Podcast appearances and mentions of Martin Parr

Send us a textIn this episode of Street Life, we dive deep into the world of street photography with the incredibly talented Bragdon Brothers, Gavin and Gareth. We explore the unique journey of these two brothers who have dedicated over a decade to capturing the essence of urban life through their lens.Gavin and Gareth share their fascinating backstory, revealing how they both stumbled into photography after initially pursuing music. Their journey began in Edinburgh, where they discovered street photography through a documentary that highlighted iconic photographers like Henry Cartier-Bresson and Martin Parr. This revelation sparked their passion for capturing spontaneous moments in their everyday surroundings.The brothers discuss their creative process, emphasising how they often shoot together, despite the challenges posed by Gareth's health issues. We delve into their distinctive style, characterised by surreal use of flash, shadow, and blur, which they developed as a response to the often grey and dark environment of Edinburgh. They recount how a simple thrift store flash gun led to a breakthrough image that garnered positive feedback and set them on their current path.Throughout the conversation, we touch on the importance of local influences in their work, highlighting how fellow photographers in Edinburgh inspired their approach. They also candidly discuss the challenges of working together as brothers, the dynamics of their creative partnership, and how they navigate disagreements without letting them affect their relationship.The episode takes a poignant turn as Gareth opens up about his battle with Lyme disease, which has significantly impacted his life and photography. He shares how the passion for photography has provided him with a sense of purpose and a way to cope with his health struggles. Join us for this inspiring episode filled with laughter, heartfelt stories, and a deep appreciation for the art of street photography. Whether you're a seasoned photographer or just starting out, Gavin and Gareth's journey is sure to resonate and inspire you to capture the world around you.WEBSITE | INSTAGRAMFollow us on Instagram and leave us a review!

'It must be so'Sérgio Mendes, George Carlin, Maighread & Tríona Ní Dhomhnaill, Viviane Audet, Martin Parr, Willy Chirino, Sly & The Family Stone, Julia Galef, Zager & Evans, Lisa O'Neil, Kazou Ishiguro, David Byrne & Balanescu Quartet, Lynne Boddy, Rubén González

Ferdinando Scianna"Mare Magnum"Da Ferdinando Scianna a Martin Parr. I fotografi Magnum e le spiaggeFerdinando Scianna, Riccione, 1989Fino al 05 Ottobre 2025Riccione | RiminiLuogo: Villa MussoliniCatalogo mostra: Silvana EditorialeCuratore: Andréa Holzherrhttp://www.civita.art“Da fotografo è soprattutto questo che mi ha affascinato delle spiagge: la vanità, l'esibizione, lo specchio sociale, le relazioni umane, la volgarità, il gioco dei corpi, il rito di massa. Ho fotografato spiagge dappertutto: lo spettacolo era sempre assicurato.” Ferdinando SciannaIl mare e la spiaggia, simboli di evasione e libertà, si trasformano in palcoscenico per una straordinaria nuova e inedita mostra fotografica: MARE MAGNUM. Da Ferdinando Scianna a Martin Parr. I fotografi Magnum e le spiagge, che sarà allestita dal 19 aprile al 5 ottobre 2025 negli spazi espositivi di Villa Mussolini, a Riccione.Curata da Andréa Holzherr, organizzatrice di progetti espostivi internazionali e responsabile della promozione dell'Archivio Magnum, la mostra presenta le opere di otto grandi fotografi dell'agenzia Magnum Photos: Ferdinando Scianna, Bruno Barbey, Bruce Gilden, Harry Gruyaert, Trent Parke, Olivia Arthur, Newsha Tavakolian e Martin Parr.Attraverso gli obiettivi di questi grandi maestri della fotografia internazionale, il pubblico potrà esplorare le molteplici sfaccettature della vita in spiaggia: momenti di felicità e gioco si alternano a istanti di isolamento e riflessione, dando vita a un racconto visivo che svela la condizione umana in uno scenario universale.Riccione, che ha già ospitato in questi ultimi anni le mostre di alcuni dei più grandi maestri della fotografia, da Elliott Erwitt a Steve McCurry, da Robert Capa a André Kertesz e Henry Lartigue, diventa oggi il crocevia ideale di queste visioni, il luogo in cui le spiagge di tutto il mondo, ritratte dai fotografi Magnum, trovano una nuova e suggestiva dimensione. Qui, in questa mostra, i mari lontani dialogano con il mare Adriatico, le immagini raccolte in angoli diversi del pianeta si intrecciano con la storia e l'identità di una città che da sempre vive il rapporto con il mare come elemento essenziale della sua cultura. Con Mare Magnum, Riccione si trasforma in un crocevia culturale, dove le fotografie dei più grandi maestri della Magnum fissano per sempre le suggestioni, le contraddizioni e la bellezza delle spiagge di tutto il mondo. Non è un caso che la città abbia scelto di candidare la propria spiaggia a Patrimonio Immateriale dell'UNESCO: la sua tradizione di accoglienza e condivisione rende questo il contesto ideale per un racconto visivo che attraversa luoghi, epoche e sensibilità diverse, trovando qui una sintesi unica e significativa. Riccione, la Perla Verde dell'Adriatico, è da sempre crocevia di sguardi e suggestioni, e proprio qui, in questo luogo dove il mare ha una sua intimità profonda e accogliente – quel Mare Adriatico che Predrag Matvejević ha definito il mare dell'intimità – prende vita Mare Magnum, una mostra che trova in questo contesto il suo respiro più autentico. Perché se ogni spiaggia racconta una storia, è a Riccione che queste storie si incontrano, si fondono e si rivelano in tutta la loro potenza espressiva.La genesi di questa esposizione nasce da un dialogo creativo tra il Comune di Riccione, Civita Mostre e Musei, Magnum Photos e Rjma Progetti Culturali, un incontro di visioni che ha permesso di portare a Riccione un progetto espositivo unico e ambizioso. Mare Magnum si inserisce perfettamente nel tessuto di questa città, che da sempre intreccia il suo legame con il mare e la sua capacità di accogliere storie provenienti da ogni angolo del mondo. La fotografia, in questo contesto, diventa uno strumento privilegiato per esplorare le molteplici sfumature della vita in spiaggia, attraverso un racconto visivo che non conosce confini.Il mare non è solo un orizzonte geografico, ma una dimensione che appartiene all'anima. Come scrive l'autore romagnolo Fabio Fiori, «la spiaggia è un diario di sabbia su cui ogni onda scrive e cancella storie», un luogo di continua trasformazione dove ogni passaggio lascia traccia e, al contempo, si rinnova, come la risacca che modella incessantemente la riva. È proprio questo respiro, fatto di attimi fugaci e gesti che la fotografia riesce a rendere eterni, a nutrire l'esposizione. Le immagini raccolte dai grandi maestri della Magnum creano un legame profondo con l'immaginario di Riccione, facendo di questa mostra una riflessione universale sulla condizione umana, raccontata attraverso il paesaggio marino e la sua ineluttabile capacità di trasformare ogni incontro in una storia unica e irripetibile.La mostra prende vita in un luogo emblematico, Villa Mussolini, un punto di osservazione privilegiato sul mare, che, con la sua posizione, permette di godere della vista su quello che è considerato uno dei più bei terrazzi sull'Adriatico, creando una perfetta sintonia con l'anima della mostra e il legame che la città ha da sempre con il mare.La spiaggia è da tempo un soggetto interessante nella fotografia, in quanto palcoscenico perfetto per la grande “commedia umana”, che si riflette nel mare, eterno e impassibile. Sotto un vasto cielo indifferente, le persone vanno e vengono come attori di uno spettacolo senza fine. Quello che i fotografi trovano sulla spiaggia è il genere di spontaneità, libertà ed emozioni intense che raramente si possono trovare altrove. La spiaggia spoglia le persone, sia fisicamente che psicologicamente, dei normali strati di vita quotidiana. Quando ci si toglie i vestiti, ci si libera anche di alcune inibizioni sociali.Nel corso della storia, i fotografi di Magnum hanno catturato la spiaggia in modi sorprendentemente diversi, riflettendo sia i momenti culturali che le esperienze umane senza tempo. Che sia a colori o in bianco e nero, che ritragga gioia, solitudine o la sublime potenza della natura, la fotografia di spiaggia continua a essere un tema ricco ed evocativo, invitando gli spettatori a vedere la riva non solo come una destinazione, ma come una tela per l'espressione visiva.La mostra è promossa dal Comune di Riccione, con il patrocinio della Regione Emilia - Romagna e organizzata da Civita Mostre e Musei in collaborazione con Magnum Photos e Rjma Progetti Culturali.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Send us a textMartin Parr opens a window into his extraordinary five-decade career documenting the eccentricities of British life and leisure, revealing the philosophy that has made him one of the world's most celebrated documentary photographers.Taking us behind his lens, Parr shares how finding himself "in the right place at the right time" led to his breakthrough project "The Last Resort" in New Brighton during the 1980s – a collection so enduring it's now in its seventh edition. With refreshing candor, he confesses that most of his photographs are "rubbish" and considers himself fortunate to capture ten good images annually, highlighting the relentless pursuit of quality that defines true mastery.Parr's unique ability to create photographs that provoke "ambiguous emotional reactions" – where viewers "are unsure whether to laugh or cry" – reveals the subtle power of his documentary approach. While acknowledging criticism of his work, his substantial following (700,000+ Instagram followers) and exhibitions in prestigious institutions worldwide, including the Tate, Pompidou Centre, and Museum of Modern Art, confirm his profound impact on contemporary photography.Beyond his personal achievements, Parr's commitment to preserving photographic heritage shines through his foundation, which houses not only his extensive archive but also collections from other British documentary photographers, alongside approximately 5,000 photography books. This cultural repository, combined with his mentorship of emerging talent, ensures his influence will extend far beyond his own remarkable body of work.What truly emerges from this conversation is Parr's infectious enthusiasm for finding magical moments in mundane settings. "I'm happiest in a cliché," he admits, revealing how church village fetes and seaside holidays become portals to understanding British identity through his discerning eye. His legacy? "The folio of photos I've built up – an archive of my time in Britain over the last 50 years." A cultural treasure capturing our shared history one extraordinary ordinary moment at a time.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

As Germany’s upper house of parliament approves a constitutional change to allow a huge increase in spending for the country’s defence and infrastructure needs, Monocle’s senior news editor, Chris Cermak, joins Emma Nelson to explain how significant this bill is. Plus: global travel is plunged into chaos as Heathrow shuts down, South Africa’s ambassador to the US heads home, the new Martin Parr documentary and urbanism news. See omnystudio.com/listener for privacy information.

To get the Shoot to the Top Podcast in your inbox every week to ensure you don't miss an episode,⁠⁠⁠⁠click here ⁠⁠⁠⁠Join the⁠⁠⁠⁠Shoot to the Top Facebook⁠⁠⁠⁠ group to meet fellow photographers, guests and Sam and MarcusMarcus says street photography is about capturing incidentshappening around you. He also says there is so much to learn from street photography that all photographers should be doing it. He says the need to work at the moment as you see things is perfect training for other types of photography.EquipmentA street photographer needs to be mobile and discrete. So, no huge camera bags. A camera and a lens or two. He says the lens should be 50mm or wide angle, and the photographer then needs to be close and involved with their subjects. Somestreet photographers use flash for street photography.Location Marcus says it needs to be where people gather. Otherwise, it's landscape photography.Martin Parr photographs in gas stations, country fairs and other places. Tony Ray Jonesisanother street photographer. He photographed a lot of beach towns on the East coast of Yorkshire.HowMarcus says you need to be invisible as a street photographer.Marcus says one approach is “shooting from the hip”. So, having the camera by your waist. Marcus also thinks pre-focussing also helps.  Marcus says misdirection is another approach. He says to get your camera out walk towards them, but photograph off to the side. But with a wide-angle lens, they are still in the shot, but it doesn't look like you are photographing them. The third option is simply to ask people's permission to photograph them. They will very often say yes. Sam asks about the issue of photographing people without their permission. Marcussays the law is on your side as a street photographer taking photographs.Marcus's final approach is called “pick a spot” This approach is to find a photographic location and wait there for people to go past. What are you looking for?To start with, take some photographs. It doesn't matter what, just warm up. Then, you are looking for people interacting with each other. People interact with the background or environment.To get the Shoot to the Top Podcast in your inbox every week to ensure you don't miss an episode,⁠⁠⁠⁠click here ⁠⁠⁠⁠Join the⁠⁠⁠⁠Shoot to the Top Facebook⁠⁠⁠⁠ group to meet fellow photographers, guests and Sam and Marcus

durée : 00:03:31 - Le Regard culturel - par : Lucile Commeaux - Dans un documentaire intitulé "I Am Martin Parr", disponible sur France TV et qui sortira bientôt au cinéma, le réalisateur Lee Shulman dresse un portrait précis et affectueux du grand photographe britannique.

Abonnez-vous à ma Newsletter-> Newsletter les Voix de la Photo-> Il s'agit d'une rediffusion d'un épisode posté en 21 décembre 2022.Cet épisode avec le directeur de la Maison Européenne de la Photographie, Simon Baker est le premier épisode avec un focus sur le Japon. Avec Simon, nous avons abordé sa carrière d'historien et d'enseignant, puis ses années à la Tate Modern au département Photographies et Art International et son rôle à la MEP. Nous avons abordé les évolutions du milieu de la photographie : en particulier le fait que les artistes se définissent de moins en moins par le médium, mais plutôt par leurs engagements, mais aussi l'importance des institutions d'avoir une programmation et des collections représentatives des diversités. Il revient sur sa relation avec la photographie japonaise à travers sa rencontre avec les livres photos japonais via la collection de livres photo de Martin Parr, l'exposition Daido Moriyama et William Klein à la Tate Modern et le réseau qu'il s'est construit au Japon (la Galerie Taka Ishii, le galeriste et éditeur Akio Nagasawa, Tomo Kosuga (Fondation Fukase)… Bonne écoute !01'30 – Sa formation universitaire avec une spécialisation dans le mouvement surréaliste, l'enseignement en histoire de l'art et conservateur puis responsable du département Photographies et Art international à la Tate Modern.6'30 – Ce qui est spécifique à la MEP : une des plus grandes collections photo après les années 50 en France (25 000 tirages) et c'est la première institution dédiée à la photographie en France.08'20 – L'ADN de la MEP a changé. On y montre encore des artistes vivants ou ceux qui n'ont pas été montrés à Paris, mais c'est aussi importance de montrer des identités différentes, des pays et approches différentes et d'être un lieu d'accueil pour une grande diversité. Aussi, maintenant les artistes se définissent moins par le médium que par leurs engagements.13' – Le métier de directeur de musée est un rôle de coordination entre les différents services et la relation avec les mécènes et la ville.17'45 – Sa relation avec la photographie japonaise a commencé quand il est arrivé à la Tate en tant que spécialiste des années 20-30. Il a commencé à travailler sur l'acquisition de la bibliothèque de livres photo de Martin Parr et Martin Parr lui a dit que les photographes japonais ont été très influencés par William Klein. Il a travaillé sur une expo Daido Moriyama/William Klein à la Tate Modern.25'30 – Son conseil pour découvrir la photographie japonaise est de consulter des livres photos comme par exemple History of the photobook de Martin Parr ou Les mémoires d'un chien de Daido Moriyama chez Delpire and co. Avant c'était impossible, car les livres n'étaient pas traduits.34' - L'histoire de la photographie est très masculine, mais la photographie devient une activité féminine. Les étudiantes sont majoritairement des femmes, donc les jeunes artistes montrés sont aussi majoritairement des femmes. 45'15 – Une des grandes difficultés qu'il note est qu'il est difficile qu'un livre photo soit visible dans un contexte de surproduction de livres photo. Il faut donc être conscient qu'il y a beaucoup de production et avoir un point de vue différent. Pour devenir partenaire du podcast : https://bit.ly/sponsoriserLVDLPPour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterLe site du podcast : https://lesvoixdelaphoto.fr/Et vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphotoLes Voix de la Photo est un podcast produit et réalisé par Marine Lefort. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Helge Skodvin er en fotograf født og basert i Bergen, Norge. Han jobber for magasiner, aviser, forlag, kommersielle kunder samt langsiktige personlige prosjekter. Skodvin jobber hovedsakelig i dokumentarsjangeren med en sterk og særegen visuell stil.Han har laget fire fotobøker og boken hans 240 Landscapes ble kåret til verdens beste i 2015, av fotograf, og fotobokkritiker og guru, Martin Parr.Skodvin er nominert til Leica Oskar Barnack Award og Magnum Photography Award. Han har vunnet en rekke priser ved kåringen av Årets bilde i Norge. Han er en hengiven tilhenger av Liverpool FC, og han liker kaffen svart med to sukkerarter. Hosted on Acast. See acast.com/privacy for more information.

Wenn man auf Reisen tausende Fotos macht und sie niemandem zeigt, sind sie irgendwann vergessen, sagt die Fotografin und Instagrammerin Helin Bereket. In vielen ihrer Fotos und Videos ist oft ein witziges und selbstironisches Moment zu finden. Helin wurde in Istanbul geboren und kam 2008 nach Berlin, wo sie seitdem lebt. Ihre Leidenschaft für die Fotografie hat sie eher zufällig entdeckt. An Instagram hat sie begeistert, dass sie dort ihre Reisefotos zeigen kann. Wie Instagram das Fotografieren beeinflusst, ist eines der Themen in dieser Folge von „Nicht im Netz“. Helin und Jörg sprechen über den Reiz des Videoformats und über Bilder, die sie inspirieren und die ihnen viel bedeuten. Du kannst dir diese Fotos auch über die Show-Notes ansehen. Ganz am Ende der Sendung verrät Jörg, wie du einen seiner Foto-Tischkalender für das nächste Jahr gewinnen kannst. Also bleib dran! Inhalt: [01:50] Wie Helin die Fotografie für sich entdeckt hat [04:10] Welche Rolle Helins Architektur-Studium für ihre Fotografie spielt [06:00] Frauen in männlich dominierten Berufsfeldern [07:41] Wie Helin zu Instagram gekommen ist [10:44] Welchen Einfluss Instagram auf die Fotografie von Helin hat(te) [13:12] Wie Helin den Video-Trend bewertet [16:50] Welche Rolle Instagram für das Selbstmarketing spielt [19:03] Weshalb Soziale Netzwerke wie Fernsehen funktionieren [20:00] Inspirierende Fotos von Martin Parr und Ivan Baan [26:37] Welche Zukunft Fotos und Videos haben

- Introduction - Welcome - What do you think of the audio podcast medium? - What does your living room look like? - Tell us about your collecting gene - The postcard surprise - What are your strangest collectibles? - Where do you put all the stuff? - Photography is just another form of collecting - What role does collecting play in your photography? - How does your knowledge of milieus influence your photography? - Martin's “Germany photography” - The roots of Martin's photography in England - The move towards color photography - Exotic locations or would you rather photograph in the “backyard”? - Martin Parr Foundation - What are your thoughts on respect? - Martin doesn't take propaganda pictures - Martin on the subject of authenticity - Martin's love of flaws and idiosyncracies - why´s that? - Topic: Publishing photo books - The “new” street photography trend - For example: Eamonn Doyle - Is it harder to be “original” today? - Has Insta democratized photography? - For example: Alec Soth - On teaching photography - How it all began (and why) - Martin and social media - Martin's rant about “film snobs” - Martin asks about the analog scene in Germany - About smartphone photography - How Martin reacts to defensive reactions - Martin's analog archive - What do you like best about the photography process? - Do you have a direct sense of whether a picture is a good one? - About undiscovered treasures in the archive - How was the yield in Baden? - About the Foundation's goal with regard to to aspiring photographers - What´s your message for next generation photogs? - A piece of advice for future photographers - How do you feel about “Martin Parr clones”? - About inspiration from other photographers - What was your inspiration to switch from B&W to color? - Are you still growing as a photographer? - The people behind the foundation - Looking back, what do you wish you had done differently? - Was the Queen a Martin Parr fan? - Do you have any favorite pictures? - Why does it still make sense to take up photography today?

Martin Parr est une légende vivante de la photographie. A travers ses photos ils nous raconte avec un œil acéré ,ET caustique, l'évolution de la société . La particularité de ses photos : des couleurs vives , et des thèmes récurrents comme le tourisme de masse et la société de consommation. Le tout toujours avec humour mais UN humour bien British ! Pour Dreamandco, Martin Parr a accepté de répondre à mes questions, l'occasion de faire connaissance avec lui et d'en savoir un peu plus sur son travail ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Festival La Gacilly Baden Photo Teil 01 Andy Scholz berichtet von dem internationalen La Gacilly Baden Photo Festival in Baden bei Wien, das jedes J

In this episode Gary Williams talks to Rahul Khona on why he chose to become a wedding photographer, on meeting Martin Parr, his love for singing and the similarities between being a photographer and a singer.  We also talk about his project The Camden Passage and why he started it.  We also talk about portraits & posing, slideshows, editing, our love for a good dopamine hit and being an ambivert. NINEDOTS 2024 - IS COMING TO MANCHESTER!12 + 13th November 2024Our speaker line up so far includes:MATTEO CARTA . LISA DEVLINSACHIN KHONA . KATE HAMPSON . DAVE SCHOLESASSUMPTA VITCU . HOLLIE MATEER . DAN MORRISANNA PUMERBook now: https://nine-dots.co/gatheringThe carefully curated schedule ensures that all photographers, new and experienced, will take lots of new skills away from the event. From live shoots, to business advice, how to book more weddings, practical tips, personal development, there really is something for everyone. For more information visit: nine-dots.co/gathering to see highlights of our past events and what we have in store for 2024! Find out about, and book your place on, the GREAT ESCAPE LUXURY RETREAT for wedding photographers. Apr 29 - May 2 2024.Join PicTime using the code 'NINEDOTS'  and new users will receive one bonus month when upgrading to any Pic-Time paid planSupport the Show.

Today, I spend time with Mike Crawford, a dynamic London photographer and master printer. For four decades he has worked with the world's most highly regarded photographers, including Martin Parr and Brian Griffin, one of the music industry's most prominent photographers. More recently, he was chosen to print hitherto unseen photographs for the celebrated late photographer Elliott Erwitt for his ‘Found, not Lost' book. As a photographer, Mike Crawford's captivating work, featuring urban landscapes and portraiture, is predominantly shot on film and crafted in the darkroom. I visit Mike on location at his company Lighthouse Darkroom, within the building that was once home to Russia's Zenit UK operation. With the arrival of August, there's a new assignment too, set this month by social and street photographer Emily Renier, one of Fujifilm's newest ambassadors. Links to all guests and features will be on the showpage, my sincere thanks to MPB.com who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Az 57. adás vendége Ajpek Orsi fotográfus, a Telex fotórovat-vezetője.Orsi kerülőúton érkezett ebbe az iparágba, korábban semmi köze nem volt a fényképezéshez, pénzügyi területen dolgozott. Az irodai munkakörnyezet azonban annyira idegen volt számára, hogy nem félt beleugrani inkább valami teljesen újba, és ez a merész döntés az egész további életét alapjaiban határozta meg. Fotós pályafutását az online magazinok korszakának hajnalán indította be, olyan helyeket dolgozott képszerkesztőként és fotóriporterként mint a terasz.hu, a zoom.hu, a Napi Gazdaság, a 168 óra, a Heti Válasz; sőt, az Origónál egy kiváló csapat mellett fotórovat-vezető is volt. A gyakori váltások időszakának az Index vetett véget, ahol végre igazi otthonra lelt, és most már több mint 10 éve dolgozik ebben az összetartó csapatban, most már mint a Telex fotórovat-vezetője. A mai adás három nagyobb részre bomlik. Elsőként megnézzük, hogyan talált rá Orsi a fotóra, miért volt bátorsága egy biztos jövővel kecsegtető szakma helyett egy ilyen kockázatos vállalkozásba fogni, és mit tanult az első munkahelyein eltöltött időből. A második részben az Indexes, majd Telexes korszakról beszélgetünk és részletesen megvizsgáljuk azt is, miről szól a fotóriporteri, illetve fotórovat-vezetői szakma. A harmadikban Orsi saját, díjnyertes anyagait vesszük górcső alá (ezeket a Magyar Sajtófotó Pályázat oldalán megtaláljátok, link alább)  és levonjuk az eddigi pályafutásának tapasztalataiból nyert következtetéseket. Jó szórakozást kívánok hozzá!.Elérhető továbbá a legtöbb ismert podcast platformon!-------------FONTOS:A wopcast-et támogathatod Patreon-on és egyszerű utalással is. .Patreon:https://www.patreon.com/wopcast.Az utalás ide érkezhet:Kocsány Kornél - CIB Bank10700495-62634067-51100005------------Ajpek Orsiról bővebben:https://www.instagram.com/orsiisnotfound/Anyagai a sajtófotón:https://sajto-foto.hu/browse/photographer/ajpek-orsolya-cy8jt------------Az Orsi által említett fotográfusok:.Martin Parr:https://www.martinparr.com/https://www.martinparrfoundation.org/https://www.magnumphotos.com/photographer/martin-parr/https://www.instagram.com/martinparrstudio/.Benkő Imrehttps://youtu.be/siRQM5rft1I?si=Ik5wgo8NOvJaSr0Hhttps://hu.wikipedia.org/wiki/Benk%C5%91_Imre_(fotogr%C3%A1fus)------------- A wopcast, a wonderzofphotography és a wonderzofpainting: https://www.facebook.com/wopcastforlife https://www.facebook.com/wonderzofphotography https://www.tiktok.com/@wonderzofphotography https://www.instagram.com/wopcast_hun https://www.instagram.com/wonderzofphotography https://www.facebook.com/wonderzofpainting https://www.instagram.com/wonderzofpainting ------------- Ha bármi kérdésetek, kérésetek lenne, keressetek bátran a wonderzofphotography@gmail.com emailcímen vagy közvetlenül bármelyik közösségi médián. ------------- Műsorvezető: © Kocsány Kornél https://linktr.ee/kornelkocsany Arculatfelelős: © Kocsány Ákos https://www.instagram.com/wyldebeest

In this week's edition, H finds out more about an exhibition at the Manx Museum, featuring the work of renowned photographer Martin Parr. And there's not long left to see an exhibition in the north of the Island detailing the ups and downs of Jurby.

Monocle's foreign editor, Alexis Self, checks in from the Nas Sigonella in Sicily. Then: we discuss the agenda of this weekend's Summit on Peace in Ukraine taking place in Switzerland. Plus: Monocle's Sophie Monaghan-Coombs heads to the Davide Campari Lounge at Art Basel to speak to UK photographer Martin Parr about curating the special exhibition ‘Bar Stories', which celebrates bar culture.See omnystudio.com/listener for privacy information.

Martin Parr CBE (born 23 May 1952) is a British documentary photographer, photojournalist, and photobook collector. He is known for his photographic projects, which take an intimate, satirical, and anthropological look at aspects of modern life. He particularly documents the social classes of England and, more broadly, the wealth of the Western world. Since 1994, Parr has been a member of Magnum Photos. He has published around 40 solo photobooks and been featured in around 80 exhibitions worldwide, including the international touring exhibition ParrWorld and a retrospective at the Barbican Arts Centre, London, in 2002. The Martin Parr Foundation, founded in 2014 and registered as a charity in 2015, opened premises in his hometown of Bristol in 2017. It houses his archive, his collection of British and Irish photography by other photographers, and a gallery. Martin Parr's latest book if Fashion Faux Parr. Resources Martin Parr Foundation Websites Sponsors Charcoal Book Club Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Contribute a one-time donation to the show thru Buy Me a Coffee Support the work at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Marcus talks about repetition in this show. Repetition was a core part of the five Rs show which you can listen to here. Marcus has recently been to a Martin Parr talk. What Marcus found is that Martin has done huge amounts of fashion photography, which he wasn't very aware of. Marcus explains that this is partly because he does what Marcus talked about in another recent episode alternative genres. To recap the previous episode the 5 rules of creativity in photography are Research Rules Repetition Reflection Rest   Marcus in this show focusses on repetition. Repetition splits down into three areas Learning Improving Diversifying Learning If you are learning photography, it is best to photograph things that you can go back to again and again. So something at the bottom of the garden rather that what you see on holiday. This also means you are focussing on the mundane, so you have to try to make it interesting. Marcus says take a picture, look at it reflect on it, then take it again. Keeping repeating, reflecting and learning. Marcus says this idea works just as well for more experienced photographers. Marcus thinks this is a great way to get to know your kit and getting to know shutter speeds, apertures and more.   ImprovingIf you are an improving photographer you want to go an photograph things multiple times. Thinking about varied weather, varied times of day, varied lighting conditions. Marcus says when you repeat things you are growing the connections in your brain. But it's important that critical reflection is combined with repetition. Diversifying There is a style of photography where photographers photograph something again and again in a very similar way, this is called Typology. Bernt and Hilla Becher, Thomas Struth, Lewis Baltz are all photographers who have used this. They tend to photograph a series of photos of something similar. Edward Munch's the Scream is a block print that works in a similar way. As a photography example the Bechers were photographing gas tanks over time. Years apart but from the same position and with the same weather so they are very similar shots.  

»Erst kam das Buch, dann die Ausstellung.« Zitate aus der Episode: »Ich war am Anfang sehr beeinflusst von Martin Parr, sich die Umwelt anzuschauen, als hätte man sie noch nie gesehen.« »Ich bin eine leidenschaftliche Buchmacherin geworden.« »In unserer sehr digitalisierten Welt, hat das Buch etwas bleibendes.« »Bei Ostkreuz war es immer ein großes Credo, dass wir uns auch als Autor*innen in unserer Auftragsfotografie sehen. Anne Schönharting, geboren 1973 in Meißen, studierte Fotografie am Lette-Verein Berlin und ist seit 1999 Mitglied der Agentur Ostkreuz. In ihren künstlerischen Langzeitprojekten widmet sie sich den unterschiedlichsten Themen und bewegt sich zwischen den Genres Porträt, künstlerische Dokumentarfotografie, Mode und Sozialstudie. Sie arbeitet im Auftrag für namhafte Auftraggeber und ihre Bilder wurden in nationalen und internationalen Magazinen veröffentlicht und in Institutionen ausgestellt. Sie hatte einen Lehrauftrag an der Kunsthochschule Berlin-Weißensee sowie Gastprofessuren für Fotografie an der Bauhaus-Universität in Weimar und der Muthesius Kunsthochschule in Kiel inne. Im Jahr 2020 publizierte sie bei Hartmann Books das Buch »Das Erbe«, eine Auseinandersetzung mit der kolonialen Vergangenheit ihrer Familie, für das sie unter anderem mit Gold beim Deutschen Fotobuchpreis 2020/21 ausgezeichnet wurde. Zuletzt erschien 2022, ebenfalls bei Hartmann Books, ihr Buch »Habitat«, das beim Deutschen Fotobuchpreis 2023/24 mit Bronze prämiert wurde. Anne Schönharting lebt in Berlin. Anne Schönharting – Habitat Berlin-Charlottenburg 27,5 × 35,5 cm, 160 Seiten, 85 Abbildungen Text von Inka Schube, Deutsch/Englisch Design: Stefan Stefanescu, Halbleinenband geprägt ISBN 978-3-96070-091-3 https://hartmann-books.com/produkt/anne-schoenharting-habitat/ Anne Schönharting – Das Erbe 19,5 × 24,2 cm, 154 Seiten, 94 Abb. Texte: Albert Gouaffo, Willy Klare, Johannes Odenthal, Hans Paasche, Anne Schönharting Gestaltung: Kollektiv Scrollan, Berlin Redaktion: Natascha Roshani, Oliver Gehrs, Dummy Magazin, Berlin Hardcover mit Prägung, Postkartenbeilage, Altarfalz und Ausklappseiten ISBN 978-3-96070-060-9 https://hartmann-books.com/produkt/anne-schoenharting-das-erbe/ https://anneschoenharting.com http://www.instagram.com/anneschoenharting/ http://www.ostkreuz.de ​- - - Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: privat In unseren Newsletter eintragen und regelmäßig gut informiert sein über das INTERNATIONALE FESTIVAL FOTOGRAFISCHER BILDER, den »Deutschen Fotobuchpreis« und den Podcast Fotografien Neu Denken. https://festival-fotografischer-bilder.de/newsletter/ Idee, Produktion, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020-2024. Andy Scholz wurde 1971 in Varel am Jadebusen geboren. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Design an der HBK Braunschweig und Fotografie/Fototheorie in Essen an der Folkwang Universität der Künste. Seit 2005 ist er freier Künstler, Autor sowie seit 2016 künstlerischer Leiter und Kurator vom INTERNATIONALEN FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtet er an verschiedenen Instituten, u.a. Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum, seit 2022 auch an der Pädagogischen Hochschule Ludwigsburg. Im ersten Lockdown, im Juni 2020, begann er mit dem Podcast. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ https://festival-fotografischer-bilder.de/ https://www.instagram.com/festivalfotografischerbilder/ https://deutscherfotobuchpreis.de/ https://www.instagram.com/deutscher_fotobuchpreis/ http://andyscholz.com/ https://www.instagram.com/scholzandy/

durée : 00:12:27 - L'invité de 7h50 du week-end - par : Ali Baddou, Marion L'hour - Le photographe Martin Parr, membre de l'agence international Magnum, publie un premier ouvrage consacré aux images de mode, “Fashion Faux Parr” (Phaidon).

Anton Kartavykh was born in Ukraine (when it was still part of the Soviet Union) and moved to Germany with his parents when he was nine. He grew up in both worlds, which makes up part of his vision of the world today and try's to reflect some of this in his work. At approximately 25 years of age, he accidentally fell in love with analog photography and found great inspiration in the work of the masters like Henri Cartier-Bresson, Garry Winogrand, Martin Parr and many others. Over the years he developed his own style of street photography which leans towards the classics of the genre. To this day he predominantly works in black and white adopting a hybrid analog process, developing and scanning his films at home. To see more of Anton's work, you can visit his Instagram profile by clicking on the link below... Instagram:⁠⁠⁠⁠ Anton Kartavykh (@anton_krtvkh) • Instagram photos and videos If you like what you hear, please take a moment to follow and give the show a 5 ***** rating so that I may continue to bring you more content on a regular basis. New episodes are released on Fridays. We would like to thank our sponsors for this episode, Due North Leather Goods Co. makers of the finest hand-crafted camera straps! You can see their work at... ⁠⁠⁠⁠⁠⁠⁠⁠Leather Camera Straps Shop | Buy Handmade Camera Straps – Due North Leather Goods⁠⁠⁠⁠⁠⁠⁠⁠ Please make sure to visit The Street Photography Show Instagram account where you can stay further engaged and check out the IG bio. for all links including The Film Photography Facebook Group. ⁠⁠⁠⁠⁠⁠⁠⁠The Street Photography Show (@thestreetphotographyshow) • Instagram photos and videos⁠⁠⁠⁠⁠⁠⁠⁠ Thanks so much! And remember, keep walking and keep clicking!

We explore Martin Parr's photography over the decades, his view of English society, Magnum photos, macro lenses, his sense of humor and more!

'Take spoil, make style'Duke Ellington feat. Ivie Anderson, Jerry Seinfeld, Arturo Stalteri, Ike Ufomadu, David Byrne, Eugene Mirman, Moondog, Mitch Alborn, Everything But The Girl, David Bowie, Martin Parr, Roddy Doyle, Labi Siffre, Tom Waits, Matt Taibi, Maggie & Terre Roche, John Green, Yoko Kanno, Roddy Frame, Malcom Gladwell, Dinah Lee

In episode 214:An audio clip from each of the top 10 most downloaded episodes of all time (as of September 2023).10 - Tom Craig (Episode 130)09 - Martin Parr #2 (Episode 197)08 - Tom Wood (Episode 160)07 - Todd Hido (Episode 103)06 - Chris Killip (Episode 094)05 - Paul Graham (Episode 149)04 - Alex Webb & Rebecca Norris Webb (Episode 105)03 - Stephen Shore (Episode 192)02 - Mark Steinmetz (Episode 112)01 - Martin Parr (Episode 091)And a swift tour of the Bonus Questions which all guests now answer for the member-only podcast:What has photography taught you about yourself or life in general?What is your greatest strength and your main weakness as a photographer?If you could meet your 20 year-old self now, what advice would you give to her/him?What's the one most essential lesson you would pass on to someone considering a photography ‘career' today?How has a failure, or what seemed like a failure at the time, set you up for later success? Do you have a “favourite failure” of yours?Can you think of any ideas or beliefs - whether about photography or anything else in life - that you have now reversed or totally changed your position on?Is there a photobook that has a special place in your heart or a particular significance, or that has been especially influential or inspiring to you?Do you have a favourite photographer, if you absolutely had to pick someone? Why them?Are there any notable photobooks or photographers that you have only just discovered for the first time in recent years?If and when you feel creatively exhausted, uninspired or blocked what do you do to get yourself moving forward again?How do you deal with self doubt if and when it arises? Do you have any strategies or habits that you come back to?What other artforms or cultural output, either highbrow or popular, do you consume, enjoy or take inspiration from?What is the thing you like most about photography or about being a photographer? What is the thing you like the least?How do you deal with juggling the need to make a living with finding time to pursue personal projects that don't necessarily earn you any money?How do you manage a work/life balance and deal with juggling career with relationship/home/family life?What do you think you might have ended up doing if you hadn't become a photographer and would you have been good at it?What are you hopes for the future?

Martin Parr is one of the greatest living photographers on the planet.He has worked prolifically since the 70s and has published more than 100 photobooks, which is a testament to his work ethic.Martin is a member and former president of Magnum Photos.In 2014, he founded the Martin Parr Foundation which aims to champion British photography and also houses the Martin Parr archive.Follow Martin:WebsiteInstagram

'An elephant and a dove'Ira Glass, David Byrne, Ennio Morricone, Joni Mitchell, Susan Orlean, Axel Krygier, Martin Parr, Four Tet, Erol Josue, Hank Willis Thomas, Wheelchair Sports Camp, Radcliffe Bailey, Air, Roddy Frame, Ed Welch, Yoko Kanno, Brian Eno, Kerry James Marshall, The Divine Comedy, DAFNE, The Lemon Twigs, Nina Simone

Season 3 Episode 17 -  The Last Resort & Why I Bought A Hammerhead Today's episode explores the inspiration & challenge of Martin Parr's The Last Resort  - his brilliant collection of 6X7 photographs highlighting 1980s vacationers on a rundown New Brighton Beach. Shot with a Plaubel Makina rangefinder, daylight flash, highly saturated color film - and an impeccable use of Magnum-style composition - his enduring work poses both technical & artistic questions: How did he possibly pull off these perfect photos? Also on board: birding/surfing pics, the elusive search for a long lens that one could actually afford, renting the Nikkor 200-500mm. Topics: Martin Parr, The Last Resort, Hammerhead flash, SunPak, Metz, Nikkor 200-500, Lensrentals.com, Magnum, Henri-Cartier Bresson, Atlantic City https://www.magnumphotos.com/arts-culture/society-arts-culture/martin-parr-the-last-resort/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

In this special episode the first of an irregular series of talks with non-photographers involved with photography, Grant Scott speaks with founder/curator/artist/publisher Craig Atkinson about his publishing project Cafe Royal Books. They discuss the pressures of the long form project, publishing decisions, marketing and the impact Cafe Royal Books has had on British documentary photography. Craig Atkinson/Cafe Royal Books Based in Southport, England, Craig Atkinson is a senior lecturer and researcher at the University of Central Lancashire. He founded Café Royal Books in 2005 and new booklets are published frequently, typically one per week and in short runs of 250 copies which are sold both directly and through bookshops in the UK, Europe, USA, Australia, Japan, Canada and Switzerland. The booklets have a consistent print quality, paper and layout, laid out to a grid system, of usually 36 pages in length, slightly under A5 size and predominantly black & white and affordable. The booklets predominantly document social, historical and cultural change, including themes of youth, leisure, music, protest, race, religion, industry, identity, architecture and fashion, using both previously unpublished work and photographs from archives. It has published work by over 100 photographers, including John Benton-Harris, John Bulmer, John Claridge, John Deakin, Ken Grant, David Hurn, Chris Killip, Daniel Meadows, Tish Murtha, Jim Mortram, Martin Parr, Simon Roberts, Homer Sykes, Ed Templeton, Arthur Tress Janine Wiedel and Grant. In 2022 Café Royal Books held a retrospective exhibition titled Café Royal Books, Documentary, Zines and Subversion of 500 publications and 127 prints of work from those books at the Martin Parr Foundation. www.caferoyalbooks.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. © Grant Scott 2023

John Wilson talks to photographer Martin Parr about the formative influences and experiences that inspired his own creativity. Globally renowned for his witty and satirical scenes of British life, Parr made his name in the 1970s with a series of monochrome photographs documenting the community of Hebden Bridge, West Yorkshire. His fame grew with his 1985 project The Last Resort, which captured the spirit of the great British holiday in images of ice-cream, chips, and sunburnt bodies on the litter-strewn concrete promenade of New Brighton, Liverpool. Since then, his instantly recognisable work has examined subjects including global consumerism, mass tourism and class. He has published over a hundred books of his work, exhibited all round the world, and is regarded as one of Britain's greatest photographers. Parr is celebrated as Master Of Photography at the 2023 Photo London fair, and has recently opened his own Foundation to exhibit the work of emerging photographers alongside his own. Martin Parr reveals how, growing up in suburban Surrey, he was introduced to photography by his Yorkshire grandfather during holiday visits. He remembers seeing exhibitions by Bill Brandt and Henri Cartier-Bresson in the late 1960s, but it was the work of British street photographer Tony Ray-Jones, whose images he first saw whilst studying photography at Manchester Polytechnic, that was most influential. Martin Parr further developed his distinctive documentary style, and his use of saturated colour processing techniques, after seeing work by American photographer William Egglestone. Martin Parr also chooses the 1991 film Night On Earth by Jim Jarmusch as a key influence on his quirky approach to storytelling, and reflects on how his style and subjects have developed over the years. Producer: Edwina Pitman

Since 2018, Michael Sargeant has spearheaded Magnum Photos' video-on-demand education program, Magnum Learn, and works to produce a variety of video content for the agency. Projects include courses led by Alec Soth, Gregory Halpern, Bieke Depoorter, Matt Black and Jonas Bendiksen, as well as a group course focused on street photography with contributions from Martin Parr, Bruce Gilden, Susan Meiselas, Mark Power, amongst others. In this episode, we discuss his near-foray into life in the military, vulnerability, artistic value and navigating the business side of the art and photography world. EPISODE LINKSInstagram: @michael__sargeantWebsite: magnumphotos.com/learnSHOW LINKSnosetpath.com@nosetpathpodcast

In this bonus episode Gary Mansfield speaks to Gemma Peppe, founder of Art on a Postcard (@artonapostcard) Art on a Postcard (AOAP) raises money for The Hepatitis C Trust towards its campaign to eliminate hepatitis C in the UK by the year 2030. In 2014 Art on a Postcard was intended to be a one off secret postcard auction, but it went so well it has spawned a small industry. Artists and photographers who have taken part in our auctions include Damien Hirst, Gavin Turk, Marc Quinn, Gilbert and George, Peter Blake RA, Hurvin Anderson, Grayson Perry RA, Larry Clark, Martin Parr, Michael Craig Martin RA, Chantal Joffe RA, Joan Snyder, Claudette Johnson, Mali Morris RA, Genieve Figgis, Vanessa Jackson RA, Rebecca Salter RA, Anne Desmet RA, Catherine Opie, Wolfgang Tillmans, Paula Rego, Julian Opie, Hassan Hajajj, Cecily Brown, Harland Miller, Marina Abramović, Florine Démosthène, Lubaina Himid and Jeremy Deller. Almost a decade later, we have a number of outstanding events under our belts including partnerships with The Other Art Fair and Photo London as well our annual outings with Art Car Boot Fair. Our work has also won us awards for our innovative fundraising initiatives.In addition to our auctions we have a print shop which includes a catalogue of contemporary art prints a number of sell out print editions including Hate's Outta Date by Harland Miller. For more information on the work of Art on a Postcard go tohttps://artonapostcard.com To Support this podcast from as little as £3 per month: www.patreon/ministryofarts If you would like to promote your work, exhibition or any other creative project, please contact us at:Social Media: @ministryofartsorgEmail: ministryofartsorg@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Martin Parr (born 23 May 1952), the man who the Daily Telegraph declared to be, “arguably Britain's greatest living photographer” is known for his photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world.His major projects have been rural communities (1975–1982), The Last Resort (1983–1985), The Cost of Living (1987–1989), Small World (1987–1994) and Common Sense (1995–1999). Since 1994, Martin has been a member of Magnum Photos, where he scraped in by one vote and where between 2013 and 2017 he served as President. His work has been published in numerous photobooks, over 120 of his own, and he has exhibited prolifically throughout his career.In 2017 the Martin Parr Foundation was opened in Bristol. The MPF is as a gallery and archive and research resource dedicated to both preserving the Martin's photographic legacy and to supporting emerging, established and overlooked photographers who have made and continue to make work focused on the British Isles.Since his first A Small Voice appearance on Episode 91 of the podcast in October 2018, Martin has had a major exhibition at the National Portrait Gallery which opened in March 2019. Entitled Only Human, the show included portraits from around the world, with a special focus on Britishness, explored through a series of projects that investigated British identity. Also since that episode Martin was awarded a CBE in the Queen's birthday honours in June, 2021.Martin's latest book, A Year in the Life of Chew Stoke Village was released in September 2022 by RRB Books.On episode 197, Martin discusses, among other things:Influence of his methodist grandfather… and peers at ManchesterEarly experiences in Hebdon BridgeThe move to Ireland - From the Pope to a Flat WhiteLiverpool and the controversy around The Last Resort workBristol and Bath - The Cost of LivingBeing blown away by his first experience of ArlesJoining Magnum amidst disapproval from the old guardSmall WorldA Year in the Life of Chew Stoke VillageSigns of the TimesCommon SenseThe work of the Martin Parr FoundationGood work and bad workReferenced:Robert DoisneauBill BrandtRobert FrankGarry WinograndAlan MurgatroydBrian GriffinDaniel MeadowsAlbert Street WorkshopFintan O'ToolePeter FraserPeter MitchellTom WoodAnna FoxKen GrantDavid MooreJohn HindePhilip Jones GriffithsHenri Cartier-BressonBoris MikhailovKrass Clement Martin: Website | Instagram | Episode 91 | Chew Stoke bookMPF: Website | Instagram“Most of the pictures I take are very bad, because to get the good pictures is almost impossible. If you went out in the morning and said ‘today I'm only gonna take good pictures' you wouldn't get anywhere. You wouldn't even start. So you've got to have that momentum of shooting, and you've got to have found the right subject, the right place, the right time, and then things will start to happen.”

Cet épisode avec le directeur de la Maison Européenne de la Photographie, Simon Baker est le premier épisode avec un focus sur le Japon. Avec Simon, nous avons abordé sa carrière d'historien et d'enseignant, puis ses années à la Tate Modern au département Photographies et Art International et son rôle à la MEP. Nous avons abordé les évolutions du milieu de la photographie : en particulier le fait que les artistes se définissent de moins en moins par le médium, mais plutôt par leurs engagements, mais aussi l'importance des institutions d'avoir une programmation et des collections représentatives des diversités. Il revient sur sa relation avec la photographie japonaise à travers sa rencontre avec les livres photos japonais via la collection de livres photo de Martin Parr, l'exposition Daido Moriyama et William Klein à la Tate Modern et le réseau qu'il s'est construit au Japon (la Galerie Taka Ishii, le galeriste et éditeur Akio Nagasawa, Tomo Kosuga (Fondation Fukase)… Bonne écoute !01'30 – Sa formation universitaire avec une spécialisation dans le mouvement surréaliste, l'enseignement en histoire de l'art et conservateur puis responsable du département Photographies et Art international à la Tate Modern.6'30 – Ce qui est spécifique à la MEP : une des plus grandes collections photo après les années 50 en France (25 000 tirages) et c'est la première institution dédiée à la photographie en France.08'20 – L'ADN de la MEP a changé. On y montre encore des artistes vivants ou ceux qui n'ont pas été montrés à Paris, mais c'est aussi importance de montrer des identités différentes, des pays et approches différentes et d'être un lieu d'accueil pour une grande diversité. Aussi, maintenant les artistes se définissent moins par le médium que par leurs engagements. Un des enjeux de la MEP est de montrer comment la photographie reste au cœur des métiers même si les artistes utilisent la photo juste comme une manière d'exprimer leurs idées.13' – Le métier de directeur de musée est un rôle de coordination entre les différents services et la relation avec les mécènes et la ville.17'45 – Sa relation avec la photographie japonaise a commencé quand il est arrivé à la Tate en tant que spécialiste des années 20-30. Il a commencé à travailler sur l'acquisition de la bibliothèque de livres photo de Martin Parr et Martin Parr lui a dit que les photographes japonais ont été très influencés par William Klein. Il a travaillé sur une expo Daido Moriyama/William Klein à la Tate Modern. Il ne peut pas lire le japonais, mais son point de vue externe plait aux photographes japonais qui aiment avoir un regard différent sur leurs travaux. Il s'est construit un réseau au Japon : la galerie Taka Ishii, la maison d'édition Kobayashi, le galeriste et éditeur : Akio Nagasawa, Tomo Kosuga (Fondation Fukase).25'30 – Son conseil pour découvrir la photographie japonaise est de consulter des livres photos comme par exemple History of the photobook de Martin Parr ou Les mémoires d'un chien de Daido Moriyama chez Delpire and co. Avant c'était impossible, car les livres n'étaient pas traduits.34' - L'histoire de la photographie est très masculine, mais la photographie devient une activité féminine. Les étudiantes sont majoritairement des femmes, donc les jeunes artistes montrés sont aussi majoritairement des femmes. 45'15 – Une des grandes difficultés qu'il note est qu'il est difficile qu'un livre photo soit visible dans un contexte de surproduction de livres photo. Il faut donc être conscient qu'il y a beaucoup de production et avoir un point de vue différent. Le site de la MEP : https://www.mep-fr.org/Pour suivre l'actualité du podcast vous pouvez vous inscrire à la newsletter ici : https://beacons.ai/lesvoixdelaphoto et retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

SEASON 2 - EPISODE 14 MARTIN PARR This episode is a fabulous conversation with the outstanding still photographer, Martin Parr. Our wide-ranging conversation delves into Martin's process in fascinating ways. Listen in to hear why he would rather take photos in a supermarket than a war zone. And when he and Roger get to comparing notes, we learn that when Roger goes out to shoot stills, he's lucky to come home at the end of the day having snapped five pictures. Meanwhile Martin will have snapped over five hundred! Don't miss our great discussion, it's available now!

He's best known as a perceptive chronicler of British society, but Martin Parr has also been documenting Ireland and its people for more than 40 years. As the exhibition "Martin Parr's Ireland" goes on show at the Irish Cultural Centre in Paris, the photographer sits down with us to discuss Morris Minors, Catholicism and the Celtic Tiger. We also talk about his pioneering and somewhat prophetic series from the 1980s, "The Last Resort" and "The Cost of Living". Plus we find out more about the occasionally fatal fashion for taking selfies.

Looking to Sea is an alternative history of Britain in the twentieth century, told through the prism of ten iconic artworks of the sea, one for each decade. 'We see nothing truly until we understand it.' John Constable An alternative history of Britain in the twentieth century, Looking to Sea is an exquisite work of cultural, artistic and philosophical history. From Vanessa Bell's Studland Beach, one of the first modernist paintings in Britain, to Paul Nash's work bearing the scars of his experience in the trenches and Martin Parr's photographs of seaside resorts in the 1980s that tackle ideas of class and deprivation, Looking to Sea embraces ideas from modernism and the sublime, the impact of the world wars and colonialism, to issues crucial to our world today like the environment and nationhood. Looking to Sea is an astonishingly perceptive portrait of the twentieth century. Art critic Lily Le Brun brings a fresh eye, acute observation and challenges the listener to find a new way to look at the history of our island nation.

Kavi Pujara (born Leicester, 1972) is a self-taught photographer. He has a BSc in Software Engineering and an MA in Screenwriting and he works as a film editor for the BBC alongside independently making personal, long-term documentary photo projects. His work has been included in the touring group exhibition Facing Britain, he was also one of the winners in the British Journal of Photography, Portrait of Britain 2020 and was the recipient of a Martin Parr Foundation photographic bursary in 2020. Two of his portraits have also this year been selected for the National Portrait Gallery's Taylor Wessing Photographic Portrait Prize exhibition and will be on display in London from 27 October - 18 December 2022. His first book project, published by Setanta Books, is This Golden Mile. Photographed against the backdrop of Brexit, the Windrush scandal, and a government intent on reducing net migration, Kavi documents Indian migration to Leicester, where he was born, exploring themes of identity, home and Britishness. An exhibition of the work will open next weekend at the Martin Parr Foundation in Bristol. On episode 188, Kavi discusses, among other things:His family historyGrowing up in LeicesterExperiences of racism growing up and on TVEscaping Leicester to do a degree and discover music and booksDiscovering cinema and film editingHis experience of screenwritingWinning the MPF bursaryHow moving back and the Brexit vote inspired This Golden MilePatriotism towards the UK amongst his parent's generation of immigrantsThe process of making the pictures for This Golden MileThe Nationality and Borders ActThe value of having the mentorship of Martin Parr……and the two most important nuggets he imparted.Referenced:Joel MeyorwitzMike MuschampTony Ray-JonesGarry WinograndDario MitidieriAsif KapadiaSmoking In Bed: Conversations with Bruce RobinsonKalpesh LathigraSathnam SangheraSian DaveyKeith Cullen Website | Instagram“The spark [for the project] came from that moment of relocating back to Leicester and within two weeks of that was the EU referendum result. Both of those moments, the personal and the political were in the space of a few weeks and I wanted to use photography to reconnect with the community I grew up in…but it was impossible to ignore the shift from that point. It was almost night and day. I really took it to heart and found it quite depressing, that societal turn towards anti-immigrant populism.”

durée : 00:39:37 - Affaires culturelles - par : Arnaud Laporte - Immersion, le temps d'un entretien au long cours, dans la fabrique photographique de Martin Parr, photographe iconoclaste au regard mordant. - invités : Martin Parr Photographe

In episode 2 of this new podcast series Grant Scott continues his search for Bill Jay and hears from photographers Homer Sykes, and Martin Parr, as he tracks Jay's career from school to magazines and the influence of David Hurn and Tony Ray Jones on Jay and his editorship of Creative Camera magazine. Bill Jay was a photographer, writer on and advocate of photography, curator, magazine and picture editor, lecturer, public speaker and mentor. He was the first editor of "the immensely influential magazine Creative Camera and founder and editor of Album magazine. He is the author of more than 20 books on the history and criticism of photography, and roughly 400 essays, lectures and articles. His own photographs have been widely published, including a solo exhibition at the San Francisco Museum of Modern Art. He is also known for his portrait photographs of photographers. www.donotbendfilm.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). © Grant Scott 2022

In episode 1 of this new podcast series Grant Scott begins his search for Bill Jay and hears from photographers John Benton Harris, Patrick Ward, David Hurn, Bryn Campbell, Homer Sykes, Brian Griffin, Martin Parr, Paul Hill and Bill's sister Sue Jay. He even hears Bill's side of the story. Bill Jay was a photographer, writer on and advocate of photography, curator, magazine and picture editor, lecturer, public speaker and mentor. He was the first editor of "the immensely influential magazine"Creative Camera and founder and editor of Album magazine. He is the author of more than 20 books on the history and criticism of photography, and roughly 400 essays, lectures and articles. His own photographs have been widely published, including a solo exhibition at the San Francisco Museum of Modern Art. He is also known for his portrait photographs of photographers. www.donotbendfilm.com

C'est l'un des galeristes les plus reconnus de France. Installé au cœur de Saint Germain, dans plusieurs espaces à l'épure parfaite, Kamel Mennour représente et expose des stars de l'art contemporain comme Daniel Buren, Anish Kapoor, Martin Parr ou Camille Henrot... Dans cet épisode délicieux, cet enfant de Belleville, issu d'une famille modeste, explique comment le vêtement a accompagné, et aidé, son émancipation. Il évoque ses Stan Smith de jeune footballeur, ses Weston de jeune homme puis ses costumes de jeune galeriste. Il raconte par la même comment ses goûts en matière de vêtement renvoient toujours, d'une certaine façon, à ses goûts en matière d'art. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In episode 188 UNP founder and curator Grant Scott is in his shed reflecting on learning and teaching, the lack of rules in photography and why there is no quick and easy solution to success. Plus this week photographer Polly Alderton takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' Polly Alderton is a British documentary and portrait photographer, who studied Fine Art at the Byam Shaw School of Art and Central St. Martins, and whose work is centred around the documentation of family and examining the class system in the UK. Her work concentrates on her immediate surroundings, with her family often being in the spotlight. ​Alderton's images have been published in The Sunday Times, The Observer, Invisible Britain: Portraits of Hope and Resilience, Portrait of Britain vol.1 & vol.3., and ID magazine, amongst others. In 2017 she produced a short film titled 12 Hours in North Essex for VSCO and in 2019 she was awarded the Firstsite Project Bursary to build on her independent project, Burning House. In 2021 Setanta Books, published Alderton's work in a monograph titled Polly Alderton. She also works as a stills photographer with the BBC, notably photographing David Attenborough in Climate Change: The Facts and working with Martin Parr on a series of idents for BBC One. http://www.dollyandfife.com ecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). Grant's book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021