Podcasts about fashion institute

Kenneth D. King is a celebrated couture fashion designer, author, editor, and professor at The Fashion Institute of Technology, he joins Jeff to discuss his new release Doll Couture: Red Carpet Edition.You can learn more about Kenneth through his website www.kennethdking.com and follow him on Instagram @kennethdking. If you want more doll couture drama, follow Lola on Instagram @lolatheshowgirl24.Books are available everywhere you enjoy books including:Amazon: https://www.amazon.com/Doll-Couture-Kenneth-D-King/dp/1963549236/Barnes & Noble: https://www.barnesandnoble.com/w/doll-couture-kenneth-d-king/1147095213?ean=9781963549232BetterHelp: Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://betterhelp.com/macolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 10% off your first month of therapy with BetterHelp and get matched with a therapist who will listen and help #sponsoredYouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/JeffMacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Me!!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/saintjmac⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/jeffmacolinopodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/saintjmac/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB Page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt17046562/?ref_=nm_knf_t1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@jeffmacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Art Credit: Chase Henderson

What makes a bag feel powerful the second someone spots it across the floor—and why does that magic disappear when brands scale? We sit down with Matthew Lafargue of Accessory Think Tank to unpack lessons from the Macy's sales floor to leading $1.8B in wholesale. Matthew explains how service, presentation, and training shape perceived value more than spreadsheets ever could—and why clarity in assortments, hero products, and tiering protects brands as they grow.Key Takeaways: • Perception drives performance — Store experience shapes value before price does. • Protect the halo — Hero styles anchor growth and prevent brand confusion. • Test tight, scale smart — Clean buys and strong sell-through beat bloated assortments.Our Guest: Matthew Lafargue is a retail and wholesale strategist at Accessory Think Tank, with experience spanning department stores and billion-dollar accessory portfolios. Known for blending field insight with financial rigor, he helps brands sharpen presentation, strengthen hero products, and scale without losing their edge.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

Retail isn't dying—it's recalibrating. We sit down with William Brobston of the Brobston Group,  to explore the shift from oversized, anonymous stores to smaller, neighborhood spaces where teams know your name and brands feel personal. Drawing from experience across luxury fashion, jewelry, beauty, and home, William explains why e-commerce owns convenience but human connection builds loyalty—and how brands that invest in people, not just product, are pulling ahead.Key Takeaways: • Convenience is table stakes — Connection is the moat. • Invest in people, not just products — Teams translate brand into loyalty. • Local wins — Smaller formats and mono-brand stores are redefining retail growth.Our Guest: William Brobston is a retail leader with experience spanning luxury fashion, jewelry, beauty, and home. Known for building high-performing teams and blending retail anthropology with analytics, he advises brands on how to localize assortments, elevate in-store storytelling, and create community-driven growth in an evolving market.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

On this episode of the Visual Intonation Podcast, filmmaker Shana L. Darabie joins the mic with a voice shaped by image, genre, and deep interior listening. Born in Long Beach, California and based in Brooklyn, Shana traces a path from fashion design to film, from texture and silhouette to shadow and story. Her early training at the Fashion Institute of Technology sharpened her eye. Her later studies at Brooklyn College gave language to the images she could already see. Shana speaks plainly about process. About doubt. About the courage it takes to be vulnerable on the page. She reflects on how a single class project unlocked her desire to direct, how long treatments can sit before a script finally arrives, fast and fully formed. Science fiction and horror are not escapes for her. They are tools. Ways to explore fear, identity, and the systems that press on the mind. Films like The Trail, What Happened to Candice, and Trouble Connecting reveal a filmmaker committed to atmosphere and emotional truth. In conversation with host, the dialogue widens. Mental health moves to the center. Not as an abstraction, but as lived reality. They discuss how cinema has portrayed mental illness with care or cruelty, how poverty and access shape outcomes, and why compassionate storytelling matters. Shana opens up about her short Canary Trap, community support, and the quiet power of creative connection, whether formed in a writers room or over Zoom. The episode closes with reflection and recommendation. Films that linger. Films that listen. Shana shares titles that have shaped her way of seeing, including Tully, The Snake Pit, Young Adult, Welcome to Me, Perfect Blue paired with Millennium Actress, and Year of the Dog. It is a conversation about making work that resonates personally. About art as self care. About staying rooted while reaching toward the unknown.    Shana L. Darabie:  Source: IMDb Shana Darabie - IMDb  Contact and About - MyBotWorks  Source: Instagram MyBot Works (Shana L. Darabie) (@mybotworks) - Instagram  Source: LinkedIn Shana Darabie - THE DEPARTMENT OF MOTION PICTURES LLC | LinkedIn  Support the showVisual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/vantegregory/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation

What turns a love of making into an accessories brand people stop you on the street to ask about? We sit down with Anyah Sealy, founder of A by Anyah, to trace a path shaped by global training, hard critiques, and real market feedback. From early beading classes in Ghana to design school in Paris and rotations across major fashion houses, Anyah shares how craft, data, and adaptability combine to create bags that photograph beautifully and hold up in real life.Key Takeaways: • Detach ego from product — The customer, not the designer, makes the final call. • Craft + commerce win together — Material knowledge and pricing discipline sharpen creativity. • Build heroes, cut the rest — Staying power comes from focus, not excess.Our Guest: Anyah Sealy is the founder and creative director of A by Anyah, a handbag brand rooted in global craftsmanship and modern functionality. With training spanning Ghana, Paris, and major fashion houses across menswear, womenswear, and kids, Anyah brings a rare blend of emotional design and market intelligence to accessories built for everyday impact.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

ABOUT JOE BAER:Joe's LinkedIn profile: linkedin.com/in/joe-baer-4479385Websites:zengenius.com visual911.com Email: jbaer@zengenius.comBIO:Joe is the Co-Founder, Creative Director, and CEO of ZenGenius, Inc., an experiential design firm specializing in visual merchandising and event design. Headquartered in Columbus, Ohio, Joe brings over three decades of mastery in innovative leadership and creative direction to the design, visual merchandising and special events industries. He has extensive knowledge of the customer journey from working in stores for decades and is a seasoned public speaker who has traveled the world to inspire and educate others through the art of visual merchandising, design and special events.Additionally, Joe has contributed his retail know-how to multiple publications, authored The Art of Visual Merchandising: Short North, and created one of my favorite events in the retail industry the Iron Merchant Challenge, a popular interactive visual merchandising competition held annually at the International Retail Design Conference. Joe's passion for the world of design is evident in his role as President of the PAVE Global leadership board - a 501(c)(3) charitable foundation with the mission to support, connect, and inspire the next generation of professionals in the retail design, visual merchandising, and consumer environments industry. He also holds Advisory Board roles at Columbus College of Art and Design and VMSD Magazine. SHOW INTROWelcome to Episode 85! of the NXTLVL Experience Design podcast…In every episode we follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.” And as we continue on this journey, we'll have guests that are thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us.If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family.The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 85… I talk with Joe Baer of Zen Genius an experiential design firm specializing in visual merchandising and event design. Joe had spent more than 3 decades working the in the retail industry bringing visual merchandising know-how to the creation of emotionally resonant branded places. Visual merchandising is allot more than simply making things look good in a store. It's very much about 3D storytelling, sensory experiences, emotions and making places sing as Joe explains.We'll get there in a minute but... first a few thoughts…*                     *                          *                          *Monique worked in the visual merchandising departmentshe was the director there and I was the director in the interior design department our two programs ran concurrently we shared some students across our programs but we seldom actually shared lunchAnd so it was slightly strange but intriguing that she invited me to have lunch with her across the street from the college at a little Thai placeWe sat down, talked about students and then - more as a throw away - she said “they want me to go to Singapore…”And I waited for the next sentence.“But I don't really want to go to Singapore.” she said. “I'd have to leave here. I'd have to leave my son who's thinking about collage a few years and I'd really just prefer to stay in Montreal.”And then there was a silence.“Singapore?!” I said.“I don't even know where Singapore is. That's in Southeast Asia, right? ““yeah, it's like on the other side of the world.” she said.“Sounds exotic. I'd go for sure. Besides, I love Chinese food. I could eat it every day.”“Really?” she said .“Sure, why not? I'd love to go. I love the whole idea of adventure.” “Well anyway,” she said, “I don't know what they are going to do if I don't go. It's to be the Director of the visual merchandising program in an international fashion school and they've got no one else who could do it.” “No seriously, I'd go. I mean I have no idea about what you do and… I'm a guy and that means genetically I actually don't like shopping and I've only ever designed the escalator and fountain at the Eaton center. But let them know that I'd do it.”We finished lunch, climbed over the snowbank of freshly plowed snow, crossed the street to get back for afternoon classes and a few weeks later I was walking down the stairs of a plane in the stultifying humidity at Changi airport.Monday morning, I was the program Director of the Visual Merchandising Department at LaSalle International Fashion School … in Singapore… and… I had no idea what I was doing but knew my career had taken a significant and abrupt turn.The world of retail design had found me, and I never looked back for the next 20 years.Over those 20 plus years I learned from some masters in retail design and visual merchandising. I arrived in New York after a year, spent an afternoon with Gene Moore, was introduced to Peter Glenn and ended up working with Joe Weishar New Vision Studios. I spent the next four years listening to and watching Joe talk about visual merchandising practice as both art and retail strategy.For Joe Weishar visual merchandising wasn't just a display tactic but was a creative discipline that blended art, design and retail psychology. He merged visual perception and design principles and he would layout a store or a wall with the same mechanics of laying out a composition of a painting – proportions, scale, focal points. He celebrated Visual merchandising as an art form that shaped memorable experiences rather than simply placing products on the shelvesAll of those basic art principles were things that I was deeply familiar with. I had been in private art studios that my parents put me in at the age of nine because they recognized my passion for painting.I had gone to architecture school and spent the first eight years of my career doing traditional architectural projects – museums, libraries, houses, schools… that sort of thing and I taught the design same principles of scale proportion, balance, color, harmony and how you could use those things ultimately to tell a story to students in a College's interior design program in Montreal.Even in those early years of my career in the late 90s, I was learning that retail stores needed to be engaging the senses, and we should be thinking about creatively implementing textures, variations in lighting as well as sound and scent and not just focusing on what customers would experience with their eyes.I was learning that the senses were conduits for emotion and memory - that if you implemented design principles and thoughtful sensory-based visual merchandising elements correctly, that they would help to fill shopping baskets and engage customers in long-term relationships with a brand. These sorts of environments that engaged the senses would increase loyalty and invite return visits because, in the end, the store was simply a backdrop, a theater set for the full-bodied experience of a brand where main feature was the merchandise.If you thought of merchandise as elements in a composition and wrapped them in memorable display moments, it could make stores sing.This sort of thinking positioned retail as experience design rather than a purely commercial layout. The goods were a necessary part of the equation to be sure, but as I working through the foundational years of a retail design career, I saw that great retail places were more than a depository for stuff to be consumed, they had a palpable emotional resonance, they had soul. It was remarkable to me then, as a young retail architect, that we were designing with the purpose of selling…but it was more than that. Great stores fulfilled basic needs, desires and dreams. They were places for relationship building, with people as well as brands.They were story telling places that helped to message group belonging, wellbeing, connection and status. They were places where displays weren't random; they were meant to guide customers through a narrative journey. Every element was intentional, geared towards telling a brand story that invited the customer to participate in the story's unfolding.All of the effort that the designers, merchants and visual teams put into making the store wasn't just about “making it look good,” but making it work well. The design and visual strategy had to be grounded in retail metrics and customer behavior. In the end, our job as co-authors of this retail experience script was to move product.We would calculate merchandising units per square foot. We thought about how product would flow through a department from delivery to markdown and how adjacencies were critical – why groups of products were located next to what other products. We knew how many units had to sell in a department to make the financials work. There was business behind the beauty. Visual merchandising was a silent seller as author Judy Bell would say.In my early years, we didn't think too much about what happened to all the stuff after the store had aged or the season had changed. Graphics, fixtures and display items shifted along with the seasonal changes, holidays or special promotions. And a lot of it just got trashed. We began to think more deeply about the sustainability factor of our work and the impact of retail place making on our environment. It was no longer acceptable that the disposable economy would direct the design of store without any consideration for how it was eventually ending up in landfill sites. Lighting, manufacturing processes, materials, and lifecycles came under more scrutiny. These days, thinking about the sustainable nature of how we design and build stores is very much at the forefront of our thinking from the get-go.  Design firms are becoming B-Corporations whose mission is to be better stewards of our little blue dot. Along the way, teaching - both our clients as well as students in design programs - was something that never left the radar. What had been the precipitating moment - going from teacher to running a visual merchandising program at an international school in Singapore - would remain key to my professional experience. And this is where we can bring in my guest Joe Baer   into the story. Joe's story is so familiar because it is so similar. While we came to the retail world from different angles, our paths have many parallels and similarity in purpose – despite being from different orientations in the retail place-making paradigm.Joe is the Co-Founder, Creative Director, and CEO of ZenGenius, Inc., an experiential design firm specializing in visual merchandising and event design. Headquartered in Columbus, Ohio, Joe brings over three decades of mastery in innovative leadership and creative direction to the design, visual merchandising and special events industries. He has extensive knowledge of the customer journey from working in stores for decades and is a seasoned public speaker who has traveled the world to inspire and educate others through the art of visual merchandising, design and special events.Additionally, Joe has contributed his retail know-how to multiple publications, authored The Art of Visual Merchandising: Short North, and created one of my favorite events in the retail industry the Iron Merchant Challenge, a popular interactive visual merchandising competition held annually at the International Retail Design Conference. Joe's passion for the world of design is evident in his role as President of the PAVE Global leadership board - a 501(c)(3) charitable foundation with the mission to support, connect, and inspire the next generation of professionals in the retail design, visual merchandising, and consumer environments industry. He also holds Advisory Board roles at Columbus College of Art and Design and VMSD Magazine. Joe leads with passion, purpose, pure joy and believes in celebration so I see our conversation as a celebration of Joe Baer's commitment to his retail industry involvement.ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron the Retail Studio Principal for the architecture and design firm Little (https://www.littleonline.com). He is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. I caught up with Bryan at the SHOP Marketplace event in Charlotte and chatted about his focus on shaping what comes next in digital signage and experiential design. The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

What makes a bag feel alive after years of use—not just intact? We sit down with Grant Anderson, founder of Uptown Common, to explore how hand sewing, vegetable-tanned leather, and solid brass hardware reshape durability into desire. Grant breaks down why quiet construction details matter more than logos, how pricing honestly protects makers, and what it takes to build products that improve—not disappoint—with age.Key Takeaways: • Craft is a practice, not a claim — True quality comes from repeatable habits, not labels. • Price for reality, not romance — Underpricing breaks makers long before it serves customers. • Scale without dilution — Apprenticeship and end-to-end making preserve integrity as you grow.Our Guest: Grant Anderson is the founder of Uptown Common, a leather goods brand built on hand sewing, vegetable-tanned leather, and heirloom construction. Known for his disciplined approach to craft and pricing, Grant also founded Leather Reserve, expanding access to high-quality Italian leathers for independent makers committed to materials that patina, perform, and last.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

Our guest today is the incomparable Kenneth D. King, returning to the Sew & So Podcast after first joining us on Episode 72.Kenneth is a New York–based haute couturier renowned for his mastery of evening wear, couture technique, and design education.Born and raised in Salinas, Kansas, and later moving to Oklahoma, Kenneth's path to fashion excellence led him to earn a degree in fashion merchandising from Central State University and to study patternmaking in San Francisco under Paris-trained Simmin Sethna. His extraordinary career includes selling to elite boutiques such as Maxfield, Wilkes Bashford, and Ultimo, designing for icons like Geena Davis, Cloris Leachman, Bernie Taupin, and Elton John, and having his work featured on red carpets, music videos, and television commercials.Kenneth's creations now reside in the permanent collections of the De Young Museum, LACMA, The Oakland Museum, and London's Victoria and Albert Museum. In addition to designing, he is an Adjunct Assistant Professor at the Fashion Institute of New York, a Contributing Editor for Threads Magazine, an instructor for Craftsy and Burda, and the author of multiple acclaimed books on couture sewing techniques.In this episode, Kenneth joins us to discuss his newest book, Doll Couture – The Red-Carpet Edition, his inspirations, collaborations, and what continues to drive his creativity today. (3:35) Kenneth reminds us how he learned to so and who influenced him.(4:40) He tells about his grandmother and her influence on him.(5:20) He talks about why people are forced to create in a certain style and what can be done to more out of this mold.(7:53) He talks about his new inspirations and gives us a history lesson on new York's Ladies' Mile.(10:26) Learn about Kenneth's collaborations(11:40) What was it like for Kenneth to work with his husband Andrew?(14:23) What's new with Kenneth?(16:07) Learn about Kenneth's new book Doll Couture – The Red-Carpet Edition.(18:15) How is this new book different from the first one?(21:00) Learn about the book's Easter Eggs(21:15) What Red Carpet moments inspired his character's designs?(22:33) Does working on a small-scale change how he thinks about proportions and other considerations?(24:05) What items from doll sized couture will help those creating full-sized garments?(25:20) How long did it take Kenneth to complete his book?(27:06) There was an untraditional path to publishing Kenneth's books…he shares this with us.(31:48) What's it like when he is finally handed his first copy of a new book?(33:40) Kenneth recounts the story of his relationship with Elton John and the hats he created for him.(36:00) What's next for Kenneth?(37:34) What's his dream? And, how can you help?!(38:10)What question didn't we ask that he wished we had asked?(38:33) Reach out to Kenneth at KennethDKing@earthlink.com Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

What happens when a dream job disappears—and the real opportunity is right at home? In this episode, designer Ana Laverde shares how a Milan-trained industrial designer transformed a setback into a focused handbag brand rooted in Colombian leather, systems thinking, and disciplined edits. Ana explains how her background in luxury packaging shaped her approach to bags as functional objects for daily life, why sourcing in Bogotá's Restrepo district became a competitive edge, and how proximity to production protects quality, margins, and brand DNA. From killing slow styles to leading wholesale with proven best sellers, she breaks down how testing through pop-ups, trimming color palettes, and partnering with a numbers-driven advisor turned creativity into repeatable wins—without losing identity.Key Takeaways:• Design is a system — Structure, function, and durability come before decoration. • Edit to scale — Kill slow styles, lead with best sellers, and let data guide risk. • Proximity is power — Staying close to production safeguards quality and cash.

What does it really take for a heritage brand to become part of everyday culture? In this episode, Lew Frankfort—former CEO of Coach and author of The Bag Man—shares how Coach scaled from a small leather workshop into a global brand by designing for real life, not runway moments. Lew breaks down why he focused on “share of closet” over one-hit wonders, how early DTC testing and customer data shaped collections, and the craft decisions—like lighter-weight leather and functional silhouettes—that turned comfort into a competitive edge. He also reflects on Coach's expansion into Japan in the 90s, the power of signature materials, and today's brand stewardship with Stuart Vevers and Todd Kahn, where sustainability, vintage, and experiential retail are signals of listening, not gimmicks.Key Takeaways:• Design for real life — Function, comfort, and repeat use build lasting loyalty. • Data beats instinct alone — Zip codes, psychographics, and field testing reveal what customers won't say. • Stewardship over seasons — Legacy brands win by evolving their codes, not abandoning them.

ABOUT JENNIFER:LinkedIn Profile: https://www.linkedin.com/in/thejenniferwalsh/ Websites:https://www.walkwithwalsh.comBio:For nearly 30 years, Jennifer has been at the forefront of transformative movements in beauty, retail, & biophilic design. As a consummate innovator, she has been dedicated to reimagining the human experience, whether through pioneering retail concepts, creating immersive outdoor experiences, or driving biophilic design solutions across industries.In the 1990s, Jennifer founded Beauty Bar, the first experiential omni-channel beauty brand in the U.S., introducing open-sell environments, curbside service, and men's skincare departments, concepts that reshaped how people shop for beauty. This trailblazing work integrated biophilic principles long before they became mainstream, earning recognition as an industry innovator. After selling Beauty Bar ultimately purchased by Amazon in 2011, she continued to build groundbreaking businesses and brands, always staying ahead of the curve. Another first was created in 2014 with Pride & Glory, a collegiate beauty brand. Today, she guides large and small scale biophilic design projects to create spaces that promote human flourishing. From Recharge Rooms to retail spaces, homes, schools, and urban landscapes, her work transforms environments into ecosystems of opportunity. All inspired from lived experiences. Jennifer helps organizations leverage the neuroscience of nature to enhance experiences, foster resilience, and build deeper connections within their organizations.SHOW INTRO:Welcome to Episode 84! of the NXTLVL Experience Design podcast…In every episode we follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.” And as we continue on this journey, we'll have guests that are thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections betw een our mind-body and the built world around us.We'll also have guests who are creative marketing masters from international brands and people who have started and grown some of the companies that are striking a new path for us follow.If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family.The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 84… I talk with Jennifer Walsh who for nearly 30 years, has been at the forefront of transformative movements in beauty, retail, & biophilic design. Jennifer is an innovator, and has been dedicated to reimagining the human experience, whether through pioneering retail concepts, creating immersive outdoor experiences, or driving biophilic design solutions across industries.Talking about biophilic design isn't new on the podcast, this time though we bolt on retailing, neuroscience and experience. This conversation is more introspective and looks at one's motivation to change to considering our environments and biophilic design from the point of view of sense of well-being and personal growth.We'll get there in a minute but... first a few thoughts…*                     *                          *                          *If you go back to the early episodes of the podcast, you'll come across Bill Browning. Bill and I connected while I was working the hospitality industry and focusing my efforts on the redesign of the Westin guestroom and lobby design strategy.Bill's world is Biophilic – both literally and philosophically, may be even existentially. He literally wrote the book on Biophilic Design's 14 principles, which now includes a 15th with the addition of ‘Awe,' and he has written a more recent publication with Katie Ryan called “Nature Inside,” it is a terrific handbook to implementing Biophilic design principles in built environments.I think a lot about the design of places where nature has been completely eliminated - think major downtown cities in any corner of the world.It is also not lost on me that when I sit working in my Home Office I have the extraordinarily good fortune to lookout on 2 1/2 acres of green space with a rolling hill down towards a creek that when it rains particularly hard overflows and becomes a small river in my backyard. But this point of view to my backyard and the way I feel sitting on my deck having a morning coffee is not just about the warm feeling of my cup in my hands but that there are key principles of biophilic design at play - namely refuge and prospect. Being exposed daily to these perspectives towards a forest at the back of my property I have an immediate body sense of calm, wonder and awe.I see sun rises to the left of my property and sun sets to the right. The re are Canada geese that, like clockwork, fly over my backyard every fall as they migrate South. I'm attuned to the textures and colors of the sky and the varying degrees of light intensity - bright and brilliant and dreary and diffused.All of these features of a natural world have the effect of putting me at ease.In the past few years, I've begun to connect that mind body experience, the somatic experience of natural places, with what I understand about neuroscience and our long evolutionary history of living the largest proportion of our human development among trees - in a real jungle versus the concrete ones that we have now built all around us.It's no surprise that the Japanese practice of Shinrin-yoku – forest bathing – is actually therapeutic. When we immerse ourselves in a forest atmosphere, using all five senses to connect with nature, we are promoting stress reduction and well-being. Slowing down, and taking mindful walks, appreciating sights, sounds, and smells is so good for us and yet many of us, especially those who are city dwellers, rush from place to place making sure to stay on the clock moving from one appointment to the next and filling our schedules every day with a mind-numbing number of things to check off on our To Do List Taking a moment to disconnect from technology calms the mind and body and has proven benefits like lower stress hormones and boosting immunity.The multi layered, highly textured and colored natural environments that we have evolved from, are often being replaced by environments of banality that actually have deep psychological effects when we are continually exposed to boring buildings.Bringing this intuitive sense, that natural environments support well-being, into the design of built environments, and intentionally creating places that reference biophilic principles, often proves very hard to do in a world where efficiency and productivity leading to increased profitability are what we are taught to drive towards as a reflection of success.Many times, adding plants to a space is an afterthought, like decoration, to make things look better - but they are not really being incorporated as a strategy for building environments to enhance well-being. Interestingly though, when people learn more about how to apply biophilic principles, beyond simply introducing plants as a nod to creating more nature-based experiences, they begin to also understand that their assumptions about adding additional cost may not be well founded. If you consider designing with nature in mind from the get-go, incorporating principles of biophilic design in the places we build as part of the strategy, then managing the costs is totally achievable.Anthropologie stores are a great example of introducing living green walls to their stores. Too be sure, these are not without expense both in their implementation and maintenance but the effect of walking up the grand staircase with this green wall rising from floor to ceiling across multiple levels feels wonderful. I still remember one of my first experiences in the Anthropologie store on Regent Street in London and have since sought to find similar experiences in other retail stores around the world. Design ideas like the green walls in Anthropologie stores is a conscious, intentional, move that enhances experience as well as environmental air quality. We simply feel better when we were places like this and if that turns into reduced absenteeism of associates or increased customer visits then… all the better. There's no question that being under a wash of fluorescent light standing on hard surfaces or sitting in cubicles is perhaps one of the worst ways to be productive and happy in our workplaces. I would imagine that sales associates in Anthropologie stores generally feel better than in big boxes with uniform high intensity lighting, relentless aisles of merchandise, hard surfaces and stale air with no natural sunlight.Full disclosure, when I look back over my career of designing retail places, very infrequently has the design team spent time considering what it would be like to be a sales associate in one of these places. Standing for hours on end in environments that are depleting leads to poor interactions between sales teams and customers. Seems kind of obvious but when people feel better in their workplaces, they're more likely to translate that to positive interactions with guests. More positive interactions with guests could naturally lead to larger basket size and increased number of return visits. All good if you're a retailerAnd yet, we seldom see retail places that fully embrace ideas that support well-being through the strategic introduction of biophilic design principles.New disciplines in the world of neuroscience like neuroaesthetics are beginning to be more widely accepted in the design community and there is a broader recognition about the positive effects of creating environments that apply principles of biophilia that enhance a sense of well-being. And while there is a growing trend of wider adoption of neuroaesthetics we need to keep on beating the drum about environments that are actually good for us.This is where the story leads to my guest Jennifer Walsh.In the 1990s, Jennifer founded Beauty Bar, the first experiential omni-channel beauty brand in the U.S., introducing open-sell environments, curbside service, and men's skincare departments - concepts that reshaped how people shop for beauty. Jennifer says that she just wanted people to feel good when they came into her store and she somehow intuitively knew that introducing elements of biophilia, though I'm not sure that we actually even had a name for it back then, into her store, would attract people, have them stay longer and return more often.Jennifer's integration of biophilic principles, long before they became mainstream, earned her recognition as an industry innovator. After Beauty Bar was ultimately purchased by Amazon in 2011, she continued to build groundbreaking businesses and brands, always staying ahead of the curve.Today, she guides large and small scale biophilic design projects to create spaces that promote human flourishing. In retail spaces, homes, schools, and urban landscapes, her work transforms environments into ecosystems of opportunity. All inspired from lived experiences. Jennifer helps organizations leverage the neuroscience of nature to enhance experiences, foster resilience, and build deeper connections within their organizations.ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron the Retail Studio Principal for the architecture and design firm Little (https://www.littleonline.com). He is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. I caught up with Bryan at the SHOP Marketplace event in Charlotte and chatted about his focus on shaping what comes next in digital signage and experiential design. The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

Send us feedback about this episode!Today's guest is Kenneth D. King, sewing and couture expert and an adjunct instructor at the Fashion Institute of Technology (FIT) in Manhattan. He teaches at his studio in New York City and travels extensively in the United States, teaching fitting and couture sewing techniques. He is also a contributing editor to Threads magazine. Kenneth is the author of a number of books on garment design and drafting, as well as the books Doll Couture and Doll Couture: Red Carpet Edition. Kenneth shares the inspiration behind these books—rooted in a childhood love of making clothing for Barbie dolls—and encourages all of us to chase our dreams because we never know where they will take us. Show notes for each episode: www.thestraightstitchpodcast.comMy website: www.janetszabo.comSee my sewing projects at: www.janetszabo.com/blogE-mail me! janet@janetszabo.com

What happens when a Birkin is treated as an asset instead of a trophy? In this episode, Dana Auslander, founder of Luxus, breaks down how she built a private investment fund around Hermès quota bags—where discipline, data, and liquidity drive returns, not hype. Drawing on her background in law and finance, Dana explains why diversification can outperform a single headline purchase, how institutional-grade sourcing and third-party authentication make handbags investable, and why exit strategy matters more than chasing rare exotics. She also challenges viral myths about Birkin appreciation, shares what actually sells (size and neutral colorways), and makes the case for why Hermès is the only handbag brand that meets an investment standard.Key Takeaways:• Discipline over hype — Data, diversification, and timing matter more than rarity. • Liquidity creates returns — Exit channels define success more than acquisition. • Hermès is singular — Quota bags are uniquely positioned as investment-grade assets.

Wholesale isn't dead—it's just evolving. In this episode, we unpack what's actually working in handbags right now with Nancy Forman of Accessory Think Tank, from how specialty boutiques, focused DTC, and selective dropship can coexist, to the design details that truly move product. We dig into handles and straps that define comfort and versatility, intentional embellishment and personalization, smart material choices, and a disciplined approach to color. On the business side, we clarify when dropship helps (and when it hurts), why hometown boutiques still drive discovery and cash flow, and how to protect pricing while avoiding SKU bloat. If you want to design bags people reach for daily—and build a channel mix that scales without burning cash—this episode delivers a clear, usable blueprint.✨ 3 Takeaways: • Wholesale still works—when paired with disciplined DTC and selective dropship • Design lives in the details: handles, straps, and personalization drive usability and desire • Test before you scale—materials, colors, and SKUs should earn their expansionIf this sharpened your strategy, follow the show, leave a quick review, and share it with a designer who's navigating channel mix decisions right now.

Welcome to Season 6, Episode 01! Happy New Year! Our guest today is Peter Jae, a multi-hyphenate performer in Hollywood. Peter Jae is an actor, stunt performer, producer, and multidisciplinary creative with over two decades of experience working across film, television, and independent projects. Born in Brooklyn and raised primarily in the Bronx—with time spent in Queens as well—Peter grew up navigating identity as a Korean American in predominantly Black and Latinx neighborhoods. Those early experiences deeply shaped his worldview and continue to inform the stories he chooses to tell and the characters he brings to life. Before entering Hollywood, Peter pursued a wide range of creative paths. He attended a performing arts high school, studied menswear design at the Fashion Institute of Technology, and even launched his own urban greeting-card business. That early blend of art, entrepreneurship, and storytelling set the tone for a career defined by versatility rather than a single lane. Although his first opportunities in Hollywood were focused on stunt work and action, he has expanded into more substantial acting roles, appearing in projects such as Blackhat, Olympus Has Fallen, and numerous television productions. He is especially recognized for his work in Ktown Cowboys, an Asian American–led project that allowed him to portray a multidimensional Korean American character—something he has long advocated for in an industry that often limits Asian men to narrow stereotypes. Most recently, Peter stars in The Workout, an independent action-driven film that blends physical intensity with psychological tension. The story centers on discipline, survival, and the personal battles that unfold when routine, control, and identity collide—both inside and outside the gym. The film highlights Peter's ability to merge his background in stunts with grounded dramatic performance, reinforcing his reputation as an actor who brings authenticity and depth to physically demanding roles. You can follow Peter Jae and his latest work on Instagram at @peterjaenyla. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Emily Blumenthal, known as the "Handbag Fairy Godmother," is the author of Handbag Designer 101, a comprehensive guide for aspiring designers. She also founded the Independent Handbag Designer Awards to spotlight emerging talent and hosts the Handbag Designer 101 podcast, which showcases the stories behind iconic handbag brands. Emily is a Professor of Entrepreneurship at the Fashion Institute of Technology. In this episode… Many women entrepreneurs struggle with scaling their businesses, often finding themselves stuck between growth and control. They are conditioned to take on too much, fearing delegation might dilute their brand or message. How can female founders shift from managing every detail to building sustainable, scalable businesses? Handbag industry expert and entrepreneur Emily Blumenthal has developed the CASM framework — customer, agony, solution, and monetization — to validate business ideas before investing resources. This methodology, combined with persistence, allowed Emily to land her products on Sex and the City and QVC. She encourages female entrepreneurs to embrace delegation, reframe failure as a stepping stone to success, and develop clear strategies for long-term growth.  In today's episode of the Lead Like a Woman Show, Andrea Heuston chats with Emily Blumenthal, the author of Handbag Designer 101, about her entrepreneurial insights. She talks about empowering young girls through early entrepreneurship, the skill sets she leveraged to launch her business, and the origins of the Independent Handbag Designer Awards.

What if your content didn't have to perform—just work? In this episode, we sit down with Brittany Hennessy to unpack how social media shifted from a scrapbook to a search engine, and what that means for founders building visibility without burning out.We break down why clarity now beats consistency, how “real work” content outperforms polish, and why the smartest creators treat their feeds like living systems—not highlight reels. Brittany shares how to build momentum with limited time, what actually converts attention into trust, and how to use AI as a tool without losing your voice.3 Takeaways: • Visibility beats virality — Consistent, clear signals outperform one-off hits. • Systems scale creativity — Batch once, reuse smartly, and let process replace pressure. • Boundaries build trust — Showing less, but with intention, creates stronger connection.Our Guest: Brittany Hennessy is a social strategist and creator known for helping founders turn everyday moments into high-impact content. With a background in digital media and brand storytelling, she helps entrepreneurs build sustainable visibility—without chasing trends or burning out.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

Long before the fashion industry formally addressed questions of sustainability and advocated for “slow fashion,” a husband-and-wife design duo were working to create handcrafted leather-goods and functional women's sportswear that could be worn for decades. Active from the 1940s to the late 1960s, the Phelps quickly won acclaim, attracting a broad clientele and becoming known for quality, utility, and craftsmanship. Using vintage metal insignia and hardware, the Phelpses designed bags and belts that answered the need for American-made luxury goods during and after World War II. They worked to revive artisan workshops, fostered positive work environments for their employees, and employed injured veterans. In Artisans and Designers: American Fashion Through Elizabeth and William Phelps, Dr. Rebecca Jumper Matheson offers the first in-depth analysis of the Phelpses' partnership, their contributions to the fashion industry, and their forward-thinking business practices. She connects their work to larger conversations about sustainable fashion, consumerism, industrialization practices, and the intersection of art with American identity during and after World War II. The result is a richly-illustrated account of a brand, and the classic pieces that stood the test of time. Guest: Dr. Rebecca Jumper Matheson is a fashion historian and adjunct instructor at the Fashion Institute of Technology. Her research focuses on nineteenth- and twentieth-century American women's dress, using interdisciplinary approaches to discover women's narratives as designers, makers, sellers, and consumers. She is the author of three monographs, including Artisans and Designers: American Fashion Through Elizabeth and William Phelps. Host: Dr. Christina Gessler is the producer of the Academic Life podcast. She holds a Ph.D. in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: Big Box USA Every Purchase Matters Stitching Freedom Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany Smithsonian American Women You Are Not American Archival Etiquette: What to Know Before You Go Once Upon A Tome Get PhDone Becoming The Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Long before the fashion industry formally addressed questions of sustainability and advocated for “slow fashion,” a husband-and-wife design duo were working to create handcrafted leather-goods and functional women's sportswear that could be worn for decades. Active from the 1940s to the late 1960s, the Phelps quickly won acclaim, attracting a broad clientele and becoming known for quality, utility, and craftsmanship. Using vintage metal insignia and hardware, the Phelpses designed bags and belts that answered the need for American-made luxury goods during and after World War II. They worked to revive artisan workshops, fostered positive work environments for their employees, and employed injured veterans. In Artisans and Designers: American Fashion Through Elizabeth and William Phelps, Dr. Rebecca Jumper Matheson offers the first in-depth analysis of the Phelpses' partnership, their contributions to the fashion industry, and their forward-thinking business practices. She connects their work to larger conversations about sustainable fashion, consumerism, industrialization practices, and the intersection of art with American identity during and after World War II. The result is a richly-illustrated account of a brand, and the classic pieces that stood the test of time. Guest: Dr. Rebecca Jumper Matheson is a fashion historian and adjunct instructor at the Fashion Institute of Technology. Her research focuses on nineteenth- and twentieth-century American women's dress, using interdisciplinary approaches to discover women's narratives as designers, makers, sellers, and consumers. She is the author of three monographs, including Artisans and Designers: American Fashion Through Elizabeth and William Phelps. Host: Dr. Christina Gessler is the producer of the Academic Life podcast. She holds a Ph.D. in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: Big Box USA Every Purchase Matters Stitching Freedom Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany Smithsonian American Women You Are Not American Archival Etiquette: What to Know Before You Go Once Upon A Tome Get PhDone Becoming The Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Long before the fashion industry formally addressed questions of sustainability and advocated for “slow fashion,” a husband-and-wife design duo were working to create handcrafted leather-goods and functional women's sportswear that could be worn for decades. Active from the 1940s to the late 1960s, the Phelps quickly won acclaim, attracting a broad clientele and becoming known for quality, utility, and craftsmanship. Using vintage metal insignia and hardware, the Phelpses designed bags and belts that answered the need for American-made luxury goods during and after World War II. They worked to revive artisan workshops, fostered positive work environments for their employees, and employed injured veterans. In Artisans and Designers: American Fashion Through Elizabeth and William Phelps, Dr. Rebecca Jumper Matheson offers the first in-depth analysis of the Phelpses' partnership, their contributions to the fashion industry, and their forward-thinking business practices. She connects their work to larger conversations about sustainable fashion, consumerism, industrialization practices, and the intersection of art with American identity during and after World War II. The result is a richly-illustrated account of a brand, and the classic pieces that stood the test of time. Guest: Dr. Rebecca Jumper Matheson is a fashion historian and adjunct instructor at the Fashion Institute of Technology. Her research focuses on nineteenth- and twentieth-century American women's dress, using interdisciplinary approaches to discover women's narratives as designers, makers, sellers, and consumers. She is the author of three monographs, including Artisans and Designers: American Fashion Through Elizabeth and William Phelps. Host: Dr. Christina Gessler is the producer of the Academic Life podcast. She holds a Ph.D. in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: Big Box USA Every Purchase Matters Stitching Freedom Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany Smithsonian American Women You Are Not American Archival Etiquette: What to Know Before You Go Once Upon A Tome Get PhDone Becoming The Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Long before the fashion industry formally addressed questions of sustainability and advocated for “slow fashion,” a husband-and-wife design duo were working to create handcrafted leather-goods and functional women's sportswear that could be worn for decades. Active from the 1940s to the late 1960s, the Phelps quickly won acclaim, attracting a broad clientele and becoming known for quality, utility, and craftsmanship. Using vintage metal insignia and hardware, the Phelpses designed bags and belts that answered the need for American-made luxury goods during and after World War II. They worked to revive artisan workshops, fostered positive work environments for their employees, and employed injured veterans. In Artisans and Designers: American Fashion Through Elizabeth and William Phelps, Dr. Rebecca Jumper Matheson offers the first in-depth analysis of the Phelpses' partnership, their contributions to the fashion industry, and their forward-thinking business practices. She connects their work to larger conversations about sustainable fashion, consumerism, industrialization practices, and the intersection of art with American identity during and after World War II. The result is a richly-illustrated account of a brand, and the classic pieces that stood the test of time. Guest: Dr. Rebecca Jumper Matheson is a fashion historian and adjunct instructor at the Fashion Institute of Technology. Her research focuses on nineteenth- and twentieth-century American women's dress, using interdisciplinary approaches to discover women's narratives as designers, makers, sellers, and consumers. She is the author of three monographs, including Artisans and Designers: American Fashion Through Elizabeth and William Phelps. Host: Dr. Christina Gessler is the producer of the Academic Life podcast. She holds a Ph.D. in history, which she uses to explore what stories we tell and what happens to those we never tell. Playlist for listeners: Big Box USA Every Purchase Matters Stitching Freedom Dear Miss Perkins: A Story of Frances Perkins Efforts to Aid Refugees From Nazi Germany Smithsonian American Women You Are Not American Archival Etiquette: What to Know Before You Go Once Upon A Tome Get PhDone Becoming The Writer You Already Are Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From Freudian fashion to sumptuous saris, courtly courtesans to iconic opera costumes, we take you "behind the seams" of our recent fashion history-packed day tours of New York City spent at the Fashion Institute of Technology, The New York Historical Society, The Metropolitan Opera and the Metropolitan Museum of Art.  Further learning: Valerie Steele's Dress, Dreams, and Desire at the Museum at FIT The New York Sari and The Gay Harlem Renaissance at the New York Historical Discounted tickets for The Metropolitan Opera Antonio Ratti Center Noel Catherine Vorlée 1783 and ca. 1804 at the Metropolitan Museum of Art Man's Jama with Poppies  Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

Heritage craft scales on design and strategy, not good intentions. Ruth Álvarez-DeGolia, founder of Mercado Global, and Emmy-winning filmmaker Fabiola Bercasa Beckman share how Guatemalan handwoven textiles become modern handbags that compete at Free People and Holt Renfrew. From labor hours to in-country design, they show how simplifying silhouettes increases artisan wages and perceived value, while embedding impact into the product—not a hangtag. This is a blueprint for ethical, beautiful accessories that customers want and that provide real income for the women who make them.✨ 3 Takeaways• Ethical fashion must compete on design and price — Impact only works if the product stands on its own at retail. • Simpler designs can pay artisans more — Fewer cuts and smarter layouts often increase hourly wages and margins. • Impact should be built into the product — Visible craftsmanship beats vague claims and one-for-one models every time.

Send us a text Anthony Freda is an accomplished educator, artist, and activist whose creative journey shaped by moral reckoning and bold shifts in perspective ultimately led him to Jesus and a renewed focus on Christian art. A tenured professor at the Fashion Institute of Technology in New York, Freda has built a distinguished career as an award-winning illustrator, with work featured in major publications such as The New Yorker, Time, Rolling Stone, and The New York Times. His art is showcased in a permanent exhibit at the 9/11 Memorial, and he has been honored by The Society of Illustrators, Communication Arts, and American Illustration. Known for his provocative, politically charged imagery, Freda blends vintage American ephemera with modern commentary, using his work as a platform for cultural critique and creative activism. His StoryHe began his career in advertising, notably working on the infamous Joe Camel campaign. When the FTC ruled the campaign illegal for marketing cigarettes to children, Freda experienced a profound moral awakening that led him to leave advertising behind. He went on to work with prestigious publications such as The New York Times and The New Yorker, but it was his work on an OpEd piece for The New York Times promoting the Iraq War that sparked another ethical reckoning. Realizing he had gone from selling cigarettes to selling war, Freda transitioned once more, joining the early alternative media movement in the 2000s.Freda's work has often pushed boundaries, both politically and artistically. His art is part of the permanent collection of the 9/11 Museum and Memorial in New York, where his piece is one of the only works that questions the official narrative of the events of 9/11. His ten-year tenure with Infowars as an illustrator and writer further cemented his place in the world of controversial alternative news, and he has been vocal about his role in the space.Freda's work, especially his art, continues to stir debate. In 2024, an author in Germany faced legal consequences for simply posting one of his book covers on social media, and Freda himself has been extensively censored for his dissent against the official COVID-19 narrative. He has even been flagged as a potential domestic terrorist for his critical stance and controversial imagery. One of his most notable works is a covert illustration for The Wall Street Journal in 2025, where he secretly adorned Xi Jinping's tie with skull motifs as a subtle critique of global politics.In 2024, Freda worked as an illustrator and media consultant for RFK Jr.'s Super-Pac, AV24, further cementing his role in the political and media landscape. However, in recent years, Freda has pivoted his artistic focus towards Christian art. After decades of political commentary, he now sees the battle as spiritual and has committed to dedicating much of his creative work to Christ, producing original pieces as a devotion to his faith.Freda is also working on an ambitious project called Jesus Park, a sculptural earthen garden designed as a peaceful space for prayer and meditation. The project aims to provide a tranquil setting for spiritual reflection and devotion.To explore his ongoing projects, including his Christian art, visit his website: AnthonyFreda.com, https://www.instagram.com/anthonyfredaart/,The Thought Crimes of Anthony Freda - Book PreviewConnect with Angie Taylor on:IG: https://www.instagram.com/mrsangietaylor/?hl=enFB: https://www.facebook.com/profile.php?id=100090424997350

A single on-field embarrassment became the spark for Salt Athletic—Rafael de la Vega's patented cleat bag designed for the athlete who uses it and the parent who buys it. In this episode, Rafael shares how early missteps with PR, broad targeting, and hype burned cash, and how a hard pivot—economics first, accelerator support, and factory access in Mexico and India—turned the company around. A near-dead runway led to a bold performance-ad strategy that paid for itself, and a key insight reshaped everything: the user is the player, but the buyer is the parent.Rafael breaks down how Salt built a real brand system—from a clean, universal name to signature design cues like integrated handles and magnetic closures—and why D2C traction, league partnerships, and Nike shoebox activations beat vanity press. We dig into the realities of specialty retail vs. big-box marketplaces, drop-ship margins, and protecting price integrity while expanding into adjacent sports.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.

ABOUT BRYAN:LinkedIn Profile: linkedin.com/in/bryanmeszarosWebsites:openeyeglobal.com (Company)marketscale.com/industries/podcast-network/experience-by-design/ (Experience By Design Podcast)experienceunitedsocialclub.com (Experience United Social Club)email: bmeszaros@openeyeglobal.comBio:Bryan Meszaros is a 25-year veteran of the digital signage and experience design industry, known for blending innovation with measurable impact. As the founder of OpenEye Global, he proved that a small, focused team can deliver big results and helped shape the early evolution of digital engagement.He later made history as the youngest President of SEGD and the first with a digital centric background, while also contributing to the Digital Signage Federation and Shop! Association to advance industry standards.Bryan is also the founder of the Experience United Social Club (XUSC), an international networking series all about bringing together creative minds from the AV, digital signage, and design industries to share ideas and collaborate. With global experience across Europe and APAC, he has spoken at major events including EuroShop, ISE, InfoComm, and DSE, and regularly contributes to leading industry publications.Dedicated to pushing boundaries, Bryan remains focused on shaping what comes next in digital signage and experiential design.SHOW INTRO:SHOW INTRO:Welcome to Episode 83! of the NXTLVL Experience Design podcast…In every episode we continue to follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.” And as we continue on this journey there will be thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us. We'll also have guests who are creative marketing masters from international brands and people who have started and grown some of the companies that are striking a new path for us follow.If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family.The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine. VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 83… I talk with Bryan Meszaros founder of EpenEye Global. Bryan is a 25-year veteran of the digital signage and experience design industry, known for blending innovation with measurable impact. Naturally, in a world that is increasingly digitally mediated, Bryan's business is significantly focused on the emergence of Artificial Intelligence as a tool in his experience place-making toolbox.We'll get to more of how Bryan sees the use of AI in digital applications in brand experience places in a minute but... first a few thoughts…*                     *                          *                          *I grew up on Star Trek. They original version with Shatner as Captain James T Kirk. These were the sightly campy years in black and white but wonderfully prescient in foretelling what was to come. I used to say that my father, who lived to the ripe old age of 97 was so into it that was holding out until he could just beam up through the transporter to the next phase of his existence. We all watched, my 4 brothers and I every week, my mom? Well not so much…I got used to thinking about digital communication, robots, space travel and technology integrated into our lives facilitating everything from washing dishes to extending lifespans. There isn't a day that goes by now where my media consumption doesn't include something on the evolution of Artificial Intelligence. Both the amazing and the alarming.  How it will make workplaces completely different replacing much of what we now do with human brain and brawn with algorithms and computer chips that can fit 1000 computers from the old Star Trek days on your fingertip. How it is changing the way human brains are wired, though when it comes to our neural networks that trundle along at a speed ridiculously slow compared to the digital pace of change that is exponential and moving at the speed of light.How as a visualization tool it is becoming indistinguishable from real life people and places. Creating deep fakes that are so good at impersonating humans that avatars are no longer cartoonish but facsimiles of us that are, well, exactly like us - but whose knowledge base is the compendium of all human knowledge that can be accessed on the internet and provide cogent answers to well-crafted prompts and have them served up in a few seconds. ‘The times they are a changin' but at a pace that even Dillan couldn't have imagined. Don't even get me started about when we finally, and I don't think it is going to take too long, get to Artificial General Intelligence (AGI) and what that portends for humankind. I am often concerned for my sons and the world they are growing into as young adults. I wish sometimes that they'd have had the experience of growing up in the 60's and 70's when times were simpler – but of course they weren't really. Every decade has it's messes – sometime beautiful sometimes not and sometimes each of these ends of the human experience spectrum were happening at the same time.What we are experiencing now is evolution at a revolutionary pace. A slow simmering flame has exploded into a blast furn ace of change propelling us all, whether we like it or not, on a path that at times seems to be heading towards the edger of a cliff. Concerned? Well you'd have good reason to be.But then again, if you accept the Ray Bradburry adage of sometimes while standing at the edge of the cliff ‘you need to jump and build your wings on the way down', may we all then transform in midflight into some sort of lemmings with wings.The subject of AI has surfaced a number of times on this podcast notably with data visualization artists like Refik Anadol and architect artist Samar Younes,  spatial computing specialist and near futurist Neil Redding and Synchronicity Architect Justin Bolognino. Each of these creators and theorists shape the AI narrative to their own ends, each of them proclaiming the virtues and vices of the technology.Uses of AI in design and architecture, as well as other industries, is multifarious and, I would admit, well beyond my more general appreciation for using it as an ideation tool and writing assistant in my everyday work.In the world of experience design there are at least 2 ways - although I would guess many more - to look at it:- on a very basic level there is the physical integration of digital media facilitated by Ai and then there is actual content that ends up on the digital interface – be it a touch screen kiosk, a display array in a sports bar or an enormous multi-story wall in Times Square. Getting these screens to work with the environment is always a challenge. Mainly I believe because they come as an afterthought rather than an integrated design solution and part of a digital experience strategy.In the second case of content, one size does not fit all. Places and people are different. The same content being played on those screens all day are visual noise detracting from overall experience rather than enhancing it. These days, every minute of every day things are changing. Why should digital content on screen of any size and shape be any different?If purveyors of brand experiences are not changing content to adapt to customers everchanging needs across the journey, digital content simply becomes part of the visual texture of the environment slipping into irrelevancy and lending nothing to the embodied memory of a place.This is one area Ai is able to change the game – creating content to meet customer needs more directly. Now it would be difficult, if not impossible to change digital content in Times Square to continually meet the needs of the thousands of people in that digital epicenter in New York. But then we all carry cell phones – person digital devices. All of those phones are geolocated. Each of those those has an address – a personal identifier about who it belongs to and bunch of other information about you – personal, financial, home address, etc.Are a bunch of guys at google looking at you individually as you make your way across Times Square – not really – but your Hazel and Gretel trail of ones and zeros from purchases, GPS searches, app use, etc., etc., tell a lot about you should anyone want to do a little digital forensics.The idea here is that we are giving up this information every time we turn our phones on. That information isn't snatched from us without our consent (generally) it's in our service agreement terms and conditions – that impossibly long text that most of us scroll through to the end and click “agree.”But that information could be used to make your path across Times Square more relevant to you. Perhaps your device communicates with other devices or screens and changes the content that you see.This isn't quite Minority Report yet, where Tom Cruise courses through a store and the displays are talking to him because they recognize his retinas – but it is possible to create messaging that is more personalized to you, specifically, as a customer.Digital signage can change either on the wall of as shelf signage.It is about recognizing your customer and understanding that they are used to creating experience narratives that are more relevant to them because they, in part, have contributed to their making. Want to stay relevant to your customers, new or old? Support their collaboration in the shopping journey offering up opportunities for them to write themselves into the narrative. Story and strategy must be connected. Doing good by your customer is about building a relationship and Ai can support that effort but including engaging digital content that recognizes them as individuals, with relatable and relevant messaging.But the whole enterprise needs to be seamless. Sometime I think that the best tech is the tech you don't see, but it think it is also perfectly OK to see it if there are no disconnects in journey. Signature moments in the customer journey have to link up so the customer follows the bouncing ball from their first connection point through the purchase moment and then beyond. And this is where this episode's guest comes into the picture.Bryan Meszaros is a 25-year veteran of the digital signage and experience design industry, known for blending innovation with measurable impact. As the founder of OpenEye Global, he proved that a small, focused team can deliver big results and helped shape the early evolution of digital engagement.Bryan was the youngest President of SEGD and the first with a digital centric background, while also contributing to the Digital Signage Federation and Shop! Association to advance industry standards.He is also the founder of the Experience United Social Club (XUSC), an international networking series all about bringing together creative minds from the AV, digital signage, and design industries to share ideas and collaborate. With global experience across Europe and APAC, he has spoken at major events including EuroShop, ISE, InfoComm, and DSE, and regularly contributes to leading industry publications.Bryan likes the idea of staying dedicated to pushing boundaries, so he is a natural fit for the show. ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. I caught up with Bryan at the SHOP Marketplace event in Charlotte and chatted about his focus on shaping what comes next in digital signage and experiential design. The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

Think launching a handbag brand is as easy as designing a pretty product? Think again. In this episode of Handbag Designer 101, we're joined by industry expert Nancy Forman, whose decades of experience—from Bloomingdale's to Accessory Think Tank—have made her a trusted voice in fashion strategy, manufacturing, and merchandising.Nancy doesn't sugarcoat it. Today's market demands much more than a great idea—it requires a plan, a factory, and a deep understanding of your customer before you even produce your first bag. From hidden development costs to managing trade show expectations, her insights are a must-hear for any serious designer.

Short Summary:In this conversation, Rocky and clothing designer Crespatrick de los Reyes explore the tension between creativity, obedience, and the pressure to “make it” on someone else's timeline. This episode digs into the lies creatives believe about success and the fear of losing themselves in the pursuit of profit. If you've ever wondered whether you can honor your craft without sacrificing your humanity, this one will hit home.Episode Highlights:Why timelines aren't the real enemy...our stories about them are.. The difference between protecting your creativity and propelling your creativity.. How comparison and rushing quietly sabotage the creative process.. The human thing vs. the hard thing: a new way to navigate responsibility.. Why obedience, peace, and purpose may be the gateway to true profitability.. The lie most creatives believe when facing financial pressure.. What changes when you stop selling yourself short and start telling the truth.Get To Know Our Guest:Crespatrick de los Reyes is a Filipino American clothing designer specializing in upcycling denim fabrics to create collections for his brand Crescente Patricio. Having graduated from the Fashion Institute of Design and Merchandising in Los Angeles, Crespatrick's journey has taken him through various parts of the fashion industry to eventually lead him to designing for a denim start up which paved the way for starting his brand in 2017. By way of Los Angeles, Crespatrick and his brand are now based out of Dallas, TX where the brand has really found its roots. Crespatrick draws inspiration from his Filipino American heritage to tell stories through his pieces that are designed to feel Different yet Familiar.Websites: www.cpatricio.com | www.crespatrick.comSocial: @crespatrick_dlr @crescente.patricioResources Mentioned . Join Rocky for the Live Leadership Training – https://www.rockygarza.com/confident

Ever wonder why some emerging handbag brands thrive while others stall before launch? In this episode, Nicole Levy of Baikal Handbag Manufacturing breaks down the real operations behind successful accessories brands—from timelines and tariffs to minimums, materials, and distribution strategy.Nicole explains why your first collection should be three or four tightly connected styles (not 15), how a repeatable signature builds brand recognition faster than trends, and why military olive is this season's sleeper hit. She walks through the production ladder that actually works—sample domestically, run 10-piece U.S. test batches, then move core colors to ~150-unit overseas minimums—and how pricing files reveal whether wholesale is financially viable before you burn cash. We also get into boutiques versus department stores, what materials truly perform, and how 3D modeling elevates hardware without crushing your budget.✨ 3 Takeaways:• Start focused, scale intentionally — A small, cohesive collection and a clear signature outperform sprawling assortments every time. • Know your numbers before you produce — Pricing files, MOQs, freight timelines, and margins determine viability long before retail does. • Choose distribution that builds loyalty — Boutiques drive discovery and repeat D2C sales in ways department stores rarely can.

A thousand facets sits for the season finale of season 3 with the truly talented Anthony Lent in his studio in Pennsylvania. They talked about his education in Germany, his years as a professor and how he creates his wonderful and whimsical jewelry. About: Anthony Lent has been handcrafting fine jewelry for women and men for almost fifty years. Our collections are based on the sculptural creations of master goldsmith and jewelry designer, Tony Lent. He has dedicated his life to the painstaking transformation of visionary images into intricate pieces of wearable art that are among the most detailed and conceptually profound works of jewelry being made today. Tony began his foray into the jewelry world while studying sculpture at the Philadelphia College of Art (now University of the Arts). While there, he discovered that many of his favorite artists, such Celini and Dürer, were also goldsmiths. He also encountered the works of various renowned jewelers, including René Lalique, René Boivin, and Mario Buccellati, amongst others. In 1971, Tony left Philadelphia and moved to Germany to pursue his goldsmithing education at the Fachhochschule in Schwäbisch-Gmünd. In Germany, he immersed himself in the traditions and technologies of European jewelry design, acquiring the skills and knowledge that would become the foundation of his own work and teaching. On returning to the United States a few years later, he began his career as a jeweler in New York City, working for some of the industry's most prestigious and celebrated fine jewelry houses. During this time, he developed a unique line of bespoke jewelry which was exhibited at galleries and represented by private dealers throughout the world. He also served during this time as a professor at the Fashion Institute of Technology (FIT), where he was chairman of the Jewelry Design department from 1990–2001.  Tony is joined by his sons, David and Max, who founded the Anthony Lent brand in 2013. Together, they are working to preserve their father's legacy for future generations of discerning collectors of the most beautiful and captivating jewelry in the world. At Anthony Lent, we strive to meet the highest standards of quality possible and treat attention to even the finest of details as the number one priority in everything we do. All of our jewelry is designed and manufactured with pride in the USA. You can follow Anthony on Instagram @anthonylentjewelry or his website https://anthonylent.com/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

What if the real engine of modern luxury isn't loud marketing—but meaning delivered consistently across every touchpoint? In this episode, Dr. Jessica Quillin, fashion strategist and PhD in 19th-century poetry, breaks down how elevated storytelling creates brands that feel unified on the site, in the feed, and in the store. She shares her journey from studying the philosophy of beauty to advising global fashion houses, revealing how emotions become experiences—and how experiences become communities that buy, return, and advocate.Jessica takes us through the post-pandemic clutter of beautiful but disjointed brand moments: e-commerce that doesn't guide, social feeds that don't match the retail floor, and campaigns disconnected from values. Her antidote is both strategic and doable—codify your identity, then run small, disciplined pilots. Launch a three-post content series, read the data, refine, and repeat. From nostalgia-powered Gen Z engagement to experiential moments that spark belonging, Jessica shows how consistency across platforms is now one of the strongest moats in fashion and accessories.

LOUISE WANNIER is an author, artist, and creative entrepreneur. As a visual artist and photographer, she attempts to capture and present the energy and spirit she observes and feels in our complex world. Her work has been exhibited at galleries and museums nationwide and appeared in the book Less Clutter More Life. She has built four companies and advised many others in industries from Education Technology to Fashion Design and is currently creating her own textile art prints and collections for fashion and the home under the label LOUIS JANE™. A graduate of the Fashion Institute for Design and Merchandising in Textile Design, she also holds an MBA from the UCLA Anderson School and a BS in Astronomy from the California Institute of Technology. She feels very fortunate to be “Safta” to nine grandchildren. To learn more, visit LouiseWannier.com.  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

ABOUT DINA TOWNSEND Dina's Linkedin Profile: linkedin.com/in/dinatownsendDINA TOWNSEND BIOAs Chief Sales Officer at Mamava, Dina leads the Sales Organization with energy, optimism, and a genuine passion for building connections. She is rooted in the belief that strong business acumen and a meaningful mission can be seamlessly intertwined. After a purpose-driven career pivot from Digital Signage Technology to Mamava, she channels her expertise into propelling sales for this mission-centric company. Beyond her professional endeavors, Dina is a former skydiver, a hobby homesteader, an avid college football fan, and a well-intentioned, albeit average, golfer.email: dinat@mamava.com | 802.347.2111 (o) Website: www.mamava.comSay yes to dignified lactation spaces! Be a hero—here's how you can help. SHOW INTRO:Welcome to Episode 82! of the NXTLVL Experience Design podcast…In every episode we continue to follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.” And as we continue on this journey there will be thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us.We'll also have guests who are creative marketing masters from international brands and people who have started and grown some of the companies that are striking a new path for us follow.If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family.The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience.SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 82… I talk with Dina Townsend Chief Sales Officer at Mamava a company whose mission is to create a healthier society through infrastructure and support for breastfeeding. And, along with partners who share in in their purpose of celebrating and supporting breastfeeding, Mamava is moving closer to creating a future where there is a dignified lactation space anywhere a parent may go. We'll get to my discussion with Dina in a minute, first though a few thoughts…*                     *                          *                          *A few episodes back I had Claire Coder founder and CEO if Aunt Flow on the show. That was an interesting conversation since we crossed what I think were a few boundaries (at least for me) and we talked quite candidly about menstruation. Not just about the biology of women's monthly cycle but about the fact that there are many women who have faced the scenario of getting their period unexpectedly and not have pads or tampons to meet them in their moment of need.Enter the company Aunt Flow who provides free feminine hygiene products in public restrooms, schools and other public buildings and to Fortune 500 corporate headquarters - for which tens of thousands of women are eternally grateful.This conversation with Dina Townsend, I guess you could say, falls in the Aunt Flow camp of subjects. Breast feeding moms was not a subject that I had on the list of things to address on the podcast. But here we are nevertheless with a subject that piqued my curiosity because the company Dina works for, Mamava, checks most of the boxes in our Dialogues on DATA: Design, Architecture, Technology and he Arts” catch phrase.First off…I did not know there was something called the “Pump Act”. For the curious out there, a little internet searching comes up with this:“…The PUMP for Nursing Mothers Act, enacted in December 2022, expands workplace protections for nursing employees by requiring employers to provide reasonable break time and a private, non-bathroom space for pumping breast milk for up to one year after a child's birth.This law allows for legal action if employers fail to comply…”Now… Dina will contend that many employers do in fact provide such a space and also that a janitors closet with a folding chair would be in line with the requirements. Sure, a closet meets the description of a ‘private space' but it wholly underserves the needs of a nursing mother in terms of experience.I am aware that there are widely divergent views on the whole subject of breast feeding – we are not going to go there – except that I'll say that I fully line up behind my wife who breastfed our two sons.My discussion with Dina moves from the necessity to provide environments for nursing mothers to breastfeed their infants while in public places to the buying power of mothers who statistics indicate make an enormous amount of the buying decisions in households to how tying Retail Media Networks - RMNs – to Mamava pods serve a triple bottom line serving People, Planet and Profit. It's a way of shifting our thinking about business from “How much money did we make?” to: “Did we make money in a way that benefits society and the environment too?”Nielsen, Boston Consulting Group (BCG) and Harvard Business Review research tells us that Women drive 70–80% of consumer purchasing decisions in the U.S. and that is even for products they don't personally use.  And that their annual global consumer spending, is $20 trillionwhich, by the way, is a number projected to rise to $28 trillion. In many households, women make or heavily influence91% of new home purchases, 92% of vacation decisions, and 80% of healthcare choices says research by the Yankelovich Monitor, Marketing to Women Conference data.And Millennial and Gen Z mothers are even more influential: they control about $1 trillion in direct annual spendingand are primary decision-makers for food, home goods, education, and entertainment – says research by the Pew Research Center.So, women and moms are a force to be reconned with in terms of buying power and why Mamava pods are more than an economic discussion. The behavioral and psychographic aspects of them is important as well.Women increasingly valuebrands that support family life, caregiving, and inclusivity and so features like Mamava pods in retail locations or corporate HQs or parental-leave policies have brand-equity impact.We have known for some time that brands that are considered authentic exhibiting genuine empathic concern for their customer and employeesare major drivers in establishing brand affinity and purchase decisions. The BabyCenter “State of Modern Motherhood” report says that “ 9 in 10 mothers say they are more loyal to brands that “understand the challenges of motherhood.”And then there is mom's digital influence. Pew Internet studies explains that“80% of moms research products online before buying and that 60% follow parenting or lifestyle influencers for purchase guidance.”When you combine these factors with the emergence of Retail Media Networks, RMNs, you have a value add to placing Mamava pods in places that do not actually take up any more space on the sales floors of a store than is already being occupied with stuff that does support the brand experience or selling anything.Use to be that when digital screens came into the retail world, we had kiosks as wayfinding devices. Then a proliferation of screens emerged in the market where walls were more digital wallpaper crowding the environment with content and, in my opinion adding little to experience, arguably creating a shopping experience with more visual distraction and diminishing the overall experience. Painting the environment with the broad-brush stroke of digital media is often ineffective in capturing and retaining attention and doesn't lead to the positive results we think it does.That said, well considered application of digital media like those found on Mamava pods creates an opportunity to provide messaging to customers that could be more like a public service announcement, like ‘get your flu shot here today,' or a focused marketing piece that invites customers to consider a particular product that they may not have thought of prior to arriving at the store.So, you might ask why this matters to retail designWomen and mothers aren't just your average everyday consumers, they're key decision-makers shaping the social expectations of brands and spaces. Retailers, airports, and workplaces that provide amenities like Mamava pods, family restrooms, or flexible shopping experiences are responding directly to data-driven insights like:Increased dwell time and spending when caregivers feel accommodated.Higher brand loyalty and word-of-mouth among mothers.Positive CSR – Corporate Social Responsibility - and inclusivity signaling which is important for both consumer and employee attraction.If you have recently traveled through an airport, you may have already come upon a Mamava pod or maybe you have seen their “bench” version in a retail store. Fed up with pumping in bathrooms and borrowed spaces—Mamava's co-founders, Sascha Mayer and Christine Dodson, applied their decades of expertise in design and brand strategy to solve a problem that was largely invisible: the lack of lactation spaces in workplaces and public spaces and as a result, the Mamava pod was born.Tying together the Mamava pod, and its various incarnations, and retail media needed some savvy about how to create an effective in-store media application that wouldn't end up as just another screen in an already overwhelming environment.Enter Dina Townsend.As Chief Sales Officer at Mamava, Dina leads the Sales Organization with energy, optimism, and a genuine passion for building connections. She is rooted in the belief that strong business acumen and a meaningful mission like the Mamava brand platform can be seamlessly intertwined. After a purpose-driven career pivot from the world of Digital Signage Technology to Mamava, Dina channels her expertise into propelling sales for this mission-centric company. ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon.  The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

About Robin Zachary Robin Zachary is a New York based prop stylist and creative director for over 20+ years, a styling educator and author of the book STYLING BEYOND INSTAGRAM. She is passionate about vintage collecting, shopping and being surrounded by flowers as much as possible. Her clients include national brands, magazines and social media accounts. She mentors stylists entering the field through The Prop Styling Experience® , The Fashion Institute of Technology and New York Botanical Garden. She spends her free time harmonizing and playing guitar with her husband and of course shopping.   Summary Desha Peacock and Robin Zachary explore the world of prop styling, the impact of writing a book, and the journey of personal growth. They discuss the importance of manifesting dreams, the challenges faced in their careers, and the excitement of upcoming workshops in Mexico. Robin shares her insights on building a creative business, the significance of community, and the power of specific goal-setting. The conversation is filled with inspiration, practical advice, and a tips on doing work that feeds your soul.    Takeaways The behind-the-scenes world of prop styling, not as easy as it looks Manifesting dreams while also managing challenging personal life circumstances The power of community + specific goal-setting Robin's secret to manifest your next big chapter It's possible to build a soul-fed creative business   Chapters 00:00 Connecting Through Creativity 03:56 Robin's Prop Styling Journey 07:19 The Impact of Writing a Book 12:40 Taking care of a parent with Dementia 16:12 Manifesting Dreams and Goals 24:41 Creating Content on the SheDESIGNS Mexico Retreat 27:54 Advice for Designing a Life You Love 30:39 Leave room for surprises 33:40 Thanks for listening!   Where to find Robin: The Prop Styling Experience Found Artists Robin's Website Robin Zachary on IG   Join our community! Follow this podcast and share with a friend! In the world of podcasts, reviews are everything! Please rate and review this episode on your favorite platform.  Visit our website to get the latest on episodes, behind the scenes info, and upcoming events & retreats.  Say hi on the gram!

What if the secret to growth isn't chasing the next trend—but carrying a dream with enough grit to outlast them? In this episode, Adriana Castro shares how she turned Colombian craftsmanship and business discipline into a timeless accessories brand. Leaving a safe corporate path for design school, she transformed professors into mentors and built her first collection—and its production—from the ground up in Barranquilla. Adriana breaks down her hybrid strategy of pairing indigenous natural fibers with noble, long-lasting materials, and how stewardship programs like “certificates of adoption” can give accessories deeper meaning and legacy.The conversation gets real about pricing, margins, and the danger of designing aspirationally without scale. Adriana opens up about balancing passion projects with profitability, identifying her true customer through data, and letting hero products carry the brand. From Sarah Jessica Parker rewearing the Eva Clutch to navigating the mental health side of entrepreneurship, Adriana's story is both grounded and inspiring—a reminder that longevity comes from clarity, consistency, and care.

What if the difference between a forgettable line and an enduring brand came down to a handful of details and a few brave decisions? In this episode, Steven Alan unpacks how a small Soho storefront became a global showroom, why discovery will always trump trade-show buying, and how clean distribution keeps both the magic and the margin intact. From recognizing Claire V's voice in five self-sewn bags to cultivating independent designers who'd later define the modern accessories space, Steven shares how instinct, restraint, and precision build brands that last.He also gets candid about scaling too fast—expanding from eight to twenty-three stores, adding overhead, and learning the hard way that growth without discipline can crush profitability. Post-COVID, he pared everything back, rebuilt around his core menswear, and reopened with a Chelsea studio that blends craftsmanship, curation, and calm. His playbook now? Specialize deeply, collaborate selectively, and let great product—not PR—do the talking.

Allison Kent-Gunn knows good beauty packaging when she sees it.  The Los Angeles-based aesthetician-turned-packaging consultant has become one of the leading voices in beauty packaging on social media thanks to her "hot takes" on packaging wins and misses. She's a former cosmetic packaging instructor at the Fashion Institute of Design and Merchandising, and outside of her social media, where she goes by @AllisonTurquoise, her insights can be seen in an upcoming Cosmetic Science Textbook used in packaging courses.  Today's episode of the Glossy Beauty Podcast —  a special episode dedicated to the best, and worst, beauty packaging — concludes our three-part, deep-dive series on the world of beauty and wellness packaging. Kent-Gunn provides an in-depth hall of fame and shame for several packaging categories, including sustainability, accessibility, celebrity brands' packaging and more.  But first, Lexy Lebsack is joined by Emily Jensen to run down the beauty and wellness news of the week.  First up is a look at the growing wellness data economy, including a look at the value of data collection and aneb analysis of Rebook's new health tracker ring. The hosts also discuss fragrance news from Unilever-owned Dove. The mass body-care brand is launching its first-ever body mists as part of a limited-edition holiday collection released with the Rockettes. The iconic New York dancers recently partnered with Sephora, as well. Next up are details about POV Beauty's foray into color cosmetics. POV is the buzzy new line from influencer and TikTok star Mikayla Nogueira. The line launched this spring with skin prep products and, in news announced this week, will expand into lip products with a November 4 launch. 

Stacy Flynn is CEO and a founding partner of Evrnu, a textile innovations company. An accomplished sustainable systems expert, Stacy is committed to developing innovative fiber technologies that reduce textile waste and preserve natural resources. Under Stacy's leadership, Evrnu is working to solve the most pressing challenges facing the global textile and apparel industry. In 2019 Evrnu debuted NuCyclTM, a technology that transforms garment waste into a resource by recovering the raw materials for reuse. A future where textile producers, brands, retailers and customers reimagine their relationship with nature is now becoming a reality. Evrnu has been recognized as an organization making notable contributions to the circular economy as well as being an honoree in the 2020 Fast Company World Changing Ideas. Stacy is a TEDx and keynote speaker and a passionate voice of authority advocating for materials reuse for sustainability in textiles. She is an Unreasonable Impact Fellow, along with a cohort of CEOs that are advancing other world changing ideas. Prior to founding the company in 2014 with her business partner Christo Stanev, Stacy worked as a global textile specialist for nearly two decades in roles at DuPont, Eddie Bauer and Target. She holds an MBA in Sustainable Systems from Presidio Graduate Institute and a Bachelor of Science degree in Textile Development and Marketing from the Fashion Institute of Technology. ⁠https://evrnu.com/⁠⁠https://nexuspmg.com/⁠

What happens when you walk away from Marc Jacobs and Calvin Klein—and bet on your own name instead? In this episode, Joy Gryson shares the bold pivot from corporate fashion to building a modern handbag brand that exploded in Korea and won a loyal global following.She reveals how consulting bridged the leap, why she and her husband chose small Italian workshops over legacy factories, and how a park meetup with Steven Alan unlocked their sales pipeline. From the “It Bag” craze to mastering retail math and international strategy, Joy offers the real roadmap for scaling without selling out.✨ 3 Takeaways:Learn the math behind the magic — taste gets you noticed, but knowing costs, margins, and calendars keeps you in business.Localize to globalize — success in Korea wasn't luck; it was built on tailoring silhouettes, service, and merchandising to the market.Bet on your own name, strategically — consulting, smart sourcing, and timing made her leap sustainable, not reckless.Our Guest:Joy Gryson is the founder and creative director of Gryson, Olivia Harris, and TriBeCa by Joy Gryson—brands known for their sophisticated balance of modern design and timeless craftsmanship. Before launching her own labels, she honed her skills at Marc Jacobs, Calvin Klein, and Coach, gaining a deep understanding of both design and business that would later define her entrepreneurial path. Her handbags have been carried by women around the world who appreciate understated luxury built with intention.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. 

ABOUT CHRISTIAN DAVIES:Christian's LinkedIn profile: linkedin.com/in/christian-davies-fcsd-3728a513Websites: https://www.bergmeyer.comemail: cdavies@bergmeyer.comInstagram: https://www.instagram.com/christianthdavies/ Christian Davies Bio: Davies brings 30+ years' experience as a creative leader, working with brands across the globe, from disruptive startups to the very top Fortune 500 contenders in retail, experiential, beauty, fashion, hospitality, technology, luxury, and more. His veteran status includes over 100 national and international design awards (15 of which earned top honors for Store of the Year Awards), including a five-time winner of design:retail's Retail Design Influencer as well as a coveted Retail Design Luminary award.  As a Chief Strategy Officer for Bergmeyer, strategic innovation and design leadership define Davies role, stemming from a robust background in creative direction and design thinking. His approach harnesses the power of diverse, interdisciplinary teams, developed through hands-on experience in various roles across a wide variety of companies throughout his career. As Chief Strategy Officer, steering the business strategy and our passion for innovation encapsulates my daily mission.Prior to Bergmeyer, Davies served as Managing Director of the Creative Marketing Group at Verizon, Creative Vice President of Global Design and Innovation for Starbucks, Executive Creative Director of the Americas at Fitch, and Vice President/Managing Creative Director at FRCH Design Worldwide.Also See: https://www.bergmeyer.com/people/christian-davies SHOW INTRODUCTION:Welcome to Episode 81! of the NXTLVL Experience Design podcast…What started at a pivotal moment during the COVID pandemic in early 2020 has continued for seven seasons and now 81 episodes. This season we continue to follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts. In the coming weeks we have some terrific conversations that are both fun and inspiring. They are going to include thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us.We'll also have guests who are creative marketing masters from international brands and people who have started and grown some of the companies that are striking a new path for us follow.The NXTLVL Experience Design podcast is grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. The IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience.SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 81… I talk with Christian Davies. We actually recorded this discussion months ago and Christian wondered if publishing it now was still relevant.I assured him it was, since Christian tends to unearth issues that are future forward - things to be mindful about should we want to address the issues we all face as individuals or societies or as architects and designers making places and things as we serve as our clients creative sherpa guides bringing ideas into the built world. Now… Christian has been sitting atop the heap of 80 conversations as the most listened to episode since we recorded our first talk a couple years ago. So, I thought, well why not do Christian Davies 2.0?Christian does not disappoint - never has – over a couple of decades, Christian has consistently drawn audiences and colleagues into conversation, sometimes challenging, and always brilliant and things that drive design thinking. His matter-of-fact English attitude to the world of design is sometimes a ‘no holds barred' reality check that makes you think twice about the truths you have held dear. His drive towards excellence is irrepressible. That makes him, some may say, demanding because I think he expects that we all give a damn about what we are brining into the world. And why not? We all share space on this little blue dot and, we had better get it, and soon, that we are part of a vast ecosystem of interdependencies.We cover a lot of ground in this open-ended conversation – I'd not expect less from Christian - And here is a few thoughts on subject areas we touch on…1. Entropy:Entropy is a scientific measure of disorder, randomness.Astrophysicist and other cosmologists have postulated that our universe is continuing to expand to a maximum state of entropy from a moment in time, the beginning of the Universe that they have called The Big Bang.There's lots of great content that you can certainly dig up on what happens when the universe finally expands to maximum entropy and all particles are spread out evenly within the unimaginably large space of the universe. It's suggested that of course this maximun expansion will take something like 10 to the 36 or 37 power years in other words trillions and trillions of years. A very very long time….But for now, the way I try to think of it is things will expand and eventually slow down as they all spread out to be evenly distributed throughout the universe… seems reasonable…It's kind of like imagining the initial moments after a massive explosion. Things spread out pretty quickly from the epicenter of the explosion and as they're flung far and wide, particles eventually slow and if you think of it in terms of entropy they all reach maximum randomness.I kind of think that right now, today, considering that the scientists think that the universe has only been around for 14 1/2 billion years or so, that we're kind of right at that very beginning stage of the explosion and things are moving faster and faster away from the epicenter of The Big Bang. This is interesting if you think that the universe will continue to be expanding for a few trillion years so right now yeah, we're kind of sort of in the one second after the explosion time frame. Anyway I am not an astrophysicist and some of these enormous ideas still leave me scratching my head…If we look at today, and everything around us, it certainly seems that things are speeding up and becoming more distributed, more random.I know I've talked about the whole idea of the pace of change in a number of episodes but I find this really interesting because, as I discussed with Christian, it's really hard to design into a future state when you consider that the sands beneath your feet are always shifting.How do we know which step is the right one? How do you know when we step on solid ground or drop forever into a bottomless void…I think the challenge here for designers is that, at least for a time, we need to have a sense of stability and order. The challenge is, I think, is that we're moving to an increasing rate of change where stability and order might be elusive to say the least.2. Moments of human connection make experiences great:I think as we speed along and never ending sea of change perhaps one of the things that we can hang on to, a stake in the ground if you will, will continue to be our ability to maintain our relationships.Change has a funny way of, well… changing people. And, one of our jobs will be to keep up with changing expectations of brands and their customers. One thing is sure, as we scream along this ever changing path, relationships will remain as one of the fundamental qualities of great experiences. Both brand experience architecture and the means with which we engage with brands will change to meet evolving expecations but, my expectation, (or maybe it's just my hope) is that humans still stay at the center of it all - Since at least for this short little time that humans have been in existence, we have relied on the empathic connection between individuals to help create meaning and connection to the world around us as well as the things well as the things we simply buy.And I, like Christian, believe that in the end, when you look at successful projects in our long design careers, the good ones, I mean the really good ones, we're not just because we received a great brief with an inspired client who had a vision of changing up the world,but that the teams we were connected to both on the consultant and client sides were also great. There was something that clicked. There was a gel in communication, respect and collaboration that drove these projects forward.Some may have heard me say before projects will come and go but the relationships are really what make the work great. I'd rather lose a project than trash the relationships…3. Three things that facilitate success stories in the world of retail place-making:So, if you're going to look at success stories over a career full of projects, when you look back at what really made them great was, of course that they were successful from a financial point of view, that they drove increase customers and deeper brand relationships and better revenues all those things are important indicators of success but that there are things that are required to make all of that happen. One would be that there's a big idea someone at the helm of a brand or business that has a thought about doing something different breaking out of a traditional way of bringing goods or services to market, of serving a customer in a different way and technology is often being a facilitator of that.There was coffee long before Starbucks. There was getting from A to B lby horse, camel, richshaw, long before Uber. There were places to stay along the Silk Road before Airbnb. And if you had a shaman in your village you could likely find out where you ame from and where your future was going to be long before there were anything like 23&Me or ancestry.com. In some ways the goods or services have not really changed. How we get them in the hands of customers has changed and that has often been facilitated with new technologies.4. AI – as a new tool for ideation and the ‘why' behind design:One of those technological advances of course that everybody is talking about these days is artificial intelligence.AI it's both causing a lot of excitement about what it sees has to offer in the short term, becoming a new tool in the architect and designers toolbox for ideation as well as causing a lot of concern about what happens to humankind when we finally get to general AI or super artificial intelligence.I am both excited and increasingly aware of influences that it will have on the job market, delivery of goods and services and other parts of the ecosystem like education and manufacturing etcetera etcetera.But if we just for a moment set some of the anxieties aside and simply look at as a tool for imagination and engagement with clients fostering the collaborative process of ideation, it has extraordinary potential to change the game of how we designers and architects work with our clients and create ideas about bringing their goods and services to market.There's a lot of opportunity and uncertainty about what happens when you turbocharge the creative process with AI tools.In the end though, at least for now, the question remains - is that there is a human at the helm of prompt curation?The output is only as good as the input that I'm able to suggest as a prompt. If not… garbage in – garbage out.This of course is interesting because it puts the initial burden still on people to be able to articulate their vision in language and use AI tools to refine the visualizations and other content that emerges from using them.As we use these tools they make things faster but I also sometimes wonder about whether they simply make us lazy and remove our thinking from the process.So Christian does talk about the idea of the drawings or images being very compelling but also needing to ask, and answer, the question of ‘why this particular approach or output is relevant and connected to the brand or customer that we're trying to serve?In the end it's not about the ‘what' of things that make solutions to design challenges great but more and more about the ‘why' you're doing certain things.It's about the process by which you got to the solution rather than simply the solution itself.Don't get me wrong the solutions to the challenges are sometimes very satisfying but what I'm ultimately interested in is the thinking process that led you to along this pathway… it's the journey not just the destination that's important in the creative process….And I think it's ever more important to our clients in the design world that they're looking for people who are not just production oriented but who are also focused on guiding them through an uncertain future5. B-Corporations:And this in a way leads us to the part of our my discussion with Christian about how his company Bergmeyer has recently become a B-Corp.A B-Corporation is a for profit company, but it is certified by the non-profit  B Lab Global and the whole idea is that it seeks to meet high standards for social and environmental performance and accountability and even more so transparency in the ways that they are doing business in support of being good stewards of our environment.In the changing sands that we're all standing on, as entropy increases and uncertainty continues to unfold in front of us, there is certainty that our planet is also in peril as climate change continues to wreak havoc on environmental systems. These B-corporations are seen as a force for good who work to balance profit with a commitment to both people and our planet. What differentiates them from other traditional companies is that they prioritize the social and environmental impacts of their business while at the same time not discounting the fact that they still are in business - that they are accountable to stakeholders as well as shareholders.The stakeholders can be considered as all of us because as companies continue to pull resources out of the ground and push the byproducts of industrialization into landfills and oceans all of our lives are at stake.All right then that's a not so brief summary of some of the ideas that Christian and I riff on in our conversation…Let's dig into some of the details…ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. David also writes a popular blog called “Brain Food” which is published monthly on vmsd.com.  The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.

This is Anne's Book Club, a spotlight episode of the Long Thread Podcast where we share conversations about exciting new craft titles. This episode features three new books from Storey Publishing: The Stitched Landscape by Anna Hultin, The Handsewn Wardrobe by Louisa Owen Sonstroem, and Knitting Cowlettes by Safiyyah Talley. You'll hear a conversation with each of the authors, followed by an excerpt of some of my favorite passages. I was excited to choose each of the titles to feature, and I hope you enjoy the conversations and the books as much as I have! The Stitched Landscape: An Embroidery Field Guide to the Textures, Colors, and Lines of the Natural World Anna Hultin has so much to teach you—to stitch, of course, but mostly to see. With a background in art education and a habit of looking closely at the land around her, Anna offers concrete skills as well as encouraging prompts to develop your own relationship with where you are. Her book includes step-by-step projects, detailed instructions for common plants, and techniques for sketching, stitching, and painting your own personal landscape. Her book gently pushes embroiderers who might be reluctant to consider their work as art toward creativity, exploration, adaptation, and staking their own ground, all within the frame of an embroidery hoop. From Anna's introduction to The Stitched Landscape (https://www.hachettebookgroup.com/titles/anna-hultin/the-stitched-landscape/9781635868456/?lens=storey?lens=storey-publishing-llc&utm_source=LongThreadMedia&utm_medium=Digital&utm_campaign=AnnaHultin_TheStitchedLandscape_Pub_RetailClicks_Storey_9781635868456&utm_content=CRAFTSHOBBIES&utm_term=Interests_Podcast_craft_GenPop): This isn't your typical embroidery book. Although it has plenty of embroidery patterns for you to follow, more than anything this book offers in-depth practice of the artistic process—from the spark of inspiration to a final piece and everything in between. I hope you will learn as much about observing the land as you do about embroidery. Whether you are picking up a needle and thread for the first time or have experience as a fiber artist, and wherever you are in the seasons of your life, my aim is to inspire you to grow in your creative practice. The projects are meant to build your skills and offer opportunities for discovery as you develop your own style and point of view. I'm excited to see how you'll take what you learn in these pages and apply it to your own observations of the world around you. **Anna Hultin* is the artist and educator behind Olander CO Embroidery. She uses needle and thread to create contemporary embroideries that explore the often overlooked beauty of the subtle textures and colors of the Colorado landscape. Anna lives with her family in Loveland, Colorado.* The Handsewn Wardrobe: A Complete Guide to Making Your Own Clothes from Patternmaking to the Finishing Stitches To make clothes that you love, says Louisa Owen Sonstroem, pick up a pencil and paper, needle and thread, and get stitching. Trained in commercial patternmaking, she knows the strengths—and limitations—of off-the-rack clothing and pattern-envelope sewing. Her new book teaches sewists to handsew clothes that seem out of reach for today's makers: hoodies, leggings, and even a denim jacket. If that sounds too time-consuming, skill-demanding, or slow, Louisa's book will surprise you. The book invites you to set aside clothing designed for someone else's body and create garments that will fit you perfectly. She calls The Handsewn Wardrobe “two books in one”: a primer on patternmaking that frees you from generic commercial patterns and a sewing book that teaches techniques for stitching garments by hand. In over 300 pages of instruction, she takes you from making a pattern for a basic tee to drafting a custom pair of jeans. For weavers and crafters with precious fabrics, handsewing lets you make the best use of precious fabric, not only by minimizing waste but also by creating garments you will wear proudly. From The Handsewn Wardrobe: (https://www.hachettebookgroup.com/titles/louisa-owen-sonstroem/the-handsewn-wardrobe/9781635866261/?lens=storey?lens=storey-publishing-llc&utm_source=LongThreadMedia&utm_medium=Digital&utm_campaign=LouisaOwenSonstroem_TheHandsewnWardrobe_Pub_RetailClicks_Storey_9781635866261&utm_content=CRAFTSHOBBIES&utm_term=Interests_Podcast_craft_GenPop) Learning how to make patterns is one of the coolest, most transformative experiences. You can make anything! Patternmaking may have a bit of a reputation as an intimidating, difficult discipline, but it needn't be that way. There are so many more possibilities than limitations in this craft. And, by the way, no one knows everything about patternmaking—no one!—so just relax and enjoy yourself. Make note of the principles shared in this book and elsewhere, but lean into the gray areas and creative opportunities, too. You'll learn just as much by messing around with patterns as by following anyone's instructions. The more you try, the more you'll learn. It's a radical, simple act to make your own clothes by hand. The tools are few, and most are relatively inexpensive. The techniques needn't be complicated, either—with a handful of good stitches at your command, you'll be able to construct all manner of beautiful, sturdy garments. And if you approach your projects with a willingness to experiment, you'll never stop learning. Empowerment, accessibility, mental stimulation, endless opportunities for growth, and a set of amazing clothes—what's not to love? **Louisa Owen Sonstroem* studied design and patternmaking at Fashion Institute of Technology. She works in technical design and patternmaking and teaches hand sewing and patternmaking classes. She also started Patternmaking in Public Places (PIPP), an outreach project to democratize access to patternmaking skills. Louisa lives in Connecticut with her family, in a house filled with board books, dog beds, and lots of fabric.* Knitting Cowlettes: Clever Techniques for Making Custom Mini-Cowls to Elevate Any Outfit Innovative knitter Safiyyah Talley's first book, Knit 2 Socks in 1, offered a clever new way of knitting socks. In her new book, she offers a fresh look at neckwear with a collection of cowlettes—wearable cowl/shawl hybrids. In addition to 23 patterns, the book includes methods for designing your own cowlette, finessing fit, and yarn selection. Besides the range of lovely designs, the joy of this book is the expansive view of knitting, offering patterns for any skill level and personal style. Simple and versatile, Safiyyah's cowlettes beckon you to cast on. From Safiyyah's introduction to Knitting Cowlettes: (https://www.hachettebookgroup.com/titles/safiyyah-talley/knitting-cowlettes/9781635868012/?lens=storey?lens=storey-publishing-llc&utm_source=LongThreadMedia&utm_medium=Digital&utm_campaign=SafiyyahTalley_KnittingCowlettes_Pub_RetailClicks_Storey_9781635868012&utm_content=CRAFTSHOBBIES&utm_term=Interests_Podcast_craft_GenPop) I like to gift cowlettes because they are quick, gender neutral, size inclusive, and very useful. There are just so many scenarios that call for one that I even gift them to myself. Wake up to a chill in the air? Pop on a cowlette. Want to dress up an outfit? Pop on a cowlette. Need to show off a knitted item at the knitting convention, and it's a very hot and crowded July day? Say it with me now: “Pop on a cowlette!” You might be wondering, “What exactly is a cowlette?” Cowlette is a term created by innovative knitwear designer Carina Spencer and it is the lovechild of a cowl—a circular scarf—and a shawlette, or a small shawl. Cowlettes have a similar construction to a shawl, but with the wearability of a cowl. Shawls tend to slip and slide when worn, unless secured in some way with a knot or a shawl pin. Cowlettes look like shawls, but they are knit in the round, so the wearer doesn't have to worry about them falling off. Just like shawls, cowlettes are first worked flat from the top down. Stitches are added in the form of increases until the work is large enough to fit comfortably around the wearer's neck. The cowlette is then joined in the round and worked to the desired size and length. When searching online for cowlette patterns, you may find them under “cowls” or “shawls,” because it is a fairly new knitting term. But the very best part of making cowlettes is how customizable they are. With the help of this book, you can easily design your own. You can control the difficulty, size, yarn amount, and gauge with very little prep and only as much math as you wish! It is the perfect project for all knitters, from beginner to expert. All you need to get started is a ball of yarn, circular knitting needles, and a sense of adventure. **Safiyyah Talley* is the author of* Knit 2 Socks in 1 and creator of the popular blog The Drunk Knitter. She teaches knitting classes virtually and at knitting shows. Safiyyah lives in Indiana. This episode is brought to you by: Storey (https://www.hachettebookgroup.com/landing-page/storey-craft-books-for-creative-living/) publishes craft books for makers of all skill levels, whether you're interested in hand sewing your own clothes, embroidering outdoors, or a knitting fun new accessory. Check out our new books in knitting, crochet, weaving, quilting, sewing, soap-making, design, and more!

Abby and Patrick welcome Valerie Steele, Director and Chief Curator of the Museum at the Fashion Institute of Technology in New York, to discuss her new book, Dress, Dreams, and Desire: Fashion and Psychoanalysis, and the exhibition of the same name that opened this week. What does “fashion” mean, and why are so many psychoanalysts and cultural gatekeepers so resistant to think about the topic critically? How do society's codes of dress reflect logics of identity, especially when it comes to gender, and how are those norms policed – and subverted? How does clothing mediate our first-person experience of our own bodies, how do clothes and nakedness recur in our fantasies and dreams, and how do we use attire to communicate with others while alternately armoring and revealing ourselves? A renowned historian and theorist of fashion, Dr. Steele masterfully walks Abby and Patrick through fashion as a field of overdetermined material commodities and complex articulations of identity and desire. From Freud's anxieties about paying his tailor to Lacan's florid wardrobe to ongoing debates over what therapists should and shouldn't wear; from Elsa Schiaparelli's mirror jackets to Jean Paul Gaultier's bullet bras to Sonia Rykiel's self-caressing knitwear to Timothée Chalamet's Haider Ackermann halter; from commodity fetishism in Marx to fetish objects in Freud; from Lacan's mirror stage to Joan Riviere's theories of masking and masquerade to the “skin ego” of Didier Anzieu; from high culture to low, and from the runway to the consulting room and beyond, it's a stylish and provocative grand tour of fashion, psychoanalysis, and the ways we all use clothes, like it or not, to literally fashion ourselves.The exhibition Dress, Dreams, and Desire: Fashion and Psychoanalysis runs from September 10th 2025 to January 4th 2026 at the Museum at FIT (227 West 27th Street, New York, NY) and is free and open to the public: https://www.fitnyc.edu/museum/exhibitions/dress-dreams-desire/index.phpSteele's book Dress, Dreams, and Desire: A History of Fashion and Psychoanalysis will be released on October 30th 2025: https://www.bloomsbury.com/us/dress-dreams-and-desire-9781350428195/MFIT will host a Fashion and Psychoanalysis Symposium on Friday, November 14, 2025. Speakers include Laverne Cox, fashion designer Bella Freud, psychoanalysts Patricia Gherovici, Anouchka Grose, Christine Anzieu-Premmereur, Chanda Griffin, fashion scholar Simona Segre, and MFIT Director Valerie Steele. Attendance is free but registration is required: https://www.fitnyc.edu/museum/events/symposium/fashion-and-psychoanalysis/index.phpHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:  Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

New York Fashion Week is here. But what is fashion? And what is American fashion? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Margo is joined by artist, designer, and educator helping to lead the modern revival of punch needle rug hooking, Micah Clasper-Torch. Based in Los Angeles, Micah's work blurs the lines between art, craft, and design, creating one-of-a-kind textile pieces that range from coats and accessories to wall hangings and soft sculpture. With a background in fashion design from both The Fashion Institute of Technology in New York City and the Politecnico di Milano in Italy, Micah weaves together her love of fine art, heritage craft, and wearable design. In 2019 she became a certified Oxford Punch Needle Instructor and, in 2020, launched Punch Needle World, an online community, shop, and educational platform dedicated to uplifting the craft and its history. Her debut book, Punch Needle Fashion (Quadrille, June 2025), brings punch needle into the world of contemporary fashion with 15 original projects and a beautifully photographed exploration of the medium. Margo and Micah discuss: Micah's journey from fashion design to punch needle leadership The revival of punch needle and its fascinating history How tailoring and handmade construction shape her work The inspiration behind Punch Needle Fashion and what sets it apart Building creative community through Punch Needle World Tips for beginners (including her go-to needle size!) Embracing the blur between art, craft, and fashion   Connect with Micah https://www.micahclasper-torch.com/ https://www.punchneedleworld.com/ https://www.instagram.com/claspertorch https://www.instagram.com/punchneedle.world Punch Needle Fashion Book - https://tinyurl.com/mrx5rmez   Connect with Margo: www.windowsillchats.com www.instagram.com/windowsillchats www.patreon.com/inthewindowsill www.yourtantaustudio.com/thefoundry