Podcasts about fashion institute

Does "Made in Italy" always mean better quality? In this episode, designer and product development expert Karicca pulls back the curtain on luxury handbag manufacturing, revealing what really determines quality beyond the label. Drawing on years of experience developing handbags and footwear, she explains how global supply chains work, why finishing laws can be misleading, and what designers should look for in materials, construction, and factory partnerships. Karicca also shares her journey of launching her own brand while balancing a full-time career, along with practical lessons on pricing, marketing, and finding the right customer in today's crowded marketplace.Key Takeaways:Quality goes beyond the label — Materials, craftsmanship, and construction matter more than country of origin.Know your customer — Strong pricing and marketing begin with understanding who you're designing for.Build with transparency — Great brands earn trust through honest manufacturing and thoughtful product development.

This week we are joined by Rachel Slade to discuss her book Making It In America which examines the story of the company American Roots which has undertaken the nearly impossible task of manufacturing garments 100% made in the U.S.A. Recorded live at the 18th Annual Sustainability Business and Design Conference at the Fashion Institute of Technology in 2024, our discussion centers around the challenges faced by American makers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can a backpack made from ocean-bound plastic become a global accessories brand? In this episode, Kathrin Melchior of Got Bag shares how thoughtful product development, customer insights, and sustainable innovation transformed a crowdfunding idea into one of the most recognizable bag brands on the street. From designing inside a fast-moving global retailer to helping scale a purpose-driven startup, Katrine explains why great products come from constant testing—not just great taste. She also reveals how one surprising customer insight led Got Bag from backpacks into handbags, and why understanding who actually buys your product is often the biggest breakthrough.Key Takeaways:Design with data — Customer feedback beats assumptions every time.Stay open to surprises — Your real customer may not be who you expected.Purpose needs a great product — Sustainability succeeds when design and function come first.

What separates brands that grow from those that stall? In this episode, growth marketing consultant Alex Greifeld shares why defining your ideal customer is the foundation of every successful fashion brand. Drawing on experience at FIT, Jones New York, Tibi, and Tapestry, Alex explains how leading brands balance creative instinct with real market data. From building a clear unique selling proposition to understanding customer acquisition costs, unit economics, and digital marketing, she offers a practical roadmap for founders looking to grow smarter. Alex also shares her approach to content creation, short-form video, and what unconventional brands like Brandy Melville can teach designers about standing out in a crowded market.Key Takeaways:• Know exactly who you're selling to — Clear customer definition drives every successful marketing decision. • Growth starts with the numbers — CAC, unit economics, and positioning matter as much as great design. • Content builds trust — Consistent, authentic storytelling is one of today's most powerful growth tools.

Czy moda wyzwala, czy dyscyplinuje? Buduje tożsamość czy służy kopiowaniu innych? – Widzialność nie zawsze oznacza akceptację – mówi dr Valerie Steele, historyczka mody i dyrektorka nowojorskiego Muzeum w Fashion Institute of Technology, z którą rozmawiamy o queerowej historii mody, o ciele w ubraniach podszytych historią oporu i o presji cyfrowych iluzji.   Autorka: Kara Becker   Artykuł przeczytasz pod adresem: https://www.vogue.pl/a/queerowa-historia-mody

The business and law of creativity|Gordon Firemark:The Podcast Lawyer™Gordon Firemark  has practiced media, entertainment  and business law in solo practice since 1992.  In podcasting circles, he is known as The Podcast Lawyer™, and is producer and host of the Entertainment Law Update podcast (since 2009), and author of the Podcast, Blog & New Media Producer''s Legal Survival Guide.  His undergraduate degree in radio, television and film  and experience in live theatre production informs his thinking about all things legal.  In addition to a busy law practice,  He teaches Entertainment Law at  Columbia College Hollywood, Intellectual Property and Media Law at Fashion Institute of Design and Merchandising, and Contract law at Pepperdine Law School.Look for him on Facebook, Youtube, Linkedin and other social platforms.Links:http://gordonfiremark.com/https://www.instagram.com/gordonfiremarkTags:podcast for creatives,creative podcast,podcast creator interviews,professional podcast,creative podcasts,podcast host interviews,creative podcast ideas,Business,Coach,Entertainment,Intellectual Property (IP),Lawyer,Media,Music Licensing,Podcasting,Professional,TrademarkSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

What happens when a designer steps inside the Italian luxury manufacturing system and sees how much material never makes it into the final product? In this episode, Cassandra Kane shares how a move to Florence transformed her understanding of craftsmanship, sustainability, and the hidden costs of luxury production. After years designing for major fashion brands, she discovered the staggering amount of leather waste generated during manufacturing and set out to create a different model. The result was Sieme, an upcycled handbag brand that transforms leather offcuts and overstock into modern, luxury-quality accessories. Cassandra also discusses the challenges of building a circular supply chain in Italy, the creation of Zero Lab, and why transparency, education, and thoughtful design are essential to making sustainability more than just a marketing claim.Key Takeaways:• Waste is built into luxury production — Understanding the manufacturing process reveals opportunities for innovation. • Sustainability requires infrastructure — Great intentions aren't enough without systems that support circularity. • Storytelling builds trust — Transparency, education, and product longevity help customers connect with purpose-driven brands.

About Thomas: Thomas' LinkedIn profile: linkedin.com/in/thomas-dijkman Website: qanda.nl (Company), https://www.ebeltoftgroup.com  Phone: +31652656347 (Work) Email: tdijkman@qanda.nl Thomas' Bio: Thomas Dijkman is a Senior Retail Consultant at Q&A Retail, a Netherlands-based retail consultancy. He is Co-chair of the “Young Ebeltoft” initiative, a global collective of next-generation retail thinkers within the Ebeltoft Group.  Thomas specializes in translating insights, market expertise, and creativity into practical solutions that help leading retailers adapt and thrive in a fast-changing retail environment. He has worked with retailers such as SPAR, Action, Nexeye, and A.S. Watson, advising on strategy, positioning, consumer engagement, and store and format optimization.  With a no-nonsense, data-driven approach, he supports retailers in strengthening their concepts and improving performance across channels. Through his focus on generational insights, Thomas helps retailers better understand what young consumers want and how to turn those insights into action. SHOW INTRO: Today, EPISODE 89… I talk with Thomas Dijkman a Gen Z researcher, which is to say that he is part of Gen Z at 28 years old, who was a speaker at Euroshop 2026. Thomas and the company he work with called Q&A Retail, had just published research on Gen Alpha, which was chock full of insights on this emerging generation of global consumers. We'll get into all of that in a minute but first a few thoughts… *                     *                          *                          * ABOUT DAVID KEPRON: LinkedIn Profile: linkedin.com/in/david-kepron-9a1582b Websites:  https://www.davidkepron.com    (personal website) vmsd.com/taxonomy/term/8645  (Blog) Email: david.kepron@NXTLVLexperiencedesign.com Personal Instagram: https://www.instagram.com/davidkepron/ NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/ Bio: David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe.  David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels.  In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies.  As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace.  David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University. He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.   In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon.  I caught up with Bryan at the SHOP Marketplace event in Charlotte and chatted about his focus on shaping what comes next in digital signage and experiential design.   The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

What drives a generation to skip credit card debt yet confidently spend on a vintage Balenciaga or a Fendi Baguette? In this episode, Hitha Herzog, Chief Research Officer at H Squared Research, breaks down the economic and cultural forces shaping how Gen Z shops today. From the rise of resale and the circular economy to the growing popularity of buy-now-pay-later services, Hitha explains how younger consumers balance aspiration with caution. She also unpacks the concept of the K-shaped economy, revealing why two shoppers can experience the same market in completely different ways—and how that impacts luxury, fashion, and consumer behavior.Key Takeaways:• Gen Z defines luxury differently — Resale, vintage, and experiences often matter more than traditional status symbols. • Economics shape behavior — The K-shaped economy creates vastly different spending realities among consumers. • The experience is part of the product — Packaging, unboxing, and storytelling influence purchasing decisions as much as the item itself.

Irvin Rodriguez is a visual artist whose work offers a synthesis of painting and drawing, inspired by the European masters and 19th-century painters, paired with the narrative influence and aesthetics of illustration and contemporary art. Rodriguez's artistic practice spans multiple disciplines, from analog to digital media, resulting in figurative compositions and portraits that communicate individual and collective experiences. Born in the Bronx, New York, in 1988, Rodriguez graduated from the Fashion Institute of Technology with a BFA in Illustration (2010), while simultaneously studying at the Grand Central Atelier (2008–2010), and later at the Art Students League of NY (2013–2016). Since then, Rodriguez has exhibited in numerous group and solo exhibitions in Europe, South America, and the United States, and was also the recipient of the 2016 Elizabeth Greenshields Foundation Grant, the 2019 John F. and Anna Lee Stacey Scholarship, and the 2019 Donald Jurney Travel Fellowship. Over the years, he has developed into a compelling and versatile artist, with works in the film, comic book, publishing, and video game industries for clients like Naughty Dog, Lucasfilm, DC Comics, and Magic: The Gathering. He currently lives and works out of his studio in Los Angeles, California. Irvin was the 2011 recipient of the L. Ron Hubbard Golden Brush Award. He has been an Illustrators of the Future judge since 2023. In this episode, Irvin discusses his journey in a successful artistic career. Learn more at irvinrodriguez.com.

Irvin Rodriguez is a visual artist whose work offers a synthesis of painting and drawing, inspired by the European masters and 19th-century painters, paired with the narrative influence and aesthetics of illustration and contemporary art. Rodriguez's artistic practice spans multiple disciplines, from analog to digital media, resulting in figurative compositions and portraits that communicate individual and collective experiences. Born in the Bronx, New York, in 1988, Rodriguez graduated from the Fashion Institute of Technology with a BFA in Illustration (2010), while simultaneously studying at the Grand Central Atelier (2008–2010), and later at the Art Students League of NY (2013–2016). Since then, Rodriguez has exhibited in numerous group and solo exhibitions in Europe, South America, and the United States, and was also the recipient of the 2016 Elizabeth Greenshields Foundation Grant, the 2019 John F. and Anna Lee Stacey Scholarship, and the 2019 Donald Jurney Travel Fellowship. Over the years, he has developed into a compelling and versatile artist, with works in the film, comic book, publishing, and video game industries for clients like Naughty Dog, Lucasfilm, DC Comics, and Magic: The Gathering. He currently lives and works out of his studio in Los Angeles, California. Irvin was the 2011 recipient of the L. Ron Hubbard Golden Brush Award. He has been an Illustrators of the Future judge since 2023. In this episode, Irvin discusses his journey in a successful artistic career. Learn more at irvinrodriguez.com.

What happens when a sentimental handbag inspires an entirely new business? In this episode, Penny Crook, founder of Denault Handbags, shares how a purse gifted by her late father sparked the idea for a patented reversible handbag designed to simplify wardrobes and deliver two looks in one. Leaving behind a career in financial advising, Penny entered the world of product development, manufacturing, and patents to create a bag that blends functionality, versatility, and quality. She opens up about costly manufacturing mistakes, the importance of vetting factories, and the lessons she learned rebuilding her business with stronger processes and partners. From tech packs and sampling costs to Amazon, boutiques, trade shows, and influencer marketing, Penny offers a practical roadmap for turning an idea into a marketable product.Key Takeaways:• Do your homework on manufacturers — Research, references, and factory vetting can save years of costly mistakes. • Patience protects your brand — Slowing down during development often prevents expensive problems later. • Innovation needs education — Unique products sell faster when customers can clearly see and understand the value.

In the first part of my interview with Tanqueray, we heard the striking story of Tanqueray's early life – long before she became such as viral sensation on social media as a result of her appearances on Humans of New York. She was called Stephanie and she'd had a tough upbringing, raised by a strict single mother in an all-white upstate New York area, and then a teenage pregnancy, an unfortunate relationship, and a desire to start a new life had somehow conspired to land her in jail as a teenager. When she was released, she moved to Manhattan – and worked in a clothing factory, this was back in the days when the city had a garment district, attended the Fashion Institute of Technology, and ended up appearing as a much in-demand go-go dancer in clubs such as the Peppermint Lounge. It was the 1960s, and she enjoyed a varied and exciting existence: she had a short career as an escort, became a seller of stolen goods, mixed with pimps, mobsters and The Temptations – and fell in love with an Italian called Carmine, who she married before discovering his drug addiction. But as the 1970s dawned, the go-go bars in New York suddenly seemed rather old-fashioned, quaint, and in terms of sexual excitement, tame and unexciting. If you could now see newly-explicit sex films in theaters, well… customers were keen to see something different and more daring in a live environment too. That left Stephanie at a crossroads: there were two options – she could either accept the brave, new world and became more sexual – which she referred to as ‘working dirty' – or she could revert to being a more old-fashioned burlesque performer, and rely on tease, with a less racy act and props. Stephanie decided to follow the burlesque route and become Tanqueray. Stephanie and I recorded many of our conversations, and this is the second and concluding part of her story. This podcast is 40 minutes long. You can listen to the first part of the Tanqueray story here. —————————————————————————————————————————————– Ronnie Bell * The post Tanqueray – I've Always Been Different, Part 2: Podcast 164 appeared first on The Rialto Report.

It's Austen Chat's third anniversary! To mark the milestone, we're delighted to share "Jane Austen: Material Girl"—a conversation between authors Paula Byrne and Hilary Davidson recorded at JASNA's 2025 Annual General Meeting. Both have written extensively about the significance of material objects in Austen's life and work. Tune in for their lively discussion of ordinary things—toothpick cases, lace cards, muslin shawls, flannel waistcoats, and more—and their extraordinary importance.*********Paula Byrne is a best-selling biographer, literary critic, and novelist. She is the author of The Real Jane Austen: A Life in Small Things, which explores her life through the objects around her; The Genius of Jane Austen: Her Love of Theatre and Why She Is a Hit in Hollywood; and the novel Six Weeks by the Sea, which blends fact and fiction to imagine Austen's visit to the seaside in 1801. As an Austen expert, she has also frequently appeared on television, broadcast on radio, and consulted on period dramas. Beyond her Austen scholarship, Paula has written best-selling biographies about Dido Elizabeth Belle, Mary Robinson, Barbara Pym, Kathleen "Kick" Kennedy, Evelyn Waugh, and Thomas Hardy.Hilary Davidson is a dress, textile, and fashion historian and curator, and Chair and Associate Professor in the School of Graduate Studies at the Fashion Institute of Technology in New York. She has curated exhibitions, lectured widely, and published extensively. Her books include Dress in the Age of Jane Austen: Regency Fashion, Jane Austen's Wardrobe, and A Guide to Regency Dress.For an edited transcript and show notes, visit https://jasna.org/austen/podcast/ep36*********Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

What does it take to turn an environmental mission into a scalable accessories business? In this episode, Beth Greenlaw of Seabags Maine shares how she left a corporate career to help build one of the most recognizable upcycled handbag brands in America. By transforming retired sailcloth into one-of-a-kind bags made on Maine's working waterfront, Seabags created a business rooted in sustainability, local manufacturing, and authentic storytelling. Beth discusses the realities behind "Made in USA" production, building a brand around strong values, navigating founder partnerships, and creating an exit strategy that protects both the business and the people behind it. She also breaks down the practical side of growth—from wholesale and trade shows to pricing handmade products and discovering that your best customer may not be the one you originally imagined.Key Takeaways:• Values can drive growth — Sustainability works best when it's embedded in the product, not just the marketing. • Partnerships need structure — Clear roles, legal agreements, and exit plans protect both relationships and brands. • Let customers guide strategy — The market often reveals opportunities founders never expected.

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What happens when the retail world you built no longer works? In this episode, Shy Iland, founder of Daisy Rose and former owner of the indie-boutique chain Big Drop, shares how the 2008 financial crisis reshaped his entire approach to fashion. After watching handbags outperform most retail categories during the downturn, Shy pivoted from brick-and-mortar retail into handbag manufacturing, sourcing, and private label production. He opens up about the realities of running multi-store retail before ecommerce, the pressure of inventory, rent, and shrinking margins, and the difficult decision to walk away from a family business. From traveling to China's Canton Fair to building factory relationships and eventually launching Daisy Rose, Shy breaks down how Amazon FBA, influencer momentum, and disciplined sourcing helped transform his next chapter into a scalable business.Key Takeaways:• Accessories survive downturns — Handbags often outperform trend-driven categories during economic shifts. • Manufacturing is relationship-driven — Strong factory partnerships matter more than chasing the lowest price. • Scale requires adaptation — Moving from retail to sourcing to Amazon selling demanded constant reinvention.

This episode brings you a live recording of the 20th Annual Sustainability Conference at the Fashion Institute of Technology with my panel on Scaling Resale: Circular Business Strategies for a Low-Impact Lifestyle. Sarah Davis the founder of Fashionphile and Samantha Rich the EVP of Retail at Goodwill are my guests. It's an engaging discussion on resale and fashion sustainability. Listen in! Hosted on Acast. See acast.com/privacy for more information.

What happens when a strong handbag concept collides with the realities of pricing, production, and scale? In this episode, Alexandra Satine—former handbag designer and founder of YourCohort—shares her journey from creative ambition to business reinvention. From moving from Venezuela to the U.S. and breaking into fashion, to launching her own line and facing the hard lessons of trademarks, sourcing, retailer expectations, and margin pressure, Alexandra unpacks what founders often learn too late: taste may spark a brand, but financial strategy keeps it alive. She also opens up about stepping away from her namesake business, navigating venture-backed environments, and why understanding operations, investor expectations, and fractional financial leadership became the foundation for her next chapter.Key Takeaways:• Creativity needs business discipline — Great products fail when pricing, margins, and operations don't support them. • Pivoting is part of growth — Letting go of one version of success can create space for a smarter one. • Finance protects creativity — Strong financial strategy gives founders the freedom to build sustainably.

What happens when handbag design stops being just about trends and starts confronting bigger questions—materials, sustainability, and what happens after the hype fades? In this episode, Syl Tang joins us to unpack how the accessories world is shifting through the lens of fashion history, customer behavior, and future forecasting. From the scrappy late-90s NYC era—when emerging brands had to win customers face-to-face—to today's conversations around sustainability, co-branding, and smarter growth, Syl shares why designers need more than aesthetics to build lasting brands. We explore customer ethnography, the risks of outsourcing too early, and why durability, transparency, and global forces like climate and economics increasingly shape what people buy.Key Takeaways: • Know your customer firsthand — Real-world insight beats vanity metrics every time. • Sustainability needs substance — Durable materials and transparency matter more than trendy labels. • Future-proof your brand — Cultural, economic, and environmental shifts define what sells next.

What happens when fashion stops following one trend cycle and splinters into thousands of micro-movements? We sit down with fashion editor Ilia Sib Zvalli to unpack why the old model of seasonal “must-haves” is breaking down—and what that means for designers, shoppers, and brands trying to stay relevant. Ilia explains how social media fractured trend forecasting, why niche aesthetics now shape consumer behavior faster than traditional fashion calendars, and how today's smartest brands win by understanding context, not just virality. From Substack's rise as a freer editorial platform to the psychology behind oxblood tones, statement silhouettes, and region-specific style, this conversation offers a sharper lens on what actually drives fashion now.Key Takeaways: • Trends didn't disappear — They fragmented into microcultures with faster, localized influence. • Context drives style — Climate, culture, and lifestyle shape what truly sells. • Independent voices matter — Sharper analysis often comes from platforms outside ad-driven media.

Iran says US has responded to its latest peace proposal. Iran says President Trump must now choose between an impossible military operation and a bad deal if he wants to end the war. We hear from the brother of the jailed Iranian Nobel peace laureate Narges Mohammadi. He says she and other prisoners are dying as a result of deliberate medical neglect.Also on the programme: Ukraine's been stepping up its offensive against Russia's oil infrastructure in recent days; and ahead of the 2026 Met Gala, British fashion designer Zandra Rhodes and Elizabeth Way, curator at the Museum at the Fashion Institute of Technology in New York, discuss if fashion is art. (Photo: Iranians walk past a huge anti-US billboard referring to US president Donald Trump and Strait of Hormuz at Valiasr square in Tehran, Iran, 02 May 2026. Credit: ABEDIN TAHERKENAREH/EPA/Shutterstock)

Knitters and crocheters know Angela Tong as a designer with hooks and needles, while weavers recognize her work in rigid-heddle and pin looms. Visitors to galleries and artisan markets know her as a potter. Angela thinks of herself simply as a maker, always drawn to creating beauty with her hands. Her first professional job set the tone: after earning a degree from the Fashion Institute of Technology, she produced fine platinum jewelry for Tiffany & Co. But beginning in her teens, she keenly felt the urge to learn to knit. A colleague at that first job taught her the knit stitch—just the knit stitch—and opened the world of fiber arts for her. Discovering a talent for clarifying instructions while test knitting other designers' work, she began submitting designs for publication. Although she had not initially pictured herself as a teacher, that skill of clear explanation led her to teaching, and she eventually became a certified knitting instructor. Angela discovered another fiber-arts love in PieceWork March/April 2010, which featured pin looms on the cover. She tracked down a handmade pin loom from a small maker, wove a doll blanket, and never looked back. Her pin-loom and rigid-heddle designs regularly appear in Little Looms, and she is a popular instructor at Weave Together events. In each of her crafts, Angela's style is symmetrical and refined, with an emphasis on finishing that she describes as a through line in everything she makes, from pottery to pin-loom blankets. Whatever the medium, Angela brings the same exacting eye and genuine delight in craft — whether she's warping a loom, trimming a pot, or teaching a roomful of students to hem stitch. Links PieceWork March/April 2010 featured a pin-loom blanket on the cover. Angela's pin loom videos Creative Pin-Loom Designs and Weave Patterns on the Pin Loom are available from Long Thread Media. Angela was featured in the pilot episode of the proposed Swatch series. This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed.

What happens when curiosity, risk-taking, and a refusal to follow the expected path collide? We sit down with Vidyuth Srinivasan, CEO of Entrupy, to explore his journey from India to New York, from journalism to entrepreneurship, and from outsider to innovator. Vidyuth shares how embracing his identity, thinking independently, and challenging conventional systems helped shape Entrupy—a company built to solve one of fashion's biggest problems: trust. From navigating cultural identity to developing authentication technology that fights counterfeiting, this conversation reveals how randomness, data, and conviction can transform industries.Key Takeaways: • Authenticity starts with trust — Technology can scale transparency where doubt exists. • Risk fuels innovation — Nontraditional paths often create the biggest breakthroughs. • Identity is an asset — Staying true to yourself can become a competitive advantage.

Welcome back to ARTMATTERS: The Podcast for ArtistsOn this week's episode I'm joined by David Ambrose.David Ambrose was born in 1960 and lives and works in Bound Brook, New Jersey. He received his BA in Fine Arts from Muhlenberg College and his MFA in Painting from the University of Pennsylvania.He has exhibited widely over the past four decades, including solo exhibitions at the New Jersey State Museum, where he was the subject of a mid-career retrospective, as well as Gold/Scopophilia in Montclair and Tibor de Nagy in New York. His work has also been included in group exhibitions at Pierogi and Kentler International Drawing Space in Brooklyn, among many others, and is held in public collections including the Library of Congress. Ambrose is the recipient of multiple fellowships from the New Jersey State Council on the Arts, most recently in 2022 to 2023. He has also taught at institutions including Parsons, Pratt, and the Fashion Institute of Technology.I sat down with David in his New Jersey studio last month and we discussed the surface of a painting, building paintings, building objects, planning for abstraction, materials and pigments, damage and repair, crosshatching, carving, and the use of non-traditional tools. David Ambrose also explains why there's no rush, how linear thinking has served him through the years, allowing for change, quality and beauty, daily practices, handling rejection, building  community and his new works on paper.Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.cominsta: @isaac.mannguest: David Ambrosewww.davidambrosestudio.cominsta: @david_m_ambrose_artThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

What if luxury wasn't about pressure—but about freedom to be fully yourself? We sit down with Nancy Gale, founder of JAMAH Handbags, to explore how a clear point of view shapes every decision, from materials to manufacturing. Nancy shares what it takes to build an ultra-luxury brand in the U.S., why she refuses to cut corners to hit price points, and how strong relationships—from factories to suppliers—can define both your strength and your risk. It's a conversation about standing firm in your values while navigating growth, partnership changes, and the constant pressure to scale.Key Takeaways: • Don't dilute the vision — True luxury requires holding the line on quality. • Relationships are leverage — The right partners can elevate or expose your brand. • Define success your way — Scaling doesn't mean sacrificing identity.

What happens when the way you start building your brand is the very thing holding you back? We sit down with Andrea Pascual to unpack the shift from early hustle to sustainable growth—when handmaking every piece, chasing quality, and saying yes to everything starts costing more than it gives. From her path through FIT and New York's garment district to the realities of bespoke pricing and burnout, Andrea shares how designers navigate the tension between artistry and building a real business—and why pivoting is often the hardest, but most necessary, move.Key Takeaways: • What works early won't scale — Growth requires letting go of old processes. • Handmade has limits — Time, margins, and energy must be protected. • Production is strategy — Factories, tech packs, and backups are critical to survival.

TAKING FASHION SERIOUSLY. Valerie Steele is an American fashion historian and the Director and Chief Curator of The Museum at the Fashion Institute of Technology (FIT) in New York City. A pioneer in the field of fashion studies, she has been instrumental in establishing fashion as a legitimate intellectual and cultural subject. "Both the allure and the problematic aspects of fashion attracted and interested me." "Although most people don't get any exercise, they want to look sporty." "The body is central to fashion." https://www.alainelkanninterviews.com/valerie-steele/

Why is buying a Hermès bag so complicated—and is there a smarter way in? We sit down with Chloe Chen, known as Chloe Hermes Fairy, to break down the real mechanics behind scoring a Birkin, Kelly, or Mini Kelly—from purchase history and boutique politics to the reality of being offered a bag without knowing the specs. Chloe also pulls back the curtain on the resale and sourcing market, explaining how brokers secure exact bags, why prices fluctuate, and how paying for expertise can save time, money, and frustration.Key Takeaways: • Access is strategic — Boutique offers depend on history, timing, and relationships. • Resale can be smarter — Sourcing directly often beats inflated platform pricing. • Authenticate everything — High stakes demand trusted verification and process.

ABOUT NAOMI CLARE CRELLIN:Naomi Clare's LinkedIn profile: linkedin.com/in/naomi-clare-crellin Websites: storycraft.education (Company) belongingplaybook.com (Company) storycraftlab.com (Company) Email: naomi.clare@storycraftlab.com BIO: Naomi Clare Crellin is a visionary leader who excels in transforming intent and insights into actionable, accessible strategies.  As the Founder and CEO of Storycraft Lab, she specializes in refining big ideas and concepts into meaningful and measurable experiences. Naomi is adept at mapping strategic processes that guide both teams and clients from development through delivery, helping to define goals, refine messages, and measure the impact of the stories crafted.  Her expertise lies at the intersection of spatial experience and messaging, having collaborated with a diverse range of organizations including Microsoft, Motorola, Bloomberg, the IFC, the Smithsonian, the Human Rights Campaign, and many more. Beyond her work at Storycraft Lab, Naomi has served as an adjunct faculty member, bringing her passion for education into the classroom. She partners with organizations dedicated to making the world a better place, inspiring students to harness their creativity and curiosity. As an empowering educator and experience strategist, Naomi is committed to helping others succeed.  She finds immense joy in co-creating with teams, generating engagement, and telling stories through interactions. Her dedication to collaboration and innovation is at the heart of her work, and she loves the impact she and her teams create together.  Naomi Clare Crellin is not just a leader but a catalyst for change, fostering an environment where ideas flourish, and meaningful experiences are crafted.' SHOW INTRO: Welcome to Episode 87! of the NXTLVL Experience Design podcast… In every episode we follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.”  And as we continue on this journey, we'll continue to invite guests on our journey that are thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places. We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us. If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family. The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine. VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant.  You will find the archive of the NXTLVL Experience Design podcast on VMSD.com. Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience.  SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org  Today, EPISODE 87… I talk with Naomi Claire Crellin is a visionary leader who excels in transforming intent and insights into actionable, accessible strategies. Her work uses story as a vector towards belonging.  Naomi believes that a well-told story builds trust and genuine peer-to-peer connection in audience advocacy. This in turn bolsters personal growth and psychological safety; encouraging participants to take calculated risks towards innovation. We'll get into all of that in a minute but first a few thoughts...   ABOUT DAVID KEPRON: LinkedIn Profile: linkedin.com/in/david-kepron-9a1582b Websites:  https://www.davidkepron.com    (personal website) vmsd.com/taxonomy/term/8645  (Blog) Email: david.kepron@NXTLVLexperiencedesign.com Personal Instagram: https://www.instagram.com/davidkepron/ Bio: David Kepron the Retail Studio Principal for the architecture and design firm Little (https://www.littleonline.com). He is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe.  David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels.  In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies.  As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace.  David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University. He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.   In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon.      The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

Today's riff is Our Personal Pathways: A Talk with Olgalyn Jolly. Welcome to Episode 112 of the Roll With Peace, In Mind podcast! We talk knitting machines, techniques, life experiences as well as sharing a part of her journey from performer to machine knitter and educator. It was a pleasure having my friend visit the podcast again. Olgalyn Jolly is a knitwear designer and educator based in New York City. With decades of experience in machine knitting (spanning design, production, and everything in between) she remains as curious and engaged as ever. A former faculty member at the Fashion Institute of Technology and Parsons School of Design, Olgalyn now teaches online, guiding machine knitters and knitwear designers through the core principles of knit construction so they can do their most creative work. Visit Olgalyn at ojolly.net Also on Instagram YouTube Be sure to comment, like, follow, share. Original Music: Sister Chat by Sylvester "Sly" Scott Check him out on Facebook Instagram YouTube ************** Visit Jacquie Bird, Spiritual Wellness to book a coaching session and for my products and services *** Please tell your friends, family, colleagues and co-workers about this podcast, word of mouth is da the bomb-diggedy! Remember to Like, Comment, Follow, Share **If you would like to show some love for my Roll With Peace, In Mind podcast drop it on my Venmo @JacquieBirdSpiritualWellness Your contribution would assist me in continuing to create this valuable free product of service that promotes empowerment, peace of mind, shares stress and anxiety relief tips, inspires mindfulness and positivity. Join my mailing list to keep up with new events, announcements, products and workshops. **And be sure join my FaceBook group to discuss the episode!    Thank you for listening!  

Meet Volkan Yilmaz, also known as “Tanner Leatherstein,” a leather artisan and entrepreneur whose journey spans continents. From his beginnings in his father's tannery in Turkey to becoming a TikTok sensation in the U.S., Tanner's story is one of resilience, creativity, and passion.After moving to Turkmenistan and Armenia with his family to run tanneries, Tanner eventually found himself in Chicago, working as a cab driver after winning a green card lottery. Despite language barriers and culture shock, he pursued an MBA and combined his traditional leather expertise with modern business skills.Tanner's brand, Pagai, and his viral TikTok videos, where he deconstructs luxury handbags, have educated and entertained millions, shedding light on leather quality, craftsmanship, and industry practices.Key takeaways include the importance of understanding leather quality, transparency in craftsmanship, and sustainability in production. Tanner's story is a testament to the power of tradition, innovation, and perseverance.Key Takeaways:Leather Quality: Educating designers and consumers about tanning, leather grades, and sourcing enhances handbag durability and value.Craftsmanship Transparency: Showcasing the production process builds trust and appreciation for the artistry.Sustainability: Embrace eco-friendly tanning, upcycled materials, and ethical sourcing to align with sustainable fashion trends.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” she has collaborated with leading brands such as Swarovski, Kenneth Cole, Henri Bendel, Kate Spade, and Macy's. Emily also teaches entrepreneurship at the Fashion Institute of Technology and is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Follow Tanner Leatherstein:https://www.instagram.com/tanner.leatherstein/ https://www.tiktok.com/@tanner.leathersteinSupport the showYoutube: / Handbagdesigner101-ihda  | Instagram:/ Handbagdesigner  TikTok: / Handbagdesigner  | Twitter: / Handbagdesigner   

In 2025 Lily Colman took on the initiative to start her own publishing non-profit, FRAME/SEQUENCE, through fiscal sponsorship with CultureWorks of Philadelphia. FRAME/SEQUENCE is a quarterly print periodical spotlighting underrepresented and emerging photographers, writers, artists, and communities across Philadelphia and Greater Pennsylvania — connecting art, story, and place in a uniquely intimate and enduring form.FRAME/SEQUENCE's first edition, On Motherhood, captures motherhood's diverse and powerful experiences through art and storytelling. This collection highlights the complex realities of nurturing, sacrifice, mourning, and celebration, offering a platform to voices often unheard. This podcast is sponsored by the Charcoal Book Club - Begin Building your dream photobook library today at:https://charcoalbookclub.comhttps://www.frame-sequence.comhttps://www.lilycolman.comhttps://hmcooper.com/home.htmlhttps://www.keavyhandleybyrne.comKeavy Handley-Byrne is a photographic artist, writer, and educator. Their work has been exhibited across the United States and included in numerous publications. Their photographic practice focuses on themes of queer identity, grief, and the intersections therein. They are based in New York City and work across the tri-state area. Helen Maurene Cooper, is an artist and educator living in Philadelphia, PA. She earned a MFA from School of the Art Institute of Chicago and a BA from Bard College.Selected exhibitions include; Onomatopee(Eindhoven, Netherlands), Clare Morris Gallery ( Ireland), Soap Factory (Minneapolis), Space Mountain (Miami), and Gaylord & Dorothy Donnelley Foundation (Chicago). Awards and Fellowships include; the Cultural Council of Eindhoven, the Chicago Department of Cultural Affairs, and University of Chicago.Her 2017 monograph, Paint & Polish: Visual Economy and Visual Culture from the West Side (Onomatopee, Eindhoven Netherlands). Paint & Polish was reviewed in Bust.com, New City, Nails Magazine and the Creators Vice Magazine. Artists' talks have been given at PS1, The Fashion Institute of Technology, Kansas City Art Institute, Elmhurst Art Museum, The Arts Incubator at University of Chicago and Oxbow School of Painting. In 2021, Cooper founded Vanity Tintype, a commercial tintype studio in Philadelphia, through which she has done cultural commissions from The African American Museum of Philadelphia and Monument lab.Lily Madeleine Colman is a film-based photographer and educator from Philadelphia, PA. She makes work about womanhood, inheritance, and specifically how certain items and feelings are passed down between generations of women.Lily was featured in the 2021 International Juried Exhibition at The Center for Contemporary Art in Bedminster, NJ, where she was awarded First Prize and a Solo Exhibition. Her solo exhibition, The Knots on the Underside of the Carpet, ran from April 22 - June 4, 2022, at the CCA.Lily graduated from the Rhode Island School of Design with her MFA in 2020, as well as a Certificate in Collegiate Teaching in Art and Design. She has always loved photography, education, and photo books, and wanted to make them accessible to everyone.In 2025 Lily took on the initiative to start her own publishing non-profit, FRAME/SEQUENCE, through fiscal sponsorship with CultureWorks of Philadelphia. FRAME/SEQUENCE is a quarterly print periodical spotlighting underrepresented and emerging photographers, writers, artists, and communities across Philadelphia and Greater Pennsylvania — connecting art, story, and place in a uniquely intimate and enduring form.Lily also currently works as an adjunct photography professor at Mercer County Community College, Rowan University, and Rowan College at Burlington County. She has also taught at The College of New Jersey, and Union County Community College, all located in New Jersey.

At its most functional level, clothing serves as essential physical protection from the environment, soft armor and tangible comfort. Visually, clothing is one of the most immediate ways to assert individual identity, signaling values and collective belonging to others at first sight. But, when public discourse is polarized and words feel inadequate, clothing becomes a powerful nonverbal language—communicating solidarity, protest, fear or hope at a glance. During periods of political tension and social exhaustion, clothing serves as a palpable reminder of who we are when the world is in flux, offering a sense of control in an uncontrollable world. When institutions feel fragile and the future unclear, getting dressed is no longer trivial—it's an act of care, self-definition, and sometimes even quiet resistance. With insights from fashion industry leaders—educators, designers, reporters, and historians—this panel conversation will address the importance of clothing—as a marker of identity, symbol of resistance, and sign of belonging—in times of crisis.  About the Speakers Laura L. Camerlengo is curator in charge of costume and textile arts with the Fine Arts Museums of San Francisco. She has organized, co-organized and presented numerous costume and textiles exhibitions for the Fine Arts Museums of San Francisco and the Philadelphia Museum of Art, with a focus on sharing the stories of women and artists of color. Her recent publications include Patrick Kelly: Runway of Love (co-edited by Dilys E. Blum, 2021), and Fashioning San Francisco: A Century of Style (2024), as well as contributions to West 86th. She holds a Master of Arts degree from Parsons School of Design, The New School / Cooper Hewitt, Smithsonian Design Museum in the History of Decorative Arts and Design. Moderator Natalie Smith is the Fashion Department chair and a full-time tenured instructor at City College of San Francisco. She also works as a freelance fashion show and event producer, stage manager, model coach, and voice-over artist. Natalie earned her Associate of Arts degree in interior design from the Fashion Institute of Design and Merchandising (FIDM). Anna Chiu is the founder and creative director of Kamperett, a women's wear brand based in San Francisco, where its flagship atelier and studio are located. Shaped by her German and Chinese heritage, her work brings a forward-looking perspective to clothing through an artistic lens. She has dressed women for the Met Gala, countless award shows and red-carpets, including Angelina Jolie, Ali Wong, and Rashida Jones and Chloe Zhao. Kamperett takes an intentional approach to sustainability, with all pieces designed and made in California. Tony Bravo is the San Francisco Chronicle's arts & culture columnist. His areas of coverage include visual art, the LGBTQ community, style, pop culture and “only in San Francisco” stories. He is also a frequent live interviewer and hosts the “Show & Tell” event series at Four One Nine. Bravo is also an adjunct instructor at the City College of San Francisco Fashion Department, where he teaches journalism. The Commonwealth Club World Affairs of California is a nonprofit public forum; we welcome donations made during registration to support the production of our programming. A Grownups Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Commonwealth Club World Affairs is a public forum. Any views expressed in our programs are those of the speakers and not of Commonwealth Club World Affairs. Organizer: Denise Michaud  Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes a luxury bag feel “real”—and why can even an authentic one sit unsold? We sit down with Dani Smith, senior authentication specialist at What Goes Around Comes Around (WGACA), to unpack the fine details that drive trust in the vintage handbag market. From a Chanel bag mistaken as fake to the limits of resale photos, Danny explains why in-person evaluation still matters and how structure, scent, and subtle wear can make or break a purchase. He also shares how authenticators are trained, what actually sells, and how trends and influencer demand impact resale value.Key Takeaways: • Details define authenticity — Small cues separate real from questionable. • In-person still wins — Photos miss critical signs of quality and wear. • Trends don't guarantee value — Demand can shift faster than expected.

Why do some beautiful bags fail the moment they hit the market? We sit down with handbag designer and consultant Holly Lauren Beedle—an industry “ghost designer” whose work appears under brands you definitely know—to unpack the realities behind successful bag design. Holly explains why pricing must come first, how ethnography shapes function, and why merchandising and material choices determine whether a bag survives real life or quietly disappears from shelves.Key Takeaways: • Price first, design second — Retail strategy should guide materials and development. • Design for real life — Ethnography reveals what customers truly need from a bag. • Merchandising matters — Presentation and usability can determine sell-through.

What makes a handbag truly worth carrying every day? We sit down with Shay Prasad of Bags for Breakfast to explore how years on the retail floor shaped her approach to bags as tools for life—not just status symbols. From writing deep-dive Substack essays to launching a curated vintage shop, Shay explains how storytelling, condition knowledge, and retail anthropology turn casual shoppers into thoughtful collectors. Along the way, she shares how to judge patina versus wear, why function matters as much as heritage, and how understanding the history behind iconic houses helps buyers make smarter, more sustainable choices.Key Takeaways: • Function beats fantasy — A great bag works with your real life. • Patina has value — “Loved” pieces often carry more character than pristine ones. • Context sharpens taste — Knowing a brand's history leads to better buying decisions.

Kenneth D. King is a celebrated couture fashion designer, author, editor, and professor at The Fashion Institute of Technology, he joins Jeff to discuss his new release Doll Couture: Red Carpet Edition.You can learn more about Kenneth through his website www.kennethdking.com and follow him on Instagram @kennethdking. If you want more doll couture drama, follow Lola on Instagram @lolatheshowgirl24.Books are available everywhere you enjoy books including:Amazon: https://www.amazon.com/Doll-Couture-Kenneth-D-King/dp/1963549236/Barnes & Noble: https://www.barnesandnoble.com/w/doll-couture-kenneth-d-king/1147095213?ean=9781963549232BetterHelp: Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://betterhelp.com/macolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 10% off your first month of therapy with BetterHelp and get matched with a therapist who will listen and help #sponsoredYouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/JeffMacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Me!!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/saintjmac⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/jeffmacolinopodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/saintjmac/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB Page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt17046562/?ref_=nm_knf_t1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@jeffmacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Art Credit: Chase Henderson

On this episode of the Visual Intonation Podcast, filmmaker Shana L. Darabie joins the mic with a voice shaped by image, genre, and deep interior listening. Born in Long Beach, California and based in Brooklyn, Shana traces a path from fashion design to film, from texture and silhouette to shadow and story. Her early training at the Fashion Institute of Technology sharpened her eye. Her later studies at Brooklyn College gave language to the images she could already see. Shana speaks plainly about process. About doubt. About the courage it takes to be vulnerable on the page. She reflects on how a single class project unlocked her desire to direct, how long treatments can sit before a script finally arrives, fast and fully formed. Science fiction and horror are not escapes for her. They are tools. Ways to explore fear, identity, and the systems that press on the mind. Films like The Trail, What Happened to Candice, and Trouble Connecting reveal a filmmaker committed to atmosphere and emotional truth. In conversation with host, the dialogue widens. Mental health moves to the center. Not as an abstraction, but as lived reality. They discuss how cinema has portrayed mental illness with care or cruelty, how poverty and access shape outcomes, and why compassionate storytelling matters. Shana opens up about her short Canary Trap, community support, and the quiet power of creative connection, whether formed in a writers room or over Zoom. The episode closes with reflection and recommendation. Films that linger. Films that listen. Shana shares titles that have shaped her way of seeing, including Tully, The Snake Pit, Young Adult, Welcome to Me, Perfect Blue paired with Millennium Actress, and Year of the Dog. It is a conversation about making work that resonates personally. About art as self care. About staying rooted while reaching toward the unknown.    Shana L. Darabie:  Source: IMDb Shana Darabie - IMDb  Contact and About - MyBotWorks  Source: Instagram MyBot Works (Shana L. Darabie) (@mybotworks) - Instagram  Source: LinkedIn Shana Darabie - THE DEPARTMENT OF MOTION PICTURES LLC | LinkedIn  Support the showVisual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/vantegregory/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation

ABOUT JOE BAER:Joe's LinkedIn profile: linkedin.com/in/joe-baer-4479385Websites:zengenius.com visual911.com Email: jbaer@zengenius.comBIO:Joe is the Co-Founder, Creative Director, and CEO of ZenGenius, Inc., an experiential design firm specializing in visual merchandising and event design. Headquartered in Columbus, Ohio, Joe brings over three decades of mastery in innovative leadership and creative direction to the design, visual merchandising and special events industries. He has extensive knowledge of the customer journey from working in stores for decades and is a seasoned public speaker who has traveled the world to inspire and educate others through the art of visual merchandising, design and special events.Additionally, Joe has contributed his retail know-how to multiple publications, authored The Art of Visual Merchandising: Short North, and created one of my favorite events in the retail industry the Iron Merchant Challenge, a popular interactive visual merchandising competition held annually at the International Retail Design Conference. Joe's passion for the world of design is evident in his role as President of the PAVE Global leadership board - a 501(c)(3) charitable foundation with the mission to support, connect, and inspire the next generation of professionals in the retail design, visual merchandising, and consumer environments industry. He also holds Advisory Board roles at Columbus College of Art and Design and VMSD Magazine. SHOW INTROWelcome to Episode 85! of the NXTLVL Experience Design podcast…In every episode we follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.” And as we continue on this journey, we'll have guests that are thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us.If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family.The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 85… I talk with Joe Baer of Zen Genius an experiential design firm specializing in visual merchandising and event design. Joe had spent more than 3 decades working the in the retail industry bringing visual merchandising know-how to the creation of emotionally resonant branded places. Visual merchandising is allot more than simply making things look good in a store. It's very much about 3D storytelling, sensory experiences, emotions and making places sing as Joe explains.We'll get there in a minute but... first a few thoughts…*                     *                          *                          *Monique worked in the visual merchandising departmentshe was the director there and I was the director in the interior design department our two programs ran concurrently we shared some students across our programs but we seldom actually shared lunchAnd so it was slightly strange but intriguing that she invited me to have lunch with her across the street from the college at a little Thai placeWe sat down, talked about students and then - more as a throw away - she said “they want me to go to Singapore…”And I waited for the next sentence.“But I don't really want to go to Singapore.” she said. “I'd have to leave here. I'd have to leave my son who's thinking about collage a few years and I'd really just prefer to stay in Montreal.”And then there was a silence.“Singapore?!” I said.“I don't even know where Singapore is. That's in Southeast Asia, right? ““yeah, it's like on the other side of the world.” she said.“Sounds exotic. I'd go for sure. Besides, I love Chinese food. I could eat it every day.”“Really?” she said .“Sure, why not? I'd love to go. I love the whole idea of adventure.” “Well anyway,” she said, “I don't know what they are going to do if I don't go. It's to be the Director of the visual merchandising program in an international fashion school and they've got no one else who could do it.” “No seriously, I'd go. I mean I have no idea about what you do and… I'm a guy and that means genetically I actually don't like shopping and I've only ever designed the escalator and fountain at the Eaton center. But let them know that I'd do it.”We finished lunch, climbed over the snowbank of freshly plowed snow, crossed the street to get back for afternoon classes and a few weeks later I was walking down the stairs of a plane in the stultifying humidity at Changi airport.Monday morning, I was the program Director of the Visual Merchandising Department at LaSalle International Fashion School … in Singapore… and… I had no idea what I was doing but knew my career had taken a significant and abrupt turn.The world of retail design had found me, and I never looked back for the next 20 years.Over those 20 plus years I learned from some masters in retail design and visual merchandising. I arrived in New York after a year, spent an afternoon with Gene Moore, was introduced to Peter Glenn and ended up working with Joe Weishar New Vision Studios. I spent the next four years listening to and watching Joe talk about visual merchandising practice as both art and retail strategy.For Joe Weishar visual merchandising wasn't just a display tactic but was a creative discipline that blended art, design and retail psychology. He merged visual perception and design principles and he would layout a store or a wall with the same mechanics of laying out a composition of a painting – proportions, scale, focal points. He celebrated Visual merchandising as an art form that shaped memorable experiences rather than simply placing products on the shelvesAll of those basic art principles were things that I was deeply familiar with. I had been in private art studios that my parents put me in at the age of nine because they recognized my passion for painting.I had gone to architecture school and spent the first eight years of my career doing traditional architectural projects – museums, libraries, houses, schools… that sort of thing and I taught the design same principles of scale proportion, balance, color, harmony and how you could use those things ultimately to tell a story to students in a College's interior design program in Montreal.Even in those early years of my career in the late 90s, I was learning that retail stores needed to be engaging the senses, and we should be thinking about creatively implementing textures, variations in lighting as well as sound and scent and not just focusing on what customers would experience with their eyes.I was learning that the senses were conduits for emotion and memory - that if you implemented design principles and thoughtful sensory-based visual merchandising elements correctly, that they would help to fill shopping baskets and engage customers in long-term relationships with a brand. These sorts of environments that engaged the senses would increase loyalty and invite return visits because, in the end, the store was simply a backdrop, a theater set for the full-bodied experience of a brand where main feature was the merchandise.If you thought of merchandise as elements in a composition and wrapped them in memorable display moments, it could make stores sing.This sort of thinking positioned retail as experience design rather than a purely commercial layout. The goods were a necessary part of the equation to be sure, but as I working through the foundational years of a retail design career, I saw that great retail places were more than a depository for stuff to be consumed, they had a palpable emotional resonance, they had soul. It was remarkable to me then, as a young retail architect, that we were designing with the purpose of selling…but it was more than that. Great stores fulfilled basic needs, desires and dreams. They were places for relationship building, with people as well as brands.They were story telling places that helped to message group belonging, wellbeing, connection and status. They were places where displays weren't random; they were meant to guide customers through a narrative journey. Every element was intentional, geared towards telling a brand story that invited the customer to participate in the story's unfolding.All of the effort that the designers, merchants and visual teams put into making the store wasn't just about “making it look good,” but making it work well. The design and visual strategy had to be grounded in retail metrics and customer behavior. In the end, our job as co-authors of this retail experience script was to move product.We would calculate merchandising units per square foot. We thought about how product would flow through a department from delivery to markdown and how adjacencies were critical – why groups of products were located next to what other products. We knew how many units had to sell in a department to make the financials work. There was business behind the beauty. Visual merchandising was a silent seller as author Judy Bell would say.In my early years, we didn't think too much about what happened to all the stuff after the store had aged or the season had changed. Graphics, fixtures and display items shifted along with the seasonal changes, holidays or special promotions. And a lot of it just got trashed. We began to think more deeply about the sustainability factor of our work and the impact of retail place making on our environment. It was no longer acceptable that the disposable economy would direct the design of store without any consideration for how it was eventually ending up in landfill sites. Lighting, manufacturing processes, materials, and lifecycles came under more scrutiny. These days, thinking about the sustainable nature of how we design and build stores is very much at the forefront of our thinking from the get-go.  Design firms are becoming B-Corporations whose mission is to be better stewards of our little blue dot. Along the way, teaching - both our clients as well as students in design programs - was something that never left the radar. What had been the precipitating moment - going from teacher to running a visual merchandising program at an international school in Singapore - would remain key to my professional experience. And this is where we can bring in my guest Joe Baer   into the story. Joe's story is so familiar because it is so similar. While we came to the retail world from different angles, our paths have many parallels and similarity in purpose – despite being from different orientations in the retail place-making paradigm.Joe is the Co-Founder, Creative Director, and CEO of ZenGenius, Inc., an experiential design firm specializing in visual merchandising and event design. Headquartered in Columbus, Ohio, Joe brings over three decades of mastery in innovative leadership and creative direction to the design, visual merchandising and special events industries. He has extensive knowledge of the customer journey from working in stores for decades and is a seasoned public speaker who has traveled the world to inspire and educate others through the art of visual merchandising, design and special events.Additionally, Joe has contributed his retail know-how to multiple publications, authored The Art of Visual Merchandising: Short North, and created one of my favorite events in the retail industry the Iron Merchant Challenge, a popular interactive visual merchandising competition held annually at the International Retail Design Conference. Joe's passion for the world of design is evident in his role as President of the PAVE Global leadership board - a 501(c)(3) charitable foundation with the mission to support, connect, and inspire the next generation of professionals in the retail design, visual merchandising, and consumer environments industry. He also holds Advisory Board roles at Columbus College of Art and Design and VMSD Magazine. Joe leads with passion, purpose, pure joy and believes in celebration so I see our conversation as a celebration of Joe Baer's commitment to his retail industry involvement.ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron the Retail Studio Principal for the architecture and design firm Little (https://www.littleonline.com). He is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. I caught up with Bryan at the SHOP Marketplace event in Charlotte and chatted about his focus on shaping what comes next in digital signage and experiential design. The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

Welcome to Season 6, Episode 01! Happy New Year! Our guest today is Peter Jae, a multi-hyphenate performer in Hollywood. Peter Jae is an actor, stunt performer, producer, and multidisciplinary creative with over two decades of experience working across film, television, and independent projects. Born in Brooklyn and raised primarily in the Bronx—with time spent in Queens as well—Peter grew up navigating identity as a Korean American in predominantly Black and Latinx neighborhoods. Those early experiences deeply shaped his worldview and continue to inform the stories he chooses to tell and the characters he brings to life. Before entering Hollywood, Peter pursued a wide range of creative paths. He attended a performing arts high school, studied menswear design at the Fashion Institute of Technology, and even launched his own urban greeting-card business. That early blend of art, entrepreneurship, and storytelling set the tone for a career defined by versatility rather than a single lane. Although his first opportunities in Hollywood were focused on stunt work and action, he has expanded into more substantial acting roles, appearing in projects such as Blackhat, Olympus Has Fallen, and numerous television productions. He is especially recognized for his work in Ktown Cowboys, an Asian American–led project that allowed him to portray a multidimensional Korean American character—something he has long advocated for in an industry that often limits Asian men to narrow stereotypes. Most recently, Peter stars in The Workout, an independent action-driven film that blends physical intensity with psychological tension. The story centers on discipline, survival, and the personal battles that unfold when routine, control, and identity collide—both inside and outside the gym. The film highlights Peter's ability to merge his background in stunts with grounded dramatic performance, reinforcing his reputation as an actor who brings authenticity and depth to physically demanding roles. You can follow Peter Jae and his latest work on Instagram at @peterjaenyla. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

From Freudian fashion to sumptuous saris, courtly courtesans to iconic opera costumes, we take you "behind the seams" of our recent fashion history-packed day tours of New York City spent at the Fashion Institute of Technology, The New York Historical Society, The Metropolitan Opera and the Metropolitan Museum of Art.  Further learning: Valerie Steele's Dress, Dreams, and Desire at the Museum at FIT The New York Sari and The Gay Harlem Renaissance at the New York Historical Discounted tickets for The Metropolitan Opera Antonio Ratti Center Noel Catherine Vorlée 1783 and ca. 1804 at the Metropolitan Museum of Art Man's Jama with Poppies  Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.