Podcasts about culture-creation

This was a very worthwhile conversation which I'm glad I participated in on the Rogue Ways video podcast this month. Here's host Lindsey's description of the show:It is my honor to have a guest on Rogue Ways tonight who is able to find the red thread of continuity through the chaos of modern pop culture, pulling apart the woven tapestry of devious control and manipulation that leaves a trail of tortured fray in its path - the dj and musical journalist, the author of Musical Truth, Tales from the Flip Side, and most recently The Cause and The Cure, and the man himself - Mark Devlin!

This was a very worthwhile conversation which I'm glad I participated in on the Rogue Ways video podcast this month. Here's host Lindsey's description of the show:It is my honor to have a guest on Rogue Ways tonight who is able to find the red thread of continuity through the chaos of modern pop culture, pulling apart the woven tapestry of devious control and manipulation that leaves a trail of tortured fray in its path - the dj and musical journalist, the author of Musical Truth, Tales from the Flip Side, and most recently The Cause and The Cure, and the man himself - Mark Devlin!

I guested on Jason Lindgren’s recently-revived Secrets of Saturn podcast where I made a departure from my usual subject matter to talk about the mind-control and social programming elements of Ian Fleming’s James Bond stories - both the original novels and the blockbuster film franchise, about to unleash its 25th instalment.

I guested on Jason Lindgren’s recently-revived Secrets of Saturn podcast where I made a departure from my usual subject matter to talk about the mind-control and social programming elements of Ian Fleming’s James Bond stories - both the original novels and the blockbuster film franchise, about to unleash its 25th instalment.

A new occasional podcast series, in which Mark Devlin plays host to two of the foremost bloggers on all matters Beatles-related, from an alternative/ conspiratorial/ occult perspective. Matt Sergiou, proprietor of The Occult Beatles and Desiree Hall, of the Number Nine blog, get together to discuss topical aspects of The Beatles and their mindblowing ongoing legacy.In this first show, we discuss some of the possible underlying elements of the new Danny Boyle/ Richard Curtis movie ‘Yesterday.’ Does this film contain subtle nods to the Paul McCartney replacement theory? We also use Quentin Tarantino’s new ‘Once Upon A Time In Hollywood’ as the springboard to chat about some of the loose, synchro-mystical links between the Beatles and the LA/ Laurel Canyon/ counter-culture scene of the late 1960s.Desiree and Matt’s blog sites can be found on the following links:https://thenumbernineblog.wordpress.com/https://theoccultbeatles.wordpress.com/

A new occasional podcast series, in which Mark Devlin plays host to two of the foremost bloggers on all matters Beatles-related, from an alternative/ conspiratorial/ occult perspective. Matt Sergiou, proprietor of The Occult Beatles and Desiree Hall, of the Number Nine blog, get together to discuss topical aspects of The Beatles and their mindblowing ongoing legacy.In this first show, we discuss some of the possible underlying elements of the new Danny Boyle/ Richard Curtis movie ‘Yesterday.’ Does this film contain subtle nods to the Paul McCartney replacement theory? We also use Quentin Tarantino’s new ‘Once Upon A Time In Hollywood’ as the springboard to chat about some of the loose, synchro-mystical links between the Beatles and the LA/ Laurel Canyon/ counter-culture scene of the late 1960s.Desiree and Matt’s blog sites can be found on the following links:https://thenumbernineblog.wordpress.com/https://theoccultbeatles.wordpress.com/

I recently guested on Robin Campbell and Roxanne’s Globe Lie podcast, getting into a few interesting discussion points - some I’ve covered in previous interviews, some I haven’t.

I recently guested on Robin Campbell and Roxanne’s Globe Lie podcast, getting into a few interesting discussion points - some I’ve covered in previous interviews, some I haven’t.

As the 50th anniversary of one of the most notorious events in modern culture approaches, Neil Sanders re-guests on the show to re-examine the Tate/ LaBianca murders, reportedly commissioned by notorious cult leader Charles Manson. Neil draws on content from his massively comprehensive book ‘Now Is The Only Thing That’s Real’ to question both the official narrative on the events of 8th and 9th August 1969, as well as aspects of the conventional conspiracy theories attached. In many ways, the Manson events spelled the death knell of the Hippie dream and 60s idealism, and we ask whether this was circumstantial, or all part of a plan.Along the way the conversation encompasses the CIA. MK-Ultra, the Mafia, Scientology, the Process Church, the Church of Satan, the Beach Boys, Roman Polanski, Yul Brynner, Cary Grant, Steve McQueen, Frank Sinatra, Doris Day, Dennis Hopper and many others.

As the 50th anniversary of one of the most notorious events in modern culture approaches, Neil Sanders re-guests on the show to re-examine the Tate/ LaBianca murders, reportedly commissioned by notorious cult leader Charles Manson. Neil draws on content from his massively comprehensive book ‘Now Is The Only Thing That’s Real’ to question both the official narrative on the events of 8th and 9th August 1969, as well as aspects of the conventional conspiracy theories attached. In many ways, the Manson events spelled the death knell of the Hippie dream and 60s idealism, and we ask whether this was circumstantial, or all part of a plan.Along the way the conversation encompasses the CIA. MK-Ultra, the Mafia, Scientology, the Process Church, the Church of Satan, the Beach Boys, Roman Polanski, Yul Brynner, Cary Grant, Steve McQueen, Frank Sinatra, Doris Day, Dennis Hopper and many others.

When corporate and control-system meddling and subversion has been present in every other popular music genre, why would anyone reasonably expect things to have been any different in Reggae - a music and culture which has captivated many millions of fans and followers all over the world?Here to discuss the various manipulations is the New York-based author, lecturer and black cultural studies scholar R.A Ptahsen, more commonly known as Rodney Shabazz. He offers a masterclass overview of how Reggae music evolved out the earlier Ska and Rocksteady styles, (and before that, Mento music,) and how all remain rooted in African cultural traditions. We also discuss how Reggae represents a culture and a lifestyle beyond the music, intrinsically linked to the Rastafari religion and the deification of the long-time Emperor of Ethiopia Haile Selassie, and the ceremonial smoking of marijuana.Dr. Shabazz casts a critical eye over the emergence of the Reggae sub-genre known as Dancehall which appeared in the 1980s, its lyrics rooted in vulgarity, and which largely replaced conscious message-music as the pre-dominant expression of the music. This occurred soon after the untimely deaths of Bob Marley and Inner Circle’s Jacob Miller, with Peter Tosh’s demise following a few years later, and Dr. Shabazz raises suspicions about three of the most politically active of Jamaica’s musicians all meeting early ends. We re-visit aspects of Bob Marley’s terminal cancer. Also coming under scrutiny are Chris Blackwell, founder of the hugely influential Island Records, and David Rodigan, the immensely popular British Reggae DJ. With both coming from white, privileged backgrounds and military links, is there more to know about how they achieved their respective prominent positions than first meets the eye?The Harvard Business School report into manipulating the black music scene of the early 1970s, as commissioned by Columbia Records Group and referenced in the interview, is discussed in this article:https://www.popmatters.com/050603-randb-2496103718.html

When corporate and control-system meddling and subversion has been present in every other popular music genre, why would anyone reasonably expect things to have been any different in Reggae - a music and culture which has captivated many millions of fans and followers all over the world?Here to discuss the various manipulations is the New York-based author, lecturer and black cultural studies scholar R.A Ptahsen, more commonly known as Rodney Shabazz. He offers a masterclass overview of how Reggae music evolved out the earlier Ska and Rocksteady styles, (and before that, Mento music,) and how all remain rooted in African cultural traditions. We also discuss how Reggae represents a culture and a lifestyle beyond the music, intrinsically linked to the Rastafari religion and the deification of the long-time Emperor of Ethiopia Haile Selassie, and the ceremonial smoking of marijuana.Dr. Shabazz casts a critical eye over the emergence of the Reggae sub-genre known as Dancehall which appeared in the 1980s, its lyrics rooted in vulgarity, and which largely replaced conscious message-music as the pre-dominant expression of the music. This occurred soon after the untimely deaths of Bob Marley and Inner Circle’s Jacob Miller, with Peter Tosh’s demise following a few years later, and Dr. Shabazz raises suspicions about three of the most politically active of Jamaica’s musicians all meeting early ends. We re-visit aspects of Bob Marley’s terminal cancer. Also coming under scrutiny are Chris Blackwell, founder of the hugely influential Island Records, and David Rodigan, the immensely popular British Reggae DJ. With both coming from white, privileged backgrounds and military links, is there more to know about how they achieved their respective prominent positions than first meets the eye?The Harvard Business School report into manipulating the black music scene of the early 1970s, as commissioned by Columbia Records Group and referenced in the interview, is discussed in this article:https://www.popmatters.com/050603-randb-2496103718.html

Guesting on the opposite side of the microphone, this episode’s guest is Ryan Gable, host of the nightly ‘The Secret Teachings’ radio broadcast, and author of books including ‘Occult Arcana’ and the new ‘The Technological Elixir.’We tap into Ryan’s vast knowledge of symbolism, the occult, and subversive subliminal programming to address many aspects of toxic popular culture and societal agendas. Along the way the conversation encompasses subjects such as the Transhuman and Transgender Agendas, the rise of AI, trauma-based mind-control programming, the “artist” known as That Poppy, the timeless influence of Aleister Crowley, the restricting and controlling nature of social media, and suspect symbolism in the new video from John Lennon’s son Sean.Ryan’s The Secret Teachings radio show can be subscribed to here:http://thesecretteachings.infoHis new book, ‘The Technological Elixir’, is available here:http://thesecretteachings.info/the-technological-elixir-2/

Guesting on the opposite side of the microphone, this episode’s guest is Ryan Gable, host of the nightly ‘The Secret Teachings’ radio broadcast, and author of books including ‘Occult Arcana’ and the new ‘The Technological Elixir.’We tap into Ryan’s vast knowledge of symbolism, the occult, and subversive subliminal programming to address many aspects of toxic popular culture and societal agendas. Along the way the conversation encompasses subjects such as the Transhuman and Transgender Agendas, the rise of AI, trauma-based mind-control programming, the “artist” known as That Poppy, the timeless influence of Aleister Crowley, the restricting and controlling nature of social media, and suspect symbolism in the new video from John Lennon’s son Sean.Ryan’s The Secret Teachings radio show can be subscribed to here:http://thesecretteachings.infoHis new book, ‘The Technological Elixir’, is available here:http://thesecretteachings.info/the-technological-elixir-2/

Mike Williams, aka Sage of Quay, rejoins me to discuss various aspects of the Paul McCartney replacement, many of which have not been discussed in these contexts before.We begin by analysing aspects of last year’s ‘Nine after 9-09’ edition of ‘The Memoirs of Billy Shears’, purportedly part of the disclosure process coming out of the McCartney/ Beatles camp. We consider how this information is being given as part of the tenet of Revelation of the Method - giving those with the eyes to see the opportunity to know what has been right in front of our noses these past few decades, but with enough plausible deniability attached to placate the “profane masses” who will prefer to write this all off as just another “conspiracy theory.”Along the way, we discuss dark occult aspects of the Beatles, and evidence of their ties to military-intelligence mind-control and social-engineering programmes - the only circumstances in which a stunt of this magnitude could have been successfully pulled off.The footage to my recent talk on the McCartney conspiracy in London, alongside Dr. Nick Kollerstrom, can be viewed here:https://www.youtube.com/watch?v=bh8Xo84sHxUAll of Mike’s work can be accessed via his hub site at:www.sageofquay.comJoe Atwill’s dissection of the true meaning of the lyrics to The Beatles’ ‘I Am The Walrus’, can be read here:https://postflaviana.org/warning-oysters-beware-walrus/

Mike Williams, aka Sage of Quay, rejoins me to discuss various aspects of the Paul McCartney replacement, many of which have not been discussed in these contexts before.We begin by analysing aspects of last year’s ‘Nine after 9-09’ edition of ‘The Memoirs of Billy Shears’, purportedly part of the disclosure process coming out of the McCartney/ Beatles camp. We consider how this information is being given as part of the tenet of Revelation of the Method - giving those with the eyes to see the opportunity to know what has been right in front of our noses these past few decades, but with enough plausible deniability attached to placate the “profane masses” who will prefer to write this all off as just another “conspiracy theory.”Along the way, we discuss dark occult aspects of the Beatles, and evidence of their ties to military-intelligence mind-control and social-engineering programmes - the only circumstances in which a stunt of this magnitude could have been successfully pulled off.The footage to my recent talk on the McCartney conspiracy in London, alongside Dr. Nick Kollerstrom, can be viewed here:https://www.youtube.com/watch?v=bh8Xo84sHxUAll of Mike’s work can be accessed via his hub site at:www.sageofquay.comJoe Atwill’s dissection of the true meaning of the lyrics to The Beatles’ ‘I Am The Walrus’, can be read here:https://postflaviana.org/warning-oysters-beware-walrus/

A highly topical subject comes under the spotlight for a four-way roundtable conversation. Sean McCann, Jo Lomax and Nathan Riddett guest to discuss the current social-engineering push to promote Veganism. We all agree that the reason this is getting done WON'T be out of the elite controllers' compassion and concern for all living sentient beings - particularly when the likes of Bill Gates, Richard Branson, Russell Brand and Beyonce have been playing their part in the push. This leaves us to reflect on the REAL reasons for the co-ordinated agenda, now being ramped up at record speed.The show ends with Sean McCann giving his thoughts on Carnism, (meat-eating,) as depicted in Stanley Kubrick's mindblowing '2001: A Space Odyssey' movie, and its relation to the Biblical creation myth, Darwinism, satanism and human consciousness.The 1973 movie 'Soylent Green,' as discussed in the show, can be viewed for free online here:P1:https://www.dailymotion.com/video/x6f3kggP2:https://www.dailymotion.com/video/x6f2i4pSean McCann's essay on Carnism as depicted in '2001: A Space Odyssey' is as follows:2001 a space odyssey by Stanley Kubrick is a very misunderstood film with many esoteric subplots running through it. We all know the film depicts an alien force communing with Apes to influence our evolution as a species. What I propose is that Kubrick melds together Christian and Darwinist beliefs and uses carnism to illustrate a satanic mindset of violence and domination.The first chapter of the film is where these allusions can be found. The opening scene is titled “The Dawn of Man”. This title makes the viewer subconsciously relate the following scene to Genesis chapter one of the bible. Kubrick displays the landscape (the Garden of Eden). He then shows us an ape in the Garden, this is where Kubrick melds the two belief systems to show us the same theme runs together. The ape is Adam, the first man/the missing link of Darwinist theory. Furthermore, this combination allows most viewers to accept the premise that this is a plausible “Dawn of Man”. Now that the viewers have accepted this ape represents Adam in the Garden, Kubrick depicts the animals which share the Garden with ancient Mankind. The next scene shows the apes living peacefully in the Garden with pigs. The apes are shown to be eating plants. Kubrick then shows the apes and pigs fighting over the plants available (limited resources). Though they have conflict, no one is harmed, and they continue to co-exist peacefully. We are then shown two bands of apes and their conflict over access to a watering hole. The conflict only involved loud hollers and posturing. No violence involved. The apes are depicted as prey as an ape is killed by a cheetah. The next scene depicts the apes huddled under a rock at night as they listen to the nocturnal beasts’ hunting, riddled with fear. The next morning, the apes wake up to find the black Monolith standing before them. This represents the satanic force, the snake who appears in the garden. Kubrick depicts it as being a black cube with the same dimensions as the movie screen the viewers are watching. It is also obviously not of this world. It has smooth planes and sharp angles, much different from the apes’ immediate environment. The apes are afraid at first and then their curiosity helps them overcome their fight or flight response. One ape touches the Monolith, then all the others do as well. This touch is the communion with the satanic force. The next shot is from the base of the Monolith looking up at the sun in alignment with the moon. The angle of the camera distorts the shape of the Monolith. The perspective transforms the rectangular face into a trapezoid. The trapezoid is an important symbol for Satanists, representing the tesseract they believe this realm to be. A cube within a cube extruding. The trapezoid is the shape that binds the inner cube. It being black is a reference to saturnian belief systems. We are to assume the information transmitted to the apes was satanic in nature. Like the words given to Eve to convince her to eat from the tree of good and evil. Moving on, the next scene depicts an ape scrounging through a decomposed pig carcass looking for food. The ape is visibly shown thinking, and a flash of the trapezoid shot is edited into the scene. We assume he is realizing this carcass is the remains of a living animal. We see him pick up a large bone and use it as a club. We see the ape’s excitement at the destruction of the bones in front of him as he swings his club. We see him smash the fragile skull and flashes of pigs falling dead are sewn into the epic scene. In the next scene we see an ape eating a freshly killed piece of animal flesh. Kubrick makes sure to include a squishing sound as the ape takes a bite. It cuts to all the apes eating meat, sitting around a dead pig carcass. They all have bones/clubs in their laps and the baby is chewing on a bone. Indicating that they learn from each other. Now the whole tribe has eaten murdered flesh and they make their way to the watering hole. They meet their rival troop and make noise like usual. That day was different. They were all armed with clubs. When one of the rival apes charged and ran at the armed apes, just as he made it across the water he was quickly bashed in the head with a club. The dead ape lay twitching on the ground as all the others took turns beating him with their clubs. Each of them with blood in their bellies, commit wrathful aggression. The rest of the unarmed apes flee, and the armed troop takes the watering hole. This is supporting Darwin’s survival of the fittest premise. Now the aggressive psychopaths win the day and are free to enjoy all the resources in the garden of Eden. Then the alpha ape throws his club in the air, literally casting it out of the garden. Like Adam and Eve being cast out for eating ‘the forbidden fruit’, the bone is cast out. The following scene shows a spaceship floating above Earth (the garden), the humans were literally cast out from the planet. Our technology is casting us further and further away from Eden. Carnism is not only a tool for illustrating violence and domination, Kubrick could be telling us that flesh IS the forbidden fruit. At least according to the mystery schools.If flesh is the forbidden fruit, it only makes sense. The tree was named the tree of knowledge of good and evil. When eating anything else, there’s no need to have knowledge of good and evil. But when you steal the flesh from another being, you KNOW it’s wrong. You can hear it in your heart. That is the sin that destroyed the garden.There’s only one more reference to carnism in the film, and that is at about the 47 min mark. Heywood Floyd and two of his colleagues were zooming across the moon’s landscape on their way to see the Monolith that was dug up on the moon. One of the men said, “Is anybody hungry?” as he pulled out a plastic cooler. He opened it and offered the contents to Mr. Floyd. Heywood said, “What is that? chicken?”. The response he got was “something like that. It tastes like it anyway”. Everyone laughed, and the third man asked, “Do you have any ham?”. This is a direct reference to the opening scenes where the apes’ first flesh meal was a pig. The man takes a bite and says, “Hey this is pretty good.”. The man with the cooler says, “They’re getting better at it all the time.”. Illustrating how we’ve been murdering and eating pigs since the garden of Eden. What seems to be different in all that time is how sanitized and removed we are from actually committing murder. Now our ham is in neat little white squares and wrapped in plastic. The days of wielding a club are long behind us yet we are still ingesting suffering and death.All the spiritually enlightened traditions know eating flesh is wrong. Continuing to torture, enslave, rape and murder our fellow animals, keeps us locked out of paradise. Earth cannot be returned to a state of Eden until we all follow God’s first rule of the Garden… “Do no harm”.-Sean McCann

A highly topical subject comes under the spotlight for a four-way roundtable conversation. Sean McCann, Jo Lomax and Nathan Riddett guest to discuss the current social-engineering push to promote Veganism. We all agree that the reason this is getting done WON'T be out of the elite controllers' compassion and concern for all living sentient beings - particularly when the likes of Bill Gates, Richard Branson, Russell Brand and Beyonce have been playing their part in the push. This leaves us to reflect on the REAL reasons for the co-ordinated agenda, now being ramped up at record speed.The show ends with Sean McCann giving his thoughts on Carnism, (meat-eating,) as depicted in Stanley Kubrick's mindblowing '2001: A Space Odyssey' movie, and its relation to the Biblical creation myth, Darwinism, satanism and human consciousness.The 1973 movie 'Soylent Green,' as discussed in the show, can be viewed for free online here:P1:https://www.dailymotion.com/video/x6f3kggP2:https://www.dailymotion.com/video/x6f2i4pSean McCann's essay on Carnism as depicted in '2001: A Space Odyssey' is as follows:2001 a space odyssey by Stanley Kubrick is a very misunderstood film with many esoteric subplots running through it. We all know the film depicts an alien force communing with Apes to influence our evolution as a species. What I propose is that Kubrick melds together Christian and Darwinist beliefs and uses carnism to illustrate a satanic mindset of violence and domination.The first chapter of the film is where these allusions can be found. The opening scene is titled “The Dawn of Man”. This title makes the viewer subconsciously relate the following scene to Genesis chapter one of the bible. Kubrick displays the landscape (the Garden of Eden). He then shows us an ape in the Garden, this is where Kubrick melds the two belief systems to show us the same theme runs together. The ape is Adam, the first man/the missing link of Darwinist theory. Furthermore, this combination allows most viewers to accept the premise that this is a plausible “Dawn of Man”. Now that the viewers have accepted this ape represents Adam in the Garden, Kubrick depicts the animals which share the Garden with ancient Mankind. The next scene shows the apes living peacefully in the Garden with pigs. The apes are shown to be eating plants. Kubrick then shows the apes and pigs fighting over the plants available (limited resources). Though they have conflict, no one is harmed, and they continue to co-exist peacefully. We are then shown two bands of apes and their conflict over access to a watering hole. The conflict only involved loud hollers and posturing. No violence involved. The apes are depicted as prey as an ape is killed by a cheetah. The next scene depicts the apes huddled under a rock at night as they listen to the nocturnal beasts’ hunting, riddled with fear. The next morning, the apes wake up to find the black Monolith standing before them. This represents the satanic force, the snake who appears in the garden. Kubrick depicts it as being a black cube with the same dimensions as the movie screen the viewers are watching. It is also obviously not of this world. It has smooth planes and sharp angles, much different from the apes’ immediate environment. The apes are afraid at first and then their curiosity helps them overcome their fight or flight response. One ape touches the Monolith, then all the others do as well. This touch is the communion with the satanic force. The next shot is from the base of the Monolith looking up at the sun in alignment with the moon. The angle of the camera distorts the shape of the Monolith. The perspective transforms the rectangular face into a trapezoid. The trapezoid is an important symbol for Satanists, representing the tesseract they believe this realm to be. A cube within a cube extruding. The trapezoid is the shape that binds the inner cube. It being black is a reference to saturnian belief systems. We are to assume the information transmitted to the apes was satanic in nature. Like the words given to Eve to convince her to eat from the tree of good and evil. Moving on, the next scene depicts an ape scrounging through a decomposed pig carcass looking for food. The ape is visibly shown thinking, and a flash of the trapezoid shot is edited into the scene. We assume he is realizing this carcass is the remains of a living animal. We see him pick up a large bone and use it as a club. We see the ape’s excitement at the destruction of the bones in front of him as he swings his club. We see him smash the fragile skull and flashes of pigs falling dead are sewn into the epic scene. In the next scene we see an ape eating a freshly killed piece of animal flesh. Kubrick makes sure to include a squishing sound as the ape takes a bite. It cuts to all the apes eating meat, sitting around a dead pig carcass. They all have bones/clubs in their laps and the baby is chewing on a bone. Indicating that they learn from each other. Now the whole tribe has eaten murdered flesh and they make their way to the watering hole. They meet their rival troop and make noise like usual. That day was different. They were all armed with clubs. When one of the rival apes charged and ran at the armed apes, just as he made it across the water he was quickly bashed in the head with a club. The dead ape lay twitching on the ground as all the others took turns beating him with their clubs. Each of them with blood in their bellies, commit wrathful aggression. The rest of the unarmed apes flee, and the armed troop takes the watering hole. This is supporting Darwin’s survival of the fittest premise. Now the aggressive psychopaths win the day and are free to enjoy all the resources in the garden of Eden. Then the alpha ape throws his club in the air, literally casting it out of the garden. Like Adam and Eve being cast out for eating ‘the forbidden fruit’, the bone is cast out. The following scene shows a spaceship floating above Earth (the garden), the humans were literally cast out from the planet. Our technology is casting us further and further away from Eden. Carnism is not only a tool for illustrating violence and domination, Kubrick could be telling us that flesh IS the forbidden fruit. At least according to the mystery schools.If flesh is the forbidden fruit, it only makes sense. The tree was named the tree of knowledge of good and evil. When eating anything else, there’s no need to have knowledge of good and evil. But when you steal the flesh from another being, you KNOW it’s wrong. You can hear it in your heart. That is the sin that destroyed the garden.There’s only one more reference to carnism in the film, and that is at about the 47 min mark. Heywood Floyd and two of his colleagues were zooming across the moon’s landscape on their way to see the Monolith that was dug up on the moon. One of the men said, “Is anybody hungry?” as he pulled out a plastic cooler. He opened it and offered the contents to Mr. Floyd. Heywood said, “What is that? chicken?”. The response he got was “something like that. It tastes like it anyway”. Everyone laughed, and the third man asked, “Do you have any ham?”. This is a direct reference to the opening scenes where the apes’ first flesh meal was a pig. The man takes a bite and says, “Hey this is pretty good.”. The man with the cooler says, “They’re getting better at it all the time.”. Illustrating how we’ve been murdering and eating pigs since the garden of Eden. What seems to be different in all that time is how sanitized and removed we are from actually committing murder. Now our ham is in neat little white squares and wrapped in plastic. The days of wielding a club are long behind us yet we are still ingesting suffering and death.All the spiritually enlightened traditions know eating flesh is wrong. Continuing to torture, enslave, rape and murder our fellow animals, keeps us locked out of paradise. Earth cannot be returned to a state of Eden until we all follow God’s first rule of the Garden… “Do no harm”.-Sean McCann

I guested on Episode 4 of Richard Willett's Glitches In The Code podcast for a quickfire chat encompassing topics connected to the true nature of the music industry, social-engineering and culture-creation, the manipulation of consent and beyond.

I guested on Episode 4 of Richard Willett's Glitches In The Code podcast for a quickfire chat encompassing topics connected to the true nature of the music industry, social-engineering and culture-creation, the manipulation of consent and beyond.

American author, investigative journalist and film-maker John Potash returns to the show to talk about the content of his newly-released two-hour film ‘Drugs As Weapons Against Us: The CIA War on Musicians and Activists.’ The film draws on the content of John’s two previous books, detailing how the intelligence agencies of the US, (with some heavy collusion from British military intelligence, as it turns out,) have systematically used drugs as a method of neutralising musicians and activists who have become outspoken threats to the control system status quo, and how the same agendas keep getting rolled out decade after decade.Along the way the conversation encompasses such names and subjects as Tupac, Notorious BIG, Puff Daddy, Jimi Hendrix, Janis Joplin, John Lennon, the Black Panthers, Laurel Canyon, Dave McGowan, the Tavistock Institute, Timothy Leary, the Grateful Dead, MK-Ultra, the Beatles, the Rolling Stones.John’s film and books can be accessed via:www.drugsasweaponsmovie.com

American author, investigative journalist and film-maker John Potash returns to the show to talk about the content of his newly-released two-hour film ‘Drugs As Weapons Against Us: The CIA War on Musicians and Activists.’ The film draws on the content of John’s two previous books, detailing how the intelligence agencies of the US, (with some heavy collusion from British military intelligence, as it turns out,) have systematically used drugs as a method of neutralising musicians and activists who have become outspoken threats to the control system status quo, and how the same agendas keep getting rolled out decade after decade.Along the way the conversation encompasses such names and subjects as Tupac, Notorious BIG, Puff Daddy, Jimi Hendrix, Janis Joplin, John Lennon, the Black Panthers, Laurel Canyon, Dave McGowan, the Tavistock Institute, Timothy Leary, the Grateful Dead, MK-Ultra, the Beatles, the Rolling Stones.John’s film and books can be accessed via:www.drugsasweaponsmovie.com

I recently guested on Resolving Reality Radio out of Dublin, Ireland. Here’s host Emmet’s description of the show:In this 6th episode of Resolving Reality Radio, I speak to DJ, podcaster, public speaker and author Mark Devlin. Mark has written 2 popular books on the subject of control and manipulation in the Music industry called – Musical Truth and Musical Truth Volume 2. In this interview we discuss some of the history of the music industry, the high profile acts who dominated the scene, and how control has always been part of the agenda. We also cover the promotion of the use of drugs like LSD and Ecstasy by the system, the connections between military intelligence services and the music industry, how the hip hop scene was destroyed as a genre, dark occultism in the modern day music scene, the behaviour that the so-called “artists” of today are promoting, and some of the big names who’ve criticised the industry over the years.

I recently guested on Resolving Reality Radio out of Dublin, Ireland. Here’s host Emmet’s description of the show:In this 6th episode of Resolving Reality Radio, I speak to DJ, podcaster, public speaker and author Mark Devlin. Mark has written 2 popular books on the subject of control and manipulation in the Music industry called – Musical Truth and Musical Truth Volume 2. In this interview we discuss some of the history of the music industry, the high profile acts who dominated the scene, and how control has always been part of the agenda. We also cover the promotion of the use of drugs like LSD and Ecstasy by the system, the connections between military intelligence services and the music industry, how the hip hop scene was destroyed as a genre, dark occultism in the modern day music scene, the behaviour that the so-called “artists” of today are promoting, and some of the big names who’ve criticised the industry over the years.

Billy Ray Valentine, host of the excellent Infinite Fringe show on Truth Frequency Radio, swaps position to become the guest. We consider some of the many ways in which Western culture has manipulated humans into becoming cut off from their true connectedness to their natural surroundings, and to Creation generally.We start out by discussing how the changing of the clocks throws our natural body rhythms out of synch, and the disjointed calendar system we adhere to, before covering the popular tradition of Halloween. While this may have started as a well-meaning pagan festival to commemorate the dearly-departed, the ‘elite’ dark occultists have seen to it that it has become a celebration of death and darkness, timed to coincide with the sun’s descent towards its own ‘death’ at the Winter Solstice.This leads us into some heated reflections on the Transhumanist/ AI society that is already upon us - an endeavour to create a totally synthetic reality to rival the one set into place by the true Creator. We muse on whether human society has passively allowed itself to be led so far down this path, that we’ve reached the point of no return, and the inevitable result is a complete reset of everything - the latest of many over the course of human history. Only when we, collectively, take responsibility for resisting evil and tyranny - no matter how seductively it might be packaged - will the final playout be any different.

Billy Ray Valentine, host of the excellent Infinite Fringe show on Truth Frequency Radio, swaps position to become the guest. We consider some of the many ways in which Western culture has manipulated humans into becoming cut off from their true connectedness to their natural surroundings, and to Creation generally.We start out by discussing how the changing of the clocks throws our natural body rhythms out of synch, and the disjointed calendar system we adhere to, before covering the popular tradition of Halloween. While this may have started as a well-meaning pagan festival to commemorate the dearly-departed, the ‘elite’ dark occultists have seen to it that it has become a celebration of death and darkness, timed to coincide with the sun’s descent towards its own ‘death’ at the Winter Solstice.This leads us into some heated reflections on the Transhumanist/ AI society that is already upon us - an endeavour to create a totally synthetic reality to rival the one set into place by the true Creator. We muse on whether human society has passively allowed itself to be led so far down this path, that we’ve reached the point of no return, and the inevitable result is a complete reset of everything - the latest of many over the course of human history. Only when we, collectively, take responsibility for resisting evil and tyranny - no matter how seductively it might be packaged - will the final playout be any different.

I put in another guest appearance on Mik Defish's The World You Don't Know on Radio Liffey, Dublin, for a deep conversation mainly rooted on non-music subjects, and as a prelude to the Open Minds Ireland Conference in Waterford.

I put in another guest appearance on Mik Defish's The World You Don't Know on Radio Liffey, Dublin, for a deep conversation mainly rooted on non-music subjects, and as a prelude to the Open Minds Ireland Conference in Waterford.

Over a marathon three hours, I got into all kinds of occult, symbolic, mind-control and culture-creation material from across my two books and beyond, for this episode of Ryan Gable's The Secret Teachings. We went deep.

This is the audio-only version of the first of my on-line Q&A video sessions, where I give my thoughts on questions sent in by readers and listeners. I’ll do another one in a few weeks.CORRECTIONIn the reference to Jordan Maxwell, and his assumed name being based on that of Jordanus Maximus, I mistakenly said that this reference appeared in writings by the Theosophist Alice Bailey. In fact, the name appeared in the book ‘Isis Unveiled’, by the other well-known Theosophist, Helena Blavatsky.

Over a marathon three hours, I got into all kinds of occult, symbolic, mind-control and culture-creation material from across my two books and beyond, for this episode of Ryan Gable's The Secret Teachings. We went deep.

This is the audio-only version of the first of my on-line Q&A video sessions, where I give my thoughts on questions sent in by readers and listeners. I’ll do another one in a few weeks.CORRECTIONIn the reference to Jordan Maxwell, and his assumed name being based on that of Jordanus Maximus, I mistakenly said that this reference appeared in writings by the Theosophist Alice Bailey. In fact, the name appeared in the book ‘Isis Unveiled’, by the other well-known Theosophist, Helena Blavatsky.

US researcher and first-time guest Sean McCann drops by to share his research into yet more family links between popular music's heavy hitters, and the military machine. We begin by discussing Music Row in Nashville, a small, compact part of town which was the real powerhouse behind the County music industry - rather similar to Laurel Canyon's influence on the folk rock scene - and with Establishment connections aplenty. Out of Nashville came the Grand Ole Opry, a long-running radio showcase of Country acts, utilising some revolutionary technology of the time.This moves us on to the roots of the American radio industry, originally developed by the US Navy. Out of this institution came RCA, the Radio Corporation of America, which spearheaded many of the standards in vinyl record production, and spawned the RCA record label, through which many prominent music artists were promoted.Sean's data builds on information unleashed earlier in the series, all adding weight to the notion that popular culture and entertainment have long been a military-grade weapon in the mind-control of the masses.

US researcher and first-time guest Sean McCann drops by to share his research into yet more family links between popular music's heavy hitters, and the military machine. We begin by discussing Music Row in Nashville, a small, compact part of town which was the real powerhouse behind the County music industry - rather similar to Laurel Canyon's influence on the folk rock scene - and with Establishment connections aplenty. Out of Nashville came the Grand Ole Opry, a long-running radio showcase of Country acts, utilising some revolutionary technology of the time.This moves us on to the roots of the American radio industry, originally developed by the US Navy. Out of this institution came RCA, the Radio Corporation of America, which spearheaded many of the standards in vinyl record production, and spawned the RCA record label, through which many prominent music artists were promoted.Sean's data builds on information unleashed earlier in the series, all adding weight to the notion that popular culture and entertainment have long been a military-grade weapon in the mind-control of the masses.

A brief extract from my guest appearance on Alan Burton's Truth Health Freedom podcast, where I give my thoughts on still being able to enjoy certain corporate-produced music, (mainly from pre-2000!) despite being aware of the controlling agendas for which so many household-name acts are being used. Once you get informed of the agendas, you can break the controlling hold they have over you. Some will disagree, of course, but this is how I feel about it all.

A brief extract from my guest appearance on Alan Burton's Truth Health Freedom podcast, where I give my thoughts on still being able to enjoy certain corporate-produced music, (mainly from pre-2000!) despite being aware of the controlling agendas for which so many household-name acts are being used. Once you get informed of the agendas, you can break the controlling hold they have over you. Some will disagree, of course, but this is how I feel about it all.

I guested on the Chant It Down radio show hosted by Luemas out of Hawaii, getting into heavy conversation about culture-creation, the direction human society is headed, and specifically, the role the music industry continues to play in mass mind-control, moral subversion, and the shaping of societal 'norms.' We went into much detail specifically on the systematic degeneration of the hip-hop genre, and I ended up on another passionate rant.

I guested on the Chant It Down radio show hosted by Luemas out of Hawaii, getting into heavy conversation about culture-creation, the direction human society is headed, and specifically, the role the music industry continues to play in mass mind-control, moral subversion, and the shaping of societal 'norms.' We went into much detail specifically on the systematic degeneration of the hip-hop genre, and I ended up on another passionate rant.

A re-appearance on Mysterious Radio with host K-Town. Lots of music industry shenanigans get discussed here, particularly the whole science of sound, and manipulations that can be achieved through the weaponisation of sound frequencies. It was a good one.

A re-appearance on Mysterious Radio with host K-Town. Lots of music industry shenanigans get discussed here, particularly the whole science of sound, and manipulations that can be achieved through the weaponisation of sound frequencies. It was a good one.

I guested live on Vinny Eastwood’s AFR show, getting into various aspects of corporate music industry shenanigans, and the overall state of human society. (This is an edited version of our chat which dispenses with a few of the subject areas I’ve already discussed a million times in previous interviews.)

I guested live on Vinny Eastwood’s AFR show, getting into various aspects of corporate music industry shenanigans, and the overall state of human society. (This is an edited version of our chat which dispenses with a few of the subject areas I’ve already discussed a million times in previous interviews.)

This one won't be popular. But then the truth rarely is. Some candid real talk about the true nature of Jay-Z and Beyonce, and the grotesque race-baiting and hypocrisy portrayed through their new album, 'Everything Is Love,' and in particular the track 'Black Effect.'

This one won't be popular. But then the truth rarely is. Some candid real talk about the true nature of Jay-Z and Beyonce, and the grotesque race-baiting and hypocrisy portrayed through their new album, 'Everything Is Love,' and in particular the track 'Black Effect.'

A show in which we get into the artistic and spiritual degradation of Kanye West and how, in many ways, he is a personification of the debasement of the hip-hop genre, and even popular culture, generally.From the show notes:Kanye West has had a history of strange behavior. All signs for MK Ultra mind control seem to check off with him. There is plenty of Occult symbolism and influence surrounding his super star run. Is his "Programming" breaking down? He has mentioned many times that his life is in danger. Is this the case? If so , why?

A show in which we get into the artistic and spiritual degradation of Kanye West and how, in many ways, he is a personification of the debasement of the hip-hop genre, and even popular culture, generally.From the show notes:Kanye West has had a history of strange behavior. All signs for MK Ultra mind control seem to check off with him. There is plenty of Occult symbolism and influence surrounding his super star run. Is his "Programming" breaking down? He has mentioned many times that his life is in danger. Is this the case? If so , why?

Here’s the audio my live appearance on the Kev Baker Show on Truth Frequency Radio, 1st May 2018.Topics discussed include: The occult significance of the date 1st May; strange and suspect circumstances surrounding the recent death of the electronic dance music star Avicii; the conceptual origins of Avicii’s chosen artist name; the recent trend towards dance music DJs being embraced by royalty and the ‘elite’ establishment; the social conditioning psy-op elements of the worldwide dance music and clubbing scene from its humble roots within Acid House; Lifetime Actors and ‘chosen ones’ and the roles they play in shaping culture; the dubious family backgrounds of celebrities; untimely deaths of musicians which are never adequately explained.

Here’s the audio my live appearance on the Kev Baker Show on Truth Frequency Radio, 1st May 2018.Topics discussed include: The occult significance of the date 1st May; strange and suspect circumstances surrounding the recent death of the electronic dance music star Avicii; the conceptual origins of Avicii’s chosen artist name; the recent trend towards dance music DJs being embraced by royalty and the ‘elite’ establishment; the social conditioning psy-op elements of the worldwide dance music and clubbing scene from its humble roots within Acid House; Lifetime Actors and ‘chosen ones’ and the roles they play in shaping culture; the dubious family backgrounds of celebrities; untimely deaths of musicians which are never adequately explained.

I guested on an episode of Jeff Berwick’s Anarchast podcast, aimed at the anarchist community.Topics include: we are in essence free sovereign beings, mind control through entertainment, lifetime actors, culture creation, social engineering, Edward Bernays and propaganda, military industrial complex, people in the public eye are not who we think they are, the control of celebrities, trauma based mind control programming, occult practices in high circles, music and human psychology, celebrity bloodlines and military connections, Jim Morrison, Frank Zappa, Mick Jagger, Cliff Richard, Paul McCartney, Bill Cosby, Roseanne Barr, Kayne West, independent music, famous people are not your friends!

I guested on an episode of Jeff Berwick’s Anarchast podcast, aimed at the anarchist community.Topics include: we are in essence free sovereign beings, mind control through entertainment, lifetime actors, culture creation, social engineering, Edward Bernays and propaganda, military industrial complex, people in the public eye are not who we think they are, the control of celebrities, trauma based mind control programming, occult practices in high circles, music and human psychology, celebrity bloodlines and military connections, Jim Morrison, Frank Zappa, Mick Jagger, Cliff Richard, Paul McCartney, Bill Cosby, Roseanne Barr, Kayne West, independent music, famous people are not your friends!

The counter-culture scene of the 1960s, sponsored by those nice folks in Langley, Virginia, is a much-told story of recent years. The dubious background detail of the Human Be-In, LSD, Timothy Leary, Ken Kesey, Stewart Brand, the Grateful Dead, the birth of Feminism, Jim Morrison and his dad and many other aspects of this scene, have been pored over by many researchers.A story far less told, however, concerns what was playing out on the other side of the Atlantic during these very same times. London had a counter-culture scene all of its own. It was less stepped in psychedelic rock than in the avant-garde art scene, along with the Carnaby Street/ ‘Swinging Sixties’ fad that helped to usher it all in. The fingerprints of the social engineers were present every step of the way.Today’s guest is Matt Sergiou, proprietor of the Conspiro Media and Occult Beatles blog sites. He returns to walk us through some of his extensive research into this London scene, to which the Beatles and the Rolling Stones were intrinisically connected. In particular, we dissect one of Matt’s mammoth articles anchored around the notorious Christine Keeler/ Profumo scandal of 1963, to which the Beatles have some curious links. Along the way the chat encompasses, (among many others,) the Kray Twins, Jimmy Savile, Joe Meek, Jimmy Page, Syd Barrett, Jane and Peter Asher, the Tavistock Institute and Cambridge University.There’s a lot to this one, so the chat has been split into two parts, for ease of digestibility.Part 1 can be located here - https://www.spreaker.com/user/markdevlin/good-vibrations-podcast-vol-123-matt-ser_1

The counter-culture scene of the 1960s, sponsored by those nice folks in Langley, Virginia, is a much-told story of recent years. The dubious background detail of the Human Be-In, LSD, Timothy Leary, Ken Kesey, Stewart Brand, the Grateful Dead, the birth of Feminism, Jim Morrison and his dad and many other aspects of this scene, have been pored over by many researchers.A story far less told, however, concerns what was playing out on the other side of the Atlantic during these very same times. London had a counter-culture scene all of its own. It was less stepped in psychedelic rock than in the avant-garde art scene, along with the Carnaby Street/ ‘Swinging Sixties’ fad that helped to usher it all in. The fingerprints of the social engineers were present every step of the way.Today’s guest is Matt Sergiou, proprietor of the Conspiro Media and Occult Beatles blog sites. He returns to walk us through some of his extensive research into this London scene, to which the Beatles and the Rolling Stones were intrinisically connected. In particular, we dissect one of Matt’s mammoth articles anchored around the notorious Christine Keeler/ Profumo scandal of 1963, to which the Beatles have some curious links. Along the way the chat encompasses, (among many others,) the Kray Twins, Jimmy Savile, Joe Meek, Jimmy Page, Syd Barrett, Jane and Peter Asher, the Tavistock Institute and Cambridge University.There’s a lot to this one, so the chat has been split into two parts, for ease of digestibility.Part 2 can be located here - https://www.spreaker.com/user/markdevlin/good-vibrations-podcast-vol-123-matt-ser_2

The counter-culture scene of the 1960s, sponsored by those nice folks in Langley, Virginia, is a much-told story of recent years. The dubious background detail of the Human Be-In, LSD, Timothy Leary, Ken Kesey, Stewart Brand, the Grateful Dead, the birth of Feminism, Jim Morrison and his dad and many other aspects of this scene, have been pored over by many researchers.A story far less told, however, concerns what was playing out on the other side of the Atlantic during these very same times. London had a counter-culture scene all of its own. It was less stepped in psychedelic rock than in the avant-garde art scene, along with the Carnaby Street/ ‘Swinging Sixties’ fad that helped to usher it all in. The fingerprints of the social engineers were present every step of the way.Today’s guest is Matt Sergiou, proprietor of the Conspiro Media and Occult Beatles blog sites. He returns to walk us through some of his extensive research into this London scene, to which the Beatles and the Rolling Stones were intrinisically connected. In particular, we dissect one of Matt’s mammoth articles anchored around the notorious Christine Keeler/ Profumo scandal of 1963, to which the Beatles have some curious links. Along the way the chat encompasses, (among many others,) the Kray Twins, Jimmy Savile, Joe Meek, Jimmy Page, Syd Barrett, Jane and Peter Asher, the Tavistock Institute and Cambridge University.There’s a lot to this one, so the chat has been split into two parts, for ease of digestibility.Part 1 can be located here - https://www.spreaker.com/user/markdevlin/good-vibrations-podcast-vol-123-matt-ser_1

The counter-culture scene of the 1960s, sponsored by those nice folks in Langley, Virginia, is a much-told story of recent years. The dubious background detail of the Human Be-In, LSD, Timothy Leary, Ken Kesey, Stewart Brand, the Grateful Dead, the birth of Feminism, Jim Morrison and his dad and many other aspects of this scene, have been pored over by many researchers.A story far less told, however, concerns what was playing out on the other side of the Atlantic during these very same times. London had a counter-culture scene all of its own. It was less stepped in psychedelic rock than in the avant-garde art scene, along with the Carnaby Street/ ‘Swinging Sixties’ fad that helped to usher it all in. The fingerprints of the social engineers were present every step of the way.Today’s guest is Matt Sergiou, proprietor of the Conspiro Media and Occult Beatles blog sites. He returns to walk us through some of his extensive research into this London scene, to which the Beatles and the Rolling Stones were intrinisically connected. In particular, we dissect one of Matt’s mammoth articles anchored around the notorious Christine Keeler/ Profumo scandal of 1963, to which the Beatles have some curious links. Along the way the chat encompasses, (among many others,) the Kray Twins, Jimmy Savile, Joe Meek, Jimmy Page, Syd Barrett, Jane and Peter Asher, the Tavistock Institute and Cambridge University.There’s a lot to this one, so the chat has been split into two parts, for ease of digestibility.Part 2 can be located here - https://www.spreaker.com/user/markdevlin/good-vibrations-podcast-vol-123-matt-ser_2

Some thoughts and reflections on how societal morality has been systematically regressed through the influence of pop music. Excerpts from an interview on Jo Lomax’s Reclaiming Perception on Conscious Consumer Network, early 2018.

Some thoughts and reflections on how societal morality has been systematically regressed through the influence of pop music. Excerpts from an interview on Jo Lomax’s Reclaiming Perception on Conscious Consumer Network, early 2018.

GOOD VIBRATIONS PODCAST, VOL. 117: JOHN POTASH - THE WEAPONISATION OF DRUGSGuesting this episode is investigative writer John Potash, author of the books ‘The FBI War on Tupac Shakur and Black Leaders’ and the more recent ‘Drugs as Weapons Against Us.’ John draws on research collated for these books to discuss how drugs have been used to shape sub-cultures and subvert activist scenes, always at the hands of government agencies such as the CIA and FBI.Additionally John’s work has documented how certain maverick musicians have fallen foul of the control agencies over the decades, and drugs have often been used to either bring them back to conformity. or in extreme cases, knock them off. Examples discussed include Tupac, Brian Jones of the Rolling Stones, John Lennon and George Harrison, Jimi Hendrix and Janis Joplin. We get into Courtney Love and her role in ensuring that both the Grunge and UK rock scenes became flooded with heroin. Every culture-shifting scene over the decades has had its own drug of choice - from LSD in the 60s counter-culture, through to the MDMA of the rave scene, and the fingerprints of the intel agencies are never far from the surface.

GOOD VIBRATIONS PODCAST, VOL. 117: JOHN POTASH - THE WEAPONISATION OF DRUGSGuesting this episode is investigative writer John Potash, author of the books ‘The FBI War on Tupac Shakur and Black Leaders’ and the more recent ‘Drugs as Weapons Against Us.’ John draws on research collated for these books to discuss how drugs have been used to shape sub-cultures and subvert activist scenes, always at the hands of government agencies such as the CIA and FBI.Additionally John’s work has documented how certain maverick musicians have fallen foul of the control agencies over the decades, and drugs have often been used to either bring them back to conformity. or in extreme cases, knock them off. Examples discussed include Tupac, Brian Jones of the Rolling Stones, John Lennon and George Harrison, Jimi Hendrix and Janis Joplin. We get into Courtney Love and her role in ensuring that both the Grunge and UK rock scenes became flooded with heroin. Every culture-shifting scene over the decades has had its own drug of choice - from LSD in the 60s counter-culture, through to the MDMA of the rave scene, and the fingerprints of the intel agencies are never far from the surface.

Covering the Beatles psy-op and the Paul McCartney replacement.

Mike Williams, aka Sage of Quay, and myself guested on Cara St. Louis' podcast to talk about the mind-control and culture-changing manipulations of the corporate music industry. This is hour one of a two-hour show. In the second, which can be viewed via Cara's Patreon channel, we got into the Beatles spy-op and the replacement of Paul McCartney.

Covering the Beatles psy-op and the Paul McCartney replacement.

Mike Williams, aka Sage of Quay, and myself guested on Cara St. Louis' podcast to talk about the mind-control and culture-changing manipulations of the corporate music industry. This is hour one of a two-hour show. In the second, which can be viewed via Cara's Patreon channel, we got into the Beatles spy-op and the replacement of Paul McCartney.

Following on from similar studies of alternative genres, the Punk & New Wave scene of both the US and UK, from the 1970s onwards, comes under Volume 97’s spotlight. Music fan-turned-independent researcher Nino Teauoneaux reveals endless unsettling links between what is generally thought of as a grass-roots scene powered by youthful working-class angst, and family connections through the genre’s key players into the worlds of politics, academia, aristocracy and military-intelligence. Social movements like Communism and Cultural Marxism rub shoulders with the world of the dark occult, calling into question the authenticity of this entire scene. We examine one family in particular, the Copelands; father Miles was a career CIA officer, and his three sons each went to work in the music industry, gaining huge control over these newly-emerging genres. We also discuss the massively out-of-proportion ratio of Jews active in the punk scene, a factor always bound to be controversial, but undeniable in fact.This volume turns out to be quite topical and timely in light of this - https://www.theguardian.com/music/2016/nov/24/malcolm-mclarens-son-punk-has-become-a-brand-like-mcdonalds?CMP=share_btn_fb

Following on from similar studies of alternative genres, the Punk & New Wave scene of both the US and UK, from the 1970s onwards, comes under Volume 97’s spotlight. Music fan-turned-independent researcher Nino Teauoneaux reveals endless unsettling links between what is generally thought of as a grass-roots scene powered by youthful working-class angst, and family connections through the genre’s key players into the worlds of politics, academia, aristocracy and military-intelligence. Social movements like Communism and Cultural Marxism rub shoulders with the world of the dark occult, calling into question the authenticity of this entire scene. We examine one family in particular, the Copelands; father Miles was a career CIA officer, and his three sons each went to work in the music industry, gaining huge control over these newly-emerging genres. We also discuss the massively out-of-proportion ratio of Jews active in the punk scene, a factor always bound to be controversial, but undeniable in fact.This volume turns out to be quite topical and timely in light of this - https://www.theguardian.com/music/2016/nov/24/malcolm-mclarens-son-punk-has-become-a-brand-like-mcdonalds?CMP=share_btn_fb

American author, scholar and researcher Joseph Atwill guests on this instalment. Joe's controversial and much-lauded book 'Caesar's Messiah,' expounded the theory that the official take on any events throughout human history have been carefully crafted at the hands of the controlling 'elite' class of the time. This dynamic continues to this day, and much of how it gets done is down to Lifetime Actors - those with public personas that we all recognise, but whose true nature and real job in society are something very different. We get into the back-stories of a few examples, from Bill Gates to Kim Kardashian. Social engineering and culture-creation at the hands of such organisations as the Tavistock Institute, the Frankfurt School, Stanford University and others are never far from the surface, and Joe explains how these, in turn, are connected into Cultural Marxism and the American Jewish Committee. Joe's on-line work can be found at www.caesarsmessiah.com

American author, scholar and researcher Joseph Atwill guests on this instalment. Joe's controversial and much-lauded book 'Caesar's Messiah,' expounded the theory that the official take on any events throughout human history have been carefully crafted at the hands of the controlling 'elite' class of the time. This dynamic continues to this day, and much of how it gets done is down to Lifetime Actors - those with public personas that we all recognise, but whose true nature and real job in society are something very different. We get into the back-stories of a few examples, from Bill Gates to Kim Kardashian. Social engineering and culture-creation at the hands of such organisations as the Tavistock Institute, the Frankfurt School, Stanford University and others are never far from the surface, and Joe explains how these, in turn, are connected into Cultural Marxism and the American Jewish Committee. Joe's on-line work can be found at www.caesarsmessiah.com

Jan Irvin of Gnostic Media is our guest as we consider the overall concepts of Culture Creation and Lifetime Actors, and the ever-present fingerprints of the intelligence communities in popular culture and social movements. Jan offers insights into how the CIA and affiliate organisations have infiltrated (or founded) all these scenes, with the result that almost every cultural hero of the past several decades can be shown to have been 'dirty.' This of course applies to the music scene - particularly the 60s 'counter-culture' era - but plays out much more widely. Mass mind-control and social engineering is everywhere, and most remain completely oblivious to how they've been played.Jan's podcast series' with Dr. Hans Utter and Joseph Atwill - plus all his other work - can be found at www.gnosticmedia.comJan's podcast series' with Dr. Hans Utter and Joseph Atwill - plus all his other work - can be found at www.gnosticmedia.com

Jan Irvin of Gnostic Media is our guest as we consider the overall concepts of Culture Creation and Lifetime Actors, and the ever-present fingerprints of the intelligence communities in popular culture and social movements. Jan offers insights into how the CIA and affiliate organisations have infiltrated (or founded) all these scenes, with the result that almost every cultural hero of the past several decades can be shown to have been 'dirty.' This of course applies to the music scene - particularly the 60s 'counter-culture' era - but plays out much more widely. Mass mind-control and social engineering is everywhere, and most remain completely oblivious to how they've been played.Jan's podcast series' with Dr. Hans Utter and Joseph Atwill - plus all his other work - can be found at www.gnosticmedia.comJan's podcast series' with Dr. Hans Utter and Joseph Atwill - plus all his other work - can be found at www.gnosticmedia.com