Podcast appearances and mentions of Peter Asher

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** The Very Best of Linda Ronstadt is a combination of her two greatest hits albums, with 16 of the 21 songs coming from when she was consistently atop the charts, with the remaining five songs sourced from her late-'80s/early-'90s adult contemporary comeback. Peter Asher discusses what it was like to work with Linda on some of her most famous tracks.  Follow Peter on Social Media: https://www.instagram.com/officialpeterasher/ https://www.facebook.com/PeterAsherOfficial/ http://peterasherbook.com/ DistroKid Artist Of The Week: Margaret Cho https://www.youtube.com/watch?v=gT7Tteb6K-c Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert L. Smith is an Oscar and Grammy-winning, Emmy-nominated producer, composer, and engineer. His 35+ years in the music industry also includes work as a composer, director, DJ, videographer, photographer, writer, and public speaker.Based in New York City, his career spans the globe, collaborating with legends from every country. Some recent highlights include “The Get Down” for Netflix, with director Baz Luhrmann, netting a # 1 Billboard single “Telepathy” with Christina Aguilera featuring Nile Rogers and Sia; Tina Arena's # 2 album “Love saves”; Oscar and Grammy wins for the documentary “20 Feet From Stardom”; an ongoing work with Sir PaulMcCartney; production with Peter Asher for Steve Martin's latest “The Long Awaited Album” with the Steep Canyon Rangers, as well as collaborating with Alice Cooper on Pink Floyd's “Wish You Were Here” Symphonic album. Robert is currently working on his memoir, as well as helping artists navigate the ever-changing tides of the music industry.IN THIS EPISODE, YOU'LL LEARN:Studio etiquette Navigating work/life balanceWorking smarter, not harderManaging expectations in the studioFinding mentorsWorking all of the roles in a production vs. only oneGainstaging with mixing in mindHow to prepare for sessionsWorking with AerosmithThe importance of a headphone mixWorking on the TV show GleeHow winning a Grammy won't change your lifeSession organizationMixing vocals firstTo learn more about Robert L. Smith, visit: https://defyrecordings.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Want more Mixing or Mastering clients? Communicate your true value with MixFlip: https://mixflip.io/?affiliate=mym Download Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Youtube: http://www.youtube.com/@MasterYourMix Have questions you'd like...

A new week means new questions! Hope you have fun with these!Which Hans Christian Andersen fairy tale figure sits by the waterside in Copenhagen, Denmark?What is Patricia Reichardt better known as in the Peanuts Cartoon Strips?Pisciculture is the farming of what animal?British singer Peter Asher 's "look" is the basis for which fictional character?What are the 2 ingredients in fluffernutter?After the Civil War ended, the process of bringing the Confederate States back in to the Union was called what?What 2 countries exist inside the country of Italy?The 1st air guitar championships were organized in the early 1980s in the US and which other country?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Rosemary Butler Live on Game Changers With Vicki Abelson Part 1 Astrologer Zoe Moon warned it was gonna be a crazy day. I read that first thing this morning but forgot about it until 4:45 pm when things started going sideways. What could have been a non-show disappointment, turned into a delayed, technical bit of a mess, but ultimately delightful chat with the incomparable Rosemary Butler. Just the appetizer for what is sure to be a delightful feast when next we meet, Wednesday, March 26th, promptly Live @5! Instead of what I thought would be a quick hello, sorry, see you next time, Rosemary delighted with some choice stories about where she came from, her two all-girl bands, The Ladybirds and Birtha, opening for The Stones, great stuff there from the Beatles fan who eventually did get to sing with her hero, Paul, who inspired her to be a lefthanded singing bassist, through sheer Moxie, thanks to Kenny Loggins and Peter Asher, a funny Three Dog Night/Chuck Negron tale, a wonderful Ray Charles invitation, Bonnie Raitt, who she credits with changing her life, but we barely scratched the surface there as we did with Jackson Browne. Rosemary has sung, toured, and recorded with everyone who's anyone... Linda Ronstadt, James Taylor, Carole King, Neil Diamond, Billy Joel, Bruce Springsteen, Whitney Houston, to name a few more - those stories and lots more when Rosemary comes back, under more ideal conditions, feather in hand, with her adorable exuberance to amuse and delight us! In addition to being an iconic backup singer whose memorable riffs have scored my life, Rosemary is a renowned vocal coach and gigs regularly. For all things Rose rosemarybutler.com She's beautiful, adorable, has lived a life dreams are made of, with a voice that'll deservedly live forever. Can't wait for more. Rosemary Butler Live on Game Changers With Vicki Abelson Part 1 Wednesday, 2/26/25, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/3XmsoQp

We both first heard Graham Nash just over 60 years ago when the Hollies' Just One Look was on the BBC's swinging Light Programme and we've followed him ever since, not least his transformational shift in the late-‘60s from suburban Salford to the wood cabins of Laurel Canyon. He's touring the UK in October, An Evening of Songs and Stories with Peter Asher in support, and looks back here at the first shows he ever saw and played, which involves … … Bill Haley in 1958 – “he opened the curtains and said ‘See yer later, alligator!', and I've never been the same since.” … meeting his heroes the Everly Brothers when he was 18. … the talent contest he won with Allan Clarke in 1959 beating Freddie Garrity, the future Billy Fury and Johnny And the Moondogs. ... the early days of the Hollies – “my acoustic was never plugged in”. … supporting Little Richard the night he screamed at his soon-to-be-famous guitarist, “never play the guitar behind the back of your head again!” …. making ‘Two Yanks in England' with the Everlys, Reg Dwight, Jimmy Page and John Paul Jones. … playing Woodstock – “it's hard to reach the back row when it's raining and two miles away.” … the songs he always plays and talks about onstage, Marrakesh Express, Our House and Teach Your Children among them. Order Graham Nash tickets here:https://grahamnash.com/tour-dates/page/2/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We both first heard Graham Nash just over 60 years ago when the Hollies' Just One Look was on the BBC's swinging Light Programme and we've followed him ever since, not least his transformational shift in the late-‘60s from suburban Salford to the wood cabins of Laurel Canyon. He's touring the UK in October, An Evening of Songs and Stories with Peter Asher in support, and looks back here at the first shows he ever saw and played, which involves … … Bill Haley in 1958 – “he opened the curtains and said ‘See yer later, alligator!', and I've never been the same since.” … meeting his heroes the Everly Brothers when he was 18. … the talent contest he won with Allan Clarke in 1959 beating Freddie Garrity, the future Billy Fury and Johnny And the Moondogs. ... the early days of the Hollies – “my acoustic was never plugged in”. … supporting Little Richard the night he screamed at his soon-to-be-famous guitarist, “never play the guitar behind the back of your head again!” …. making ‘Two Yanks in England' with the Everlys, Reg Dwight, Jimmy Page and John Paul Jones. … playing Woodstock – “it's hard to reach the back row when it's raining and two miles away.” … the songs he always plays and talks about onstage, Marrakesh Express, Our House and Teach Your Children among them. Order Graham Nash tickets here:https://grahamnash.com/tour-dates/page/2/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We both first heard Graham Nash just over 60 years ago when the Hollies' Just One Look was on the BBC's swinging Light Programme and we've followed him ever since, not least his transformational shift in the late-‘60s from suburban Salford to the wood cabins of Laurel Canyon. He's touring the UK in October, An Evening of Songs and Stories with Peter Asher in support, and looks back here at the first shows he ever saw and played, which involves … … Bill Haley in 1958 – “he opened the curtains and said ‘See yer later, alligator!', and I've never been the same since.” … meeting his heroes the Everly Brothers when he was 18. … the talent contest he won with Allan Clarke in 1959 beating Freddie Garrity, the future Billy Fury and Johnny And the Moondogs. ... the early days of the Hollies – “my acoustic was never plugged in”. … supporting Little Richard the night he screamed at his soon-to-be-famous guitarist, “never play the guitar behind the back of your head again!” …. making ‘Two Yanks in England' with the Everlys, Reg Dwight, Jimmy Page and John Paul Jones. … playing Woodstock – “it's hard to reach the back row when it's raining and two miles away.” … the songs he always plays and talks about onstage, Marrakesh Express, Our House and Teach Your Children among them. Order Graham Nash tickets here:https://grahamnash.com/tour-dates/page/2/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This episode originally aired June 20, 2023 First-time author David Jacks, a veteran video editor and music supervisor, ran into legendary music producer Peter Asher at a Santa Monica taco joint in 2003 and asked if he could interview him. Jacks, a long-time admirer of the man said to be the inspiration for Mike Myers' “shagadelic” Austin Powers character, who first came to prominence as one-half of the hit-making British pop vocal duo Peter and Gordon and would go on to produce generation-defining albums for artists such as James Taylor, Linda Ronstadt, Bonnie Raitt, Randy Newman, and Diana Ross, immediately asked Asher if he would sit for an interview.  The aspiring journalist thought he might use the interview as the basis for an article in a music magazine, but the two-time Grammy-winning Producer of the Year didn't think anyone would want to read it. Nevertheless, that first interview led to another… and another… and on and on. Over the next two decades, the two continued to talk, while Jacks lined up interviews with hundreds of musicians and record industry professionals who had worked with Asher over the years, eventually leading to the publication of Peter Asher: A Life in Music, the first book-length account of the producer's life and career.  Join us for a two-part conversation with author and subject, as Asher reflects on a book he never thought anyone would be interested in reading, and Jacks shares what it was like to tease out the story of a shape-shifting pioneer—“a fascinating music business anomaly,” according to The New York Times, who could never quite understand what all the fuss was about.   Learn more about our guests:  Read The New York Times profile of Peter Asher, timed to coincide with the publication of the David Jacks book. Read Peter Asher: A Life in Music Read Peter Asher's The Beatles from A to Zed, based on the author's popular Sirius XM radio show on The Beatles Channel. Peter Asher on Instagram David Jacks website Please support the sponsors who support our show: Gotham Ghostwriters/ASJA “Andy Awards” Guidelines Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

It's that time of year when Walter Afanasieff takes over the charts. Walter is the writer and producer of “All I Want for Christmas Is You”—the biggest Christmas song of all time—and he also produced “My Heart Will Go On.” But that's just the tip of the iceberg. From writing and producing with Mariah Carey to working with Celine Dion, Whitney Houston, and Barbra Streisand, Walter has been behind some of the most unforgettable songs in music history.He co-wrote dozens of hits with Mariah Carey, including “Hero” and “One Sweet Day”—the record-breaking duet with Boyz II Men that held the top spot on the Billboard Hot 100 for 16 weeks. And let's not forget “My Heart Will Go On”—yes, the Titanic theme with Celine Dion—which earned him a GRAMMY for Record of the Year. Walter also won the Producer of the Year GRAMMY in 2000.This year, he's nominated for Best Song Written for Visual Media for his song "Love Will Survive" with Barbra Streisand from the miniseries The Tattooist of Auschwitz. Walter co-wrote the piece with Hans Zimmer, Charlie Midnight, and Kara Talve, and produced it alongside Peter Asher.In this episode, we dig into Walter's incredible journey through the music world. From his early days working with Narada Michael Walden (fun fact: Walter played synths on “I Wanna Dance With Somebody”) to collaborating with some of the biggest voices in history, Walter is an absolute legend. He's also a dear friend, and I'm so excited to share our conversation with you today. Let's go!

3rd ANNIVERSARY SHOW! I'm rebroadcasting our three anniversary shows! This is our third one from March 2024 featuring different and unique guest promos by a slew of guests who appeared during that year: “Cousin Brucie” Morrow, America's favorite air personality; John Lodge of the Moody Blues; Ted Nugent; Al Kooper of Blood Sweat & Tears; Gary Puckett of the Union Gap; Suzi Quatro; Tony Orlando; William Lee Golden of the Oak Ridge Boys; Richie Furay of Buffalo Springfield; Peter Noone of Herman's Hermits; Timothy B. Schmit of the Eagles; Jeremy Swift of Ted Lasso; Rod Argent of The Zombies; The Amazing Kreskin; Jim Messina of Loggins and Messina; Stewart Copeland of The Police; Gilbert O'Sullivan; Ron Carter, Bass Maestro; Randy Brecker of The Brecker Brothers; Lou Christie; Nils Lofgren of The E Street Band; Jeremy Clyde of Chad & Jeremy; Songwriter Brendan Graham; Saxophonist Ada Rovatti; Peter Yarrow of Peter Paul & May; Mark Farner of Grand Funk Railroad; Guitarist Elliott Randall of Steely Dan; Laeticia Eido of Fauda; Jerry Jemmott the Groovemaster; Roger Earl of Foghat; Felix Cavalieri of The Rascals; Leisa Rea of the Ukelele Orchestra of G.B. ; Songwriter L. Russell Brown; Composer Neil Martin; Andy Summers of The Police; Singer-Songwriter Henry Gross; Gary Lewis of The Playboys; Burton Averre of The Knack; Jazz pianist Eliane Elias; The Celtic Tenors; Tommy James; Denny Tedesco director of The Wrecking Crew; Composer Sherry Chung; Bruce Belland of The Four Preps; Classical Music publicist Mary Lou Falcone; Bruce Kulick of KISS; Navid Negahban of The Old Man; Steve Hackett of Genesis; Rob Stoner of Bob Dylan's Rolling Thunder band; John Helliwell of Supertramp; Bob Reynolds of Snarky Puppy; Jim Yester of The Association; Singer-Songwriter J.J. Gilmore; Rock Photographer Jay Blakesberg; Fred Lipsius of Blood Sweat & Tears; Robert Funaro of The Sopranos; Bassist Nathan East; Jim Peterik of the Ides of March; Mark Stein of Vanilla Fudge; Robby Robinson musical director for Frankie Valli; Patrick Myers of Killer Queen; Tony Carey of Rainbow; Eurovision winner Eimear Quinn; and Peter Asher of Peter & Gordon!---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

2nd ANNIVERSARY SHOW! I'm rebroadcasting our three anniversary shows! This is our second one from March 2023. It features stories and vignettes from a host of guests who appeared during that year: Jeremy Clyde of the iconic duo Chad and Jeremy; Peter Asher of the British Invasion duo Peter and Gordon; Rock Photographer Bob Gruen; Suzi Quatro; Kenny Jones of the Small Faces; Bruce Belland of the Four Preps; Tommy James; Richie Furay of Buffalo Springfield and Poco; Shane Mitchell of Irish band Dervish; Peter Yarrow of Peter Paul and Mary; Jim McCarty of The Yardbirds; Tony Orlando; Gary Puckett with the Union Gap; Steve Hackett of Genesis; The Celtic Tenors; Gilbert O'Sullivan; John Helliwell of Supertramp; and Brian Hyland!---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Adam and Alex tell us about Tanner's wedding.   Join us as we dive into the world of Peter Asher—legendary producer, musician, manager and the only guy who can make a cup of tea sound like a hit single! He tells us about being friends with Paul McCartney & the Beatles. And talks on managing the greats and knowing when an award winning song is finished.    Comedy club dates to hear me live: https://www.adamferrara.com/tourdates/   Oct 11 & 12 Magooby's Joke House Timonium MD   Oct 24-26  Mohegan Sun Casino Uncasville CT   Oct 28  Gotham Comedy Club  New York City  

Peter Asher (Peter & Gordon) and Jeremy Clyde (Chad & Jeremy) were stars during the British Invasion era of the 1960s. Peter & Gordon had massive hits with songs like “A World Without Love” and “I Go To Pieces”. Peter went on to have an illustrious career in the music business, first as the head of A&R for Apple Records where he signed a then-unknown James Taylor, then as producer for many artists including Linda Ronstadt, and currently as the host of “From Me To You”, a weekly Beatles show on Sirius/XM. Jeremy was half of Chad & Jeremy who had several big hits including “Yesterday's Gone” and “A Summer Song”. He tours together with Peter these days. We do two Songfests - one where we select and discuss several favorite British Invasion era songs by other artists that were One Hit Wonders or off the beaten path. And the other where we play and discuss a few of Peter & Gordon's hits plus a Peter and Jeremy song.My featured song is “This Time” from the album “Bobby M and the Paisley Parade”. Spotify link—----------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links. “LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

This episode of Across The Margin : The Podcast features an interview with Brooklyn-based singer/songwriter Leslie Mendelson. Modeling her music after such '70s icons as Carole King and Joni Mitchell, Leslie Mendelson began making waves in 2009 with her debut Grammy-nominated album Swan Feathers, which was followed by two outstanding offerings, 2017's Love & Murder and 2020's If You Can't Say Anything Nice. Just last month Leslie released her fourth studio album — the focus of this interview — an outstanding collection of tracks entitled After The Party (Royal Potato Family). For this latest effort, she collaborates with not one, but three producers: the legendary Peter Asher (James Taylor, Linda Ronstadt, Bonnie Raitt), the young, in-demand Tyler Chester (Madison Cunningham, Sara Bareilles, Sara Watkins) and her longtime songwriting partner, three-time Grammy Award-winner, Steve McEwan. Recorded at Jackson Browne's studio Groove Masters in Santa Monica, CA, she was joined by an ace band featuring guitarists Waddy Wachtel and John Jorgenson, bassists Leland Sklar and Derrick Anderson, and drummers Jim Keltner and Abe Rounds. Throughout After The Party's ten tracks, Leslie crafts a distinctive folk-rock, pop-Americana flavor, evoking the sounds of Laurel Canyon, but with the downtown grit and sharp wit of Brooklyn, the city she has called home for over two decades now. There's a refreshing realness and effortless musicality that feels both nostalgic and new throughout After The Party. In this episode host Michael Shields and Leslie Mendelson talk about how Leslie's recent album's title was inspired by Andy Warhol's still life of the same name while recounting the compelling story how she came to working with famed producer Peter Asher on the album and recording in Jackson Browne's Groove Masters Studio. They discuss the remarkable band that backed Leslie for After The Party, the diverse and introspective themes found throughout the album, what life on the road is like for Leslie currently, and so much more. Hosted on Acast. See acast.com/privacy for more information.

In this engaging interview, Grammy Award-nominated singer and songwriter Leslie Mendelson discusses her musical journey, influences, and her latest album, "After the Party." Leslie shares anecdotes about her musical upbringing, including how her father's record collection and musical household inspired her early passion for music. She talks about her love for artists like The Beatles, Radiohead, and Joni Mitchell, which shaped her sound over the years. Leslie dives into the creative process behind "After the Party," revealing how a 1979 Andy Warhol picture influenced the album's title and themes. She explains how the pandemic period, initially a mix of inactivity and introspection, ultimately inspired her to write songs that offer hope and look toward the future. Highlighting her stellar band, Leslie mentions working with renowned musicians like Waddy Wachtell and Leland Sklar, assembled by producer Peter Asher. She also talks about collaborating with three talented producers: Peter Asher, Tyler Chester, and Steve McEwen, who each contributed uniquely to the album. Leslie reflects on her connections with music legends like Jackson Browne, Bob Weir, and Roger Daltrey, sharing the serendipitous moments that led to these collaborations. She also gives a sneak peek into her current tour, promoting "After the Party," and invites listeners to her performance at Sweetwater Music Hall. Overall, the interview captures Leslie Mendelson's candid reflections on her career, creative inspirations, and the exciting potential of her forthcoming shows.  Tickets for Leslie Mendelson's show at the Sweetwater Music Hall on Thursday, July 18, can be found here.   --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagesonoma/message

Singer-songwriter Leslie Mendelson joins Rhett from Brooklyn to talk about her new album After The Party, released this week, and the tour she's about to embark on. Leslie talks about the musical collaborations that took place during the making of the record, including working with legendary producer Peter Asher. Rhett and Leslie discuss the value of feeling nervous when performing live, and Leslie emphasizes the importance of persistence and staying focused on the journey.  A Grammy Award-nominated artist, Mendelson returns this summer with her fourth studio album, After The Party. Throughout After The Party's ten tracks, Mendelson crafts a distinctive folk-rock, pop-Americana flavor, evoking the sounds of Laurel Canyon, but with the downtown grit and sharp wit of Brooklyn, the city she has called home for over two decades now.  After The Party is available now. Leslie Mendelson website Follow Leslie @lesliemendelson Rhett Miller website Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer Kirsten Cluthe. Editing by Matt Dwyer. Music by OLD 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven.  This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it.   Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, The Milk Carton Kids, and more. If you like what you hear, please leave us a rating or review.

Welcome to the LEGENDS: Podcast by All Day Vinyl, hosted by Scott Dudelson.  In this episode, we dive into the extraordinary career of Bob Glaub, a legendary touring and session musician whose bass playing has graced hundreds of recordings since the 1970's. Glaub's impressive credits include Jackson Browne's "The Pretender," Stevie Nicks' "Edge of Seventeen" Warren Zevon's "Excitable Boy," and albums by John Lennon, Rod Stewart, John Fogerty, Linda Ronstadt, and many more. Bob shares fascinating anecdotes from his time in the studio, including his first recording session with Jesse Ed Davis, the chaotic yet exhilarating experience of working on John Lennon's "Rock 'n' Roll" sessions with Phil Spector, and his long-standing collaborations with iconic artists like Jackson Browne and Warren Zevon. He also discusses his experiences touring with Linda Ronstadt and the unique dynamics of working with renowned producers such as Peter Asher and Jimmy Iovine. Join us for an in-depth conversation filled with behind-the-scenes stories and insights into the life of a musician who has left an indelible mark on the music history

            In Episode 409 of Things We Said Today, Darren Devivo, Ken Michaels and Allan Kozinn have a chat with Dana Klosner about her book “Beatlemania Lives On – Superfans in the 21st Century,” a fun read about the current state of Beatle fandom, based on interviews with everyone from Peter Asher and Laurence Juber to fans who have turned their onstage autographs into tattoos, with authors, DJs (Darren was among her interviewees) and Beatles tribute band musicians. For those who prefer to liten selectively, the news section begins at 3'00” and the interview with Dana starts at 26'30”.             As always, we welcome your thoughts about this episode of the show or any other episode. We invite you to send your comments about this or any of our other shows to our email address thingswesaidtodayradioshow@gmail.com, join our "Things We Said Today Beatles Fans" Facebook page and comment there, tweet us at @thingswesaidfab or catch us each on Facebook and give us your thoughts. And we thank you very much for listening. You can hear and download our show on Podbean, the Podbean app and iTunes and stream us through the Tune In Radio app and from our very own YouTube page.  Our shows appear every two weeks. Please be sure and write a (good, ideally!) review of our show on our iTunes page. If you subscribe to any of our program providers, you'll get the first word as soon as a new show is available. We don't want you to miss us. Our download numbers have been continually rising, as more people discover us and it's all because of you. So we thank you very much for your support!             Be sure to check out the video version of Things We Said Today on our YouTube channel, https://www.youtube.com/channel/UC-zgHaPfL6BGmOX5NoyFE-A. The audio version can be found at Podbean: https://beatlesexaminer.podbean.com/ as well as at iHeart Radio, Apple podcasts and other distributors of fine podcasts.             MANY MANY WAYS TO CONTACT US:             Our email address: thingswesaidtodayradioshow@gmail.com             Twitter @thingswesaidfab             Facebook:  Things We Said Today video podcast      ALLAN on Facebook: Allan Kozinn or Allan Kozinn Remixed.             Allan's Twitter feed: @kozinn             The McCartney Legacy's website: https://www.mccartneylegacy.com/             The McCartney Legacy on Facebook: McCartney Legacy, and on Twitter: @McCARTNEYLEGACY             The McCartney Legacy YouTube channel: https://www.youtube.com/channel/UC8zaPoY45IxDZKRMf2Z6VyA             KEN's YouTube Channel, Ken Michaels Radio: https://www.youtube.com/channel/UCq_Dkp6fkIsYwGq_vCwltyg             Ken's Website Beatles Trivia Page: https://www.kenmichaelsradio.com/beatles-trivia--games.html Ken's other podcast, Talk  More Talk: A Solo-Beatles Videocast You Tube channel:  https://www.youtube.com/@talkmoretalksolobeatles             Ken's Weekly Beatles radio show "Every Little Thing" On Demand:  http://wfdu.fm/Listen/hd1%20recent%20archives/             Ken's e-mail:  everylittlething@att.net Ken's Facebook Page: https://www.facebook.com/ken.michaels.31/ DARREN's radio show can be heard 10pm to 2am Monday through Thursday and 1pm to 4pm Saturday on WFUV 90.7 FM (or 90.7 FM HD2), or at wfuv.org, or on the WFUV app.             Darren on Facebook: Darren DeVivo, and Darren DeVivo: WFUV DJ and Beatles Podcaster Darren's email: darrendevivo@wfmu.org

Bob Sirott is celebrating The Beatles' 60th anniversary of visiting America. Bob plays back an interview from 2022 with Peter Asher. The musician, author, and producer shared details about how John Lennon and Paul McCartney wrote ‘I Want To Hold Your Hand,' the time he inducted Brian Epstein and Andrew Oldham into the Rock and […]

This week Jess Bowen and Bowie Jane chat with Vicky T who toured the world with multi-platinum pop band cobra starship for 10 years. An experienced keytarist and songwriter, Vicky chats about her music career, studying film at Tisch, being the daughter of multiple Grammy winning procure Peter Asher, and working for Britney Spears! The post Vicky T – Keytarist, Cobra Starship, Singer Songwriter appeared first on idobi.

Ryan Gruss  “The Fantasty Football of Music Making”  Ryan's journey in the music business began after graduating from The Berklee College of Music in 2000 with a degree in Musical Performance for Drums, and then moving to New York City to begin his "career" in the real world. It was during his second week at Atlantic when Ryan was approached by the HR department, asking if he was interested in becoming Ahmet Erteguns' (the legendary Founder and CEO of Atlantic) assistant. His mind was blown and he instantly accepted the position.In 2010, Ryan launched The Loop Loft and began recording other musicians and treating it like a record label, providing the artists with royalties from the sales of each loop pack. Word began to spread amongst the studio musician community, and a roster of legendary musicians like Omar Hakim, Joey Waronker, Matt Chamberlain began to form and quickly grow. For the next 8 years, Ryan continued to organically build The Loop Loft, adding more artists and content on a weekly basis. Partnerships with companies like Ableton, Native Instruments, BandLab and PreSonus were formed. Guitar Center also began to sell products from The Loop Loft. The company was now the top-selling source for loop and samples, generating millions of dollars of revenue each year. It was a career and a company that Ryan had never dreamed of or anticipated, but he had finally found his musical North Star. Ryan left Native Instruments in 2020 and formed Yurt Rock, literally inside of his Yurt studio in the hills of LA. But with the COVID pandemic grinding studio work to a halt, Ryan decided to take the time and move his family to Nashville, a place that many consider the music capital of the world. It was time for a fresh start. With dozens of the world's top musicians, Yurt Rock has quickly become the ultimate source for producers, engineers and songwriters seeking not only loops and samples, but also custom BATTERY/MASCHINE kits, Ableton Live Packs, Logic Sessions, multitracks and much more.     Things That Came Up: -3:50 Yurt Rock is the “Fantasy Football” of music making  -5:10 The Loop Loft was acquired by Native Instruments in 2018.  -12:30 Berklee set the tone for relationships throughout life.  -14:30 Expanding into software, partnering with plug-in companies and diving into new media.  -16:00 Affordable price points are key -18:00 Redmond's Big Modern Drums Vol. 1 and 2, as well as Locked! (loop packages) -23:00 Revelations on the 405 Freeway -24:10 Moved to NYC -25:10 Assistant to Ahmet Ertegun, founder of Atlantic Records -28:00 Art and Photo department at Atlantic Records -29:50 Peter Asher signs Ryan's band “The Rinse” -31:15 Got married, moved to Boston and started working in digital assets management -37:50 John Mayer crashes with Ryan and they form the seeds to “Room For Squares”.  -42:00 Robin Williams becomes Ryan's roadie!  -46:40 Luke Bryan at Drakes -49:20 FB Ads are still powerful tool for marketing and sales -52:30 Pete Townsend and Butch Vig  -60:50 “The Fave 5”  Follow:  www.yurtrock.com X: @ryangruss  IG: @yurtrockmusic   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com      

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

ATTT was more than just a little honored to be able to have an epic hang with 2 of the menschiest bass-playing badasses in L.A. David Jenkins and Jennifer Jo Oberle go way back, and they know a ton about the best session cats to ever make their bones here in the City Of Angels. In Top Ten Legendary L.A. Studio Musicians Part 2, we reveal picks 5-1 in our tribute to the the guys and gals that play on the soundtrack to our lives. Hundreds if not thousands of classic tunes are brought to life by the legends we're highlighting here. Respect!If you missed Part 1, by all means get it on Apple Podcasts:https://podcasts.apple.com/us/podcast/episode-600-top-ten-legendary-l-a-studio/id573735994?i=1000642486662Check out the official Spotify playlist for this episode, featuring all of the songs heard in Parts 1 & 2, bumper songs included:https://open.spotify.com/playlist/5Df69ZKbUPVl231Ooj8aeU?si=8028cd1a4eed418dDavid can be found slinging gear at Truetone Music in Santa Monica or at the Kibitz Room on Tuesday nights, but you should also support his autism charity Wild Honey Foundation and go see their amazing benefit shows whenever they come around!https://www.facebook.com/groups/WIldhoneyfoundation/Go see Jennifer on tour with Peter Asher this year! They'll be all over the place.https://www.peterandgordonthesingles.com/#!home|mainPage

The word 'legendary' and the city of L.A. go hand in hand. Los Angeles is where the magic happens for so much of what the world loves, not just in movies and tv but certainly in music. In addition to some all time great homegrown bands, many of the finest studio musicians call this place home. Thousands of chart topping hits have been turned out in the iconic studios of the City Of Angels, and the cats featured in this week's episode played on dozens if not hundreds of them. ATTT is excited to kick off Season 13 with two legends in their own right. Bass playing mensches that they are, David Jenkins and Jennifer Jo Oberle have played on countless sessions themselves and they bring their historical wisdom and amazing taste to help us count down the Top Ten Legendary L.A. Studio Musicians. Picks 10-6 are featured here in Part 1.David can be found slinging gear at Truetone Music in Santa Monica or at the Kibitz Room on Tuesday nights, but you should also support his autism charity Wild Honey Foundation and go see their amazing benefit shows whenever they come around!https://www.facebook.com/groups/WIldhoneyfoundation/Go see Jennifer on tour with Peter Asher this year! They'll be all over the place.https://www.peterandgordonthesingles.com/#!home|mainPage

In this captivating bonus episode, Brad Lowe sits down for a lively chat with the musical maestro himself, Peter Asher – half of the legendary duo, Peter and Gordon. The conversation unfolds like a symphony, weaving through Peter's childhood, his musical journey, and even a detour into brain surgery. Peter Asher's childhood was a melody of joy, with a professional musician mother and a doctor father. It's the kind of upbringing that probably explains his knack for orchestrating musical magic and curing any case of the blues. His love affair with music started early, nurtured by his mother's classical tunes and a serendipitous discovery of American music genres. Jazz, rock and roll, and rhythm and blues became the building blocks of Peter's musical palette, setting the stage for a harmonious career. Before the birth of Peter and Gordon, Peter Asher was a devoted follower of musical legends – Buddy Holly, Everly Brothers, Elvis, and jazz maestros like Charlie Parker and Dizzy Gillespie. It's like he attended the school of cool tunes, graduating with honors. The duo's breakthrough hit, 'World Without Love,' became the anthem that changed their lives and launched them into the stratosphere of musical stardom. It's the kind of success story that probably left Peter and Gordon wondering if they had stumbled upon a musical genie in a bottle. But Peter Asher didn't stop at the microphone; he made a seamless transition from musician to producer extraordinaire. Collaborating with artists like Paul Jones and crafting iconic albums such as 'Sweet Baby James' and 'Heart Like a Wheel,' Peter proved he could pull the strings both on and off the stage. In a surprising twist, Peter shares his favorite songs and albums, giving us a backstage pass to the tunes that have shaped his musical journey. It's like a mixtape curated by the maestro himself, and we're all invited to the dance. The conversation takes an unexpected turn towards Peter's life post-brain surgery. With resilience and humor, he reflects on the challenges and triumphs of recovery, reminding us all that even in the face of adversity, the show must go on. But the music doesn't stop there. Peter Asher continues to rock the stage, collaborating with fellow musicians and imparting his musical wisdom in songwriting seminars. It's a testament to his enduring passion and the timeless appeal of his melodies. So, whether you're a die-hard Peter and Gordon fan or simply someone who appreciates a good tune and a few laughs, this bonus episode is a musical journey worth taking. Until next time, may the melodies keep playing, and the laughter keep echoing! Follow Peter here: https://www.instagram.com/officialpeterasher/ Follow the show on IG ⁠⁠⁠⁠⁠⁠https://www.instagram.com/workadviceforme/⁠⁠⁠⁠⁠⁠⁠ Email the Show workadviceforme@gmail.com This show is brought to you by Hopecast Hosted by: Brad Lowe 

Legendary bass player Leland "Lee" Sklar has played on more albums than he can remember. After 2,500 albums, who could keep track, but for 2.5 hours Lee sits down with host and producer Drew Dempsey in studio 3 at Sunset Sound Recorders in Hollywood, CA to share on the backstories of some of the most iconic records that he has recorded here at Sunset Sound Recorders.. from Jackson Browne, James Taylor, Carole King, Phil Collins and so on, but the iconic musician speaks on the new generation of musician, why he is stayed away from drugs and alcohol, plus hilarious stories from his 6 decade career as one of the most prolific studio and touring musicians ever. Lee tells how James Taylor having him fill in pone night at the Troubadour, plus a gift from Peter Asher changed his life forever. Also, how his band "The Section" has released three solo albums of instrumental rock and the new documentary that just came out about "The Immediate Family". Drew and Lee share on their love of Blues Music, the entitled youth of today, not ever complaining as well as some advice on how to get going in the music industry.   Check Out Lee's Finger Book Which IS The Coolest Thing Ever! https://lelandsklarsbeard.com Guest: Lee Sklar : https://www.instagram.com/leland.sklar/ Host: Drew Dempsey: https://www.instagram.com/dfdproductions/ Filmed at Sunset Sound Recorders Studio 3 by Abel Bernachea Audio Engineer : Zack Zajdel Sunset Sound Recorders Merchandise: WWW.SUNSETSOUNDSTORE.COM Instagram: https://www.instagram.com/sunsetsoundrecorders Facebook: @sunsetsoundrecorders Website: www.sunsetsound.com #musician #bassguitar #sunsetsound #bassplayer #bass #sunsetsound #leesklar

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

As a founding member of the iconic all-girl band The Bangles, Susanna Hoffs is perhaps most associated with 80s hits like “Manic Monday,” “Eternal Flame,” and “Walk Like An Egyptian.” After releasing three platinum-selling albums, in 1989 The Bangles broke up. Two years later, Susanna started to release solo material before reuniting with The Bangles at the end of the 90s. Over the years Susanna has continued to release music and act in movies. She even appeared in all three Austin Powers films as part of a fictional Mod band. This year Susanna has added another creative pursuit to her repertoire—she's now a published novelist. Her first book, This Bird Has Flown, was released in April. And she put out her latest collection of cover songs on the album The Deep End produced by the great Peter Asher. On today's episode Justin Richmond talks to Susanna Hoffs about how Bruce Springsteen helped The Bangles secure a record deal after seeing them play at an amusement park in Southern California. She also tells the story of first listening to Prince's demo of “Manic Monday.” You can hear a playlist of some of our favorite Susanna Hoffs songs HERE.See omnystudio.com/listener for privacy information.

Peter Asher is a British musician, record producer, and manager. After starting his music career in the 1960s as part of the British pop duo Peter and Gordon, Asher ran A&R at the Beatles' Apple Records. Over the course of Asher's prolific career as an executive and music producer, he's worked with artists including James Taylor, Linda Ronstadt, Cher, and Bonnie Raitt. He's won two Grammy's for Producer of The Year, Non-Classical (Simple Dreams, JT and Cry Like a Rainstorm, Howl Like the Wind) and one for Best Spoken Comedy Album (Live 2002, Robin Williams). ------- Thank you to the sponsors that fuel our podcast and our team: Manna Vitality https://mannavitality.com/ ------- LMNT Electrolytes https://drinklmnt.com/tetra Get a free LMNT Sample Pack with your order. ------- House of Macadamias  https://www.houseofmacadamias.com/tetra Get a free box of Dry Roasted Namibian Sea Salt Macadamias + 20% off Your Order With Code TETRA

May Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/1198501/advertisement

taken years to get Danny Kortchmar alone in the Game Changers guest seat, having paid us a couple of previous visits with his Immediate Family brothers. This Danny is kinder, gentler, and oh, so fun. He's been leaning more and more in this direction to my view since falling in love with Lisa Roy, even after surviving the devastating loss of her life. She was the love of his, and it appears she did him a world of lasting good. Danny will be the first to admit he can be serious and… cranky. No sign of that guy this evening… just great stories of some of the greatest musicians of our time, from one of them, all wonderfully, entertainingly, told. We may have even heard a few previously undocumented firsts… starting as a kid discovering early rock 'n roll, to very soon playing it, summering on Martha's Vineyard, and the early teenage friendship that would change his life. Jamie, as Kootch calls James Taylor, who talked him into some questionable behavior, then blamed him, classic! Not something I'd imagine or associate with sweet baby James. Their lifelong friendship, their musical collaboration, how it started, and why it ended. Meeting, working, and loving Peter Asher, Lou Adler, Carole King, Russ Kunkel, Leland Sklar, Waddy Wachtel, Linda Rondstadt, and Jackson Browne. The story behind Somebody's Baby. We talked about his extensive successful producing career (although he has a caveat which was fascinating to hear) - including Jon Bon Jovi, Billy Joel, Toto, and his extensive collaboration with Don Henley, the great and the tough of it. There are no endings with Kootch. Once family, always family. He remains close to all of them. And speaking of family, Danny spoke to the birth, development, and current state of affairs of The Immediate Family, his beloved creation. His frustration with the pandemic's impact and the conflicting work schedules of his brothers doesn't dampen his passion for their new album yet to drop, and their soon-to-be-released brilliant Denny Tedesco documentary, Immediate Family. There is remorse that Waddy Wachtel's commitment as Stevie Nick's musical director, a position he's held for 25 years will keep him from 5 scheduled live shows, but Danny did drop some news… The Cars Elliot Easton will be jumping in for those shows, certainly softening the blow. This time with Danny was a joyous romp through the musical soundtrack of so much of my life. His songs, and his playing, are forever etched in my heart and soul. The man sure do know how to rock 'n roll. Good God! Danny Kortchmar Live on Game Changers With Vicki Abelson Wed, August 16th, 5 pm PT, 8 pm ET Streamed Live on The Facebook Replay here: https://bit.ly/3KKfuFL

Join us for a SUPERSIZED MONKEEING AROUND as we give our report on the Flower Power Cruise 2023, featuring exclusive audio recordings! We saw The Zombies, Peter Noone of Herman’s Hermits, Peter Asher of Peter and Gordon, Jeremy Clyde of Chad and Jeremy, The Cowsills, The Buckinghams, The Manfreds, Felix Cavaliere and the Rascals, the … Monkeeing Around – Flower Power Cruise – Episode 33 Read More » The post Monkeeing Around – Flower Power Cruise – Episode 33 appeared first on The ESO Network.

Join us for a SUPERSIZED MONKEEING AROUND as we give our report on the Flower Power Cruise 2023, featuring exclusive audio recordings! We saw The Zombies, Peter Noone of Herman's Hermits, Peter Asher of Peter and Gordon, Jeremy Clyde of Chad and Jeremy, The Cowsills, The Buckinghams, The Manfreds, Felix Cavaliere and the Rascals, the Fifth Dimension, The Fab Four, The Jukebox Beatles, The Papas and the Mamas, and of course Micky Dolenz of The Monkees! Monkeeing Around is a part of the ESO Podcast Network, Executive Producer Mike Faber.

Before his solo work, before Blind Faith, before Traffic, a 14-year old known then as Stevie Winwood joined The Spencer Davis Group as a guitarist and lead singer.  This blues-oriented British band released their first LP, conveniently called Their First LP in June of 1965 to British and European audiences.  We are covering it in August 1965, but the album itself was not released in the United States at the time.  Most of the songs would make it to the US market in compilation albums released years later.The Spencer Davis Group was Spencer Davis on vocals, guitar, and harmonica; Steve Winwood on lead vocals, harmonica, guitar, and piano; Muff Winwood (Steve's older brother) on vocals and bass; and Pete York on drums.  Additional personnel included Kenny Salmon on organ for a couple of tracks, and one track found Peter Asher on piano and Millie Small on vocals.The album didn't enter the UK albums chart until January 1966, but it would reach number 6 on that chart after a single entitled "Keep On Running" from their second album entered the UK singles charts.  "Their First LP" is blues driven, and much of the album consists of covers from blues artists.  However, there are also some original pieces composed by Spencer Davis and by Steve Winwood.  Spencer Davis went on to solo and collaborative work after The Spencer Davis Group, eventually becoming an executive for Island Records.  Steve Winwood would of course move on to a storied career as a rock musician.Bruce brings this blues-laced proto-rock album to the podcast. My BabeThis track leads off the album.  While the Spencer Davis Group did not release this as a single, it reached number 75 on the Billboard Hot 100 in October 1963 when it was originally released by its writers, Bobby Hatfield and Bill Medley.  Hatfield and Medley are better known as The Righteous Brothers.DimplesThis cover was the first single released from the album, preceding the album by almost a year.  The original was written and recorded by blues artist John Lee Hooker in 1956 as an ensemble piece.  It was the first Hooker record to appear on the British record charts, though it would take until 1964 to reach the charts.  While the Hooker single charted, the Spencer Davis Group cover did not chart.Sittin' and Thinkin'Here is an original song amongst an album dominated by covers.  Spencer Davis wrote this song.  It was released as a single, the fourth from the album, but only in the Netherlands.It Hurts Me SoThe closing track to the album was written by Steve Winwood.  It was not released as a single, but it is an example of Winwood's early blues-influenced work.  ENTERTAINMENT TRACK:The Night Before by the Beatles (from the motion picture "Help!" )This film showcased the Beatles in a comedy adventure as the group tries to protect Ringo from an eastern cult. STAFF PICKS:Agent Double-O-Soul by Edwin StarrJames Bond is the obvious inspiration for Wayne's staff pick.  Edwin Starr was singing with The Bill Dogett Combo when he went to the cinema to watch the Bond feature, "Thunderball."  He wound up watching it 3 times before going back to his hotel room to write this song.  Bill Dogett rejected his pitch to sing solo on this tune, so Starr left the group to become a solo act.I Want Candy by The StrangelovesRob brings us a tune by songwriters Bob Feldman, Jerry Goldstein, and Richard Gottehrer.  They took on the persona of Australian sheep farmer brothers turned band members Giles, Miles, and Niles Strangelove for this group.  This song with a Bo Diddley beat was inspired by dancer Candy Johnson who was seen at the 1964 Worlds Fair.  Bow Wow Wow would have a hit with a cover of this song in the 80's.Since I Lost My Baby by The Temptations Lynch's staff pick comes from Motown in the form of a lover's lament written by Smokey Robinson and Warren Moore.  It hit number 17 on the US charts.  The Temptations would be a huge hitmaker in the 60's both with David Ruffin and Dennis Edwards on lead vocals.Same Old Song by The Four TopsBruce's staff pick features an American vocal quartet from Detroit who helped to define the Motown sound.  This Holland-Dozier-Holland song hit number 5 on the Billboard Hot 100, and number 2 on the Billboard R&B chart.  Lead singer Levi Stubbs was joined by Duke Fakir, Obie Benson, and Lawrence Payton to form the quartet, and they would remain together from 1953 until 1997 without a change in personnel. INSTRUMENTAL TRACK:The "In" Crowd by The Ramsey Lewis TrioThis jazz single hit number 2 on the R&B chart and number 5 on the Billboard Hot 100.  The Ramsey Lewis Trio would receive a Grammy Award for the album of the same name in 1966.

First-time author David Jacks, a veteran video editor and music supervisor, ran into legendary music producer Peter Asher at a Santa Monica taco joint in 2003 and asked if he could interview him. Jacks, a long-time admirer of the man said to be the inspiration for Mike Myers' “shagadelic” Austin Powers character, who first came to prominence as one-half of the hit-making British pop vocal duo Peter and Gordon and would go on to produce generation-defining albums for artists such as James Taylor, Linda Ronstadt, Bonnie Raitt, Randy Newman, and Diana Ross, immediately asked Asher if he would sit for an interview.  The aspiring journalist thought he might use the interview as the basis for an article in a music magazine, but the two-time Grammy-winning Producer of the Year didn't think anyone would want to read it. Nevertheless, that first interview led to another… and another… and on and on. Over the next two decades, the two continued to talk, while Jacks lined up interviews with hundreds of musicians and record industry professionals who had worked with Asher over the years, eventually leading to the publication of Peter Asher: A Life in Music, the first book-length account of the producer's life and career.  Join us for a two-part conversation with author and subject, as Asher reflects on a book he never thought anyone would be interested in reading, and Jacks shares what it was like to tease out the story of a shape-shifting pioneer—“a fascinating music business anomaly,” according to The New York Times, who could never quite understand what all the fuss was about.   Learn more about our guests:  Read The New York Times profile of Peter Asher, timed to coincide with the publication of the David Jacks book. Read Peter Asher: A Life in Music Read Peter Asher's The Beatles from A to Zed, based on the author's popular Sirius XM radio show on The Beatles Channel. Peter Asher on Instagram David Jacks website Please support the sponsors who support our show. Daniel Paisner's Balloon Dog Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton A Mighty Blaze podcast The Writer's Bone Podcast Network

If Revolver is the record where The Beatles remove any illusion to their drug use, "She Said She Said" may be one of the cornerstones of that moment. A song with origins from an evening of tripping on LSD in Los Angeles, it's a song that straddles a number of different lines. It rocks, but it's not rocking. It's psychedelic but not trippy. It's autobiographical but filled with illusion. It's probably my favorite guitar tone of all time. It's also a song that's a bit mysterious. Whoever "She" is, what she's saying is confusion. What's it like to be dead? How does she know? Who the hell is playing the bass? Regardless of the answers to these questions, it's just a killer track, and one that really sums up the Revolver ethos, in my humble opinion. Joining us this week is songwriter, singer, guitarist and producer Jon Auer. Jon first made his name in the 90s as a founding member of now-defunct power-pop heroes The Posies, whose albums Dear 23 and Frosting on the Beater landed them all over MTV and alternative radio in the 90s, as well as landing a track on Ringo's Time Takes Time album ("Golden Blunders," originally from Dear 23). He also spent 17 years as member of the reunited legendary Big Star. With surviving founding member Jody Stephens, Jon recently joined Wilco's Pat Sansone, R.E.M.'s Mike Mills, and Chris Stamey of the dBs for a tour celebrating the 50th anniversary of Big Star's debut release, #1 Album. Jon joins us to talk a number of things, including this LSD-soaked Revolver track, who played bass on it, his Ringo & Peter Asher connection, the recent Big Star tour, and more! What do you think? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠Instagram ⁠⁠⁠⁠⁠@rankingthebeatles, or ⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠@rankingbeatles! Be sure to visit ⁠⁠⁠⁠⁠rankingthebeatles.com⁠⁠⁠⁠⁠! Wanna show your support? Buy Us A Coffee! --- Send in a voice message: https://podcasters.spotify.com/pod/show/rankingthebeatles/message Support this podcast: https://podcasters.spotify.com/pod/show/rankingthebeatles/support

Susanna Hoffs has a new novel, "This Bird Has Flown," and a new covers album produced by Peter Asher, "The Deep End." We talk about these two projects, growing up, the Bangles, meeting her husband and so much more!See omnystudio.com/listener for privacy information.

Peter Asher (Peter & Gordon) and Jeremy Clyde (Chad & Jeremy) were the softer counterparts to the hard rock beat groups of the British Invasion era of the 1960s. Peter & Gordon had massive hits with songs like “A World Without Love” and “I Go To Pieces”. Peter went on to have an illustrious career in the music business, first as the head of A&R for Apple Records where he signed a then-unknown James Taylor, then as producer for many artists including Linda Ronstadt, and currently as the host of “From Me To You”, a weekly Beatles show on Sirius/XM. Jeremy was half of Chad & Jeremy and had several big hits including “Yesterday's Gone” and “A Summer Song”. He recently was a guest on this podcast. Peter and Jeremy tour together these days. We do two Songfests - one where we select and discuss several favorite British Invasion era songs by other artists that were One Hit Wonders or off the beaten path. And the other where we play and discuss a few of Peter & Gordon's hits plus a Peter and Jeremy song.My featured song is “This Time” from my new album, “Bobby M and the Paisley Parade”. Spotify link----------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Chartable Rankings (Top 5,000 podcasts in 20 countries):#1 USA Education: Trending#2 USA Music: Trending#5 Global Music: Trending#12 USA All Podcasts; Trending#35 Global All Podcasts: TrendingFor more information and other episodes of The Follow Your Dream Podcast click here. “Dream With Robert”. Click here.If you enjoyed the show please Subscribe. To Rate and Review click here.----------------------------------------Peter, Jeremy and I discuss the following:GlassesScreaming girl fansRivalry between the duosMeeting at the Pickwick ClubTeen magazinesPeter & Gordon 1st U.S. tourPerforming at the NYC World's FairPaul McCartney living in Peter's housePeter's mother teaching George MartinSongfest 1:“Yeh Yeh” (Georgie Fame and the Blue Flames)“Go Now” (Moody Blues)“Shakin' All Over” (Johnny Kidd and the Pirates“Girl Don't Come” (Sandie Shaw)“Rock Island Line” (Lonnie Donegan)“Concrete and Clay” (Unit 4+2)Songfest 2:“I Go To Pieces”“A World Without Love”“I Don't Want To See You Again”“Lady Godiva”“A Summer Song”“BOBBY M AND THE PAISLEY PARADE” is Robert's new album. Featuring 10 songs and guest appearances by John Helliwell (Supertramp), Tony Carey (Rainbow) and international sitar sensation Deobrat Mishra. Produced by Tony Carey. Called "ALBUM OF THE YEAR!" by Indie Shark and “One of the great rock sets of the year!” by Big Celebrity Buzz. "Catchy and engaging with great tunes!" - Steve Hackett (Genesis)"This album has life and soul!" - John Helliwell (Supertramp)"Bobby M rocks!" - Gary Puckett (Union Gap)"Nice cool bluesy album!" - Jim McCarty (The Yardbirds)"Robert really really really rocks!" - Peter Yarrow (Peter Paul & Mary)"Great songs. Great performances. It's a smash!" - David Libert (The Happenings)Click here for all streaming links.Download here.Other releases by Robert and Project Grand Slam:“LIVE AT STEELSTACKS” is the 5-song EP by Robert and his band, Project Grand Slam. The release captures the band at the top of their game and shows off the breadth, scope and sound of the band. The EP has been highly praised by musicians and reviewers alike. “Captivating!” Elliott Randall (Steely Dan) “PGS burns down the house!” Tony Carey (Rainbow)“Full of life!” Alan Hewitt (The Moody Blues) “Virtuoso musicians!” (Melody Maker) “Such a great band!” (Hollywood Digest) The album can be streamed on Spotify, Amazon, Apple and all the other streaming platforms, and can be downloaded at The PGS Store.“ALL OF THE TIME” is Robert's single by his band Project Grand Slam. It's a playful, whimsical love song that's light and airy and exudes the happiness and joy of being in love. “Pure bliss…An intimate sound with abundant melodic riches!” Melody Maker/5 Stars) “Ecstasy…One of the best all-around bands working today!” (Pop Icon/5 Stars) “Excellence…A band in full command of their powers!” (Mob York City)Watch the video here. You can stream “All Of The Time” on Spotify, Apple or any of the other streaming platforms. And you can download it here.“THE SHAKESPEARE CONCERT” is the album by Robert's band, Project Grand Slam, recorded "live" in the studio. It's been praised by Mark Farner (Grand Funk Railroad), Jim Peterik (Ides Of March), Joey Dee (Peppermint Twist), Elliott Randall (Steely Dan) and Sarah Class (British composer). Reviews: “Perfection!”, “5 Stars!”, “Thrilling!”, and “A Masterpiece!”. The album can be streamed on Spotify, Apple and all the other streaming services. You can watch the Highlight Reel HERE. And you can purchase a digital download or autographed CD of the album HERE. “THE FALL OF WINTER” is Robert's single in collaboration with legendary rocker Jim Peterik of the Ides Of March and formerly with Survivor. Also featuring renowned guitarist Elliott Randall (Steely Dan/Doobie Brothers) and keyboard ace Tony Carey (Joe Cocker/Eric Burden). “A triumph!” (The Indie Source). “Flexes Real Rock Muscle!” (Celebrity Zone). Stream it on Spotify or Apple. Watch the lyric video here. Download it here.FOLLOW YOUR DREAM HANDBOOK is Robert's Amazon #1 Bestseller. It's a combination memoir of his unique musical journey and a step by step how-to follow and succeed at your dream. Available on Amazon and wherever books are sold.  Audio production:Jimmy RavenscroftKymera Films Connect with Peter:(3) Peter Asher | Facebook Connect with Jeremy:www.jeremyclyde.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFacebook - www.facebook.com/followyourdreampodcastEmail Robert - robert@followyourdreampodcast.comYouTubeLinkedIn Listen to the Follow Your Dream Podcast on these podcast platforms:CastBoxSpotifyApple Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comInstagramPGS Store - www.thePGSstore.comYouTubeFacebook - www.facebook.com/projectgrandslamSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Kate Taylor is the female star of the Taylor family which includes her brothers James and Livingston. Kate became a star with her 1971 debut album “Sister Kate” produced by Peter Asher. She took time off to raise her two daughters. Now she's back with a new album called “Why Wait” again produced by Peter Asher. We discuss her career and do a Songfest.My featured song is “Stockbridge Fanfare” from the East Side Sessions album by my band Project Grand Slam. Spotify link here.For more information and episodes of the Follow Your Dream Podcast click here.“Dream With Robert”. Click here.If you enjoyed the show, please Subscribe. To Rate and Review please click Here.—----------------------------------------Kate and I discuss the following:Growing up with her brothersJames introducing her to Peter AsherMy Psychedelic Supermarket storyJames and Kootch“Sister Kate” albumLA in the late ‘60sTom Rush“Country Comfort” storySongfest:“You Can Close Your Eyes”She has the original lyrics“It's In His Kiss”Livingston suggested itMick Jagger in the studio“Beautiful Road”“A Fool In Love”Recorded with 3 of her brothers“I Will Follow”“BOBBY M AND THE PAISLEY PARADE” is Robert's new album. Featuring 10 songs and guest appearances by John Helliwell (Supertramp), Tony Carey (Rainbow) and international sitar sensation Deobrat Mishra. Produced by Tony Carey. Called "ALBUM OF THE YEAR!" by Indie Shark and “One of the great rock sets of the year!” by Big Celebrity Buzz. "Catchy and engaging with great tunes!" - Steve Hackett (Genesis)"This album has life and soul!" - John Helliwell (Supertramp)"Bobby M rocks!" - Gary Puckett (Union Gap)"Nice cool bluesy album!" - Jim McCarty (The Yardbirds)"Robert really really really rocks!" - Peter Yarrow (Peter Paul & Mary)"Great songs. Great performances. It's a smash!" - David Libert (The Happenings)Click here for all streaming links. Download here.OTHER RELEASES BY ROBERT AND PROJECT GRAND SLAM:“LIVE AT STEELSTACKS” is the 5-song EP by Robert and his band, Project Grand Slam. The release captures the band at the top of their game and shows off the breadth, scope and sound of the band. The EP has been highly praised by musicians and reviewers alike. “Captivating!” Elliott Randall (Steely Dan) “PGS burns down the house!” Tony Carey (Rainbow)“Full of life!” Alan Hewitt (The Moody Blues) “Virtuoso musicians!” (Melody Maker) “Such a great band!” (Hollywood Digest) The album can be streamed on Spotify, Amazon, Apple and all the other streaming platforms, and can be downloaded at The PGS Store.“ALL OF THE TIME” is Robert's single by his band Project Grand Slam. It's a playful, whimsical love song that's light and airy and exudes the happiness and joy of being in love. “Pure bliss…An intimate sound with abundant melodic riches!” Melody Maker/5 Stars) “Ecstasy…One of the best all-around bands working today!” (Pop Icon/5 Stars) “Excellence…A band in full command of their powers!” (Mob York City)Watch the video here. You can stream “All Of The Time” on Spotify, Apple or any of the other streaming platforms. And you can download it here.“THE SHAKESPEARE CONCERT” is the album by Robert's band, Project Grand Slam, recorded "live" in the studio. It's been praised by Mark Farner (Grand Funk Railroad), Jim Peterik (Ides Of March), Joey Dee (Peppermint Twist), Elliott Randall (Steely Dan) and Sarah Class (British composer). Reviews: “Perfection!”, “5 Stars!”, “Thrilling!”, and “A Masterpiece!”. The album can be streamed on Spotify, Apple and all the other streaming services. You can watch the Highlight Reel HERE. And you can purchase a digital download or autographed CD of the album HERE. “THE FALL OF WINTER” is Robert's single in collaboration with legendary rocker Jim Peterik of the Ides Of March and formerly with Survivor. Also featuring renowned guitarist Elliott Randall (Steely Dan/Doobie Brothers) and keyboard ace Tony Carey (Joe Cocker/Eric Burden). “A triumph!” (The Indie Source). “Flexes Real Rock Muscle!” (Celebrity Zone). Stream it on Spotify or Apple. Watch the lyric video here. Download it here.FOLLOW YOUR DREAM HANDBOOK is Robert's Amazon #1 Bestseller. It's a combination memoir of his unique musical journey and a step by step how-to follow and succeed at your dream. Available on Amazon and wherever books are sold.  Audio production:Jimmy RavenscroftKymera Films Connect with Kate:https://www.katetaylor.comhttps://www.instagram.com/katetaylorofficial/ Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFacebook - www.facebook.com/followyourdreampodcastEmail Robert - robert@followyourdreampodcast.comYouTubeLinkedIn Listen to the Follow Your Dream Podcast on these podcast platforms:CastBoxSpotifyApple Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comInstagramPGS Store - www.thePGSstore.comYouTubeFacebook - www.facebook.com/projectgrandslamSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Jeremy Clyde was half of the iconic ‘60s duo Chad & Jeremy. They had several big hits during the British Invasion era of the 1960s including “Yesterday's Gone” and “A Summer Song”. They made guest appearances on the Dick Van Dyke Show, the Patty Duke Show and Batman. Jeremy became a film and stage actor and has appeared in several Broadway productions. And in recent years he has been touring with Peter Asher of Peter & Gordon fame. We discuss all of this and we do a Songfest too.My featured song is “I Wanna Be Your Girl” from the East Side Sessions album by my band Project Grand Slam. Spotify link here.“Dream With Robert”. Click here.If you enjoyed the show, please Subscribe, Rate, and Review. Just Click Here.—----------------------------------------Jeremy and I discuss the following:Folk Rock counterpoint to the hard rock British Invasion bandsDiscovered by John Barry“Yesterday's Gone” - 1963 UK hitJuke Box Jury “A Summer Song” - 1964Hollywood Palace showBeverly Wilshire Hotel wedding incidentBritish Invasion eraGetting a lift from Paul McCartney and Peter AsherTouring with Peter AsherBottom Drawer songs Songfest:“Yesterday's Gone”“A Summer Song”“Paxton Quigley's Had The Course”“For A While There”“BOBBY M AND THE PAISLEY PARADE” is Robert's new album. Featuring 10 songs and guest appearances by John Helliwell (Supertramp), Tony Carey (Rainbow) and international sitar sensation Deobrat Mishra. Produced by Tony Carey. Called "ALBUM OF THE YEAR!" by Indie Shark and “One of the great rock sets of the year!” by Big Celebrity Buzz. "Catchy and engaging with great tunes!" - Steve Hackett (Genesis)"This album has life and soul!" - John Helliwell (Supertramp)"Bobby M rocks!" - Gary Puckett (Union Gap)"Nice cool bluesy album!" - Jim McCarty (The Yardbirds)"Robert really really really rocks!" - Peter Yarrow (Peter Paul & Mary)"Great songs. Great performances. It's a smash!" - David Libert (The Happenings)Click here for all streaming links. Download here.OTHER RELEASES BY ROBERT AND PROJECT GRAND SLAM:“LIVE AT STEELSTACKS” is the 5-song EP by Robert and his band, Project Grand Slam. The release captures the band at the top of their game and shows off the breadth, scope and sound of the band. The EP has been highly praised by musicians and reviewers alike. “Captivating!” Elliott Randall (Steely Dan) “PGS burns down the house!” Tony Carey (Rainbow)“Full of life!” Alan Hewitt (The Moody Blues) “Virtuoso musicians!” (Melody Maker) “Such a great band!” (Hollywood Digest) The album can be streamed on Spotify, Amazon, Apple and all the other streaming platforms, and can be downloaded at The PGS Store.“ALL OF THE TIME” is Robert's single by his band Project Grand Slam. It's a playful, whimsical love song that's light and airy and exudes the happiness and joy of being in love. “Pure bliss…An intimate sound with abundant melodic riches!” Melody Maker/5 Stars) “Ecstasy…One of the best all-around bands working today!” (Pop Icon/5 Stars) “Excellence…A band in full command of their powers!” (Mob York City)Watch the video here. You can stream “All Of The Time” on Spotify, Apple or any of the other streaming platforms. And you can download it here.“THE SHAKESPEARE CONCERT” is the album by Robert's band, Project Grand Slam, recorded "live" in the studio. It's been praised by Mark Farner (Grand Funk Railroad), Jim Peterik (Ides Of March), Joey Dee (Peppermint Twist), Elliott Randall (Steely Dan) and Sarah Class (British composer). Reviews: “Perfection!”, “5 Stars!”, “Thrilling!”, and “A Masterpiece!”. The album can be streamed on Spotify, Apple and all the other streaming services. You can watch the Highlight Reel HERE. And you can purchase a digital download or autographed CD of the album HERE. “THE FALL OF WINTER” is Robert's single in collaboration with legendary rocker Jim Peterik of the Ides Of March and formerly with Survivor. Also featuring renowned guitarist Elliott Randall (Steely Dan/Doobie Brothers) and keyboard ace Tony Carey (Joe Cocker/Eric Burden). “A triumph!” (The Indie Source). “Flexes Real Rock Muscle!” (Celebrity Zone). Stream it on Spotify or Apple. Watch the lyric video here. Download it here.FOLLOW YOUR DREAM HANDBOOK is Robert's Amazon #1 Bestseller. It's a combination memoir of his unique musical journey and a step by step how-to follow and succeed at your dream. Available on Amazon and wherever books are sold.  Audio production:Jimmy RavenscroftKymera Films Connect with Jeremy:http://www.jeremyclyde.comhttp://www.bottom drawer sessions.comhttps://www.facebook.com/chadandjeremyhttps://www.facebook.com/bottomdrawersessions Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFacebook - www.facebook.com/followyourdreampodcastEmail Robert - robert@followyourdreampodcast.comYouTubeLinkedIn Listen to the Follow Your Dream Podcast on these podcast platforms:CastBoxSpotifyApple Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comInstagramPGS Store - www.thePGSstore.comYouTubeFacebook - www.facebook.com/projectgrandslamSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

In this episode we welcome the truly legendary Pamela Des Barres, all the way from her native San Fernando Valley, and invite her to reminisce about the all-girl GTOs, Frank Zappa, Lowell George... and plenty more besides. The bestselling author of 1987's groupie confessional I'm With The Band describes how she entered the Laurel Canyon orbit of ringmaster Zappa, and how the motley troupe he christened Girls Together Outrageously came into being. The former Miss Pamela talks about her fellow "Misses" Mercy and Christine, then describes the sessions for the group's unruly 1969 classic Permanent Damage. This leads on to a discussion of the Groupie phenomenon and its problematic nature in the #MeToo era. In passing, we hear about Rodney Bingenheimer's English Disco and 1974's Hollywood Street Revival and Trash Dance show. The somewhat different — yet not entirely unrelated — L.A. domain of the canyon singer-songwriter crowd is considered as we hear clips from co-host Barney Hoskyns' 2003 audio interview with James Taylor/Linda Ronstadt producer Peter Asher. Following discussion of Ronstadt, Joni Mitchell and their mutual paramour John David Souther, we circle back to the GTOs and the guest appearance of the late Jeff Beck on Permanent Damage. We then pay extensive tribute to Beck's eclectic genius and unique technique. We conclude with quotes from notable RBP library additions, including pieces about Bonnie Raitt recording at Bearsville, L.A. session bassist Carol Kaye and apocalyptic jazz trio Comet Is Coming. Many thanks to special guest Pamela Des Barres. Visit her website at pameladesbarresofficial.com for details of her podcast, books and more. Pieces discussed: The GTOs by Miles, A Requiem for Miss Christine, Girls Together Outrageously, Miss Mercy, Los Angeles Clubs, Rodney Bingenheimer, The GTOs live, Peter Asher audio, Jeff Beck audio, Jeff Beck by Eden, Jeff Beck by Alan Light, Jeff Beck by Kate Mossman, Bonnie Raitt, Ethel Merman, Carol Kaye, Compiling by gender and The Comet is Coming. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Rockonteurs Guy and Gary chat with Peter Asher.Singer, songwriter, manager, and producer, he is another gentleman of the swinging 60s.Half of Peter and Gordon, he was very close to The Beatles and Peter and Gordon's debut single was even a Lennon and McCartney number.As a record executive, Peter helped shape the careers of James Taylor and Linda Ronstadt to name but two. He is full of fascinating stories, and this is another genuine rockonteur. Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.

Guest host Ian Punnett and musician Peter Asher of the 1960s duo Peter & Gordon discuss his career as a singer, his Grammy award winning work as a producer with artists like James Taylor and Linda Ronstadt, and how he inspired the movie character Austin Powers.See omnystudio.com/listener for privacy information.

It's the return of in-person live audiences on Go Fact Yourself! Larry Wilmore has been seen in everything from “The Office,” “Black-ish,” “The Nightly Show,” and so much more. He'll tell us how his illustrious career as an actor started on “The Facts of Life,” where he played a Greek cop. As he's built up his body of work, he's developed a passion for conversations and (well-intentioned) disagreements. You can hear some of those on his podcast “Larry Wilmore: Black on the Air.”Denise Crosby is best known for her portrayal of Security Chief Tasha Yar on “Star Trek.” She's also known for her role on “The Walking Dead” where she played a mother… who happened to be a cannibal. She'll tell us about that and what it was like to pose for “Playboy” magazine in the 80s.Our contestants will have a trivia battle about music from across the pond and swimming down the pool!What's the Difference: CoaxWhat's the difference between “convince” and “persuade”?What's the difference between “Diet Coke” and “Coke Zero Sugar”?Areas of Expertise:Larry: Beatles lyrics, the original Star Wars trilogy, and the Showtime era of the Los Angeles Lakers.Denise: Pitbulls, the movie Airport, and how to make the perfect flip-turn at the wall while swimming.Appearing in this episode:J. Keith van StraatenHelen HongLarry WilmoreDenise CrosbyWith guest experts:Peter Asher, multiple Grammy-winning producer, guitarist and singer.Kimberly Vandenberg, Olympic medalist swimmer with team USA.Go Fact Yourself was devised and is produced by Jim Newman and J. Keith van Straaten, in collaboration with Maximum Fun. Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Associate Producer and Editor is Julian Burrell.Continuing to be vigilant about COVID by YOU!

GGACP celebrates the birthday (June 22nd) of Grammy-winning producer, British Invasion rocker and former Apple Records exec Peter Asher with this memorable interview from 2017. In this episode, Peter joins the boys for a fascinating discussion about the genius of James Taylor, the profound influence of the Everly Brothers, the rivalry between the Beach Boys and the Fab Four and the 50th anniversary of “Sgt. Pepper's Lonely Hearts Club Band.” Also, John Lennon meets Yoko Ono, Linda Ronstadt teams with Nelson Riddle, Peter and Gordon play the '64 World's Fair and Peter becomes the first person to hear "I Want to Hold Your Hand." PLUS: The genius of Spike Milligan! Gilbert sings! Jackie Gleason acts out! Peter “inspires” Austin Powers! Chad & Jeremy meet the Caped Crusaders! And a “rejected” Beatles tune lands Peter at the top of the charts! Learn more about your ad choices. Visit megaphone.fm/adchoices