Podcasts about dennis oppenheim

Helene Verin has a B.S. in Art from the University of Wisconsin at Madison and has a certificate in arts appraisal from NYU. Verin has worked for many galleries, museums as well as individual artists;  including the Museum of Contemporary Art in Chicago, Documenta (where she worked with Joseph Beuys), was the Edinburgh Arts Administrator, and worked for Dennis Oppenheim as his registrar.  She has written for FlashArt, Interview, and the Smithsonian.As an award-winning designer of shoes, rugs, wallpaper, and tiles, Verin is intimately involved with contemporary design, with a specialty in couture and accessories.  Her work has appeared in countless books and publications.  A Professor at the Fashion Institute of Technology in New York City, Verin has lectured around the world.Recognized as the expert on Beth Levine, (having written Beth Levine Shoes, (Stewart, Tabori & Chang 2009) and curated 3 exhibitions, as well as authored Arsho Baghsarian (Schiffer Fashion Press.)Verin moved to Palm Springs during Covid, May 2020.Contact Helene: helene.verin@gmail.comHelene's Instagram: https://www.instagram.com/heleneverin/?hl=enHelene's Facebook:  https://www.facebook.com/helene.verin.9Artsy Article:  https://www.artsy.net/article/artsy-editorial-sit-andy-warholLABUCQ interview: https://labucq.com/pages/helene-verinHelene's Books:"Beth Levine Shoes " (2009)https://www.amazon.com/gp/product/1584797592/ref=dbs_a_def_rwt_bibl_vppi_i0"Arsho Baghsarian: A Life in Shoes"  (2019) https://www.amazon.com/gp/product/0764357328/ref=dbs_a_def_rwt_bibl_vppi_i1Photo: Copyright Wilkinson/2022Opening and closing music courtesy the very talented Zakhar Valaha via Pixabay.To contact Wilkinson- email him at BecomingWilkinson@gmail.comNOTE: THIS IS AN INTERVIEW FROM MID 2022 WHEN MY PODCAST WAS NEW AND I DIDN'T HAVE MANY FOLLOWERS.  I'VE BEEN RE-ISSUING SOME OF THE BETTER EPISODES SO THAT MY CURRENT AUDIENCE CAN ENJOY THEM!

Helene Verin has a B.S. in Art from the University of Wisconsin at Madison and has a certificate in arts appraisal from NYU. Verin has worked for many galleries, museums as well as individual artists;  including the Museum of Contemporary Art in Chicago, Documenta (where she worked with Joseph Beuys), was the Edinburgh Arts Administrator, and worked for Dennis Oppenheim as his registrar.  She has written for FlashArt, Interview, and the Smithsonian.As an award-winning designer of shoes, rugs, wallpaper, and tiles, Verin is intimately involved with contemporary design, with a specialty in couture and accessories.  Her work has appeared in countless books and publications.  A Professor at the Fashion Institute of Technology in New York City, Verin has lectured around the world.Recognized as the expert on Beth Levine, (having written Beth Levine Shoes, (Stewart, Tabori & Chang 2009) and curated 3 exhibitions, as well as authored Arsho Baghsarian (Schiffer Fashion Press.)Verin moved to Palm Springs during Covid, May 2020.Contact Helene: helene.verin@gmail.comHelene's Instagram: https://www.instagram.com/heleneverin/?hl=enHelene's Facebook:  https://www.facebook.com/helene.verin.9Artsy Article:  https://www.artsy.net/article/artsy-editorial-sit-andy-warholLABUCQ interview: https://labucq.com/pages/helene-verinHelene's Books:"Beth Levine Shoes " (2009)https://www.amazon.com/gp/product/1584797592/ref=dbs_a_def_rwt_bibl_vppi_i0"Arsho Baghsarian: A Life in Shoes"  (2019) https://www.amazon.com/gp/product/0764357328/ref=dbs_a_def_rwt_bibl_vppi_i1Photo: Copyright Wilkinson/2022Opening and closing music courtesy the very talented Zakhar Valaha via Pixabay.To contact Wilkinson- email him at BecomingWilkinson@gmail.com

We discussed: - What it means to be a professional artist - Being rediscovered after decades - Everything influences everything - Speaking the language of things - what is art? - the art system - being a late bloomer - the need for time and distance - fleeing communism in 1981 - his connection to nature - including randomness and chance in art making - biointervention art - interspecies art - cult of personality - the algorithm - envying your younger self - viewers being impressed by tediousness - buying immortality   People + Places mentioned: Catacomb saints - https://dirtysexyhistory.com/2020/01/07/divine-inspiration-how-romes-unknown-dead-became-catacomb-saints/ James Hampton - The Throne of the Third Heaven of the Nations' Millennium General Assembly - https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897 Pavlína Morganová, Czech Action Art: Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain - https://www.amazon.com/Czech-Action-Art-Happenings-Performance/dp/802462317X National Film Archive, Czech Republic - https://nfa.cz Gallery1718 - Veronika Holcová, Pavel Hrnčíř - https://www.gallery1718.ca Roman Buxbaum Petr Rezek   People who inspired him: Jiří Kovanda Karel Miler - https://www.memoryofnations.eu/en/miler-karel-1940 Joseph Beuys - https://www.tate.org.uk/art/artists/joseph-beuys-747 Master Theodoric - https://www.malmecc.eu/master-theodoric-court-painter-of-prague/ Dennis Oppenheim - https://www.dennisaoppenheim.org Lucian Freud - https://imma.ie/artists/lucian-freud/ Eva Hesse - https://www.tate.org.uk/art/artists/eva-hesse-1280   Contemporary artist whom he likes: Terry Hoff - http://www.terryhoff.com Ben Schumacher - https://www.saatchigallery.com/artist/ben_schumacher   where to look to see his art: http://lumir.ca http://corridor213.ca http://nevan.gallery http://darrengallery.com   Hosted by Matthew Dols http://www.matthewdols.com   Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org             and we appreciate the assistance of our partners in this project: Hunt Kastner - https://huntkastner.com Kunstsentrene i Norge - https://www.kunstsentrene.no               Transcript available: https://wisefoolpod.com/transcript-for-episode-162-action-multimedia-artist-lumir-hladik-canada-czech-republic/

We discussed: - What it means to be a professional artist - Being rediscovered after decades - Everything influences everything - Speaking the language of things - what is art? - the art system - being a late bloomer - the need for time and distance - fleeing communism in 1981 - his connection to nature - including randomness and chance in art making - biointervention art - interspecies art - cult of personality - the algorithm - envying your younger self - viewers being impressed by tediousness - buying immortality   People + Places mentioned: Catacomb saints - https://dirtysexyhistory.com/2020/01/07/divine-inspiration-how-romes-unknown-dead-became-catacomb-saints/ James Hampton - The Throne of the Third Heaven of the Nations' Millennium General Assembly - https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897 Pavlína Morganová, Czech Action Art: Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain - https://www.amazon.com/Czech-Action-Art-Happenings-Performance/dp/802462317X National Film Archive, Czech Republic - https://nfa.cz Gallery1718 - Veronika Holcová, Pavel Hrnčíř - https://www.gallery1718.ca Roman Buxbaum Petr Rezek   People who inspired him: Jiří Kovanda Karel Miler - https://www.memoryofnations.eu/en/miler-karel-1940 Joseph Beuys - https://www.tate.org.uk/art/artists/joseph-beuys-747 Master Theodoric - https://www.malmecc.eu/master-theodoric-court-painter-of-prague/ Dennis Oppenheim - https://www.dennisaoppenheim.org Lucian Freud - https://imma.ie/artists/lucian-freud/ Eva Hesse - https://www.tate.org.uk/art/artists/eva-hesse-1280   Contemporary artist whom he likes: Terry Hoff - http://www.terryhoff.com Ben Schumacher - https://www.saatchigallery.com/artist/ben_schumacher   where to look to see his art: http://lumir.ca http://corridor213.ca http://nevan.gallery http://darrengallery.com   Hosted by Matthew Dols http://matthewdols.com Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org and we appreciate the assistance of our partners in this project: Hunt Kastner – https://huntkastner.com Kunstsentrene i Norge – https://www.kunstsentrene.no   Transcript available: http://wisefoolpod.com/transcript-for-episode-162-action-multimedia-artist-lumir-hladik-canada-czech-republic/

During our conversation in her Berlin gallery, we covered: The first art market in Cologne, Germany (Art in a market), Artsy, The intention of art, The buying of art is like dating, You want to meet a piece of art before buying it, like dating, The prestige of buying art, Money is a vampire, The importance of art fairs, Consistency in an artist's career, the difficult idea of following trends, the desire to be a trendsetter rather than a trend follower, The fact that art expresses much the same thing throughout history, the difference is what technology is used to express the concept, Being humble, if there is there a need to buy more art, That the majority of the art market is based on investment rather than love for the artwork, Exclusivity sells artwork (exclusive clients, exclusive galleries and exclusive artists), Anti-establishment artists becoming the establishment, Something subtle is not seen in the contemporary art market, and the importance of the 'story of' the artwork. http://galeriesusannealbrecht.de   About Susanne Albrecht studied philosophy, art history, and Italian philology at the Freie Universität Berlin and Ludwig-Maximilians-Universität Munich, where she graduated in 1984 with an MA. She opened her gallery in Munich in 1986, and in 2009 she moved it to Berlin, where she now lives and works. She started her gallery with a focus on the current American art of the 1980s, showing artists like Jonathan Borofsky, Donald Baechler, Joel Fisher, Glenn Goldberg, Peter Halley, Tishan Hsu, Allan McCollum, and Saint-Clair Cemin. In addition, the gallery held exhibitions with works by Dennis Oppenheim, Julian Opie, Martin Parr, TomWood, and Antanas Sutkus. In 2000, Susanne Albrecht started regularly showing artists from China and Japan, and since 2010, she has been exhibiting the painter Huang Yuan Qing. The gallery's focus is on the classic media of painting, photography, drawing and sculpture. In her work as a gallerist, Susanne Albrecht's motto is, "Art always stays young". Works of art from past epochs can today be as vibrant as more contemporary ones. With changing times, the forms may change, but not the content. Susanne Albrecht is a member of the Federal Association of German Galleries (BVDG). Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com

During our conversation in her Berlin gallery, we covered: The first art market in Cologne, Germany (Art in a market), Artsy, The intention of art, The buying of art is like dating, You want to meet a piece of art before buying it, like dating, The prestige of buying art, Money is a vampire, The importance of art fairs, Consistency in an artist's career, the difficult idea of following trends, the desire to be a trendsetter rather than a trend follower, The fact that art expresses much the same thing throughout history, the difference is what technology is used to express the concept, Being humble, if there is there a need to buy more art, That the majority of the art market is based on investment rather than love for the artwork, Exclusivity sells artwork (exclusive clients, exclusive galleries and exclusive artists), Anti-establishment artists becoming the establishment, Something subtle is not seen in the contemporary art market, and the importance of the 'story of' the artwork. http://galeriesusannealbrecht.de   About Susanne Albrecht studied philosophy, art history, and Italian philology at the Freie Universität Berlin and Ludwig-Maximilians-Universität Munich, where she graduated in 1984 with an MA. She opened her gallery in Munich in 1986, and in 2009 she moved it to Berlin, where she now lives and works. She started her gallery with a focus on the current American art of the 1980s, showing artists like Jonathan Borofsky, Donald Baechler, Joel Fisher, Glenn Goldberg, Peter Halley, Tishan Hsu, Allan McCollum, and Saint-Clair Cemin. In addition, the gallery held exhibitions with works by Dennis Oppenheim, Julian Opie, Martin Parr, TomWood, and Antanas Sutkus. In 2000, Susanne Albrecht started regularly showing artists from China and Japan, and since 2010, she has been exhibiting the painter Huang Yuan Qing. The gallery's focus is on the classic media of painting, photography, drawing and sculpture. In her work as a gallerist, Susanne Albrecht's motto is, "Art always stays young". Works of art from past epochs can today be as vibrant as more contemporary ones. With changing times, the forms may change, but not the content. Susanne Albrecht is a member of the Federal Association of German Galleries (BVDG). Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com

The highlight of episode 67 — which is a wander through the catalogue of Telephone Explosion Records — is Chandra. Chandra is the daughter of the late conceptual artist Dennis Oppenheim, and has been frequently included in his works. As a young girl she has been immediately exposed to artists like Steve Reich, Gordon Matta-Clark and Philip Glass (known to the family as Phil). Aged eight, she was delivering performance pieces at the Kitchen, the infamous downtown arts space; by 12 she was the leader of the post-punk band Chandra. Now she continues to tour the music of Chandra with new band members. Schedule permitting, her 11-year-old daughter sometimes performs with them. The episode features: Charles Ditto, Fist Of Facts, Teenanger, Chandra, Bruce Haack, Freak Heat Waves, Moss Lime, Bob Bell, Badge Époque Ensemble, Melodic Energy Commission, Chandra and Deliluh.

Introduction by Amy Rosenblum Martín, Independent Curator and Educator, Guggenheim DIS (est. 2010) is a New York-based collective composed of Lauren Boyle, Solomon Chase, Marco Roso, and David Toro. Its cultural interventions are manifest across a range of media and platforms, from site-specific museum and gallery exhibitions to ongoing online projects. In 2018 the collective transitioned platforms from an online magazine, dismagazine.com, to a video streaming edutainment platform, dis.art, narrowing in on the future of education and entertainment. DIS Magazine (2010-2017); DISimages (2013), DISown (2014), Curators of the 9th Berlin Biennale for Contemporary Art, The Present in Drag (2016); DIS.art (2018–); Exhibited and organized shows at the de Young Museum, San Francisco; La Casa Encendida, Madrid; Plug In Institute of Contemporary Art, Winnipeg; Baltimore Museum of Art; and Project Native Informant, London. DIS has also been included in group exhibitions at MoMA PS1, Museum of Modern Art, and the New Museum all in New York; and Musée d’Art Moderne de la Ville de Paris; ICA Boston; Museum of Contemporary Art Chicago; and Kunsthal Charlottenborg, Copenhagen, among others. The material presented by DIS today is the result of a change in attitude towards the present and aims to meet the demands of contemporary social, political, and economic complexity at eye level. Introducer Amy Rosenblum Martín is a bilingual (English/Spanish) curator of contemporary art, committed to equity and community engagement. Formerly a staff curator at the Pérez Art Museum Miami (when it was MAM) and The Bronx Museum, she has also organized exhibitions, written and/or lectured independently for la Colección Patricia Phelps de Cisneros, MoMA, The Metropolitan, MACBA in Barcelona, the Reina Sofía, and Kunsthaus Bregenz as well as the Sugar Hill Children’s Museum. Her 20 years of interdepartmental museum work include 10 years at the Guggenheim. Rosenblum Martín’s expertise is in Latin America, focusing on transhistorical connections among Buenos Aires, Montevideo, Rio de Janeiro, São Paulo, Caracas, Havana, Miami, and New York. She has worked with Janine Antoni, Lothar Baumgarten, Guy Ben-Ner, Janet Cardiff, Eloísa Cartonera, Consuelo Castañeda, Lygia Clark, Willie Cole, Jeannette Ehlers, Teresita Fernández, Naomi Fisher, Marlon Griffith, Lucio Fontana, Dara Friedman, Luis Gispert, Felix Gonzalez-Torres, Adler Guerrier, Ann Hamilton, Quisqueya Henríquez, Leslie Hewitt, Nadia Huggins, Deborah Jack, Seydou Keita, Gyula Kosice, Matthieu Laurette, Miguel Luciano, Gordon Matta-Clark, Ana Mendieta, Antoni Miralda, Marisa Morán Jahn, Glexis Novoa, Hélio Oiticica, Dennis Oppenheim, Nam June Paik, Manuel Piña, Miguel Angel Ríos, Bert Rodriguez, Marco Roso, Nancy Rubins, George Sánchez-Calderón, Beatriz Santiago Muñoz, Tomás Saraceno, Karin Schneider, Regina Silveira, Lorna Simpson, Valeska Soares, Javier Tellez, Joaquín Torres García, and Fred Wilson, among many other remarkable artists.

Lisa Le Feuvre is a curator, writer, editor and public speaker. Since 2010 she has led the Henry Moore Institute, a centre for the study of sculpture. Committed to communicating and testing ideas, she has curated exhibitions in museums and galleries across Europe, worked as an educator in cultural institutions and universities across the world, with her writing published in international publications and journals. Currently she is researching the relationship between sculpture and prosthetics for a publication. This year at the Henry Moore Institute she has commissioned Aleksandra Domanović to develop a new body of sculpture, and is bringing to fruition an exhibition dedicated to Jirō Takamatsu. Henry Moore Institute: ignition of Dennis Oppenheim's firework sculpture 'Mind Less Mind' (1975) in 2013 Henry Moore Institute: Rebecca Warren's 'Man and the dark' being installed, 2016

Dennis Oppenheim, Table Piece, 1975. Collection Fondation Cartier pour l'art contemporain, acquisition 1996. Présenté par Grazia Quaroni, Conservateur à la Fondation Cartier pour l'art contemporain.

Looking back on the 1950s, artist Dennis Oppenheim talks about Abstract Expressionism as a sort of "scientific pursuit" that was solitary and esoteric. It was pure fine art, created in a studio, as opposed to sculptors making public art in the real world. In this excerpt from an interview conducted in 2009 for the Archives of American Art, Oppenheim talks about the tensions between what he calls "pure studio art" and public art. This interview was funded by the Terra Foundation for American Art.

Dennis Oppenheim's practice includes actions, performances, installations, sculptures, film and architecture. Seminal early works include a field harvested in the form of an X, Cancelled Crop (1969), and Reading Position for Second Degree Burn (1970), a p