Podcasts about fashion institute

Irvin Rodriguez is a visual artist whose work offers a synthesis of painting and drawing, inspired by the European masters and 19th-century painters, paired with the narrative influence and aesthetics of illustration and contemporary art. Rodriguez's artistic practice spans multiple disciplines, from analog to digital media, resulting in figurative compositions and portraits that communicate individual and collective experiences. Born in the Bronx, New York, in 1988, Rodriguez graduated from the Fashion Institute of Technology with a BFA in Illustration (2010), while simultaneously studying at the Grand Central Atelier (2008–2010), and later at the Art Students League of NY (2013–2016). Since then, Rodriguez has exhibited in numerous group and solo exhibitions in Europe, South America, and the United States, and was also the recipient of the 2016 Elizabeth Greenshields Foundation Grant, the 2019 John F. and Anna Lee Stacey Scholarship, and the 2019 Donald Jurney Travel Fellowship. Over the years, he has developed into a compelling and versatile artist, with works in the film, comic book, publishing, and video game industries for clients like Naughty Dog, Lucasfilm, DC Comics, and Magic: The Gathering. He currently lives and works out of his studio in Los Angeles, California. Irvin was the 2011 recipient of the L. Ron Hubbard Golden Brush Award. He has been an Illustrators of the Future judge since 2023. In this episode, Irvin discusses his journey in a successful artistic career. Learn more at irvinrodriguez.com.

What happens when a sentimental handbag inspires an entirely new business? In this episode, Penny Crook, founder of Denault Handbags, shares how a purse gifted by her late father sparked the idea for a patented reversible handbag designed to simplify wardrobes and deliver two looks in one. Leaving behind a career in financial advising, Penny entered the world of product development, manufacturing, and patents to create a bag that blends functionality, versatility, and quality. She opens up about costly manufacturing mistakes, the importance of vetting factories, and the lessons she learned rebuilding her business with stronger processes and partners. From tech packs and sampling costs to Amazon, boutiques, trade shows, and influencer marketing, Penny offers a practical roadmap for turning an idea into a marketable product.Key Takeaways:• Do your homework on manufacturers — Research, references, and factory vetting can save years of costly mistakes. • Patience protects your brand — Slowing down during development often prevents expensive problems later. • Innovation needs education — Unique products sell faster when customers can clearly see and understand the value.

In the first part of my interview with Tanqueray, we heard the striking story of Tanqueray's early life – long before she became such as viral sensation on social media as a result of her appearances on Humans of New York. She was called Stephanie and she'd had a tough upbringing, raised by a strict single mother in an all-white upstate New York area, and then a teenage pregnancy, an unfortunate relationship, and a desire to start a new life had somehow conspired to land her in jail as a teenager. When she was released, she moved to Manhattan – and worked in a clothing factory, this was back in the days when the city had a garment district, attended the Fashion Institute of Technology, and ended up appearing as a much in-demand go-go dancer in clubs such as the Peppermint Lounge. It was the 1960s, and she enjoyed a varied and exciting existence: she had a short career as an escort, became a seller of stolen goods, mixed with pimps, mobsters and The Temptations – and fell in love with an Italian called Carmine, who she married before discovering his drug addiction. But as the 1970s dawned, the go-go bars in New York suddenly seemed rather old-fashioned, quaint, and in terms of sexual excitement, tame and unexciting. If you could now see newly-explicit sex films in theaters, well… customers were keen to see something different and more daring in a live environment too. That left Stephanie at a crossroads: there were two options – she could either accept the brave, new world and became more sexual – which she referred to as ‘working dirty' – or she could revert to being a more old-fashioned burlesque performer, and rely on tease, with a less racy act and props. Stephanie decided to follow the burlesque route and become Tanqueray. Stephanie and I recorded many of our conversations, and this is the second and concluding part of her story. This podcast is 40 minutes long. You can listen to the first part of the Tanqueray story here. —————————————————————————————————————————————– Ronnie Bell * The post Tanqueray – I've Always Been Different, Part 2: Podcast 164 appeared first on The Rialto Report.

It's Austen Chat's third anniversary! To mark the milestone, we're delighted to share "Jane Austen: Material Girl"—a conversation between authors Paula Byrne and Hilary Davidson recorded at JASNA's 2025 Annual General Meeting. Both have written extensively about the significance of material objects in Austen's life and work. Tune in for their lively discussion of ordinary things—toothpick cases, lace cards, muslin shawls, flannel waistcoats, and more—and their extraordinary importance.*********Paula Byrne is a best-selling biographer, literary critic, and novelist. She is the author of The Real Jane Austen: A Life in Small Things, which explores her life through the objects around her; The Genius of Jane Austen: Her Love of Theatre and Why She Is a Hit in Hollywood; and the novel Six Weeks by the Sea, which blends fact and fiction to imagine Austen's visit to the seaside in 1801. As an Austen expert, she has also frequently appeared on television, broadcast on radio, and consulted on period dramas. Beyond her Austen scholarship, Paula has written best-selling biographies about Dido Elizabeth Belle, Mary Robinson, Barbara Pym, Kathleen "Kick" Kennedy, Evelyn Waugh, and Thomas Hardy.Hilary Davidson is a dress, textile, and fashion historian and curator, and Chair and Associate Professor in the School of Graduate Studies at the Fashion Institute of Technology in New York. She has curated exhibitions, lectured widely, and published extensively. Her books include Dress in the Age of Jane Austen: Regency Fashion, Jane Austen's Wardrobe, and A Guide to Regency Dress.For an edited transcript and show notes, visit https://jasna.org/austen/podcast/ep36*********Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

What does it take to turn an environmental mission into a scalable accessories business? In this episode, Beth Greenlaw of Seabags Maine shares how she left a corporate career to help build one of the most recognizable upcycled handbag brands in America. By transforming retired sailcloth into one-of-a-kind bags made on Maine's working waterfront, Seabags created a business rooted in sustainability, local manufacturing, and authentic storytelling. Beth discusses the realities behind "Made in USA" production, building a brand around strong values, navigating founder partnerships, and creating an exit strategy that protects both the business and the people behind it. She also breaks down the practical side of growth—from wholesale and trade shows to pricing handmade products and discovering that your best customer may not be the one you originally imagined.Key Takeaways:• Values can drive growth — Sustainability works best when it's embedded in the product, not just the marketing. • Partnerships need structure — Clear roles, legal agreements, and exit plans protect both relationships and brands. • Let customers guide strategy — The market often reveals opportunities founders never expected.

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe? Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity. Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world. Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts. Caleb Zakarin is CEO and Publisher of the New Books Network.

What happens when the retail world you built no longer works? In this episode, Shy Iland, founder of Daisy Rose and former owner of the indie-boutique chain Big Drop, shares how the 2008 financial crisis reshaped his entire approach to fashion. After watching handbags outperform most retail categories during the downturn, Shy pivoted from brick-and-mortar retail into handbag manufacturing, sourcing, and private label production. He opens up about the realities of running multi-store retail before ecommerce, the pressure of inventory, rent, and shrinking margins, and the difficult decision to walk away from a family business. From traveling to China's Canton Fair to building factory relationships and eventually launching Daisy Rose, Shy breaks down how Amazon FBA, influencer momentum, and disciplined sourcing helped transform his next chapter into a scalable business.Key Takeaways:• Accessories survive downturns — Handbags often outperform trend-driven categories during economic shifts. • Manufacturing is relationship-driven — Strong factory partnerships matter more than chasing the lowest price. • Scale requires adaptation — Moving from retail to sourcing to Amazon selling demanded constant reinvention.

This episode brings you a live recording of the 20th Annual Sustainability Conference at the Fashion Institute of Technology with my panel on Scaling Resale: Circular Business Strategies for a Low-Impact Lifestyle. Sarah Davis the founder of Fashionphile and Samantha Rich the EVP of Retail at Goodwill are my guests. It's an engaging discussion on resale and fashion sustainability. Listen in! Hosted on Acast. See acast.com/privacy for more information.

What happens when a strong handbag concept collides with the realities of pricing, production, and scale? In this episode, Alexandra Satine—former handbag designer and founder of YourCohort—shares her journey from creative ambition to business reinvention. From moving from Venezuela to the U.S. and breaking into fashion, to launching her own line and facing the hard lessons of trademarks, sourcing, retailer expectations, and margin pressure, Alexandra unpacks what founders often learn too late: taste may spark a brand, but financial strategy keeps it alive. She also opens up about stepping away from her namesake business, navigating venture-backed environments, and why understanding operations, investor expectations, and fractional financial leadership became the foundation for her next chapter.Key Takeaways:• Creativity needs business discipline — Great products fail when pricing, margins, and operations don't support them. • Pivoting is part of growth — Letting go of one version of success can create space for a smarter one. • Finance protects creativity — Strong financial strategy gives founders the freedom to build sustainably.

What happens when handbag design stops being just about trends and starts confronting bigger questions—materials, sustainability, and what happens after the hype fades? In this episode, Syl Tang joins us to unpack how the accessories world is shifting through the lens of fashion history, customer behavior, and future forecasting. From the scrappy late-90s NYC era—when emerging brands had to win customers face-to-face—to today's conversations around sustainability, co-branding, and smarter growth, Syl shares why designers need more than aesthetics to build lasting brands. We explore customer ethnography, the risks of outsourcing too early, and why durability, transparency, and global forces like climate and economics increasingly shape what people buy.Key Takeaways: • Know your customer firsthand — Real-world insight beats vanity metrics every time. • Sustainability needs substance — Durable materials and transparency matter more than trendy labels. • Future-proof your brand — Cultural, economic, and environmental shifts define what sells next.

What happens when fashion stops following one trend cycle and splinters into thousands of micro-movements? We sit down with fashion editor Ilia Sib Zvalli to unpack why the old model of seasonal “must-haves” is breaking down—and what that means for designers, shoppers, and brands trying to stay relevant. Ilia explains how social media fractured trend forecasting, why niche aesthetics now shape consumer behavior faster than traditional fashion calendars, and how today's smartest brands win by understanding context, not just virality. From Substack's rise as a freer editorial platform to the psychology behind oxblood tones, statement silhouettes, and region-specific style, this conversation offers a sharper lens on what actually drives fashion now.Key Takeaways: • Trends didn't disappear — They fragmented into microcultures with faster, localized influence. • Context drives style — Climate, culture, and lifestyle shape what truly sells. • Independent voices matter — Sharper analysis often comes from platforms outside ad-driven media.

Iran says US has responded to its latest peace proposal. Iran says President Trump must now choose between an impossible military operation and a bad deal if he wants to end the war. We hear from the brother of the jailed Iranian Nobel peace laureate Narges Mohammadi. He says she and other prisoners are dying as a result of deliberate medical neglect.Also on the programme: Ukraine's been stepping up its offensive against Russia's oil infrastructure in recent days; and ahead of the 2026 Met Gala, British fashion designer Zandra Rhodes and Elizabeth Way, curator at the Museum at the Fashion Institute of Technology in New York, discuss if fashion is art. (Photo: Iranians walk past a huge anti-US billboard referring to US president Donald Trump and Strait of Hormuz at Valiasr square in Tehran, Iran, 02 May 2026. Credit: ABEDIN TAHERKENAREH/EPA/Shutterstock)

Knitters and crocheters know Angela Tong as a designer with hooks and needles, while weavers recognize her work in rigid-heddle and pin looms. Visitors to galleries and artisan markets know her as a potter. Angela thinks of herself simply as a maker, always drawn to creating beauty with her hands. Her first professional job set the tone: after earning a degree from the Fashion Institute of Technology, she produced fine platinum jewelry for Tiffany & Co. But beginning in her teens, she keenly felt the urge to learn to knit. A colleague at that first job taught her the knit stitch—just the knit stitch—and opened the world of fiber arts for her. Discovering a talent for clarifying instructions while test knitting other designers' work, she began submitting designs for publication. Although she had not initially pictured herself as a teacher, that skill of clear explanation led her to teaching, and she eventually became a certified knitting instructor. Angela discovered another fiber-arts love in PieceWork March/April 2010, which featured pin looms on the cover. She tracked down a handmade pin loom from a small maker, wove a doll blanket, and never looked back. Her pin-loom and rigid-heddle designs regularly appear in Little Looms, and she is a popular instructor at Weave Together events. In each of her crafts, Angela's style is symmetrical and refined, with an emphasis on finishing that she describes as a through line in everything she makes, from pottery to pin-loom blankets. Whatever the medium, Angela brings the same exacting eye and genuine delight in craft — whether she's warping a loom, trimming a pot, or teaching a roomful of students to hem stitch. Links PieceWork March/April 2010 featured a pin-loom blanket on the cover. Angela's pin loom videos Creative Pin-Loom Designs and Weave Patterns on the Pin Loom are available from Long Thread Media. Angela was featured in the pilot episode of the proposed Swatch series. This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed.

What happens when curiosity, risk-taking, and a refusal to follow the expected path collide? We sit down with Vidyuth Srinivasan, CEO of Entrupy, to explore his journey from India to New York, from journalism to entrepreneurship, and from outsider to innovator. Vidyuth shares how embracing his identity, thinking independently, and challenging conventional systems helped shape Entrupy—a company built to solve one of fashion's biggest problems: trust. From navigating cultural identity to developing authentication technology that fights counterfeiting, this conversation reveals how randomness, data, and conviction can transform industries.Key Takeaways: • Authenticity starts with trust — Technology can scale transparency where doubt exists. • Risk fuels innovation — Nontraditional paths often create the biggest breakthroughs. • Identity is an asset — Staying true to yourself can become a competitive advantage.

Welcome back to ARTMATTERS: The Podcast for ArtistsOn this week's episode I'm joined by David Ambrose.David Ambrose was born in 1960 and lives and works in Bound Brook, New Jersey. He received his BA in Fine Arts from Muhlenberg College and his MFA in Painting from the University of Pennsylvania.He has exhibited widely over the past four decades, including solo exhibitions at the New Jersey State Museum, where he was the subject of a mid-career retrospective, as well as Gold/Scopophilia in Montclair and Tibor de Nagy in New York. His work has also been included in group exhibitions at Pierogi and Kentler International Drawing Space in Brooklyn, among many others, and is held in public collections including the Library of Congress. Ambrose is the recipient of multiple fellowships from the New Jersey State Council on the Arts, most recently in 2022 to 2023. He has also taught at institutions including Parsons, Pratt, and the Fashion Institute of Technology.I sat down with David in his New Jersey studio last month and we discussed the surface of a painting, building paintings, building objects, planning for abstraction, materials and pigments, damage and repair, crosshatching, carving, and the use of non-traditional tools. David Ambrose also explains why there's no rush, how linear thinking has served him through the years, allowing for change, quality and beauty, daily practices, handling rejection, building  community and his new works on paper.Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.cominsta: @isaac.mannguest: David Ambrosewww.davidambrosestudio.cominsta: @david_m_ambrose_artThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

What if luxury wasn't about pressure—but about freedom to be fully yourself? We sit down with Nancy Gale, founder of JAMAH Handbags, to explore how a clear point of view shapes every decision, from materials to manufacturing. Nancy shares what it takes to build an ultra-luxury brand in the U.S., why she refuses to cut corners to hit price points, and how strong relationships—from factories to suppliers—can define both your strength and your risk. It's a conversation about standing firm in your values while navigating growth, partnership changes, and the constant pressure to scale.Key Takeaways: • Don't dilute the vision — True luxury requires holding the line on quality. • Relationships are leverage — The right partners can elevate or expose your brand. • Define success your way — Scaling doesn't mean sacrificing identity.

What happens when the way you start building your brand is the very thing holding you back? We sit down with Andrea Pascual to unpack the shift from early hustle to sustainable growth—when handmaking every piece, chasing quality, and saying yes to everything starts costing more than it gives. From her path through FIT and New York's garment district to the realities of bespoke pricing and burnout, Andrea shares how designers navigate the tension between artistry and building a real business—and why pivoting is often the hardest, but most necessary, move.Key Takeaways: • What works early won't scale — Growth requires letting go of old processes. • Handmade has limits — Time, margins, and energy must be protected. • Production is strategy — Factories, tech packs, and backups are critical to survival.

TAKING FASHION SERIOUSLY. Valerie Steele is an American fashion historian and the Director and Chief Curator of The Museum at the Fashion Institute of Technology (FIT) in New York City. A pioneer in the field of fashion studies, she has been instrumental in establishing fashion as a legitimate intellectual and cultural subject. "Both the allure and the problematic aspects of fashion attracted and interested me." "Although most people don't get any exercise, they want to look sporty." "The body is central to fashion." https://www.alainelkanninterviews.com/valerie-steele/

Why is buying a Hermès bag so complicated—and is there a smarter way in? We sit down with Chloe Chen, known as Chloe Hermes Fairy, to break down the real mechanics behind scoring a Birkin, Kelly, or Mini Kelly—from purchase history and boutique politics to the reality of being offered a bag without knowing the specs. Chloe also pulls back the curtain on the resale and sourcing market, explaining how brokers secure exact bags, why prices fluctuate, and how paying for expertise can save time, money, and frustration.Key Takeaways: • Access is strategic — Boutique offers depend on history, timing, and relationships. • Resale can be smarter — Sourcing directly often beats inflated platform pricing. • Authenticate everything — High stakes demand trusted verification and process.

ABOUT NAOMI CLARE CRELLIN:Naomi Clare's LinkedIn profile: linkedin.com/in/naomi-clare-crellin Websites: storycraft.education (Company) belongingplaybook.com (Company) storycraftlab.com (Company) Email: naomi.clare@storycraftlab.com BIO: Naomi Clare Crellin is a visionary leader who excels in transforming intent and insights into actionable, accessible strategies.  As the Founder and CEO of Storycraft Lab, she specializes in refining big ideas and concepts into meaningful and measurable experiences. Naomi is adept at mapping strategic processes that guide both teams and clients from development through delivery, helping to define goals, refine messages, and measure the impact of the stories crafted.  Her expertise lies at the intersection of spatial experience and messaging, having collaborated with a diverse range of organizations including Microsoft, Motorola, Bloomberg, the IFC, the Smithsonian, the Human Rights Campaign, and many more. Beyond her work at Storycraft Lab, Naomi has served as an adjunct faculty member, bringing her passion for education into the classroom. She partners with organizations dedicated to making the world a better place, inspiring students to harness their creativity and curiosity. As an empowering educator and experience strategist, Naomi is committed to helping others succeed.  She finds immense joy in co-creating with teams, generating engagement, and telling stories through interactions. Her dedication to collaboration and innovation is at the heart of her work, and she loves the impact she and her teams create together.  Naomi Clare Crellin is not just a leader but a catalyst for change, fostering an environment where ideas flourish, and meaningful experiences are crafted.' SHOW INTRO: Welcome to Episode 87! of the NXTLVL Experience Design podcast… In every episode we follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.”  And as we continue on this journey, we'll continue to invite guests on our journey that are thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places. We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us. If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family. The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine. VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant.  You will find the archive of the NXTLVL Experience Design podcast on VMSD.com. Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience.  SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org  Today, EPISODE 87… I talk with Naomi Claire Crellin is a visionary leader who excels in transforming intent and insights into actionable, accessible strategies. Her work uses story as a vector towards belonging.  Naomi believes that a well-told story builds trust and genuine peer-to-peer connection in audience advocacy. This in turn bolsters personal growth and psychological safety; encouraging participants to take calculated risks towards innovation. We'll get into all of that in a minute but first a few thoughts...   ABOUT DAVID KEPRON: LinkedIn Profile: linkedin.com/in/david-kepron-9a1582b Websites:  https://www.davidkepron.com    (personal website) vmsd.com/taxonomy/term/8645  (Blog) Email: david.kepron@NXTLVLexperiencedesign.com Personal Instagram: https://www.instagram.com/davidkepron/ Bio: David Kepron the Retail Studio Principal for the architecture and design firm Little (https://www.littleonline.com). He is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe.  David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels.  In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies.  As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace.  David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University. He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.   In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon.      The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

Today's riff is Our Personal Pathways: A Talk with Olgalyn Jolly. Welcome to Episode 112 of the Roll With Peace, In Mind podcast! We talk knitting machines, techniques, life experiences as well as sharing a part of her journey from performer to machine knitter and educator. It was a pleasure having my friend visit the podcast again. Olgalyn Jolly is a knitwear designer and educator based in New York City. With decades of experience in machine knitting (spanning design, production, and everything in between) she remains as curious and engaged as ever. A former faculty member at the Fashion Institute of Technology and Parsons School of Design, Olgalyn now teaches online, guiding machine knitters and knitwear designers through the core principles of knit construction so they can do their most creative work. Visit Olgalyn at ojolly.net Also on Instagram YouTube Be sure to comment, like, follow, share. Original Music: Sister Chat by Sylvester "Sly" Scott Check him out on Facebook Instagram YouTube ************** Visit Jacquie Bird, Spiritual Wellness to book a coaching session and for my products and services *** Please tell your friends, family, colleagues and co-workers about this podcast, word of mouth is da the bomb-diggedy! Remember to Like, Comment, Follow, Share **If you would like to show some love for my Roll With Peace, In Mind podcast drop it on my Venmo @JacquieBirdSpiritualWellness Your contribution would assist me in continuing to create this valuable free product of service that promotes empowerment, peace of mind, shares stress and anxiety relief tips, inspires mindfulness and positivity. Join my mailing list to keep up with new events, announcements, products and workshops. **And be sure join my FaceBook group to discuss the episode!    Thank you for listening!  

Meet Volkan Yilmaz, also known as “Tanner Leatherstein,” a leather artisan and entrepreneur whose journey spans continents. From his beginnings in his father's tannery in Turkey to becoming a TikTok sensation in the U.S., Tanner's story is one of resilience, creativity, and passion.After moving to Turkmenistan and Armenia with his family to run tanneries, Tanner eventually found himself in Chicago, working as a cab driver after winning a green card lottery. Despite language barriers and culture shock, he pursued an MBA and combined his traditional leather expertise with modern business skills.Tanner's brand, Pagai, and his viral TikTok videos, where he deconstructs luxury handbags, have educated and entertained millions, shedding light on leather quality, craftsmanship, and industry practices.Key takeaways include the importance of understanding leather quality, transparency in craftsmanship, and sustainability in production. Tanner's story is a testament to the power of tradition, innovation, and perseverance.Key Takeaways:Leather Quality: Educating designers and consumers about tanning, leather grades, and sourcing enhances handbag durability and value.Craftsmanship Transparency: Showcasing the production process builds trust and appreciation for the artistry.Sustainability: Embrace eco-friendly tanning, upcycled materials, and ethical sourcing to align with sustainable fashion trends.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” she has collaborated with leading brands such as Swarovski, Kenneth Cole, Henri Bendel, Kate Spade, and Macy's. Emily also teaches entrepreneurship at the Fashion Institute of Technology and is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Follow Tanner Leatherstein:https://www.instagram.com/tanner.leatherstein/ https://www.tiktok.com/@tanner.leathersteinSupport the showYoutube: / Handbagdesigner101-ihda  | Instagram:/ Handbagdesigner  TikTok: / Handbagdesigner  | Twitter: / Handbagdesigner   

In 2025 Lily Colman took on the initiative to start her own publishing non-profit, FRAME/SEQUENCE, through fiscal sponsorship with CultureWorks of Philadelphia. FRAME/SEQUENCE is a quarterly print periodical spotlighting underrepresented and emerging photographers, writers, artists, and communities across Philadelphia and Greater Pennsylvania — connecting art, story, and place in a uniquely intimate and enduring form.FRAME/SEQUENCE's first edition, On Motherhood, captures motherhood's diverse and powerful experiences through art and storytelling. This collection highlights the complex realities of nurturing, sacrifice, mourning, and celebration, offering a platform to voices often unheard. This podcast is sponsored by the Charcoal Book Club - Begin Building your dream photobook library today at:https://charcoalbookclub.comhttps://www.frame-sequence.comhttps://www.lilycolman.comhttps://hmcooper.com/home.htmlhttps://www.keavyhandleybyrne.comKeavy Handley-Byrne is a photographic artist, writer, and educator. Their work has been exhibited across the United States and included in numerous publications. Their photographic practice focuses on themes of queer identity, grief, and the intersections therein. They are based in New York City and work across the tri-state area. Helen Maurene Cooper, is an artist and educator living in Philadelphia, PA. She earned a MFA from School of the Art Institute of Chicago and a BA from Bard College.Selected exhibitions include; Onomatopee(Eindhoven, Netherlands), Clare Morris Gallery ( Ireland), Soap Factory (Minneapolis), Space Mountain (Miami), and Gaylord & Dorothy Donnelley Foundation (Chicago). Awards and Fellowships include; the Cultural Council of Eindhoven, the Chicago Department of Cultural Affairs, and University of Chicago.Her 2017 monograph, Paint & Polish: Visual Economy and Visual Culture from the West Side (Onomatopee, Eindhoven Netherlands). Paint & Polish was reviewed in Bust.com, New City, Nails Magazine and the Creators Vice Magazine. Artists' talks have been given at PS1, The Fashion Institute of Technology, Kansas City Art Institute, Elmhurst Art Museum, The Arts Incubator at University of Chicago and Oxbow School of Painting. In 2021, Cooper founded Vanity Tintype, a commercial tintype studio in Philadelphia, through which she has done cultural commissions from The African American Museum of Philadelphia and Monument lab.Lily Madeleine Colman is a film-based photographer and educator from Philadelphia, PA. She makes work about womanhood, inheritance, and specifically how certain items and feelings are passed down between generations of women.Lily was featured in the 2021 International Juried Exhibition at The Center for Contemporary Art in Bedminster, NJ, where she was awarded First Prize and a Solo Exhibition. Her solo exhibition, The Knots on the Underside of the Carpet, ran from April 22 - June 4, 2022, at the CCA.Lily graduated from the Rhode Island School of Design with her MFA in 2020, as well as a Certificate in Collegiate Teaching in Art and Design. She has always loved photography, education, and photo books, and wanted to make them accessible to everyone.In 2025 Lily took on the initiative to start her own publishing non-profit, FRAME/SEQUENCE, through fiscal sponsorship with CultureWorks of Philadelphia. FRAME/SEQUENCE is a quarterly print periodical spotlighting underrepresented and emerging photographers, writers, artists, and communities across Philadelphia and Greater Pennsylvania — connecting art, story, and place in a uniquely intimate and enduring form.Lily also currently works as an adjunct photography professor at Mercer County Community College, Rowan University, and Rowan College at Burlington County. She has also taught at The College of New Jersey, and Union County Community College, all located in New Jersey.

At its most functional level, clothing serves as essential physical protection from the environment, soft armor and tangible comfort. Visually, clothing is one of the most immediate ways to assert individual identity, signaling values and collective belonging to others at first sight. But, when public discourse is polarized and words feel inadequate, clothing becomes a powerful nonverbal language—communicating solidarity, protest, fear or hope at a glance. During periods of political tension and social exhaustion, clothing serves as a palpable reminder of who we are when the world is in flux, offering a sense of control in an uncontrollable world. When institutions feel fragile and the future unclear, getting dressed is no longer trivial—it's an act of care, self-definition, and sometimes even quiet resistance. With insights from fashion industry leaders—educators, designers, reporters, and historians—this panel conversation will address the importance of clothing—as a marker of identity, symbol of resistance, and sign of belonging—in times of crisis.  About the Speakers Laura L. Camerlengo is curator in charge of costume and textile arts with the Fine Arts Museums of San Francisco. She has organized, co-organized and presented numerous costume and textiles exhibitions for the Fine Arts Museums of San Francisco and the Philadelphia Museum of Art, with a focus on sharing the stories of women and artists of color. Her recent publications include Patrick Kelly: Runway of Love (co-edited by Dilys E. Blum, 2021), and Fashioning San Francisco: A Century of Style (2024), as well as contributions to West 86th. She holds a Master of Arts degree from Parsons School of Design, The New School / Cooper Hewitt, Smithsonian Design Museum in the History of Decorative Arts and Design. Moderator Natalie Smith is the Fashion Department chair and a full-time tenured instructor at City College of San Francisco. She also works as a freelance fashion show and event producer, stage manager, model coach, and voice-over artist. Natalie earned her Associate of Arts degree in interior design from the Fashion Institute of Design and Merchandising (FIDM). Anna Chiu is the founder and creative director of Kamperett, a women's wear brand based in San Francisco, where its flagship atelier and studio are located. Shaped by her German and Chinese heritage, her work brings a forward-looking perspective to clothing through an artistic lens. She has dressed women for the Met Gala, countless award shows and red-carpets, including Angelina Jolie, Ali Wong, and Rashida Jones and Chloe Zhao. Kamperett takes an intentional approach to sustainability, with all pieces designed and made in California. Tony Bravo is the San Francisco Chronicle's arts & culture columnist. His areas of coverage include visual art, the LGBTQ community, style, pop culture and “only in San Francisco” stories. He is also a frequent live interviewer and hosts the “Show & Tell” event series at Four One Nine. Bravo is also an adjunct instructor at the City College of San Francisco Fashion Department, where he teaches journalism. The Commonwealth Club World Affairs of California is a nonprofit public forum; we welcome donations made during registration to support the production of our programming. A Grownups Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Commonwealth Club World Affairs is a public forum. Any views expressed in our programs are those of the speakers and not of Commonwealth Club World Affairs. Organizer: Denise Michaud  Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes a luxury bag feel “real”—and why can even an authentic one sit unsold? We sit down with Dani Smith, senior authentication specialist at What Goes Around Comes Around (WGACA), to unpack the fine details that drive trust in the vintage handbag market. From a Chanel bag mistaken as fake to the limits of resale photos, Danny explains why in-person evaluation still matters and how structure, scent, and subtle wear can make or break a purchase. He also shares how authenticators are trained, what actually sells, and how trends and influencer demand impact resale value.Key Takeaways: • Details define authenticity — Small cues separate real from questionable. • In-person still wins — Photos miss critical signs of quality and wear. • Trends don't guarantee value — Demand can shift faster than expected.

Why do some beautiful bags fail the moment they hit the market? We sit down with handbag designer and consultant Holly Lauren Beedle—an industry “ghost designer” whose work appears under brands you definitely know—to unpack the realities behind successful bag design. Holly explains why pricing must come first, how ethnography shapes function, and why merchandising and material choices determine whether a bag survives real life or quietly disappears from shelves.Key Takeaways: • Price first, design second — Retail strategy should guide materials and development. • Design for real life — Ethnography reveals what customers truly need from a bag. • Merchandising matters — Presentation and usability can determine sell-through.

What makes a handbag truly worth carrying every day? We sit down with Shay Prasad of Bags for Breakfast to explore how years on the retail floor shaped her approach to bags as tools for life—not just status symbols. From writing deep-dive Substack essays to launching a curated vintage shop, Shay explains how storytelling, condition knowledge, and retail anthropology turn casual shoppers into thoughtful collectors. Along the way, she shares how to judge patina versus wear, why function matters as much as heritage, and how understanding the history behind iconic houses helps buyers make smarter, more sustainable choices.Key Takeaways: • Function beats fantasy — A great bag works with your real life. • Patina has value — “Loved” pieces often carry more character than pristine ones. • Context sharpens taste — Knowing a brand's history leads to better buying decisions.

What does it take to turn a spark into a bag you can actually hold? We sit down with founder and designer Lauren Reed, who left corporate life, partnered with generational leather artisans in Guatemala, and launched her brand in just 47 days from idea to first sample. Lauren shares how retail experience shaped her product instincts, why vegetable-tanned leather and upcycled denim linings were non-negotiable, and how clear standards on craft, ethics, and function allowed her to move fast without cutting corners.Key Takeaways: • Speed needs standards — Move quickly, but never at the expense of materials or values. • Product first, story second — Narrative only works when the bag performs. • Set non-negotiables — Clear brand DNA makes tough decisions easier.Our Guest: Lauren Reed is the founder and designer of a purpose-driven handbag brand produced in partnership with generational leather artisans in Guatemala. Focused on vegetable-tanned leather, thoughtful function, and ethical production practices, she blends retail insight with disciplined execution to build bags designed to age beautifully and perform in everyday life.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

Kenneth D. King is a celebrated couture fashion designer, author, editor, and professor at The Fashion Institute of Technology, he joins Jeff to discuss his new release Doll Couture: Red Carpet Edition.You can learn more about Kenneth through his website www.kennethdking.com and follow him on Instagram @kennethdking. If you want more doll couture drama, follow Lola on Instagram @lolatheshowgirl24.Books are available everywhere you enjoy books including:Amazon: https://www.amazon.com/Doll-Couture-Kenneth-D-King/dp/1963549236/Barnes & Noble: https://www.barnesandnoble.com/w/doll-couture-kenneth-d-king/1147095213?ean=9781963549232BetterHelp: Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://betterhelp.com/macolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 10% off your first month of therapy with BetterHelp and get matched with a therapist who will listen and help #sponsoredYouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/JeffMacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Me!!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/saintjmac⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/jeffmacolinopodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/saintjmac/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB Page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt17046562/?ref_=nm_knf_t1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@jeffmacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Art Credit: Chase Henderson

What makes a bag feel powerful the second someone spots it across the floor—and why does that magic disappear when brands scale? We sit down with Matthew Lafargue of Accessory Think Tank to unpack lessons from the Macy's sales floor to leading $1.8B in wholesale. Matthew explains how service, presentation, and training shape perceived value more than spreadsheets ever could—and why clarity in assortments, hero products, and tiering protects brands as they grow.Key Takeaways: • Perception drives performance — Store experience shapes value before price does. • Protect the halo — Hero styles anchor growth and prevent brand confusion. • Test tight, scale smart — Clean buys and strong sell-through beat bloated assortments.Our Guest: Matthew Lafargue is a retail and wholesale strategist at Accessory Think Tank, with experience spanning department stores and billion-dollar accessory portfolios. Known for blending field insight with financial rigor, he helps brands sharpen presentation, strengthen hero products, and scale without losing their edge.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

Retail isn't dying—it's recalibrating. We sit down with William Brobston of the Brobston Group,  to explore the shift from oversized, anonymous stores to smaller, neighborhood spaces where teams know your name and brands feel personal. Drawing from experience across luxury fashion, jewelry, beauty, and home, William explains why e-commerce owns convenience but human connection builds loyalty—and how brands that invest in people, not just product, are pulling ahead.Key Takeaways: • Convenience is table stakes — Connection is the moat. • Invest in people, not just products — Teams translate brand into loyalty. • Local wins — Smaller formats and mono-brand stores are redefining retail growth.Our Guest: William Brobston is a retail leader with experience spanning luxury fashion, jewelry, beauty, and home. Known for building high-performing teams and blending retail anthropology with analytics, he advises brands on how to localize assortments, elevate in-store storytelling, and create community-driven growth in an evolving market.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

On this episode of the Visual Intonation Podcast, filmmaker Shana L. Darabie joins the mic with a voice shaped by image, genre, and deep interior listening. Born in Long Beach, California and based in Brooklyn, Shana traces a path from fashion design to film, from texture and silhouette to shadow and story. Her early training at the Fashion Institute of Technology sharpened her eye. Her later studies at Brooklyn College gave language to the images she could already see. Shana speaks plainly about process. About doubt. About the courage it takes to be vulnerable on the page. She reflects on how a single class project unlocked her desire to direct, how long treatments can sit before a script finally arrives, fast and fully formed. Science fiction and horror are not escapes for her. They are tools. Ways to explore fear, identity, and the systems that press on the mind. Films like The Trail, What Happened to Candice, and Trouble Connecting reveal a filmmaker committed to atmosphere and emotional truth. In conversation with host, the dialogue widens. Mental health moves to the center. Not as an abstraction, but as lived reality. They discuss how cinema has portrayed mental illness with care or cruelty, how poverty and access shape outcomes, and why compassionate storytelling matters. Shana opens up about her short Canary Trap, community support, and the quiet power of creative connection, whether formed in a writers room or over Zoom. The episode closes with reflection and recommendation. Films that linger. Films that listen. Shana shares titles that have shaped her way of seeing, including Tully, The Snake Pit, Young Adult, Welcome to Me, Perfect Blue paired with Millennium Actress, and Year of the Dog. It is a conversation about making work that resonates personally. About art as self care. About staying rooted while reaching toward the unknown.    Shana L. Darabie:  Source: IMDb Shana Darabie - IMDb  Contact and About - MyBotWorks  Source: Instagram MyBot Works (Shana L. Darabie) (@mybotworks) - Instagram  Source: LinkedIn Shana Darabie - THE DEPARTMENT OF MOTION PICTURES LLC | LinkedIn  Support the showVisual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/vantegregory/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation

What turns a love of making into an accessories brand people stop you on the street to ask about? We sit down with Anyah Sealy, founder of A by Anyah, to trace a path shaped by global training, hard critiques, and real market feedback. From early beading classes in Ghana to design school in Paris and rotations across major fashion houses, Anyah shares how craft, data, and adaptability combine to create bags that photograph beautifully and hold up in real life.Key Takeaways: • Detach ego from product — The customer, not the designer, makes the final call. • Craft + commerce win together — Material knowledge and pricing discipline sharpen creativity. • Build heroes, cut the rest — Staying power comes from focus, not excess.Our Guest: Anyah Sealy is the founder and creative director of A by Anyah, a handbag brand rooted in global craftsmanship and modern functionality. With training spanning Ghana, Paris, and major fashion houses across menswear, womenswear, and kids, Anyah brings a rare blend of emotional design and market intelligence to accessories built for everyday impact.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

ABOUT JOE BAER:Joe's LinkedIn profile: linkedin.com/in/joe-baer-4479385Websites:zengenius.com visual911.com Email: jbaer@zengenius.comBIO:Joe is the Co-Founder, Creative Director, and CEO of ZenGenius, Inc., an experiential design firm specializing in visual merchandising and event design. Headquartered in Columbus, Ohio, Joe brings over three decades of mastery in innovative leadership and creative direction to the design, visual merchandising and special events industries. He has extensive knowledge of the customer journey from working in stores for decades and is a seasoned public speaker who has traveled the world to inspire and educate others through the art of visual merchandising, design and special events.Additionally, Joe has contributed his retail know-how to multiple publications, authored The Art of Visual Merchandising: Short North, and created one of my favorite events in the retail industry the Iron Merchant Challenge, a popular interactive visual merchandising competition held annually at the International Retail Design Conference. Joe's passion for the world of design is evident in his role as President of the PAVE Global leadership board - a 501(c)(3) charitable foundation with the mission to support, connect, and inspire the next generation of professionals in the retail design, visual merchandising, and consumer environments industry. He also holds Advisory Board roles at Columbus College of Art and Design and VMSD Magazine. SHOW INTROWelcome to Episode 85! of the NXTLVL Experience Design podcast…In every episode we follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.” And as we continue on this journey, we'll have guests that are thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us.If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family.The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 85… I talk with Joe Baer of Zen Genius an experiential design firm specializing in visual merchandising and event design. Joe had spent more than 3 decades working the in the retail industry bringing visual merchandising know-how to the creation of emotionally resonant branded places. Visual merchandising is allot more than simply making things look good in a store. It's very much about 3D storytelling, sensory experiences, emotions and making places sing as Joe explains.We'll get there in a minute but... first a few thoughts…*                     *                          *                          *Monique worked in the visual merchandising departmentshe was the director there and I was the director in the interior design department our two programs ran concurrently we shared some students across our programs but we seldom actually shared lunchAnd so it was slightly strange but intriguing that she invited me to have lunch with her across the street from the college at a little Thai placeWe sat down, talked about students and then - more as a throw away - she said “they want me to go to Singapore…”And I waited for the next sentence.“But I don't really want to go to Singapore.” she said. “I'd have to leave here. I'd have to leave my son who's thinking about collage a few years and I'd really just prefer to stay in Montreal.”And then there was a silence.“Singapore?!” I said.“I don't even know where Singapore is. That's in Southeast Asia, right? ““yeah, it's like on the other side of the world.” she said.“Sounds exotic. I'd go for sure. Besides, I love Chinese food. I could eat it every day.”“Really?” she said .“Sure, why not? I'd love to go. I love the whole idea of adventure.” “Well anyway,” she said, “I don't know what they are going to do if I don't go. It's to be the Director of the visual merchandising program in an international fashion school and they've got no one else who could do it.” “No seriously, I'd go. I mean I have no idea about what you do and… I'm a guy and that means genetically I actually don't like shopping and I've only ever designed the escalator and fountain at the Eaton center. But let them know that I'd do it.”We finished lunch, climbed over the snowbank of freshly plowed snow, crossed the street to get back for afternoon classes and a few weeks later I was walking down the stairs of a plane in the stultifying humidity at Changi airport.Monday morning, I was the program Director of the Visual Merchandising Department at LaSalle International Fashion School … in Singapore… and… I had no idea what I was doing but knew my career had taken a significant and abrupt turn.The world of retail design had found me, and I never looked back for the next 20 years.Over those 20 plus years I learned from some masters in retail design and visual merchandising. I arrived in New York after a year, spent an afternoon with Gene Moore, was introduced to Peter Glenn and ended up working with Joe Weishar New Vision Studios. I spent the next four years listening to and watching Joe talk about visual merchandising practice as both art and retail strategy.For Joe Weishar visual merchandising wasn't just a display tactic but was a creative discipline that blended art, design and retail psychology. He merged visual perception and design principles and he would layout a store or a wall with the same mechanics of laying out a composition of a painting – proportions, scale, focal points. He celebrated Visual merchandising as an art form that shaped memorable experiences rather than simply placing products on the shelvesAll of those basic art principles were things that I was deeply familiar with. I had been in private art studios that my parents put me in at the age of nine because they recognized my passion for painting.I had gone to architecture school and spent the first eight years of my career doing traditional architectural projects – museums, libraries, houses, schools… that sort of thing and I taught the design same principles of scale proportion, balance, color, harmony and how you could use those things ultimately to tell a story to students in a College's interior design program in Montreal.Even in those early years of my career in the late 90s, I was learning that retail stores needed to be engaging the senses, and we should be thinking about creatively implementing textures, variations in lighting as well as sound and scent and not just focusing on what customers would experience with their eyes.I was learning that the senses were conduits for emotion and memory - that if you implemented design principles and thoughtful sensory-based visual merchandising elements correctly, that they would help to fill shopping baskets and engage customers in long-term relationships with a brand. These sorts of environments that engaged the senses would increase loyalty and invite return visits because, in the end, the store was simply a backdrop, a theater set for the full-bodied experience of a brand where main feature was the merchandise.If you thought of merchandise as elements in a composition and wrapped them in memorable display moments, it could make stores sing.This sort of thinking positioned retail as experience design rather than a purely commercial layout. The goods were a necessary part of the equation to be sure, but as I working through the foundational years of a retail design career, I saw that great retail places were more than a depository for stuff to be consumed, they had a palpable emotional resonance, they had soul. It was remarkable to me then, as a young retail architect, that we were designing with the purpose of selling…but it was more than that. Great stores fulfilled basic needs, desires and dreams. They were places for relationship building, with people as well as brands.They were story telling places that helped to message group belonging, wellbeing, connection and status. They were places where displays weren't random; they were meant to guide customers through a narrative journey. Every element was intentional, geared towards telling a brand story that invited the customer to participate in the story's unfolding.All of the effort that the designers, merchants and visual teams put into making the store wasn't just about “making it look good,” but making it work well. The design and visual strategy had to be grounded in retail metrics and customer behavior. In the end, our job as co-authors of this retail experience script was to move product.We would calculate merchandising units per square foot. We thought about how product would flow through a department from delivery to markdown and how adjacencies were critical – why groups of products were located next to what other products. We knew how many units had to sell in a department to make the financials work. There was business behind the beauty. Visual merchandising was a silent seller as author Judy Bell would say.In my early years, we didn't think too much about what happened to all the stuff after the store had aged or the season had changed. Graphics, fixtures and display items shifted along with the seasonal changes, holidays or special promotions. And a lot of it just got trashed. We began to think more deeply about the sustainability factor of our work and the impact of retail place making on our environment. It was no longer acceptable that the disposable economy would direct the design of store without any consideration for how it was eventually ending up in landfill sites. Lighting, manufacturing processes, materials, and lifecycles came under more scrutiny. These days, thinking about the sustainable nature of how we design and build stores is very much at the forefront of our thinking from the get-go.  Design firms are becoming B-Corporations whose mission is to be better stewards of our little blue dot. Along the way, teaching - both our clients as well as students in design programs - was something that never left the radar. What had been the precipitating moment - going from teacher to running a visual merchandising program at an international school in Singapore - would remain key to my professional experience. And this is where we can bring in my guest Joe Baer   into the story. Joe's story is so familiar because it is so similar. While we came to the retail world from different angles, our paths have many parallels and similarity in purpose – despite being from different orientations in the retail place-making paradigm.Joe is the Co-Founder, Creative Director, and CEO of ZenGenius, Inc., an experiential design firm specializing in visual merchandising and event design. Headquartered in Columbus, Ohio, Joe brings over three decades of mastery in innovative leadership and creative direction to the design, visual merchandising and special events industries. He has extensive knowledge of the customer journey from working in stores for decades and is a seasoned public speaker who has traveled the world to inspire and educate others through the art of visual merchandising, design and special events.Additionally, Joe has contributed his retail know-how to multiple publications, authored The Art of Visual Merchandising: Short North, and created one of my favorite events in the retail industry the Iron Merchant Challenge, a popular interactive visual merchandising competition held annually at the International Retail Design Conference. Joe's passion for the world of design is evident in his role as President of the PAVE Global leadership board - a 501(c)(3) charitable foundation with the mission to support, connect, and inspire the next generation of professionals in the retail design, visual merchandising, and consumer environments industry. He also holds Advisory Board roles at Columbus College of Art and Design and VMSD Magazine. Joe leads with passion, purpose, pure joy and believes in celebration so I see our conversation as a celebration of Joe Baer's commitment to his retail industry involvement.ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron the Retail Studio Principal for the architecture and design firm Little (https://www.littleonline.com). He is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. I caught up with Bryan at the SHOP Marketplace event in Charlotte and chatted about his focus on shaping what comes next in digital signage and experiential design. The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

What makes a bag feel alive after years of use—not just intact? We sit down with Grant Anderson, founder of Uptown Common, to explore how hand sewing, vegetable-tanned leather, and solid brass hardware reshape durability into desire. Grant breaks down why quiet construction details matter more than logos, how pricing honestly protects makers, and what it takes to build products that improve—not disappoint—with age.Key Takeaways: • Craft is a practice, not a claim — True quality comes from repeatable habits, not labels. • Price for reality, not romance — Underpricing breaks makers long before it serves customers. • Scale without dilution — Apprenticeship and end-to-end making preserve integrity as you grow.Our Guest: Grant Anderson is the founder of Uptown Common, a leather goods brand built on hand sewing, vegetable-tanned leather, and heirloom construction. Known for his disciplined approach to craft and pricing, Grant also founded Leather Reserve, expanding access to high-quality Italian leathers for independent makers committed to materials that patina, perform, and last.Host Emily Blumenthal is a handbag industry expert, author of Handbag Designer 101, and founder of The Handbag Awards. Known as the “Handbag Fairy Godmother,” Emily also teaches entrepreneurship at the Fashion Institute of Technology. She is dedicated to celebrating creativity, craftsmanship, and the art of building iconic handbag brands.Find Handbag Designer 101 Merch, HBD101 Masterclass, one-on-one sessions, and opportunities to book Emily Blumenthal as a speaker at emilyblumenthal.com. Youtube: / Handbagdesigner101-ihda | Instagram:/ Handbagdesigner TikTok: / Handbagdesigner | Twitter: / Handbagdesigner

Our guest today is the incomparable Kenneth D. King, returning to the Sew & So Podcast after first joining us on Episode 72.Kenneth is a New York–based haute couturier renowned for his mastery of evening wear, couture technique, and design education.Born and raised in Salinas, Kansas, and later moving to Oklahoma, Kenneth's path to fashion excellence led him to earn a degree in fashion merchandising from Central State University and to study patternmaking in San Francisco under Paris-trained Simmin Sethna. His extraordinary career includes selling to elite boutiques such as Maxfield, Wilkes Bashford, and Ultimo, designing for icons like Geena Davis, Cloris Leachman, Bernie Taupin, and Elton John, and having his work featured on red carpets, music videos, and television commercials.Kenneth's creations now reside in the permanent collections of the De Young Museum, LACMA, The Oakland Museum, and London's Victoria and Albert Museum. In addition to designing, he is an Adjunct Assistant Professor at the Fashion Institute of New York, a Contributing Editor for Threads Magazine, an instructor for Craftsy and Burda, and the author of multiple acclaimed books on couture sewing techniques.In this episode, Kenneth joins us to discuss his newest book, Doll Couture – The Red-Carpet Edition, his inspirations, collaborations, and what continues to drive his creativity today. (3:35) Kenneth reminds us how he learned to so and who influenced him.(4:40) He tells about his grandmother and her influence on him.(5:20) He talks about why people are forced to create in a certain style and what can be done to more out of this mold.(7:53) He talks about his new inspirations and gives us a history lesson on new York's Ladies' Mile.(10:26) Learn about Kenneth's collaborations(11:40) What was it like for Kenneth to work with his husband Andrew?(14:23) What's new with Kenneth?(16:07) Learn about Kenneth's new book Doll Couture – The Red-Carpet Edition.(18:15) How is this new book different from the first one?(21:00) Learn about the book's Easter Eggs(21:15) What Red Carpet moments inspired his character's designs?(22:33) Does working on a small-scale change how he thinks about proportions and other considerations?(24:05) What items from doll sized couture will help those creating full-sized garments?(25:20) How long did it take Kenneth to complete his book?(27:06) There was an untraditional path to publishing Kenneth's books…he shares this with us.(31:48) What's it like when he is finally handed his first copy of a new book?(33:40) Kenneth recounts the story of his relationship with Elton John and the hats he created for him.(36:00) What's next for Kenneth?(37:34) What's his dream? And, how can you help?!(38:10)What question didn't we ask that he wished we had asked?(38:33) Reach out to Kenneth at KennethDKing@earthlink.com Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

ABOUT JENNIFER:LinkedIn Profile: https://www.linkedin.com/in/thejenniferwalsh/ Websites:https://www.walkwithwalsh.comBio:For nearly 30 years, Jennifer has been at the forefront of transformative movements in beauty, retail, & biophilic design. As a consummate innovator, she has been dedicated to reimagining the human experience, whether through pioneering retail concepts, creating immersive outdoor experiences, or driving biophilic design solutions across industries.In the 1990s, Jennifer founded Beauty Bar, the first experiential omni-channel beauty brand in the U.S., introducing open-sell environments, curbside service, and men's skincare departments, concepts that reshaped how people shop for beauty. This trailblazing work integrated biophilic principles long before they became mainstream, earning recognition as an industry innovator. After selling Beauty Bar ultimately purchased by Amazon in 2011, she continued to build groundbreaking businesses and brands, always staying ahead of the curve. Another first was created in 2014 with Pride & Glory, a collegiate beauty brand. Today, she guides large and small scale biophilic design projects to create spaces that promote human flourishing. From Recharge Rooms to retail spaces, homes, schools, and urban landscapes, her work transforms environments into ecosystems of opportunity. All inspired from lived experiences. Jennifer helps organizations leverage the neuroscience of nature to enhance experiences, foster resilience, and build deeper connections within their organizations.SHOW INTRO:Welcome to Episode 84! of the NXTLVL Experience Design podcast…In every episode we follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.” And as we continue on this journey, we'll have guests that are thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections betw een our mind-body and the built world around us.We'll also have guests who are creative marketing masters from international brands and people who have started and grown some of the companies that are striking a new path for us follow.If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family.The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 84… I talk with Jennifer Walsh who for nearly 30 years, has been at the forefront of transformative movements in beauty, retail, & biophilic design. Jennifer is an innovator, and has been dedicated to reimagining the human experience, whether through pioneering retail concepts, creating immersive outdoor experiences, or driving biophilic design solutions across industries.Talking about biophilic design isn't new on the podcast, this time though we bolt on retailing, neuroscience and experience. This conversation is more introspective and looks at one's motivation to change to considering our environments and biophilic design from the point of view of sense of well-being and personal growth.We'll get there in a minute but... first a few thoughts…*                     *                          *                          *If you go back to the early episodes of the podcast, you'll come across Bill Browning. Bill and I connected while I was working the hospitality industry and focusing my efforts on the redesign of the Westin guestroom and lobby design strategy.Bill's world is Biophilic – both literally and philosophically, may be even existentially. He literally wrote the book on Biophilic Design's 14 principles, which now includes a 15th with the addition of ‘Awe,' and he has written a more recent publication with Katie Ryan called “Nature Inside,” it is a terrific handbook to implementing Biophilic design principles in built environments.I think a lot about the design of places where nature has been completely eliminated - think major downtown cities in any corner of the world.It is also not lost on me that when I sit working in my Home Office I have the extraordinarily good fortune to lookout on 2 1/2 acres of green space with a rolling hill down towards a creek that when it rains particularly hard overflows and becomes a small river in my backyard. But this point of view to my backyard and the way I feel sitting on my deck having a morning coffee is not just about the warm feeling of my cup in my hands but that there are key principles of biophilic design at play - namely refuge and prospect. Being exposed daily to these perspectives towards a forest at the back of my property I have an immediate body sense of calm, wonder and awe.I see sun rises to the left of my property and sun sets to the right. The re are Canada geese that, like clockwork, fly over my backyard every fall as they migrate South. I'm attuned to the textures and colors of the sky and the varying degrees of light intensity - bright and brilliant and dreary and diffused.All of these features of a natural world have the effect of putting me at ease.In the past few years, I've begun to connect that mind body experience, the somatic experience of natural places, with what I understand about neuroscience and our long evolutionary history of living the largest proportion of our human development among trees - in a real jungle versus the concrete ones that we have now built all around us.It's no surprise that the Japanese practice of Shinrin-yoku – forest bathing – is actually therapeutic. When we immerse ourselves in a forest atmosphere, using all five senses to connect with nature, we are promoting stress reduction and well-being. Slowing down, and taking mindful walks, appreciating sights, sounds, and smells is so good for us and yet many of us, especially those who are city dwellers, rush from place to place making sure to stay on the clock moving from one appointment to the next and filling our schedules every day with a mind-numbing number of things to check off on our To Do List Taking a moment to disconnect from technology calms the mind and body and has proven benefits like lower stress hormones and boosting immunity.The multi layered, highly textured and colored natural environments that we have evolved from, are often being replaced by environments of banality that actually have deep psychological effects when we are continually exposed to boring buildings.Bringing this intuitive sense, that natural environments support well-being, into the design of built environments, and intentionally creating places that reference biophilic principles, often proves very hard to do in a world where efficiency and productivity leading to increased profitability are what we are taught to drive towards as a reflection of success.Many times, adding plants to a space is an afterthought, like decoration, to make things look better - but they are not really being incorporated as a strategy for building environments to enhance well-being. Interestingly though, when people learn more about how to apply biophilic principles, beyond simply introducing plants as a nod to creating more nature-based experiences, they begin to also understand that their assumptions about adding additional cost may not be well founded. If you consider designing with nature in mind from the get-go, incorporating principles of biophilic design in the places we build as part of the strategy, then managing the costs is totally achievable.Anthropologie stores are a great example of introducing living green walls to their stores. Too be sure, these are not without expense both in their implementation and maintenance but the effect of walking up the grand staircase with this green wall rising from floor to ceiling across multiple levels feels wonderful. I still remember one of my first experiences in the Anthropologie store on Regent Street in London and have since sought to find similar experiences in other retail stores around the world. Design ideas like the green walls in Anthropologie stores is a conscious, intentional, move that enhances experience as well as environmental air quality. We simply feel better when we were places like this and if that turns into reduced absenteeism of associates or increased customer visits then… all the better. There's no question that being under a wash of fluorescent light standing on hard surfaces or sitting in cubicles is perhaps one of the worst ways to be productive and happy in our workplaces. I would imagine that sales associates in Anthropologie stores generally feel better than in big boxes with uniform high intensity lighting, relentless aisles of merchandise, hard surfaces and stale air with no natural sunlight.Full disclosure, when I look back over my career of designing retail places, very infrequently has the design team spent time considering what it would be like to be a sales associate in one of these places. Standing for hours on end in environments that are depleting leads to poor interactions between sales teams and customers. Seems kind of obvious but when people feel better in their workplaces, they're more likely to translate that to positive interactions with guests. More positive interactions with guests could naturally lead to larger basket size and increased number of return visits. All good if you're a retailerAnd yet, we seldom see retail places that fully embrace ideas that support well-being through the strategic introduction of biophilic design principles.New disciplines in the world of neuroscience like neuroaesthetics are beginning to be more widely accepted in the design community and there is a broader recognition about the positive effects of creating environments that apply principles of biophilia that enhance a sense of well-being. And while there is a growing trend of wider adoption of neuroaesthetics we need to keep on beating the drum about environments that are actually good for us.This is where the story leads to my guest Jennifer Walsh.In the 1990s, Jennifer founded Beauty Bar, the first experiential omni-channel beauty brand in the U.S., introducing open-sell environments, curbside service, and men's skincare departments - concepts that reshaped how people shop for beauty. Jennifer says that she just wanted people to feel good when they came into her store and she somehow intuitively knew that introducing elements of biophilia, though I'm not sure that we actually even had a name for it back then, into her store, would attract people, have them stay longer and return more often.Jennifer's integration of biophilic principles, long before they became mainstream, earned her recognition as an industry innovator. After Beauty Bar was ultimately purchased by Amazon in 2011, she continued to build groundbreaking businesses and brands, always staying ahead of the curve.Today, she guides large and small scale biophilic design projects to create spaces that promote human flourishing. In retail spaces, homes, schools, and urban landscapes, her work transforms environments into ecosystems of opportunity. All inspired from lived experiences. Jennifer helps organizations leverage the neuroscience of nature to enhance experiences, foster resilience, and build deeper connections within their organizations.ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron the Retail Studio Principal for the architecture and design firm Little (https://www.littleonline.com). He is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. I caught up with Bryan at the SHOP Marketplace event in Charlotte and chatted about his focus on shaping what comes next in digital signage and experiential design. The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

Welcome to Season 6, Episode 01! Happy New Year! Our guest today is Peter Jae, a multi-hyphenate performer in Hollywood. Peter Jae is an actor, stunt performer, producer, and multidisciplinary creative with over two decades of experience working across film, television, and independent projects. Born in Brooklyn and raised primarily in the Bronx—with time spent in Queens as well—Peter grew up navigating identity as a Korean American in predominantly Black and Latinx neighborhoods. Those early experiences deeply shaped his worldview and continue to inform the stories he chooses to tell and the characters he brings to life. Before entering Hollywood, Peter pursued a wide range of creative paths. He attended a performing arts high school, studied menswear design at the Fashion Institute of Technology, and even launched his own urban greeting-card business. That early blend of art, entrepreneurship, and storytelling set the tone for a career defined by versatility rather than a single lane. Although his first opportunities in Hollywood were focused on stunt work and action, he has expanded into more substantial acting roles, appearing in projects such as Blackhat, Olympus Has Fallen, and numerous television productions. He is especially recognized for his work in Ktown Cowboys, an Asian American–led project that allowed him to portray a multidimensional Korean American character—something he has long advocated for in an industry that often limits Asian men to narrow stereotypes. Most recently, Peter stars in The Workout, an independent action-driven film that blends physical intensity with psychological tension. The story centers on discipline, survival, and the personal battles that unfold when routine, control, and identity collide—both inside and outside the gym. The film highlights Peter's ability to merge his background in stunts with grounded dramatic performance, reinforcing his reputation as an actor who brings authenticity and depth to physically demanding roles. You can follow Peter Jae and his latest work on Instagram at @peterjaenyla. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Emily Blumenthal, known as the "Handbag Fairy Godmother," is the author of Handbag Designer 101, a comprehensive guide for aspiring designers. She also founded the Independent Handbag Designer Awards to spotlight emerging talent and hosts the Handbag Designer 101 podcast, which showcases the stories behind iconic handbag brands. Emily is a Professor of Entrepreneurship at the Fashion Institute of Technology. In this episode… Many women entrepreneurs struggle with scaling their businesses, often finding themselves stuck between growth and control. They are conditioned to take on too much, fearing delegation might dilute their brand or message. How can female founders shift from managing every detail to building sustainable, scalable businesses? Handbag industry expert and entrepreneur Emily Blumenthal has developed the CASM framework — customer, agony, solution, and monetization — to validate business ideas before investing resources. This methodology, combined with persistence, allowed Emily to land her products on Sex and the City and QVC. She encourages female entrepreneurs to embrace delegation, reframe failure as a stepping stone to success, and develop clear strategies for long-term growth.  In today's episode of the Lead Like a Woman Show, Andrea Heuston chats with Emily Blumenthal, the author of Handbag Designer 101, about her entrepreneurial insights. She talks about empowering young girls through early entrepreneurship, the skill sets she leveraged to launch her business, and the origins of the Independent Handbag Designer Awards.

From Freudian fashion to sumptuous saris, courtly courtesans to iconic opera costumes, we take you "behind the seams" of our recent fashion history-packed day tours of New York City spent at the Fashion Institute of Technology, The New York Historical Society, The Metropolitan Opera and the Metropolitan Museum of Art.  Further learning: Valerie Steele's Dress, Dreams, and Desire at the Museum at FIT The New York Sari and The Gay Harlem Renaissance at the New York Historical Discounted tickets for The Metropolitan Opera Antonio Ratti Center Noel Catherine Vorlée 1783 and ca. 1804 at the Metropolitan Museum of Art Man's Jama with Poppies  Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keanna Sanders.