebook Group! Facebook Instagram  Connect with FONZI: Facebook Instagram LinkedIn Twitter Connect with LUISDA: Facebook Instagram LinkedIn Twitter Subscribe to the podcast on Youtube, Apple, Spotify, Google, Stitcher, or anywhere you listen to your podcasts. You can find this episode plus all previous episodes here. If this episode was helpful, please don't forget to leave us a review by clicking here, and share it with a friend.  You can go here to see the full list of episodes

D-Lo & KC spend hour two of the show talking about the Kings and them keeping the continuity of the roster. 

Legendary Country Recording Artist Buddy Jewell was the very first winner of USA Network's hit reality show Nashville Star. Jewell, was the true viewer favorite from the very beginning, capturing 65% of the nationwide voting and beating out 11 other contestants, most notably, Miranda Lambert, by over 2 million votes on the final episode that season. His self-titled Columbia Records debut release landed at #1 on the Billboard Top Country Album charts, was certified GOLD later that same year, and garnered two back-to-back top-five hits with the singles "Sweet Southern Comfort" and "Help Pour Out the Rain” with both tunes being RIAA certified 1 million radio air plays. Buddy has been recognized by the Grammy's, ACM's, CMA's, ABC Radio Networks, ICMA, ICGMA and CMT with multiple awards and nominations over the years. In 2011, he won the International Country Gospel Music Association's “Entertainer of the Year'' and “Crossover Artist of the Year” awards. He's been on several USO tours, including to remote forward operating bases on the front lines in Iraq, Kuwait and Afghanistan, and has served as a spokesperson for The Minnie Pearl Cancer Foundation and Compassion International. www.buddyjewell.com © 2023 Lotta Dogs Productions LLC Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2023 Lotta Dogs Productions, LLC, All rights reserved.  

In this episode, we look into the significance of continuity programs and recurring revenue for businesses. We uncover the essence of continuity programs as ongoing initiatives that contribute to the development of recurring revenue. Unlike new business revenue which constantly necessitates the acquisition of new clients, recurring revenue involves clients who pay consistently each month. This type of revenue offers a higher level of stability and sustainability.Doc Danny emphasizes the importance of initiating continuity programs early on, as they have the potential to snowball over time. As more clients enroll in recurring programs on a monthly basis, the revenue gradually accumulates. While client churn is inevitable, Danny argues that with the right strategies, new clients can balance out those who depart.Head to the link below to participate in our 5 Day Challenge! https://www.physicaltherapybiz.com/challenge www.physicaltherapybiz.com/applyDo you enjoy the podcast? If so, leave us a 5-star review on iTunes and tell a friend to do the same!Are you a member of our free PT Entrepreneur Facebook Group? If not, head to the link below and join the community!https://www.facebook.com/groups/ptentrepreneur/

When studying European history it is easy to forget that the monarchs, nobles, religious leaders, and philosophers that bring about change are actually a very tiny fraction of the population. In this episode we look at how life was for the commoners of Europe in the time period between 1450 to 1648. Lyndeurozone.com  Patreon If you use this podcast regularly would you please consider supporting us on Patreon for as little as a dollar a month?  The Euro Simplified Podcast has no advertising revenue and is produced by a public school teacher.  We love and appreciate our supporters on Patreon as our supporters help us meet the costs associated with the production of this free resource for students. Episodes will be released on the following schedule: Unit 1 and Unit 2 - August/September Unit 3: October Unit 4: November Unit 5: November and December Unit 6: January Unit 7: Late January & February Unit 8 : March Unit 9: April   If you have any questions you can contact Robert Lynde at Lyndeurozone.com.  

On this week's episode, we have a discussion with Johnny Dwinell regarding what it is that drives artists to hear their songs on radio… and is it worth the cost? Today's terrestrial radio is attempting to figure out what their future is in the overall spectrum of things. At the same time, the record business is looking to see what their next step might be.Currently they're going to go with the devil they know (the current format and programming), yet knowing that it's not working, and not try the devil they don't know, which is streaming platforms. At the same time, you as the independent artist need to know your customer listening base. Hollywood has figured it out, by knowing who their customer is has become the new norm in television. Why hasn't the record business, or the music industry as a whole caught up to that paradigm shift? In order to even get the attention of radio these days, you need the following: You Need Spins to achieve market penetration You need 40 to 70 spins in each market to achieve that penetration You need to be in for the long haul (6 to 9 months) Those spins have to happen during peak listening hours The radio station has to have sufficient listenership While all this is going on, you as the artist need to understand that in the record label's eyes, you're a small business. These days, record companies are in the business of acquiring small businesses. They just don't know how to make that profitable for them. Few people have experienced the music business from as many different angles as Johnny Dwinell. An expert in the fields of digital marketing and social media growth and engagement, Johnny has worked with some of music's most notable names, produced albums, co-founded a well-known music business podcast and started a Nashville-based artist development company. Johnny co-founded Daredevil Production in 2012 with a focus on breaking artists in the digital world. Over the years, he has headed up digital marketing for cruises featuring popular artists like Tracy Lawrence, Ty Herndon, Jamie O'Neal and Andy Griggs. John's marketing expertise has also been used to sell out shows for country music legends T.G. Sheppard, Ronnie McDowell, and BJ Thomas. https://daredevilmusicproduction.com/ © 2023 Lotta Dogs Productions LLC Showrunner and Executive Producer Emeritus: Tom Sabella Producer and Host (the guy who has a face for podcasting): Bob Bender Management Representation: Chuck Thompson for Thompson Entertainment Group, LLC Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella Director of Video and Continuity (the brains of the entire operation): Deborah Halle Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas Recorded inside what could be an old beat up Airstream Trailer located somewhere on what's left of Music Row in Nashville TN (Man we sure do miss Noshville, and the Longhorn Steakhouse) Mixed and Mastered at Music Dog Studios in Nashville, TN Editing and Post at Midnight Express Studio located in Olian, NY Production Sound Design: Keith Stark Voice Over and Promo: Lisa Fuson Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy. Website: If you would like to be a guest on the show, please submit a request to: musicpodcast@mail.com If you're interested in becoming a sponsor for the show, let us know and we'll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com The views, thoughts, and opinions expressed on this show provided by the guest(s), are those of the guest(s) own, and do not necessarily represent the views, thoughts, and opinions of the host or producers of this podcast. The material and information presented here is for general information purposes only. The Business Side of Music's name and all forms and abbreviations are the property of its owner (Lotta Dogs Productions LLC), and its use does not imply endorsement of or opposition to any specific organization, product, or service. Copyright © 2023 Lotta Dogs Productions, LLC, All rights reserved.  

In this episode, Tara reviews how to determine which delivery method works best to package your expertise or signature framework. About Me:My name is Tara Bryan. I help business owners break into the next level of success by packaging their expertise into an online course experience. It's my passion to help to find the fastest path to results to create a greater impact and income for you and your tribe.This podcast is 100% focused on support, knowledge and example sharing, and building a community of online course builders who are passionate about building awesome learning experiences.We do that by building engaging, motivating, gamified, and learner-centered online course experiences. We come up with ideas and strategies to ensure that our learners can thrive and succeed using our packaged products.To learn more:Find us at https://www.tlslearning.comHere are two ways we can help you grow and scale your online course-powered business:1. NEED TO CREATE YOUR ONLINE PROGRAM or COURSE EXPERIENCE?Join LEARN ACADEMY - Learn Academy is the best done-with-you On-demand and cohort implementation program that will help you create, sell, and launch your online experience. 2. ALREADY HAVE A COURSE or PROGRAM?Join THE COURSE EDIT™ - Do you have a course or program that isn't selling or one that people aren't completing (therefore not remaining customers)? The Course Edit™ is a VIP Strategy session that will assess your current online program and give you personalized feedback to take it to the next level. It is time to bring in THE COURSE EDIT. Thanks for listening!Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page.Do you have some feedback or questions about this episode? Leave a comment in the section below!Subscribe to the podcastIf you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app.Leave us an Apple Podcasts reviewRatings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.

WGA/SAG Updates [2:48] Secret Invasions Giah Rumoured For Excalibur [12:38] Disney VFX workers to unionize [21:57] The DCU what is and isn't Canon [27:16] Marvel Studios start production on X-Men [35:34] The Marvel Studios Burnout is REAL [47:43]

Malcolm Brogdon's Arrival, Building Continuity in Camp and the reason to be optimistic about the Portland Trail Blazers. Follow & Subscribe on all Podcast platforms…

The New Orleans Pelicans are happy with their roster around Zion Williamson and Brandon Ingram. Jake Madison thinks the continuity of the team will help them get off to a good start, but comments from Media Day make him think they are still a bit unsure of what the roster is capabale of, and it's clear they are monitoring the landscape of the NBA and trying to time a big trade for a superstar player like Joel Embiid or Karl-Anthony Towns. Join the Locked On Pelicans Insiders: https://joinsubtext.com/lockedonpelicans Follow & Subscribe on all Podcast platforms…

During the 2022-2023 admission cycle, about 22,700 students enrolled in medical school in the United States. In this country alone, we have 154 medical schools offering an MD program. Many of these schools are actively working to incorporate modern learning principles into their structure. It's all a part of a larger goal to align the forces affecting the delivery of care with educational priorities. Over time, comprehensive care has become a widely accepted standard for modern medicine; it puts positive patient outcomes at the forefront. That's why creating those environmental opportunities are crucial to medical students as they prepare for a long career at the bedside. A Longitudinal Integrated Clerkship, or LIC, is a clinical curriculum in which students participate in the comprehensive care of patients over time. “LIC students have been found to experience lasting improvements in their patient centeredness, in their empathy, and also student satisfaction is higher,” says Amy Grover, MD, an assistant professor of pediatrics and pediatric hospital medicine.   Patient-student relationships are at the heart of LICs. We see these across the scope of medical education worldwide, but there is something unique about the LIC model here at Children's Hospital Colorado. Dr. Grover is a guest on today's episode, along with Meghan Treitz, MD, an associate professor of pediatrics and general pediatrics, and Margie Rodgers, an LIC coordinator. “One of the advantages of this model is students get exposure to the clinical world earlier and also at the end of their second year have had exposure to all of the core disciplines so planning for residency and career is actually made a little bit easier,” Dr. Treitz says.   Some highlights from this episode include: What an LIC is and how it works The advantages of an LIC curriculum compared to other medical education practices How students learn every discipline through an LIC in a pediatric hospital setting Stories about unique patient care experiences from students  Articles referenced in the podcast:  Hirsh DA, Ogur B, Thibault GE, Cox M. "Continuity" as an organizing principle for clinical education reform. N Engl J Med. 2007 Feb 22;356(8):858-66  Hirsh et al.  Better learning, better doctors, better delivery system: possibilities from a case study of longitudinal integrated clerkships.  Med Teach 2012;34(7):548-54.  Walters, et al. Outcomes of longitudinal integrated clinical placements for students, clinicians and society. Med Educ 2012; 46: 1028-1041   Poncelet, et al.  Development of a longitudinal integrated clerkship at an academic medical center. Med Educ Online 2011; 16: 5939.   Hirsh D, Gauberg E, Ogur B, et al. Educational outcomes of the Harvard Medical School—Cambridge integrated clerkship: a way forward for medical education. Acad Med. 2012;87:643-50  Teherani, et al. Outcomes of Different Clerkship Models: Longitudinal Integrated, Hybrid and Block.  Acad Med 2013; 88: 1-9   Gaufberg E, Hirsh D, Krupat E, et al. Into the future: patient-centeredness endures in longitudinal integrated clerkship graduates. Med Educ. 2014;48:572-82.  Flick RJ, Adams JE. Alliance, trust, and loss: experiences of patients cared for by students in a longitudinal integrated clerkship. Acad Med. 2019  Beard AS, Candy AE, Anderson TJ, Derrico NP, Ishani  KA, Gravely AA, Englander R, Ercan-Fang NG. Patient satisfaction with medical student participation in a longitudinal integrated clerkship: a controlled trial. Acad Med. 2020. 95(3):417-424.  McKenna et al. The missing link: connection is the key to resilience in medical education. Acad Med 2016  Wald, Hedy S. PhD Professional Identity (Trans)Formation in Medical Education, Academic Medicine, 2015  For more information on Children's Colorado, visit: childrenscolorado.org